Category: Life – The Midweek Magazine

  • New reality show calls for entries

    New reality show calls for entries

     By Ozolua Uhakheme Assistant Editor (Arts)

     

     

    A new reality show, Talent Thrones Show, designed to be the voice of the unknown creators and a platform to nurture them into positive influencers in the society, has launched its inaugural season with a call for submission of video entries from interested participants.

    According to a statement by a member of the Executive Committee and Board of Trustees, Institute for Foresight and Leadership, Mr. Gideon Etireri, participants are expected to register free via the website www.talenthronesshow.org between last Monday and October 11, and submit their initial two-minute video on the website.

    The audition, which will be virtual, will begin on October 24. The show is open to adults of 18 years and above who possess a government-issued  identification.

    A grand prize of N1 million is up for grabs by the winner.

    Judges and coaches for the contest include Segun Lawal, Dr. Shuaibu Huseeini, Kenny Saint Brown, McAbbey, Sir Emeka Nwokedi and Chigozie Wisdom. Others are Koffi Da Guru, Owengee, Ice Nweke, Henry Akubuiro and Lydian John.

    He said the TTS’ goal is to provide a credible platform that discovers, mentors, and empowers the new talents as well as promotes their arts in singing, dancing, comedy, monologue, poetry and other genres.

    “Our target is to rediscover, mentor, empower and promote at least 25 young creative people yearly. There are so many unknown but talented young creative in the remote villages of Africa. They will never get a chance to hone their skills and impact society with their gifts, except someone reaches out to them. So, TTS has a mission to provide credible platform that discovers, mentors, and empowers these new talents and promotes their arts,” he said.

    Etireri noted that TTS offers a platform where young people could express themselves, have opportunity to receive feedback and perspectives from experts as well as receive mentorship by the institute for Foresight and Leadership for a year after the contest.

    He observed that though there are many talent shows in Africa, but that  those platforms rarely offer post-event programmes for winners and other contestants.

    TTS, which he described as first of its kind in Africa, integrates the selection of winners and a post-season mentoring programme, to achieve the objective of transforming the contestants into positive influencers in society through a credible value-based platform.

    “TTS aims to counterpoise existing shows that espouse banality, disrespect human dignity and debase our cultural values. TTS, unlike other platforms, encourages decency, promotes professionalism and grooms participants for artistic excellence. Moreover, TTS targets talented youths who lack a voice and a platform to express their gifts,” he added.

    TTS is one of the four thematic areas of the LEAD agenda of Institute for Foresight and Leadership (IFL), an international non-profit corporation registered in Alberta, Canada and Nigeria.

    Some of its Executive Committee members are Dr Ifeanyi Onyemere, Kunel Abisoye, Feyikunmi Yinka and Yemi Odunsi.

     

  • Breaking into Yishau’s vaults of secrets

    Breaking into Yishau’s vaults of secrets

    Title: Vaults of Secrets                     

    Autor: Olukorede Yishau

    Reviewer: Evelyn Osagie

    Publishers:  Parresia  Publishers Limited

    Pages: 118

     

    I like to sip wine when I read a fresh book. Book titles often leave a taste in my mouth that inspires my choice of wine or drink as the case maybe. This time it was different.

    I wasn’t sure what wine to sip. I decided to taste the pudding in Olukorede Yishau’s Vaults of Secrets before making a choice. That was my undoing. I got hooked.

    I like to read a good book; it gives a feeling of a fine wine. Like fine wine, Yishau’s collection of short stories has a way of drawing in a reader, forcing one to probe further the secrets it holds.

    Secrets are a spice of life. Perhaps, it is this preoccupation that makes Yishau’s book tasty, even without a glass of wine. Like an explorer who is seeking to unlock hidden secrets beneath earth’s crust, I went in, probingly.

    Like a thief wanting to break into Yishau’s bank of secrets, I probed deeper as I read the book. Someone had mentioned that some characters in the book bore the names of my colleagues. I sought to know the connection as if to find something in the stories linking the book’s characters to their real-life namesakes. But I soon abandoned my initial quest. And smiled as I found a chapter, “This Thing Called Love”,  bearing the same title with a poem I once performed at a private quarters of one of the founders of Women Writers Association of Nigeria (WRITA) during the visit of a German woman author in Lagos.

    There is something in each story to remind the reader of connectivity of human existence and experience. Each story in Yishau’s collection seems have a life of its own. They present the reader another nut to crack even as they paint an interesting picture of the many twists of life that keep one glued to its pages. Such is the power of a captivating book.

    The author uses this element brilliantly.

    From Oluwakemi’s story, which is the first in the collection, to that of Dazini (the last piece), Yishau’s book is more than another captivating work. Just like in his first novel, entitled: In the Name of Our Father, it is a work that is somewhat in defence of womenfolk.  From love (won or lost) to incest, infidelity, rape, treachery and lies, there exists a subtle defence for the womenfolk as seen in “This Thing Called Love”, “Letters from the Basement” and Lydia’s World”.

    Reading through the book reminded me of why I love Prof Wole Soyinka, JP Clark, Odia Ofeimun’s Benin Woman and his most recent collections of poetry; and why I am madly in love with Femi Osofisan. I love the pre-eminent roles allotted to some of their female characters.

    We see a well-sustained fluid flow in plots of some of the stories. And not only is each story loaded with secrets, sometimes, there are more than one key character in the piece. For instance, in the story, “Till we meet to part no more”, the focus flows from Oluwakemi to Elizabeth and back. This also happens in the story of Okwy and her husband, Nelson in which the author takes the reader to and fro the prison cell and Okwy’s home in Ghana.

    The work is also an interrogation into man’s existence even as it examines the place of conscience in all of it as seen, especially, in “Open Wound”, “The Special Gift” and “Letters from the Basement”.

    The author plays around with simple, daily titles that Nigerians, especially, would connect with. The language in the book is accessible and the flow beautiful. I like the fact that whether at home in a bus/car to the work or in the office, it makes the book a comfortable read. But I must confess that although I abandoned my initial quest, I discovered a secret – a reader would find one or two of the stories in the book are excerpts of Yishau’s new novel which would be released tomorrow. To find out which ones, read the book and buy his next novel.

  • Nigeria@60 essay, The Future is Now, to give youths voice

    Nigeria@60 essay, The Future is Now, to give youths voice

    By Ozolua Uhakheme Assistant Editor (Arts)

     

     

    As part of activities marking Nigeria’s 60th Independence Anniversary, Open Door Series has organised activities tagged The Future is Now.

    One of them is an essay competition with the theme The Nigeria of my Future, supported by Nigerian Deposit Insurance Corporation (NDIC). It is an avenue for young Nigerians to air their views on matters of nation building.

    “The essay writing competition is meant to give young Nigerians the opportunity to use words to create the Nigeria they envision. This is in keeping with a key objective of The Open Door Series Brand, which is to give the youth a voice at the table where national policy issues are discussed and decisions taken,” Teju Kareem, the executive producer of the project, said.

    According to Kareem, NDIC’s support has encouraged participation of the youth and it has defined its civic responsibility to give voice to the youth. He stated that the youth, through the essay competition, have joined the conversation to shape the future they want for themselves.

    “It also affords the youths a platform to articulate their observation on th situation in the country in the bid to proffer viable solution.

    “NDIC believes the youth must be mentored, engaged and empowered. The support is a bold action to join in the celebration of Nigeria at 60. It is hoped that this will lead to a continuous training, mentoring and employment of the youths by discharging its corporate civic responsibility this independence festive period and beyond,” he added.

    The Managing Director/Chief Executive Officer (CEO), NDIC, Umaru Ibrahim, will announce results of the awards for 12 to 18 years category, while its Chairman, Mrs. Ronke Sokefun, will announce winners in the 18 years and above category. Submission of entries for the contest ended on September 21.

    Kareem said over 1,000 essays were received from 28 states, adding that they have been  collated by the team and handed over to the adjudicators.

    “Our adjudication team is led by  Dr. Razinat Mohammed, a lecturer at the English Departmen,t University of Maiduguri. She has been head of Adjudication for The Wole Soyinka International Cultural Exchange Essay Competition (WSICE) for the past 10 years.”

    The 30-day long series of activities for Nigeria@60: The Future is Now event is featuring painting competition, essay competition and theatrical performance, encompassing a stage production of Brittle-ing Diamond, a play written by Ahmed Yerima, produced by Ayobamidele Aladekomo, directed by Niji Akanni. The event will end tomorrow October 1, when all competition results will be announced.

    Prizes  lined up for winners of the essay competition are N250,000 for the first place winner, N200,000 for second place and N100,000 for third place in the Senior category while winners in the junior category will get N200,000 for first place, N150,000 for second place and N100,000 for third place.

    Brittle-ing Diamond performed by the Segun Adefila-led youth-focused group, Crown Troupe of Africa, reflects the sacrifice of military in Nigeria’s political trajectory, spotlighting its role in helping to sustain and consolidate democracy.

    The Nigeria@60: The Future is Now project will promote youth inclusiveness in national discourse, as well as youth empowerment, entrepreneurship skill and “art for peace Initiative” training and empowerment in readiness to build Nigeria: Future is Now.’’ 

    The project is anchored on six women producers – Lilian Amah, overall producer; Dr Razinat Talabi-Muhammed, associate producer adjudication;  Ayobamidele Aladekomo, associate producer: Theatre for Nigeria @60; Haneefat Ikharo, associate producer, Essay: The Future is Now; Foluke Michael, associate producer painting for unity, and Lynda Amadi, associate Producer, marketing.

     

  • ‘All lives cannot matter until Black lives matter’

    ‘All lives cannot matter until Black lives matter’

    Chicago-based African-American writer P. Willow (Pen name) is a lover of African mythology and a keen writer of romance fiction. She  loves writing. She attributed much of her inspiration to the timeless works of Dr. Maya Angelou. With her new book entitled: Fated Silk, Book One, Memoir of The Apprentice, her passion deepened and broadened as a writer. Her involvement in the study of African mythology is the result of her fantasy novel. From her engagements in women empowerment to hosting a podcast on My Radio Chicago, all roads lead her back to her undying passion for the written word, Afolabi Taiwo reports.

     

    What’s your favourite part of the lifestyle of an author?

    I think that depends on what type of author you are. I feel like a lot of fiction writers live in their heads or at least I do. My lifestyle inspires my imagination. It is also the freedom to see the past and the veil of reality.

    What drove you into writing?

    My grandmother is the reason I started writing. When I was young, she would always tell me wonderful stories she created. She wrote a lot of books herself, but she didn’t know how to publish them. I decided that I wanted to write and learn quickly, so that I could take what I learnt and help her to publish her works.

     Who is your inspiration?

    My mother and my grandmother. My mother is an inspiration to me because she’s diligent and she never stops pushing toward her desires. She would always tell us, as we grew older, that you have to live this life to beat your own drum. It’s something that’s stuck with me through each phase of my life.

    My grandmother inspired me because she was the matriarch of our family. There was nothing she wouldn’t do to make us feel loved and cared for. She inspired me to make sure I evoked kindness to everybody.

     Your tip for an aspiring author?

    Keep writing, don’t stop. No one has to give you a job as a writer. It’s something you can start without anybody.

    Join the writing groups, thanks to the technology. The world is at your feet. Surround yourself with people who like to read and write. If you feel that your skills are not enough, they will help you improve. One thing that really worked for me is to give myself a deadline. Deadlines keep us accountable. And the last tip, don’t be afraid to do it. Don’t worry about the ability to do this or that.  You will improve the more you write.

    What type of books do you read? Does it differ from the genre that you prefer to write?

    I read any kind of genre, but most of all, I stick to fiction. If I read the back cover, and it says I should read it, I read it. At the moment, I’ve only been inspired to write romantic fantasy. So, maybe, one day when inspiration flares, I ‘m going to see what other genre I’m going to take on.

    Which of the characters would you want to spend time with?

    In the story my favourite character, Nuru Aja, the Crane Goddess, is based on the Orisha Aja. After Olorun had divided the earth from the sky, she built a place in the six realms called Jacaranda Grove. I don’t know if you’ve seen Jacaranda flowers, but they’re beautiful in colour, purples and reds depending on the time of year. Nuru Aja is one of the oldest gods in the story and she’s got a lot of wisdom. It seems that when lucky immortals go to visit her, they leave her feeling healed. She’s the godmother everyone needs.

      Is there any conflict between what you want to write and what you think your reader might like?

    In the story I write about a lot of real-life conflicts, especially things that women go through. I don’t want to give too much away but I think that is the end; a lot of women that have struggled with postpartum depression can really relate to the choice that Oshun will make. Or at least understand how she feels.

    What is exciting you about your next project?

    I’ve been working really hard on Fated Silk Book 2: Oshun’s Retribution.

    All the questions that everyone wanted answered will be answered. And the readers will be able to see that Oshun’s journey completed.

    Sum up your life story in a sentence?

    My life story is my favourite saying: “Each day is new day with no mistakes in it.” Often times, we hold on to the big mess ups in our life and I try not to do that. I learn from it and move on. Give myself a new day to make new mistakes.

    What book do you consider a must read?

    One really good book that I came across is Song of Blood and Stone by L. Penelope. It’s a historical romance fantasy. It is very immersive.

    If you could live in a book which one would it be?

    I’m a hardcore fantasy fan. I would like to live in my own book. I wrote it so I have all the elements that I like. I love magic, and immortality. Since I’m a black American I haven’t had the chance to experience a non-colonial life. It would be nice to experience a time in Africa where we simply lived as Orisha.

    Are you a social activist; if so, do you support Black Lives Matter and ideology?

    I don’t consider myself a social activist, but I will speak up when I see a need. I am in support of Black Lives Matter (BLM) and what it means. As a black woman, I have had my own experiences with racism in America. BLM is not asking for anything that they do not deserve. I whole-heartedly stand on the grounds that all lives cannot matter until black lives matter.

    What effect can a review have on you if you read them both good and bad?

    I think anytime you have feedback, it strikes emotion. I have had some people read my story and not know what’s going on. I’ve had some people read it and tell me they have never read anything like this before.

    I try to process the feedback and take out the important elements. If someone has something negative to say, I have thick skin. I don’t focus on the reviews that spew silliness. But, if that person is giving a constructive thought, I will hear them out the best I can.

     

  • ‘Social media operators not journalists’

    ‘Social media operators not journalists’

    At this year’s CORA Book Trek at the Lagos Book and Art Festival (LABAF) anchored by Thecla Wilkie via webinar, the former Ogun State Governor and veteran journalist, Chief Olusegun Osoba, was a guest author. Osoba, who read from his autobiography Battlelines, during the interaction, speaks on why Gen. Ibrahim Babangida (retd) remains a close friend despite the June 12 annulment, the need to reform the judicial system, demilitarisation of partisan politics, why journalists are owed salaries, and why he will remain a reporter in life and death, among other issues, Assistant Editor (Arts) OZOLUA UHAKHEME reports.

    Looking at the legal system then and now, do you think it is better or worse in terms of administration of justice?

    Part of that question you read is the editorial written by The Guardian after Al Mustapha was discharged. Of course, the publisher of The Guardian the late Alex Ibru was a major victim. So, that was the editorial written by The Guardian to reject and to dismiss the conclusion of the court of appeal on Al Mustapha’s case. It was shocking to all of us because the evidence was so overwhelming. And at the lower court, Al Mustapha was sentenced, for the other court to use technicalities and I am not surprised because up till today our judiciary needs to re-examine itself. I’ll give you an example. I read all kinds of judgments, counter-declarations, counter-orders for different segments and it made me very unhappy because I grew up as a judiciary correspondent.

    At that time, we used to cover for the likes of Justice J.I.C. Taylor, Onyeama and Udoh Udoma. These were first-class judges and when they made rulings, they made profound rulings. But, modern day judiciary gives me a lot of concern. For example in the 2019 election, I think the election in Akwa Ibom State was rigged. The judgment given was that electronic voting was not in the Electoral Act. With all the voting and the rigging, the court could not take cognizance of that. And so the over-voting in Akwa Ibom was thrown out. The major case was that which was proven beyond reasonable doubt was on technicalities. Same thing happened in Rivers State, on technicalities. I am saying that it would not have happened in the days of J.I.C. Taylor and of Onyeama. That’s why some of them rose to the level of being at the international Court of Justice. Up till today, I am not happy when conflicting rulings are given. A ruling will be given in Abuja, another one will be given in Kano, another in Maiduguiri. Our judiciary is making a little bit of mess of our judicial system.

    What are the reforms you desire in the judiciary?

    There was a story about three or four months ago where members of the Bench started sponsoring their daughters, sons, nieces and nephews to be appointed judges. It is disgraceful. The system of appointment of judges needs to be reviewed. There must be elements of intellectualism, profound performance in the legal profession. It should be seriously re-examined. It should not be nepotism of the kind we saw a few months ago. We saw in the domain where those who are still on the Bench sponsor their children and relatives to be appointed judges. That is where we lost it. That needs to be looked into. There should be serious reformation by the National Judicial Commission.

    What kind of life would we have been living today if Abiola’s election hadn’t been annulled?

    We would have for once had a president that was not sponsored by the military, even though he was a friend of the military because the Abiola I knew was a man of independent mind. We would not have had what we have had since. We have had the military virtually imposing or sponsoring president.

    In post-Abacha, President Olusegun Obansanjo was a military general. He sponsored/foisted Yar’ Adua on us. He influenced Yar’ Adua and Jonathan. So, I say the election of both Yar’ Adua and Jonathan were influenced by the military general of which Obasanjo was a major player. Now, we are in to President Buhari, even Buhari has his large following. But virtually all the military men saw him as one of them and endorsed him. So, it’s about time we need to elect a thorough civilian of the likes of Abiola. Somebody, who like Abiola, said in Hope 1993, would give hope to we civilians. Let a thorough civilian politician for a change come on board.

    But looking at the relationship between Nigeria and the military, it’s a marriage that most observers and analysts would say will never end. What’s your take on that?

    It has to end. It is an apex command. Nigeria can only survive in a collegiate system. A situation where we have a genuine and true federalism like we have in Canada, the Australia, America, where the states, even the mayors were telling off Donald Trump. But in Nigeria we have observed the chain of command, which the military has turned us into military government and we have to put an end to over-centralised presidency in Nigeria.

    Is Babangida your friend?

    Close friend, a very close friend. I will never deny that because Babangida and I painted Lagos red in our younger days. I used to take them around the whole of Lagos. I was their master on the social scene. I cannot deny our friendship, though we disagreed seriously on the issue of June 12.

    He annulled a free and fair election and threw Nigeria into chaos, yet there is no place in the book where you blamed him. Why?

    You see, it is unfortunate that June 12 virtually became a serious albatross for General Ibrahim Babangida. His creation of a two-party system was a master stroke.  His performance in office was great. Even the late Baba Obafemi Awolowo told me that under no circumstance would he ever criticise Babangida. And he didn’t. Why? Because Babangida was the one who released all his colleagues who were jailed. So, there was no serious or major indictment or reason. And Babangida was a man in terms of performance. For example, take Abuja and the Aso Rock Villa that he built.

    Unfortunately, June 12 was an albatross for him. I wouldn’t deny him as my friend. He is. But, he made a major mistake made under pressure, which is unfortunate. We do not know the inner situation that led to the annulment.

    Your doggedness as a journalist then and what the practice is now, any comparison?

    A good reporter must have a wide range of contacts and they must have confidence in you. You must be incorruptible. You must develop contacts and win their confidence. A good reporter must have reliable contacts.

    Considering journalists’ working conditions during your time and today as well as non-payment of salaries, what disappoints you?

    Social media operators are not journalists. They are not trained, and they don’t subscribe to our codes of conduct. They are blackmailers. Many of the bloggers are blackmailers. Main stream media should join in the online business. We must update our stories. But, Premium Times is an exception. We must not leave the info-tech to the untrained bloggers. We, too, must go in there and be info-tech savvy.

    Publishers are unable to pay salaries because the media houses are overstaffed. We should have less staff to pay well and as at when due.

    Shouldn’t politics be part time?

    Politics is not a profession. It is only a way to serve. The name I made is not because I was a governor. The friends I cherished today are those from my days as a journalist. But, I am not ashamed to be a politician. I remain a reporter both in life and death.

  • Tijani is NCMM DG

    Tijani is NCMM DG

    Our Reporter

    President Muhammadu Buhari has okayed Prof. Abba Isa Tijani as the Director-General/Chief Executive, National Commission for Museums and Monuments (NCMM).

    The professor of Museology and Anthropology is a former head of Department of Fine Arts and Coordinating Head of Department of Creative Arts, University of Maiduguri, who coordinated the  collaboration between University of Maiduguri and the Universities of Hamburg and Hildesheim, Germany.

    Until his appointment, he was the Acting Director Centre for the Study of Cultural Sustainability, University of Maiduguri and the Executive Board of Director and Head, Nigeria DAAD-Funded project, SDG Graduate School “Performing Sustainability: Cultures and development in West Africa”.

    The appointment of the erudite scholar has been described as well-deserved and has received numerous accolades from the entire staff and stakeholders across the country.

    Tijani has since assumed office as the Seventh indigenous substantive Director-General of the Commission.

  • A narration of beautiful truths

    A narration of beautiful truths

    • Title: A Booktiful Love   
    • Author: Tolu’ A. Akinyemi
    • Reviewer: Okeibunor Tobechukwu
    • Publishers: The Roaring Lion Newcastle
    • Pages: 74

    Tolu Akinyemi has presented us another collection of poems that is remarkable. The book, A Booktiful Love contains 48 poems in three parts with themes that span love, drudgery of politics, and proud cultural heritage, all woven and told with a relatable storytelling voice.

    “Isolation” explains the pandemic situation and ends with hopeful tones of light at the end of the tunnel. “Defective” tells the story of broken people. Then, “It’s Okay Not To Feel Okay” provides the healing balm for mental health in these tough times, a reminder that it is okay to feel down and tired but then, it is necessary “to weed out the debris that wrestles with your freedom”.

    The poems, “Writer” and “Write for Rights” laud and encourage writers to amplify their voices. They speak of a revolution through the pen, of writers being freedom fighters. A call to action that resonates with me is this: “Cruelty snuggles their bodies like fire/Write to quench the pain/Write to save these children from aborted dreams”.

    In the poem, “Sleep”, there is a note of caution for dreamers who let their dreams remain dreams only. Then in “Your Dreams Are Valid” and “Trial and Error”, the poet lights the flame of motivation and urges readers to “fail forward”.

    “Cultural” took me back to lots of our brothers and sisters who travel outside the country and return with varying degrees of fake accents. The piece reminisces about the time we proudly flaunted our culture.

    In the second part of the book, I was moved by the poems: “I Belong to Nobody”, “Aso the Death Post”, “Erect a Statue for Me in Imo” and “Strange Dance of Chickens”, all based on the disturbing world of Nigeria’s politics and how elections are “a campaign of deceit, coloured by lies”.

    The last part rounds off with love stories entwined in modern day realities with “A Booktiful Love” and “Beauty and Priceless”, which speak of love letters to a spouse. Grief and love gone awry are also painted vividly in poems such as “Let Him Go” and “Starved”. “Loud Voices” tells the story of many African homes that live with the burden of relationships that are obviously not working.

    In its entirety, the book would make you go on soul searching. Indeed, I was overcome by relatable emotions, as it evoked cultural ideals that were long forgotten. The work tells the truth of a broken judicial system and broken homes, and then winds off with a love tale embedded with everyday situations. A Booktiful Love is a must read and I recommend it because of the poet’s simple way of telling beautiful truths.

  • Natha-Amadi for burial Oct. 2

    Natha-Amadi for burial Oct. 2

    Our Reporter

    The remains of Mrs. Ezinne Fyna  Ogbonnea Natha-Amadi (aka Nnenne), 94, will be interred on October 2 after a church service at St. Patrick’s Anglican Church, Rukpokwu, Port Harcourt, Rivers State.

    Service of songs and night tribute will hold on October 1, at Rukpokwu, Port Harcourt.

    She is survived by children, grand-children and great grand-children among whom are Elder Kenneth Azubuike Natha-Amadi, Major Harold Chidugam Natha-Amadi (Rtd) and Mrs. Lovelyn Sokari Kalagbor.

  • SNA’s October Rain to honour health workers

    SNA’s October Rain to honour health workers

    By Evelyn Osagie

    The yearly art exhibition tagged October Rain, organised by the Lagos State Chapter of the Society of Nigerian Artists (SNA), featuring 60 artists based in Nigeria and abroad, will hold between October 3 and 10 at the National Museum, Onikan, Lagos.

    This year’s edition is dedicated to the celebration of the revered Nike Okundaye, the resilience of spirits of artists amid the COVID-19 pandemic, as well as health workers who are on the frontline, according to the organisers.

    SNA Lagos State Chairman Mr. Idowu Sonaya said: “The exhibition is dedicated to the celebration of Nike Okundaye, an accomplished giant in contemporary Nigerian art. The theme, Resilience, is also in recognition of the struggles of Nigerian visual artists and in commendation of their abilities to sustain the tempo of art practice while giving credence to a befitting image that Nigerian Art now enjoys globally.

    “We also acknowledge and appreciate the resilience of the medical workers, especially since the COVID-19 outbreak. We also celebrate you using the 2020 October Rain exhibition. It is also significant to the celebration of Nigeria’s 60th anniversary in October.”

    The show, according to SNA October Rain Exhibition Planning Committee, Chairman, Nkang Ini Dan, is organised in compliance with COVID-19 regulations, adding that viewing of works is  by appointment.

    “The choice to celebrate Chief Okundaye was delibrate. We are also not forgetting the relentless effort of our medical workers in Nigeria and around the world, as well as other aid workers, who have been resilient enough to keep us safe from COVID-19 and other life-threatening diseases.

    “Entry is free but we urge the public to call us. SNA Lagos had commenced preparation for this year’s before the pandemic incursion into the country in March 2020. We are glad to announce to you that our preparations were not in vain, as we will be opening the exhibition on the October 3 at the National Museum, Onikan, Lagos. Collectors and art dealers would find this year’s offerings very interesting as it is featuring works by both notable artists,. I implore the general public to follow up on this exhibition through our Social Media platforms, they are, Instagram: snalagos, Facebook: snalagos,” Dan said.

    The exhibition will feature works by members of the association, including  Prof. Bruce Onobrakpeya, Abiodun Olaku, Nike Okundaye, Duke Asidere, Edosa Oguigo, Muri Adejimi, Sam Ebohon, Odogwu Fidelis, Idowu Sonaya, Bunmi Babatunde, Bunmi Lasaki, Adeola Balogun, Bolaji Ogunwo, Dotun Popoola, Dotun Alabi, Sam Ovraiti, Steve Ekpenisi, Norbert Okpu, Ato Arinze, Djakou Kassi Natalie, Taye Osaze and Nosa Iyobhebhe.

  • PEN Nigeria begins online literary series

    PEN Nigeria begins online literary series

    By Evelyn Osagie

    The Nigerian Centre of PEN International (PEN Nigeria), has kicked off an online literary series, tagged: Creative Writing Workshop.

    The maiden edition, which was held via Zoom, was on poetry.

    It had writers and budding writers, including students in attendance.

    According to PEN Nigeria President, Folu Agoi, the online clinic was a first of more to come, adding that the workshop was not only geared towards promoting literature, but also boosting the writing skills of writers.

    He said: “Due to the COVID-19 pandemic, we, at PEN Nigeria, decided to keep creativity alive against the odds by holding virtual events. There would be more of such workshops and the discussions around literature. Although we’ve started with poetry, we would also be holding workshops on prose fiction and playwriting. The series would be platforms for mentoring aspiring writers, even as it seeks to inspire writers. The focus is also to defend the linguistic rights of individuals, while seeking to hone the skill of writers.”

    The session, moderated by PEN General Secretary, Dagga Tolar, had two poets, Akeem Lasisi and Dr. Niran Okewole, as speakers.

    The poets spoke on what good poetry should be about, insisting that poets’ mastery of the language was the first step in the pursuit of creative writing, particularly poetry.

    Okewole, who set the tone on what poetry is or should be, said: “Poetry as a vocation not a hustle.” In pursuit of poetic excellence, he urged writers to first “know the rules of the language”,  stating that although “poets break the rules of grammar intentionally to make a point, mastery is key” in the poetic vocation.

    Making a distinction between performance and literary poetry, he, therefore, charged new and upcoming writers to “read more, write more in the devotion to craft of poetry’’.

    On the question of whether or not skill of poetry could be taught, Niran noted that the skill could actually be transferred. He said: “There is an innate impulse which drives one in the direction of poetry, and that is required in a poet.”

    On his part, performing poet and journalist Lasisi, said: “Poetry can be taught and studied. You can help people discover their talents in poetry; you can teach people how to write better poetry. The fact that it is for the stage for performance shouldn’t make it watery. Research and reading are key to developing the craft; train and retrain yourself in the use of the language; poetic license is real but is not to be abused. Aspiring poets should take advantage of technological tools, such as the social media to express their words.”