Category: Life – The Midweek Magazine

  • Unveiling Akande’s phenomenon

    Chief Adebisi Akande is one of Nigeria’s most prominent and highly revered politicians.  He has been Deputy Governor of Oyo State, Governor of the State of Osun and at different times Chairman of four different political parties notably the Alliance for Democracy (AD), Action Congress (AC), Action Congress of Nigeria (ACN) and the All Progressives Congress (APC).

    He has also been a councilor in his local government area and as far back as 1977, got elected into the Constituent Assembly.  Although he was governor for just one term, his tenure in office has remained a reference point in purposeful governance not just in the Southwest but in the country at large.

    The book aptly titled, The Bisi Akande Phenomenon? chronicles the monumental achievements recorded by this great man within a short spell of time.

    This book edited by Prof Lai Olurode of the University of Lagos and Associate Prof Dhikhrullah Yagboyaju of the University of Ibadan is indeed a data-bank of the records of the innovative and impactful changes that Chief Bisi Akande brought into the political and administrative landscape of Osun.

    What is of greater significance in the book is not just the richness of its content, but also the fluidity of the presentations put together in 10 chapters.  The seven scholars that contributed chapters to the book present us with an X-ray of the unusual governance style of Chief Bisi Akande who in Chapter 8 has been rightly described as a “rebel” in Government House.

    Although Chief Akande is a politician, he belongs to a different breed of Nigeria’s political class that sees politics not as an end in itself but a means of bringing the greatest good to the greater number of people in the society.  His unusual type of politics has even earned him the label of an “Accidental Politician” (see p.188).

    A transparent and unbelievably honest individual, Bisi Akande according to the authors, is no attention-seeker or political opportunist, but a dyed-in-the-wool Awoist who believes in pragmatic and visionary leadership as well as using politics to provide service to humanity.

    His exemplary performance in office has been recommended to the nation’s politicians as a typical demonstration that in Nigeria, it is possible for politicians to place society above self.

    The book divided into 10 chapters opens with a foreword written by Prof. Olu R. Aina. Prof. Aina in the foreword details his relationship with Chief Akande and how Chief Akande was drafted by his party, Alliance for Democracy (AD), to become the Governor of Osun State, highlighting once again his selflessness and simplicity.

    Chapter 1 written by Prof. Olurode introduces readers to the book and sets the pace for more interesting contributions that adorn subsequent chapters.  In this chapter, Prof. Olurode takes us through the journey of how the idea of the book was conceived with the intention of throwing a spotlight on what appears like an isolated case of excellence in governance archetype by the uncommon achievements of Chief Bisi Akande in government.  Prof. Olurode and Dr. Yagboyaju assembled other scholars to look for a “success” story rather than the usual tales of failure that abound in our political environment

    Chapter 2 written by the same author provides the theoretical framework that guides our understanding of the concept “phenomenon” and explicates the policies and actions of Chief Bisi Akande in government that make him truly phenomenal.

    In each of the chapters, the contributors to this book employed research questions and appropriate theoretical tools for their analyses and carried out survey that provided data used to draw empirical conclusions.  Chapter 2 gives practical reasons to explain the Bisi Akande Phenomenon in government.  These include his creation of what amounted to “pockets of efficiency in the midst of daunting decay” or” a pocket of ethical island in a sea of scoundrels” (Olurode, 2009).

    Unlike many politicians in our clime, Chief Akande evinces the belief that governance is far more serious than politics.  He was not one to abandon a policy because of second-term considerations, neither was he given to an ostentatious lifestyle in or outside government.  He did not give recognition to the office of the first lady because of his belief that it is unconstitutional and quite uncharacteristic of our governments, he maintained a surplus budget throughout his tenure. Indeed, he managed the state’s resources so prudently that at the close of 2002, the state recorded a budget surplus of N510 million.(p.27).

    Chapter 3 written by Dr. Yagboyaju discusses Governance and Politics under the Akande administration.It further reinforces the opinion that what stands Chief Akande out is the prioritisation of governance over politics as earlier suggested in Chapter 2.The chapter also discusses in detail Chief Akande’s political philosophy which is drawn from Chief Obafemi Awolowo’s “democratic socialism”.  The environment in which Chief Akande was born dictated the greatness that he now symbolizes.  Born of poor parentage and trained first as a teacher and later an accountant, he was imbued with the principle of honesty and love for the poor.

    His philosophy is “encapsulated in the principles of humanism – others before self and progressive politics” (Oyeweso, 2011). Part of his philosophy is to dispense justice, be fair to all and do what is right at all times. According to him, in taking critical decisions he always asked himself the question “Kiloto” ( meaning what is right) and “Kilogba” ( meaning what is expedient). He said he often chose to be on the side of “kiloto”. (What is right). Chief Akande’s philosophy has inculcated in him a frugal life-style that he brought to bear on the administration of the state of Osun between 1999 and 2003.  He implemented the 4 cardinal programmes of his party, the Alliance for Democracy (AD) without borrowing a dime throughout his tenure.  It was prudent spending that made him to implement successfully his party’s programmes of free and qualitative education at all levels, free medical services for all, maximum and integrated rural development and full and gainful employment for all.

    When Chief Akande assumed office, he inherited a debt of over N2 billion but left no debt for his successor.  Within the first two years of his administration, he built classrooms, established new science schools and several technical colleges.  This very book has documented the numerous achievements of Chief Akande in government which stand him out as an indomitable spirit, a bold and courageous leader and above all a humanist per excellence. By the end of his tenure, the administration had completed and commissioned over 2,000 projects which included roads, hospitals, schools, rural housing as well as electricity and water supply.(p.26). He taught us a lesson in prudence during his tenure as Governor when he reportedly received the sum of N1.5million from the Federal Government through the Universal Basic Education Commission to construct one classroom while Chief Akande chose to use the same amount to construct three classrooms without mortgaging standards. Another typical example is the case of the Ede water project which some of Chief Akande’s predecessors in office had earmarked for repairs (precisely desilting) at a staggering cost of $300million. Chief Akande at the end of the day completed the same repairs with a total sum of N74million which was less than $1million at the time.

    The Akande administration within its first 2years established science secondary schools across the state, built 40 classrooms and rehabilitated many others. By the end of the 4th year, six schools of science had been established in addition to the existing 3, three Unity schools were also established in Osogbo, Ejigbo and Ikire, while 7 technical colleges were established in addition to the existing two. In the health sector, essential drugs were provided in all government- owned hospitals across the state at a cost of N8million per month. By August 2001, the administration had established hospitals in Ikire, Ora, Ilobu, Esa Oke, Iragberi, Kuta and Ile-Ife while the hospital in Osogbo was upgraded from a 20-bed to a 60-bed hospital. Between 1999 and 2003, attendance of patients at the hospitals increased from 96,695 to 660,000. In the area of rural development, moribund water projects across the state were resuscitated while 90 deep wells and 276 boreholes were sunk. The government also completed the National Water Rehabilitation Projects at Ikirun/ Eko-Ende and the new Ede waterworks water project.

    Chief Bisi Akande has shown us all that man’s legacy to mankind should not be in terms of what he is able to acquire in a material sense for himself but what you can give to your people and country.  Chief Akande’s legendary prudence has been attested to by no less a personality than Asiwaju Bola Ahmed Tinubu who once said:

    Two traits marked out Chief Akande as Governor: frugality with government funds and putting others before self.  This twin-quality came under his ascetic nature, which gives little or no room for waste or flagrant display of opulence (cited in Oyeweso, (2011)

    The Jagaban is in a position to know. Chief Bisi Akande’s integrity and bluntness became so legendary that he was given several appellations by the people. The Late Oluwo of Iwo, Oba Ashiru Tadese named him “Aiyekooto” (people hate the truth) while some others named him “Otitokoro” ( meaning the truth is bitter).

    Chapters 4 & 5 written by Ify Igbokwe and Adeniyi S. Basiru respectively, highlight the non-discriminatory nature of Chief Akande’s policies and programmes in the way they affected indigenes and non-indigenes in his state.  At no time were non- Osun indigenes discriminated against in the implementation of all of his emancipatory policies and programmes.  The book focuses on his welfare programmes in chapter 5 showing that he embarked on the construction of rural houses for workers, teachers, health workers, etc. (building about 126 units in less than 4 years) while completing more than 300 kilometers of roads within the same period. Within four years, the Bisi Akande-led administration in Osun completed the construction of a state secretariat complex of 33 blocks at Abere in the state capital as well as a new Governor’s office named after Late Chief Bola Ige.  The Governor’s office, one of the best of its kind at the time, occupies about 97,600 square metres of land, with 560 office spaces and 167 toilets. The administration encouraged the use of local materials and largely used local contractors for virtually all the jobs it gave out. The new government secretariat was constructed at a relatively low cost of N3billion while the Governor’s office was built at a cost of less than N2billion. The construction of the secretariat made it possible for the state workforce to have offices they could call their own and also helped in saving for government about N400milion which it annually expended on rent paid by government agencies. In a bid to curb the usual sharp practices in contract awards, Chief Akande ensured that contracts were awarded to contractors without paying them any mobilisation fees. This unique form of executing contracts enabled government to pay only for jobs that had been satisfactorily done.

    Amidu T. Raheem in Chapter 6 titled “Bisi Akande and the Limits of Ethical Governance” X-rays one of the legacies of Chief Akande which is the Civil Service Reform.  It was a conscious attempt to rebrand the Osun State Civil Service by creating new value system and work ethics, improve the efficiency and effectiveness of the Civil Servants in service delivery and reduce corruption by blocking all sources through which such sharp practices occur. (p. 134).  Chief Akande himself diagnosed the afflictions of the Civil Service that he inherited as follows:

    “Instead of the traditional commitment to hard work and dedication to duty, Civil Servants have become desperate favour seekers, unrepentant petition writers and blackmailers.  The oath of secrecy is thrown to the winds and photocopies of sensitive, classified documents can be seen in the hands of groundnut sellers. (p. 137)”

    Consequently, Chief Akande decided to right-size the workforce and restructure the Civil Service.  In all, over 3,000 workers lost their jobs in a gale of retrenchment that earned Chief Akande more enemies than friends.  Although the book provides justification for this step in the light of the state’s dwindling resources and the bloated workforce, the jury is still out on whether the step taken was the best option available in the circumstance.

    Clearly, this shows that Chief Bisi Akande in spite of his phenomenal achievements, legendary courage, simplicity, asceticism, frugality and transparency is human after all and is therefore not infallible.

    Chapter 7 written by Aituaje I. Pogoson and Moses U. Saleh discusses Gender Issues and Governance in Osun State, 1999 – 2003.  It raises theoretical posers about gender issues and democratic governance.  It states that democracy that fails to address gender concerns is but an empty shell.  The authors insist that women representation in the Akande-led administration was grossly inadequate, with only one female Commissioner in a cabinet of 10 members.  They also linked the non-recognition of the office of the first lady to lack of sufficient gender sensitivity.  However, the authors hold the view that government policies and programmes were non-discriminatory and benefited all citizens regardless of gender.

    Chapter 8 presents Chief Bisi Akande as “a rebel in Government House”.  It situates its analysis within the context of Nigerian politics characterized by what Peter Ekeh describes as the “two publics” as well as Richard Joseph’s “Prebendalism”.  The authors, Azeez Olaniyan and Akeem Bello see Chief Akande as being a Nigerian politician of a different kind.  He is presented as a man who did not play politics of expediency (even when second term election loomed).  They identify what characterizes him as a rebel,5 to be : personal simplicity, straight talk and bluntness, abolition of the office of the first lady, rightsizing and downsizing of workforce, direct labour system, confrontation with the labour unions and traditional rulers and insistence on accountability and due process, refusal to favour his kinsmen and religious groups and insistence on party supremacy. (p. 181).

    Chapters 9 & 10 written by the co-editors represent a befitting conclusion to this very seminal and highly readable book.  The Chapters reveal that Chief Akande is a man more sinned against than a sinner.  They revealed that his loyalty to his party and his belief in party supremacy was what made the composition of his cabinet so lopsided in terms of women representation.

    The authors of the chapters reiterate Chief Akande’s glowing qualities – his humane and courteous disposition, his zero tolerance for opaqueness, his humility and personal distaste for abuse of trust.  However, in chapter 10, the authors raised concerns about Chief Akande’s neutrality in the intra-party crisis that preceded the Governorship election in Osun in 2019, his unexplained silence on the crisis that trailed the July 2017 senatorial election within his party in the state, as well as his seeming “sommersault” on the vexed-issue of restructuring about which he had even written a book in the past.

    As earlier stated in the foreword by Prof. Aina, the story in this book is not about a man who is infallible.  It is about a man “who was willing to take responsibility for what he believed in and who worked hard to lead the kind of life that would make Osun State a better state than he met it” (p. x).  Chief Akande may not be a perfect man, but he has emerged from this book as someone who having no need to fear man, has through an unflinching devotion to duty and translucent love of country, fostered happiness and the good life among his people.

    The lesson for us all as the book clearly depicts, lies in the memorable words of Henry Longfellow who wrote in “The Reaper and the Flowers” that: ‘Lives of great men remind us all we can make our lives sublime, And, departing, leave behind us footprints on the sands of time.’

    This book of ten well-written chapters is a must-read for all those interested in the study of Nigeria’s history, politics and governance especially in the 4th republic. It should be a companion for our politicians who will need to emulate Chief Akande’s modesty both in and out of office.  They must strive to learn lessons about loyalty to party, loyalty to ideology and loyalty to the people.

    Governors in particular, must learn from his belief in party supremacy as the best way to guarantee political stability.  If the appropriate lessons are learnt, our politicians of the moment, cutting across political parties, must begin to revive the party system such that every individual, from the President to the Governor, would be subordinated to the authority of the party.

    The structure for administering the political parties such as the National Executive Committees, National Working Committees and the Boards of Trustees must be given a kiss of life.  It is only in this context that our democracy can survive.

    Finally, I wish to propose that some of the chapters in the book should be merged to make the book more compact and avoid overlap.  A situation where more than 3 chapters reproduce basically the same data on Chief Akande’s achievements, as presented on pages 90-92 and pages108-113, should be avoided.

    There is no doubt that this is a well-researched and well-written book that showcases a Nigerian with a difference, a phenomenal politician, a man of ebullient and impeccable character, a man of modesty, a man whose word is his honour, Chief Adebisi Akande.

    It is my hope that scholars, politicians, administrators and journalists would ultimately find this book to be a useful companion in their search for the Nigerian of our dream.

     

     

     

     

  • ‘Revamping culture in Ekiti is a priority’

    When Ekiti State Government appointed Wale Ojo-Lanre as new Director General, Ekiti State Council for Arts and Culture, many agreed that the governor had chosen a round peg for a round hole. Ojo-Lanre has what it takes to re-engineer arts and culture in the state. In this interview with PAUL UKPABIO, he speaks on the challenges and the journey so far.

    What did you meet on ground as new DG?

    I can say that without any hesitation, I met nothing on ground. For the past four years during the tenure of Dr Kayode Fayemi’s successor, it was the Bureau For Tourism, Arts and Culture. I called its media officer to let me see all his works, what he has  been able to do, and if there are documentations. He told me that for four years he only wrote one story. Within three weeks that I have resumed office I asked him how many stories he has written.  He said he has been able to write over 68 stories with most published. So, until now the place was dead. The place was stagnated.

    I met a horde of civil servants who are professionals, fantastic, pro-active, educated and ready to work and learn. Well, all my directors are professionals, my permanent secretary graduated from Theatre Arts Department, University of Ibadan. The directors are professionals in tourism, journalism and law. The director of Art and Monument is a graduate of Education Anthropology. So, I have a coterie of brilliant civil servants that when they saw my enthusiasm they said they were ready to identify with me. And since I resumed we have turned most of our challenges to opportunities because we never allowed them to deter us.

     How are the people responding?

    When a righteous person reigns, people are happy. A man who thinks is different from a man who dreams. A man who sees a vision is different from a man who thinks. A man who dreams would have been able to philosophies on what his people want and what their cravings are. The first thing I did was to talk to the staff, charge them up and we always discuss on every item. We always have a conference. We subject it to analysis like information gathering. There is no supremacy of ideas and we give in to superior argument. Once we have decided on something, we go for it.

    I told them it is no longer business as usual but it is going to be business unusual. I do not wait for funds. If we have an idea, we do it and then wait to collect the refund when the money is ready. I have talked to the staff about this and they have agreed and are committed.

    Another thing we have also done was to trace the culture and tradition to the paramount rulers. We visited the Ewi of Ado, the paramount ruler of Ado-Ekiti and we explained our vision. I also addressed the council of traditional rulers, that is, the Oba’s council. Apart from that we identified the stakeholders in the society such as the professionals. We paid visit to the State College of Education, where they have established one of the best departments of arts, culture, dance and music. We discussed with them and we have established a relationship. Very soon, we are going to hold EKITIFEST a replica of NAFEST where we will show the fundamentals of Ekiti culture and hospitality.

      Tell us about your background.

    My background is in journalism, education and law. I’ve spent the better part of my life in journalism, particularly in travel and tourism, hospitality, culture and art. This has given me a robust perception and fecund understanding of the job terrain. When I was appointed, I didn’t assume I knew all. I consulted wide, visited states in the Southwest to compare notes and see how things are being done. I believe in apprenticeship and understudy, no matter how short it is, it always produce results.

    These days I noticed you are not wearing suit as much again

    Read Also: Ekiti to prioritise arts, culture

    Yes, I used to wear suit a lot but now in the council we wear native dresses and clothes on two out of five days of the week. And that is Wednesday and Fridays. We have four meetings during the week and two of those meetings are conductd in native language.

    Is it all of you that can speak Ekiti language?

    Yes, except of course the youth corps member. We also encourage them to learn the language. Yes, it’s for identification, I am from Ekiti and I am a Yoruba man. It shows I’m a cultural person and I have pride in my culture.

     How do you feel coming back to government?

    It is about service. I was doing my medical report for the Law School when I was called and told about my new appointment. I had to abandon the Law School for the call to service.

      Where did the passion for journalism set in?

    The passion started with my dad. We were staying at No 3 Station Road in Osogbo. Opposite our house, the newspaper agents used to drop Daily Times for sale and my father used to pick a copy. I started developing interest in journalism because journalists were usually well respected. I started praying that I should be a journalist, a policeman or someone in espionage because then I used to watche lots of films. But when I finished school I stayed with my uncle in Festac who was working in the bank. He was the foreign exchange manager at UBA then. Most people in our family were co-opted into banking. He secured a job for me in First Interstate Merchant Bank. I was given appointment with a fat salary, I refused. He later took me to oil and gas where I was given a fat salary too but I refused. But in 1981, I went to Tribune newspaper, where I was given an appointment and told to start on a salary of N6000. And I accepted. When I got home, nobody prayed for me at home. Later my uncle’s wife had to call and ask why? My mum even called me useless and asked me to come home and work for her so she’ll pay me even more. In my house, when you get a job, you were assisted with starter pack such as mattress, stove sand basically everything you’ll need to furnish the house, none of them gave me that. They didn’t even blink at me!

    I was living comfortably in my brother’s boys’ quarters in Festac town but when the newspaper asked where I wanted to be posted to, I opted for Ibadan and that even annoyed my family again. But, I found a place in Ibadan where I stayed.

     You are known to have traveled far and wide. How many countries have you been to?

    I have been to 86 countries of the world. I cannot quantify the wealth of knowledge that I have been able to gain from these travels. Sometimes I develop new brain waves and the people working with me will just be looking amazed. Meanwhile some of those ideas are sometimes things that I saw somewhere else. For instance, I have been to Halloween, what people will refer to as a festival of the witches and wizards. I was once in a ship during my travels and the ship got stalked and stopped on the sea! We were just there not moving. Libations had to be poured in a ceremony before the ship continued on the journey.

     Where was that?

    That was in Barcelona.

  • Nike Gallery hosts Priceless

    Priceless, a solo exhibition by award-winning visual artist Yusuf Durodola, will open on September 21 at Nike Art Gallery, Lekki-Epe Expressway, Lagos. Priceless, which will run till September 27 is a visual chronicle that probes our nation’s disagreeable scenes affecting our core value.

    “My art probes deeply into matters of concern threatening human existence, it aspires to reactivate the people’s mind towards positive actions of germane development,” Durodola said.

    It is a project that is centred on social engagement and intervention. It highlights individual responsibility and dispositions to human value. He recalled how the exhibition was inspired by his interaction with children as an arts teacher. He said: “Children are pure spirited and hold no negative energy and if adults can take a cue from this, it will greatly heal our ailing world.”

    The show is in three stages – performance, solo exhibition and community service engagement. Durodola plans to donate 18 art works to the physically-challenged home, having worked with them in the past.

  • Photography outfit unveils customer’s scheme

    A photography outfit, Pixels Photography, has unveiled a loyalty scheme aimed at rewarding its teeming customers across the country.

    According to the Chief Executive Officer of Pixels Photography, Ms Omolaraeni Olaosebikan, the move is in line with its vision of satisfying the needs of people in the photography industry with a mind of bringing a new dimension to the way the business is conducted.

    To mark its 16th anniversary, Pixels, which was founded in 2003 in Ile-Ife, Osun State, has also unveiled a Wifi value for customers to enjoy unlimited Internet experience while at the company’s premises.

    She told journalists that the company would be offering a unique loyalty card for patronage which offers customers discount on business.

    Read Also: Social media, photography and African political office holders

    “For us at Pixels Digital Photography, it’s about creating value for our customers. We are very passionate about what we do. Every customer that has walked through our door can attest to this. We deliver photographs that would not only keep the memory of the events but will also capture the savour, beauty and royalty of the activities, environment and guests.

    “With the customer loyalty card, when customer transact business to the tune of NGN10,000, he or she is entitled to the card. The more they shoot, the more the point, you earn yourself which is 5% of your spend. This accumulates and when it reaches the worth of NGN20,000 we announce to you and you make a decision on what you want to enjoy with your bonus”, she said.

  • Lagos rolls out drums for Adeyemi

    Lagos rolled out the drums to celebrate the Permanent Secretary, Lagos State Ministry of Information and Strategy, Fola Adeyemi, who turned 60 and was bowing out after decades of service to the state, EVELYN OSAGIE reports.

    IT was a double celebration recently for the former Permanent Secretary, Ministry of Information and Strategy, Folarin Anthony Adeyemi, who turrned 60 and was retiring after years of service in Lagos State.

    Dignitaries, friends, family members and colleagues thronged the Grandeur Event Centre, Ikeja, Lagos to fete him.

    The ceremony featured recollection of his meritorious service; a public lecture by Segun Ayobolu, former Chief Press Secretary to former Asiwaju Bola Tinubu, which led to a panel discussion moderated by former Commissioner for Art and Culture Steve Ayorinde.

    “This is, therefore, instructive for all Public Affairs Officers that wherever you find yourself, you need to work your way up there. Every organisation desires someone who could add value to them and not a liability. So, immediately they are sure that you are an asset they cannot but trust and work with you.

    “In all MDAs that I have served, I was able to escalate my office to the management level. The whole thing is about how well you package yourself and the office you are occupying.”

    These words by Adeyemi laid the groundwork of the day’s event.

    It also headlined the presentation of Adeyemi’s book entitled: The Dynamics of Public Information Management: Memoirs of a Veteran Public Affairs Manager. It was chaired by the Commissioner of Water Resources and the Environment, Tunji Bello.

    It drew dignitaries from across the state, including three former commissioners for Information and Strategy (Kehinde Bamigetan, Dele Alake and Ayorinde) and the incumbent Commissioner for Information and Strategy, Mr Gbenga Omotoso, formerly the editor of The Nation newspaper; members of the state civil service; the media and scholars.

    Adeyemi was there with his lovely wife, Jumoke and children, Fola and Gbolade.

    From the office of the Deputy Governor to the Ministries of Finance, Education, Works and Infrastructure and the Environment at various times, Adeyemi left “path-breaking and trail-blazing imprints”, it was said

    He was extolled for his dedication to duty, his calm-headed nature; dealing with issues and proactive reforms that took place in the Public Affairs Office and Ministry of Information and Strategy in his time. Under his watch, “the social media unit in the Ministry of Information and Strategy was elevated to full-fledged departmental status to reflect the enormous influence that it  has come to attain in modern communication”; “the Lagos Television/Eko FM were repositioned and re-equipped”, and “state information officers were redesigned as public affairs officers in line with international best practices” it was stated.

    According to the immediate past Commissioner for Information and Strategy, Kehinde Bamigbetan, who anchored the book’s presentation, Adeyemi was launching the book to fund his foundation, which was a way of giving back to the society and journalism profession which has been instrumental to his rise and the successes recorded in his working life.

    “Adeyemi is a man with passion for the business of communication. And he has realised due over the course of his work that there is a rare species of the public relation personnel that requires a lot of support from all of us; he has identified them as the women who are involved in public relations and he decided to write a book. He is launching this book so that he can fund a foundation that would empower them,” Bamigbetan said.

    While Bello called him, “a good strategist”, former Commissioner for Information and Strategy, Dele Alake, praised Adeyemi intellect and sense of duty. “His attitude to work, managerial ability is very exemplary and impressive. I congratulate him for his successful career. There is nowhere else for you to go but up,” he said.

    “I am very happy for my friend. Lagos still needs his service

    In his lecture, entitled: “The Dynamics of Public Affairs Management: Information Management, Strategic Communication and the Emergent Greater Lagos”, Ayobolu went out to set agenda for the new administration, Ministry of Information and Strategy and the public affair unit/officers. Citing the administration of Asiwaju Tinubu, he said: “Free flow of information between the government and the media is critical to effective communication of the government with the public. A relationship that stresses a free flow of information between government and the media is necessary from the inception of a public policy.”

    The event was held on Sepetember 2.

    The trajectory Adeyemi’s performance as Information Officer at the various offices he had been posted to over a period of over two and a half decades, according to Ayobolu, “indicated that he was indeed headed for the very apex of the civil service structure in a system that respects talent and rewards performance”.

    The keynote speaker revealed that Adeyemi’s joining the Lagos State Public Service was not by happenstance, stating that applying into the Civil Service was his father’s desire as “he wanted him to use the platform to offer quality service to humanity”.

    “It is thus no wonder that Mr Fola Adeyemi had a high sense of self-esteem and attached appropriate value both to his person and his profession as a government policy communicator.

    “As Mr Adeyemi puts it in his book evoking strong emotions on me as I read it, ‘You must have an identity before institutions and professionalism will back you to become an authority. If I can come from nowhere and make a mark, then the over 400 Public Affairs Officers in the Lagos State Public Service can do it. I cherish the ‘Can do Spirit a lot’… Mr. Adeyemi retires formally today but he is in no way tired. He still bubbles with physical energy, mental acuteness and moral fervor. It is for this great son of Nigeria certainly morning yet on creation day and the best, for him, is yet to come,” Ayobolu said.

    Travel business consultant, Ikechi Uko, organiser of Akwaaba African Travel Market, praised the celebrator for forthrightness, and presented a gift to him.

  • Quantum leap: Metaphor of a nation

    Ten years ago, when the Dean, School of Art, Design and Printing Technology, Yaba College of Technology, Lagos, Dr. Kunle Adeyemi, turned 50, he donated art materials worth N50,000 each to five Lagos State secondary school students as part of his birthday celebration. This year, Adeyemi will be contributing a percentage of the total gross sales from his exhibition to Niola Cancer Care Foundation.

    Last Saturday, Adeyemi’s touring and retrospective exhibition tagged Quantum Leap opened at the National Museum, Onikan, Lagos, featuring 60 paintings, mixed media and prints. Also on display were souvenirs and post cards size of his art works offered at affordable price. This, he said, is to make the art works available to larger society, especially the low income group. The art teacher is a multidisciplinary visual artist with strong imprints in printmaking, painting and graphic design. “I want ot be in as many homes as possible, and that was my dream growing up,” he said.

    Adeyemi’s practical knowledge and thesis have become the basis for many art scholars, theoretical interest on how visual art reflects societal transformation, building a virile society through entrepreneurship and self-reliance.

    Expectedly, his collection for the on-going exhibition is a mixed bag of works that address issues ranging from celebration to culture, democracy, governance, security, environment and womanhood, among others. To the artist, the retrospective exhibition is an opportunity to reflect and look back at the journey so far. “Some years ago, I never knew I was doing something of importance to the community. Today, most of those things are actually for the good of the community and I can see that one has moved on to something great,” he said at a preview session. According to him, exhibition is not held primarily for commercial gains but to make statements on issues of concern to the community and the nation at large.

    “As at now, artists are reporting the art materially for generations to come,” he added.

    Some of the exhibits are Nigeria still a dumping ground, Statement and other matters, The mystery of Sambisa, Women protesting for Chibok girls, Herdsmen invasion-From rod stick to AK 47, Democracy for whom? and Ecstasy of the drumbeat, among other thought provoking at works.

    In Democracy for whom, Adeyemi mirrors the irony in the nation’s political system, focusing on the two chambers of legislature – Senate and House of Representatives – which, unfortunately, do not represent the people’s interest. He captures the ruled that are tied by ropes to the apron strings of the rulers who are supposed to be servants of the people. He lavishly splashes red and green colours to depict the corporate colours of both chambers.

    As an academic, Adeyemi who also runs an art studio in Mushin area of Lagos, said he wants to leave art better than he met it. Little wonder his studio is open to student artists on internship from arts schools across the country.

    The first leg of the exhibition will run till September 2 while he second phase will open at Yusuf Grillo Gallery, Yaba College of Technology, Lagos on September 26 till October 18.

    On the choice of two venues for the touring exhibition, Adeyemi said: “The two venues have different audiences. The first is a national museum with a broad clientele base while the second is my immediate constituency where my students and colleagues will have opportunity to appreciate my art works.”

    Adeyemi had his education at Yaba College of Technology, University of Benin, and Delta State University, Abraka, where he bagged Ph.D in Studio Art.

    He has facilitated many workshops and residencies and visual art retreats in Sweden, US, Liberia and Nigeria.

     

  • Agenda for Mohammed’s second coming

    At the 23rd General Assembly of the United Nations World Tourism Organisation (UNWTO) in St. Petersburg, Russian Federation, last week, Minister of Information and Culture Alhaji Lai Mohammed explained that the Federal Government was planning a national summit on the role of youths and women in tourism as part of efforts to harness their talents in developing the sector. Some stakeholders in the creative industry, however, think differently on how best the sector can be repositioned, Assistant Editor (Arts) OZOLUA UHAKHEME reports

    Some months after assuming office in 2015, Alhaji Lai Mohamed held consultative meetings with many stakeholders in the creative industry on how to chart a new path for the development of the sector. Among such was the national summit on culture and tourism held in Abuja in May 2016 and the economic forum in Lagos. What were the outcomes of these forums and why plan another?

    According to the minister, “it’s incontestable today that the industry that creates jobs fastest is tourism. It’s one industry that creates jobs for women, and it’s one industry that encourages youths.”

    He said it was clear from presentations at the meetings that tourism was gradually overtaking other aspects of the economy as a major player for development and equality.

    Stressing the need to harness talents, he said Nigeria would leverage its comparative advantage, which includes a rich culture and a blooming music and film industry, to take its tourism sector to the next level.

    But as Nigeria continues to seek new ways of diversifying its economy from dependency on oil revenue, stakeholders believe the sector is capable of providing veritable means of creating wealth, generate employment opportunities, increase revenue and growth.

    According to a report, in 2016, the film industry contributed 2.3 per cent (N239 billion) to Nigeria’s Gross Domestic Product (GDP), while music industry grew by nine per cent in that same year to reach a value of $39 million. “It is also set to grow by 13.4 per cent by 2021, with an estimated worth of about $73 million…The value of video game industry is put at $150 million, while mobile gaming estimates are to surpass $147 million by 2020,” the report added.

    How can the nation raise the bar as well as achieve these projections during the second coming of the Information and Culture Minister?

    Renowned playwright, director and former Deputy Editor, The Guardian, Mr. Ben Tomoloju, observed that Mohammed’s first tenure witnessed some positive marks in the interaction between the ministry and certain segments of the creative industry. He, however, noted that it was rather inconclusive, adding that Mohammed’s second coming should set the sector on the path of administrative and professional excellence and national relevance.

    “The government policy of financial empowerment and capacity building of the sector should be pursued to a phased logical conclusion this time around. Some people never agreed with us that government had a vital role to play in establishing structures for the development of cultural productivity in the visual, literary and performing arts. They treated such idea with disdain and made it look beggarly.

    “Today, virtually everyone on both sides of the argument is celebrating the Lagos theatres to the high heavens. Mohammed dropped a hint of a possible collaboration between the Federal and Lagos State governments to rehabilitate the National Theatre, Iganmu. Good intention, but he must attend to the demands of the theatre monument in the same manner as Lagos State is delivering on Community Theatre project.

    “Really, the untimely death of our dear colleague and former GM of the National Theatre, Dr. Stella Oyedepo (May her soul rest in peace.) seems to have slowed down the pace of redeeming public respect and patronage of the facility. She was right on course before death snatched her away, ” he said.

    Tomoloju, who earlier in 2015, expressed optimism about the capacity of the administration to propel arts and culture to greater heights, noted that with the benefit of hindsight such expectations were only partly because the minister oftentimes allows his political partisanship to override the objective variables of cultural nationalism.

    He said the vacuum at the headship of the National Theatre following the sudden death of Mrs Oyedepo requires a critical and sagacious succession plan to fill.

    According to him, the minister must not allow the cultural sector to experience the kind of retrogressive political appointment that brought up the current occupant of the headship of the National Troupe of Nigeria. To him, ‘the troupe as at today, is in a total state of inertia which, unfortunately, seems to suggest that the head was appointed to ‘come and kill’ (permit my local lingo) the Troupe.’

    “Alhaji Lai Mohammed must do his best to redress this ugly, I mean really ugly situation considering the noble efforts of eminent Nigerians towards establishing the troupe exploratorily pre-FESTAC and practically in 1986, that was 33 years ago.

    “The right experts should man the various agencies to bring forth positive results. Such experts should include tested culture administrators within the agencies even as there are considerations for technocrats outside the ministry,” he added.

    Tomoloju expressed concern about succession and delivery because of the flow and ebb, the rise and fall in the fortunes of the cultural sector as indexed under one administration or another. He noted that, for instance, the fortune of the National Gallery of Art during the tenure of Joe Musa would have to be re-examined and duly acknowledged as a standard bearer, which can provide a template for rejuvenation.

    “I once read a report quoting the new Acting Director-General, Dr. Simon Ikpakronyi, saying that the National Gallery of Arts will not be dormant again. This is a seasoned administrator in the system who was a contributor to the successes of the past until intrigues took over,” he said.

    Tomoloju described the mandate of Mohammed as a wide terrain which, he said, covers not only the regular professions, but also in the areas of culture, the arts and education, arts and social mobilisation, culture and national economy, among others.

    “Lai Mohammed’s second coming should set the sector on the path of administrative and professional excellence and national relevance…

    “He is in the saddle and we must wish him the very best. But, this is also with the insistence that the Honorable Minister devotes attention to his dual portfolio – Information and Culture – on the basis of equity and not see the latter as a political afterthought,” he added.

    Professor Emeritus, Miami University, Oxford, Ohio, USA, Prof. dele jegede,  urged the Minister of Information and Culture to stir the spirit of the country towards lofty heights by focusing on initiatives that will entrench culture not as abstract and fugitive concepts, but as concrete manifestations that reinforce the dynamics at play in a diverse, creative and multitalented state.

    The challenge, he said,  is to focus on constructing memorable projects that are guaranteed to stand as signature accomplishments during his tenure at the ministry. Towards this end, he advised the minister to build a befitting edifice for the art and give Nigeria-the country whose ancestors created the exquisite works in Nok, Igbo-Ukwu and Ile-Ife, and whose scions at home and abroad have continued to bring accolades to Nigeria-a lasting edifice in the form of a befitting National Gallery of Art.

    “Pull out all the stops. Shake loose the trees. Roll up your sleeves and put your shoulders to it. Nigeria needs, as an index of the Next Level agenda, nothing less than an erection, not the Okorocha type, a functional edifice to the art. A nation without a national gallery indirectly contributes to the effacement of its own culture and the marginalisation of its own history,” he said.

    The absence of such facility, he said, tells the world that its critical archives of creative history are available to be taken on the cheap.

    According to him, the institutionalisation of structures that stand the test of time is a credible way to demonstrate that governance is not a zero-sum act. “It is more than sloganeering; it could, and should, especially at the Ministry of Information and Culture, be all about commitment to the entrenchment of those aspects of our culture that have the potentials of attesting to the present while inspiring the future,” Prof jegede said.

  • Stakeholders urge Fed Govt on tourism development

    Chairman, Ezeagu Local Government Council in Enugu State, Chukwudi Fred Ezinwa has urged Federal Government to partner state and local councils in the development of the nation’s tourism potentials.

    Ezinnwa who spoke at a strategic stakeholders meeting recently said that local tourism operators should be encouraged to key into such projects in order to harness the benefits accrued to host communities.

    According to Ezinwa, “we are under-utilising the rich resources which is God-given gift to the nation. He advised that monitoring and supervision should be incorporated into the systemn to achieve proper growth of the sector across states.

    Hon. Chima Obieze said: “We already have a blue print on how to work and improve heneke lake and waterfall so that the site will become more attractive to tourists. We also have plans to improve on some other tourist’s site in Ezeagu local government area. Hopefully, in the nearest future there will be a whole lot of improvement in terms of tourism development. The host communities are friendly, as they always serve as tourists guide to visitors.”

    Former Director-General, Centre for Black Arts and African Civilisation (CBAAC), Sir. Ferdinand Anikwe, said that cultural tourism is one of the most viable aspects of tourism in Enugu State that has been exploited. He noted that, unfortunately, past governments were unable to perfect it in terms of revenue generation.

    “Enugu State remains one of the most potential tourism destinations in Africa.  But tourism destination must have certain background that will make them thrive. In terms of security Enugu has remained one of the safest havens and the best way of demonstrating is to encourage holidaying which is inseparable from tourism,” he added.

    Anikwe added that there are variants of tourism such as eco-tourism, cultural tourism, tourism based on man-made heritage sites, nature and others.

  • More valuable than you think

    I once read the story of a teacher who stood before a class full of students and showed them a hundred Dollar bill in mint condition. He asked if anyone wanted it and instantly, all hands were up, indicating that they wanted the money. He said “hold on a moment”, and he squeezed the money in his hand thereby making it pretty rough. He straightened out the bill and showed it to the students; it didn’t look as good as it did before. He asked them, “who wants this one hundred Dollar bill?” Once again, all the students indicated interest.

    “Just a minute” he said, as he dropped the money on the floor and stamped on it several times. The students watched wide-eyed, wondering what their teacher was up to. Finally, he picked up the money with the tip of his fingers as if trying to avoid dirtying his hands, and looked at the faces of his students. Then he asked again, “Now, who still wants this money?” For the third time, all hands were up. He smiled and said, “I squeezed the money and I stamped on it. It is no more as attractive as it used to be. Why do you still want it?” One of the students responded, “for as long as the money remains in one piece, its value doesn’t change irrespective of what you do to it”.

    The story above is very instructive. Some people have been through such difficult times that they no longer believe they are worth much. From the story, we can learn that:

    • Your appearance is not your worth: there are some people you come across; a single look at them will show that they have experienced several challenges in life. But hey, look is not everything. The students in the story were smart enough to know that the dirt on the hundred Dollar bill won’t matter seconds after they have used it to buy what they wanted. They saw through the dirt to see the worth. Your looks don’t define you. Anything that is external is temporary. Clean or dirty; your worth remains intact. You just have to look within you and let the light shine out.
    • Your circumstances cannot destroy your value: You were born with a gift and situations can’t change that. Perhaps you have been so disadvantaged for so long that you are beginning to accept it as your natural state. You shouldn’t do that! A piece of gold or diamond in its natural state is unattractive and may remain in the ground like that for years until it is found. That doesn’t make it less gold or diamond. Unfortunately, some gold or diamond may never be found and they remain underground where they will never be useful to anyone. You don’t have to accept your situation as your reality because situations are, by nature, capable of changing.
    • It is not what you are but what you make out of it that matters: the students in the story did not focus on what the money is, which is dirty; rather, they focused on what they could make out of it. You don’t know the value of a piece of wood until you give it to a gifted carver. You don’t know the value of a lump of clay until you give it to an expert sculptor. A piece of paper and a pen may appear ordinary but not in the hands of a skillful writer. A lot of things in life are really ordinary until the person who knows their value processes them. Discover your gift and acquire the skill to process it or it will remain ordinary. Knowledge bestows on us a new pair of eyes; when you discover what you’ve never known, you see what you’ve never seen.
    • Dirt is good: most people like to spend currency in mint condition but sometimes, the dirty notes are safer. The new notes need to be doubly certified to be genuine while the old notes have gone from hand-to-hand. If they have been in circulation for that long, they should have passed the authenticity test. If you have been battered by situations and you are still here, you must be stronger than you think. Several people didn’t make it this far but you did. Your experiences have deposited some virtues in you. It is time to turn your challenges into the raw material for your greatness. Several bread recipes recommend punching down the dough to release air so that we can knead it and form loaves. The punching you have received is to bring something beautiful out of your life.

    Thanks for reading my article today. I would really love to hear from you. So, do share your views with me by sending SMS to 07034737394, visiting www.olanreamodu.com and following me on twitter @lanreamodu. Remember, you are currently nothing compared to what you can become. This can be your year if you want it to be!

  • Brain Squad wins People’s Choice Award

    After a successful outing at the 2019 Technovation competition at Silicon Valley, California, USA, Brain Squad, the Nigerian representatives at the tech challenge, got a heroic reception when they returned to Nigeria.

    A group of five Nigerian girls, comprising Ariyo Ayomikun, Ivana Mordi, Jadesola Kassim, Munachiso Chigbo and Pandora Onyedire, all Grade Six students of Standard Bearers School, Lagos, were the only African team to make it to the finals after coming tops at the state, regional and national levels of the competition.

    The girls invented an app that helps less-privileged children go to school. The app, Handsout, won the People’s Choice Award at this year’s global Technovation competition, which featured more than 19,000 teenage girls. Brain Squad was looking to follow in the footsteps of last year’s surprise winners, Team Save-a-Soul; another Nigerian side that saw off competition from teams from around the world on their way to claiming the gold in the global competition for young girls.

    Handsout allows people all over the world to easily donate to Nigerian children and their families to help them pay for school fees, stationeries, and medication.

    It was inspired by a tragic incident that occurred in Lagos early this year where many children lost their lives after a school building collapsed in Itafaji, Lagos Island. The girls developed the fundraising app to make it easy for people to make donations to help the needy pay for school fees, food, shoes, books, stationery, and medication and more. And their innovation had earned them a place in the finals of this year’s challenge.

    Many had tipped them to pull off the feat of Team Save-a-Soul by going all the way and the girls had every right to dream. But, in the end, they won the People’s Choice Award, having lost to teams from India and Cambodia in the junior division.

    At a reception held in their honour in Lagos, Chigbo said participating in the competition has widened their knowledge in the area of ICT. “It was an interesting experience for all of us; they also introduced Artificial Intelligence (AI) to us and how to use it to solve problems. We went to Uber where they explained to us the platforms they use in their operations, while Google took us to Google Ventures where we had our practice pitch. All the contestants, both senior and junior category, met the judges and it was an opportunity for them to give us information about our pitch and what they feel we should add to it.”

    She continued: “Technovation has opened this door for all of us. Personally, I wasn’t a computer person before now, but participating in this competition has shown me that I’m really into coding, which I want to use for my future career.”

    On her part, Ayomikun described their participation in the global competition as a wonderful experience.

    “I learnt a lot of things at Technovation; I’m really grateful for the platform it has given to all of us. We went to a lot of field trips and we also had fun; we went to Fisherman’s Wharf, where we ate; we took a tour of the city and saw so many things. I feel Technovation has shown us that we are able to code; we didn’t know what we know now. I’m sure coding will impact our lives as we grow older and I say thank you to our mentors, our parents and everyone for the support they have given us,” she said.

    Proprietor, Standard Bearers School, Mrs Modupe Adeyinka-Oni, said participating in the competition was an induction for the girls into the Technovation Academy. “They have over 17,000 of them right now around the world. This is a platform that allows them to reach out for mentorship anytime; it also allows them to write their CVs and put Technovation 2019 finalist on it. What that would do for them is to take their application from bottom to the top of the pile. In America, Technovation is a big deal. Around the world, it’s something people are just getting to know. Once you take part in the contest, you don’t even need to get to finals, it opens doors for you,” she said.

    According to Adeyinka-Oni, who was instrumental for the Brain Squad to make the trip to United States, the curriculum of Technovation takes them from being able to find solution to solving a problem.

    “One of the things that was demonstrated when we went to Uber in the AI project was that very quickly, my girls knew how to approach the problem; we never talked to them about AI. But immediately they told them that AI is used to solve problems and gave them 10 minutes overview, immediately they set them to work. I was a bit nervous, ‘will my girls know what to do?’ But I was very proud of them the way they took the challenge. I do know that they’ve been impacted in the ways that money couldn’t buy; staying in Nigeria could not have given them.”

    The proprietor disclosed that the commitment now is to bring what these girls received at Technovation back home. “Technovation will always be there and we will always participate, but not everybody will make it to the United States. So, I’m asking corporate bodies to think what they can do; it doesn’t have to be Technovation girls. We have boys and girls in Nigeria that need to be empowered and need to be shown a different way. Right now, we have a lot of children growing and waiting for mummy and daddy to continue to help them. But, what Technovation shows you from a young age is that from the age of 10 to 11, start giving solution to world problems,” she added.