Author: The Nation

  • Plus-size Fashion Week started to stop body shaming

    By Omolara Akintoye

    THE third edition of the Plus-size Fashion Week Africa (PFWA) is set to hold on Sunday, December 8, 2019, at The Traffic Bar & Restaurant, Ikoyi, Lagos.

    PFWA is a fashion runway show that highlights plus size models and apparels. This year’s event will feature a plus-size runway fashion show with 10 established and emerging designers. Hence, the PFWA team is calling on designers to showcase their designs at this year’s edition.

    The theme for the event is ‘Fashion & Nature’.

    “We have decided we are going for nature this year away from hotels and event centre hence the choice of the venue,” said the convener, Mrs. Temi Aboderin-Alao during a briefing.

    “We want people to relax with nature and everything beautiful.”

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    According to Aboderin-Alao, the focus of the brand has been the African woman and empowering black people.

    “We would like to invite all talented Plus-size designers to showcase their craft on the runway and show every plus-sized woman that they are beautiful regardless of their body-size,” she said.

    “Plus-size is not a disease, but rather beautiful. You can be the healthiest version of who you are and be plus-size.

    “The Plussize Fashion Week Africa was birthed out of the need to stop the stigmatization and body shaming of the plus-sized woman; we believe that every woman should be comfortable in her skin and body regardless of what the society thinks as long as they are healthy.”

  • 30 countries take part in INAC 2019

    By Okorie Uguru

    For six days, the Abuja Exhibition and expo centre, beside the International Conference Centre ,was a point of focus in the arts and craft as the International Arts and Culture expo organized by the National Council of Arts and Culture (NCAC) exposed Nigeria’s arts and craft to the world. Contacts were made and art and craft  works sold to local and international buyers.

    For the  second year running, INAC has succeeded in proving a platform for the exhibition of art  and craft works from different countries of the world.

    The success of last year’s edition seemed to have encouraged  more countries to participate in this year’s edition.

    About 30 countries including  China, Bulgaria, Mexico, Venezuela, Cameroon, Chad, Trinidad and Tobago, India, Ethiopia, Tanzania, Iran and many others participated.

    Eighteen  states also participated in this year’s edition.

    Besides, more than 1000 women were trained in handcraft free of charge during this year’s expo.

    Each of the participants received a  certificate at the end of the training.

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    The Director General of NCAC, Otunba Olusegun Runsewe ,said  the training was part of the effort of the organization  to empower women and help in giving training that would help them to be meaningfully employed. In addition to the skill acquisition training, many visitors got free medical checkup while  about 250 persons were given free medicated glasses.

    On INAC, Runsewe said it has become very important for the country to showcase its diverse culture through its arts and craft and this could yield tremendous income to the country.

    “ As the most culturally diverse country in Africa, Nigeria has the potential of becoming the foremost cultural destination in Africa,” he said.

    “Our rich and fascinating cultural heritage is expressed in our music, dance, drama, fashion, food and so on.

    “I am particularly proud that the 2019 edition of INAC expo has copiously expressed some of these elements of our culture. The level of participation at this year’s expo, especially by our foreign partners, is highly encouraging. It is heartwarming to note that 30 countries participated in this year’s edition of the4 expo. This shows the level of understanding between us and foreign partners and the high premium the international community places INAC…

    “We shall continue to expand the scope of this expo in order to make it richer and to serve participants and the Nigerian people better. The skill acquisition programme recently introduced to the expo intended to equip Nigerian youths, women and other vulnerable members of the society with relevant skills in arts and crafts that could make them self-employed but also employers of labour.”

    In his address at the closing ceremony, the Senate Committee Chairman on Tourism and Culture, Owelle Rochas Okorocha said no nation can grow without or above its  culture, hence  the reason every nation protects its culture.

    He pledged that his  committee would “work to protect our culture.”

    He added:” The greatest gift of God to us as a nation is our tradition and culture. So, when you hear people say the giant of Africa, and some people say, the sleeping giant of Africa, they are simply talking about our culture and tradition. Nigeria has one o of the best cultures, one of the best traditions.”

    At the end of the expo certificates of participation were given to the countries and took part and different categories of prizes were awarded to countries and states.

  • Reminisce to feature on Trace Live

    By Adeniyi Adewoyin

    The next edition of TRACE Live will be headlined by rapper Reminisce. Themed, ‘OG b4 iG’, the event which will shed a spotlight on Reminisce’s musical journey holds on November 28 at Terra Kulture, Victoria Island, Lagos.

    Remilekun “Reminisce” Khalidsafaru is a singer, songwriter and rapper who has immensely influenced Nigeria’s rap culture since 2008. The rapper, who blends both Yoruba and English, shot into limelight with his first ever single, ‘Ever Since’.

    Subsequently, the indigenous rapper has dropped hit singles such as “Ponmile”, “Tesojue”, “Kako Bii Chicken”, “Local Rappers” and “Oja”. The musician has four studio albums to his credit – Book of Rap Stories, Alaga Ibile, Baba Hafusa and El-hadj. In 2014, Reminisce was featured in a TIME Magazine article which tagged him as, ‘one of the seven world rappers you should meet.’

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    TRACE Live celebrates the beauty of music by highlighting a blend of live vocals, instruments, dancers, and an energetic audience. Previous performers include Flavour, Adekunle Gold, Falz, Tubaba, Wande Coal, Reekado Banks, Runtown and Simi.

    TRACE Live, Lagos’s largest live show series, is presented by TRACE in partnership with Cabal Entertainment and Bolanle Austen-Peters.

  • Boomplay holds listening concert for Sola Allyson’s album

    By Adeniyi Adewoyin

    GEARED towards supporting the ever rising Nigerian music industry, music streaming platform, Boomplay, held an album listening session for Folk/Gospel  singer, Sola Allyson’s eighth studio album titled Iri, at Terra Kulture, Victoria Island, Lagos.

    Iri is Allyson’s latest effort since her last release in 2018.

    According to the artiste whose albums has sold over 60million copies, Iri, an 8 track album, is her way of seeking renewal of strength and reequipping her spiritual life.

    “Iri is like dew so I’m asking for a refreshing, I’m asking for reequipping, I’m asking for renewal of strength, of power, of my spirit to do more and actually be a blessing to my world”, she said.

    “I know I am blessed but I just want more. I don’t want to be the musician that just came and left. Those are the yearnings of my heart that is reflected in the song. The whole essence of the album is me asking for a renewal and knowing that I am not the person I was and I am not saying physically but spiritually. I have grown, evolved, I am getting better.”

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    Allyson appreciated Boomplay for coming through for the album listening concert.

    “They are the ones that first had the vision that it is possible,” she said.  “We are working together so we are both gaining something from it.”

    Head of Marketing, Africa at Boomplay, Tosin Sorinola noted that the platform has moved further from distributing contents to supporting artistes.

    “As part of our mission to build the largest music ecosystem for artistes in Africa, it is imperative for us to move beyond just distribution of content and transcend to supporting artistes in the best way possible.”

  • From TAC Studio to Africa

    By Victor Akande

    TAC Studios, the production arm of US-based The Africa Channel, announces its showcase of brand new scripted developments, Move On and Asylum, and its fresh finished originals My Design Rules and May’s Kitchen to headline 2019’s DISCOP Johannesburg. These new shows will feature as part of TAC Studios’ premium premier slate for local African distribution amongst its broad catalogue of African-influenced content.

    Brendan Gabriel, Johannesburg-based Head of Creative and Production for TAC Studios explains “As the borders of content become blurred thanks to OTT platforms like Netflix and Amazon, our new and current slate of finished and development shows aspire to meet the demand for content with appeal beyond its borders of origin.  This has always been our core agenda of our mother ship, The Africa Channel, that has for over the past 12 years bridged the geographical divide between African influenced content and North America.”

    Brendan Gabriel’s sentiments are reflected in TAC Studios’ scripted co-developments, Asylum with It’s Always Sunny in Philadelphia producer Conor Galvin, and Move On, with award-winning writer-producer trio, Matt  andJordan Toronto and Anders Lykke Pedersen.

    Conor Galvin’s Asylum is a single camera workplace comedy series that follows the lives of the support staff in a foreign embassy in South Africa. International intrigue and global crises are above their pay grade, but there is no shortage of betrayal, alliances, or comedic intrigue.

    Move On is a comedy series about a frantic romantic on a desperate quest to silence her late husband’s ghost who barges in on every date with a consoling message for her potential suitors.

    TAC Studios’ brand new unscripted finished series My Design Rules, a home design competition series, and May’s Kitchen, an original cooking series filmed in Egypt, were created with a global aesthetic for audiences both across Africa as well as for North American and UK Pay TV.  They come on hot on the heels of other recent productions from TAC Studios including, Africa on a Plate, Minjiba Entertains, and World Wide Nate, which have successfully been distributed to platforms in Africa as well as globally.

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    Narendra Reddy, General Manager of The Africa Channel adds, “Our finished and in-development originals stands testament to our commitment to building and investing in talent to foster quality and excellence in media production on the continent. We anticipate engaging with local broadcast networks seeking finished shows and investment in pre-sales in content that is uniquely African with an international production aesthetic.”

    A division of The Africa Channel, Inc., the studio develops, produces and distributes premium lifestyle content reflecting Africa’s influence on the world. The company collaborate with producers from Africa and around the globe to bring contemporary stories, authentic voices and the highest quality productions to audiences worldwide. In addition to distributing content to 3rd party platforms, TAC Studios acquires content for its sister companies, The Africa Channel and global OTT Platform Demand Africa, together arguably the world’s most significant platforms for presenting African content to audiences worldwide. TAC Studios has headquarters in Los Angeles, California with production offices in  Johannesburg, South Africa.

    The Africa Channel Inc. is a media company with a mission to open up a daily window into modern African life and, in the process, help demystify Africa for viewers globally. Through its three divisions, premium cable offering The Africa Channel, production arm TAC Studios, and digital streaming platform Demand Africa, it showcases the African continent’s most outstanding English-language television series, specials, documentaries, feature films, music, biographies, and cultural and historical content. The Africa Channel is based in Los Angeles and is available in approximately seven million homes in North America and the Caribbean on cable systems such as Comcast, Charter/Spectrum, and the Caribbean Cable Cooperative. It’s streaming and ad-supported video-on-demand product, DemandAfrica.com, is available worldwide on the web, mobile and connected devices.

  • LIVESPOT X ANNOUNCES 50% OFF TICKETS TO SEE CARDI B

    LIVESPOT X has announced a flash sale on its tickets to see superstar and rap queen, Cardi B perform live on stage in Lagos and Accra at the Livespot X Festival on December 7 and 8 respectively.

    The one-day event hosted by Livespot X, the entertainment division of Livespot360°, promises to be an all-round sensational experience with live performances, music, illusionists, DJs on the wheels of steel and a host of other exciting appearances.

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    Adding to the excitement of the fast-approaching show, Livespot360° will be running Flash Sales on livespotnation.com from the 28th – 30th of November. Interested buyers will be able to get the Regular tickets at discounted prices of 50% between 2pm – 3pm on these select days.

  • VIMN Africa and MultiChoice Group renew distribution partnership

    VIACOM International Media Networks Africa (VIMN Africa) and MultiChoice Group have announced the renewal of their distribution partnership which highlights the investment in local content, bringing audiences programming that showcases the best of Africa’s creativity and talent.

    VIMN Africa’s channel brands – BET, Comedy Central, MTV, MTV Base, MTV Music 24, Nickelodeon, NickToons and Nick Jr. – collectively offer a broad range of original entertainment content across every age demographic.

    “This continued partnership demonstrates the shared commitment between VIMN Africa and MultiChoice to invest in local and international content that resonates with our audiences across the continent,” said Alex Okosi, Executive Vice President and Managing Director for VIMN Africa and BET International.

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    “We truly value our collaboration with MultiChoice as it also enables us to consistently deliver great African productions.

    Yolisa Phahle, MultiChoice CEO for General Entertainment, said: “As Africa’s most-loved storyteller, we are pleased to share this market announcement of VIMN Africa. Our content offering ensures that we provide our partners platforms to tell their own stories in an authentic way. We invest over R2,5 billion in local content to keep bringing exciting and engaging African content to market and the industry.”

  • I have expanded Nigerian music beyond AFrica – Martin Fayomi

    US-BASED Nigerian entrepreneur and showbiz executive, Martin Fayomi, has said he is living his dream by ensuring that Nigerian music goes beyond the shores of the country.

    He disclosed this in a recent interview.

    According to him, African music is rich and shouldn’t be enjoyed by Africans alone.

    “It is dream coming to fruition working with the music industry stakeholders,” he said.

    “Thankfully, I have successfully expand the reach of the Nigerian music beyond the geographical entity of the African continent, and it is overwhelming.”

    Fayomi is the founder and CEO of Firematic Entertainment, an outfit that specializes in the curation of Afrobeats music and talent management. His love for Afrobeats music has led to the promoting of Nigerian music and creative talents.

    Born in the 70s in Lagos, Fayomi had his primary education in Oxford Nursery & Primary school, Ikoyi, Lagos before advancing to complete his secondary school education in Unity Secondary School, Ikere, Ekiti State.

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    He later proceeded to New York in the United States of America where he obtained his Bachelor of Science (B.Sc.) in Pre-Medicine from St. John’s University. He has a Masters degree in Epidemiology from the New York Medical College. He also has a postgraduate diploma from Harvard University.

    As an entrepreneur, he has several successful companies to his name. Among the companies are Firematic Entertainment, Statscorp Analysts Consulting firm, Braydieux Media & Communications, Martkin Logistics, LLC.

    Notable among the a-list Nigerian artists he has promoted in the US include D’Banj, JJC, Banky W, DJ Spinall, Zlatan Ibile, Iceberg Slim to mention a few.

    Fayomi is married and has two children.

  • ‘Fela’s Republic and the Kalakuta Queens’ hits Terra Kulture in December

    FOLLOWING the success of ‘Fela and the Kalakuta Queens’ in Lagos, Abuja, Cairo and Pretoria, Bolanle Austen-Peters Productions has announced the return of a sequel – ‘Fela’s Republic and the Kalakuta Queens’ to Terra Kulture this December.

    While ‘Fela and the Kalakuta Queens’ was majorly an exploration of the life of Fela Kuti and his wives, Fela’s Republic and the Kalakuta Queens has infused the celebration of the unapologetic and prophetic messages enshrined in his music into the original storyline.

    Having raised the bar with the local and international success of Saaro the Musical, Wakaa the musical, Queen Moremi the Musical, and others, Bolanle Austen-Peters Productions is set to thrill audiences with this new musical play at the Terra Arena, Victoria Island Lagos from December 14, 2019 to January 2020.

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    According to Bolanle Austen-Peters: “The play which first opened in Lagos in 2017 has now been shown in different countries across the continent. However, we’ve brought it back to Lagos because there has been a lot of clamour for that to be done. The sequel is just as exciting and the major twist to it is that the new play is a fusion of the Kalakuta Queens and Fela’s social messages.”

    Fela’s Republic and the Kalakuta Queens is supported by Ecobank, Amstel Malta, MTN, Dormanlong, the Estate of Fela Anikulapo Kuti, Africa Magic, Red Media Africa, Beat FM amongst others.

     

  • Red Cross and a handshake beyond the elbow

    By Timothy Onwe 

    In the over a decade, I have contributed to the national discourse, there has never been a time like now that I am writing with so much pain in me. The anxiety stems not from bodily harm, but that of disappointment from an organization that is on the ground in over 90 countries and prides itself as neutral, impartial, and independent.
    This same organization, for inexplicable reasons, has so decided to veer off its core mandate of helping people affected by conflict and armed violence to delving into propaganda, illogical conclusions, and outright insinuation at the detriment of peace and tranquillity.
    That organization is the International Committee of the Red Cross (ICRC) and its recent report that over 22,000 people are missing in North-East Nigeria as a result of the counter-insurgency operations of the Nigerian Military. I was dazed and could not come to terms with such disservice to Nigeria and Nigerians.
    In my opinion, the ICRC went overboard with its statement, and I think the relevant authorities in Nigeria should do well to refute its report for the sake of tomorrow because if this is allowed, then we might be creating a monster that would constitute a clog in the wheel of progress in Nigeria.
    As a start, the report by the ICRC is false. There is not an element of truth in it, and this fact must be clearly stated for all and sundry to understand because as it stands, quite a number have been misled to believe that the Nigerian Military has not lived up to its billing in the fight against terrorism in Nigeria.
    Secondly, I believe that something is amiss somewhere for the ICRC to condescend to the level of impartiality and lack of objectivity in its framing of issues. I say this because, as one conversant with the counter-insurgency operations of the Nigerian Military, the ICRC report is a disservice to the on-going efforts to bring to an end the activities of Boko Haram terrorists in Nigeria.
    How the ICRC got to this level remains a topic of discourse. However, in the context of the counter-insurgency operations in North-East Nigeria, the ICRC got it wrong either by omission or commission. The tripod of neutrality, impartiality, and independence was missing in its entirety in the report by the ICRC.
    This is on the heels that questions have been asked in certain quarters as regards the sincerity of purpose of international NGOs in the war against terrorism in Nigeria. And with this coming from the stable of the ICRC, that suspicion has been heightened. There is every reason to suspect that there is some interest working against the interest of Nigeria, and these interests come under various nomenclatures.
    These interests look for willing tools to propagate half-truths and cause a distraction, especially where the Nigerian Military is making gains. Countless examples buttress this fact, and the recent outing by ICRC is an addition to that league of soldiers that want to see to the destabilization and disintegration of Nigeria.
    The ICRC as an organization has failed woefully in this attempt because the attempt, as despicable as it is, is feeble and of poor taste. Unless they want to feign ignorance of the search and rescue operations of the Nigerian Military that has yielded tremendous results with the rescue of thousands of women and children that have been united with their families.
    Like I stated earlier, I am in pain because I am still trying to figure the level of the conspiracy that has gone into the plot to discredit the counter-insurgency efforts in the country. I won’t say I am entirely disappointed, because in recent times there have been quite some revelations on the activities of some acclaimed NGOs such as Amnesty International and how they cut corners in return for pecuniary benefits.
    I am therefore emboldened to state that the ICRC is no different from these groups that have deviated from their core mandate. For the ICRC, it is indeed a shame that should give critical stakeholders in Nigeria a cause to worry as to how these terrorist groups have been able to infiltrate the ranks of some credible international NGOs to actualize their nefarious agenda.
    If this is not the case, how could one phantom that an organization such as the ICRC would be in the business of spreading outright falsehood without minding the implication of their actions? Some might want to argue that there is always a first time, but, no, because this is a wrong first time that dampens the morale of the military authorities and rubbishes all the gains made so far in the fight against terrorism in Nigeria.
    The concept of psychological warfare, which is the planned tactical use of propaganda, threats, and other non-combat techniques during the war, should open our eyes to this stark reality that we are confronting and the angle the ICRC is coming from. They have been compromised, and this much is glaring; hence, the propaganda aimed towards giving the Boko Haram terrorist that advantage they could not gain in the battlefront due to the resilience and commitment of the military authorities in the fight against terrorism in Nigeria.
    I could have fallen for the gimmick, but I didn’t because I am conversant with the happenings in North-East Nigeria, however, what about those out there not conversant and have been misled by this sheer propaganda?
    This is my suggestion. The relevant authorities in Nigeria must rise to the occasion and nip this anomaly in the bud before it gets out of hand. They must begin the process of countering the narrative that is being pushed forward about the credibility of the military authorities in its counter-insurgency operations. And for the ICRC, this is a handshake beyond the elbow.
    There is a need for retracing of steps in the interest of the sensibilities of Nigerians they have attempted to insult.
    Onwe is a public affairs analyst based in Abuja.