Category: Life – The Midweek Magazine

  • NCC to introduce whistle-blowing policy

    NCC to introduce whistle-blowing policy

    By Evelyn Osagie

    Nigerian Copyright Commission (NCC) would soon introduce a whistle-blowing policy.

    Its Director-General, Mr. John O. Asein, made the disclosure while inaugurating the commission’s Anti-Corruption and Transparency Unit (ACTU).  According to him, the commission will soon introduce “a whistle-blowing policy to complement the work of the Anti-Corruption Unit while secured channels would be provided for confidential reports”.

    He said the inauguration of the unit, was in compliance with the guidelines of the Independence Corrupt Practices and Other Related Offences Commission (ICPC) to promote transparency in governance and check all forms of corruption, adding that the unit should develop a system for also monitoring the activities of the commission’s operatives across the country to check operational lapses.

    “The Commission exists to serve the interests of authors, copyright owners, users and society as a whole. As we develop zero tolerance for piracy, we insist on prompt and quality service from all operatives.”

    Read Also: How to achieve digital economy, by NCC

    While indicating that ACTU members would be held to a much higher standard, Mr. Asein noted that its members were appointed based on their integrity which must not be compromised.

    He, therefore, charged operatives of Nigerian Copyright Commission (NCC) to uphold the Public Service ethics of transparency, accountability, integrity and professionalism for proactive service delivery in the implementation of the commission’s regulatory and enforcement mandates.

    In his remarks, Director of Administration, Dr. Idowu Ogunkuade, counselled members of the unit to live above board as every one of them was being watched. ”Your work is not restricted to monetary issues alone but covers any act of misconduct that contravenes the Public Service Rules”, he stated.

    Dr. Ogunkuade noted that although the tenure of the Anti-Corruption and Transparency Unit was fixed, this was not sacrosanct as any act of misconduct on the part of any member would lead to appropriate sanctions in line with the protocol established by ICPC.

    Responding on behalf of the ACTU members, Assistant Director and Head of NCC Audit Unit, Mr. Babatunde Abdulsalami who doubles as Chairman of ACTU, thanked the Director-General for the confidence reposed in them. He pledged the committee’s commitment to the same values of integrity and accountability in the interest of the country and the copyright system.

    Other members of the ACTU, drawn from different Departments at the NCC Headquarters, were Assistant Chief Copyright Officer, Regulatory, Mrs. Oludayo Folarin; Assistant Chief Admin Officer, Mrs. Nelly Ayua; Senior Copyright Officer, Public Affairs, Mr. Amos Abutu; and Chief Clerical Officer, DG’s Office, Mr. Johnson Ogwu.

  • In death, my husband remains my mentor

    In death, my husband remains my mentor

    It has been three years since the late renowned actor, playwright and author, Dr. Adebayo Faleti, popularly known as Alagba Faleti, died. But he is still being missed by those he left behind, especially his wife, Olubunmi Faleti, a former staff of the Nigerian Television Authority (NTA), Ibadan. In this chat with EVELYN OSAGIE, she shares some insights into their world before his demise.

    My husband, my mentor

    I call him Alagba Faleti. In death, my husband remains my mentor. He was a man of integrity who did not lack in contentment. Despite that the reward he received from the government was not commensurate with his good deeds, Adebayo Faleti really protected his dignity as a man who was upright in behaviour and character throughout his lifetime and in his career as a civil servant.

    Being a writer’s wife

    Being a writer’s wife is no small feat. I recall that whenever my husband was writing, I would sit beside his reading table, to give him inspiration with fried meat. He liked  meat so much perhaps because he was a hunter.

    Life as a widow

    To be a widow is a hard experience. This is because the work of hitherto two supporting hands is now left for just one hand to continue in the race for survival; if not for God and the support of people, it would have been worse. That is why I cannot but say thank you to some wonderful people in my life for their support since the past three years and now that I have retired from the NTA. When my darling husband went to rest in the bosom of the Almighty three years back, I thought then that all hopes were lost. That is why words are not enough to show my heartfelt  appreciation to every person that has stood by us up until now, many of whom space may not allow me to mention. However, some of them are Chief Commander Ebenezer Obey, Omo’ba Joko Okupe, Omo’ba Kunle Ogunmola, Ambassador Yemi Farounmbi, Prof. Toyin Abifarin Ogundeji of OAU, Ile-Ife, Prof. Tunde Adeniran, Omo’ba Ajibola Afonja, Prof. Moji Oyebola, Iyalode Yoruba (Mrs.) Alaba Lawson, Rev. Dr. Dokun Olatunde Seap, Otunba Adebayo Alao-Akala, Mr. Dayo Olagunju, Chief Duro Oyekanle and Comrade T.K.O. Olatunji of Ijebu.

    Most challenging moment in our union

    I’d say these words to encourage the young, especially young couples. Trying times may come, like we are experiencing in this season of COVID-19 but patience is the key. Hunger is actually a terrible thing. Whosoever that has experienced it would know the worth and benefit of food in the body system and the need for someone to hustle hard for a good and healthy living.

    This made me to remember between 1986 and 1987 when I and my husband went through a trying time, like what many are going through right now. It is unfortunate that writing does not pay the bill, neither does acting.

    I remember we both hawked kerosene, just to make ends meet. We knew almost all the market days then and would surely be present during their buying and selling days.

    After hawking kerosene in the morning, I would go back home again and quickly take some iced blocks to hawk the same morning before going to the office for the day’s job. Then, I was a staff of the Nigerian Television Authority (NTA), Ibadan.

    My daughters too had to hawk soft drinks after returning from school, just to be able to make enough money for them to take to school the next day.

    It was indeed a very hard time then for me and my husband to survive. But we were undaunted. My husband would always say “isé eni ni’sé eni, má tijú isé’re.” Here was a man of integrity who lived a life full of contentment, even when the government did not really compensate him enough for his good deeds while he was here on earth.

    He was a very caring and humble man indeed and he was not ashamed of his hustle.

    Meeting my husband

    I met my husband in a very interesting manner. I still recall my mother pursuing him and his other renowned friends with brooms and sticks out of our house.

    It was in 1980, I was a member of the O.Y.O. choir. Alagba Faleti had asked me to see him. After advising me about life, he asked if I could be his wife. I was shocked at first, and then afraid and angry because he was very much older than me and must have been married.  Then I taught he was out to deceive me. He told me he was married before but was staying alone.

    I was preparing to go to a teacher’s training college then. He told me he was willing to support me to any length and advised that I should inform my parents about our discussion. I didn’t. I was their first child and they wanted me to further my education. My father was a well-known Christ Apostolic Church prophet and one of the traditions in C.A.C. is one wife to one husband. I couldn’t talk to my father about it.

    Then, one day, Alagba Faleti and some of his friends – Prof. Olatunde Olatunji, Prof. Akinwumi Ishola and Baba Tunji Daramola of Salem Baptist Church – came to see my parents. My mother did not even wait to listen but chased them all out of our house Today, the rest is history. To the glory God today, I have no regrets. In death, I’d still say marrying him was the best thing ever.

  • Poem: Amidst the scars 1 Nurse

    Poem: Amidst the scars 1 Nurse

    By Fausten Speare (Okoye E. Emeka Jr.)

    O’ that those feelings do erase

    By liquor, straws or depths that rage

    This laden heart, if kept at bays

    Profit thee what of its damage

    No better pain, a while Bethpage

    Thus to the cross, their voices raise.

    What throbs my heart is not yond or near

    Neither’s it in the wind I know

    I sought for love and life that’s dear

    For ages reign none came, but lo

    My trust in Fates changed for a pear

    They did delve me a fatal blow

    Not even the Deathly Hallow

    Could save this faith, that’s turned to fear.

     

    And thus my friends did say to me

    “Why mourn the loss of just a pie

    It’s fair that one may want to see

    Had he been told, now but a lie.”

    Tho’ birds in cage will one day fly

    Yet strings in me do disagree.

     

    Come feel my heart, depth of my soul

    Look thus and see the walls I build

    That part of moi that made me whole

    Has long been bond in kales afield

    Great were the pains my heart did shield

    For years all sole, alength Sheol

    I did thus strife, to make drums roll

    That from these thorns, roses may yield.

  • ‘I’m keeping my music alive amid COVID-19

    ‘I’m keeping my music alive amid COVID-19

    By Evelyn Osagie

    When Seun Bankole, fondly known as SB Live, agreed to honour the invitation to perform at the Owambe Saturday on Africa Magic, he did not envisage the reaction he would generate online, especially since the show is on TV one.

    He set a precedent as the most engaging act to have performed on the show- with an overwhelming stage presence that also succeeded in setting Twitter on fire for three hours. That was indeed a remarkable feat in the history of the show, it was said.

    Speaking with The Nation, SB Live, a crossover live music band artiste, said live music has become more important as a unifying force than ever in today’s fractured world.

    There is no gain-saying that COVID-19 pandemic has wreaked havoc on the musical world even though online music consumption has risen, but it seemed there is no stopping the musical act – it was quite interesting to see how the artiste and show organisers took the live music gig-turned concert and musical conversation to the social media.

    Read Also: ‘Why I chose music to tell my story’

    This, he said, was deliberate. The three-hour long performance, which got millions of his existing and new fans talking online was an utterly engaging experience as fans wished it never stopped as evident in the countless tweets on twitter.

    “As the grim effects of the outbreak becomes clearer by the day, what I meant to ensure was  that what my audience would be listening to offers a comforting reminder of the world, we suddenly left behind mere months ago,” he said.

    With public gatherings curtailed, concerts, tours and festivals currently ruled out, prospective musicians and shows have also found ways of harnessing the immense potential of the virtual space.

    “The COVID-19 pandemic is a challenge to us all, especially live band musicians, but we are rising to the challenge of COVID-19, providing musical, emotional and cultural succour for Nigerians and all those quarantined. I am confident that we will all pull through it and come out smiling,” SB Live said.

    Recounting how COVID-19 wreaked havoc on his business, the musician said he and his band were supposed to be playing sold-out dates in America, Portugal, Spain and France at the start of his European tour when pandemic broke out. “This meant all their shows were cancelled. But instead of taking to the stage on Madrid, I and my band decided to sing our hearts out to millions of Nigerians, reaching out to the public, and are happy we even gained a newer audience, especially online.”

    When asked what defines him most as a person, the musician said: ”Music drives identity more than their hometown, politics, race or religion. The only things that are a bigger force than music are friends/family and pastimes.”

  • NICO calls for papers on culture, sexual violence

    NICO calls for papers on culture, sexual violence

    By Ozolua Uhakheme

    Following the devastating consequences of rape on the fast-eroding cultural values and norms, the National Institute for Cultural Orientation is working on a special multidisciplinary publication titled Culture and Sexual Violence in Nigeria, which is designed to enrich knowledge in culture and the diverse dimensions of the rape pandemic with a view to proffering solutions on how best to stem the tide.

    Accordingly, papers are invited from scholars, researchers, and members of civil society (from all disciplines) interested in contributing to the ongoing discourse on how best to check the menace of rape and its attendant impact on our value system.

    Read Also; Sexual violence: NLC calls for ratification of ILO Act

    Suggested themes are ICT and sexual violence, Culture, morality and justice, Literature, art and social justice, Religion, superstition and ritual, Health and trauma management, Economic dimension and rape statistics, Culture, family ties and stigmatisation, Advocacy, Surveillance and education, Law, evidence and rape case management,and Culture. Others are Law enforcement and rape reporting, Media, film, theatre and characterising rape, Psychosocial dimensions and coping strategies, Communication, Counseling and trauma healing, Leadership, Advocacy and Community support systems, and International Standard setting instruments against sexual violence.

    Each paper should include an abstract of between 250-300 words, full address and short biography of the author and must be directly related to the focus of the publication. Submission should be via email to nicopublications@gmail.com. In commemoration of its 27th Anniversary, NICO shall provide a modest honorarium to seven  of the outstanding papers received on or before  August 23. The deadline for submission of ALL papers is September15 2020. The editor-in-chief recommends MLA 8th Edition as the preferred style sheet for this special NICO @ 27 publication.

  • Foundation donates kits to market women

    Foundation donates kits to market women

    By Omolola Afolabi

     

    The importance of hand washing in preventing the spread of the COVID-19 pandemic and other illnesses has been  demonstrated by the Daniel Ogechi Memorial Foundation at the Better Life, Asejere Market, Makoko, Lagos.

    The team leader of the foundation, Adaeze Anyanna, said the programme was organised to donate hand washing facilities equipped with hygiene kits such as sanitizers and liquid soap.

    This, she said, is to assist government in the fight against person to person transmission of COVID-19 especially in public places such as markets.

    “Research has shown that 60 million people in Nigeria lack access to clean water supply, basic hand washing facilities with soap and water, despite proven evidence of the effectiveness of good hygiene practice as one of the best defence against contracting infectious disease,”she said.

    Explaining the hand washing process, Omoyemi Olumodile, a programme officer of the foundation, said proper hand washing programme is more like “do-it-yourself” vaccine which involves five steps, namely “wet, lather, scrub, rinse and dry” which enhances proper hygiene practices in combating illnesses.

    DOAMF also donated some palliatives to the Association of Working Women and Youths (AWCY) in a bid to address welfare challenges during these challenging times.

    The spokesperson of AWCY Mariam Kusika, while showing her appreciation to the foundation, said: “On behalf of  all of us at AWCY and the Asejere Market Authority we receive with gratitude the the palliatives and the sanitary materials,we look forward to more partnerships in the future”.

  • VC lists financial opportunities in Coronavirus disruptions

    VC lists financial opportunities in Coronavirus disruptions

    By Evelyn Osagie

     

    The number Seven is often regarded as symbolic of “perfection” in some religious circles. It was no wonder, then, the Cedar Generation Gospel Outreach rolled the drums as it clocked seven recently.

    It initially planned a memorable anniversary, but it was disrupted by the COVID-19 pandemic. The Ile-Ife, Osun State-based church, however, assembled financial experts who identified investment opportunities  in the COVID-19 era, irrespective of age, location and experience.

    According to the pioneer Vice Chancellor of the First Technical University, Ibadan, Prof. Ayobami Salami, many businesses are having problems during the pandemic because their owners lack financial intelligence.

    He made the submission at a webinar, which was open to non-members, held by the church to mark its anniversary.

    Themed: “Post-COVID-I9 and Career Path Development”, the webinar featured professionals, led by the don, who is also the  church’s presiding pastor.

    The cleric was of the view that whoever did not like the result he was getting in their business should not blame COVID-19 but the way they responded to it.

    Stressing that the Coronavirus birthed new opportunities, particularly in businesses that didn’t exist before., Salami said: “We are in a unique time and must stand up to meet the challenges of our time.

    COVID-19 is a novel pandemic which calls for novel ideas and strategies to deal with its consequences. That is why, as we commence, I am focusing on  “Navigating through a Period of Disruptive Change Unscathed”.

    My introductory message, a verse from the Book of Ecclesiastes 9:11 (KJV) explains it all- ‘I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favour to men of skill; but time and chance happeneth to them all’.

    “The tripod on which our ministry stands is to raise a cedar generation that will be holy, healthy and highly successful.

    I thank God for today that for this our seventh anniversary celebration. And in line with one of the legs of the tripod and the vision of the ministry, we have organised this enlightenment and empowerment programme not only for the members of this ministry but everyone who joins us to benefit it from it.”

    Calling for strategic collaborations and mentorships, he emphasised the importance of individual self-assessment done to identify gaps to enable one be a player in the next phase of the ‘new normal’.

    He said: “And we must not be late immigrants into the digital space. To illustrate this, we can look at available data.

    Whatsapp, in this 2020, has over two billion users, with about 1.6 billion people accessing the app daily. Similarly, Facebook generates 500,000 daily new users, while Twitter flaunts over 1.2 million users accessing the app daily.

    This suggests that there is a race to the digital space and this may not be so palpable because the space is not dimensional.

    So, the COVID-19 has accelerated the migration from the geodetic space to the digital space, especially in the developing world.

    “The elasticity of the digital space presents great opportunities. Nigeria is a country with limited geodetic boundary, but the digital space is boundless and elastic.

    We can look at the example of paper money in terms of the Naira, Dollar and Euro. However, in post-COVID-19, crypto currency promises to be a major force and this can also represent an opportunity to earn passive income.

    There are many of us who are intellectuals but lack financial education. We must quickly address this issue and rise to the challenge.

    Post COVID-19, paper money would not be a major issue, with the rising power of digital money which can be created, safe and secure through a block chain technology.

    And although Nigeria competes strongly in Africa, we need to focus strongly on using it for investment instrument rather than mere trading. My advice, therefore, is that you should not miss the transition as, for good, there is a shift in paradigm.”

    Other speakers were the Chief Executive Officer of Winsbom, Dr Deji Osasona, and cybercrime expert Opeyemi Onifade, among others.

  • Many shades of President’s gatekeeper

    Many shades of President’s gatekeeper

    Title:        Abba Kyari: Portrait of a loyalist

    Editor:     Magnus Ebiye-Onyibe              

    Reviewer:    Ozolua Uhakheme

    Publisher:    Inspire Media Services Ltd

    Pages:           243

     

    Abba Kyari: Portrait of a loyalist- a three-part compendium is a timely follow up documentation on the life and times of the late Chief of Staff to President Muhammadu Buhari, Mr. Abba Kyari who passed on April 17 this year at age 67.

    It is an unusual and rare publication going by its timeliness and content especially the flurry of frenzied posthumous reports in both social and mainstream media. Certainly, it is not a biography of sort.

    Edited by a seasoned policy analyst and journalist Mr. Magnus Ebiye-Onyibe, the book contains a compilation of the good sides of the former CoS as expressed by his admirers, the not so bad  point of views by others and the very bitter ones by those willing to dance on his grave.

    How many Nigerians are shocked by the outbursts that greeted the demise of Abba Kyari last April? Whether the good, the bad and the ugly, is anyone right or wrong?

    Conversely, is perfection a human quality? In William Shakespeare’s Julius Caeser, didn’t Mark Anthony tell us that: “The evil that men do lives after them; the good oft interred with their bones?”

    Tacitly, Onyibe’s documentation of the various slants of the tributes and condolences on Kyari lends credence to the above.

    “A quick scrutiny of the comments indicated to me that some were very good, others not so bad and many more patently ugly.

    It was at that point that it dawned on me that I was a witness to history and if I could, I should help in its documentation…My mission to put together all the events leading to and immediately after the passage of Abba Kyari as a single document for ease of reference in a timely and timeous manner for researchers in the future is what you have in your hand,” Onyibe says in the preface of a 243-page book.

    Part One of the book, which features the ‘good’ tributes has a preceding sub-section My Take, that has articles by Magnus Onyibe in Thecable.ng on September 19, 2019 titled Abba Kyari: APC’s Mr Fix It? Rituals, blood and death: The spiritual side of Aso Villa (Reuben Abati), and Has Nigerian security architecture degenerated into a mess? (Magnus Onyibe).

    These are however not tributes to the late CoS.  The bulk of the tributes run from pages 23 to102, with many that can pass as routine condolences of few paragraphs done by spokes persons on behalf of their principals- the politicians or statesmen.

    But tributes by Simon Kolawole titled: Now that Abba Kyari is dead, Waziri Adio’s tribute to Kyari: A good man is gone, Aisha Abba Kyari’s My daddy, my best friend and Geoffrey Onyeama’s tribute to Kyari: The best man are among the favourite odes that venerated Kyari after death.

    To some, it is expected given the personal relationships that existed between the writers and the late CoS.

    No doubt, Onyibe’s compilation has brought to the fore the hidden explanations behind those canonisations or deodorisations and demonisation of Kyari who was perceived as de facto president of Nigeria in the last five years.

    From misconceptions that he was a usurper of presidential powers to being branded as head of the cabal, mystic posture, and some hidden qualities and attributes unknown, misunderstood and grossly underestimated, the book resolves all this to an extent.

    Part two, (The bad) unlike Part One, did not feature tributes laced with outpouring of love and encomiums. In fact, some are terse and colourless.

    From pages 106 to 159 are different expressions of whom and what Kyari means to each person. Interestingly, among these tributes you find a two-paragraph piece, From God almighty, we came and to Him we shall return by wife of the President Aisha.

    It is the shortest of all the tributes.  Others whose condolences and tributes appear under this section include former President Olusegun Obasanjo, Reuben Abati, Dele Momodu, Akin Osuntokun, Pita Agbese, Iyorwuese Hagher, Ikechukwu Amaechi, Martins Oloja, Majjed Dahiru, Zainab Suleiman Okino and Jibrin Ibrahim.

    Ibrahim’s piece stands out in this section as he argues that Kyari was not the de facto president contrary to opinions of many who hate him.

    “Abba Kyari was not the person ruling Nigeria, if he was, he would have removed his numerous enemies in government.

    He was not an invidious, secretive plotter interested in power for its own sake. He (and his principal) was a person of belief- that governance must provide the greatest good to the greatest number, rather than the elite,’ he says.

    To Ibrahim, Kyari’s fault might have been that he assumed almost everyone that wanted access to the president had a selfish personal agenda.

    “He might therefore have blocked many people whose main concern was to make the regime more inclusive and more performance,’ he adds.

    The third and final part (The ugly) spans pages 165 to 240 and does not contain entirely ugly commentaries. Some tributes maintain a midpoint between respecting the African tradition of not to speak ill of the dead and being frank.

    But many tributes or comments which Onyibe describes as ‘dripping of pure bile and gall by aggrieved Nigerians’ are in this section.

    Faroolq Kperogi, Niran Adedokun and Steve Osuji’s tributes fall within those frank yet objective points of views on the late Kyari.

    In his tribute, Psychology behind the unexpected beatification of Abba Kyari, Kperogi believes that Kyari as a public official directly influenced public policy and his choices had consequences for millions of Nigerians.

    “I have no problem with people who traduced him in death even though I wouldn’t do that, I also have no problems with people who have chosen to celebrate the good sides of him that weren’t available to the public.

    What I have a lot of problem with is bending the truth to defend him, such as saying he had no influence in the Buhari regime, which is undermined by the fact that even serving governors, ministers and senators want to occupy his position…Kyari might not have been the devil, but he was no saint either,” Kperogi says.

    If Kperogi’s tribute is objective and mild, the same cannot be said of Buba Galadima’s The truth about Abba Kyari, which catalogues the many ‘sins’ of the late CoS.

    According to Galadima, ‘Kyari had the blood of countless Nigerians on his hands according to the NSA, with whom he had a public feud, because of his meddling in the war against terrorism.’

    Remi Oyeyemi’s Abba Kyari: Speaking ill of the dead shares similarity with Galadima’s not minding tradition.The four-page piece didn’t pretend about what the author feels about the late CoS.

    Oyeyemi claims that Kyari ‘relentlessly harassed the Vice President, licentiously anchoring Prof. Osinbajo’s deliberate disempowerment.

    He unabashedly intimidated the ministers and prevented them from meaningful collaboration with the man who appointed them, or whom he helped appointed.

    With a mien akin to that of a dove, he was a heinous hawk, a vicious vulture that is egregious and atrocious in its debauchery and cupidity.’

    From the deluge of tributes,  Onyibe put his journalism skill of gatekeeping to effective use as he sieved the shaft from the grains to select what truly represents the feelings of Nigerians.

    However, whatever impression anyone has about the late Kyari, we must be mindful of the ancient philosophy that there is no bad man that is not good and no good man that is not bad.

    Abba Kyari: Portrait of a loyalist will serve as a ready guide and case study for researchers of leadership traits in public and private sectors.

     

  • Gallery sets targets for post-COVID era

    Gallery sets targets for post-COVID era

    By Ozolua Uhakheme

     

    Undaunted by the challenges of COVID-19, the National Gallery of Art (NGA) has restated its commitment to the advancement of visual art with the implementation of its programmes hitherto in limbo this second half of the year.

    Director overseeing the Office of Director- General of NGA, Dr. Simon Odey Ikpakronyi, said the gallery would host a retreat to explore the possibility of having a temporary structure in the short term to serve as the National Gallery and a permanent structure in the long term.

    On assumption of office last year, Ikpakronyi identified the lack of a befitting edifice for NGA as not only making it difficult for people to relate with what the gallery does, but to appreciate the quantum of work it has done over the years.

    He, therefore, said he would push relentlessly for a standard structure to serve as Nigeria’s National Gallery of Art.

    Speaking recently in Abuja, Ikpakronyi observed that Nigeria was one of the few countries in Africa and the world that did not have a befitting edifice as its National Gallery of Art.

    The result, he said, is that most art works in the national collection are kept in unconducive environment and artists have limited spaces to exhibit their works among the few private galleries.

    “The retreat is therefore billed to explore the possibility of having a temporary structure in the short term to serve as the National Gallery and a permanent structure in the long term.

    With Chairmen and members of the National Assembly in attendance, the Federal Ministry of Information & Culture and other stakeholders, clear implementable time lines for getting an edifice will be a major outcome.

    “We are hoping that the National Assembly should be able to make budgetary allocation for the edifice in the next budget cycle.

    We are also hopeful that our Honourable Minister will liaise with the FCT Minister to fast track getting a sizeable portion of land in the Central Business District, Abuja to NGA for the proposed edifice.

    This will rub off positively on visual artists who will now have alternative spaces to exhibit their works. Government will begin to earn revenue as fees will be charged visitors who come to view the exhibitions.

    Also the sculpture garden will be available to sculptors for their work. These are among other benefits,” he said.

    Other programmes lined up include a book on the three irokos — Aina Onabolu, Ben Enwonwu and Clara Ugbodaga-Ngu— which will be the first time three of them will be brought together in a single publication; a book on frontline Benin modern artists such as Elizabeth Olowu and Ellis Erimona will be presented to the public alongside exhibition of their works in Benin City; and a publication on Kolade Oshinowo will be complemented with the exhibition of his art works in Lagos.

    Also in the action plan of NGA is a book on Abayomi Barber, one of the foremost informally-trained artists, to mark his 92nd birthday in October in Lagos.

    According to Ikpakronyi, NGA will soon be in Osogbo, Osun State to unveil the unique works of Osogbo artists who were influenced by Ulli Beier and his wife, Georgina. A standard book on them by NGA will also be presented during the event.

    On the relationship between NGA and Society of Nigerian Artists, (SNA), he said: “NGA has put machinery in place to meet with officials of SNA as well as ex-officio members to chart a way forward.

    NGA is hoping to collaborate with the apex artists’ body with a view to repositioning it to its glory days. A package on this is being worked out to be presented during the event.”

  • ‘Museums, galleries as sites for national conversation’

    ‘Museums, galleries as sites for national conversation’

    One of Nigeria’s art scholars and Head, Department of Fine Arts, University of Calabar, Prof Victor Ecoma, speaks with Assistant Editor (Arts) OZOLUA UHAKHEME on how cultural institutions such as National Museum and National Gallery of Art can serve as unifying agents and income earners, among other issues.

     

    How can the National Museum and National Gallery of Art assist in uniting Nigeria’s multi-ethnic groups?

    Nigeria is the world capital of the Black race and the most-populous Black nation in the world. But, it has not got a national museum or a national gallery of art worthy of their names.

    Abuja, the Federal Capital Territory and the seat of government, lacks critical cultural features of a modern city in terms of a national museum and a national gallery of art.

    The two institutions are usually complemented by a national library, a national archive and an international standard bookshop, which are critical templates for uplifting the literacy level of any nation; and ensuring a cosmopolitan drive for public education necessary for sustainable democracy and good governance.

    Worldwide, national museums and art galleries have evolved trendy architectural styles known as “Deconstructivism” – the types of Guggenheim Museum in New York designed by Frank Lloyd; San Francisco Museum of Modern Art designed by Mario Botta and those of architects like Frank Gehry and Shigeru Ban, among others.

    National museums and art galleries architectural styles are designed to incite feelings of nationalism, enhance cosmopolitan drive for education, promote economic, social and cultural capital of nations by the development of citizens.

    What are your expectations of these institutions in terms of archtectural design?

    National museums and national art galleries by their architecture are designed as spaces where people of diverse socio-cultural backgrounds converge to appreciate, discuss and learn about their society, how its past relates to the present and how these could shape the future aspirations.

    This understanding and appreciation expands the general knowledge of various ethnic groups and cultures who visit them.

    Their exhibits promote better understanding of our cultural heritage, foster dialogue and self-reflection as foundations for nation building in a multi-ethnic and multi-cultural society.

    Museums and art galleries spaces bring people together, face-to-face with works of art or artifacts regardless of whether they are Christians, Muslims, traditional worshippers, expatriates, or other tribes and ethnic groups.

    They all participate in the aesthetic experience, an essential attribute of being human, which also unites people on common grounds of viewing and making sense of what they see, regardless of their differences.

    Museums and art galleries embrace diversity, equity and inclusion through their exhibitions, educational, cultural and recreational programmes.

    They disseminate information and knowledge through publications and promote artists. As part of their social services, national museums and art galleries build bridges of empathy among diverse ethnic groups with dissimilar ways of life, and are used globally to promote world peace.

    Museums and galleries are sites for national conversation in the narratives of time, history and culture within which their collections are exhibited.

    How do these two institutions contribute to national economy?

    The national museum and national gallery of art constitute the intellectual culture of any nation and are not necessarily of market place significance.

    They are public institutions that hold in trust, for the nation, tangible and intangible assets that cannot be measured in numbers or cash returns.

    No nation can achieve meaningful development without the distinct participation of museums and art galleries.

    Africa’s most important wealth has been cultural which in many aspects has been the most influential export not oil.

    It is evident in European art influenced by African art, Egyptian civilisation’s impact on Greek and Renaissance art and in the area of music, films, drama and other spheres of life.

    Museums and galleries are a critical part of the creative industries, creating employment through direct and indirect job opportunities for hundreds of thousands of people.

    They function as critical elements in the tourism industry as destinations for domestic and international visitors and tourists.

    They drive inward investments in the short and long terms, add value to properties where they are located, create income regeneration through multiplier effects of various programmes, preservation activities and public education.

    There is no serious economic impact study on the contributions of museums and art galleries, not even in Lagos the artistic and cultural capital of Nigeria.

    Nevertheless, the two institutions spend part of their resources on programmes and publications for students. As destinations they have indirect economic impacts where they are located as families, students, groups and adult lodge in hotels, eat in restaurants and shop for their needs. The public transportation system also benefits and local spending also increases.

    In the US, museums and art galleries contribute $21 billion annually to the economy through indirect spending by visitors.US government support to the institutions provides an average return on investments of over $7 in taxes for every $1 appropriated.

    These are some of the economic contributions of the two institutions which are often overlooked in Nigeria due to over concentration on oil.

    This has also been responsible for Nigeria’s lack of a befitting national museum and national gallery of art to further contribute to the nation’s economic development.

    What are your dreams for the national museum and national gallery of art? Have they been properly positioned to serve national interest and do you think the two institutions should be merged?

    My dream is to see world class architectural pieces as Nigeria’s national museum, and national gallery of art. The word national underscores the image of a nation, thus Nigeria has the greatest and richest collections of African art heritage than any other country in Africa.

    Her contemporary art is also of equal vibrant strength and foremost in Africa. Yet, we do not celebrate these achievements because of lack of the appropriate architectural environment and facilities which if put in place would attract the world as Africa’s centre for cultural tourism.

    Secondly, those appointed as Director Generals to these institutions most times do not have the relevant credentials either as art historians or anthropologists with the right sensibilities in research and curation as such have nothing really to offer, they do not think museums or galleries.

    The functions of museums and art galleries are quite different to a nation, merging them is nonsensical because one will suffocate the other if not given the appropriate latitude of operation and the nation will be worse for it. Existing international models do not in any way support such merger.

    The problem with Nigeria is that too much money is spent on politics, we should rather cut cost where the pocket leaks not the museums and art galleries, which in the real sense as public institutions drive development.

    How do they adjust to post COVID reality?

    Although there’s no substitute for the visually commanding contact with museums and galleries displays but in the post COVID-19 reality, individuals must ensure personal safety and well-being by abiding to COVID-19 protocols on their visits. The institutions must also improve their accessibility standards for online activities, website and platform visits.

    Also essential is the need by museums and galleries to develop their digital contents to cope with the required traffic and must help their audience and communities build digital literacy.

    Museums and galleries must also comply to all COVID-19 health and safety protocols at all times. Programmes that cannot be performed life will have to go online through video conferencing, other communication tools and channel, which should be explored.