The Nation Newspaper

Author: The Nation

‘It’s wrong to say gospel music is an easier genre’

Known simply as Mista Olamilekan, Temitope O. Olamilekan is a gospel artiste that is fast creating a name for himself with his brand of music, which he says is aimed at impacting life, entertaining and bringing people to the realisation of the kingdom of God. Recently offered a slot on the 2024 TOCSS Foundation International USA ‘Artist In Residence (Films and Music Category), Olamilekan shared his feeling with Gboyega Alaka.

A number of people are of the opinion that gospel music is an easier genre of music to delve into because the resources are very much available – such as the bible, the numerous Christian hymns and even old songs that can be remixed to sound anew. What would you say to this?

It is not anybody that sings gospel that ministers. There is a difference between singing for singing sake and ministering to impact and win souls. Ministering has to do with a personal encounter and relationship with God and the Holy Spirit. So it doesn’t just come easy like that. So, no, it’s not an easier genre. there are preparations for you as a gospel singer to journey well. Else you’re just an ordinary entertainer.

You’ve been quoted as saying you enjoy using music to bless souls, for humanitarian service and for public good. How do you mean?

Well, music is medicine on its own. The kind of music I do is to bring people to the realisation of the kingdom of God and to entertain. Christianity is not boring and it is my own way of saying you can find whatever you want, even more in the fold of Christ. I love to impact people and make them realise that in gospel music there is entertainment, there is encouragement, there is bringing us back to order in case you’re backsliding. It is divinely received.

Have you always been an independent musician or you started with a group?

I started in 2005 as a church chorister; then in 2018, I joined a renowned gospel artist Bidemi Olaopa. I was with him till 2003 and we were going from churches to churches, evangelising through our music.

Let’s look at your journey so far; do you have any album yet?

I have several singles including ‘The Lord is my Shepherd’, it’s a highlife kind of music. After that I had ‘Let us pray,’ it’s a prayer in Yoruba, and that’s because I realised that most Christians are lazy when it comes to praying. Then I had ‘Spiritual Ginger,’ ‘Resurrection Praise;’ it was released last Easter to celebrate the resurrection of our Lord Jesus. I have also had several collaborations, including one with Press Play a producer and singer in Meta meta; one with Ayanfe Classic in ‘Blood of Jesus,’ and another with Olusayo Orodele in ‘Under my feet’.

Read Also: 200 Chinese firms show interest in Nigeria

You have been offered a slot on the 2024 TOCSS Foundation International USA ‘Artist In Residence (Films and Music Category), what does this mean to you?

I am indeed grateful to God for this opportunity and mostly elated about the platform. I plan to accept this offer because I am confident that I have something valuable to share on this platform and this is indeed a blessing from God to share it with the world.

The TOCSS Foundation Artist In Residence Programme is a tool for learning and development, mentoring and coaching, and community service; how might you contribute to these efforts Can you train others or mentor other talents?

With the experience gathered from my years of service, and also with the help of God, I’ll efficiently contribute positively to the efforts of the TOCSS Foundation. I have mentored few people directly and indirectly in this field. I can definitely train and mentor many more others.

You are also a part of the Temidayo O. Music Medicine Project, what is your take about using quality music to promote public health and safety?

Quality music can be a powerful tool for promoting public health and safety, especially when combined with a larger public health initiative. Music has an amazing capacity to connect with people on an emotional level. Catchy tunes and memorable lyrics can engage and help one remember public health and safety messages better than dry lectures. Aside from that, music can reach a diverse audience across cultures and languages. A well-crafted song can be translated or adapted to appeal to a variety of demographics. Upbeat and positive music can encourage a sense of community and inspire people to act. In essence, music can become a part of a cultural dialogue. A catchy song about handwashing or using a seatbelt can start conversations and normalise healthy habits.

Have you been to any other country to minister or perform?

I have been to The United Kingdom to minister with my former boss as a background vocalist during his concert in May 2023. And I can tell you it was a remarkable experience. The turn out and genuine love from everyone was quite overwhelming.

June 23, 2024
‘I come to regulate, not to ban’ – Husseini

Recently, there was an uproar in the media that the National Film and Video Censors Board (NFVCB) led by its Executive Director, Dr. Shaibu Husseini had banned some certain scenes in the video industry in Nigeria. A few weeks ago, the board invited art writers and editors to a gathering in Lagos to explain what it described as the new regulations and restrictions meant to move the Nollywood and the creative and entertainment industry forward. Ozolua Uhakheme and Edozie Udeze were there.

It was a stand that was long overdue. Most Nigerians had waited for years for government to act on certain situations in the Nollywood. Now, that it has finally come to pass, it is hoped that the sanity that is needed to move the film and entertainment industry in Nigeria forward will help create a new lease of life. In recent past, the Executive Director of National Film and Video Censors Board (NFVCB), Dr. Shaibu Husseini had impressed it upon the public that the Minister of Arts, Culture and Creative Economy, Hannatu Musawa had given permission to place restrictions on some aspects of the film and creative industry in Nigeria.

Part of that mandate was, first and foremost, to place new regulations on smoking, tobacco products, money rituals and ritual killings in movies. And that it should no longer be business as usual where certain obnoxious and offensive scenes in films are either celebrated or glamourized without due regards to the sensitivity of the general public. A few weeks ago, Husseini invited Art Writers Organization of Nigeria (AWON) to intimate them on the stand of the federal government on these issues in the home video industry. Even though Husseini assured that the new regulations and restrictions will not distort or stifle productivity and creativity in the industry, it is now clear that those ugly norms that have put some Nigerian films in bad light have to stop forthwith. Only universally accepted norms have to be followed and obeyed henceforth.

In the gathering made up of art editors, critics, senior art reporters and others, it was an apt moment for all concerned to listen and agree with him that the time for this long awaited sanitization has come. Husseini, a long time follower, critic, umpire and lover of the Nollywood, was open enough when he said, “I did not ban smoking in Nollywood. I have not stopped such scenes; what we have done is just to announce some restrictions based on new regulations”. His concern and the concern of the Ministry is that if allowed unchecked, some of the scenes bothering on tobacco, on glamourization, on money rituals, and on the powers usually bestowed on native doctors, on juju and such other innocuous scenes in Nigerian films would soon snowball into a norm, with many people thinking it is a normal way of life.

He said further, “Our decision will not stifle artistic creativity in the entertainment industry”. He explained that the regulations permit producers, where absolutely necessary; to depict smoking scenes in movies, music scenes and skits, especially for reasons of artistic expression and historical accuracy. For him however, such scenes must neither glamourize tobacco or tobacco products nor have been sponsored by tobacco industry. In all intents and purposes, the Minister Musawa who gave the approval allowed it to be titled “prohibition of money ritual, ritual killing, tobacco, tobacco products, nicotine product promotion, glamourization, display in movies, musical video and skits, – regulation 2024.

Read Also: Nigeria’s public debts hit N121.67tr

The engagement was organised by NFVCB in collaboration with Corporate Accountability and Public Participation Africa (CAPPA). The event was well attended. As it is now, this regulation is awaiting government approval. Emphatically, the Executive Director said, “I commit to a Censors Board that will move completely from censorship to classification. I commit to a Censors Board that will move from the present analogue stage of classification to a digitized stage. I commit to a Censors Board that will commit itself to be responsive to the society and responsive to stakeholder and of course, the Federal government that set it up

“I am telling you today that the regulation is not self-serving. I am also telling you today that there is nothing anti-creativity about that regulation. Indeed, there is nothing about suppressing creativity in that regulation. I cannot be on the Censors Board as an artiste and also suppress creativity. I am an artiste myself. In fact in our last meeting about 51 Nollywood stakeholders pledged their support to this new code of practice, insisting that they would do their best to help rebuild the Nollywood”. Time therefore has come to ensure that producers are made to understand that this industry has to follow some moral order. This is what the new regime led by Husseini has come to institute and impose so that the young ones are no longer taught wrong doctrines and habits via films.

The restrictions on smoking go beyond the blatant display of nicotine and the sort. All over the world the Surgeon General has warned and has continued to warn that smoking is dangerous to your health. Updated statistics has it that over 8 million people die yearly from nicotine related diseases and sicknesses. These are preventable deceases. So why allow such situations to develop and grow roots in Nigeria via the home videos? If the World Health Organization (WHO) in its wisdom is warning people to desist from tobacco, why would Nollywood watched by millions of people, home and abroad, openly propagate such negativity. Open advertisement of tobacco has been abhorred everywhere in the world.

Apart from the lopsided scripts amateur writers push into the film industry, the new regulation has to zero down on the content of stories. People have to research well into the traditional stories that they push into the industry. There has to be an enlightenment campaign or the sort in the industry to let writers know, for instance, the difference between traditional beliefs and cultism. The two are not the same. Traditions are meant to guide and safe a people and not to hoodwink them as often represented in most stories in the home video genre. Where people are encouraged to use rituals to acquire big wealth and often sacrificing human beings to make money is totally abnormal. It is based on this that most young people go to any length to make money

A script writer should know also there is a clear cut difference between native doctor and a herbalist. When such nomenclatures are mixed up, the result is a cancerous home video that succeeds only in creating more confusion in the minds of viewers. The new restrictions or regulations should monitor the quality of stories. The journey of a film commences with the script; more so, by the calibre of the person who is writing or doctoring the story. Indeed, sanity and total overhaul are what the industry needs now. Since the Nollywood is the second largest film industry in the world after Bollywood, therefore let the desired professionalism be infused into it.

When this is done, most people across age and class can safely and confidently sit down and watch Nigerian stories; stories that have depth and lessons to offer. It is time also to start discouraging ignorant filmmakers, more so, gatecrashers into the industry. This is an industry that has increased the GDP of the industry. It has engaged a lot of Nigerians by offering them meaningful employment. Emphatically, Husseini is saying “I have come to do what is necessary to encourage creativity”. This is the time to take the industry to the next level.

The man Husseini

A long time film critic with The Guardian Newspapers where he ran a column for years, Husseini finds unbridled passion in following the development and growth of Nollywood. Ever since its inception in the 1990s, he has chosen to be one of its most passionate and the greatest promoters in ways of writing, offering guidelines and advice, joining in judging awards, prizes and quality of films and more.

So, when his appointment came, it did not come to many by surprise. Husseini is a scholar/civil servant. He started out as an artiste, in fact, as a professional dancer. Today he has a PhD in Mass Communication from University of Lagos after making a First Class Honours in the same course in his first degree. He has brought his zeal into the film and video board where he has since swung into action.

June 23, 2024
National Theatre resonates with World Cultural Day celebration

It was just a day to remind the society about the nuances of culture. Tagged World Cultural Day, and celebrated across the globe yearly, it was time for the management of National Theatre, Lagos, in collaboration with National Association of Nigerian Theatre Arts Practitioners (NANTAP) to celebrate varieties of Nigerian cultural elements and ingredients. This was on Tuesday 11th June and EDOZIE UDEZE was there as the arena was ignited with the presence of artistes, stakeholders, culture eggheads and more.

It was a bubbling day for all theatre lovers. Artistes were in joyous mood; while staffers of the National Theatre, Iganmu, Lagos, trooped out in their numbers to grace the celebration. This was on June 11th, when the World Cultural Day was celebrated. Venue was the Abe-igi section of the National Theatre and the celebration was organized by the management of the Theatre in collaboration with the National Association of Nigerian Theatre Arts Practitioners (NANTAP). The theme of the celebration was: Harnessing cultural diversity to foster unity and drive economic growth.

It was an apt theme that helped to define the new mission and vision of the Ministry. It also goes to elaborate a fresh mandate handed down to the Theatre management which implores them to be up and doing. In other words, the moment to keep theatre premises alive through the organization of cultural and theatrical programmes every now and then has come. And so, as artistes gathered with the hope of a new era, it was also a moment to recreate the sector through versatile activities. While this went on artistes wore broad smiles on their faces showing in truth that time for economic growth and creativity is here.

The Black Edge production opened the floodgate of cultural displays. As the dancers and singers took over the stage, the atmosphere was set agog. With people, both children and adults adorned in different colourful wears and attires, it became obvious that varieties of native wears can give meaning to what makes the people stand out in the world. While the dancers entertained on stage, the drummers raised the tempo of the arena. For a while it seemed the booming of Bata and Gbedu drums would keep the arena ever steamy. The sounds rose and fell, slowly seeping into the embers of guests. Even then most people almost got on their toes to join them on stage. Soon after this first phase of dance, Ogun, a sensational solo dancer and social media influencer took her turn. Her sensational outing further defined the real essence of creativity as part of the growth of an economy.

Read Also: AKK gas pipeline project crucial component of Nigeria’s industrialization, economic prosperity – Minister

Her sassy movements on stage, with easy body movements, she showed that her bulky frame was no deterrent. She showed that fluidity is real and an added advantage to a dancer. Not done yet, Mrs. Tola Akinlere, the General Manager of National Theatre stepped elegantly onto the stage to welcome guests to the occasion. She was graceful in her carriage. Her elegance was not only electrifying; her classical poise was filled with the confidence of a lady ready to take Theatre and cultural matters to the highest level. She said “It is with great pleasure that I stand before you today on this auspicious occasion as we the National Theatre in collaboration with NANTAP celebrate World Cultural Day. Our gathering here is not merely a celebration of our diverse cultural heritage, it is also an opportunity to explore how we can leverage diversity to foster unity and propel economic growth in our beloved nation, Nigeria”.

With an impeccable smile on her face, Akinlere went on: “Nigeria, our great nation is like an Adire, a George or babariga woven from countless threads of culture, language and tradition. Yes, from the rhythmic beats of Yoruba drums to the colourful masquerades of the Igbo, from the captivating storytelling of the Hausa to the exquisite beadwork of the Niger Delta and the unmistakable acrobatic ensemble of the Atilogu dancers, our cultural wealth is a testament to the resilient, creativity and ingenuity of our people”.

With this stunning statement, the stage was set for greater performances by different artistes. The ever ready National Theatre choir soon went on stage. It was not surprising as they adorned themselves in different styles of local attires, men and women, all colourfully made as they represented the 445 ethnic groups of the nation. Their songs magnified the unity of the nation, they hinged on diversity, on love and cohesion. They sang in Hausa; they gestured in Yoruba and they heralded in Igbo, all in conformity with the acronym: though tribe and tongue may differ, yet in brotherhood we stand. Those who could not dance openly easily shuffled their legs and tilted their heads to the rhythmical flow.

One could see in truth and in spirit how cultural ingredients and properties can be used to diversify love even to the point of a crescendo. Spicing the stage with innuendos, slogans and metaphors and in some cases wise sayings and all, artistes put up their best postures and displays ever. It was a moment to cherish, a time to actually fall in love with Nigerian cultures. Suddenly people were taken down to Owo, Ondo State, where Shekere dance holds sway.

The Black Edge dancers were not done yet. With slow, steady and rhythmical movements of their legs, the dancers came on stage again. The songs were solemn and provocative, the style was shekere, this popular and award-winning soul- searching dance of the Owo people. With the tempo rising steadily now, the lead singer prowled in a frenzy on stage. She mesmerized the audience with candid smiles and dance steps. The shekere form of dance belongs to Owo people and it is styled on native sentiments. It synchronizes with the trendy nature of the people. There is plenty of love and accommodation in the songs; even the drums said it all as they went more frenzy in their sounds and evocation.

As expected the rhythm of the songs softened the arena, while some people familiar with the dance showed their approval. Just in conformity as well, the costumes made of deep purple with dangling red beads on their necks and ichaka and horse tail in their hands further lent beauty to the outing. As they dazzled uncontrollably, people lost count of time. It was like the arena stood still as their voices rose high resounding into the cool afternoon atmosphere.

More performances followed however. The presence of some artistes and lecturers from different universities, more so, the University of Lagos, added more impetus to the occasion. Artistes also came from sister parastatals and some nearby artistes’ settlements within the National Theatre complex. Now with Ben Tomoloju, one of Nigeria’s foremost culture activists, teachers, playwrights and writers handling the keynote address, the occasion soon regained its flavour. Tomoloju themed his speech: Exploring the role of multiculturalism in promoting entrepreneurship and innovation in Nigeria, he went into the areas that have to be properly harnessed for culture to meet the desired mandate in Nigeria.

He said “it is a morally daring effort to address the subject, “multiculturalism”, these days in Nigeria because there are some factors on grounds which negate the sense of the subject in our sociopolitical life. Inter-ethnic-cum-religious conflicts which jeopardize the occupational activities of the rural populace are major amongst these factors. And, obviously, our authentic cultures are best expressed from the traditional perspective of which the rural communities are the greatest custodians. The bloodshed and incendiary executions happening in the name of religion and ethnic rivalries are what prompt one to submit that addressing multiculturalism in Nigeria is morally daring because they are internal contradictions in the affairs of the country which show traits of frustrations of the various attempts to foster a true sense of multiculturalism in Nigeria.

“Nigeria, without doubt, is “a very ethnically diverse country with about 370 ethnic groups each with its own indigenous language and cultural peculiarity. This accounts for the much-vaunted rich cultural heritage of the country because the sheer variety, based on the huge number of ethnic nationalities cited above, is quite intimidating. So much is it that a single produce somehow reflects the resourcefulness of the country. The potential and resourcefulness of Nigeria can be metaphorically illustrated by one of its major cash crops; the oil-palm tree. So productive is the oil-palm tree that it is being put to not less than thirty different uses by members of the Nigerian rural communities as well as other African countries where it is grown”.

He explains further, “here are a few of such uses. The spines of palm leaves are used to produce brooms for sweeping. Palm oil is produced from its fruit as a major food ingredient. The shaft of palm fruit once the oil is extracted is used for making fire. Traditional body lotion is extracted from palm kernel.

Palm wine, one of the most popular alcoholic drinks is tapped from the palm tree. Even at a higher grade, ogogoro, otherwise known in some other parts of the country as akpeteshie, another popular alcoholic drink in the gin category, is produced from the palm tree. The trunk of the tree is used for the building in the rural areas”. And so on and so forth.

A panel was set up on the long run to address certain knotty areas of Nigeria that are diverse but can be used to unify the country. These are languages, religion, attires and hairdos and so on. Members of the National Theatre team who addressed the themes did well to pinpoint areas for peace and harmony. On that note however, the celebration ended in a grand style.

June 23, 2024
SNAPSONG 221

A Warm Welcome

Here it comes again

     The long-missed month of June

As it did last year

     And the year before

Holding the year

     By its tender waist

A full fateful half

     That is sometimes fuller than the whole

The cornfields are green

     With their tasseled triumphs

Pumpkins roll and rock

Read Also: 21 deaths in 401 Lagos cholera cases

     In the theatre of the furrows

February’s famished rivers

     Are back with billowing bounty

The mountain’s millennial wrinkles

     Have vanished with the gleeful showers

The rains are back

     But alas, not our fortune

In this grim land and its drought of dreams

     And the long, long distance between

The morsel and the mouth

     The Have-alls laugh with their banker friends

The Have—nots drown in the flood of want

     Yeah, we jazz June* in different ways

•From the poem ‘We Real Cool, by Gwendolyn Brooks

June 23, 2024
‘My journey from Leo to District Governor’

Come July 1, Lion Tolulope Senbanjo will mount the saddle as the youngest ever Lions Club District Governor for District 404B2 Nigeria and indeed Africa. How did he pull through the tough competition for the coveted position and what are his plans for club and district? Senbanjo, a financial expert and chartered banker shared his vision and mission with Gboyega Alaka.

T 38, you are easily the youngest District Governor ever to be elected in Africa. Can you share with us your journey from being a Leo? What inspired you onto this path?

My journey from being a Leo to becoming the youngest District Governor in Africa has been remarkable. As a Leo, I embraced the values of service and leadership, fueling my desire to make a lasting impact on my community and beyond. My experiences instilled in me the importance of teamwork, empathy, and dedication. Serving in various leadership roles within the Lions Club has prepared me for this role, and I am proud to bring my passion and commitment to the forefront.

Your theme for this year is “Service First, Creating a Lasting Impact.” Can you elaborate on this and how it will guide your tenure?

My leadership theme, “Service First, Creating a Lasting Impact,” means prioritising the needs of others and working towards sustainable change. This theme will guide my tenure by focusing on initiatives that prioritise service and create a lasting impact. I aim to inspire and empower our members to embrace the spirit of service, collaborate effectively, and leverage resources to maximise our impact.

You have plans to establish a District Secretariat and a Food Bank costing over 250 million naira. Tell us about these projects and their expected impact on the community?

The District Secretariat will serve as the heartbeat of our activities, providing a dynamic space for our initiatives and enhancing our visibility. The Food Bank, costing over 250 million naira, will be a lifeline for vulnerable communities, tackling food insecurity and promoting nutrition. These projects will significantly impact the community by providing essential support and addressing fundamental needs.

Read Also:FULL LIST: Abuja, Lagos rank 1st, 2nd in cheapest cities to live in Africa

What specific strategies will you implement to ensure that your tenure as District Governor leaves a lasting impact on the community and beyond?

To ensure a lasting impact, I will implement strategies such as community engagement, partnership building, and youth empowerment. Focusing on sustainability and continuity, I will ensure our initiatives thrive beyond my tenure. I believe prioritising membership growth, leadership development, and community involvement will create a culture of enduring service.

What challenges do you foresee in executing your major projects and how do you plan to overcome them?

Anticipated challenges include funding and resource constraints. I plan to overcome these through strategic partnerships, innovative fundraising initiatives, and effective resource management. Engaging with stakeholders, building relationships, and leveraging technology will enhance our reach and impact.

As the youngest District Governor, how do you plan to engage and motivate younger members of the community to participate in service activities?

To engage and motivate younger members, I will establish a youth council, provide mentorship opportunities, and create initiatives catering to their interests. Leveraging the social media and technology, we will enhance our reach and engagement, making our mission resonate with the younger generation. We are going to engage the Leo Club, which is the youth arm of the Lions Club on programs that would aid leadership development, and we will provide them with an opportunity for development and contribution, individually and collectively, in order for them to become responsible members of their various communities.

What are your strategies for increasing membership in the Lions Club, especially among the youth and young professionals?

To increase membership, I will focus on youth engagement, social media marketing, and community outreach. Providing incentives and recognition for new members and those who refer them will drive growth. Empowering our global membership committee and leveraging on all the existing membership growth initiative and structures that our organisation and international office has provided to drive membership growth will help develop effective retention and growth strategies.

How can Lions Club members support your vision and contribute to the success of your initiatives?

By volunteering, donating, and spreading awareness about our initiatives. Their active participation and engagement will be crucial. I encourage members to take ownership of our initiatives and contributing their skills and expertise to drive our mission forward.

What inspired you to consider the provisioning of HMO service for all Lions and also empowering Lions and Leos with Business Grants?

Considering HMO services and business grants for members aligns with Lions International Values and our commitment to collective well-being and economic growth. A healthy and empowered membership is essential for our success, ensuring we have the strength and resources to make a difference.

How do you plan to balance your responsibilities as District Governor with your personal and professional life?

Balancing roles requires effective time management, prioritisation, and delegation. I will ensure my responsibilities as District Governor do not compromise my personal and professional life. Establishing a support team will help manage my responsibilities, allowing me to prioritise self-care and maintain balance.

What legacy do you hope to leave at the end of your tenure as District Governor?

I hope to leave a legacy of sustainable impact, community transformation, and a culture of service that endures beyond my tenure. Inspiring a new generation of leaders and creating lasting community impact are at the heart of my mission.

What message do you have for the community and the Lions Club members as you prepare to take office on the 1st of July, 2024?

Embrace the spirit of service, work together towards a common goal, for lasting impact. Let us unite to make a difference and build a better world for all.

June 23, 2024
IWD: Stop stigmatization of widows – Aboyeji

Patricia Olayinka Aboyeji is the CEO/Founder of Saint Raphael Support Foundation, a non-governmental organization (NGO). In this interview with OLAITAN GANIU, she speaks on the challenges and stigmas many widows are facing in commemoration of this year’s International Widows Day.

“We need to take into account that all the abuses, barbaric, and malicious ways of dealing with widows in the name of culture, is posing a lot of problems to the mental health of these vulnerable women,” she said.

Continuing Aboyeji said, “Majority of the women get confused and often lose concentration or focus including their memories because the stress levels are tremendously high which results in their inability to function well.”

In Nigeria alone, statistics show that there are over 4 million disadvantaged widows with over 21 million children. An average of 500 wives become widows on a daily basis.

Widows have been referred to by the United Nations as “invisible women” (UN Women, 2001) due to the absence of data on their situation. This document provides a review of the evidence on harmful cultural practices against widows and preventive measures.

“Despite the huge rise in the number of these sets of women, just a little is known or heard about them and their wellbeing simply because, historically their issues have been left unseen, and unmeasured. Their voices are unheard, and their agonies go unnoticed. This relates that they are silent victims and forgotten sufferers.

“However, the Bible is against any form of abuse or violence against the widows. the book of Exodus 22:22-24 says “You shall not mistreat any widow or fatherless child. If you do mistreat them, and they cry out to me, I will surely hear their cry, and my wrath will burn, and I will kill you with the sword, and your wives shall become widows and your children fatherless.”

Read Also: Nigerians must stick together, keep hope alive – Tinubu-Ojo

She described a widow as a married woman who has lost her spouse or partner. They become single married women who have lost their husbands to death and automatically lose the identity of their marriage status.

“As of 2019 before the global pandemic, the world statistics show that there were about 259 million widows across the world, 116 million of them live in extreme poverty, about 86 million widows have faced various forms of physical and emotional abuse, and an average of 2 million of their children are liable to die before the age of 5.”

“Facing the reality, the Bible in the book of James declares, “Religion that is pure and undefiled before God the Father is this: to visit orphans and widows in their affliction, and to keep oneself unstained from the world. (James 1:27). Let us jointly take care of the less privileged widows in our society and the nation as a whole will be greatly built.

June 23, 2024
A word for Obasanjo, Atiku, Eedris Abdukareem

By Allison Abanum

There are a variety of ways in which individuals engage in societal discourse, sparking a deluge of public perspectives. From seasoned public figures who should be well-versed in responding to matters, to ordinary individuals who may lack accurate information, everyone seems to be voicing their opinions.

While everyone is entitled to their own personal views, some are more substantiated than others. Take music, for instance. It serves as a potent tool and a fundamental aspect of society. For many, it transcends mere entertainment, as it has the ability to elicit responses to specific issues, creating a narrative that resonates with listeners, influencing their thoughts, and ultimately leading them to draw conclusions.

With a profound understanding of the impact of music, it is crucial for musicians to meticulously vet the information they convey in an effort to showcase their artistry or establish a deeper connection with their audience, particularly as the media, whether social or mainstream, grapples with the proliferation of misinformation, particularly regarding matters of national significance.

While freedom of expression is a fundamental tenet of a democratic society, its misuse can lead to detrimental consequences. In essence, prior to making pronouncements on topics of widespread interest, it is imperative to exercise due diligence in ensuring the accuracy of the facts presented.

This is one principle that popular rapper Eedris Abdulkareem appears to lack comprehension of despite being recognized as a trailblazer in Nigerian hip hop and rap music. Regarding the importance of being mindful of the impact of musical content, particularly on matters of national significance, it is crucial for musicians to recognize their growing influence on public perception in today’s society.

Perceived as far beyond his prime, Abdulkareem’s recent musical composition addressing issues in Nigeria, is as deceptive as the notion of his potential resurgence in the music industry is. Undoubtedly, the country is currently facing one of its most challenging periods. However, disseminating inaccurate information exacerbates the situation. Much of the details presented in the lyrics of the new song are unequivocally erroneous and misleading, particularly regarding the figures and expenditures associated with the Tinubu-led administration. While advocating for governmental financial transparency is undeniably valid, citing specific amounts and insinuating financial mismanagement without thorough investigation and careful scrutiny is unequivocally wrong, akin to spreading false information and potentially illegal in many jurisdictions.

Read Also: 200 Chinese firms show interest in Nigeria

The discussions are ongoing regarding the current state of the nation. We can attribute Abdulkareem’s incompetence to a lack of credible information or a quest for musical relevance, Moreover, how should we interpret the statements made by experienced elder statesmen and individuals well-versed in leadership, who should understand the significance of promoting accurate narratives?

As much as it well appreciated and respected, the recent commentaries by former President Olusegun Obasanjo regarding the economic crisis facing the country, the current administration’s response to it, and the recommendations he has made, lack inspiration and are not entirely valid. This is particularly so given his presumed understanding of the complexities involved in addressing the nation’s challenges, as well as the role that previous administrations played in contributing to the current economic turmoil. Suggesting that the administration led by Tinubu should emulate Zimbabwe without taking into account the fundamental differences and unique aspects of each country’s economic crisis is far from reasonable.

Proposing that our government draws lessons from another government that is currently not outperforming us simply because they have faced a similar economic crisis in the recent past is not the ideal or beneficial approach. Nigeria’s situation is markedly distinct from that of Zimbabwe. The contributing factors that have led us into this predicament vary significantly.

They range from mismanagement by past administrations to the detrimental impact of insecurity on agricultural output, from alterations in fiscal and monetary policies to the complex reality of a highly diverse nation where everyone is vying for inclusion and political significance. Nigeria’s circumstances are notably intricate, necessitating a meticulously devised strategy for recovery, a task that the Tinubu-led administration is undertaking with due diligence.

The economic challenges in Nigeria are multifaceted and therefore require a comprehensive approach. The path that has brought us to this point differs significantly from that of Zimbabwe, thereby necessitating distinct solutions or pathways forward. As a result, it is reasonable to expect more from a seasoned leader than a mere suggestion to replicate another country’s action plan, particularly when that country is not in a superior position compared to Nigeria at present.

Former Vice President Atiku Abubakar has recently articulated his views on how the nation can navigate the challenging times. While emphasizing the significance of imports and exports, it appears that he, among others, may be either overlooking or disregarding the broader perspective.

The removal of fuel subsidies stands out as a key economic policy implemented by the Tinubu-led administration. This decision was long overdue and absolutely necessary, given that previous administrations, including those led by former military leaders such as Presidents Olusegun Obasanjo and Muhammad Buhari, either failed to take action or lacked the courage to do so. The Tinubu-led administration has courageously taken this decisive step to liberate our financial resources from the grip of corruption and exploitation orchestrated by a select few under the guise of fuel subsidies.

Undoubtedly, a significant portion of the current economic challenges can be attributed to the removal of fuel subsidies. This move was expected to pose initial difficulties but was also seen as essential for fostering sustainable long-term economic growth. The administration led by Tinubu has only been in office for a year, and premature judgments are prevalent from various quarters, though largely unwarranted. The groundwork for economic recovery is being established, with recommendations from figures such as Abubakar hinting at the potential for improvement as if to say “we can do better”. These thoughts clearly align with the overarching goals of this administration and are surely part of the plan which must first see a wholesome foundation laid.

Patience is paramount at this juncture, a fact that seasoned political figures should be aware of. For instance, a key aspect highlighted by one of the opposition figures during the elections was his achievements as a former governor. However, a thorough examination of the Peter Obi-led administration in Anambra State revealed minimal accomplishments during his first term. One could argue that this period was crucial for laying the foundation for the remarkable successes witnessed in his subsequent term. These achievements now serve as strong selling points for his current aspirations. It is therefore reasonable to expect that statesmen such as Atiku and former President Obasanjo comprehend that in our current challenging circumstances, hardships may precede progress. Thus, whether it involves proposals to boost exports, promote genuine federalism, or draw insights from other nations, Nigeria under the leadership of the Tinubu administration is gradually advancing towards its goals, all of which I am certain are outlined in the overarching strategy.

While the opinions and advice of leaders and elder statesmen are highly valued and appreciated, Nigerians anticipate a greater level of inspiring reactions and realistic takes from these experienced figures, rather than merely offering suggestions on issues that they themselves struggled to address effectively during their time in power.

As the tide of public sentiment continues to surge, I like other Nigerians are inclined to believe that the Tinubu-led administration is keenly aware of the gravity of the current state of the country. The economic policies being implemented demonstrate a team with an action plan. While these policies may be bringing about an initial unpleasant reality for many, particularly the average Nigerian citizen, I, like numerous others, maintain optimism regarding the capabilities of this administration to navigate the nation away from a seemingly perilous path, towards a path that promises prosperity in the end.

•Abanum writes from Orogun, Delta State.

June 23, 2024
Professor Tunji Olaopa and there form struggle in Nigeria (3)

Even though he is evidently of a very serious cast of mind, Professor Tunji Olaopa is a captivating and arresting story teller who delicately and intricately weaves his personal narratives of his childhood experiences, educational career and intensive, continual quest for spiritual insight and philosophical self-discovery with his evolution as an eminent reform thinker, scholar and bureaucrat. His narrative throughout the book is gripping even when he is applying his mind to seemingly arcane subjects or writing at a relatively high level of abstraction.

Born into a polygamous home, the author dilates incisively as regards his perceptions of the strengths and Weaknesses as well as challenges of polygamy. The author writes of his personal experience of the Yoruba adage that “only the parents give birth to a baby, but it takes the entire community to raise a child”. He states that “Indeed, the more my father married new wives, the more the family grew into a small community of its own in a larger community, especially at Aawe”. Even though he admires his father’s adroitness in managing his large polygamous family, Professor Olaopa notes the suspicion, thinly disguised hostility and emotional unpredictability that are often negative experiences of polygamy.

Thus, he writes of his deep commitment to monogamy in his family life and narrates the story of a loving home predicated on firm shared commitment with his wife and children and informed by strongly held Christian values. His reflections on ‘Christianity and the Spiritual’ as well as ‘Further Philosophical Reflection on my Spiritual Journey So Far’ in chapters six and seven are further portrayals of the author’s practical adherence to the Socratic admonition that “the unexamined life is not worth living”. His meditations on the essence of existence and the meaning or meaninglessness of life would cause many a reader to ponder and evaluate the philosophies and values on which their lives are predicated.

If all that exists is matter which decomposes and disintegrates at death, after which there is purportedly no after life or spiritual reality, does it then matter how we live or what we do? Do we then have any right to ask moral questions or give value judgements on the lives of others?

Read Also: Bago condemns ill-treatment of Nigerian pilgrims in Hajj

Of course, Professor Olaopa’s life has naturally had its own fair share of adversities, vicissitudes and challenges. At about the age of five or six, for instance, he encountered political thugs of the bloody operation wetie era in the Southwest in Ibadan who gruffly pushed him aside and proceeded to douse a vehicle in petrol and set it ablaze with its unfortunate passengers trapped inside. This traumatic imagery remained in the mind of the young boy and it was years later as a student of political science at the University of Ibadan that he was able to come to grips analytically with the dynamics of bitter political competition, and the crisis of violence and instability in post-colonial Nigeria.

In another narration, the author relates his near-death experience with a protracted brain ailment of indeterminate provenance which lasted for ten years well into his undergraduate years in the university. This, in addition to his foray into distracting students union politics at the University of Ibadan affected his grades during his first degree where, to his utter discomfiture, he graduated with a second class lower division degree in political science. The unrelenting fighter that he is, Olaopa was to make up for what he perceived was a lapse in his first degree that he made up for by performing brilliantly at the postgraduate level and going on to become one of Nigeria’s most accomplished bureaucrats and public administration scholars.

According to the author, “the master’s programne was a most intense period for me. As I had earlier narrated, I was motivated by my initial undergraduate failing to overreach myself. And I did. One of the remarkable recognitions of my frenetic intellectual restlessness was the call I got from one of my highly-Rev-erred teachers, Professor Femi Otubanjo, as regards an interview for a position as research assistant. It was later I got the scintillating news that it was the sage himself, Chief Obafemi Awolowo, who was looking for a replacement for his personal political Secretary, the inimitable Odia Ofeimun”. Although he eventually got the job, Olaopa was unable to resume following the passage of Awolowo on May 9, 1987.

A seminar paper titled “Potentials for Revolutionary Change in Nigeria” which he wrote and presented during the late Professor Peter Ekeh’s ‘Marxism’ class at the masters level at UI sought to interrogate Ekeh’s theory of the two publics and Ali Mazrui’s thesis on Africa’s triple spiritual heritage “to explore possibilities that could hinder coalition-building for revolutionary change in Nigeria”. Fascinated by the theoretical weight of his submissions and insights, Ekeh encouraged Olaopa to build on this study with an in-depth examination of the issue of people-centered and grassroots social mobilization for development. One wonders at this point, why Olaopa was more attracted and influenced by scholars of a rather conservative orientation like Plato and not scholars of a more radical persuasion like Marx, Lenin, Nkrumah, Franz Fanon, Walter Rodney or Claude Ake.

Ake in a piece on Marx’s continued appeal to African intelligentsia had reasoned that Marx’s political theory had the liberation from oppression at its core and was concerned with the imperative of social change in sharp contrast to bourgeois social scientists who are more preoccupied with preserving and ensuring the stability of an oppressive and repressive status quo. Ake also opined, however, that Marxist theory was grounded in the context of the unfolding capitalist system at the centre when he wrote; was fixated with the challenges of capitalism and its inherent cyclical crises in Europe and hardly addressed his mind to the challenges of largely underdeveloped and still essentially feudal societies in confronting their desperate existential conditions.

Particularly intriguing is Professor Olaopa’s discourse on his encounter with various dimensions of spirituality in his characteristic exhaustive and rigorous search for a religious belief system that offered a coherent and credible system for making sense of reality and ordering one’s existence in an often bewildering human universe. He thus reports in graphic detail his intellectual adventures with Lobsang Rampa’s writings and the mysticism of the Far East, the spiritual meditations of the gnostics, the phenomenal intellect of the fathers of the Catholic Church, the mysteries of the Ifa corpus and his experimentation with the Rosicrucian mystic sect in his student days.

In his words, “The Ifa corpus also instigated the same interest in me. It encompassed the cumulative philosophy by which the Yoruba have lived for centuries. How then could it be pagan or anti-God? It did not take long for me to realize, first, that a knowledge of the inner workings of Rosicrucianism or Awo (Yoruba cults and their guided knowledge) requires a deeper immersion in certain spiritual frameworks than my intellectual fascination could achieve. There is an extent to which I could excavate the depth of these mystical practices without being a member. And membership was what my intellectual temperament and religious background cautioned against…while my fascination with Ifa cosmology, mysticism and Rosicrucianism satisfied the curiosity of my ever questioning mind, I was always cut short at the point of making a final commitment to the spiritualities”.

Although he is a Christian of a more moderate Pentecostal persuasion, he abhors what he describes as “the simplistic fixation with the miracle mentality as well as prosperity theology and all its obscene manifestations”. The first part of the book deals with the author’s growing up experiences and the factors such as education, religion and deep immersion in Yoruba cultural and moral ethos that shaped his life values and nourished his underlying passion for personal and institutional reforms in Nigeria.

From his first job at the Oyo State chapter of the defunct Directorate for Mass Mobilization, Social Justice and Self-Reliance (MAMSER) where his frequent articles on the national condition caught the attention of top functionaries of the military President, General Ibrahim Babangida, Olaopa, before long resumed work at the Speech and Policy Analysis Unit in the Office of the President. In meticulous detail, he writes on his steady rise within the public service hierarchy, the triumphs and failings of his insistent attempts at institutional reforms at his diverse postings, his rise to the apex of the Service as a Permanent Secretary and his unexpected and premature retirement when he still had so much to offer. This book can also be called ‘The Reformist Manifesto’. In chapters thirteen, fourteen and fifteen in particular he enunciates in knowledgeable detail his agenda and reformist philosophy for the emergence of a result-oriented and productive public service in Nigeria as a necessary condition for the country’s liberation.

June 23, 2024
Court orders final forfeiture of N12.18b Abuja properties linked to Emefiele

The Federal High Court sitting in Lagos has permanently forfeited to the Federal Government properties valued at N11,140,000,000.00 (billion) and N1.04 billion linked to the embattled former Central Bank of Nigeria (CBN) governor, Godwin Emefiele.

Justice Chukwujekwu Aneke made the order of final forfeiture after hearing a motion filed and argued by the Economic and Financial Crimes Commission (EFCC), through its counsel Chineye Okezie.

The judge had on June 5, 2024, upheld the anti-graft agency’s motion filed an argued by its counsel, Rotimi Oyedepo (SAN), for an interim forfeiture of the property.

Oyedepo informed the court that Emefiele was suspected to have bought the choice properties by proxy, with the proceeds of fraud.

The EFCC named two current and one former CBN staff as Emefiele’s accomplices in the alleged fraud.

The trio, according to the affidavit filed in support of the application, are Obayemi Oluwaseun Teben and Akomolafe Adebayo working with Olubunmi Makinde a former CBN staff and others.

The properties are mostly located in highbrow parts of the Federal Capital Territory (FCT), Abuja.

Justice Aneke ordered the EFCC to publish the order in a national newspaper for any interested party to show cause why the final order of forfeiture should not be made.

Read Also: Why Corruption can be defeated in Nigeria – EFCC boss

The judge adjourned for hearing of the motion for final forfeiture.

Upon resumption on Friday, June 21, no party appeared in court to contest the judge’s interim order and Okezie moved her motion for permanent forfeiture.

Justice Aneke, after reading a 41-paragraph affidavit deposed to by an EFCC Investigating Officer, Michael John Idoko, the 19 exhibits attached, a Written Address signed by Okezie, and after hearing Okezie’s motion, granted the application.

The properties were listed by the EFCC in two schedules, A and B.

The judge said: “Having carefully considered the application and submission of counsel, it is hereby ordered as follows: – that a final forfeiture order of this honourable court is hereby made forfeiting to the Federal Government of Nigeria, properties contained in Schedule A herein which were traced and reasonably suspected to have been acquired with proceeds of unlawful activities.”

They Include shops and apartments at Cadastral Zone Maitama and Wuse.

For Schedule B, Justice Aneke added: “That a final forfeiture order of this Honourable Court is hereby made forfeiting to the Federal Government of Nigeria, properties contained in Schedule B herein which properties were traced to have been acquired with proceeds of unlawful activities.”

The properties include lands and apartments which were paid for on behalf of Oluwaseun at a total value of N1.04billion.

According to the affidavit, Obayemi Oluwaseun Teben and Akomolafe Adebayo working with Olubunmi Makinde “used their positions and Influence as CBN staff to secure retail and Special allocation of Foreign Exchange to different companies in exchange for kickbacks.

“That Olubunmi Makinde is the link between Obayemi Oluwaseun Teben and Akomolafe Adebayo and the various companies applying for the purchase of foreign exchange.

“That Obayemi Oluwaseun Teben and Akomolafe Adebayo as staffs of the Central Bank of Nigeria has access to the bidding processes and bidding Data of companies who has applied for the approval of form Ms to the CBN through their various commercial banks.”

June 22, 2024
13 tips for a blind date

Blind dates can be so unnerving even for the confident ones. Basically, you just want to hook up with a person you haven’t met before.

Few things strike terror into the hearts of men so much. What is the person going to look like? Are you both going to vibe together? What if it’s a total disaster?

Here are some few pointers on how you can survive a blind date:

START WITH A PHONE CALL

Before going on a blind date, it is important to talk to your date on phone, listen to her voice, get more details about your date, make plans about the date, ask her about her background and what interests her so much, so when you go on that first date, though it’s blind, it’s not in the dark

BE POSITIVE

Nobody likes a curmudgeon, stay positive. Set your expectations to be neutral. Don’t be too negative or assume you are about to embark on a worst case scenario. If you keep thinking then the outcome would surely turn out to be a bad one, so when going for a blind date have a positive mindset.

Give yourself a chance to have fun and enjoy each others’ company .Even if the date doesn’t end up in a romantic relationship, the both of you might end up becoming tight friends which is also a good thing.

DON’T BE TOO ANXIOUS

Don’t be too full of disquietude when going for a blind date, Anxiety kills your self- esteem and questions might begin to pop up in your mind which can lead to negativity. It is okay if you are nervous or anxious but it should be at a minimal level. Build up confidence and set out for your date. The outcome result would be positive.

WEAR SOMETHING SMART AND LOOK MODERATE

Remember, you’re meeting someone you don’t know or seen before. If you’re overdressed or under-dressed, you’ll make him or her feel uncomfortable. What you should target is that your date should notice that you’ve made an effort to look presentable.

If you’re a woman, don’t go for any outfit that makes you feel conscious. That means skip the 6-inches which might make you stumble or prevent you from taking a comfortable walk alongside your date as well as the tiny dress that you need to pull down and adjust every few minutes.

Read Also: Heavyweights show class at WTT Contender Lagos

If you’re a guy, avoid overly casual clothes. You can still wear something that looks great and feels comfortable without going the t-shirt and thongs route. The most important thing is that you wear something appropriate for a first date.

REMEMBER GOOD HYGIENE

Though it goes without saying, it’s impossible to be objective with yourself. As a result, you may have a hygiene problem and not know it. A good buddy can put you on the right track ASAP.

BE YOURSELF, DON’T FORM WHAT YOU ARE NOT

If you find your date very attractive, there’s no need to form yourself, don’t embellish any stories about yourself or even brag about yourself just so you can impress him or her. Fine you want your date to find you appealing in return but being fake or feeling arrogant isn’t the way to do that.

This might just cause your date to feel intimidated or see you as someone who is proud and up yourself. Be warm and interesting but above all adopt the code which states “BE YOURSElf”

It’s good to talk about your accomplishments or success in life, in as much as it is appropriate to the conversation and was not brought up to brag about yourself.

CHOOSE A SUITABLE PLACE FOR THE DATE

This is a blind date and so you don’t want to be stuck in an upscale restaurant for a full course dinner with someone who might turn out to be not your type.

If your taste is not the coffee shops and parks, arrange to meet in a place where you’re sure you will have a good time. That way, it can be by the sea shore, or anywhere that is pleasant.

BE GENEROUS

Women read generosity as a reflection of a generous heart. For example, be generous with your feelings, be open, share your story, listen to hers… and pick up the bill.

ALWAYS TAKE ENOUGH CASH

You don’t know the kind of person you want to meet but it is advisable that you take your own cash when going for a blind date to be on a safer side. Who knows your partner might fuck up and just escape and leave you alone to sort the bills. Just play safe.

LISTEN ADEQUATELY AND CAREFULLY

Some people just want to talk about themselves. Use this opportunity to learn about your date if he/she is worthy to be in a relationship with. Every person has a story to tell. You may be missing an epic tale if you’re too busy talking about yourself. In the case of you listening you might not understand something so just ask questions to be clear about it.

CREATE A SENSE OF HUMOR

Laughter is the best medicine for a blind date, just to make the place lively. Say things that are funny but not stupid. Ensure the date is not a dull one, make the date a memorable one that he/she would even want to request for a second time.

PREPARE YOUR OPEN-ENDED QUESTIONS

You don’t want to appear like you’re cross- examining your date. If you’re a naturally curious person, then stick to open-ended questions. That way, you’re leaving the door open for your date to tell you more about himself/herself.

AVOID BEING JUDGEMENTAL

Love, at first sight, is great but don’t be too quick to dismiss someone if you don’t feel an instant connection.

You may find that your impression of your date a second time around is quite different to the first, and much better. Try to keep an open mind and don’t be too critical.

June 22, 2024