Author: The Nation

  • Multiple baggage checks: FAAN, ONSA collaborate to reduce physical contact at airports

    Multiple baggage checks: FAAN, ONSA collaborate to reduce physical contact at airports

    The Federal Airports Authority of Nigeria (FAAN) and the Office of the National Security Adviser (ONSA) have concluded plans to reduce the numbers of military and paramilitary personnel at Nigeria international airports who have physical touches with passengers’ baggage multiple times.

    Multiple checks by these personnel, investigations reveal constitutes delays and numerous inconveniences to travellers passing through the airports.

    The new deal is part of government’s rejig of security and traveling protocol at the nation’s gateways.

    The government said it is committed to streamlining travelling and related protocols at airports for seamless passenger facilitation.

    Over the years, complaints have been on the rise  of unnecessary multiple checks of passengers’ belongings carried out by  many security agencies’ officers who mount checkpoints inside  terminals at international airports.

    Experts in the aviation industry have called for a streamlining of such exercises as well a drastic reduction of such agencies personnel while others suggest a centralised structure of checks to be adopted to reduce the numbers of human contacts passengers belongings are subjected to.

    Managing Director of FAAN, Mrs Olubunmi Kuku, at the weekend disclosed that the agency and the Office of the NSA have agreed to carry out short and long term measure to address the issue including the creation of a joint coordination room where all the agencies can view CCTV cameras to ascertain what they are looking for.

    Mrs. Kuku described the development as disturbing, but affirmed that the issue was the first thing she inquired about upon assumption of office adding that she personally sat down with the National Security Adviser, Nuhu Ribadu to discuss how to streamline the facilitation processes.

    While addressing complaints on multiple baggage checks, the FAAN MD said:“On the issues of the checking of baggage, it borders me so much and that was the first inquiry that I made when I assumed office. As far back as 2011 and 2012 when I was in the industry, this was something I have worked on with the former Minister.”

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    She said: “It actually goes beyond FAAN, a lot of those agencies, Customs, NDLEA, Quarantine Agricultural and Plant Services ,we now have EFCC, we have almost everybody at the airports, we had Executive order 001 during the Buhari administration to move them out under the then Vice President Office, now we have the National Single Window, I have personally sat with the NSA over the last five weeks to have conversations with him as to how we will streamline the facilitation.

    “We have agreed on a few things, the first one is a short term intervention where we reduce the number of agencies at the airports because we have some that were doing just sort of routine checks, just moving around to observe rather than disturbing passengers.

    “The second is the longer term, a joint coordination room, we do have cameras, so we are asking all of those agencies, depending on what it is they are looking for to move to the joint coordination room to look at the cameras and observed and for those that are more concerned with the baggage, they can move down to where we load the bags, that way they have better visibility than disturbing passengers.”

    However, she explained that the opening of passengers’ baggage was for a reason adding, “I believe that came about a couple of years ago, a lot of countries had issues with scanning devices that were coming from certain countries and as such they require secondary screening. You will see that some of the airlines have companies doing secondary screening on their behalf but a lot of passengers will think that it is FAAN because we are the face of the agency and the airports.

    “But that doesn’t take away from the coordination room that we have, so we take responsibility, we are trying to solve it. We are trying to have dual view cameras and put them and explosive devices a bit farther so that we are doing a secondary check without opening your bags.

    “If you go to Frankfurt for example, even after you get off the aircraft and go through security, for any flight that is departing for the US and certain countries, you will see that a secondary screening happens, is just that they are dipping their hands in your bags. Please bear with us, it is coordination that is required not just with FAAN, the NSA has stepped in and is now helping us vigorously.”

  • Deputy Speaker Kalu a rising star, outstanding legislator at 53 – Akpabio

    Deputy Speaker Kalu a rising star, outstanding legislator at 53 – Akpabio

    Senate president, Godswill Akpabio, has felicitated with the deputy speaker of the House of Representatives, Rt. Hon. Benjamin Kalu on his 53rd birthday.

    Akpabio, in a birthday message signed by his special adviser on media and publicity, Hon. Eseme Eyiboh described Kalu as a “rising star, a reliable colleague and outstanding legislator”.

    He applauded Kalu for effectively collaborating with him and other lawmakers to give Nigeria a voice and a place of pride at the Inter-Parliamentary Union (IPU) after 49 years.

    Akpabio said Kalu has exuded high level of commitment to nation building and support to Speaker Tajudeen Abbas to have a peaceful and resourceful chamber.

    He commended the deputy speaker for his patriotism and great love shown the people of the South East by leading a peace campaign using his Peace in the South East Project (PISE-P).

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    Akpabio said: “Honourable deputy speaker, I can say without mincing words that you’re a patriot. Since your emergence as deputy speaker, you have been preaching peace and unity, trying to reintegrate the people of the South East to the centre.

    “I must commend you for floating the PISE-P-, whose sole aim is to reestablish enduring peace in the South East region. I celebrate you for being a worthy representative of your constituents, the people of South East and Nigeria as a whole.

    “On behalf of my family, constituents and the Senate, I wish you a happy birthday and many more years of sound health and fruitful service to the nation and humanity.”

  • Roy Madu: Nigeria remains hope of black race

    Roy Madu: Nigeria remains hope of black race

    US-based Nigerian Roy Madu also known by the alias Towncrier, is an all-rounder in the true sense of the word. He is a singer, entertainer, scriptwriter, actor, movie producer, comedian and an entrepreneur. The Abia state-born business mogul who started off as a banker would later have a career switch when he travelled abroad for the proverbial Golden Fleece. In this interview with OLAITAN GANIU, he shares interesting insights on how he turned his arts and crafts to a commercial success. Excerpts:

    How did you come about the ideal and idea of Pan Afrikanism?

    Pan Afrikanism is the idea of uniting all the blacks worldwide for liberation.” The Late Kwame Nkrumah may have popularised it, but it is a creed many Africans have believed in for decades. Pan-Afrikanism is a wake-up call packaged in melodies. Yes, Pan-Afrikanism is in itself an interesting concept because it addresses a layered problem. After resisting prejudice and misinformation by external forces, we now have to look inwards. How have we contributed to our problem? This is because Pan-Afrikanism is a joke without African unity. Hence in the chorus, I pleaded with Nigerians to wake up to the occasion, “This present generation and future generation has no other country than Nigeria; let’s salvage our country, let’s find a solution to our political and economic problems.”

    That could make a good national pledge?

    It sounds like one, yes? Those words are not mine. They are from a man who once held the Office of Head of State in Nigeria, twice. These are words you cannot hate, or ignore because they capture the essence of the unique citizenship that is being Nigerian. I call it unique citizenship because first you are Nigerian, an African and a Black man. Nigeria has a lot of upright, overachieving exports and yet, our reputation tilts more to the negative. Thus, we are discriminated against by our own African sister nations and intercontinentally, by the West. The only place where we can truly be is Nigeria. It is home. The country has to work.

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    You have given those words a home in your songs…

    Words mean nothing if there is no medium to pass them in. By putting those words in a song, it gives it a deeper meaning. It is no longer an ideal, it is a lifestyle, a creed, an emotion. In between the verses, I sing about the unification of Africa for the goal of emancipation. But how can that be possible when Nigeria, the hope and giant of Africa, cannot even organise its political, economic and societal affairs into one cohesive and smooth working system? I wrote about my wishes for a greater Nigeria in the song: “Pan Afrikanism: PAN, PAN is the answer.” Nigeria has to rise up, because Africa’s future depends on her.

    That’s powerful and intentional of you. Where did you write the record Pan-Afrikanism?

    Though I wrote the song earlier while in Africa, it found deeper expression when I found myself in the diaspora. The deep thought resonated with what I experienced firsthand in the intentional subjugation of the black race. So, I decided to create a sense of brotherhood and collaboration among all African descent living abroad. This song became a rallying cry among my contemporaries.

    Was the location of production of the song important?

    I don’t believe it is, but it is symbolic. A song written about the unification of Africa in the US is written against the backdrop of racism and all calls out to the diaspora. Written in Nigeria, it is against the backdrop of tribalism and division. But the song was released in Nigeria. And I collaborated with a lot of African artists who share the same views in creating different versions of the song. Here in the US, the song became an anthem of sorts for the diaspora community.

    That’s beautiful. From your passionate advocacy for Pan-Africanism through your artistic endeavors, is it safe to assume that music is not the only medium you have used?

    You are on the right track. Yes, you would be right to ask such a question. A true artist dedicated to a cause would make his art about it, no matter the number of creative outputs he is capable of producing. A chunk of my filmography is dedicated to the Pan-Afrikanist cause.

    Was there any motivation for your films? When did you decide to go into films?

    As we are having this conversation, in a minute, I can list ten Western movies portraying Africa in a light that would shake you. When I was still living in Nigeria, I watched a lot of those films. They played into every stereotype paraded in the West. Africans are always portrayed to be crude in need of a white savior. That irked my soul, and that became my motivation. Here is the issue, they know about us, they know it is false, but Africa is a project to them, a market, therefore the image of Africa and how citizens of the Western world see Africa, must be controlled. Can you imagine a black American asking me how I managed to fly to the US? A Black American! Did you know that a whopping 65% of Americans have never left America? When I moved to the US I found out that a lot of them are uneducated and depend heavily on the media for education. As if that’s not enough, I saw the rot and downsides of their society, homelessness, the debts. No, they don’t get to create a negative image about us. These are the people who have such opinions about Africans. I realised that there was a space to change the African narrative and write our own stories. Even in modern Western movies the so-called Nigerian characters don’t even sound like Nigerians. I saw an opportunity to create our own stories, take back our history and image.

    Have you produced any movies?

    I took the liberty to tell other stories that show Africans are not monoliths that exist to glorify whiteness. Like other humans, we are lovers, we hate, we are funny, we get bored, we are complex, we are simple, and we are smart. I produced the following movies, Cross my Hearts, Eclipse, My Moi-Moi, The towncrier and I Surrender. I also started in all except Eclipse. In addition, I co-produced Juju, Lagoon and Second Chance.

    Have you noticed any obstacles to the goal of Pan-Afrikanism through film?

    There are many. The chief is Funding. Too many times I’ve seen great ideas die on no-budget productions. Even the simplest of ideas are not spared because low quality gear and operators ruin it. The result is having films that are unable to compete with other films at the Oscars. Then we have Piracy. For filmmakers and investors, filmmaking is a never-ending process. You finance a film, market it, make profit and throw in a chunk of that into another film project. Piracy threatens this cycle. It eats at the profits meant for filmmakers. Back in the day, Piracy was done on Compact Discs and DVDs. Today, there are websites dedicated to giving out movies for free. You visit them, search for any movie and download. Easy. But this ruins the prospect of profit for filmmakers. This doesn’t seem like what will go away soon. Movies are not distributed well enough for impact. Some films are even censored. All of these problems frustrate the attempts of those who desperately want Africa to work.

    But with distribution comes access. Some filmmakers have come up with plans to tackle the issue of piracy, poor funding and distribution.

     Many filmmakers produce low-budget films that are released on YouTube. This reduces the threat of piracy since YouTube is data-friendly. Creators on YouTube get paid on the basis of viewership. So filmmakers now look for ways to grow a faithful audience from different parts of the world. Nigeria is a hot commodity, so other African countries want to watch what we produce on YouTube. Now, YouTube is a different industry catering to a different market of its own. In fact, the movies are different there.

    With other Africans making a part of the viewership, it makes them automatically open to our messages. We have similar cultures, similar political problems, music and even food. We still haven’t settled the feud on which country has the best jollof rice. Based on this foundation of similarity, we can disseminate information easily and without problems. YouTube movies are usually marketed on other platforms like Facebook, TikTok and Instagram where interesting clips of the films are shared to hundreds of millions of social media users across platforms. This trend impacts social norms and attitudes among Africans, at home and abroad. The most beautiful part about this is that the movies defy the Western expectations of African society. Our films portray us as funny, satisfied, living in skyscrapers, using elevators, technology, the things they have in their civilisation, we possess also. This makes me proud. The media is a powerful tool for agenda setting and framing, if we do not produce good, pro-African media content, Pan-Afrikanism is a lost cause.

  • Kogbagidi champions street talents with Recording Academy

    Kogbagidi champions street talents with Recording Academy

    In a bid to uplift street talents, talent manager Olasunkanmi Quadri Taoreed aka Kogbagidi has initiated a remarkable mission through the Kogbagidi Recording Academy.

    This endeavour seeks to empower aspiring artists from underprivileged backgrounds, offering them invaluable support and guidance to flourish in the music industry.

    “I’ve been in the industry for decades, and I’ve always supported talented artists by giving them money to record their songs. But then I decided to create the Kogbagidi Recording Academy. It’s going to be easier for them, and they can learn more about music because most young and talented artists out there don’t know much about music. The Academy is to pave the way and support their vision and help them go global,” said Kogbagidi.

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    Emphasising his deep connection to the streets, Kogbagidi elaborated on his personal approach in reaching out to budding talents. “I do tell people that I am a street boy, and most guys making waves now are also from the streets. I message those young boys myself and sometimes pay for their transport to come to my studio. I’ve signed two of them, but I’ve not announced it because I want organic love for them. I don’t want them to be loved because of me,” he expressed.

    Reflecting on the hardships faced by emerging artists, Kogbagidi shed light on the harsh realities many endure. “There are a lot of challenges, especially because of our current economic situation right now. Some of them don’t even have a phone. Some of them don’t even have accommodation. They can’t think very well if there’s no accommodation,” he explained.

    Through the Kogbagidi Recording Academy, he aims to empower these individuals, providing them with the tools and resources necessary to pursue their dreams and make a lasting impact in the music industry.

  • Mayella’s Afro Soul EP Mayowale hits airwaves

    Mayella’s Afro Soul EP Mayowale hits airwaves

    Nigerian artist, Ajibola Oluwamayowa Ayomide aka Mayella, has made a remarkable entry into the music scene with the release of his debut EP titled ‘Mayowale.’

    The EP, a culmination of Mayella’s personal life experiences, features seven tracks that showcase his unique Afro soul style. Songs like ‘Looseguard,’ ‘Oil Dey my Head,’ ‘Pick my call,’ ‘My life,’ ‘Omo ope,’ ‘For the money,’ and ‘Pre-Order’ offer listeners a soulful and authentic musical journey.

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    Mayella’s music journey began in church and later evolved during his secondary school days when he formed a music group called the Fish Guys. His decision to go solo proved successful, especially after the release of his viral song ‘Bamidele’ in 2012, which encouraged him to focus on music due to its widespread acceptance.

    At the EP’s listening party, Mayella performed all seven tracks to friends, industry stakeholders, and well-wishers, expressing his excitement about the project. “This is side one of my EP; side two is coming soon. My pen game is great; it’s not bragging, but I know what I’m capable of doing,” he said. “My style of music is Afro soul because it’s more reality-based. It touches the soul.”

    Despite being a graduate of computer science, Mayella has found his true passion in music, with his EP already amassing over 1 million streams on Audiomack alone.

  • Celebs decry cyber bullying

    Celebs decry cyber bullying

    A good number of Nigerian celebrities have condemned the incessant attack on their personality by individuals, who hide under technology to harass, threaten, embarrass, or target their person. 

    From Davido to Burna Boy, Tiwa Savage and Funke Akindele, these celebrities have been targets of cyberbullying at various times.

    Recently, Funke Akindele was a target of cyberbullying when an Instagram user wished death on her children.

    The development did not only made the actress sad, she wept uncontrollably on an Instagram live session.

    This is coming after a respected monarch, His Royal Majesty, Oba Alayeluwa Saheed Ademola Elegushi, Kusenla III, has become the target of cyber bullies.

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    The cyberbullies have targeted the monarch and maliciously dropped his name in the paternity allegation involving late Nigerian singer, Mohbad’s son.

    The monarch, in strong terms, dissociated the royal family from the paternity dispute.

    The royal family distanced itself from having any connection with the paternity dispute over Liam, Mohbad’s son.

    He said some persons using different accounts on social media had been promoting the narrative and were dragging the monarch into the paternity issue.

    In tackling the issue, the monarch, through his lawyers, filed a petition against the cyberbullies with the police and security agencies to enforce his human rights and protect him from cyber bullying while he is hopeful the police will collaborate with international security organisations in this quest for redress.

  • DJ Soso Gospel redefines genre, set to release Forth Projects

    DJ Soso Gospel redefines genre, set to release Forth Projects

    Having debuted with a widely accepted mixtape, ‘Celebrate Yahweh,’ in 2015 that shot him into prominence, Disc Jockey cum On Air Personality, Moshood Abiodun Idris aka DJ Soso Gospel, is at it again.

    He is presently working on a new project that will guarantee music enthusiasts a refreshing wave of inspirational music remixes.

    The upcoming mixtape is entitled ‘The Forth Projects’ and will be released  in stores by December. However, he plans an online release ahead of the December release.

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    “This eagerly anticipated project promises to push the boundaries of gospel music remixes, offering listeners a fresh perspective on beloved classics,” DJ Soso Gospel said.

    He further said he’s not alone on the piece of art, as he features Raggie Rockstone, Mercy Chinwo, and Micah Stampley, among others.

    A multifaceted talent, DJ Soso Gospel is not only a skilled DJ but also a reputable artist who has carved a niche for himself in the art of remixing.

    DJ Soso Gospel also said his upcoming project will be a ground-breaking effort.

  • Spotlight on BBNaija’s Rachel

    Spotlight on BBNaija’s Rachel

    From an early age, former  Big Brother Naija housemate, Rachel Akowe set out to be a world acclaimed actress and today she is living her dream.

    In 2022, she decided to give it a shot and compete in the seventh edition of the Big Brother Naija reality show to launch herself into the world of entertainment.

    In the BBNaija House, she was a unique housemate known as a ‘Rider,’ which meant she could not win the competition but she could also not be eliminated.

    Featuring in BBNaija was a big boost for her career in acting as today she’s become a name to reckon with in Nigeria’s entertainment world.

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    Rachel, from Esanland, Edo State, studied Theatre and Media Arts at Ambrose Alli University, Ekpoma, Edo State. She has always wanted to be an actress and has acted in a number of movies, including “His Number One”, “Christmas Proposal”, “The Third Wheel”, “Empathy” and “Tania’s Trap, Mustapha”, among others.

    Rachel’s acting prowess has metamorphosed over time, making her one of the most sought-after actors in the Nigerian movie industry and across borders. Her fans yearn for more whenever she’s featured in a movie and any flick she appears becomes a bestseller.

    She is unique but versatile, a hardworking, amiable and dedicated professional with great work ethics, and adaptable to roles of any kind and this has propelled her growth in the industry.

    Today, her tenacity and resolve to conquer the movie industry have paid off as she features as the leading lady in an Amazon Prime film, “What’s the Big Deal About Marriage?”

    Currently, the film, which is trending in some African countries like Ghana, Malawi, Nigeria and Cameroon, highlights her improved acting skills and confirms her position as one of Nigeria’s galaxy of stars.

  • BNXN, Ruger discuss joint album two years after beef

    BNXN, Ruger discuss joint album two years after beef

    Unlike Wizkid and Davido, Bnxn and Ruger have decided to squash their beef on social media.

    Barely two years after engaging in a social media beef, Nigerian Afrobeats stars Daniel Benson aka Bnxn and Michael Adebayo aka Ruger have decided to work on a joint album.

    The Afropop stars decided to squash their beef and come together on a new album, ‘RnB.’

    The two had been taking shots at one another on X back in August 2022 and when Bnxn won the Next Rated Award at the Headies 2022 in September 2022, the beef became more heated with fans taking sides.

    “In Nigeria, the excessive stanship is real. If you like an artist or you feel an artist is your fave, you almost go to every extent to prove it — even if that means fighting somebody else that says otherwise. That was the primary reason,” said BNXN.

    In a recent interview, the ‘Gwagwalada’ singer thinks the whole thing was unnecessary and was blown out of proportion.

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    On their collaboration, Ruger said, “You know most Afrobeats artists, they’re always about gyration, enjoyment – let’s make songs people will party to, let’s talk about enjoyment and money and that. We’re talking about everything! Go back to our projects, we talk about everything, we talk about relationships. Most artists in Naija don’t talk about relationships like that, they talk about ‘your body’s banging, you’re fine, you’re this’ but we’re saying the deeper things. As much as the whole world is appreciating that part, I think Nigerians have to actually appreciate that about us, because when we go outside the country that’s what they love about us.”

    On his part, Bnxn said, “This project shows synergy at its finest. It shows quality, it shows the real essence of collaboration – how to bounce off each other, how to learn from each other, how to pick this and flow off what this person [did]. It’s like a relay race but we’re only coming first, you feel me. You gotta understand from the beginning to the end of every record, it’s a crazy collaborative process, from the artists to the producers, so I am beyond proud of this project. It’s why the last song we said “Not Done.”

  • Daddy Freeze: Overseas Not For Every Marriage

    Daddy Freeze: Overseas Not For Every Marriage

    Media personality Daddy Freeze has sparked a debate with his recent comments on the effects of relocating abroad on marriages, highlighting the challenges faced by couples in such situations. In a discussion, Freeze remarked, “Abroad is not for every marriage.”

    He expressed concerns about how living abroad can change the dynamics of a marriage, particularly for women.

    Freeze pointed out that living abroad can make women feel empowered and independent, potentially leading them to believe they can live without a man.

    “Abroad gives women the illusion, it gives them the strength to believe that they can survive without a man, so the women don’t need you abroad,” he noted.

    He also emphasised that while relocating may benefit some marriages, it can also lead to the destruction of others.

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    According to Freeze, financial implications play a significant role in keeping marriages intact in Nigeria.

    “One of the reasons why a woman won’t leave you is because she knows the financial implications of leaving you but abroad there are no financial implications.”

    He highlighted that in foreign countries, women can access support from the government for their children, making it easier for them to consider leaving a marriage.

    The media personality acknowledged that while many people appreciate the dynamics of an ‘abroad marriage,’ it is not suitable for everyone.

    He shared his doubts about his ability to survive raising kids or being married abroad, citing the high level of stress involved. “I’m not sure I can survive raising kids or being married abroad, the stress is a lot.”