Category: Life – The Midweek Magazine

  • FairMoney signs comedian ‘Broda Shaggi’ as brand ambassador

    By Evelyn Osagie

     

    A mobile bank for emerging markets, FairMoney, has signed comedian and actor, Animashaun Samuel Perry also known as Broda Shaggi, as a brand ambassador.

    The deal, which is for an initial period of one year, will see Broda Shaggi collaborate with FairMoney to reach its grassroots audience.

    The comedian, who is also a singer and voiceover artiste with over three million followers on Instagram, came into the limelight for his humourous social media skits.

    Last December, Broda Shaggi featured in FairMoney’s influencer marketing campaign dubbed: “The Friends Loan Test”. The reception the brand received from the association signalled that the comedian is a good fit.

    In a statement, FairMoney’s Head of Direct Marketing, Seun Oratokhai, stated that both parties were pleased with the terms of the contract.

    Read Also: Rachael Oniga unveiled as Iloshe ambassador

     

    “Broda Shaggi was an obvious choice following the interaction with consumers during the “Friends Loan Test” and the “No Excuses” campaign which was launched last year. Our consumers and target audience also connected with him immensely during our road shows and activations.

    “He is the face of our brand not just because he is funny and has a huge fanbase but because he represents the normal Nigerians that are our customers.

    In addition, like Broda Shaggi, FairMoney is a young brand that is rapidly growing in popularity. It offers individuals and small businesses loans from N1,500 to N150,000 through its free mobile app which can  be used to pay for value-added services with no transaction fees. It is available in the Google Play Store for Android users,” Oratokhai said.

  • Artist takes Abiriba across Nigeria

    By Evelyn Osagie

     

    Twenty nineteen was a good year for documentary photography and widely-travelled artist Philips Akwari. Through his groundbreaking historic and cultural exhibition, ‘The Rich Abiriba Heritage’, he has become a leading ambassador of his hometown, Abiriba in Abia State.

    Throughout last year, Akwari took the ancient city of Abiriba in Abia State across Nigeria through his lens, showcasing the culture, festival and people of the place.

    The high point of the artist was the unveiling of Akwari and Uche Iroha (Airo), an indigenous music artist, as brand Ambassador for the Zorah brand power bank by the CEO/Managing Director of FBN Holdings Plc, Elder U.K Eke. The feat  was due to Akwari’s contribution to the promotion of Abiriba cultural heritage to the world through his exhibition, it was said.

    2020 is looking great as the artist says he is determined to take his exhibition beyond the country’s shores as his travel exhibition has gone into top gear.

    Beginning from The Thought Pyramid in Lagos, the exhibition train, which travelled to Abuja and Enugu State, recently berthed at Abiriba for his just-concluded edition.

    While the Lagos, Abuja and Enugu exhibitions were meant to showcase the rich Abiriba heritage to the world, according to Akwari, the Abiriba exhibition was meant to remind the people how much a treasure they have.

    Guests and visitors were taken on a journey through the socio-cultural history of the place. Akwari’s lens captured in true quintessence the Abiriba’s worldview via cultural celebrations, architecture, marriage, fashion, symbols and community self-help projects.

    It was indeed an uncommon homecoming event for all, one that fosters unity and communalism, it was said.

    Akwari says the move was deliberate. “Abiriba usually works with event calendars during the festive periods which usually bring sons and daughters of the land together.

    Read Also: French-Nigerian artist questions Niger Delta’s future

     

    It became expedient not only to hold it during one of such periods but also to have it on the only free day throughout the season. Every other day is filled with activities which will make it hard for people to attend the exhibition.

    “The Abiriba exhibition marks the end of the series of the Rich Abiriba Heritage.  It was meant to teach the younger generations of Abiriba people the values of the people and the need to preserving them.

    It was combined with local music exhibition by Uche Iroha “Airo” and was co-sponsored by Zorah Konsults Limited, dealers in multifunctional power bank,” he says.

    Shot between 2013 and 2018, some of the pictures were taken during the actual celebrations, while others are architecture and streets of well-known landmarks in the place.

    Although the exhibition, which is powered by the Thought Pyramid Art Centre, berthed in Lagos, it would be making its next stop at its Abuja centre, it was said.

    In his 36 photo displays, Akwari reveals the story of an ancient Igbo tribe – its people, history, language, culture, dance, food and art – a fact, that guests, particularly the monarch, said they found most fascinating.

    On his part, the monarch, the Enachioken of Abiriba, His Majesty, Eze Kalu Kalu Ogbu, describes Akwari’s exhibits as “beautiful work of art”.

    “’It was noteworthy that history of Abiriba is being presented pictorially. What a wonderful way of presenting our history, culture and people.

    Ordinarily, people would not have remembered all these things but as one sees each picture, in a nutshell, one is able recall and tell the history of Abiriba at a glance.”

  • ‘My feat a challenge to girls, women’

    Twenty-three-year-old Nigerian barrister, Oluwadunni Priscilla Oni, has continued to receive accolades for graduating from the Law School in the capital city of Yola, Adamawa State, with a First Class Honors late last year. In this chat with SAMPSON UNAMKA, she canvasses  more opportunities for women as she recounts her journey to success.

     

    Young Nigerian barrister, Oluwadunni Priscilla Oni, has continued to receive awards for graduating from the Nigerian Law School in Yola, Adamawa State, with a First Class Honors. For the feat, she was awarded six prizes by the institution, including prizes for ‘The Best Female Graduating Student’ and the ‘Second  Overall Best Graduating Student’.

    She was recently honoured with a lifetime achievement award by the Evangelical Christain Union (ECU) Alumni Fellowship for her outstanding performance in Law School.

    The fourth of five children, Oluwadunni is a member of the Nigerian Bar Association and Lagos Court of Arbitration Young Arbitrators Network. She recounts  her successful journey:

     

    My studying law

    My  father had a huge influence on my choice of course, because I was in art class and was thinking of studying international relations.

    I was still indecisive, so he spoke to me and then I realised that there were a lot of career opportunities in that field. And because I like to analyse things and think things through, critically, I felt that I could find my feet if I studied law.

    And again because of how wide it is, I felt like I would be more open to other career opportunities, like journalism or international relations. So my dad guided me into studying it and I also realised it highlighted my strength.

    However, even though creative writing wasn’t something I thought of pursuing professionally, it impacted me as a lawyer. I had always enjoyed writing from when I was a kid; I remember in primary five, I wrote a short story.

    But it was usually on and off. Importantly, it’s an outlet for me. During law school when I was tired of reading, I would just pick up my notepad and write a poem on how I feel or on things that I have experienced.

     

    My parent’s influence on my grade

     

    People say it’s a man’s world, but if you look at academic achievements, you’d realise most times its women that top the class. Even in law school, over the past couple of years, the best graduating students have mostly been females. But when you move to the corporate world, it’s a man’s world.

    The reason women do well academically, from what I experienced in law school, is that we are much calmer. Men are usually proud and over-confident, but women have humility and willingness to learn, so this helps but what we are aiming for is for this to also be the case in the corporate world.

    More opportunities should be open to women regardless of their gender; people should see their ability, capability and give them the opportunity to prove themselves.

     

    My feat, a challenge to girls, women

     

    I think what I have achieved sends a message to girls and women that you can aim higher regardless of your gender.

    There is no impossibility as long as you put your mind to it; your gender does not determine your chances of success. Once I start working I will push harder: the same determination that I used to excel academically is what I’d use to excel in my career.

    I remember in law school in Yola campus, the men were actually more outspoken, over-confident, even when they were wrong, they were usually quite loud. And for some reasons the female students did not like volunteering much. But I never felt intimidated by them, I knew I had what it takes to excel even when I didn’t feel like coming out to speak.

    You are not in competition with men, there is space for everyone to excel so just do your own thing and work hard. There will be rough patches, there will be time when it will be overwhelming but don’t give up and keep your eyes on the prize.

    Read Also: Recall Nigerian Law School student

     

    Through hard work and determination, you can be anything that you desire. Believe in yourself and God, I had so much faith in God that I would have a first class, I knew God has blessed me with intelligence and ability to understand things easily, so I believed in Him to excel and in myself.

     

    My university experience

    Interestingly, initially, I finished with a 2-1 from Obafemi Awolowo University. But I read a lot. I felt I would have finished with first class but for 200 level where I struggled because I was trying to find my feet.

    But in 300 level I caught up in my studies and was determined to make better grades. And along with academic excellence, I was also involved in several extracurricular activities, especially in 300 level when a friend spoke to me that my Curriculum Vitae should include some other extracurricular activities.

    So I joined the chambers which took my time, eventually in 400 level, I became an executive. My typical day was usually classes then chamber meetings or society meetings, then church.

    I also made sure I attended any event I heard holding at the Amphitheatre or events that had to do with law or interested me.

     

    My feeling about winning the prizes

    I feel very elated and very honoured, I honestly did not feel like I deserved it because I know people who worked harder, but I also know the amount of effort I put in and I know how much I prayed for it. So I feel very blessed to have won those prizes.

    It is a very honorable move to have been honoured by the Evangelical Christain Union (ECU) Alumni Fellowship because many organisations do not recognise or award excellence.

    I am mainly grateful that ECU has taken the initiative to honour me. It is an incentive: people are demotivated to work hard because they know nobody is going to reward them for it.

    But once individuals and organisations start to honour people, give scholarship, donations, they are incentives that will send the right message to people who are hardworking and dedicated to duty.

  • Okoya celebrates 80 in style

    Industrialist and philanthropist, Chief Razak Okoya is 80. His birthday celebration drew the bigwigs in. Oladapo Sofowora reports.

     

    As you arrived the gigantic colonnade of the ‘Oluwa Ni Shola’ mansion, the ambiance was indeed a welcoming sight. Littered around the spacious compound were big portraits of the celebrator.

    The trees around were woven with several lightings, even as white, green, red and gold-coloured decoration garnished the arena.

    Chief Razak Okoya was 80 and Lagos bigwigs turned up to celebrate him at his residence. The red carpet walkway, synthetic grass on the floor, marble tables and beautiful cushion chairs added glamour to the occasion.

    Decked in fitted all white Agbada attire, the ‘birthday boy’ Okoya and his beautiful wife Sade stole the hearts of guests as they walked majestically into the event. It was in pure joy that he went about greeting guests.

    A-list comedians, Gbenga Adeyinka and Tee A, were the host of the night.

     

    The music heavyweights

     

    The event won’t be forgotten in a hurry. Three legends of the juju music all performed on one stage. This was after Beejay Sax opened the stage performing jazz tunes with his saxophone before the event was officially declared open by the Vice President, Yemi Osinbajo.

    The trio were Prof Ebenezer Obey-Fabiyi, King Sunny Ade and Sir Shina Peters. Obey performed first – he literally brought back memories of the old days with his songs.  He serenaded the audience with his voice and got every guests dancing for over an hour.

    The performances of the KSA and Peters were equally electrifying. The juju maestro himself KSA showed as the saying goes that “a King does not need to announce his arrival but, his aura will announce his arrival”.

    KSA showed that music for him is inborn. He lit up the atmosphere with his classics, praise singing guests with much gusto.

    Also, Mayegun of Yoruba Land and King of Fuji Music, Alhaji Wasiu Ayinde followed with a blistering performance. Bobo, as he is fondly called, was in top form.

    The younger generation present enjoyed HipHop music sensation Davido who mounted the stage. As he performed hit tracks, the crowd roared on top of their voices.

    Read Also: Our expectations from Buhari, by Okoya

     

    Immediately after, Sir Peters also showed the world that he is still in tune with the current trend. He serenaded the audience and everyone rocked to his songs.

    Although Peters was celebrating the 60th birthday of his wife Sammie Peters that same day, he had to attend Okoya’s birthday due to his filial relationship with the celebrator, according to him.

    To wrap up the musical performance, Apala sensation Musiliu Haruna Ishola dished out tunes from his indigenous Apala genre of music. His drummers, percussionists, talking drummers were all in top form, and delivered in full.

     

    The gigantic birthday cake

    •Chief Okoya (right) flanked by Oba Adedapo Tejuosho of Oke -Ona  of Egba and  Oloris Labisi, Omolara and Yetunde
    •Chief Okoya (right) flanked by Oba Adedapo Tejuosho of Oke -Ona of Egba and Oloris Labisi, Omolara and Yetunde

    The birthday cake is one of a kind, with jaw dropping creative pattern. Measuring 3ft by 4ft, the cake was baked with the prototype of the Eleganza factory building plan design.

    The cutting of the cake was coordinated by the Vice President Yemi Osinbajo, flanked by the celebrant, his wife, former President Olusegun Obasanjo, Otunba Subomi Balogun, All Progressives Congress (APC) National Leader Asiwaju Bola Tinubu, Dr. Oba Otudeko and a host of others.

     

    Roll Call

     

    In attendance were Governor of Lagos State Babajide Sanwo-olu, Deputy Governor of Lagos Obafemi Hamzat, Speaker Lagos House of Assembly, Rt. Hon Mudashiru Obasa, Chairman Channels TV John Momoh, Former Lagos Firstlady Bolanle Ambode, Former Delta State Governor James Ibori, Kola Abiola, Former Ogun State Governor Otunba Gbenga Daniel, Ogun State Governor Prince Dapo Abiodun, Kemi Nelson, Senator Babafemi Ojudu, Senator Gbenga Ashafa, Chairman CAC Demola Seriki, Segun Awolowo, Founder of First City Monument Bank Omoba Subomi Balogun, Chairman Gibraltar Construction Sir Olu Okeowo, Chairman Premier Lotto Chief Adebutu Kessington, Osile OkeOna of Egba Land Oba Adedapo Tejuosho, Senator Lanre Tejuosho, Former Ogun State Commissioner for Commerce and Industry Otunba Bimbo Ashiru, Chief Emeka Ayonku, Former Lagos Deputy Governor Femi Pedro, Former Osun State Governor Chief Olagunsoye Oyinlola, Chairman Honeywells Dr Oba Otudeko, Nigeria High commissioner to the United Kingdom Justice Adesola Oguntade, Dr. Samuel Adedoyin, Former Lagos state Firstlady Dame Abimbola Fashola, Chief Alex Duduyemi, Former Oyo State Governor Otunba Alao Akala, Bosun Oredola, Prof. Pat Utomi, Erelu Abiola Dosumu, Gboyega Nasir Isiaka, Minister of Trade and Industry Otunba Niyi Adebayo, Dr (Mrs) Onikipo Akande, Senator Daisy Danjuma,President  Dangote Group,Alhaji Aliko Dangote, Oba Ikate land Oba Saheed Elegushi, Dr. Sunny Kuku, Firstlady Ekiti State Erelu Bisi Fayemi, Former Ogun State Governor Senator Ibikunle and Funsho Amosun, Former Lagos Deputy Governor Princess Sarah Adebisi Sosan, Former Ogun State Deputy Governor Alhaja Salmot Badru, Minister of Information and Culture Alhaji Lai Mohammed, Managing Director Fidelity Bank Nnmadi Okonkwo, Dr Sam Iwajoku, Hon. Shina Peller, Chairman Sodium Group Abisoye Fagade, Chairman Fisolak Global Resource Princess Toyin Kolade, Former Vice Chancellor OAU Prof Wale Omole, Hajia  Bola Shagaya, Ooni of Ife Oba Adeyeye Ogunwusi, Dolapo Badmus, Former Chairman First Bank Bisi Onasanya, Publisher of Ovation Magazine Bashorun Dele Momodu, Media Icon Bisi Olatilo, Hon.Funmi Tejuosho, Mother Esther Abimbola, Senator Florence Ita-Giwa, Activist Joe Odumakin and a host of others.

     

     

  • Nigerian school shines with creativity

    By Evelyn Osagie

     

    Hakimi Aliyu Secondary School, Mokwa (HASSM), Niger State, has shocked the world with its design and constructing energy and food solutions at the 2020 Abu Dhabi Sustainability Week.

    It won a Sub-Saharan African prize on sustainability, tagged:  Zayed Sustainability Prize in the Global High Schools category (Sub-Saharan region). Now in its 12th edition, the yearly US$3 million Prize is the UAE’s pioneering sustainability award for recognising innovative, impactful and inspirational solutions by small to medium-sized companies, non-profit organisations, and high schools.

    The prize was announced at the annual awards ceremony of the Abu Dhabi Sustainability Week, which ran from January 11 to 18. The Prize is inspired by and in honour of the sustainability and humanitarian legacy of the UAE’s founding father, the late Sheikh Zayed bin Sultan Al Nahyan.

    Presented by Sheikh Mohammed bin Zayed Al Nahyan, Crown Prince of Abu Dhabi and Deputy Supreme Commander of the UAE Armed Forces, the students of HASSM received the award before an audience of thousands of guests, including world leaders, dignitaries in attendance.

    The school was declared the winner for two main student-led projects it has proposed, supporting the food and energy categories.

    These include the year-round production of different spices and fresh vegetables through sustainable agricultural practice, in addition to designing and constructing energy efficient cooking stoves that will simultaneously be used to replace fuel wood and charcoal, and provide a means of cooking for the community.

    HASSM also aims to construct a Zayed Community Training Centre (ZCTC) that will be used to prepare stakeholders for research, training and consultancy in relation to the project’s objectives.

    Read Also: Teen shines at international summit

     

    Director of the Zayed Sustainability Prize, Dr Lamya Fawwaz, said: “The world’s youth are the future, and their demonstrated ability to spearhead positive changes and implement sustainability practices will be vital to the world’s social and economic development in the years and decades to come.

    “We commend Hakimi Aliyu School for their current afforestation efforts and admire the environmental conscientiousness instilled in their students from a young age. The school’s ambitious proposal around sustainable agriculture was truly impressive, and the Zayed Sustainability Prize looks forward to staying up-to-date on all that the students will achieve with these projects in the coming years.”

    Commenting on winning the Zayed Sustainability Prize, Principal, Hakimi Aliyu Secondary School, Mohammed Ndadzuru Kutigi said: “We are proud to have been recognised by this prestigious award for sustainability – for the region of Sub-Saharan Africa. Our students, along with our teachers, and larger community of the Niger State in Nigeria, feel honoured and delighted.”

    In the global high schools category, six schools, each representing a world region, receive up to US$100,000 to implement their project. Unlike in the categories for organisations, high schools submit project proposals to build or augment a solution they have developed for their school or local community.

    The objective of this category, introduced to the Prize in 2012, is to inspire young people to become pioneers, innovators and sustainability advocates who will contribute to a more sustainable future. The global high schools world regions are: The Americas, Europe and Central Asia, Middle East & North Africa (MENA), Sub-Saharan Africa, South Asia, and East Asia and Pacific.

    To date, the Prize, including its previous winners across all categories, has directly and indirectly impacted the lives of over 335 million people. In the global high schools category, the number of people impacted by the global high school winners is 400,000.

  • Take me everywhere

    Lanre Modu

     

    Ade adjusted his position for a better view of the sky, the sea, in fact everything he could see. That was why he got a window seat after all. He’d been looking forward to the Dubai trip for months- since his company got the invite to discuss possible investment deal with Al Michel Ltd.

    He jumped at the opportunity to represent his company since he’d always wanted to visit Dubai. Imagine all the places he would visit and all the pictures he would take… his colleagues would be green with envy! He specifically booked a non-stop flight to have more time for sightseeing. Meanwhile, he would enjoy his 7 hours 5 minutes journey.

    On arrival, Tade checked into his hotel room and turned in for the night. He could hardly wait for daybreak to begin his adventure. The next morning, he was up bright and early.

    It was such a blessing that his business meeting was scheduled for 4:30pm. Al Michel observed business hours of 9.00am to 5.30pm. After the deal had been made, and he had no doubt about he would succeed, he would proceed to a diner with the CEO.

    Tade got into a cab and told the driver, “Take me everywhere”. “Ah, a tourist!” Said the driver with a knowing smile. And the adventure began! He visited several wonderful places.

    In no particular order, he visited the Burj Khalifa- the tallest man-made structure in the world! Wow, it looked better than all its pictures. Burj Al Arab was a sight to behold; imagine lodging at the world’s only 7-star hotel! Oh, how could he describe the Dubai Miracle Garden? The world’s largest flower garden practically took his breath away.

    Read Also: That’s a Mistake! (3)

    And ah, Palm Jumeirah, the awesome chain of artificial islands. Wouldn’t it be great to take the monorail and see the island up-close? “How can I get on the monorail?” He asked the driver. The driver looked at him curiously through the rear-view mirror and said, “we should be going back now”.

    “But I haven’t been everywhere” blurted out Tade. “You can’t get everywhere,” said the driver, “besides, didn’t I hear you mention a meeting on the phone this morning?” The meeting! Tade quickly checked the time and he froze.

    He blinked several times to make sure he wasn’t mistaken. He wasn’t! The time was 4.20pm and he was on the other end of the city! Tade’s adventure was exciting but there is more to life than excitement. Here are a few lessons to • Majoring on the minor: one wouldn’t blame the cab driver for referring to Tade as a tourist.

    He definitely didn’t seem like a businessman. He focused on sightseeing at the expense of his main mission. In 2020, I strongly suggest that you focus on your major goals first and let the “fun” be the reward for mission accomplished.

    • You can’t get everywhere: it is a very loose category. What qualifies as everywhere? In the same way, you shouldn’t aim to do everything in 2020. When you know the specific places you need to go or what you need to do, you can prioritize.
    • Drifting is risky: without a specific destination in mind, drifting becomes a high possibility. Unfortunately, the further you drift, the farther away you may be to your actual destination. Not only did Tade miss his priority, he wasn’t conscious how far he had gone from the venue of his meeting.
    • Beware of time illusion: at the beginning of anything, there seems to be a lot of time ahead and most people decide to take their time. Like Tade, people usually think they have a lot of time to spare.
      January is a long time to December, right? Wrong!!! Before you know it, your calendar will become outdated one-leaf-at-a-time.
      What miracle would take Tade across the city in 10 minutes? In the same way, people get desperate and start to rush when the year is also over. Let every minute take you towards your desired destination. Going everywhere is going nowhere.

    Thanks for reading my article today. I would really love to hear from you. So, do share your views with me by sending SMS to 07034737394, visiting www.olanreamodu.com and following me on twitter @lanreamodu. Remember, if you can change your mind, you can change your life. Grow your mind and every other thing will catch up!

     

  • ‘Art is my instrument for social change’

    Washington Uba, a documentary photo-artist, who has concerned himself with the lowest end of the Nigerian social fabric. His exhibition on leprosy colonies in Nigeria to mark the World Leprosy Day will open this Sunday at Parliament Bar in Isolo, Lagos. In this chat with EVELYN OSAGIE and EBUBE OJUKWU, he speaks on his art and passion for the poor.

     

    My exhibition on leprosy

    My coming exhibition, commemorating with the World Leprosy Day, which I call ‘leprosy story board awareness campaign’ is a full documentation on leprosy, how it came about, the number of people affected.

    It’s going to be academic, interactive and medically challenging. There’s no specific date for the day, but it is being celebrated globally on the last Sunday of January. It is linked to a French philanthropist in 1956, a Catholic passionate for assisting people with leprosy.

    Many people have the notion that leprosy isn’t curable, but it is. That’s where the challenge is. If we continue to play the lukewarm attitude to it, the whole world would suffer greatly for it is increasing rapidly.

    If the disease could be given the same attention which was given to the HIV patients, the disease would have decreased by a great fold. Everyone that comes for the event would be made to sign on the commitment page and to help us tell a friend about leprosy.

     

    Motivation behind my art and charity

    Art is my instrument for social change. I see it that if I don’t do it, I won’t be fulfilled or happy. I have over the years concerned my work with the poor as a documentary photographer. I didn’t start with leprosy, but documenting the destitute.

    Lagos was my first point of call. Being a charity person before my university days, after graduating, I started an NGO called Charity Care Network Initiatives. In 2005, art came into it through photography when I began the documentation of the extremely poor people’s environment.

    And having worked for charity for over 15 years, in 2005 and 2006, I went documenting the streets of Lagos and found a particular place in Okobaba, Ebute Metta, where a family support destitute home was built.

    I realised that this was where I wanted to be. I made friends with them and went there during the monthly festive period to give them handouts and know how they are faring.

    Art has played a vital role in this: using photography, I generated funds and handouts with the pictures I had taken. In 2006, I went into exhibiting my work, where I had my first ever exhibition in National Museum.

    Former  Sunday The Guardian newspaper, art editor, Jahmna Anikulapo, gave me the opportunity to exhibit first under the auspices of Committee for Relevant Art (CORA) at Lagos State Book and Art Festival (LABAF). I realised, that I could raise money from this exhibition.

    Read Also: Obasanjo, Falola seek promotion of Yoruba culture

     

    So I went about exhibiting from one place to another. I have since exhibited in National Museum and also National Theatre several times, until it grew and went to other states. And in going to other states, I found out that among the poor are the most terrible and forgotten and they are those who suffer from leprosy.

    I went into research in order to understand the cause of this ailment and discovered that it was the oldest ailment in the world with about 250,000 people getting infected each year, globally. Having discovered this, I embarked on a project of seven years, going from one leprosy colony to another across Nigeria.

    The first place I visited was Itu in Akwa-Ibom, the oldest leprosy colony in Nigeria, built in 1928. Then I went to Uzuakoli in Abia State, built in 1934. After going round the colonies for seven years, I entitled the project/exhibition, the “Images of God”, and exhibited in commemoration with the 2019 World Leprosy Day. This year’s edition will hold this Sunday at Parliament Bar in Jakande Estate, Isolo, Lagos.

     

    My experience as an artist

    It’s been interesting, rewarding: interesting because when you do what you like doing, you hardly feel bad about it. There had been high and low moments.

     

    Challenges as an artist

    Life is full of challenges. I really don’t believe in challenges. I’d share with you the ugliest experience I have ever had. But I learnt something from each challenge I face and work to surmount it.

    When we were still digging the borehole at Okobaba, we had spent N296,000; and we had no money again. The chairman of the NGO, Mr Odinaka and I went to buy a tank for the water but when we got back, the children in the leprosy colony had thrown stones into the borehole that we dug and everything was condemned.

    I came back dejected and asked myself who sent me to do this.

    My team members and family members were there to continue pushing and for me not to stop half way. They gave me words of advice that to get the rose you must pass through the thorns, and in order to achieve something you must have been hurt along the way. It was at an exhibition we had at the French International School.

     

    My advice to upcoming artists

    They should endeavour to have a particular genre of art they are concerned with. Let’s be disciplined, try and look for how you can be defined in your own genre of art – be it as a wedding, sports, or environmental photographer.

    Pick a subject that would be advancing humanity, because the moment you put energy to that particular subject, you would do great in it. But first discover your passion, then put your energy into it in order to be defined in whatever you do. For passion brings wealth and inspiration.

     

  • French-Nigerian artist questions Niger Delta’s future

    Fourteen years after his last exhibition, interdisciplinary artist and filmmaker Wilfred Ukpong is back with “Bc-1: Niger Delta/Future-Cosmos”. Holding the exhibition at Alliance Francaise in Lagos is homecoming for the French-Nigerian, writes EVELYN OSAGIE.

     

    They stare at you. With eyes asking, searching, they freeze you with their gaze. Each in thoughts… perhaps wondering about the future – the future of the Niger Delta.

    Welcome to the startling world of Wilfred Ukpong’s “Bc-1: Niger-Delta/Future-Cosmos”, an exhibition holding at Alliance Francaise in Lagos, Mike Adenuga Centre.

    The exhibition opened January 11 and will run till this Sunday. In the same vein, the film which was first screened on Monday, will be screened today, Friday and Saturday at the auditorium in the same building.

    “This exhibition is a space to generate conversations towards an action that can generate change,” began Ukpong.

    It features an installation of mixed-media photography, large-scale sculptures, and screening of an extended version of Ukpong’s award-winning short-film “Future-World” which won an Excellent Golden Award in 2018 – under the category of “Eco-Tourism” – first ever to be won by a Nigerian at The Golden City Gate Film Festival during the Internationale Tourismus Borse (ITB) in Berlin.

    Set in the embattled oil-rich territory, the traveling film screening and art installation exhibition project deals with contextual issues facing the embattled region, best known as an “oil-rich’ territory that sustains much oil and gas exploration and exploitation activities by various multinational corporations, yet historically distraught with decades of political corruption, poor infrastructure, community disputes, youth restiveness, high mortality rates, unemployment and more than 50 years of environmental degradation.

     

    Youth models as change agent

    The exhibition gives a visitor the feel of growing up in the place. As you enter the exhibition hall, you are drawn in by Amudat’s straight-faced unsettling look that reaches deep into the soul.

    She is followed by the searching eyes of Joy, posing under the sun on an oil filth riverbed. The project boast of youths who have since become stars, such as controversial model, Marvelous Dominon whose picture hangs next to Joy’s in the hall.

    The artist said the project is cultivated alongside more than 100 talented, yet marginalised community youth participants. “In this project, I worked alongside more than 100 marginalised community youths engaged as active participants and collaborators in creative workshops that utilised both art and filmmaking as tools of empowerment, development, and change,” he stated.

    The scenes and models take you to the oil-stained Niger Delta and plights of people in the region.

    According to the artist, Blazing Century-1, the first installment in my ten-part multi-faceted art project entitled Blazing Century, adding that each series of “Blazing Century – titled BC1 to BC10 – is site-specific and set within a geographical location often embroiled in socio-political and environmental issues and filtered through fictional and futuristic lenses that redefine art’s role in building, shaping and imagining the future”.

    He said: “Blazing Century 1 is a socially engaged art project created between 2010 and 2017 in the Niger-Delta, my place of birth in Southern Nigeria.

    I use my work as a reminder on societal ills in the region. And this is my first solo exhibition in 14 years. There is so much that still needs to be done for the people in the region especially the young ones in the place. People are dying as a result of the degradation in the place. This exhibition is a wake-up call to all.

    “While addressing topical socio-environmental issues, this culminating art installation and film screening encapsulates communal histories and explores cosmological paradigms drawn from myths, rites, norms, cognitive mappings, and stellar constellation along with my personal vision to create a speculative dimension of the Niger Delta through complex metaphors of hope and despair that imagine an other worldly vision and narratives of the future.”

    Read Also: How Nigerian artistes can achieve more intl. collaborations – Godfrey Eguakun

     

    Environmental concerns of BC-1

    While addressing socio-cultural and environmental issues and filtered through fictional and futuristic lenses, the film and art installation encapsulates communal histories, indigenous environmental concepts, and cross-cultural paradigms drawn from myths, rites, norms, and cognitive mappings, along with the artist’s vision to create a speculative dimension of the Niger-Delta through alternative narratives that envision a socio-culturally humane and sustainable ecologically viable future.

    On his engagement of policymakers in Niger Delta, Ukpong said: “I spend a lot of time in the community now. There is so much politics and corruption in Nigeria, so I tend to be careful. I want people that will call me and say can we work together.

    For instance, I have spoken to Vice President of Exxon Mobil and discussed some of the challenges confronting the communities and how he could use his position to effect change.

    He is quite interested in my work and impressed by my efforts, saying ‘I love what you are doing. You have left the comfort of Europe to come and identify with the locals. It is quite impressive; I’d like to work with you.’

    My work is not for everyone but anyone who is interested and committed to the discourse so he becomes a patron and agent of change and would be given information on how my project is faring.”

     

    Giving back with BC-1

    Ukpong plans to use the proceeds generated from the sales of his art works to finance the project and the building of an art space in the community that is currently in the works which would serve as an art hub for holding art events and training young into becoming artists in diverse medium.

    According to him, “I have already bought some parcels of land in the South-south region that will serve as Art Hub/ studio, etc. the exhibition is one of the ways I’m raising money to fund the building of the place to be able to empower not just youths who participated in the project initially but other young ones in the community. Government can assist in the funding of the place.”

     

    Alliance Francaise, homecoming

    Holding the exhibition at Alliance Francaise is homecoming for the artist.  He recounted his experience when he first came to Lagos as a fresh artist from Ede in today’s Osun State.

    “When I came to Lagos, I met the Quintessence woman that died recently and she asked if I could do an exhibition at her gallery at Falomo in Ikoyi, that was 1999 and it became a huge success.

    On the day of exhibition, 90 percent of my works were bought and that launched my career as an artist. The woman gave me that push when no one else believed in me.

    “The French cultural Centre (Allaince Francaise) at that time heard of the success story and decided to give my career a boost.

    They also had a solo exhibition at the centre that not only boosted my career as an artist, but opened me up for international opportunities.

    I later travelled to Europe and that was when my direction changed to being a socially-engaged artist, I understood that the arts can be used as a tool for empowerment and change. Then, visiting the Niger Delta region again helped me to view how arts can be used as a tool of empowerment

     

  • ‘Nigerian entrepreneurs key to Africa’s prosperity’

    By Evelyn Osagie

     

    United States Consul-General Claire Pierangelo has reiterated the importance of Nigeria’s entrepreneurs to the continued growth of economies in the West African sub-region and the prosperity of the continent.

    Speaking at a seminar for the first cohort of U.S. sponsored Tony Elumelu Foundation alumni, Ms. Pierangelo noted that population trends in Africa’s largest economy will not only mean that Nigeria could become the world’s third most populous country by 2050, but events in the country could have wide-ranging global repercussions going forward.

    “If Nigeria is successful, its extremely young population will represent a tremendous source of productive labour and an extremely attractive market for a variety of products and services. Its success will be Africa’s success and the world will also benefit from the creativity and resourcefulness of its people.

    “That is why the government of the United States cares so deeply about supporting entrepreneurship in Nigeria. Right now, according to sources, small to medium sized enterprises run by entrepreneurs create about 85 percent of all jobs in this country.

    Read Also: ‘We’re bringing back entrepreneurship to students’ community’

     

    We are therefore committed to working with you and our local partners, including the Tony Elumelu Foundation, to help you maximise opportunities to use your drive and skills to create a better Nigeria for all of us,” Pierangelo observed.

    The Chief Executive Officer, the Tony Elumelu Foundation, Ms. Ifeanyinwa Ugochukwu, who expressed the organisation’s appreciation for the partnership with the U.S. Consulate General, highlighted the importance of strategic alliances for the country’s sustained economic development.

    “It is clear that development aid does not solve economic problems, handouts never work in the long-term and in no developed country does government shoulder economic burdens alone.

    On the other hand, partnerships such as this support the job-creating, solution-driven mentality which Nigeria needs to lift itself up,” she said.

    The seminar also included a presentation on “Globalisation and Nigeria” by a Senior Lecturer at the McCombs School of Business, University of Texas at Austin, John Doggett.

    There was a panel discussion on the “Key to Success”,  featuring fashion entrepreneur, Olori Anita Ololade Odozi; Co-Founder of Red Media Africa, Adebola Williams; CEO of AfricanFarmer, AfricanFarmer Mogaji; and CEO of Field of Skills and Dreams, Omowale Ogunrinde.

    US government in October 2019 announced its partnership with the Tony Elumelu Foundation to promote entrepreneurship initiatives in Nigeria, through a public diplomacy grant of $105, 000 (N37.8 million).

  • Tributes to author who became king

    The Nigerian literati is still mourning the loss of one of its own, notable author and monarch, Eze Chukwuemeka Ike, who passed away last Thursday. He is remembered for his contributions to the development of Nigeria’s literature, reports EVELYN OSAGIE.

     

    He was a man who took words seriously and was never a man of many words – in a matter of speaking. But, he penned many works that have etched his name on Nigeria’s literary landscape and the marble of time.

    Prof Vincent Chukwuemeka Ike, known popularly as Eze Chukwuemeka Ike, was one of the first generation writers, who is celebrated for his calm demeanour and for blending satire and humour in his books. His novel, “The Bottled Leopard,” is a secondary school staple.

     

    His passing

    Born on April 28, 1931, the celebrated writer, a former registrar of the West African Examinations Council (WAEC), passed on last Thursday, at the Nnamdi Azikiwe University Teaching Hospital, Nnewi, after a brief illness.

    Before his demise, he was the traditional ruler of Ndikelionwu community in Orumba, Anambra State, the Ikelionwu IX, who was also boss of the Nigerian Book Foundation (NBF). The late Ike is survived by his wife, Prof Adebimpe Ike, his only son, Osita Ike, having died a few years ago.

    He was educated at Government College, Umuahia, same school attended by Prof. Chinua Achebe and Chris Okigbo. He went on to study at the University of Ibadan.

     

    Ike’s works

    His books include: Toads for Super (1965), The Naked Gods (1970), The Potter’s Wheel (1973), Suns’set at Dawn (1976),  Expo ’77 (1980), The Chicken Chasers (1980), The Bottled Leopard (1985), Our Children Are Coming Home (1990), and Conspiracy of Silence.

     

     Literati mourns Ike

    Since the news of his death became public, the Nigerian literati has been full of tributes for their counterpart online social media and offline.

     

    Some of the tributes are: Celebrated novelist Okey Ndibe

    “I just learned that Chukwuemeka Ike, novelist extraordinaire (author of such scintillating reads as “Sunset at Dawn,” “The Potter’s Wheel,” “Toads for Supper”, “The Chicken Chasers,” and “The Naked Gods”), passed yesterday into eternity.

    Ike, who was born April 28, 1931, had a rich life as an academic, bureaucrat, father to an only son, Osita Ike (who preceded him in death), husband (to Adebimpe Olurinsola Ike, nee Abimbolu, who survives him), and traditional leader of his community, Ndikelionwu.

    His death is a big loss to the community of writers, but his formidable body of work will keep him in the hearts and memory of readers everywhere for a long time.

    May he find eternal rest. #thepotterswheel #toadsforsupper #greatnessexits,” he wrote on Facebook.

     

    Uzodinma Nwala

    Entitled: “With Chukwuemeka Ike ever in Our Heart!” Prof Nwala quibbed: “We mourn the transition of Ike as a Cultural Act because we, the living, shall no longer behold him with our earthly eyes. However, Ike remains an immortal, only henceforth, to be beholden with our spiritual consciousness.

    Many know him as a writer. But his greatest contribution to the march of human civilisation is in the area of administration of higher education! He was among the great immortal lieutenants who, alongside Prof Kenneth Dike, pioneered university administration in Nigeria and Biafra, nay Igboland.

    Beginning with his epic career as Registrar at the University of Ibadan under Kenneth Dike, he became Registrar of the University of Nigeria, Nsukka, then Registrar of the University of Biafra, subsequently Chairman of the Provisional Council, University of Nigeria, Nsukka.

    It was in his capacity as Registrar that in 1964, he directed that I should be given admission to study Economics and later Philosophy, after my name was omitted in the original list due to typographical oversight.

    It was in his capacity as Chairman of the Provisional Council of the University of Nigeria that he, in 1970, signed my appointment as Assistant Lecturer in the Department of Humanities. Ike later went on to lay the foundation of the West African Examinations Council (WAEC) as the Registrar.

    “Yes, Chukwuemeka was a distinguished author somehow overshadowed by the mercurial stature of the foremost father of African literature, Chinualumogu Achebe. In the field of education, he was pre-eminent.

    Ike retired in the service of his community, state and Igbo nation as royal father. In all, he stands out as one of the pillars of enlightenment in Africa.Whenever I think of Ike, I see his majestic beautiful figure and his voice that relays an immense intellectual and spiritual force and authority.

    Yes, I think of him as an authentic human being. Igbo nation under-utilised Ike’s unique gift as a great leader in the modern history of Alaigbo, nay Africa. Chukwuemeka Ike is gone home to our creator. When shall we have another!”

     Former National President, Association of Nigerian Authors (ANA), Dr Wale Okediran

    He said: “Prof Ike was a literary giant,  educationist, and a great administrator. He contributed immensely to the book industry.

    ‘’I worked closely with him during the establishment of the Nigerian Book Foundation  to the extent that I was the one who suggested the motto for the Book Foundation ‘Books Build A Nation’.

    ‘’During one of our ANA conventions, I was part of the team of ANA members who was asked to try and convince him to run for the ANA Presidency. In his characteristic humility, he declined.

    ‘’Apart from his coronation as the Igwe of Ndikelionwu, a town in Orumba Local Government Area of Anambra State, I also attended his 60th birthday ceremony in his hometown.

    ‘’May his soul rest in perfect peace and his numerous legacies be preserved,” told The Nation.

     

     The Nation Editorial Board Chair Sam Omatseye

    “Chukwuemeka Ike explored with decency the cultural crosshairs of modern Nigeria. I mourn a big man of letters,” he tweeted.

     

    Notable poet Chuma Nwokolo

    Nwokolo also tweeted: “Goodnight, Ancestor Chukwuemeka Ike. Thank you for the leadership, the culture, the dignity, and the stories, the stories, the stories…”

     

    Chinyere Stella Okunna of the Nigerian Book Foundation (NBF)

    “DEVASTATING!!!

    Fare Thee Well, Your Majesty Eze Prof Chukwuemeka Ike, Ikelionwu XI, Eze Ndikelionwu: President of the Nigerian Book Foundation (NBF) & Chairman NBF Board of Trustees.

    I am devastated as a member of the Board of Trustees of the Nigerian Book Foundation which you chaired with so much love and dedication and were making big plans with its members for the future of the NBF.

    You were a special being and it was a privilege for me to know you well, be your friend, and work closely with you. May God grant eternal rest to your soul, and may His grace abide with your beloved Ugoeze/wife to give her the fortitude to bear your passage and absence from her life,” she stated on Facebook.

     

    Read Also: Author gets Iyalode’s title

     

    Provost, African Thinkers College of Education, Enugu and State Chairman, Association of Nigerian Authors (ANA), Zulu Ofoelue

    Rector of “Renowned Novelist, the King of Ndikelionwu, His Majesty, Eze (Prof) Vincent Chukwuemeka Ike has crossed the great River. According  to a member of the Eze Aro Advisory Council, Prof Okoro Ijoma, he died yesterday after a brief illness.

    Prof Ike doesn’t need any introduction in this country having served as Registrar of West African Exams Council, first  Nigerian Registrar of UNN and later at the end of the war, combining the duties of the Pro Chancellor and Vice Chancellor as Chairman of the Management Committee for 18 months, Professor of English Literature at the University of Jos and Pro Chancellor and Chairman, Governing Council of the University of Benin.

    A celebrated novelist and writer and famous for his Toads for Super. He was a diligent and devoted member of Eze Aro Advisory Council and the Chairman of the Planning and Implementation Committee of Aro2002 Commission.”

     

    Book publishers also mourn Ike

    Here are tweets by some book publishers who also reacted to Ike’s death on twitter.

     

    Cassava Republic

    “RIP #Chukwuemeka Ike – this is a good time to (re) discover the work of this trailblazer. Here is a list to start with it:

    #The PotterWheel #Sunset and Dawn #Toads for Supper #Expo77 #The Bottled Leopard #Our Children Are Coming”.

     

    Farafina books

    “Professor Chukwuemeka Ike is perhaps one of the most accomplished writers of his generation … Rest well Prof. Chukwuemeka Ike. The stories you gave us will remain evergreen.”

     

    Okada Books

    “The sun sets at 88 for an African literary giant.

    ‘’Chukwuemeka Ike passed away last Thursday after a brief illness.

    ‘’Some of his popular works are: Potter’s Wheel (1973)Expo ’77 (1980)The Bottled Leopard (1985)

    ‘’Thank you for your contribution towards the growth of literature.”