Category: Life – The Midweek Magazine

  • Vernacular Art-space Laboratory hosts Vidal

    The Vernacular Art-space Laboratory has hosted a talk with French filmmaker Olivier Ayache Vidal.

    The event was supported by Alliance Française Lagos and the Mike Adenuga Centre.

    Vidal is in Lagos researching a new film project at Iwaya Community. He will engage the public to share his experience with local cinema enthusiasts. There will be screening of some of his short films during the talk.

    Vidal is a French film director and screenwriter. After studying social sciences and communication, he worked as a creative director in an advertisement agency. He became a photographic reporter in 1992, doing missions for the United Nations Scientific, Educational and Cultural Organisation (UNESCO) and travelling the world for the Gamma agency.

    In five years, he did 30 pieces in 15 countries. His career in journalism shaped a working method that he would later apply in his fictional works. His stories are preceded by extensive research, which allows him to write stories as close to reality as possible.

    This vision of cinema, a “lived-in filmmaking” of sorts, aims to create fictional stories that are as documented as possible. Often tragicomical, his films present stories that are inspired by reality, with often nonprofessional actors. The objective is to blur the frontier between our world and the fictional realm. His last movie as a director, The Teacher, was screened worldwide.

  • TAMPAN honours Alaafin of Oyo as Grand Patron

    The Theater Arts and Motion Picture Producers Association of Nigeria (TAMPAN) have honoured the Alaafin of Oyo Kingdom, His Imperial Majesty Oba Lamidi Adeyemi 111 as ‘Life Royal Grand Patron’ of TAMPAN.

    The association during a courtesy to the Oyo Empire bestowed the titled on the Yoruba monarch describing him as a dignified king who exalts the Art and Culture of the Yorubas.

    The president of TAMPAN, Otunba Bolaji Amusan popularly known as Mr. Latin stated.

    “In the preservation and promotion of our heritage continue to enunciate and expose Yoruba Custom, Norm and Social behavior to the world, which in turn earn us great respect across the world” the veteran actor said.

    “In recognition of his consistent endeavors to secure our culture from peril and extinction, the teeming members of Theater Arts and Motion Pictures Producers’ Association of Nigeria (TAMPAN) find him worthy of the honor as The Life Royal Grand Patron of the most populous association in Nigeria.”

    In his response, Alaafin who was highly elated by the honor commends the filmmakers for their good services to humanity. He also promises to continue to uphold the culture because our language and culture are indubitably the best among others.

    He cited Oyo town as the place where commercial theatre was started in 1853 during the reign of Alaafin Ogboluke and their movement from Oyo Oko to where Oyo is situated till today.

    The official decoration of the monarch is schedule to holds at the forthcoming annual conference of the association, on 11th to 14th December 2019. Themed, “Theatre & Filmmaking as Sociological tools for Development”.

  • Celebrating a ‘silent achiever’

    Last Saturday, the Awori held a reception for Ogun State Deputy Governor Mrs Noimot Salako-Oyedele at The Event Centre, Agindingbi, Ikeja, Lagos. JOSEPH ESHANOKPE reports.

    The Awori have feted the Ogun State Deputy Governor Mrs Noimot Salako-Ogundele for scoring a first: the first Awori woman in Ogun State to be elected to that exalted position.

    At noon, the time billed for the event to start, Nana’s Hall, the venue of the reception, was almost empty. Only few monarchs, distinguished personalities and few individuals had come in. But as soon as Mrs Salako-Oyedele came in with a large encourage, which included her husband, Bode, there was a fever pitch.

    The deputy governor did not just go straight to the high table, reserved for her and other VIPs, she moved around greeting some notable people. Upon settling down, the national and Awori anthems were sung. However, the later’s three-stanza, which began thus: ‘’Ile Awori Liti wa,Ejika fu’mo soo Nso’’ was not easy for many to sing.

    Organising Committee Chairman Prof Babatunde Salako explained why the event was being held. He described the deputy governor as a ‘’worthy ambassador of Awori’’ who scored a political first in Ogun State by her election, adding that it was the first time that an Awori would be elected at the level.

    Chairman of the occasion, Senator Akinola Odunsi, who described the event as ‘’epoch-making’’, noted that it rekindled the Oodua heritage. Odunsi, the Maiyegun of Awori, sought assistance for the deputy governor to succeed.

    Finance guru Dr Michael Olawale-Cole in his sonorous voice also shew himself as a historian at the event. He described as false reports that Lagos is a no man’s land as the Awori make up almost all the 20 councils in Lagos. The Asiwaju of Ojota recalled that their forebear Prince Olofin  Ogunminre, the son of Oduduwa, was the first person to settle in Lagos, first at Isheri, then Iddo and his children the Idejos, migrated to Lagos island and Badagry. In Ogun State, he added, the Awori make up 31 per cent of the population.

    Olawale-Cole, a former Lagos State commissioner, who described Mrs Salako-Oyedele as thorough-bred professional, astute and passionate, said the fact that about seven Awori had been finance commissioners, attested to his people’s integrity, credibility, selflessness, and intelligence.

    Olawale-Cole, Awori umbrella body, Welfare Association of Nigeria (AWAN) and Awori Native Coalition (ANC) assured the deputy governor of their support. Specifically, ANC canvassed unity among the Awori. It had a support in Olota of Ota Oba Adeyemi Obalanlege, Lanlege Ekun II, a professor. The reverred monarch said with humility, God’s will, peace and cooperation, his people would succeed.

    To attest to Olawale-Cole’s assertion, the Ooni of Ife  also sent a delegation to the event.

    Ogun State Governor’s wife Mrs Bamidele Abiodun, received applause when she said she had known her husband’s deputy for about 30 years. ‘’We grew up together, attended the same primary school, secondary school…. She is intelligent, hardworking and black,’’ she added. She is confident that Mrs Salako-Oyedele would be of great support to her husband.

    In her response, Mrs Salako-Oyedele said she was overwhelmed by her people’s gesture and that the reception indicated the unity among them. ‘’I am deeply honoured. I will be eternally grateful for this honour,’’ she said. She promised to build on the foundation they had laid.

    Mrs Salako-Oyedele later received an award from her people. The late Lagos State Deputy Governor Chief Rafiu Jafojo received a post-humus award.

    At the event were the Asiwaju of Aworiland, Senator Ayodeji Otegbola; the Ojomu of Ajiranland Oba Akiloye Sateru II, ANC President Oye Taiwo; his AWAN counterpart Chief Solomon Ojolowo; former Minister of State Defence Musiliu Obanikoro; Speaker Ogun State House of Assembly, Mr Olakunle Oluomo; and  Kayode Opeifa, former Lagos Commissioner and Team Lead, Presidential Committee on Clearing of Apapa Port and Access Roads, among others.

  • The Sun’s cartoonist holds exhibition

    As part of activities marking his 50th birthday anniversary, The Sun Newspaper Cartoon Editor, Mr. Albert Ohams, will hold an exhibition titled: Albert Ohams: 35 Years Strokes Of Master Cartoonist from August 29 till 31. The solo exhibition, which will hold at Four Point by Sheraton Hotel, Oniru Chieftaincy Estates, Victoria Island, Lagos, will feature 50 pieces of cartoons.

    The collection varies from political to social and economic issues captured in diverse styles and humorous imaginations. One unique feature in his works is the use of humour to douse political tension and depth of the topic.

    The exhibition will attract dignitaries such as the Minister of Labour and Productivity Dr. Chris Ngige; Prince Eze Madumere, former Deputy Governor of Imo State; Chief Solomon Ogbonna, President Ohaneze Ndigbo, Lagos and Ambassador Ayo Olukanni, National Association of Chambers of Commerce, Mines and Agriculture (NACCIMA) Director-General.

    Ohams joined the weekly Eagle Newspaper owned by Dr. K.O Mbadiwe, in Aba, 35 years ago after leaving Bishop Shanahan College, Orlu, Imo State. Today, the Mgbidi, Imo State-born cartoonist has carved a niche for himself in the profession, having won many media awards.

  • ‘My silence means I wasn’t ready to talk’

    Former BBNaija reality TV star, TBoss who has kept mute on her pregnancy rumours, has finally come out to confirm that she is expecting a child.

    Though the father of the unborn baby is yet to be revealed, the entertainer on her Instagram handle on Monday said her silence was just that she was not ready to speak about it.

    “What is it about our Generation that’s always so eager to post up our private lives on Social Media? We get Good news- SM, Not so good news- SM, Someone offends us, someone owes us money, breakups, new home, new car, new shoes, fake designer shoes, borrowed stuff- There’s Absolutely No Mystery anymore. You wanna know about a person? Just look up their SM pages & you’d get a pretty close picture of whom you’re dealing with.”

    “I agree I’m not exactly social media compliant but I’m also guilty of sometimes putting more than I ought to have out there thereby subjecting myself to being misinterpreted, misquoted, misunderstood & highly misjudged. And that’s why it was extremely difficult for me to keep my pregnancy all to myself, she said.

    “I mean it was without a doubt The Best news I have ever had & God knows I wanted to shout it out so as to be heard to the ends of the earth BUT I had to…Not because I was ashamed or nothing of the sort. Hey, I’m a Grown woman let’s be Real.”

    “I was Afraid. I was afraid of exposing my best news to the negativity of little & sad minded people of which unfortunately happen to be a lot… I wanted to enjoy this journey, savor every little moment, understand what was happening to me, my body, and keep my sanity for my good & the good of my unborn child. Pregnancy is indeed a roller coaster ride and as ecstatic as I was, it really hit me.”

    “My friends all knew- if you didn’t oh well- maybe that’s your cue I went shopping & out a lot & took lots of photos with my beautiful fans – Selfies only of course & never felt the need to cover up or hide anything- And why should I? Do you know the struggle a lot of women go through to get what I have? A Free Gift from God! And you think at 35 I ought to feel some type of way because someone has an unsolicited opinion about me? Ha Ha Ha… Silence is NOT denial. My silence was just that: Silence- until I was ready to speak about it, she noted.

  • Lagbaja, Wande Coal, Adekunle Gold thrill at JJW

    Lagbaja, Wande Coal and Adekunle Gold over the weekend mesmerized guests with a scintillating fusion of music at the Johnnie, Jazz & Whisky (JJW) music showcase, which held at Lekki Special Events Center, Lagos.

    Adekunle Gold opened the night with some of his hit songs such as Ire, By You and Orente, before the masked one; Lagbaja came on stage and captioned the audience with smooth renditions of Never Far Away, Nothing For You and Konko Below.

    Lagbaja later invited Cobhams Asuquo who was among the guest to sing a verse with him to the delight of fans.

    Soulful singer, Wande Coal was not left behind as he ended the magical night with fine melodies from his crowd-pleasing hit songs.

    The JJW evening of glitz and glamour, style and flavours, was another night of success for Johnnie, Jazz & Whisky; a truly unforgettable experience.

  • ‘Democracy began in Abiriba’

    Documentary photographer Philips Akwari has kept the ancient Igbo community, Abiriba, in Abia State, in the spotlight in recent times. His travel exhibition, tagged: The Rich Abiriba Heritage, which ended in Lagos in June and moved to Abuja last Saturday, has raised conversation on the importance of photography to the transformation of the country. In this chat with EVELYN OSAGIE, Enachioken of Abiriba, Eze Kalu Kalu Ogbu, shed some light on why Nigerian politicians must borrow a leaf from the town’s political system.

    My voyage on the throne

    I became the Enachioken of Abiriba at the age of 36, and I am 20 years on the throne now. In Abiriba, rulership is hereditary. You have to be a descendant of the founder of Abiriba to be an Enachioken of Abiriba. I am the 17th generation of the descendants of Abiriba.

    Like life, my experience on the throne has its ups and downs – high and low moments. The challenges, however, prepared and kept me strong for the future. They became stepping stones, teaching me more about the heartbeat of my people and how to react  to situations.

    Abiriba comprises wise and elderly men. When I ascended the throne, the eldest man in my cabinet was 103 years old, so you can imagine my experience as a young man.

    Myths about culture being fetish

    Culture reflects the beauty of the people. It is dynamic, flexible and reflects the people at any point in time in history. As we are evolving, some aspects of our culture continue to change. There is this Repugnancy Test, which is created by the Whites and is used to judge our own culture, which is not proper. For us, culture should reflect the spiritual consciousness of a people. So when people say that our culture is barbaric, it is because they don’t understand us. People should know that we are different from one another.

    It would be monotonous if we all had the same beliefs. When we speak from different perspectives and exhibit our culture in diverse ways, we reflect the beauty of creation. There is beauty in this world when we respect our different cultures. When different opinions of people come together, it creates harmony, and in my view that is how we can celebrate God in His beauty. He keeps everything in perspective. When we come together in our diversities, we make a unified harmonious music.

    For me, our culture is not fetish or barbaric. But in Abiriba, our system emanates from white chalk, Nzu, which signifies peace and purity. Abiriba is not all about fetish things, we don’t have a particular shrine there. Rather, shrines belong to families and groups.

    Challenges of preserving culture

    It is a very difficult challenge to maintain one’s culture for more than 500 years in a place like Nigeria, under this environment that we live in. But the grace of God is upon us and my people are working hard to ensure that we keep our culture alive. And we are happy that we have been able to sustain it all these years.

    Once in a while, people bring their children home to acquaint them with our cultural practices and go through the various age grade systems; and Akwari’s exhibition is an in-depth reflection of the beauty and value of such traditions.

    Age grade system, proclamation of laws

    The beauty of Abiriba is aptly displayed in  ceremonies involving age grade system, particularly during the Iriama Festival. A unique feature of the festival as depicted by Akwari is the proclamation of laws, with the use of the mace, that would guard the community. People do not know that the mace is what guards the proclamation of laws in Abiriba. The use of the mace has been in existence in Abiriba for more than 500 years, so many years ago before the White man came to Africa. But when did the use of mace come into Nigerian politics?

    I’ve often told people that democracy started in Abiriba. Besides the use of the mace, our age grade system is another aspect of governance that Nigerian politicians can learn from. For Abiriba, the age grade system has about 13 categories, and there is the eldest age grade called Uke ji agbala, it is the age that handles all laws passed by the Eze. As the Eze is passing the law, it is picked by the leader of the group, who uses the Uke igwa mang. The Uke igwa ensures the security of the community. The age grade system in Abiriba is like a two-party state. One group produces the eldest age grade and rules over Abiriba for a period of two to four years. They hand over to the other group which rules the system for it’s own term. The leadership is passed to the first group again ad infinitum. They rotate the leadership without rancour. This system is as old as Abiriba Kingdom

    The lesson to be learnt by politicians here is, that, we can curtail acrimony in the country if our political parties are divided into two. One party can stay for five years and hand over to the other party for another five years. .

    Importance of photography documenting history and culture

    It is a very beautiful thing and very relevant to the documentation of culture and history of a people. A good example is Akwari’s exhibition. It tells Abiriba’s story in pictorial form in a very simple way. It is wonderful, seeing each exhibit. It reminds me of historical facts I have almost forgotten.

    When you look at his works, you’d see the beginning of a man to the end of the man. The story telling is so beautiful and flows naturally, such as how a man is introduced to Abiriba community – at birth; how he grows up to adulthood to the point of marriage; attains greatness and retires – in which case you’d see him as an elder statesman in the person of Prof Anya O. Anya and others on display; and Akwari’s pictorial story continues till the death. In short, it is a true picture. of Abiriba in a very simple format.

    Moving round the exhibition was very nostalgic for me. Each time I see any of the sessions, I’d say to myself: ‘Ah, I have almost forgotten this one. It felt so nice recounting our history to all, especially the young ones in our midst. There is beauty and lessons in the presentation of pictorial position of things. Ordinarily, people would not have remembered all these things but as one sees each picture it. In a nutshell, one is able recall and tell the history of Abiriba in a very simple method. I think it is a very beautiful work of art

    Of neo-cultural reawakening

    To be candid, this exhibition is an eye opener for all of us. What the young man has done is just the beginning; if he finishes all this his travel exhibitions and doesn’t come back to Abiriba to exhibit it, it would make no sense. This is because, it is the people that it is targeted at, and then, the entire world should also see it. But let us start from home. After holding the exhibition in Lagos and in Abuja, I urge him to present it in Abiriba in December to give hope to the younger generation who may have forgotten everything about the culture in Abiriba. This is a very good way of starting a socio-cultural reawakening.

  • Fajemirokun unveiled

    A memoir by Chief Oladele Fajemirokun, a first-rate entrepreneur, reveals how he made his fortune, and lays to rest the widely-held belief that he is an inheritor. FEMI MACAULAY, a member of the Editorial Board, reviews the autobiography.

    How can the son of a prosperous man claim to be self-made? Chief Oladele Fajemirokun, 69, provides an answer to the paradoxical poser in his memoir, unveiled at the Civic Centre, Victoria Island, Lagos. It is easy to jump to the conclusion that the memoirist inherited the wealth of his father, Chief Henry Fajemirokun, who died in 1978 at  51, and was a reference point for prosperity in his lifetime. But the junior Fajemirokun’s story about how he became prosperous is clarifying. Indeed, the autobiography, titled: The Making of Me – My Odyssey in Business, is a portrait of a self-made man.

    Interestingly, the senior Fajemirokun was a self-made man too. His son’s memoir is, therefore, the story of a self-made man whose father was also self-made. The memoirist was born in Lagos, “in a rented, one-room apartment of a tenement building, at No. 6 Eletu-Iwase Street, in Isale Eko.”

    According to the autobiographer, “Here was an area without water, except for the public tap; no toilets, except the pit and bucket latrine, which was emptied at night by ‘night soil men’ or agbepo; a most demeaning occupation and an unhealthy system of human waste disposal. This system was brought to an end by the administration of Governor Lateef Jakande in 1979 when he decreed the abolition of pit and bucket latrines throughout the city of Lagos.”  He was born “on the bare floor (because there was no one to take my mother to the hospital for my delivery).”

    But Chief Henry Fajemirokun later became rich. He was a high-flying entrepreneur who established his business wizardry through his running of the Henry Stephens Group of Companies.  He was president of the Lagos Chamber of Commerce from 1971 to 1975, and also president of the West African Chamber of Commerce from 1972 until he died in his hotel room “while on chamber duty as head of a trade mission to Ivory Coast” in 1978. He was vice-president of the Commonwealth Chamber of Commerce and president of the Nigerian Association of Chambers of Commerce, Industry, Mines and Agriculture (NACCIMA).

    “At the peak of his success in business,” says his son, “he bought a Rolls-Royce Phantom and a Mercedes Benz 450S as his official cars. If he had lived longer, I guess he probably would have been the first Nigerian to own a private jet.”

    However, the memoirist says: “… until my father died, 27 years into my earthly life, I never tasted the silver spoon nor the special privileges associated with children of a wealthy father.”

    “I never travelled abroad, never went on summer holidays nor attended elite schools … Most holidays, I was sweeping the floor in my father’s warehouse or working as a tally clerk in his clearing and forwarding company, and later, during secondary school and as a university undergraduate, as a clerk in the bank. My dad never believed in giving me pocket money. It was a concept that was alien to him, but only as far as it concerned me. He believed that I had to earn my keep. He made me open a passbook account, which he kept, and occasionally made me withdraw money for my siblings. This action of my father created the working hunger for money and survival all my life.”

    Following his father’s sudden death, the memoirist became Group Executive Director (GED) of the Henry Stephens Group. He said: “There was no money or liquidity, apart from bank facilities granted to him and his companies. The Fajemirokun ship was sitting on dry dock … In 1988, all the debts owed to the banks were fully repaid. However, the companies by this time had suffered untold hardship and pain. Many went under and the ones that remained were mere shells.”

    Fajemirokun said he “never used any of the documents to secure facilities from any bank.”

    The autobiographer admits that he benefited from his father’s “image and influence in society, including his very wide business and social network.” But, he says: “The story ends there.” He didn’t inherit riches.

    He asserts: “I have earned everything I own in life. My houses in prestigious locations in Nigeria, the UK, the USA and South Africa were all built or bought by me from my own labours. They were not inherited; neither were they in anyway proceeds from my late father’s estate.”

    How did the memoirist become so rich? A year and four months after his father’s death, “one sunny Wednesday afternoon, in  June 1979,” three Americans visited him in his office while he was GED of the Group. “It would be the turning point in my life,” he says. “The opportunity transformed me from a young man struggling to wrest my late father’s empire from the jaws of predators waiting in the wings, into a rich young man with lots of money to play with.”

    His transformation was magical.  Hear the memoirist: “They owned a telecommunications company – T-CAS Inc. (Telecommunications Consultancy and Services) – that had been engaged in some contracts with the Nigerian Ministry of Communications and its parastatal, Nigeria External Telecommunications (NET). They told me that they urgently needed a bridging loan of N50, 000. They had their money, running into millions of naira and dollars, tied up with NET and the ministry.

    I knew that this was my chance…  Without thinking of where and how I would raise the money, I looked at them and told them that I would give them the money with some conditions. Desperate men would do desperate things. They agreed.

    ‘’I told them the N50, 000 would represent my 51 per cent equity in their company and that I would be made Executive Chairman, to which they also agreed. I told them that we would also need to sign a Memorandum of Understanding (MoU). And they agreed. They were being owed millions of dollars and naira by NET and I knew that this was a big break that was coming to me.

    ‘’I now had to source the money. I went to Barclays Bank (now Union Bank Nigeria Plc) head office branch, Marina, Lagos, where I had my personal account… The manager was agreeable to my proposal for a facility of N50, 000. I took along the title of my undeveloped plot on Toyin Close through Opebi, Ikeja (which would later become Allen Avenue), which I intended to use as collateral … I did not have any other means of collateralisation because I owned no house or stock in any blue-chip company.  But, behold, two weeks later, the account was boasting $11m!  …I latched on to the hook line of T-CAS and became a ‘made’ man. Suddenly, I became rich beyond my wildest dreams and imagination and I was just 29 years old.”

    Fajemirokun’s entrepreneurial energy has taken him beyond his big breakthrough. He is a major player in key sectors of the economy, including insurance, telecommunications, oil & gas, agriculture, supply food chain and manufacturing. He has nurtured and invested in “best-in-class companies,” notably, American International Insurance Company (AIICO Plc.), Food Concepts & Entertainment Plc. (Owners of Chicken Republic), Xerox Nigeria, now XHS, Johnson Wax (A Johnsons & Johnsons company, makers of Baygon & Raid Insecticides), Kings Guards Securities Group Limited, which has more than 25,000 employees across the country, Logic Science Limited, FSS Gases Limited and Bluechip Communication Limited.  While writing the book, he was serving as Chairman or Director on the Board of “43 companies overall.”

    A first degree in Business Economics from the University of Ife equipped him for his “odyssey in business.”  “It was to Ife that I resumed in the summer of 1971. It was to be a momentous four years, because I had to repeat a class as a result of my behaviour and lackadaisical attitude to my studies,” he writes, adding: “In the course of my business life, I have had recourse to drawing on the education I received at Ife.”

    About five years ago, his “oldest childhood friend and confidant,” Tunde Jose, had prompted him to tell his own story in his own words. Other friends, associates and business partners also encouraged him to “put some of the ideas I have into writing because they say that many of my takes on business are not taught at the ‘Harvard Business School’ and that they would be of immense benefit to younger people who choose to go into my line of business, which is venture capital and ‘angel’ investment.”

    The memoir unveils the memoirist: His roots, his “positive deviance,” his early struggles, his friends and foes, his successes and failures, his strengths and weaknesses, his business and social involvements, his interactions with people in power, his family life and philosophy of life. With arresting forthrightness, Fajemirokun presents his life story as a testimony to the power of possibilities.

    Beyond characterising the author, the autobiography also has the character of a business textbook. It offers case studies of businesses that benefited from the memoirist’s Midas touch.  It can be described as the businessman’s companion, a useful reference book for business success.

    The memoir’s quality of believability helps the memoirist to achieve his main objective of clarifying how he made money. Ultimately,  Fajemirokun succeeds in illuminating the narrative of his prosperity.

  • Where the Lotus grows: A review

    I rarely write book reviews because that is not the focus of this column. Nevertheless, aside from inspiring people to live a limitless life, I also advocate that effective communication is essential for a successful life and career. Hence, it is always a delight to encourage people who are making their marks in communication. Today, I am pleased to introduce to you a fiction titled “Where the Lotus Grows”, the work of one of my promising students, Oyinkansola A. Ogunyinka.

    Among the most desirable elements of a good fiction are a good story, clear theme, vivid description and suspense. The book, “Where the Lotus Grows” is no doubt an example of a good book. The author’s fluid and conversational writing style makes it a natural page-turner. Considering how engaging the narrative is, it is not surprising that an intended cursory look will end up as a dedicated focus until the reader sees the story to its conclusion.

    In this captivating piece, the author introduced us to life-like characters that were not idealistic but realistic. Readers will not meet untouchable heroes but people who faced challenges that they will be able to relate with and who reacted in ways they probably would. The characters were not without super abilities, however, as they found strength in their humanity to rise above their challenges.

    Where the Lotus Grows is a story of what comes next when life deals unexpected blows. What more can precipitate a rude awakening than to lose the valuable elements of life and yet be forced to live through it, as in the cases of Taiwo and Karen in the novel? What more can make life take on a whole new meaning than to experience what can be likened to a nightmare, yet there is no waking up from it, because it is reality? The novel depicts how we tend to self-destruct when we pass through moments of pain and we push people away instead of drawing strength from fellowship with loved ones.

    The novel is also a story of the search for meaning, when suddenly one of the protagonists, Karen, discovered that the life she had always valued and revered was actually not what she thought it was. The realisation sent her on an adventure that would bring her in contact with another destiny that was in a search of his own. While one would have expected the collusion to be the resolution of the search by the characters, it only opened up another dimension of intrigue in the story.

    One of the most significant attributes of the story was how the author, like an expert story-teller, followed the experience of each character until there was a resolution that could make the reader emotional. The book Where the Lotus Grows is full of life lessons that I would love to recommend to everyone. Despite its intense moments, it is written with a unique light-heartedness and humour that makes it very entertaining.

    One of the greatest lessons we can learn is that life is made up of choices. While we face circumstances that are beyond our control, we can determine our reaction to them. A very simple reaction would be to give up or run away. Simple but costly; because the effect will always come back to hunt us. The more difficult but wise decision would be to wait and face them. Never run from problems because if you look over your shoulder, you will realise they are right behind you. The only way to have lasting peace is to deal with them.

    Thanks for reading my article today. I would really love to hear from you. So, do share your views with me by sending SMS to 07034737394, visiting www.olanreamodu.com and following me on twitter @lanreamodu. Remember, you are currently nothing compared to what you can become. This can be your year if you want it to be!

  • Promoting Africa’s culture

    Director, Jesuits Historical Institute in Africa (JHIA), Nairobi, Rev. Fr. John Okoria, has said that partnering major players in the African art and culture sector is one sure way the institute can provide researchers with publications that are not available in libraries and historical institutes in Europe and America.

    He stated that through such partnership, the institute was helping researchers from across the globe to access African records, especially publications that are not available in libraries or historical institutes outside Africa.

    Rev Fr. Okoria spoke on the forthcoming group art exhibition tagged African art, to be curated by Paris-based Nigerian curator Bose Fagbemi.

    The exhibition, which will run from November 9 to 30, at the Jesuit Historical Institute in Africa, Nairobi, Kenya, is a follow-up to Fagbemi’s first group exhibition, Art and Spirituality, held at St Ignatius House, Lagos in March 2017.

    According to the cleric, JHIA will include African arts in its goal and vision of collecting and preserving vital records on Africa.

    He noted that the exhibition fits well into the mission of the institute, adding that the vision of JHIA is to provide a cost-effective environment for the world to see and experience religious histories, cultures and traditions of the people of Africa and Madagascar.

    “Thus far, JHIA has managed to create an excellent environment capable of putting scholars in Africa on a par with others in the world. We are helping researchers from across the globe access African records, especially publications that are otherwise only available in libraries/historical institutes in Europe and America.

    “JHIA now wants to include African arts in the above goal and vision of collecting and preserving vital records on Africa.”

    Though this is the first time the institute is holding an exhibition of this magnitude, Fr. Okoria said the exhibition will help contribute to JHIA’s short-term goal of pursuing activities that will ground its vision. He stated that it would create more visibility for the work of JHIA and help build strong partnerships.

    “This exhibition is key, among our other activities, geared towards a sustained effort in the collection and preservation of African works,” he added.

    The exhibiting artists are Prof Moyo Okediji, Emmanuel Ekefrey, Tola Wewe, Abraham Uyovbisere, Duke Asidere, Zinno Orara, Sam Ebohon, Emmanuel Dudu and Ofuobuike Okudoh. Others are Moses Oghagbon, Achike Anayo, Pius Owolabi, Sophia Omons Igbinovia, Taye Oseiza Erewele, Adebimpe Owoyemi and Augustina Chinelo Obi. The exhibition is also a platform to promote a young up-coming Kenyan artist Victor Binge.

    For Fagbemi, there is no history without art because art defines how ancestors put down their stories and the way they lived. “So, given another opportunity to tell an African story, one of the best places is where history is being documented, which is Kenya,” she said.

    She disclosed that the participating artists were drawn from various movements and styles in Nigeria linked to ancient art, the Benin Kingdom, Ife (Yoruba), Igbo, Ibibio and the Niger Delta.

    “Though the works are all contemporary, but they are all statements, historical works that capture the history of art and time. Also, they are from the perspective of the influence of art studies from different institutions,” Fagbemi added.

    She recalled that Fr. Okoria had wanted her to promote African Art as part of their on-going programme at the institute. ‘For me, Kenya is also known for its diversity in art and culture, wildlife as well as politics with its role in history for producing the first African American president, Barack Obama,” she noted.