Category: Life – The Midweek Magazine

  • Stakeholder advises govt on tourism development, security

    Chairman Crystal Courts Hotel, Lagos, Prince Emmanuel Obi, has urged the Federal Government to focus more on developing the tourism sector, saying that tourism can only grow in a good operating environment where security and social amenities are available.

    Prince Obi stated that the inability of government to effectively address tourism challenges would truncate the growth of the hospitality businesses across states.

    Advising Nigeria to take a cue from Kenya, Obi pointed out that to achieve tourism growth, the government should be able to provide necessary social amenities such as good roads, security, electricity supply, tourism sites amongst others.

    According him, the industry should be able to afford guests places to go such as museums, landmark centers, beaches, which must be secured to assume full blown hospitality environment.

    He noted that for hospitality to thrive in the country, the environment must be made conducive enough, stressing that what Nigeria does presently is just to operate hotels, which has not attracted enough tourists and visitors.

    Obi who appealed to Lagos State’s Governor Babajide Sanwo-Olu to help harness Lagos State tourism potentials, said government should provide practitioners with incentives at all levels as indication of taking the sector serious.

    Read Also: UNWTO, Barca launch sports tourism contest

    He stated that growing the hospitality business depends on the impression on one’s mind, noting that the term is highly abused in the country mind.

    “We don’t really have hospitality in this country. Hospitality is not just about hotel”, he said.

    According to him, the tourism potential in this country is tremendous but has not been adequately harnessed.

    “Every nation of the world that is thriving in tourism would always have a museum of history, arts, monuments, libraries, landmarks, old building and these things make tourism tick. Eko Atlantic is the haven we have. Government should create synergy with private owners in making Eko Atlantic a haven for the visitors to see”.

    “The numbers of hotels on the streets in Nigeria have actually shrunk due to lack of patronage. So, there must be a definition while setting up a hotel. The visitors we have in this country are business men who came for conferences and seminars, they didn’t come to have fun,” he added.

    Narrating his experience, Obi said: “I believe in setting  up one and  make it work very well before going to the next one. My hotel is barely five years now but I have been in hospitality business for the past 24 years.

    “In a couple of years,  Crystal Courts Hotel shall be one of the leading hotels with  very comfortable brand as signature”, he promised.

  • Tribute to a philanthropist at 54

    He is a great leader, a lover of peace, philanthropist, believer of transparency and welfarism of his sub-ordinates. He does everything possible to improve life of the masses.

    These are some of the encomiums bestowed on the Corps Commander/CEO, Ogun State Traffic Compliance and Enforcement Corps (TRACE) Prince Abdulfatai Olaseni Ogunyemi, recently as he marked his 54th birthday at Abeokuta, his hometown.

    The programme featured prayers, visitations especially to the Palace of Alake of Egbaland l, Oba Adedotun Aremu Gbadebo to receive the royal father’s prayer while entertainment of guests took place at his compound in Ibara Housing Estate, Abeokuta.

    Alhaji Ogunyemi was born to one of the royal families in Abeokuta. He joined the race of campaigning and fighting against road traffic and crashes in Nigeria as far back as in the 70s. He joined Red Cross Society as a primary school pupil to assist accident victims in first aid treatment.

    This prompted him to join Federal Road Safety Corps (FRSC) at inception in 1987/1988 but opted out to acquire more knowledge in the field of Transport Studies in order to qualify as a core professional in road traffic management. He later had a stint as a lecturer in transport safety, planning and management before finally taking a career at the Lagos State Traffic Management Agency (LASTMA) in the year 2000/2001 as the Pioneer Head, Road Traffic Safety and Public Education.  But he joined Ogun State Civil Service on August 4, 2005 as pioneer acting General Director of Planning, Research and Statistics at TRACE.

    Ogunyemi has contributed so immensely to the TRACE operational and managerial structure and training of the pioneering staffs.

    He is the brain behind the Corps’ approved gazetted notice of various offence sheet tickets, the specified fines and charges as regulated in the repeal of 2006, 2009 and 2016 regulations.

    Ogunyemi brought the agency into limelight at the Global Road Safety Workshop organised by United Nations at the International Conference Centre in Ghana in November 2006.

    The transport consultant with over 25 years of experience had facilitated and presented several seminal papers on road safety and traffic management in various seminars or workshops within and outside the country.

    He was elevated to the position of Deputy Corps Commander on September 24, 2008, he rose to the post of Acting TRACE Corps Commander on April 1, 2015, the post he held for eight months before he was confirmed as the substantive career Corps Commander/Chief Executive Officer on November 30, 2015.

    Ogunyemi holds M.Sc Transport and B.Sc Accounting. In his enduring accomplishments he was a member of various professional bodies in Nigeria and abroad.  He had also received several awards of excellence in road traffic and safety management across the globe.

  • NCF hosts World Population Day

    With support from the Lagos State Government, the  Nigerian Conservation Foundation (NCF), in collaboration with Population Matters, a UK-based charity,will host this year’s World Population Day, with the theme Population and Sustainability in Nigeria and beyond. The event will hold on Thursday, July 11, at Lekki Conservation Foundation, Lekki Lagos by 9am.

    Director-General, Nigerian Conservation Foundation, Dr. Muhtari Aminu-Kano, said that the celebration is borne out of the foundation’s strong belief that unsustainable population is a global problem that must be addressed in both underdeveloped as well as developed world countries, where population   growth may be low.

    But he noted that the consumption and global environmental impact are high and in countries of the Global South where global impact is low but population growth may be high. “Therefore, the campaign is to achieve a sustainable human population, to protect the natural world and improve people’s lives.”

    “The aim of this event is to create awareness and generate public discuss that will address both global population and the impacts of growth in Nigeria; interfacing with stakeholders in examining local solutions; examining how Nigeria can contribute towards international policy initiatives to address unsustainable population.”

    Expected to speak at the event are, Lagos State Governor Mr. Babajide Sanwo-Olu;, Hon Federal Commissioner, National Population Commission Barrister Bimbola Salu-Hundeyin; Dr Aminu-Kano; Director, Population Matters, UK, Mr. Robin Maynard, CEO, Foundation for a Better Environment (FABE) Mrs. Temitope Okunnu, Permanent Secretary, Lagos State Ministry of the Environment Mr. Abiodun Bamgboye, and, Director Tourism, Lagos State Ministry of Culture and Tourism Mrs Flora Adamma Oni

    According to the United Nations, by 2050 the global population will be 9.7bn and the Nigerian population will be more than 400m. By the middle of the century, Nigeria will overtake the US as the world’s third most populous country. These figures are the UN’s main, medium variant, projections. With 95% certainty, it projects a global population in the range between 9.4 and 10.1 billion in 2050, and between 9.4 and 12.7 billion in 2100 (with a medium projection of 10.9bn).

  • ‘Invest in digital opportunities’

    Students and teachers have been charged to invest in digital careers and leverage the potentials they present. This advice was given by Mr. Abiola Mohammed, a facilitator at a two-day training workshop held by the Hope for Charity Organisation, an NGO that advocates  health, education and social justice.

    The workshop was held in partnership with the 1989 Alumni Association of Lagelu Grammar School, Ibadan, the Oyo State capital. Tagged Leveraging on the 21st century digital age, it was intended to orientate teachers and students alike on the current global trends that can be adopted to enhance teaching and learning.

    The first day of the workshop was held to expose the students to a multitude of opportunities that are available in the 21st century digital age.

    Read Also: ‘Digitalisation is future of banking’

    Mr. Siyanbola Adegoke, a facilitator of the Teacher’s Forum, which took place on the second day of the workshop, urged the teachers to be open to new trends so as to deliver effectively their duties. He pointed out the need to maintain a healthy Teacher-Student relationship as this will facilitate the attainment of their learning objectives. He also encouraged them to be innovative enough to adopt new learning styles that would suit the context of learning in the classroom. In his words “The world is evolving and so is teaching .It is important therefore to imbibe the qualities of a teacher in a 21st century classroom, some of which include collaborative thinking ,tech dexterity, problem solving, tenacity and a host of others.

    The teachers and students expressed their delight at attending such a productive forum. They however pledged to utilize effectively the new skills they have acquired in their future engagements

  • ‘Why we are building Benin Royal Museum’

    The Edo State Governor, Mr. Godwin Obaseki, has said the state government is collaborating with the Benin Monarch, Omo N’Oba N’Edo Uku Akpolokpolo, Oba Ewuare II, and other stakeholders to build a world-class royal museum to hold stolen artefacts from the Benin Kingdom. he stated that the museum will house the artefacts and make the state a destination of choice for tourists from across the globe.

    The governor disclosed this at a breakfast meeting with members of the Benin Dialogue Group (BDG), at Government House in Benin City, Edo State.

    Obaseki thanked members of the Benin Dialogue Group (BDG) for engaging with the state government on efforts to construct the Benin Royal Museum, adding that artworks from the Benin Kingdom have gained global recognition with potential to develop the state’s tourism sector.

    He said, “When you look at museums all over the world, there is one recurring thing. When you go to any African section of any museum in the world, in America, or elsewhere, you are likely to see a piece of artwork from the Benin Kingdom.”

    “What this tells you is that Edo State has the best representation of African arts globally. This singular opportunity we have can help us to foster and develop the creativity which has been part of us. That is the driving factor, and we believe that we can have such museums here at home of the same standard and quality so that people outside the world will not only come to see these things here but also appreciate the setting where these things were created several decades ago” Obaseki added.

    The Director, National Commission for Museums and Monuments, Edith Ekunke, expressed appreciation to Governor Obaseki for the efforts by his administration to reposition arts and culture in line with international best practices.

    She said, “If all state governors would emulate Governor Obaseki, I think we will be better than what we are now. I want to assure that whatsoever the state government wants, we will be ready to work together to see how we can establish a better museum in Edo State.”

  • Irede foundation, Nivea seek greater support for child-amputees

    The Irede Foundation (TIF) and Nivea have called on Nigerians to support children with disability by creating an enabling environment for them to access quality education.

    The two organisations made the call after the commemoration of the 2019 global limb awareness month and the ‘Out on a Limb’ annual awareness walk organised by the foundation.

    The annual walk, which was graced by Lagos State Governor Babajide Sanwo-Olu, had in attendance over 100 Lagosians across the state.

    In his remark, Governor Sanwo-Olu charged affluent Nigerians and companies to provide support for limbless children. “To build a better world, we all need to support one another. The Irede Foundation and Nivea Nigeria have demonstrated that together, we can all do more. I hope more companies and individuals can also join this social course”, he said.

    Mrs Crystal Chigbu, Executive Director of The Irede Foundation also commended Beiersdorf, manufacturer of Nivea for their support. “It’s amazing to see how much power we have and what we are able to achieve when we come together. Because you hopped not just one child but two children will be empowered with prosthetic limbs to live fully functional lives and rise above their disability”, she stated.

    “We are very happy with the campaign”, stated Godwin Harrison, Managing Director, Beiersdorf. “The total number of participants and the level of awareness generated gives us great hope. We are committed to ensuring that many amputated children get all necessary supports that will make them excel in life”.

    He said to raise mass awareness on the campaign, Nivea  organized a digital campaign – for every sensitisation video posted, the company donated the sum of ¦ 1000 to support limbless children. A total of ¦ 1,802,659 was raised from the campaign to provide two prosthetic limbs for two indigent children who have both lost a limb.

    The Nivea has since received commendations from many Nigerians for its unwavering support for socially disadvantaged children in the country.

  • Art Academy stirs photography revolution in Bariga

    Overlooking the lagoon sits a cottage theatre, which houses the Footprints of David Art Academy. It is almost masked by grasses along flood-prone Community Road, in Bariga, Lagos. For Seun Awobajo, the founder of the academy, Bariga community had been portrayed negatively for too long in the media. And to change the narrative, a massive photography exhibition by youths of Bariga is set to show the diverse talents behind the cameras.

    The exhibition with the theme, ‘Bariga Photo Festival 2019’, is the climax of an eight-month long photography workshop. Awobajo, who was born and raised in Bariga,  is one of the few socially committed artists from Bariga community that boasts of music icons such as King Sunny Ade, Queen Salawa, 9ice, Olamide, Cabasa, Ajasa, Tony Tertuilla and actor-director, Segun Adefila amongst others.

    According to Awobajo, the festival is a maiden edition organized in partnership with Canon. “Since February, we started the Bariga Photo School where we train youths on the art and act of photography. And we train 20 adults and 20 children every month on the art of photography for free. We are going to continue this training till October when we will hold an exhibition in celebration of Bariga Photo Festival’’.

    He also said that Canon, one of the leading camera brands in the world, sent in a team of six experts to train the young ones on different genres of photography.

    The three-day exhibition will hold from 24 to 26 October in Bariga, a community that boasts a very high concentration of theatre art practitioners in Africa.

    “Three out of five streets in Bariga have a cultural troupe,” Awobajo claimed.

    Since 2005, Awobajo has been picking children off the streets of Bariga to enrol for free art classes and take part in creative development programmes.

    Many of the children go fishing for a living. The people in the community are unable to access good roads and when it rains, they sit at home to avoid the floods.

    “Today, we now have this space which serves multiple functions. It is a free school for over 207 children with 16 staff teachers. In the evening, we use the building for theatre performances and we also train children,” he said.

    The photo festival targets 600 youths and the best of which will showcase their works at the exhibition. These works will be installed in major spots in Bariga and other parts of Lagos.

    “We also extend adult edition classes to parents. We have a compulsory monthly PTA meeting which sometimes features seminar or training. We partner some lecturers at University of Lagos to hold some of these classes. It is a big movement and we try to solve problems. Every Saturday, there is a mandatory session for mothers and we call it The Gbe bodi e team” where we do aerobics for a minimum of 30 mins.

  • Indigo Reimagined: Dyed clothing beyond fashion

    Imagine clothing beyond body covering. Imagine the traditional dyeing system beyond fashion as a work of art. Enter the world of Peju Layiwola’s Indigo Reimagined running at the J.F Ade Ajayi Auditorium Gallery, University of Lagos (UNILAG) till July 30. Enter into an unsung “outer space” whose universe is Indigo. In this chat with EVELYN OSAGIE, the Professor of Art History and Head of UNILAG Creative Arts Department, speaks on her voyage into exhibition.  

    Conceptualising Indigo Reimagined

    It took me quite some time to put it together. But this work is more about the conceptualisation. For a very long time, I have been thinking about our clothing and indigenous fabric production systems beyond just fashion, but as an art. My exhibition in South Africa was about the South African “Social Cloth” and how it fits into the colonial history. But for this one, I was thinking about working with different layers of cloth.

    Coming to Ibadan in 1989, when I did my Masters, I began to look at cloth that comes from my father’s lineage. He is from Idumagbo, Lagos. I also got married to my husband, who is from Iseyin, which is also known as a weaving centre. As shown in my exhibition, I set out to explore the trajectory of Yoruba textile production, with different emphasis on adire, kijipa, aso oke and sanyan from pre-colonial times to the present. So, since 1989, I‘ve been collecting fabrics in Ibadan and just keeping them, not knowing what to do with them. The spark came when I thought of moving from an emotive topic of art pillage after my exhibition in 2010 to something less emotive and more flowery, like clothing and textile; and things that talk about dressing.

     

    Indigo Reimagined, more than dressing

    I thought of exploring it in ways that would expand the horizon of cloth and take it away from the domain of craft into a more scholarly one that engages with theory and the use of different materials. This exhibition is about cloth, yet it is not solely on cloth. It is only one work in the exhibition that is entirely made of cloth. So being able to engage cloth with other media expands the depth – meaning of  cloth. “Cloth” goes beyond mere covering of the body; it also reveals the philosophy of a people. A Yoruba adage Eniyan laso mi  likens people to a cloth..  People are seen  as a  protection and  (covering) in one’s life. Beyond the meaning and materiality of cloth  I have through this exhibition looked at the processes involved in the extraction of blue dye from green leaves and the complex processes of of creating the lye used to dissolve insoluble dye.  This exhibition also celebrates the ingenuity of women involved in this indigenous knowledge system and brings it to the fore, particularly at a time that we are jettisoning our textile culture in favour of Western fabrics and fashion. Indigo was not simply adye, it was used as a palliative for stomach pain. It was used to paint houses to protect the inhabitants from  plagues. The colour blue also appeared on crevices of Yoruba sculptures. Indeed blue was a sacred colour. I argue through my work that the stencils and templates used for fabric design bear the same patterns that appear on the cloth. They do not make their way to the market like cloth, but  remain in the artists’ atelier.  These templates bear the mark of the artists and are, therefore, as valid as cloth itself and so are celebrated as art.

    Stamping History (2018-2019) talks about our contemporary history: for example, it shows the depth of designs carved by local artisans for the textile market in Lagos and other southwestern states. In many ways, Stamping History which comprising well over 2000 foam stamps reveals the designs used for printing cloth in the last 30 years. It shows the classical indigo adire patterns much as it reflects the changes in society with the inclusion of designs from new media and popular culture.  Indeed, it bridges several generations. It is interesting to note that textile designers are not just those who create taste, vogue and style but those who actually carve the design/templates, determine the direction of patterns and tastes. Yet these artists oftentimes are not known or celebrated. Through the addition of my own collection of fabrics, I have brought in lots of personal stories which connects with our collective history; thereby teaching the younger ones about our rich African culture; to my students to allow them think outside the box and  see art in multifaceted ways. By this I hope to broaden their scope beyond simply making five yards of fabric but to complicate textile and fabric design in ways that elevate the art and make it worthy of local and global attention.

     

    Cotton printing and my passion for Ibadan

    Although it is difficult to say how many works on display because one work could have eight components, but each component is historically rich. An example is the multidimensional fabric installation is entitled Oje Market Day (2018-2019). Oje Market is a market in Ibadan. It was the international market for the sale of Indigo in West Africa.  The city  is very dear to my heart. It’s a place I raised my family and I also studied at the University of Ibadan. It is home to me.

    Oje Market opens every 17 days; and you can get very good hand woven cloth such as aso oke there. The work refers to the connection between the local and international market in the trade in fabrics.

    Towards the end of the 19th Century, British firms were established in Nigeria, such as John Holt, UAC and Lever Brothers. In 1891, the British Colonial Assistant Secretary, Alvan Milson observed that the  Yoruba people loved to appear very well dressed in public. He also felt that the British government could make a lot of money through the exportation of fabrics to Nigeria. So he contacted the Manchester Chamber of Commerce who began exporting cotton to Nigeria. Between 1895 and 1920, the volume of trade in British cotton in Nigeria had grown from £200,000 pounds to over £6million. So local textile designers who have been dyeing and producing indigenous woven cloth transferred their creative sensibilities to working on imported  cotton. So the cotton material became a new canvas for them and they extended their design ideas, such as the Adire patterns, which have survived till date. These patterns have been used and explored by artist as I have done in this exhibition.

    Oje Market is located in Ibadan and we are reminded of JP Clark’s five lines poem, Ibadan which refers to the brown roofs of the houses. I have reflected this aspect of the city in one of my installation, alluding to his poem in the use of browns, yellow ochre and maroon colours in this installation. Other variations of colour refer to the huge importation of fabrics into Nigeria,  a country known for its history of woven fabrics such as the Benin cloth in the 13th century which was well sought after by Europeans.  We have long jettisoned this strong tradition for importation of foreign goods. The work started and ended with Indigo cloth in the the installation showing that indigo is like a fad that keeps coming and going; and also to celebrate the artists who have really propagated this aspect of our culture, like Nike Davies-Okundaye. Others like Akinwunmi Ishola, Adebayo Faleti, Dele Jegede and Niyi Osundare have elevated the cloth by wearing it as a form of identity.

     

    Indigo and funding matters

    I didn’t think about funding until I started the work. It is quite expensive. A lot of my personal money has gone into it. But it is something that I believe very much in, so I will go to any length to get it done. I believe an exhibition is about showing what you can do, and there are a lot of possibilities in that. But the University of Lagos (UNILAG) has been very supportive. This is my sixth solo exhibition. The fourth and the fifth were held in this same space and were largely funded by the University of Lagos central research grant. Yes, there is a lot more I would have done if I had a better funding, but this is a starting point and I hope to explore other possibilities.

     

    My marriage of the Town and Gown through Wy Art

    In my own small way through the Women and Youth Art Foundation (Wy Art), I have done quite a bit in that regard. In 2017, I got a United States Consulate grant for a project that brought artisans, university students and secondary schools’ together to and taught them various aspects of the tie and dye and batik. The success of the project won us the United States Alumni Exchange Award. What we did was to put the three groups of people together – the local craftsmen who are domicile around the centre in Akerele, Surulere, University students who improve on pedagogical their skills and secondary school pupils who have knowledge of this art. The idea was for them to exchange knowledge.

    And the students, particularly those in the university, were able to learn new things and pass on their knowledge to local craftsmen who were trained in local ways. And the biggest beneficiaries of this experience were the pupils. So that model was great and it worked.

    But I must add that I think that the structures in the market places are great. People already know these skills, what they don’t have is that the government opens its doors to importation, and once you import en masse, you kill the cottage industry and economy of the country. 99.9 per cent of what is done in the local fabric market, like Itoku, is imported. So when you talk about Ankara, you are feeding the Chinese government. So all the textile that we have in the country, no one is produced here. And this is a tradition that began in the 11th and 12th century. When we were weaving, we had 31 million yards of materials that was used in Southwest, Nigeria – and out of the 31 million, 30 million were indigenous fabrics. The local market could cater for the taste of the demand of people. But today, all the materials we have, which are also of low quality, are imported. So instead of importing and wasting foreign reserve, we have to athink of how we can develop our cottage industries: develop this skill that was passed on to us, and bring them to the fore so that they can serve us. We are deceiving ourselves that we have a textile industry, which we do not have.

    Government should look into resuscitating the textile industries that have closed up, especially in Kaduna, some of which were using indigenous cotton to make their fabric. But they had to fold up because they had to depend on products outside. Even the yarns used for producing aso oke and others came from outside and are very weak. The old yarns we had in Nigeria were made from our cotton made the firms we had in Nigeria. But most of what we have now are from outside – the yarns, the colours and dyes are all foreign.

    And farming is very important to sustaining the  boisterous resuscitation of our cottage industry. One of my installation is the “Sewing machine”. When the large number of cotton fabrics was brought into Nigeria, most people left farms to become tailors ato meet with the demand for Iro and Buba, Agbada and others. They left the farm and began to do this new business. That is what happens when skill and tradition is truncated like we find in the case of cloth in Nigeria.

     

  • Life and times of Nanna Olomu

    Nanna Olomu’s operational base was Ebrohimi, which his father founded about 1860 on leaving the ancestral  base at Jakpa when he felt unable again to endure his disenchantment with life in Jakpa, which was dominated by Governor Idiare, his cousin. Ebrohimi was founded by Nanna’s father, Olomu. It was built like most Itsekiri towns in a reclaimed site after clearing away all mangroves trees.

    In this atmosphere of a rich inheritance, noble birth, position, immense wealth, power and pervading influence, from Ebrohimi, Nanna Olomu launched himself into his future that was to immortalise him. Here, Nanna with care and persistence, built, spread and consolidated into vast commercial empire to the adjoining Itsekiri nations and hinterland of the Urhobo by trade, force, pacification and diplomacy.

        

    His birth and early days

    (1840-1916)

    The Itsekiri society of the 19th Century was a glittering, noble and affluent one, having enriched itself, its institutions and culture, with a well harnessed harvest of its earlier contact with the Europeans missionaries and traders.

    Nanna was born into the sophisticated well manned society about 1840 with a silver spoon in his mouth to Olomu.

    Nanna had patrilineal and matrilineal connections in both Itsekiri gentry and its nobility respectively. His father Olomu, was the 10th Olu of Warri, who reigned from 1674-1701. His grandmother, Iweroko, a lady of substance and virtue, was one of the two daughters among the 10 children of Ologbotsere Eyinmi Sanren of Egjorogbin quarters in Ode-Itsekiri.

    Nanna was of the 106 children (53 male and 53 females, 59 wives), himself was a polygamist and 40 children (26 sons and 14 daughters) the last of his children, a daughter, Dora Melise was born in August 1914, eight years to the day Nanna set his foot on Koko soil from 12 years of exile from his beloved land, two years in Calabar and 10years in Accra.

     

    Nanna’s mantle of leadership

    The young Nanna spent some years at the foot stool of his grandmother, Iweroko. He quickly exhibited noticeable signs of his genius, character, and enterprise. His father, noticing these sterling qualities himself, soon drafted him to serve in his war – canoe, first as a paddler and later as one of his own body guards.

    He helped his father during his many wars against other small and great unfriendly chiefs. His performances during the Eku war, he was promoted to a commander and was given his own war canoe. During the Eku war, his father made him commander general from 1872 until his father’s death in 1883 he held this exalted position of protector that is deputy to his father.

    The mantle of leadership of the Itesekiri fell on Nanna on 1884 after the demise of his father, Olomu, without any effective or strong opposition from his peers in the land, his appointment was accepted and confirmed by the British (Gofune) of the Benin River of the Bight of Benin.

    In 1885 Nanna was installed into the consul area by her Majesty, David Boyle Blair. At the ceremony, the silver headed stick embossed with the British royal coat of arms, which was the symbol of authority, was handed over to Nanna.

    In the aftermath of the collision course between Nanna and the British arrogant British consul named George Annestey, broke his staff into two and threw one half of it into the Benin River. Reason been that he had been in the Benin River for seven days and ignored by Nanna by committing the diplomatic snobbery of not paying him his respect as Governor of Benin River.

    So, from that incident in 1890 and in spite of Nanna’s protest to the marquis of Salisbury, a senior British foreign official, he lost his position as a governor of Benin River, only holding on it as an Itsekiri institutions to which in the first place, he had been appointed by the Itsekiri. The establishment in 1891 by the British government of the Niger coast protectorate government, covering most of the area along the Bights of Benin (Nanna’s trading empire), Nanna’s greatness and dominance in the area, British imperialism had arrived and was being entrenched.

    Prior to these incidents (which closed a memorable chapter in Itsekiri history), Nanna had performed his duties as Governor of Benin River highly creditably. His father was the wealthiest, most powerful and most influential merchant chief in Itsekiri land. Nanna inherited his entire father’s fortunes large, expensive, commercial empire, worked assiduously to harness, multiply and maximise them.

    He was not his father’s eldest son, but he had been strongly built up by his father that all his elder brothers accepted his new leadership role.

    Also Read: About ‘the great’ Nanna Olomu

    The Ebrohimi War of 1894

    The imminent war between the British and Nanna soon dawned. It all started firstly, in a lower scale with the creation of the Niger Coast Protectorate in 1891, whose authority embraced most of the areas along the Bights of Benin and Biafra. The arrangement was to impose direct British rule over the Delta territory and therefore, remove the power from the African chiefs in the area, including Nanna.

    Subsequently, on this development, some of the European traders, especially James Pinnock, the Miller Brothers among others, gave more injury to their subsisting hatred of Nanna’s commercial power and wrote several orchestrated petitions to the Liverpool Chamber of Commerce to dig in firmly with its new policy to penetrate into the hinterland beyond Nanna’s trading areas through the establishment of their own trade links through constabulary stations and vice consulates.

    Due to Nanna’s resistance of the British government role of exploitation of the Niger Delta area, the British planned to fight Nanna, to remove him, first found distant, but direct relations in faraway places. First, the British troops sacked and burnt down the town of Bobbi on the right bank of the Benin River where an Ijaw, Chief Deah, one of Nanna’s loyal supporters, dared to resist them. Nanna’s supply town on the Warri River, was destroyed, but not without some strong resistance put up by Nanna’s men there. All these skirmishes took place in the first two weeks of August 1894. The hand writing was clearly visible on the wall and Nanna immediately prepared the defense of his town, Ebrohimi.

    Available records revealed that it was a full scale war waged on Ebrohimi from three fronts left, centre and right with clearly written out instructions and orders and command under the directions of Real-Admiral Bedford. The Ebrohimi war started effectively in the early morning of August 26, 1894.

    The war dragged on for three months. Ebrohimi finally fell to the British after the strong resistance by Nanna and his men to defend his father land.

    At 9:00 am on September 25, 1894, Ebrohimi was raided, burnt down and that marked the fall of Ebrohimi in the war between Nanna/the British in 1894.

    Nanna, of course, had dispersed his family in different escape directions while he escaped in his loaded canoe through a secret carnal at the back of the town, which opened in to the nearby Adagbrassa creek. When the abandoned canoe was found by invading force on the morning of September 28, 1894 it only contained Nanna’s paper and documents. Nanna had out-smarted them and escaped to the Ijaw of Ekotogbo, heading Lagos. They caught up with some of his war generals, including his younger brothers, who were arrested, later tried and sentence to various forms of punishment.

    As for Nanna himself, he managed to get to Lagos and went straight to the house of his Yoruba friend of many years. Mr. Seidu Olowu. Ralph Moor returned with flaming vengeance to Ebrohimi on October 8, 1894 and caused the whole town and what was left of it to be burnt. Moor had issued a proclamation declaring Nanna a wanted man and put a heavy price of five hundred pounds sterling on his head for his recapture.

    Mr. Seidu Olowu temporarily rehabilitated the now fugitive Nanna and his fellow escapees and then wrote a petition for clemency on behalf of Nanna to the Governor of Lagos Colony.

    Nanna later established contact with his English bosom friend of many years. Mr. George William Neville. Neville was the founder Manager of the Bank of British West African (BBWA) in that same 1894 in Lagos. The bank later metamorphosed into First Bank of Nigeria Plc, which was co-founded by Nanna.

    So, the great and renowned Nanna, Governor of Benin River and Merchant prince of the Niger, now defeated and completely humiliated by all his foes, found himself in another life. As the Governor of Lagos had no jurisdiction, according to the British administrative arrangements and law in force to try him, he was handed over to the British consular court with headquarters in old Calabar.

    On his way from Lagos to Calabar, the boat stopped briefly in Benin River on November 8, 1894 for Nanna to pass through an identification parade, Itsekiris were stummed and deeply heartbroken to see their hero broken, un-kept and in chains, many were in tears, shaking their heads in sorrow.

    Nanna was later charged for waging a war to fight the Government of her Majesty the Queen, in the Niger Coast Protectorate so as to avoid complying with the terms of treaty of July 16, 1884, that he obstructed British Consular officers in the discharge of their duties, that he committed a breach of the peace in the Benin District of the Niger Coast Protectorate.

    Unfortunately, no legal defense required by the British law was provided for Nanna in this trial, which was nothing near fair or just. Nanna was found guilty, he was first detained there in old Calabar prison and two years later on the investigation of Ralph Moor, who still thought that he had not got his full pounds of flesh, Nanna was deported further away from home to Accra, capital of the then old Gold Coast to Christian Bong Castle, for life.

     

    Effects of Nanna’s fall

    And so Nanna, the Giant Iroko tree, fell just like especially, King Jaja of Opobo, who was only seven years earlier been similarly banished by the British. The Itsekiris broke up into two camps as Nanna was very popular among them. When his properties were offered for sale, they refused to buy them. A lot had been looted long before now. Peace eluded Itsekiri land for a long time after Nanna’s departure from the scene. In 1897, a civil war threatened the whole of the Benin River area, social and societal attendant confusions were felt even in non Itsekiri areas, prominent among them being the forcible entry into Benin City, against the Oba’s wishes, of acting Consul-General Philips, which resulted into the Benin massacre and expedition of 1897.

    The effects of Nanna’s fall without argument, hit the Olomu and Nanna families. It was an ugly tragedy of the century. Nanna’s own immediate family never returned to settle again in Ebrohimi after the total destruction of the land.

     

    Nanna in exile in Accra

    Nanna began the second period of his exile from home in 1896 in Accra, capital of the old Gold Coast. Nanna lived a quiet, but more determined life in Accra, never allowed his circumstances to affect him. His bosom friend, George Neville, at this point upon his return to England on retirement in 1899, kept close contact with Nanna in Accra.

    Together with Nanna, himself and his friends they wrote petitions for clemency for the release of Nanna to the colonial office, with lobbies and committees of the Liverpool Chamber of Commerce, host of other groups. All his goods and properties had been sold, confisticated, with part of the proceed by the British government to settle for the costs of the Ebrohimi/British War. Nanna, undaunted,  carried on with his life well, his wife, Mammie, whom he took with him to exile, had three children for him in Accra.

    An enlightened man, Nanna sooner than expected, thought about giving his children education. In 1900, he sent for 12 of his children and nephews, who were 10years and above to join him in Accra for specific purpose, Western Education. He also encouraged them in skill and technical development, especially Carpentry. While in Accra, Nanna embraced Christianity and one of his sons was also baptised.

     

    Nanna’s return home (Koko)

    When it was very clear that he was going to be pardoned and released to return home, Nanna dispatched messages to all his relatives back home in Nigeria to assemble and make preparations for the big return. There was jubilation in the land of Itsekiri, the Urhobo clans of Agbarho, Agbon and Effurun were equally in high spirit to receive him.

    Delegates came from almost all families and communities in Itsekiri land to welcome Nanna back home from exile. Gifts of cow and bulls were delivered to him as part of the welcome. Many slaves freed by the British returned to live with him and serve him upon his return.

    The large ground to welcome him was triggered off triumphantly early that morning on August 8, 1906. New America, as Koko was known then, was not developed and populous as it is today.

    After Nanna had settled down, he began to plan and build the town around one mile square piece of land surveyed and mapped out forms of settlement. With his craftsmen sons, relative and others, he began in 1907 the direct labour construction of his own residence, which was then known as Nanna’s palace, today taken over as Nanna’s Living History Museum, Koko.

    • Onime is Curator, Nanna Living History Museum, Koko.

     

     

     

     

     

     

    Onime

     

     

    Nanna recaptured the memory of Ebrohimi in his new town; the palace was completed in 1910 on precompacted soil in a manner befitting his status of a wealthy and influential Itsekiri man, who is the head of a large and growing family. He is reported to have dedicated it to his father, Olomu, as a replica of his house destroyed in the British/Nanna Ebrohimi War of 1894.

    Nanna’s palace is approached by long, straight, well compacted and wide, well kept road at the top of which it stands majestically, reviving and ensuring the survival of Ebrohimi. Nanna encouraged his children and relatives to build their own residences on both sides of the wide road observing a definite well recessed building.

    One remarkable aspect of Nanna’s palace is that it was built with local materials loamy soil mud, good quality mangrove posts. The original building has gone through some restorative and preservative work. The thatched roof, for example was changed to corrugated iron sheets in 1929. The Nanna palace became a National Monument in 1979, but was officially declared a National Commission for Museums and Monuments on  September 2, 1990.

    It is authoritatively said that among Nanna contemporaries, like Jaja of Opobo, Kosoko of Lagos, Oba Ovonranwen of Benin, Atahiru of Sokoto etc., only Nanna’s treasures, artifacts and documents are intact in one piece. Also, while others never had the opportunity to return home or released to die and be buried at home, Nanna was the only one, who went into detention, released and gloriously died and buried in his land in 1916.

    Onime is Curator, Nanna Living History Museum, Koko.

  • Great deeds versus great events

    Have you ever expected so much from something but when you finally got it, the satisfaction was not there? Have you ever loved the advertisement of a product but your experience of using that product was not favourable? Maybe you have held someone in high esteem, but after a close contact, you were left disappointed? All of these are symptoms of the same problem- overrated packaging. We work so hard to create an impression that we neglect to build a reputation.  Take note of the word “build” because it implies a process of developing something from a foundation.

    Glamour seems to have become the definition of success; so, a less glamourous activity is considered less successful. When you meet a friend you haven’t seen in ages, you spend the first few minutes assessing each other to determine who is more successful. You compare your jobs, cars, families, etc.

    One of the reasons people think they are not making progress or that they are not successful is that they focus on great events instead of great deeds. Great events are characterized by crowds and glamour and they involve public displays. On the other hand, great deeds are valuable contributions made without deliberate need for publicity. Great deeds can even be done in secret and to a single person. Many people want to be celebrated, but not everyone that is celebrated deserves it. Here are a few differences between great deeds and great events:

    1. Great events without great deeds are but a mirage, but great deeds always result in great events. Burj Khalifa is reputed to be the tallest building in the world; standing at 2, 722 ft. The building has 163 floors and has won not less than 17 awards with respect to its height. The design of its fountain system cost Dh 800 million (US$217 million), which is illuminated by 6,600 lights and 50 coloured projectors. The official launch ceremony featured 10,000 fireworks, with light beams projected on the building. That was a great event! But do you know that several great deeds went into the building, that were less glamourous? There were several bits here and there such as plumbing, electrical fittings etc. But let’s talk about the foundation. While I will not go into the technical details, over 58, 900 cu yd of concrete, weighing over 120, 000 short tons were used in constructing the concrete and steel foundation. The construction took about 22 million man-hours. That, I believe, is the great deed. As we celebrate the building, we are quick to forget the foundation, without which the building cannot stand. Invest in great deeds and your great events will be guaranteed.
    2. If you focus on the multitude, you will miss the individuals; yet, every multitude is a collection of individuals. Imagine a great shop that has thousands of customers; a lot of efforts must have been put into making it that great. Now imagine that a new manager is appointed who is unpleasant to customers. In his mind, he thinks there are several customers, but once a customer leaves due to dissatisfaction, then another one will leave, then the next, until the business closes up. Treat multitudes as one person and one person as a multitude. Your niceness to one customer (a great deed) may save your business (a great event). When great deeds are sacrificed for great events, you will stand before a crowd and be celebrated by paparazzi, but be condemned by individuals who know you.

    Thanks for reading my article today. I would really love to hear from you. So, do share your views with me by sending SMS to 07034737394, visiting www.olanreamodu.com and following me on twitter @lanreamodu. Remember, you are currently nothing compared to what you can become. This can be your year if you want it to be!