Category: Arts & Life

  • Niger Delta Digital Museum unveiled in Abuja as stakeholders call for history centre

    Niger Delta Digital Museum unveiled in Abuja as stakeholders call for history centre

    Stakeholders from government, the diplomatic corps, the creative sector, and development organisations have called for increased investment in technology and historical preservation in the Niger Delta following the unveiling of the Niger Delta Digital Museum in Abuja.

    The museum, which merges history, technology, and innovation, was presented as a platform to safeguard the region’s cultural heritage while positioning it for economic relevance in a rapidly evolving global landscape.

    Edward Brisibe, founder of Project-Delta and curator of the museum, explained that the initiative aims to reconnect the people of the Niger Delta with their roots and prepare younger generations for opportunities beyond the oil sector.

    Addressing dignitaries, including the Managing Director of the Niger Delta Development Commission (NDDC), diplomats, development partners, and media representatives, Brisibe emphasised that the region’s global importance predates petroleum discovery.

    He recalled that the Niger Delta, historically known as the “Oil Rivers,” once dominated palm oil exports, supplying more than the rest of Africa combined. “Our relevance did not begin with crude oil, and it will not end with it,” he said.

    Brisibe also highlighted the region’s abundant gas reserves, extensive coastline, fertile land, and youthful population as key assets for future growth.

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    He advocated for the creation of artificial intelligence laboratories, technology hubs, and a permanent, world-class history museum to further enhance the Niger Delta’s developmental prospects.

    Switzerland’s Ambassador to Nigeria, Patrick, described the exhibition as a valuable learning experience, noting that it offers unique insights into the region’s history through art and storytelling.

    Meanwhile, Mrs. Anne Nenadi, Director of Tourism at the Federal Capital Territory Administration, stressed the importance of culture and tourism in preserving local narratives and projecting Nigeria’s heritage on the global stage.

    The launch of the digital museum underscores the potential of combining technology and heritage preservation to create economic opportunities and strengthen cultural identity in the Niger Delta.

  • At OAU, history reclaimed Omatseye

    At OAU, history reclaimed Omatseye

    Because he was an element of literary figure who found himself in another course, the Department of History of the Obafemi Awolowo University, Ife, finally reclaimed Sam Omatseye, chairman, editorial board of the Nation Newspapers, Lagos.  This happened last week in Ife, Osun State, when he was hosted to a dinner party as part of the Distinguished Alumni lecture programme which he delivered in the university.  The department of History was happy to welcome him back home to Great Ife.  Edozie Udeze was there.

    In most social parlance in Nigeria, when a man of the people long sought after by the larger population of the people appears in the arena, the overall acclaim is usually: ‘Yes, the eagle has landed, or the iroko is here in our midst.  Oh, this is a big masquerade’.  It was same euphoria and acclaim when last week the entire students of History department of OAU alongside all the principal officers of the departments that made up the Faculty of Arts of the Obafemi Awolowo University, OAU, Ile-Ife, Osun State, gathered in the boardroom of the Faculty to honour, celebrate and accord recognition to one man.  That man is Mr. Samuel Oritsetimeyin Omatseye.  A well-deserved party, it was aptly themed: Welcome back home to Great Ife.  Omatseye is the Editorial board chairman of The Nation Newspapers, Lagos, where he has been in charge since 2006. But the core of the issue at Ife was for Omatseye to deliver the Faculty of Arts Distinguished Alumni lecture, the second edition of the series. 

    But half way into the series of discussions and preparations to invite Omatseye to deliver the lecture, they discovered that he is a Historian.  Omatseye was admitted into Ife to study History as his major.  However, like most people who naturally show love for what they hold so dear to, he tilted more towards English Literature than History.

    So, now History has decided to reclaim their own hence the bounteous dinner party held in his honour.  It was designed to welcome him back.  The moments of the evening were not merely to eat.  It was to banter, crack jokes and pour encomiums on Omatseye.  It was time for the gown to mix with the town.  It was time also to tear into the heart of a man who loves to use literature to embellish and celebrate stories, stories that remake a society in dire need of rebirth, redirection and renewal.

    In all this, the citation on Omatseye opened people’s eyes to the realities of what Omatseye truly stands for in the journalism profession and beyond.  It said: “There are evenings when a department does not merely host a dinner; it hosts a moment of memory.  There are evenings when we do not simply welcome a guest, we receive a man whose sentences have travelled farther than his footsteps and whose ideas have made their home in national imagination and global discourses.  Tonight (therefore) is such an evening! The Department of History is honoured to welcome Mr. Samuel Oritsetimeyin Omatseye.  He is a journalist of global renown, columnist, poet, novelist, playwright, teacher of letters.  He is one of the most recognizable public intellectual voices of his generation.”

    As expected, this generated applause in equal measure.  Poised by this evocative proclamation, Dr. Solomon Okajare who handled the microphone more like an ace stand-up comedian, regaled the gathering with stimulating comments, jokes and stories of the reasons for the outing.  His proper recourse into the past, his natural penchant about why History beckons on literature or why the two often act like identical twins, further gave validation to why Omatseye celebrates history or if you like, emboldens issues with literary affirmations.

    But for Okajare, himself a Historian, history has a way of sipping into you, recharging your memories back and forth.  He said that Omatseye takes time in engaging the people that matter in his In Touch column.  His works inadvertently keep you on your toes.  His remarks are deeper, engrossing in content, in the espousal of ideas; ideas that do not spare any secret.  But he uses references both from history and literature to elaborate his presentations.

    Dr. Shina Alimi, head of the department of History said: “Today is more than a historical gathering.  It is a moment of recollection between generations, a meeting point of past excellence and present aspirations… Our guest today represents what the study of History seeks to achieve: a critical mind, a commitment to society and an enduring engagement with ideas that shape communities, nations, and the world”.  Omatseye has certainly allowed his study of History to open doors for him, big doors that help to announce his presence in far and near places.  “Yes, we are proud of you”, Alimi intoned.

    Seated on the high table was the Dean of Arts, Professor Gbenga Fasiku  whose rich embroidered traditional attire befitted that of a prince.  With him were Omatseye and Alimi.  The lights in the room glittered and beamed with love, joy and abundance.  Across, sat all the heads of the departments in Arts. From Religions to Music.  Heads of Literature in English and his counterparts from Linguistics, Languages, Philosophy and others were there.  Their faces shone and shimmered between love and admiration.  All over in the hall, behind, across the corners of the room, were students, mostly officials of the Students Historical Society of Nigeria.  They were eager and excited.

    They all beamed with hope.  Omatseye, as always wore his traditional smile as he typified success and encouragement in a society where students study and graduate but often lose direction.   But Omatseye embodies light.  He symbolizes vision; vision enshrined in his consistent quest to overcome the odds of life.  He is a beacon, a soldier in the field of the pen profession.  And he has told them, all, everyone, for that matter that history gives you the leeway, the free ticket to traverse the world and be who you are meant to be.

    There is this random saying that a Historian is more analytical in a way the other disciplines are not.  Therefore like a good and deeper analytical mind, Omatseye is an enigma, a colossus, using those rare historical tendencies to deal with issues.  These issues he always brings nearer to the people in and out of season.  In his books, he is critical, profound.  In his T.V comments, he is excellent.  In his journalism sojourn, he fears no foe.  So he imbues himself with the courage of a lion’s heart.

    And, the Dean made it clear when he said: “Faculty of Arts has over the years trained some of the best brains in the society.  Before then, let me also welcome home Sam Omatseye, one of our own who passed through this Faculty many years ago.  Let me also welcome Mr. Femi Macaulay a great Alumnus of this institution.  Tomorrow, I will announce him to the English department”.

    He went on, broadening his worldview on the products of OAU generally.  “What you see anywhere you encounter a great Ife is the quality of his person, what he or she learnt while they were here.  Omatseye is one of the best we have had, a great man recognized world over as one of greatest and best journalists ever.  A man that pulls weight with his pen, his brain, his views and analysis.  This is a place where we sow the seed, deeper seeds of knowledge that takes you to the end of the earth”.

    Fasiku, a Philosophy scholar was concerned about using the likes of Omatseye and his professional strides to encourage the younger ones.  “It is not what you studied that takes you to the pinnacle.  It is rather what and how you apply it that defines you and who you are.  Ife is a force to reckon with.  Let me also appreciate the department of History for this great honour and recognition”.

    He recalled how in the past, it was only the department of History that kept producing Deans of Arts.  He thanked the teachers for their resilience in the years past and noted that as at now History has over 500 students as undergraduates.  “Every year, we admit about 102 students as freshers in history.  So as at now, we have between ten to twelve thousand students in the Faculty of Arts”.  Already the Faculty has a shelf in the library named after The Nation with Omatseye as the subhead. Then Omatseye whom he said has come to become and epitomize a special shinning light for the young must be celebrated.

    He noted “So, when I whispered to the HOD of History that Omatseye is a Historian, it was proper therefore that we instituted this welcome dinner”.  He appealed to Omatseye to look into ways to help the Faculty in form of instituting academic prizes in different categories.  Omatseye has done very well especially during the military regime.  Today, he is one of the foremost persons in his career. 

    “We have the largest Faculty in the university and we need new buildings.  We want to reach out to you to help us where you can to draw the necessary attention to our needs.  There are many things we need to upgrade and since we have seen the deep love you have for OAU, we want to appeal to you to come to our assistance”.

    In his response, Omatseye thanked those who deemed it worthy to welcome him back home.  Beaming his natural quintessential smile, he recalled with profound sense of nostalgia what it was like to be an undergraduate of OAU decades ago.  He remembered with mixed fondness some of the History teachers who impacted on him in different ways.

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    Professor Benjamin Oloruntimehin was the foremost in his memory.  He also recollected his encounters with Professors Akinjogbin, Olaniyan, Olorunfemi, Anjorin, Olunmola, Anyadike and others. “Yes I got deeper background in History” he announced with pride.  “But literature equally took hold of me.  I was more in touch with literature in most situations when I was here.  However, together with history, communication becomes richer for me in all my writings”.

    He recalled how he first met Fasiku at the Academy of Letters in Lagos.  He had memories of their days and how Femi Macaulay was the best in English literature.  He was one student who never came to class with either pen or paper.  Yet he was fond of making As in their English courses. 

    In response to the requests made by the Faculty, he said, “I have heard all your requests.  Where necessary, we can do our best to help.  We will look at all of them and see where we can come in.  I have to sit down to look into them all” he said.

    He recalled his days with Babafemi Ojudu who was his set.  He also remarked of how they used to sit out on a bench in front of the Faculty to argue and set some records straight.  He now said “One of my classmates described me most often as an element of literary figure who found himself in the wrong course. It was good to be here and to remember some of those moments”.

    Omatseye does not only make allusions to literature when he writes.  Maybe most people are carried away by that.  He also makes judicious references to historical facts and deeds when he writes.  For him history and literature are inseparable and both are necessary to enrich a society in terms of information, in terms of communication.

    The tradition of story writing finds their interaction in both disciplines.  The evening came to an end with a dinner and snippets of drinks.  But then Omatseye did not fail to pay tributes to his friends and colleagues who accompanied him from Lagos.  He showed special respect to Femi Macaulay, a friend of many years.  He also doffed his cap for his childhood pal and publisher Victor Agbro who arrived Ife in company of his wife.  Also recognized were Sammy Akpobosi and Joe Agbro Jnr. who were in the house.

    One of the students entertained guests with a performance that elucidated applause.  His hippop style thrilled and he was duly appreciated as he gyrated with his poetic renditions.

  • Amanda Oruh: From Lagos to Sundance – A spotlight on Nigeria’s rising  star

    Amanda Oruh: From Lagos to Sundance – A spotlight on Nigeria’s rising  star

    When Amanda Oruh watched clips of the 2026 Sundance Film Festival on her phone from a quiet corner of Lagos, she was not merely observing a celebration, she was witnessing history being made, with her name at its centre.

    The Nigerian actress emerged as one of the breakout stars of Sundance 2026 after winning the World Cinema Dramatic Special Jury Award for Acting Ensemble for her role in LADY, a film that has now etched its place in history as only the second Nigerian production to win an award at the prestigious festival.

    The recognition places Oruh firmly on the global cinema map and continues Nigeria’s growing footprint in international independent film spaces, following the success of Mami Wata three years earlier. With LADY now set for its European debut at the Berlin International Film Festival (Berlinale) 2026, the momentum shows no sign of slowing.

    Directed by Olive Nwosu, LADY is a UK–Nigeria co-production backed by BFI, Film4, and Screen Scotland, and produced by Ossian International Productions alongside Good Gate Media and Emperium Films.

    The film explores the fragile yet powerful bonds of sisterhood among women navigating survival in Lagos, offering a deeply human portrayal of lives often pushed to the margins.

    Oruh stars as Pinky, a sex worker whose unexpected reunion with a childhood friend forces both women to confront the realities of choice, survival, and compromise in a system stacked against them.

    Her performance, marked by emotional restraint and raw intensity, was instrumental in securing the film’s ensemble acting award.

    Yet, the significance of Oruh’s Sundance moment lies as much in her journey as in the accolade itself. The actress revealed that she had worked only twice throughout 2025 and was battling financial uncertainty, a period that nearly pushed her out of the profession altogether.

    Her transformation from near-withdrawal to international recognition encapsulates a triumph-against-the-odds narrative that resonates deeply within Nigeria’s creative community.

    Compounding the emotional weight of the moment was her absence from Sundance itself. Due to visa restrictions, Oruh could not attend the festival in person. As applause echoed in Utah, she followed the celebrations remotely from Lagos, highlighting the structural barriers that continue to limit African creatives’ physical access to global platforms, even as their work commands international acclaim.

    Industry observers say LADY represents more than a single success story. Its win reinforces a growing movement in Nigerian cinema, one defined by bold storytelling, global partnerships, and narratives that centre African women beyond caricature.

    Oruh’s career reflects this commitment. With credits including King of Boys: The Return of the King, Riona, Rattlesnake, and The Recipe, she has consistently gravitated toward roles that interrogate power, gender, and resilience.

    Her 2019 AFRIFF scholarship to direct in Lyon, France, where she made the short film Three Faces, further underscores her range as both actor and storyteller.

    As LADY prepares for Berlinale, Amanda Oruh stands at the intersection of talent, timing, and tenacity, a symbol of a Nigerian film industry that is no longer knocking on global doors, but confidently walking through them.

    From Lagos to Sundance, and now Berlin, her story is not just about winning an award, it is about visibility, perseverance, and the rising global relevance of Nigerian cinema.

  • ‘English-only policy risks killing Nigerian languages’

    ‘English-only policy risks killing Nigerian languages’

    The hall was packed full but the unease was fuller. As scholars gathered at  Ladoke Akintola University of Technology (LAUTECH) in Ogbomoso, a familiar language debate returned with renewed urgency. The federal government’s English-only education policy may simplify classrooms—but at a cost Nigeria can scarcely afford. Experts warn it threatens to erode the country’s linguistic heritage and weaken its cultural identity, reports Associate Editor ADEKUNLE YUSUF.

    The hall at Ladoke Akintola University of Technology (LAUTECH), Ogbomoso, carried a peculiar stillness that Thursday—one not born of formality, but of expectation. The air felt weighted, as though the walls themselves sensed that what was about to unfold would reach beyond academic ritual. Scholars filled the seats in quiet clusters; students leaned forward, alert. Outside, Ogbomoso moved at its familiar pace. Inside the hall, however, time seemed to slow, preparing the ground for a reckoning.

    When Prof Taiwo Oloruntoba-Oju rose to speak, he did not begin with spectacle. He began with gravity. And as the 7th Faculty of Arts and Social Sciences Lecture progressed, it became clear that this was not simply an address on language policy. It was an intervention—urgent, unsettling and deeply consequential—into Nigeria’s understanding of itself. The lecture, titled “Are Nigerians Bilingual, Multilingual or Semilingual? The Theatricalisation of Linguistic Precarity and a Postcolonial Cacophony,” explored the historical, political and cultural forces that have contributed to the progressive erosion of indigenous languages in Nigeria. Oloruntoba-Oju traced the decline to colonial antecedents, inconsistent government policies, and the influence of popular culture, including theatre, music and media.

    At the centre of his warning was the Federal Government’s recent decision to mandate English as the sole medium of instruction at all levels of education, including pre-school and early primary years. To Oloruntoba-Oju, a renowned professor of applied language and literature, the policy was not just misguided; it was dangerous. It represented, he argued, a profound rupture with decades of research, advocacy and lived experience on how children learn, how societies reproduce themselves, and how nations preserve their identities. “This,” he said with deliberate restraint, “is a stunning reversal” of decades of research, advocacy and policy on the importance of mother tongue education. “Mother tongue education is foundational in nurturing a child’s cognitive abilities. It builds confidence and serves as a child’s primary linguistic identity. Replacing it entirely with English risks recolonising the minds of citizens and undermining our national identity.”

    A policy that defies knowledge

    For over half a century, global scholarship in linguistics, education, psychology and cognitive science has converged on a clear principle: children learn best when first educated in their mother tongue. Far from impeding intellectual growth, early instruction in a child’s first language strengthens cognitive development, enhances comprehension, and provides a stable foundation for acquiring additional languages later. Yet Nigeria’s new English-only directive proceeds as if this body of knowledge does not exist.

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    Mother-tongue education, Oloruntoba-Oju explained, is not merely a cultural indulgence; it is foundational to thought itself. It is the language through which a child first names the world, makes sense of relationships, and develops confidence in expression. It performs both linguistic and affective functions—shaping not only what a child knows, but who the child believes themselves to be. To remove that foundation at the earliest stages of learning is to destabilise the entire educational edifice.

    More troubling still, the professor argued, is the historical irony of the policy. Even under colonial rule, indigenous languages—dismissively labelled “vernaculars”—were permitted in primary education. The current directive, therefore, is not an advance beyond colonial logic but a regression deeper into it. Where colonial administrations acknowledged the pedagogical necessity of mother tongues, independent Nigeria now appears willing to erase them from the classroom altogether.

    The rationale for this reversal, Oloruntoba-Oju noted, remains opaque. It is unsupported by science, unanchored in evidence, and disconnected from Nigeria’s sociolinguistic reality. What it offers instead is a seductive but false promise: that early immersion in English will automatically produce globally competitive citizens. What it is far more likely to produce, he warned, is confusion.

    The slow bleeding of indigenous languages

    The consequences of this policy cannot be understood in abstraction. Nigeria’s indigenous languages, Oloruntoba-Oju argued, are already under severe strain. What the policy threatens to do is push them closer to collapse. Drawing on empirical studies and everyday observation, he painted a stark picture of linguistic decline across the continent. African languages, he said, are dying progressively—not only minor tongues, but major ones long assumed to be secure. Yoruba, one of Nigeria’s most widely spoken languages, is “haemorrhaging badly.”

    In homes, playgrounds and classrooms, English words increasingly replace indigenous vocabulary. Through unchecked code-mixing, children absorb substitutes without ever learning the original terms. Over time, the linguistic bloodstream thins. What remains is a language increasingly unable to carry complex thought, stripped of precision, nuance and depth.

    The English-only policy accelerates this process dramatically. By banning mother-tongue instruction outright, the state effectively confers on English the status of Nigeria’s primary language of legitimacy. Indigenous languages are reduced to informal artefacts—acceptable in the private sphere, dispensable in public life, and irrelevant to intellectual advancement. In practical terms, the policy pronounces English the de facto mother tongue of Nigerians.

    The implications are profound. Attitudes toward indigenous languages, already burdened by decades of colonial hierarchy, will further deteriorate. Children will internalise the idea that their first languages are obstacles to success rather than vehicles of understanding. A crisis of identity—already visible—will deepen. “What we risk,” Oloruntoba-Oju warned, “is our international shame as a people without a language.”

    Bilingualism, reconsidered

    Nigeria often congratulates itself on being a multilingual nation. But the lecture dismantled this comforting narrative with clinical precision. True bilingualism, Oloruntoba-Oju argued, is rare. It requires the ability to use two languages effectively and appropriately across personal, educational, social and professional contexts. By that standard, few Nigerians qualify. Instead, the country is home to what he described as a spectrum of linguistic precarity.

    Most educated Nigerians, he explained, are subtractive bilinguals—S-bilinguals—who acquire English proficiency only by losing competence in their mother tongues. Others fall into the category of dormant or deficient bilinguals—D-bilinguals—hesitant speakers who rely heavily on code-mixing, borrowing fragments from one language to compensate for gaps in the other.

    Most alarming of all are precarious semilinguals, or P-semilinguals: children and young people who are inadequately proficient in both English and their indigenous languages. They cannot write or speak English with confidence, yet they are equally unable to express complex ideas in their mother tongues. This, Oloruntoba-Oju stressed, is not linguistic diversity. It is linguistic failure. The English-only policy, by stripping children of strong early grounding in their first languages, will expand this category dramatically. Far from producing fluent English speakers, it will entrench double deficiency—students stranded between languages, at home in neither.

    Language does not exist in isolation. It lives through culture—through theatre, music, media and everyday performance. Oloruntoba-Oju’s lecture traced how these domains have both mirrored and magnified Nigeria’s linguistic crisis. Colonial legacies, inconsistent government policies and the prestige accorded to English in popular culture have combined to erode indigenous languages. Even theatre, once a powerful vehicle for cultural transmission, often defaults to English or diluted hybrids in the pursuit of broader audiences.

    The result, he argued, is a “postcolonial cacophony”—a noisy, unresolved struggle over language, power and identity. He invoked the intellectual exchanges between the late Ngũgĩ wa Thiong’o and Nigeria’s Biodun Jeyifo as emblematic of this tension: a continent still debating whether its languages are tools of liberation or burdens to be shed. Nigeria’s current policy choice, Oloruntoba-Oju suggested, answers that question in the most troubling way possible.

    The cost to nationhood

    The warnings issued at LAUTECH were not confined to cultural loss. They extended into education, science, technology and national cohesion. In his welcome address, the Vice-Chancellor, Prof. Razaq Olatunde Rom Kalilu, represented at the event, underscored that scientific and technological advancement depends on strong linguistic foundations. Language policy, he noted, must be coherent if it is to support economic and social development.

    The Dean of the Faculty, Prof. Temisan Ebijuwa, echoed this concern, emphasising that language in Nigeria is inseparable from identity, power relations, education, social mobility and national integration. Oloruntoba-Oju went further. Linguistic incoherence, he argued, breeds social incoherence. A society unable to communicate clearly with itself struggles to build trust, consensus and belonging. When children grow up linguistically displaced, their connection to community and nation weakens. The consequences, he warned, are not abstract. They ripple into insecurity, alienation and fragmentation.

    Yet the lecture was not an exercise in despair. It was a summons. Reversing Nigeria’s linguistic decline, Oloruntoba-Oju argued, requires a deliberate return to a mother-tongue-centred language policy, particularly in early education. Children must be anchored first in the languages that shape their thought, before being guided—systematically and effectively—into additional tongues.

    But government action alone will not suffice. “All hands must be on deck,” he insisted. Media organisations must resist and regulate excessive code-mixing in indigenous language programmes. Theatre practitioners and artists must reclaim African languages as vehicles of serious expression. Public spaces—billboards, signage, announcements—must once again reflect Nigeria’s linguistic diversity. Individuals, too, must consciously value and transmit their languages. Language policy, he concluded, is not peripheral. It is existential.

    When the lecture ended, applause filled the hall—but it was thoughtful applause, heavy with recognition. Many attendees described the address as incisive, passionate and unsettlingly timely. Long after the audience dispersed, its arguments lingered. If Nigeria continues on its present course, Oloruntoba-Oju warned, it risks raising generations linguistically unmoored—detached from their heritage, uncertain in expression, and ill-prepared for the intellectual demands of modern life.

    African languages, he reminded the hall, are not relics. They are living systems of knowledge, memory and identity. To exile them from the classroom is to weaken the nation at its roots. And once a nation forgets its first words, it may speak loudly to the world—yet say very little about who it truly is. To silence indigenous languages, as Oloruntoba-Oju strongly warned, is to silence generations, erasing not just speech, but memory, knowledge and the future itself.

  • ‘Nollywood’s growth rests on credible data, policy support, collaboration’

    ‘Nollywood’s growth rests on credible data, policy support, collaboration’

    Leading filmmakers, thespians, investment experts, distributors and producers converged on Alliance Francaise in Ikoyi, Lagos last Friday seeking means to unlock the potentials of Nollywood for the next one decade. The event was The Lagos Business of Film Summit organaised by Cinemax Distribution Ltd with the theme Unlocking the Potential of Nollywood, The Next Decade, an initiative of the Film Business Forum, Assistant Editor Arts Ozolua Uhakheme reports.

    Despite the heavy down pour last Friday morning, the hall of Alliance Francaise in Ikoyi Lagos was a busy hub. But, for the little delay, the summit kicked off with high hopes as stakeholders examined the missing gaps in the growth of Nollywood in the next one decade. The gathering, which drew participants from the creative industry and the financial sector, featured the Chief Executive Officer, Cinemax Distribution Ltd, Mr. Ope Ajayi, Executive Director, National Film and Video Censors Board, Dr. Shaibu Husseini, CEO, ChapelHill Denham, Mr. Bolaji Balogun, Founder of EbonyLife Media, Ms Mo Abudu, Filmmaker Kunle Afolayan, Founder, Brown Girl Media, Bisola Aiyeola, Foundr, Beeta Productions, Bikiya Graham Douglas, Ms Ladun Awobokun, and General Manager of Cinemax Distribution Ltd, Ms Onyeka Nnama, among others.

    Setting the tone for the day’s dialogue, Mr Ajayi identified credible data, structure and policy support as critical elements that would enable Nollywood to fully realise its economic potential, saying the industry’s value remained unclear despite its global influence.

    Ajayi said that lack of accurate data on annual output and revenue underscored deeper structural gaps that hinder the industry’s ability to capture and maximise its value. He noted that while Nollywood’s contributions to employment, culture and Nigeria’s global soft power were widely acknowledged, its commercial returns remained disproportionately low. Ajayi stressed the need for deliberate government policies, incentives and rebates to attract more foreign productions and partnerships to Nigeria, urging stakeholders to define a clear narrative for Nollywood as storytelling plays a critical role in shaping how nations are perceived globally.

    According to him, the summit was aimed at fostering dialogue, partnerships and practical solutions that would move the industry beyond discussions of potential to sustainable value creation.

    Executive Director National Film and Video Censors Board (NFVCB), Dr Shaibu Husseini, said unlocking Nollywood’s full potential would require intentional collaboration across the value chain, including creatives, investors, distributors, technology partners, and regulators.

    “The industry must move beyond volume to value by strengthening storytelling, professional standards, financing models, and inclusive distribution systems. With the right partnerships and shared vision, Nollywood can, in the next decade, unlock new markets, empower communities, and consolidate its place as a global cultural and economic force,” he said.

    Hussein noted that the NFVCB is working on a new framework to deepen grassroots access to Nigerian films through community cinemas and regulated mobile exhibition platforms. He explained that the initiative was designed to take Nollywood beyond traditional urban screens, expand audience reach, create new revenue streams for producers and stimulate local creative economies, while also ensuring proper classification, content protection and accountability.

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    “By formalising and supporting these alternative exhibition channels, the NFVCB aims to bridge the gap between creators and underserved audiences, strengthen data capture, and build a more inclusive and sustainable film ecosystem. With the right partnerships and shared vision, Nollywood can, in the next decade, unlock new markets, empower communities, and consolidate its place as a global cultural and economic force,” he added. 

    Founder, EbonyLife Media, Ms Mo Abudu emphasised the importance of collaboration and prioritising of strong storytelling before focusing on funding. Abudu said: “We must research and understand what is going on in the global market to unlock the potential of our industry, Nollywood. We must build on our ecosystem. We must concentrate on creating local contents for local and then create for global space.” Abudu hinted that a replica of the EbonyLife Studio would be opened in London by July. She expressed optimism that the next decade would witness a surge in streaming platforms, creating abundant opportunities.

    Speaking on Financing Film Projects: Structure, Access and ROI Chief Executive Officer Chapel Hill Denham, Mr Bolaji Balogun underscored the need for education, collaboration and an enabling environment to attract investment and unlock the full value of Nigeria’s creative and entertainment industry.

    Balogun said the creative sector could account for between 20 and 25 per cent of Nigeria’s Gross Domestic Product in the long term, translating to a minimum value of about 250 billion dollars, if properly harnessed.

    He said access to capital depended on credible evidence of success, urging industry players to document and share accurate data on revenues and returns. He emphasised the importance of investing in infrastructure across production, post-production and distribution, noting that such investments required long-term capital and partnerships with institutional investors.

    He highlighted the need for structured talent development, saying most industry professionals were self-taught and that large-scale training institutions were required to meet future demand. Balogun also called for improved talent management, digitalisation and preservation of content, including Nigeria’s historical audiovisual archives. Filmmaker Kunle Afolayan emphasised the importance of thorough research in storytelling.

    “To unlock the potential of Nollywood in the next decade, we must focus on producing films for posterity,” he said. Afolayan debunked rumours that he does not collaborate, as he announced his interest in working with his colleagues going forward.

    The Managing Director Chapel Hill Denham Nigeria SME Ltd, Ms Tosin Dabiri, announced the company’s new initiative, the Creative Catalyst Fund for filmmakers. She explained that the portal is now open as she provided details on how creatives can apply. Ms Onyeka Nnama, General Manager of Cinemax Distribution Ltd., speaking on “Box Office Showtimes,” proposed extending the minimum screening period for films from one week to two weeks, citing the limited number of screens and showtimes. “It is important that filmmakers make films that people want to see as you engage the right faces,” she said.

  • New destination, 2331 Lounge berths, at Ibadan

    New destination, 2331 Lounge berths, at Ibadan

    A new hospitality destination, 2331 Lounge, Hotel and Restaurant, has opened in the Mokola–Bodija axis of Ibadan, the Oyo State capital, offering a blend of premium accommodation, fine dining and a relaxing social lounge under one roof.

    One of the directors of the facility, Ms. Lola Olayinka said the founding of the hotel was inspired by a vision to create a complete lifestyle destination where guests can relax comfortably in a refined environment.

    According to her, the name 2331 reflects the personal stories of the two directors behind the project. She explained that “23” represents the 23rd of January, while “31” stands for the 31st day, both dates holding personal significance to the directors.

    “The vision is to create a complete lifestyle destination where guests can sit comfortably, relax, and enjoy premium services in a refined environment,” Olayinka said.

    She stated that Ibadan was deliberately chosen as location for the business as one of the directors is an indigene of the city and wanted to invest in the community.

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    Mokola, in particular, was selected because of its popularity, accessibility and growing demand for quality hospitality services.

    “Mokola is a very popular area in Ibadan. The location is accessible, visible and there are not many hotels around this end. So, the environment and demand made it a good fit for this kind of business,” she added.

    Olayinka noted that 2331 Lounge, Hotel and Restaurant is designed to fill a gap in the hospitality market by combining quality accommodation, good food and a relaxing social lounge in one location.

    “What we offer is a modern, non-traditional hospitality experience. It’s a three-in-one concept, quality accommodation, a good restaurant and a relaxing lounge, all under one roof,” she said.

    The hotel features 14 tastefully furnished rooms, including standard rooms and larger royal rooms, which offer enhanced space, bedding and premium finishes. Guests, she said, can expect comfort, privacy, quality meals and a calm yet lively atmosphere.

    Adding a unique touch, the rooms are named after different countries around the world, a concept she said was designed to create a welcoming and memorable experience for guests.

    “Some people love to see places they’ve visited or dream of visiting. When you see a room named Paris or another country, it creates excitement and makes guests feel welcome,” she explained.

    On service delivery, Olayinka described the experience at 2331 as “premium comfort,” noting that the hotel operates with a professional and well-coordinated team committed to making every visit memorable.

    “From the lounge to the restaurant and hotel, you experience a welcoming environment. 2331 is like a home away from home,” she said.

    Beyond hospitality, the establishment has also contributed to job creation within the local community. According to Olayinka, the hotel currently employs less than 20 staff, most of whom are residents of the area. “This has really helped employment around here. Most of our staff are locally sourced, which means people in the community now have steady jobs and income,” she said.

    She added that the management is committed to working with local suppliers, artisans and businesses as part of efforts to support community growth.

    “We source many of our supplies locally in Ibadan. Supporting local businesses is important to us because Ibadan is a community on its own,” she noted.

    On future plans, Olayinka said 2331 aims to contribute to boosting tourism and entertainment in Ibadan by introducing regular live music events, a concept she said is still uncommon among lounges in the area.

    “We plan to host live band performances on the first and last Fridays of every month. It gives guests that home-like, live entertainment experience beyond just DJs,” she said.

  • Rotary lifts 20 traders in Lagos community

    Rotary lifts 20 traders in Lagos community

    Rotary Club of Onigbongbo has given interest-free loans to 20 small scale traders worth N1million in the Onigbongbo community in Lagos State. At the event held in Ikeja, Lagos, its President, Mojisola Olojede explained that it is one of the objectives of Rotary International (RI) to empower the less-privileged to enable them to be self-sufficient, adding that what some people see as a small amount is indeed a huge sum to many in the society. 

    She advised the beneficiaries to stick to the terms of the loans by paying back in six months as agreed, so others could also benefit from the revolving purse. She noted that over the years, Rotary had been giving loans to members of the community and was happy that there had been no default.

    A beneficiary, Sadiq Opeyemi, who spoke on behalf of others, expressed appreciation to the club for the gesture. She recalled that for six years, Rotary had been assisting them with the loans without asking for interest. She promised that they would pay back.

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    The event coincided with the club’s ‘’Super Thursday’’ and induction of new members.

    The president said the day, held on the fourth Thursday of every month, is dedicated to the celebration of the birthdays, wedding anniversaries, among others, of their members. She said many of their old members range from age 70 to 90 plus and that it was good they are celebrated. A senior member of the club, among others, Dr Babajide Awolesi, a medical doctor and past president of the club, received a birthday present at the ceremony.

    “When we say Super Thursday, it is always the fourth Thursday of every month where we celebrate ourselves, birthdays, wedding anniversaries, anything that is worthy of celebration. We bring it together to the club, we merry, we dance, and we put smiles on people’s faces in our own little way,’’ she added.

    She said six members were inducted, including Rotaractors. The guest speaker, Mufutau Adelotan, who is also the Coordinator for Zone 1, RI District 9111, said the ceremony was in tandem with Rotary’s focus to help the helpless. He said Rotary is not a government agency but rather a group of people who came together to help. The money they spend, he explained, come from members’ contributions.

    He urged both Rotarians and non-Rotarians to donate to Rotary to enable them to give to more people in the society. To the Rotarians, he advised; imbibe the Four-Way Test and Object of Rotary.  Past District 9110 Governor/Chairman, District Membership Committee, Bola Oyebade, who performed the induction, was among the dignitaries at the ceremony, which included Sola Benson, an Assistant Governor(AG)/past president; Ogunlami Babatunde;  Adebusi Adeniji, Adeotoye Adebowale, all past presidents and Ben Okhuomale, an AG.

  • Brides of Infidels interrogates Nigeria’s insecurity crisis

    Brides of Infidels interrogates Nigeria’s insecurity crisis

    Nigerian journalist, poet and novelist, Anote Ajeluorou, has described his novel, Brides of Infidels, as a conscious literary response to Nigeria’s prolonged insecurity crisis, saying the work seeks to humanise the pain of victims and sustain national attention on a tragedy that has persisted for more than a decade.

    Ajeluorou spoke during a book reading and interactive discussion session held at the CRIMMD Museum and Library, Ajao Estate, Lagos, as part of the Book Trek Community Literacy Outreach programme. The event drew students, educators, writers, cultural practitioners and residents of the community.

    According to the author, Nigeria has steadily fallen behind the times in addressing security challenges that have remained unresolved for over 12 to 14 years. He lamented what he described as a culture of denial by government authorities, citing recent incidents in Kaduna State where worshippers were abducted by terrorists, an occurrence initially disputed by the state government before it was later acknowledged.

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    He said such denial undermines public confidence and raises concerns about the government’s preparedness to protect citizens across the country. Ajeluorou explained that Brides of Infidels is his fictional attempt to interrogate this failure and to show how insecurity has truncated the lives of thousands of Nigerians.

    Drawing from his experience as a journalist, Ajeluorou said the idea for the novel emerged during the height of the Boko Haram insurgency, particularly following the abduction of the Chibok schoolgirls. He recalled closely following reports in newspapers and on social media at the time, noting that the scale of the violence and the seeming helplessness of victims compelled him to respond creatively.

    “As a writer, I felt the need to lend my own small voice to this raging national tragedy,” he said, adding that literature remains a powerful tool for raising cultural consciousness and ensuring that the suffering of victims does not fade into statistics.

    The novel centres on the story of a young girl from a northern Nigerian community whose education is violently interrupted when insurgents attacked her village. Through her experience, Ajeluorou explores themes of displacement, forced marriage, sexual violence, loss and survival, while also reflecting on the broader impact of terrorism on families and communities.

    He stressed that the book is not limited to the experience of the girl child alone, but deliberately broadens its scope to include the neglected trauma of the boy child. Ajeluorou explained that some male characters in the novel are forcibly conscripted into fighting after their communities are attacked, handed weapons and compelled to kill under the threat of death.

    According to him, the story also exposes deeper layers of social injustice, including early marriage, generational poverty and health complications such as vesicovaginal fistula, which further marginalise women and fuel cycles of vulnerability.

    Ajeluorou was careful to separate religion from extremism, stating that Islam is a religion of peace and should not be blamed for the atrocities committed by terrorists. He argued that those who hide behind religion to justify violence cannot claim to share the same spiritual values they profess.

    He criticised government policies that emphasise the rehabilitation of bandits without giving equal attention to victims and traumatised communities. He also condemned the continued existence of the Almajiri system in northern Nigeria, describing it as a social failure that leaves children exposed to exploitation and radicalisation.

    He questioned the commitment of governments in affected regions to education, noting that initiatives such as the Almajiri schools introduced during the Goodluck Jonathan administration were abandoned after his exit from office. According to Ajeluorou, failure to prioritise education has allowed insecurity to thrive.

    Speaking directly to students at the event, the author urged them to value education, remain disciplined and avoid distractions that could derail their academic progress. He also cautioned parents against unmonitored smartphone use by children, warning that excessive phone engagement affects reading habits and academic focus.

    Founder of the CRIMMD Library and Museum, Dr. Raphael James, spoke on the vision and impact of the institution. Dr. James, a Nigerian archivist and historian, said the Centre for Research, Information Management and Media Development was established in December 2004 to provide young Nigerians with access to books, knowledge and historical resources.

    He noted that the organisation recently relocated to Ajao Estate, making the Brides of Infidels reading the first major literary event at the new location. While the library had operated for years without charging users, he explained that rising operational costs have made modest fees necessary to sustain its services.

    Dr. James said the library was founded to challenge the notion that Nigerians do not read, arguing instead that many lack access to books due to economic constraints. He revealed that the institution has helped nurture several outstanding individuals, including medical doctors, engineers, a pilot and one of Nigeria’s youngest ICAN qualifiers.

    He further disclosed that CRIMMD has expanded to include the Museum of Nigerian History, Nigeria’s pioneer private history museum, established to document, preserve and reinterpret Nigerian history. According to him, the museum not only houses artefacts but also conducts research aimed at correcting historical inaccuracies and strengthening national consciousness.

    Dr. James emphasised the importance of historical awareness, noting that a society that does not understand its past risks losing its sense of direction. He said CRIMMD’s interactive learning spaces and educational exhibits are designed to make history engaging for young people while fostering a deeper appreciation of Nigeria’s heritage.

    The event concluded with questions and reflections from participants, reinforcing the role of literature, libraries and cultural institutions in sustaining dialogue around insecurity, education and national responsibility.

  • Rite Foods reaffirms commitment to education

    Rite Foods reaffirms commitment to education

    Rite Foods Limited, a leading Nigerian food and beverage company, has reaffirmed its longstanding commitment to advancing access to quality education and promoting sustainable learning outcomes across communities where it operates.

    The company has been supporting education through a series of outreach activities delivered under its Corporate Social Responsibility (CSR) framework, aimed at supporting pupils in public primary schools within underserved communities. The initiative reflects Rite Foods’ belief that education remains a critical driver of national development, social inclusion, and long-term economic growth.

    As part of the programme, Rite Foods provided essential learning materials, including school bags and exercise books, to pupils, helping to ease learning challenges and encourage academic engagement. The outreach activities were conducted across select schools in Lagos State and Ogun State, reinforcing the company’s commitment to community development and inclusive growth.

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    A defining feature of the initiative was its strong sustainability focus. The school bags distributed were produced from recycled post-consumer packaging waste sourced from Rite Foods’ product portfolio, including Fearless Energy Drinks, Bigi Soft Drinks and Water, and sausage packaging. This innovative approach highlights the company’s dedication to environmental stewardship and the promotion of circular economy practices.

    Each school engagement featured interactive learning sessions, educational activities, and practical demonstrations on recycling and environmental responsibility, providing pupils with valuable lessons on sustainability and responsible consumption.

    Commenting on the initiative, Head of Corporate Affairs and Sustainability at Rite Foods Mr. Ekuma Eze emphasized the organization’s education-driven philosophy: “Education is the foundation upon which sustainable societies are built. At Rite Foods, we remain committed to supporting learning initiatives that not only improve access to education but also inspire responsible citizenship and environmental consciousness.”

    “Our approach to education goes beyond material support. It is about empowering young minds with the confidence, values, and opportunities they need to thrive in a rapidly changing world.”

    As the global community observes the International Day of Education, Rite Foods Limited continues to set a strong example of how corporate organisations can support education, sustainability, and community development in meaningful and enduring ways.

  • NCC, World Wrapperman advocate inclusive access to copyright works

    NCC, World Wrapperman advocate inclusive access to copyright works

    Last Saturday, the Nigerian Copyright Commission (NCC) partnered Copyright Ambassador Mr. Adjarhor David Obaro, popularly known as World Wrapperman, to promote an all-inclusive copyright system that allows persons with cerebral palsy, the blind and others with special needs to access published works. The advocacy took the form of a special run and walk from Freedom Park, Lagos, to the National Stadium last Saturday. The event was organised to draw attention to the challenges faced by persons living with cerebral palsy and other print-disabled persons in accessing knowledge and information.

    The Director-General Nigerian Copyright Commission, Dr. John Asein in a statement, said the Commission was pleased to identify with World Wrapperman as a committed Copyright Ambassador and to join him in the awareness run. He explained that the exercise was meant to reawaken public consciousness to the need for equal access to knowledge for persons with disabilities.

    According to him, the Copyright Act 2022, in line with Nigeria’s obligations under the Marrakesh Treaty, makes special provision not only for blind and visually impaired persons, but also for other print-disabled persons, including those with cerebral palsy who are unable to read or handle printed materials in the usual way due to physical or neurological conditions.

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    Dr. Asein described Freedom Park as a symbolic starting point for the run, noting that the location, once a place of confinement, now represents freedom, creativity and expression.

    “Beginning this journey from Freedom Park underscores our resolve to remove legal, social and structural barriers that restrict access to knowledge and opportunities for persons with disabilities,” he said.

    He added that the exercise aligns with the Federal Government’s Renewed Hope Agenda, which seeks to unlock the potential of the creative and knowledge sectors for national development.

    The NCC boss called on authors, publishers, educators and stakeholders in the book value chain to adopt inclusive publishing practices by providing copyright works in accessible formats for children and persons with special needs, especially those with cerebral palsy.

    He thanked World Wrapperman, members of the Nigerian Association of the Blind and other participants for supporting the initiative, and urged Nigerians to uphold equity and fairness in the creative and knowledge sectors.

    Speaking after the run, World Wrapperman who is known for running for different causes with a bundle of wrapper explained that his partnership with NCC dates back to 2019 when he ran from Lagos to Onitsha during the Commission’s 30th anniversary celebration.

    “When the cerebral palsy awareness idea came up, I spoke with NCC and they said they would support it because they already run programmes for the blind. That is why the blind community also joined today’s event,” he said.

    He disclosed that the cerebral palsy awareness campaign began on January 1 and would last for 56 days, with January 31 chosen for NCC’s participation.

    On his use of wrappers as part of his identity, he said he had been a cultural ambassador since 1985 and was determined to preserve Nigerian culture.

    “I hold the world record for tying the longest wrapper at 37 yards. This year, I will break my own record by increasing it to 56 yards,” he added.

    Also speaking, the Director of the Lagos Office of the Nigerian Copyright Commission, Mrs. Lynda Alphaeus, said the run was organised to create awareness that persons living with cerebral palsy, the blind, the visually impaired and others with special needs are part of society and entitled to information.

    She said copyright works should be produced in accessible formats such as Braille for the blind and audio formats for persons with cerebral palsy who may not be able to read printed texts.

    “There should be no stigma. They are entitled to information and representation. We need an all-inclusive copyright society in Nigeria,” she said.

    A cerebral palsy heroine, Kevwe, joined the exercise with her family and members of the blind community at the National Stadium. Flyers containing information on cerebral palsy awareness were distributed during the event. Her father, Mr. Fidelis Ogwa, commended the organisers and called for increased support for persons living with cerebral palsy.