Category: Life – The Midweek Magazine

  • PRAI seeks correctional facilities audit

    PRAI seeks correctional facilities audit

    Our Reporter

     

    THE Prisoners’ Rights Advocacy Initiative (PRAI) has called for an audit of the correctional centres in Lagos ahead of the next decongesting exercise.

    In letters to the Chief Judge of Lagos State Justice Kazeem Alogba and the Attorney-General Moyosore Onigbanjo (SAN), the group said more inmates should be freed.

    Only 15 inmates were released out of the over 5,000 awaiting trial population across the five correctional centres in Lagos during the last decongestion exercise.

    PRAI recalled that in 2012, a former Chief Judge released about 250 inmates who had spent above two years in prison awaiting trial.

    The group said as of March 12, inmate population across the five correctional centres in Lagos stood at 9,056, out of which 7,356 are awaiting trial.

    The figure represents 81.2 per cent of the total population, with only 1,700 convicted.

    PRAI, in the letters signed by its director Ahmed Adetola-Kazeem, said: “The living condition of awaiting trial persons is a total mess. A cell that should accommodate 30 persons is currently accommodating 130.

    “This situation has made the spread of communicable diseases like Tuberculosis and Hypertitis B rife among this population as well as frequent deaths which are most times not made public.”

    According to the group, the electrocution incident at the Ikoyi Custodial Centre last December, in which at least five awaiting trial inmates died and over 15 were injured in an extremely overcrowded cell, makes it expedient to make the next decongestion exercise effective.

    It, therefore, called for an audit of the centres.

    PRAI suggested that awaiting trial persons who have spent more than one year in prison for minor offences should be considered for release.

    It said those who have spent more than two years for serious offences should be considered.

    The group added: “An audit of all awaiting trial persons should be done to determine how long they’ve stayed in prison, for what offence and to determine the status of the cases of those who have been appearing in court but without any meaningful progress for a long period.

    “An audit should be done to identify and release inmates who have spent a period longer than the maximum period of imprisonment which they could have served had they been convicted of the offence in respect of which they were detained.

    “The audits mentioned above would be easier if done in collaboration with the Ministry of Justice, Office of the Public Defender, the Nigerian Bar Association and active non-governmental organisations.

    “Things have gone more awry now, with the influx of inmates to the prison daily.

    “Ikoyi Prison, with a total capacity of 800, currently holds 3,084 out of which at least 2,600 are awaiting trial, a whopping 85 per cent.

    “Beyond the release, it is high time the state government built at least a 3,000 capacity custodial centre considering the population of the state and the fact most of those in prison are there on suspicion of committing offences classified as state offences,” the group said.

     

  • ‘I want to be world music super star’

    ‘I want to be world music super star’

     Ozolua Uhakheme,  Assistant Editor (Arts)

     

    PROMISING singer Yoyo Ovi has lamented the increasing spread of the coronavirus and its impacts on the socio-economic life of Nigerians. She said the pandemic affected her show at the China Cultural Centre, Abuja, last week, which was put off by the organisers because of the safety of guests and participants.

    Yoyo, who spoke at the launch and listening party of her debut EP titled Fear, sponsored by media marketing company MediaBX NG at Rhapsody’s in Ikeja, Lagos, said: “In fact, I was already on my way to Abuja when I got an email saying the show has been put on hold because of the coronavirus. The show, according to the organisers, was cancelled because many guests would be flying in from China and other parts of the globe. That was how I lost out in the event. To me, it is safer to cancel the show than get infected by the virus. Again, I am very cautious of the need to keep safe and maintain good hygiene.”

    The coronavirus outbreak has continued to cost millions of travel and tourism jobs across the globe. Last week, World Travel and Tourism Council (WTTC) said up to 50 million jobs could be lost because of the pandemic, according to its Chief Executive, Gloria Guevara, saying the outbreak “presents a significant threat to the industry”. The news came after thousands of international flights were cancelled and some insurance firms suspended travel cover for new customers.

    Fear is a compilation of five singles namely, Soni, Anu, Fear, Danger and Wild.

    Yoyo whose full name is Uyoyou Ovririe released her first single titled YOYO in 2015. The Afropop artist who hails from Delta State followed her debut single with covers of Evi Edna Ogholi’s hit tracks namely, Ririovara and Obaro. Thereafter, she released I do and My Way in 2018. Soni and Anu followed in 2019.

    At the listening party, she performed all five songs on the EP with Soni and Anu being singles off the EP. The others Fear, Danger and Wild dropped at midnight on March 12 on iTunes and other streaming platforms.

    On why her debut EP is titled Fear, Yoyo said that ‘fear is something she had to overcome to become her authentic self.’ She said she ‘had to become comfortable with her brand and not afraid to express her sound.’

    Soni has been well received by fans since its release in September 2019 and Yoyo said that ‘like most of her songs, the single was inspired by an experience from a past relationship. ‘I couldn’t keep up with the lies and low level of commitment,’ she said.

    Yoyo described herself as a ‘love ambassador.’ She hopes to use her music to send the message, ‘Love, and your reward will be happiness.’

    Music was not on Yoyo’s radar until she won the Glo Rock ‘n’ Rule beauty pageant in 2011 at which her talent showcased was singing. So far, she has released eight songs.

    Yoyo is a University of Calabar graduate with a B.Sc. in Botany. Her journey to becoming an artiste began in 2011 after she won the Glo Rock ‘n’ Rule beauty pageant at which her talent showcase was singing. In 2015, she released her first and eponymous single titled Yoyo before she rebranded to Yoyo.” She has a long list of singles including Soni and Anu which are singles off her latest project and debut EP, Fear.

    On the philosophy behind the title of the debut, she said: “Generally we all deal with one form of fear or the other. So this is me expressing my fear through music like my journey and my struggle. With this I am encouraging others to keep moving…But Yoyo as title of my first single was a strategy to keep my name in the consciousness of music lovers each time they listen to it.”

    She disclosed that she is yet to get a record label, but working hard to push out lots of her music in order to get a reliable label that can sign her.

    According to her, what stands her music out from the pack is because ‘I connect my listeners with what am expressing in the form of vibes.’

    “I love Tiwa Savage’s drive and hustle spirit. Also, I love Yemi Alade and Davido for their willingness to make it. This inspires me a lot,” she said of the fellow artistes. The desire to express herself through music, she noted, is her inspiration which she said makes her happy.

    ” I want to be a world music super star singing for the queens and kings as well as be an inspiration for young girls to look up to,” she promised.

  • ‘Sanusi too hot to be on the throne’

    ‘Sanusi too hot to be on the throne’

    Poet and polemicist Odia Ofeimun is 70. Like fine wine, this vocal writer, essayist and author of several anthologies of poetry has remained stronger and brutal. In this exclusive chat with EVELYN OSAGIE, he speaks on his writings, Emir Sanusi’s deposition and current national issues.

     

    How does it feel to be 70?

    People always feel that a man at 70 should feel different; all I can tell you is that I have always wanted to be an old man. When I was much younger, I always enjoyed being called “Baba”. Many people older than me actually called me Baba. I have never really allowed people to treat me like a small boy.

    I don’t believe that to be young is a licence to anything; you just must be good, which is why I never joined the cult of young writers. It is a virtual cult that appears to believe that different standards should be used to judge young people, or older writers are better because they are older. I always imagined, from the first poems I wrote, that I should be as good as all those older writers; and in most cases, those early poems, especially in The Poet Lied, I wrote them by weighing my chest against world’s famous authors.

    Chinua Achebe wrote Things Fall Apart at less than 26 years old, Wole Soyinka wrote A Dance of The Forest, a book many people consider dense and unreadable, but one of the most exciting works of art. Now, if others could do it, why should I use my youth as a reason not to. Soyinka made me see the possibilities.

     What has life taught you at 70?

    That this world doesn’t change. You’ll find examples of good and bad persons across all the ages. As you get older, the need to be steadfast, to commit yourself to things you have always considered right becomes very strong and more tasking. I don’t think that some people, especially those in leadership position get it, because as some of them grow older, they get softer, they make commitments that they would have been ashamed of as younger persons. As I get older, I trust more and more the truths of my youth, I think that I got a very good education early in my life.

     As a writer, do you feel fulfilled?

    About 10 years ago, if you asked me this question I would be very diffident. I won’t be too sure how to answer. Things were different. Then, there was always this problem of being torn between so many genres. I wanted to be a poet, a dramatist;  I wanted to write prose fiction, and I’d always loved politics and political philosophy. It looked as if I was over distracting myself, and to a certain extent it was true. But that  self-distraction was like extending oneself into virgin lands and populating those lands by planting new things that when added up, amounted to a great deal. The kind of poetry I wanted to write did not appear to be easily buyable. I knew what other people were writing; I did not want to write like them. I wanted to write poetry that could fight – that is resistant to tyrannical rule, and one that would not apologise for seeking freedom across the society – and at the same time, remain a lasting part of the culture to which I belonged within English Literature itself.

    I always knew that literature would not bring money. Poor as I may be because of the choices I am making, I am genuinely always very happy.

      How did writing start for you?

    I began to write literature when I was a very little student in my secondary school days. I started writing literature while I was always driven away for not paying my school fees. What I could get out of writing never struck me as a disability. Even if I knew that no money would come from writing poetry, I would have continued, it never mattered to me. I loved the fact that literature fixed behaviour for you.

    What part of your background influenced the man you became?

    Anytime people asked me about how I became a poet, I linked it to my childhood. I had solid education.  I come from a family of very rugged NCNC people  but I was an Awolowo man from my childhood. I loved studying and I loved what the Action Group was doing in schools. I’ve kept saying that the best education I’ve had in the world was my primary school education. It was genuinely educative.

    I grew up in a house with older educated people. I grew up with my maternal grandparents. They were wonderful people: genuinely hard-working and very strict about people observing rules, morality and the rest of it. When my uncle was travelling to Germany to read Acronomy, he brought all his books home. And among those books were some of the best things in world of literature.

     But why do people refer to you as the angry poet?

    Well it is not about anger, it is about making sure people do not forget what has gone wrong, because when you forget, you repeat them and they become the way we live. I have been told that poetry will be more poetic if we did not put so much politics into it, I actually do not see what I have been doing as politics. It is about showing respect for life. It is possible to build a healthier society than the one we have, and when the government comes to power, there should be basic things by which we judge them. These days, we ought to ask every government that comes to power how much of the goods we import can we produce by the time you leave power? How much of what we expend in our in our lives can you help us to produce before you leave power? There is no country in the world that has become economically developed without planning.

     With goings on in the country, is Nigeria still beautiful?

    I happen to believe that Nigeria is an eminently savable country. I have never managed to lose faith in the capacity of Nigeria, not only to develop but also to become the centre for development for all African states. Nigeria is the most Pan-African country in the world, if you really want to trace the lineages. It is not because I am a Nigerian but historically, it has been the source of migrations to so many other parts of Africa. It tended to be always a destination for very many migrations, either from the Middle East or East or Southern Africa. When you consider that the Igala, they have relationships with people in as far as the Sudan, Kenya, Uganda, and even when you are in South Africa, amongst the Zulu, you will hear Benin words. For instance, our own Ogiso in Zulu language is Uyiso. When you consider the linguistic groupings that we all belong to the Yoruba and the Fulanis belong to a common language family. We are not taught that at school, we are not taught properly how to relate which is precisely why the Fulani man today can pretend that he’s so different from all the others.

    Do you really think the solution will come with a National confab?

    We already have a solution. Every ethnic nationality or fraction in Nigeria should be self-governing. But the fact that we belong to different language groups does not prevent us from sharing educational policies, common health policies and other welfare programmes. Some people are afraid for every child to be educated, first because the class systems which they belong to require the dominance of all other people. Some believe that it is the God-given right of their ethnic group to command and control others, but you see, if you go by that rule, we are returning to the 14th century. And it will never work. Now, something is happening across Nigeria, all those children who did not go to school are growing up in an age where guns are available everywhere and they are buying guns, and they are having guns bought for them by miscreants among the elites who think they can use them for their own purposes.  While you are buying guns for them to use for your own purposes, they are acquiring these guns to have power they can use over you. In the end, history has a way of revolutionising the poor, such that even when they have nothing, they learn to acquire the means to fight.

     So when does this civil war end?

    The civil war ends when to fight all the oddities, lies and falsehood in our polity. Imagine a Fulani child who instead of driving cattle along forests and other routes is properly trained as a veterinary surgeon. These days, they pack them into trailers and dump them into forests in Southern Nigeria, it’s like they refuse to train their own, but they want to use the untrained and unskilled to mess up and mix up people in other parts of the country. They are just human beings like us. Nigeria is rich enough to provide a civilised way of living, rather than pour those children into forests to suffer, let them stay where they have cultural and religious empathy. If you do not allow them to move from the hideous poverty that we are all sentencing them today.

     Given the much talked about social media restriction/legislation and then the writers/journalists being arrested. Would you still “ask questions with stones” if they take your voice?

    We have reached a situation whereby it is no longer a balance of power, but a balance of terror, we can’t escape it. If you say you don’t want to buy guns, but when people bring guns to your doorstep as they did in Benue, and they said ‘your land or your life’, what do you do? It is a question that those who designed Amotekun are not able to answer properly. Once you allow violence to become the definitive of everyday life, you will need something tougher.

    It is the kind of question a poet should not be asked because it hits deep inside you, meaning how can you have a future in which things are like this?

     So if you are given a chance to tell the General, what will you tell him?

    That we would not submit. Nigerians proved during the military era that we have self-respect. We are acquiring a capacity to say no to government.

    Do you think that the reason we got to where we are politically is because we all did not take Nigeria seriously?

    Well, that’s the claim I make in my book, that in fact we have not been taking Nigeria seriously. If you take yourself seriously as a people, it’s like one of the stories I tell in ”Imagination and the city”. If a land is beautiful and want to continue to enjoy it, you do not destroy it or make it uninhabitable. You’d make it beautiful. We who claim we own our forests, let us make our land beautiful. We must not allow the regimes of violence that are being imposed on the rest of the country. At the moment we have the means to make this place beautiful. As vibrant and very inspired people, we deserve to have peace. We should all prepare for the future by making today better than yesterday.

     What’s your take on the Sanusi and the emirship saga?

    It must have been clear to Sanusi that he would always be in trouble as an Emir, he grew up believing he was going to be Emir someday, and he managed to achieve it, but along the way, he also acquired the capacity for self-criticism and social criticism which did not agree with the tendencies of traditional rulership. He probably would have done better in a society where, when you become a traditional ruler, you have the power to make certain things happen. In the history of Kano, Rumfa was such a leader; Rumfa was a great Hausa leader who changed almost everything in Kano. The only comparable leader in Nigeria’s pre-history who was like that was Eware the First.

    With the case of Sanusi, if you allow yourself as a traditional ruler to move into mainstream political activity, you are bound to repulse politicians who lack the juncture for changing development of the people, and there are those who just get envious, frankly when you have a former Central Bank governor who knows the way the world works and has seen how his people are being grown down in poverty. Out of guilt and resentment of what the politicians are not able to do, he is bound to misbehave. And to be very honest, it is out of his misbehaviour, when to simply distaste for bad governors, an Emir refused to attend public meetings, because you know what to expect if you are dealing with politicians who are very corrupt, and you know that it reflects on you as an Emir to be Lord and Master of this estate that is being ruined under your very nose. It’s a very painful role for an Emir to occupy, such that many of them are telling Sanusi to throw away his turban and play politics properly. It requires a different form of governance to make sure that the 15-25 million children who did not go to school in the North will go to school, and if Nigeria wishes to remain a normal society in the next 50 years, we must get all of them to school.

    The fact that we have allowed millions of people to be out of school and unskilled is a crime, and it is a crime that the Sanusis of this world will never be able to solve by being traditional ruler.

  • Sotheby’s $1 billion private sales in 30 works of art

    Sotheby’s $1 billion private sales in 30 works of art

     Sarah Cascone

     

    YOU may know Sotheby’s for its glamorous public auctions. But away from the theatre of the auction floor, the firm is also doing brisk business in private sales, having announced that that it hit the $1 billion threshold for the second year running. (By comparison, the house made $4.8 billion on the auction block.)

    The announcement underscores the degree to which auction houses have aggressively moved into the terrain of private dealers. It also offered some details about action at the very top end of the market. Impressively, nearly half of this gargantuan total came from some 30 transactions in the $5 million-50 million range-although the lion’s share of the works are priced at $1 million-5 million.

    Over the last three years, the artists most likely to go through private sales at Sotheby’s are Jonas Wood, Yayoi Kusama, George Condo, Andy Warhol, Jean-Michel Basquiat, KAWS, and Alexander Calder. The artists bringing in the biggest sales numbers, however, skew more historical, such as Pablo Picasso, Claude Monet, and Henri Matisse.

    As for who buyers request the most, according to the house, that group includes Warhol, Kusama, KAWS, Basquiat, Calder, Picasso, Ed Ruscha, and Albert Oehlen.

    All in all, roughly half of Sotheby’s private sales, both by value and by volume, are of contemporary works. It also claims that there has also been growth in the private sales of Old Masters, American art, jewelry, Islamic and Middle Eastern art, and books.

    The auction house’s announcement comes on the heels of the disappointment that the estate of Donald B. Marron would be selling its $450 million postwar collection through a partnership with Pace, Gagosian, and Acquavella Galleries-not at Sotheby’s or Christie’s. This surprising development underscored the pressure top houses are currently under to invest in and expand their private sales business to better compete with blue chip dealers.

    Of the big two, Sotheby’s appears to have been leading the charge, with 37 percent growth in private sales in 2018 compared to just 7 percent for Christie’s that year, ARTnews noted. Last spring, Christie’s appeared to be looking to step up its efforts by asking its co-chairman of Impressionist and Modern art Adrien Meyer to also serve as chairman of global private sales.

  • Oniyide’s pick ‘good for Rivers’

    Oniyide’s pick ‘good for Rivers’

    RIVERS State Governor Nyesom Wike has been commended for reappointing Mrs Tonye Briggs Oniyide as the Commissioner for Tourism and Culture. In her first tenure, the she took the business of culture and tourism revival to greater heights with Rivers State hosting the best ever national festival of art and culture, (NAFEST) wining the overall best performing state diadem back to back.

    Director-General of the National Council for Arts and Culture (NCAC) Otunba Segun Runsewe  said Wike had shown exemplary leadership and forthrightness in returning the hard-working Oniyide to her beat, thus, encouraging continuity and boosting confidence among those called to serve.

    “Wike deserves our support and praises in this very important decision to return Mrs Oniyide back to office, which is a testament to the fact that the governor wants the best for Rivers State,” Otunba Runsewe said, adding that greater achievements in culture and tourism will be recorded in Rivers State under Governor Wike.

    Also, a cultural group, Youths for the Advancement of Culture, thumbed up Governor Wike for the reappointment of  Tonye Briggs Oniyide as Commissioner of Tourism and Culture in Rivers State.

    The group led by Evans Brown disclosed that prayers will be said daily for Governor Wike and his team to enable them build a Rivers State to which the indigenes and all Nigerians will call home and the culture capital of Nigeria.

  • ‘Impact of neglect of culture’

    ‘Impact of neglect of culture’

     Ozolua Uhakheme, Assistant Editor (Arts)

     

    CHAIRMAN, Senate Committee on Culture and Tourism, Senator Rochas Okorocha, has urged Nigerians to believe in themselves and appreciate their culture and traditions as no nation can grow beyond its culture, traditions and its relationship with God.

    He stated that the neglect of our culture brought us to where we are today as a nation in dismay. He lamented that “we have been struggling to be like other people and races. That is why we are where we are today.”

    “No nation can grow beyond its culture, traditions and its relationship with God. It is the neglect of our culture that has brought us to where we are today as a nation and a nation in dismay. Unfortunately, we have been struggling to be like other people and races. That is why we are where we are today.

    “We must appreciate ourselves, who we are and what we represent. In fact, we should all be proud of who we are. Also, we must begin to look inward into our culture and traditions as well as indigenise our economy in order to do well,” he said.

    The former governor of Imo State spoke at the annual distinguished lecture organised by the National Gallery of Art, (NGA), at the Press Centre, Radio House, Abuja last Thursday.

    The lecture, entitled: Recurrent issues in the development of contemporary Nigerian art, was delivered by Prof. Jerry Buhari of the Ahmadu Bello University, Zaria.

    Okorocha said: ‘’If Nigeria brings culture to bear on its fight against corruption, Nigeria will stop corruption. But, as long as we keep fighting corruption using western methods, corruption will not be overcome. It is the bane of our success as a people. Swearing to Holy Bible or Koran by public officers won’t end corruption. For instance, in any election, when you have the cash, the police, the army and the INEC you will win any election. It is not because the people love you. But, make politicians to swear by the traditional idols in their locality, no one will rig election.’

    “I believe that an event such as this provides us the opportunity to reiterate the intrinsic relationship between modern art and economic development and to underscore the urgent need to pay priority attention to harnessing the vast potentials in the creative art generally and visual arts in particular.

    “Permit me to applaud the NGA for its effort in organising this programme and the progress it has made in carrying out its mandate, especially in the last one year in spite of budgetary constraints. I must also commend NGA for bringing back this very important programme which I believe will enrich our minds. I urge the management to continue on this path of restoring its other programmes which have been in the cooler for one reason or the other,” he added.

    Minister for Information and Culture, Alhaji Lai Mohammed who was represented by a Director in the ministry, Mr. Augustine Eta, noted that more than ever before, the Federal Government is poised to make art a viable venture. “As the nation continues to diversify its economy and rely less on oil, the focus is on tapping the invaluable resource in the creative industry and tourism. I encourage all of you to see Art not just as a vocation but as a lucrative profession. It is in the light of this that I view today’s programme as a building block to an enduring future for our teeming youth,” he said.

    Chairman Governing Board of NGA, Ambassador Umaru Azores Sulaiman said that as a board ‘we want to assure the management of our support and encouragement at all times.’

    “We recall that in the last 10 months or so, NGA has been carrying out its mandate with vigour and enthusiasm. In the period under review, NGA exhibited the art works and presented standard books on notable art scholar and painter, Prof. Jimoh Akolo; outstanding artist and architect, Demas Nwoko; all in Abuja and art works of Joseph Alufa Igbinovia, carver of the replica of Queen Idia mask used as the symbol of FESTAC ’77 in Benin. Also in Benin, NGA held a major exhibition of the outdoor sculptures of prominent Benin artists tagged, Art of Benin Kingdom. Earlier last year, the NGA executed other major programmes,” he added.

    He observed that the dynamic leadership at NGA has found it fitting to bring back one of its signature programmes, the Annual Distinguished Lecture, which has been in the cooler for eight years.

    Acting Director General, Dr. Simon IKpakronyi assured that henceforth the NGA Distinguished Lecture will be an annual event, noting that the Distinguished Lecture is designed to advance the course of knowledge in visual arts in particular and arts generally.

    “It is aimed primarily at educating stakeholders as well as the public on the various aspects of Nigerian visual arts. It is a forum where eminent scholars are invited to deliver well researched papers on carefully chosen topics which are deeply analysed for the benefit of professional artists, art teachers, art researchers, art administrators, scholars, students of visual arts at different levels and the public,” he said.

    In his paper, Prof Buhari said his paper seeks to address some issues in the development of contemporary art in Nigeria that I consider important for us to look at.

    He described the lecture as an opportunity for all of us to engage in reflection and perhaps stock taking as our country struggles with many threatening issues of nation building or our existence. “I will continue to submit, as I have always done before, that art, if given its proper place, beyond speeches and shelved policies, would be able to redirect our energies, creativity and imagination toward new approaches in addressing national issues. (China, in my opinion perhaps gives us one of the best examples of how the Republic uses culture to define their identity and philosophy as a development blueprint and foreign relations. “China’s story is truly the Chinese dream. But this, however, will not be the focus of my paper today. The point made is only to remind us that we have an enviable yet to be fully harnessed cultural and artistic heritage, as rich and almost as old as China’s that can always provide new and authentic indigenous perspectives, new ways of seeing beyond looking, and new ways of advancing our capacity not only to “think outside the box”, but with due apologies to Professor Soludo, the ability to even “think without the box.” How can we convince our political rulers to see that the answer to some of the myriad challenges lies in the Sokoto of our culture and not in Sakwato?,” he added.

    Present at the lecture included Chairman, House Committee on Culturtre and Tourism Hon. Omoregie Ogbeide-Ihama, Justice Sidi Bage Muhammed, Emir of Lafia Bare-Bari, Dr. Paul Dike and delegates from Ahmadu Bello University Zaria.

  • Affordable Art auction holds March 7

    Affordable Art auction holds March 7

    Arthouse Contemporary will hold its fifth annual Affordable Art auction on March 7, by 6pm at the Kia Showroom, 308 Adeola Odeku Street, Victoria Island, Lagos. The auction preview will take place on March 5, between 6 and 9 pm. The auction aims to engage new collectors with all works of art estimated below one million naira. As the sister edition to the May and November auctions, the Affordable Art auction features artworks that are scaled to an accessible price point.

    This edition of the Affordable Art auction features 101 lots by leading modern and contemporary artists. This auction will feature small-scale works and prints by modern masters including Jacob Afolabi, David Dale, Matt Ehizele, Sam Ovraiti,Jimoh Buraimoh and Muraina Oyelami, among others. This auction will also feature a print of Ben Enwonwu’s iconic painting, Tutu.

    Leading contemporary artists include Rom Isichei, Alimi Adewale, Ben Osaghae, Kainebi Osahenye, Tolu Aliki, Duke Asidere, Uchay Joel Chima, Alex Nwokolo, Kehinde Oso, Tola Wewe and Charles Okereke, among others. The Affordable Art Auction also features many rising artists, including Dare Adenuga, Muyiwa Akinwolere, Edozie Anedu, Deborah Segun, Johnson Uwadinma, Agemo Francis, Timi Kakandar, John Madu, Femi Morakinyo, Qozeem Abdullahman, Onyinye Afam and Michael Eneijson, among others, many of whom are participating for the first time at auction. The auction will also feature charity lots to support the Arthouse Foundation, a nonprofit artist residency programme in Lagos, with artworks by Oladele Awosoga, Nkechi Nwso-Igbo, A. Akande and Enem Inwang. The proceeds from these charity lots will go directly to supporting the programmes of the Arthouse Foundation, including its residencies, workshops, talks and exhibitions.

  • NCF leads winter birds’ census

    NCF leads winter birds’ census

    By Janefrances Chibuzor

    Nigerian Conservation Foundation (NCF) has led bird-watchers to conduct winter bird census at Hadejia-Nguru Wetlands (HNW), a RAMSAR site in Jigawa and Yobe states.

    HNW is of international significance to Afro-tropical migratory water birds of about 423,166 individual birds from 68 species.

    Addressing participants, Dr. Sulaiman Inuwa of the Federal University of Dutse said uncontrolled hunting of birds and habitat loss were pressing problems throughout the wetlands. He noted that to address this challenge, the conservation project has made efforts to curb these problems through the ongoing Birds Species conservation and Tree planting/habitat regeneration programme as well as sensitising students and the local communities through awareness campaigns and harnessing the efforts of concerned relevant local CSOs and government Institutions.

    NCF Project Officer Mr. Harry Hanson who led the team said that the conservation project is still consulting relevant stakeholders regarding sustainable control of crop damage by avian pests in the wetlands.

    Other participants included Mr.  Paul A. Tersoo, Mr Abubakar Ringim from the Federal University of Dutse; Mr Ibrahim Mohammed Hadejia, Alhaji Hassan Hassan from Jigawa State Ministry of Environment, Mr Abacha; Mr Sani from the Chad Basin National Park (Wetlands sector); Mr. Bala Bala from Nguru Local Government, and Mr. Samaila Mohammed Alkali from Federal Airports Authority of Nigeria, Kano, among others.

    The Wetlands is known as a centre of fish production. But upstream hydrological developments driven by irrigation projects threaten to degrade this important resource. Studies of flood plain fisheries have shown that fish production is closely related to flood extent. The existing and planned dams upstream of the HNW are likely to have a serious impact on fisheries.

    Current efforts at conserving the avifauna of the wetlands started with the establishment of the HNW Conservation Project in 1987 as a joint international initiative to promote sustainable use of this hydric ecosystem in the otherwise semi-arid zone of north-eastern Nigeria. Since its inception, the project which comes in phases has its major goal of maintaining the natural resources and function of the wetlands.

    Bird monitoring and the annual dry season (northern winter) waterbirds surveys remain one of the most publicized bird conservation efforts of the conservation project. However, recognition of the vital and central role of water in maintaining the ecological health of the wetlands has prompted the project to evolve a new strategy of establishing Site Support Groups (SSGs) in all the project target sites. These local communities are engaged in communal Typha clearance activities as well as regular meetings of NCF Promoter’s Committee and the wetlands’ water stakeholders to resolve periodic water use conflicts, channel blockage, water-shortage/distribution and other environmental problems.

  • NCC, group call for IP policy for varsities

    NCC, group call for IP policy for varsities

    By Evelyn Osagie

    The Nigerian Copyright Commission (NCC) and the Association of Vice Chancellors of Nigerian Universities (AVCNU) have reiterated the urgent need to formulate a model intellectual property (IP) policy for the benefit of Nigerian tertiary institutions.

    This understanding was reached during a consultative meeting between the Director-General of NCC, Mr. John O. Asein and the Secretary-General of the AVCNU, Prof. Yakubu Aboki Ochefu, at the Secretariat of AVCNU.

    While the Director-General underscored the need for a national IP policy to fast-track the development of Nigeria’s knowledge economy and entrench international IP best practices in the country’s university system, the Secretary-General of AVCNU called on the Commission to provide a draft IP policy for Nigerian universities for consideration and adoption by the relevant authorities of the universities.

    The Director-General, who paid a courtesy call on the newly appointed Secretary-General of AVCNU at its Secretariat in Abuja, also called on the National Universities Commission (NUC) to make it mandatory for all Nigerian universities to have a functional IP policy as obtained in most advanced countries.

    In the words of the Director-General, “It is unacceptable in today’s knowledge and intellectual property driven society for the very citadel of knowledge not to have clearly defined standards of engagement governing the institutions, faculties and students.”

    He lamented the high rate of IP theft and abuse including copyright infringement and plagiarism in the universities. He also decried the low level of patents despite the enormous research potentials of academics across the different fields of science and technology. “Nigeria has the requisite human and intellectual capital to solve most of its problems and IP is one of the keys to unlock these potentials and stimulate the application of knowledge as catalyst for growth and development,” he concluded.

    READ ALSO: NCC empowers students, others

    Speaking on the specific issue of copyright abuses, particularly the rampant unauthorised photocopying that goes on in and around universities, the Director-General solicited the support of the AVCNU in ensuring that students and faculties abide by the rules of fair dealing and respect for authorship.

    In his remarks, the Secretary General of AVCNU, Prof. Ochefu assured the Director-General that AVCNU was committed to raising the standards of Nigerian universities to make them more globally competitive and would support any initiative to help achieve this goal. He implored the NCC, as a major IP agency to work with other relevant agencies, experts and stakeholders to launch the process of formulating a model University IP Policy.

    He agreed that considering the importance of IP as a tool for maximising research and innovation, the existence of an IP Policy should be a prerequisite for university accreditation. He condemned the prevalence of IP theft and other abuses in Nigerian universities, calling on the NCC to intensify its awareness creation programmes for academic communities.

    Prof. Ochefu stated that it was important to highlight the linkage between copyright and plagiarism in the universities. He canvassed the need for a compensation mechanism for copyright owners whose works were being exploited in the Open Education Resource (OER) programme of universities to guarantee sustainability and the quality of the materials on such platforms.

    Thanking the Secretary General for his commitment to the sustainable use of IP in Nigeria, Mr. Asein recalled that the AVCNU, on behalf of Nigerian universities, had in 2017 negotiated a licensing framework with the Reproduction Rights Society of Nigeria (REPRONIG) and regretted that despite the number of universities in the country, none has signed up to the reprographic licence that was agreed.

    He said it was ironical since a functional licensing arrangement would provide additional income for university authors from the massive photocopying being carried out on and around their campuses. He urged the AVCNU to encourage the universities to subscribe to the N500 per student per year for approved photocopying, adding, “that is a very fair baseline but for some reason, no university has implemented it and it gives us concern.

    “For the NCC, it is not only about getting the universities to pay but to benefit from the multiple streams of income that a robust copyright ecosystem provides. We, therefore, want to place the copyright system at the service of universities in a way that authors and publishers, including university presses, will always have return on their intellectual and financial investment. We believe that for Nigeria to have a sustainable academic culture, we must take copyright issues seriously and make books available for tomorrow,” he stated.

    Mr. Asein used the opportunity to advocate a national policy, in line with this administration’s stand on inclusive education that would compel all publicly funded researches and educational materials to be made available also in accessible formats for the benefit of the blind, visually impaired persons and persons who are otherwise print disabled.

  • Encomiums as Olatunji marks 60

    Encomiums as Olatunji marks 60

    By Ozolua Uhakheme, Assistant Editor (Arts)

    The rare gathering of eggheads at the Theatre Hall, Faculty of Education, Lagos State University (LASU), Ojo, Lagos penultimate Friday, spoke volumes of the quality of the event. It was a three-in-one birthday celebration in honour of the Dean, School of Communication, Lagos State University, Ojo, Prof Olurotimi Williams Olatunji, who turned 60.

    From thanksgiving service to lecture session and reception, guests, who were mainly academics, friends and relatives, recounted the many attributes of the celebrator, who many described as a Godly gentleman; a model of scholarship and an example of good parenting. While many Christian brothers reminisced on Prof Olatunji’s honesty, discipline and fear of God, his professional colleagues harped on his hard work, selfless service to humanity and humility. All these, they said, characterised the celebrator’s personality.

    Among prominent dignitaries at the birthday were pioneer Dean, LASU School of Communication, Prof Idowu Sobowale, Chair, UniLag Radio, Prof. Ralph Akinfeleye, Oba Lukman Jayeola Agunbiade, Alagbara of Agbara Kingdom, Executive Director,  Retail Banking,  First City Monument Bank (FCMB), Mr. Olu Akanmu, immediate past President, NIPR & African Regional Representative Global Alliance Dr. Rotimi Oladele, Prof Beatrice Laninhun,  Mother of the Day, and PhD Thesis supervisor to Prof Rotimi Olatunji, Comrade Femi Aborisade, Olayinka Olumide-Fusika, (SAN), Vice-Chancellor, Caleb University, Prof Nosa Owens-Ibie; Deputy VC, Covenant University Prof Akan Williams, host Vice-Chancellor,  Prof Olanrewaju Adigun Fagbohun,  (SAN), Registrar  LASU, Mr. Olayinka Amun, Prof Lai Oso, Abuja Prof. McCarthy Mojaye of National Open University of Nigeria, Lanre Arogundade,

    The celebration, which started with a thanksgiving service led by pastors from the Living Faith World Outreach (Winners Chapel), witnessed the celebrator, his families and friends in praise and worship session thanking God for His faithfulness. This was followed by a lecture entitled: Goodvertising and the search for a place called country, delivered by Prof. Ayobami Ojebode of the University of Ibadan.

    Vice Chancellor, LASU, Prof Olanrewaju Adigun Fagbohun admitted that  he wouldn’t have been happy if he had missed Prof Olatunji’s birthday bash, adding that the celebrator is not just a Christian, but a Godly man.

    “If you want Nigeria to change, there are certain individuals we need, we need people like Prof Olatunji. I am not saying this to eulogise you or I don’t think I will set up five committees at a go and Prof Olatunji would not be a member of one. Even if you are his best friend, he will tell you the truth in the report. There are people, who are Christians and there are those who are Godly.

    “You can be a Christian and not Godly. As a Godly person, you do things without being sentimental, and you will be bold and courageous at all times to say it as it is. That is the role Prof. Olatunji plays.  If you want something to work and progress, put Rotimi Olatunji there. He will not fail. Prof, I thank you very much. I also thank you for being a back bone. Thank you for also being the man we could rely on,” he said.

    Chairman of the event, Dr. Rotimi Olawale, described Prof Olatunji as a product of quality parenting, which he said, is missing in the today’s society that has given birth to armed robbery, kidnapping, stealing, raping and other vices.  “Prof Rotimi Olatunji is a role model of quality parenting. He is also a model of scholarship. Anything he wants to do, he would see to the end.  He has sense for detail, and one other thing I admire in him is humility and he has it in abundance. He can sacrifice his whole self to a helpless person day or night. Prof Olatunji is a coin and a coin has double sides, and he is a professor of public relations and advertising. I am sure Mama (Prof Beatrice Lanihun) would be so happy today that her son is 60,” he added.

    The immediate-past Dean, School of Communication, LASU, Prof Lai Osho, noted that Prof Olatunji is a man whose yes is yes and no is no, and who doesn’t pretend. But he observed that when it comes to difficult issues he would result to Modakeke language and when he speaks in that language, you will know that Olatunji has spoken. “He is a brother and a team player you can depend on him anytime anywhere. He is someone you can call anytime be it at 2am, he will offer a listening ear. I love and admire him as a scholar and a friend. And may the lord grant you many more years,” he said.

    To Prof Olatunji, attaining the golden age of 60 is a precious gift of God. He gave God all the glory, saying: ‘What shall I render but to give glory to the most high God.’

    Professor Olatunji @ 60

    “God has given me the grace to be alive at age 60, what role did I play today to keep myself alive, my life is a gift of God and a gift from God. Therefore, I say to God be the glory for this wonderful gift of 60. Age 60 is a most wonderful and precious gift from God to me and I give God all the glory. I was not a part of the decision concerning how my parents were married, how I was conceived or did I have any plan in determining my look. Why was it that all the children that God blessed my mother with before I was conceived all died as a result of what they call infantile mortality? In fact, the name Olurotimi connotes to the Yorubas that the child that died and come and has come to stay. God has taken me through special valley of the shadows of death, yet He is still keeping me alive.

    “I remember one Monday morning as a Primary 5 pupil on my way to spend long vacation with my parents in a cocoa forest in Oyo State. The lorry that was taking us on that journey was about to cross the road when the driver sighted the traffic police.  The driver had no vehicle particulars. So, I was sitting on the door of the lorry with another boy of the same age with me. Out of panic, the boy jumped out of the vehicle and the vehicle crushed his head. I would have taken that jump of death, but God saved me. My preservation of life is from the gift of God. I worked with no mother. My mother died when I was a child. I was like an ant that has no guide. My mother was the last wife of the three wives. The wife God has given to me is a wonderful woman. The children God has blessed us with are all gifts from God. The grandchildren God has given us are wonderful gifts from Him. I thank God for all the people that surround me. In the first 21 years of my life, I grew up in a highly spiritual centre.  There are friends who prayed for my salvation. At about the age of 34, I gave my life to Christ,” he recalled with nostalgia.