Category: Life – The Midweek Magazine

  • U.S. Consulate, AFRIFF host Nigerian premiere of BlackkKlansman

    United States Consulate General, Lagos in collaboration with the Africa International Film Festival (AFRIFF) hosted the Nigerian première of Spike Lee’s film BlacKkKlansman. The movie stars John David Washington, son of Academy Award winner Denzel Washington, and Adam Driver.

    The movie chronicles the true story of an African-American police detective named Ron Stallworth, who, in 1978, launched an investigation into the local chapter of the Ku Klux Klan (KKK) in Colorado Springs.

    Guests at the première held at the FilmHouse Cinema, Twin Waters on Victoria Island, included leaders in business, civil society, media and government as well as Nollywood celebrities.

    United States Consul General F. John Bray noted that the U.S. has come a long way in its fight against racism.  “This movie is making a statement about that because it makes you reflect and look at the problem.”

    The Consul General also used the opportunity to advocate for similar reflection by Nigerians as they prepare for the upcoming elections. “We are looking forward to a free, fair, credible, and non-violent election in the coming year,” he said.

    As part of the ongoing Africa International Film Festival, the U.S. Mission on Thursday co-hosted the screening of “Balancing the Scales,” a documentary film about women lawyers in the United States.  The screening was hosted at the Genesis Cinema, Lekki.

    At the event attended by over 110 mid-career and senior-level female lawyers, U.S. Embassy Counselor for Public Affairs, ArunaAmirthanayagam, delivered remarks underscoring the importance of having women in leadership positions in the private and public sectors of the economy. “Promoting women to top positions is good for both society and for firms’ bottom lines,” he noted.

    The U.S. Mission in Nigeria is one of the major sponsors of the recently concluded Africa International Film Festival.   AFRIFF, an annual showcase of the world of filmmaking, with participation from local and international actors, directors, film critics, buyers, distributors, visual artists, film students, and equipment manufacturers, was held from November 11 to 17.

  • Bar Beach Ghosts evokes nostalgia

    With the disappearance of picnicking and leisure activities at the Bar Beach, replaced with Eko Atlantic City, a young photographer, Mr Ade Adekola, is bringing back those memories in a collection of illustrative images.

    Tagged Bar Beach Ghosts, the solo exhibition is holding at Gallery B57, on Bishop Oluwole, Victoria Island, Lagos.

    Captivating colours of over 10 illustrative pictures provided access to moments of nostalgia,which giveviewers the access to Bar Beach mood of the old.

    Adekola said the exhibition is to stimulate a discourse on Bar Beach using illustrative photography as medium. The award winning Architect turned conceptual artist who spent several years at Silicon Valley, said he returned to Nigeria in 2005 to bring to the Nigerian space the digital transformation of photography. On the philosophy behind the exhibition and his art in general Adekola said: “I believe art is revolutionary and it can bring chain reactions and desired change we need.  I want someone to be touched by this exhibition and the person can go out there, touch another and a multiplication of such reactions will create a chain reaction that will bring positive change”.

    Recalling his experiences as a child growing up in Lagos and visiting the Bar Beach, he said that those experiences and mood are no longer there at the beach.  According to him, “Bar Beach had a long history, which was truncated by the recent development of a new city on its sandy shores. When I was growing up as a child, it was the primary beach for picnicking and leisure activities.

     

    “Bar Beach represents a cultural legacy to may Lagosians. Anyone born in Lagos over the last 100 years was intimately familiar with the beach, in my childhood the whole family would spend weekends there. So it was, bar beach slowly died and gave up its ghosts. It is the memories of old that I have recreated in this series and I aptly term them the Ghosts of bar beach,” he said.

    Art collector Mr Destiny Isiguzo who was at the exhibition agrees with the effect the photos created. He said ‘the true sense of this is that I felt nostalgic and also it brought up issue of class and hierarchy in the society. Bar beach has been secluded and exclusively reserved for the rich. We need to examine this kind of development so we don’t keep dispossessing the poor”.

  • Sax 4 Praise holds Sunday

    Sax 4 Praise an annual gathering of talented gospel saxophonists who praise God with their instruments will hold their show tomorrow Sunday at the Living Assurance Evangelical Mission 4,Aderibigbe St, Raoni Bus Stop, off Ibeshe Road, Ikorodu, Lagos.

    This year’s edition is the 7th of the series, which is organised by a talented saxophonist Tunji Oyeyemi of Tunji Praise Ministry.  The show will feature arrays of stars such as the convener  Ola Sax, Okpanachi Daniel, Evangelist Precious, Temiloluwa Adewoyin among others.

     

  • Motions and Emotions: a new vanguard of hope

    It is common knowledge these days that many Nigerians are unhappy with the state of the nation. Times are hard, they say, and they are also not only losing hope for today, but also for a better tomorrow. However, to a young Nigerian artist and lecturer at the Creative Arts Department, University of Lagos, Mr. Bolaji Ogunwo, there is light at the end of the tunnel.

    Ogunwo expressed his inner feelings and conviction (a very patriotic one for that matter) about Nigeria of today and the future in no fewer than 58 paintings.

    They are  featuring in his solo exhibition: Motions and Emotions that opened last Saturday at Nike Art Gallery, Lekki, Lagos.

    The exhibition, which is a commemorative show to mark his 40th birthday anniversary as well as homage to Nigeria at 58, is a journey into a new Nigeria he wishes to see. It features paintings of diverse subjects and media ranging from oil to acrylic and mixed media that address economic and socio-political trajectory of Nigeria.

    His collection includes Arise of compatriot, Victory ahead, Breaking news, How did we get here? and Where do we go from here?

    Some of his paintings examine trendy issues and perceptions people hold about Nigeria and its survival. Despite the pessimism, Ogunwo believes that his exhibition is capable of stimulating a positive contagious optimism among Nigerians. Instructively, Motions and Emotions is a visual narratives interrogating Nigeria’s contemporary socio-economic and political trajectory.

    According to the artist, the exhibition also underscores the common place actions and reactions towards current democratic architecture. His repertoire seeks to stimulate a discourse and hopefully find answers to the questions often asked: How did we get here? And Where do we go from here?

    “As a creative seer, I am still living the hope of better times than this, I strongly believe that at the end, all will be well, since it does not seem well presently. Invariably, this is not the end. As enshrined in our national anthem, there lies a great and lofty height to attain where justice and peace shall reign, “ he said. And through his lens, he perceives a ray of hope shining through and leading to a place called ‘there’

    Also, the art lecturer has added a new dimension to his exhibition package by documenting reactions of 130 artists, scholars and critics about the theme of his exhibition in a coffee table book format. The special brochure is a kind of interrogation of a new Nigeria that is possible, especially at a time many Nigerians are leaving the country for greener pastures. Notwithstanding his strong optimistic about Nigeria, Ogunwo’s paintings are subtle illustrative representation of such feelings. He is not confrontational in his visual representation, yet impactful. For instance, one of Ogunwo’s paintings on restructuring shows a little girl arranging a toy with an innocent mind. This, in a way, is his response to the calls for restructuring.

    “At 50, I want to see a better Nigeria, where I can walk around Lagos at 2am without fear, where Naira would have better value and our roads are in better conditions. People may not understand the paintings now, but it is an enduring medium chronicling the events for posterity. At the opening, ten percent may go away with the optimism, and the change can come later,” he said. Motions and Emotions is curated by Ekire Ita Inyang, and will run till Saturday at Nike Art Gallery, Lekki Lagos. Inyang said that for the artist to draw his theme from national issues, shows him as historian.

     

  • ‘Arts, education create fun’

    Child development advocate and founder Delightsome Land School, Victoria Island, Lagos, Tayo Olanrewaju has said that the synergy between arts and education creates fun. She expressed shock on how overtime fun has been taken out of arts and education.

    According to her, most people associate the system that promotes learning for self and social development to mean difficulty, sweat and tears. “But to me, arts and education should be fun. It depends on your perspective,” she added.

    Olanrewaju stressed that she is in support of arts in synergy with education, self-development and societal upliftment likeother profession. She however expressed worry that the drudgery we have replaced fun with is not serving its purpose.

    “Learning is fun. I mean human beings have a natural curious element that makes us want to know new things. But, somehow we are forgetting to want to learn new things that will make us better as a whole. We choose to learn new things that have no meaning. Human beings would not be fulfilled remaining at the same level of knowledge all the time. We want to know new things. It’s all about perspective. It’s about vision. What are we looking at? Who are we trying to become, and to what purpose?”

    She disclosed that she is working on a few projects to promote her passion for arts education and child development. But, she is keeping details close to her chest until the time is right.”The problem is near endemic and something must be done about the future of our children and our nation. Someone has got to do it. I may be the one to start the fire that will grow and engulf the whole forest,” she added.

  • ‘Culture can change Nigeria’s narrative’

    Nigeria may have assumed its pride of place among the comity of nations with the historic flag-off of the 2018 edition of the International Arts and Crafts Expo (INAC) organised by the National Council for Arts and Culture.

    The assemblage of members of the diplomatic community at the opening ceremony held in Abuja, on Monday was an indication of a renewed commitment by the NCAC to elevate the culture industry to global prominence.

    Director-General of the NCAC and Host of the occasion, Otunba Segun Runsewe said at the opening that INAC will signal a new beginning by way of cultural diplomacy aimed at entrenching peace and prosperity in the country.

    Runsewe noted that NCAC under his watch will sustain the drive of changing Nigeria’s narratives via culture and arts promotion saying this underscores why 2018 INAC is featuring over 20 countries from around the world.

    Special Guest of Honour at the opening ceremony and Publisher of Leadership Newspaper, Sam Nda Isaiah stated that  ‘it is about time for government at all levels to know that this is a sector that can set the country afire if well organised, burnished and harnessed.’

    The high point of the ceremony was the official opening of the national calabash by Otunba Runsewe along with several ambassadors and other eminent personalities in a symbolic move to flag off the expo that will run till  November 24.

     

  • ‘A veteran’s love for photography’

    At 80, Cornelius Oyemade is perhaps Nigeria’s oldest practiseing photographer in the country. In the 1960s and 1970s, he and the late Peter Obe aka Exclusive traversed the social scene, capturing some of the historical moments in still images. From highflying weddings, birthdays and funerals to major sporting events in and outside the country, Oyemade’s signature remains indelible. He speaks with Assistant Editor (Arts) OZOLUA UHAKHEME on why he dumped his job with Shell Petroleum Development Company for photography, his memorable moments and his regrets, among other issues.

    In the last  four decades, Pa Cornelius Oyemade has been a regular face at most major international and local sporting events. As a seasoned and well-travelled photographer, he clicked his way into the hearts of many Lagos socialites, who still seek after him till date.

    His love for photography is incredible as he found time to take photographs even on his 80th birthday penultimate Saturday. He  was spotted working at the dedication of Baby Ruth Isemede. Ruth, is the miracle child of 55-year-old Mrs Oluwatyin Isemede (nee Akindele), wife of the just retired Vicar of Our Saviour’s Church, Tafawa Balewa  Square, (TBS) Lagos, Venerable S. Igien Isemede.

    As a little child, Oyemade used to steal his mother’s money each time he was left in  charge of her shop. From those savings, he was able to buy four cameras, which were seized by his parents. It took the intervention of his Principal at the Baptist Academy, Lagos, Mr. Adegbite to get the cameras back for him.

    The veteran photographer, who was born on November 10 1938, trained as an apprentice photographer before he became a freelance contributor. Since the 1960s, his photographs of high society parties and sporting events have been published in leading newspapers and magazines.

    Oyemade’s professional colleagues included Peter Obe, Akin Adedayo, Kayode Ibidapo (National Sports Commission), Lateef Olayinka and Tajudeen Sani.

    According to him, turning 80 did not actually bring joy to his family.  “I was not happy celebrating it because many of my children are abroad. When they come next year, I will celebrate it in a big way.  Last Saturday, I turned 80. To me, it was not a big deal, but I thank God for sparing my life. I am the oldest practising photographer in Lagos,” he said with joy, noting that one of his children is into photography, and is with City People magazine as a freelance.

     

    Stealing his mother’s

    money to buy camera as a student

    I developed interest in photography at an early age while at the  Baptist Academy, Broad Street, Lagos. I used to steal my mother’s money to buy camera. And I saw the design of one of the cameras from Mr. Fashanu during school inter-house sports. I bought about four cameras, which my parents seized. One day, my parents came to school to complain to my school principal, Mr. Adegbite. Instead of punishing me, my Principal pleaded to my parents to release the four cameras to me, saying photography might be my future career.

    Interestingly, when Mr Adegbite’s daughter was going to wed, I was in Constantine in Algeria covering a football match between Abiola Babes Football Club and an Algerian team. On arriving Nigeria the second day, Adegbite commissioned me as the official photographer for the daughter’s wedding the following weekend. I am a football fan as well as freelance photographer covering sports. Unfortunately, Abiola Babes lost the match and Chief M.K.O Abiola told the players that you cannot win all the time.

     

    Inspiration

     

    I developed interest in photography from childhood. After leaving Baptist Academy, Lagos I trained at Island Photography Centre, Lagos before going to London Film School, where I learnt about press photography. I also went to Nikon School, London. I had wanted to do advance study in photography in London, but lack of funds prevented me.

    Some Nigerian press photographers do not always capture action photos such as moments when goals are scored because they don’t have the materials and camera that can arrest such action. They always rely on AFP photographs.

    The failure of our generation is that photographers simply bought camera with a lens, not minding the appropriate lens for its usage.

     

    Career as a freelance photographer

     

    I was a freelance photographer with Daily Times during the days of the late Chief Babatunde Jose in the 70s. Unfortunately, I could not cope with the photographers in-house. Some were not well trained and unable to caption photographs. I knew few that were house boys to Peter Obe who later became photographers. Some could take good photographs, but could not caption them because they were not literate enough. I covered the English Premier League matches in UK, Olympic Games, Commonwealth Games and Nigerian football matches.

    On my return from UK, I worked briefly with Shell Petroleum for one year. I could not stay long at Shell because they don’t allow photographers to freelance with newspapers. More importantly, the job at Shell was not engaging enough. At Shell, photographers’ job was mainly printing passport photos, which did not give me joy and fulfilment. I had to pull out.

     

     Lessons from the beat

     

    At the Los Angeles Olympic Games, USA in 1984, I almost became a spectator until Dr. Adetokunbo Ademola bought me a modern hi-tech camera of about 280mm because my old camera was inadequate for the coverage of the games. He told me I should keep the old camera for covering chieftaincy title events at the Iga Iduganran of Oba Adeyinka Oyekan in Lagos.

    When I was working with the Nigerian High Commission in London, I did cover most football matches on Saturdays. But, I was mocked one day when I wore Buba and Sokoto to cover a football match. The white fans were describing my dress as nice pyjamas. Since that day, I stopped wearing native dress.

    I learnt a lot from covering international sporting events. In fact, there was also a photographer at the Olympic Games in Montreal, Canada, a technical adviser, who hired helicopter to capture the aerial view of the opening ceremony of the games,which he turned into post cards and souvenirs for tourists.

     

    Social photo as alternative

     

    If I go to weddings, I look out for fashion shots, which I give to the Lagos Weekend newspaper. Till now, I still engage in social photography. These days, I feel like going to Lekki for coverage, but no strength to do so. So, I select events to cover. Sometime, I cover a wedding ceremony at church, but won’t go to reception because I don’t have the strength.

     

    Adjusting to digital

     

    The days of analogue photography were costly in terms of money and time. Today, digital has overcome all of this in minutes because it is instantaneous. In fact, it is very economical. Unlike now, stadium such as Wimbledon in London has a dark room for processing of film.

    If I had not gone into photography, I would have gone into physical education. I did play some football while in school. These days, photography has been simplified by the use of handsets (telephones), and users pose as mushroom photographers. But, I am very fulfilled and happy. Photography took me to places where I met great men and women from across the globe.

     

    Memorable moments

     

    One of my memorable moments as a freelance photographer was at the Edinburg Games in Scotland, where I was the only black photographer that covered the games. I met the likes of Joseph Gomwalk, Brigadier Femi Ogundipe, and Nigeria’s High Commissioner in London among others. Also, during a party on July 17, 1975, I met the Duke of Edinburg at the Buckingham Palace. That was the last time I put on tie. I went to 10 Downing Street, London in company with Brig. Ogundipe to meet with Prime Minister of UK, Sir Edward Heah. As an amateur, I have met Kwame Nkrumah, Kofi Busia and others.

    Another memorable moment was when I climbed a tree in order to capture Ogboni Fraternity members’ rites during the burial of Ademola Adetokunbo at the Ikoyi Cemetery, Lagos. Unfortunately for me, that day, the clicking of my camera drew their attention and I was spotted. I was arrested but released later. The Ademola family, however, gave me some money for recording that aspect of the funeral, which was closed to the public.

  • Speak to yourself!

    Several years ago, I woke up one morning and started to get ready for work. It seemed like one of those days when everything just went wrong. It started with me misplacing an important item I needed to take to the office. Then I tried to fix myself a breakfast but the cooking oil spilled. While trying to rescue what was left of it, the pot fell off and the content spilled. By that time, I was already getting late for work. So, I had to clean up, abandon the idea of breakfast and head for work. You can imagine the mood I was in. I was about to tell myself that it was a bad day when I took hold of myself. I realized that I would spoil my entire day by accepting defeat! So, I started to deliberately tell myself, “Today is a great day. A little incident like that can’t spoil my day. I have a right to enjoy my day; in fact, today is my best day so far.” You won’t believe what happened to me! I so much enjoyed that day that I quickly forgot about my initial unpleasant experience. So, I learnt that no situation is strong enough to spoil my day. If I have a bad day, it’s the fault of my personal communication.

    People general believe that those who speak to themselves are either troubled or insane. This is not always true. In fact, speaking to ourselves is perhaps the most important communication in our lives (though I suggest we don’t do it in public). Let us take a closer look at some of the attributes of communicating with ourselves, also known as intrapersonal communication:

    • Powerful influence: we have the ultimate influence on our lives. It doesn’t matter if people told us that we would never succeed; our opinion is what counts. We have to decide to agree with them or reject their opinions. What we repeatedly tell ourselves is what we will eventually believe and act on.
    • Asset and liability: what we tell ourselves either helps us to succeed or to fail. According to Henry Ford, “Whether you think you can or you can’t. Either way you’re right.” If we deliberately control our thoughts and words to focus on positive things, they will become our assets, but if we focus on negative things or we allow our thoughts and words to roam uncontrolled, they will become our liabilities. There are some people who always look for the negative side of everything. While they think they are only “being realistic,” they are actually preventing themselves from seeing possibilities.
    • Thoughts vs words: Have you ever realized that your mind is never empty? Most of the time, you are thinking about something important, worrying, singing or day dreaming, among others. Most thoughts come into our minds subconsciously, that is why we find ourselves humming the songs we claim to hate. If negative thoughts about our lives or businesses get into our minds, they paralyze us with fear and worry. The best way to deal with negative thoughts is to speak out positive things about the situation. Since our voices are louder than our thoughts, we will drown our thoughts with our voices and soon we will start believing. Don’t forget that faith comes by hearing.
    • Formula for personal development: if we ever want to achieve personal success, we must engage in intrapersonal communication. A lot of times, our opinion about ourselvesis a result of what people think about us. That is why we ask people how we look before leaving home. While it is good to have positive reinforcement, what happens if everyone has a negative opinion about our potentials? It’s about time we started believing in ourselves.

    Thanks for reading my article today. I would really love to hear from you.

    So, do share your views with me by sending SMS to 07034737394, visiting www.olanreamodu.com and following me on twitter @lanreamodu. Remember, you are currently nothing compared to what you can become. Don’t lock your potentials in; let them breathe!

     

  • Chief Daddy teasers excite film buffs

    A head of its premiere on December 2, at the Oriental Hotel, Lagos, a special screening of Chief Daddy was held exclusively for the press last Thursday at Filmhouse Cinemas, Lekki, Lagos. The screening of five of its teasers revealed some surprises, twists and turns that prove larger than the life Chief Daddy once lived.

    The comedy is executively produced by Mo Abudu, with Temidayo Abudu and Queen Martins co-producing. The plot was written by Bode Asinyanbi and directed by Niyi Akinmolayan. Chief Daddy stars a long-list of veteran and young Nollywood stars that includes Rachel Oniga, Beverly Osu, Nkem Owoh,  Patience Ozokwor, Rahama Sadau, Joke Silva, Ayo Lijadu, Richard Mofe-Damijo, Beverly Naya, Uti Nwachukwu, Taiwo Obileye and Chioma ‘Chigul’ Omeruah.

    Others are Jude ‘MI’ Abaga, Bisola Aiyeola, Funke Akindele, Chinedu ‘Nedu’ Ani, Zainab Balogun, Shaffy Bello, Lepacious Bose, Ini Edo, Dakore Egbuson-Akande, Linda Ejiofor, Folarin ‘Falz’ Falana, Mawuli Gavor and Kate Henshaw.

    Chief Daddy, which will be released in cinemas on Dec 14, is a dramatic comedy from the production company, EbonyLife Films. The movie centres on the life of billionaire industrialist, Chief Beecroft, who is known to be a pillar of the society. He is extravagant, exuberant and larger-than-life but extremely benevolent, as he serves as a benefactor to everyone around him, including a large extended family of relatives, household staff, and mistresses. All seems well in the Beecroft household until Chief Daddy passes away and suddenly the ‘wheels begin to turn’ and things go awry. What follows reveals enormous surprises, twists and turns that prove larger than the life Chief Daddy once lived.

    In one of its teasers, it shows the pivotal moment when Chief Daddy is found unconscious and his household staff scrambles to resuscitate him but to no avail. He is pronounced dead and the events that unfold immediately set the premise of the rest of the plot.

    The teaser also unveils ‘Chuchu’ and ‘Jodi D’, owners of a failing funeral business called Last Bus Stop. Played by Chioma ‘Chigul’ Omeruah and Chinedu ‘Nedu’ Ani, the duo believes they have hit the jackpot, when they are contracted to coordinate Chief Daddy’s funeral. Also, Chief Daddy’s daughters, Teni and Tinu, played by Kate Henshaw and Funke Akindele, express their distaste for his wife, Lady Kay (Joke Silva). The extremely opinionated and feisty sisters are Chief Daddy’s oldest children with his late wife.

    In one of the teasers, the many disputes that occur following the demise of Chief Beecroft were revealed. The explosive scene shows the moment Chief Daddy’s mistresses, played by star actresses, Ini Edo (Ata Rodo), Shaffy Bello (Tomato Jos) and Linda Ejiofor (Sisi Ice cream), come to blows over yet another conflict over his estate.

    Equally, it  reveals the eccentric character, ‘AK Famzy’ played by award-winning rapper, entertainer and actor, Folarin ‘Falz’ Falana, ‘Famzy’ is the spoiled, privileged son and heir apparent of Chief Beecroft, who turned down a role in his father’s company to pursue a career in music. With the help of his mother, played by Joke Silva, Famzy is determined to get the bulk of his father’s wealth to fund his multi-million naira ambition.

    But, the trailer takes audiences through three primary stages in the movie, beginning with the calm before the storm – showing life in the Beecroft household before Chief Daddy’s demise; the moment Chief Daddy dies and the different reactions to his death, and finally, the dramatic events that occur afterwards. Unexpected characters emerge and true intentions are revealed, as everyone battles to get a piece of the pie that is Chief Daddy’s estate.

  • ‘Proficiency in drawing remains critical element of fine art’

    One of Nigeria’s leading contemporary artists and Founder, One Draw Art Gallery, Lagos, Mr Olusegun Adejumo, has described proficiency in drawing as a very critical element in fine art, which every visual artist must possess in order to excel in the profession. He said training in drawing in Art School is designed to enable a student-artist record and recall scenes or forms in any medium of expression.

    He noted that the more ardent ‘you are about these things the more you are expressing a whole lot of things either as a sculptor or painter.’ Adejumo, who spoke in Lagos at a preview session of Kehiunde Sanwo’s solo exhibition Lines and Legacy, however, blamed the poor drawing skill among many artists on the entry mode of students studying fine art in higher schools.

    The Yaba College of Technology Lagos – trained artist observed that these days, many artists are deficient in drawing, thereby they hide under abstraction and all kinds of funny styles.

    “The mode and way students get into art schools are questionable. They do not do objective test for a vocational course. It’s ridiculous because there is no way to test their skill. How do you know if the student is gifted in this area or the other? I also noticed that most art schools are where people have nothing else to study.

    “When I was in art school, it was a difficult to stay as a student in the art school. When we got into school we were about 85 in number and by the time we were leaving school we were about 30 students because the school had a minimum standard, which you must meet. We were tested every week not monthly test. So, we had 13 assignments to submit every week. By the time you will be leaving with OND, you will have an idea on who is coming back and who is not. Our painting class had nine students some classes had two or three,” he said.

    He noted that technology has made students as they no longer spend adequate time to draw instead they make use of their phones to take pictures.

    Adejumo also blamed students’ poor skill in drawing on the quality of teachers in many art schools, which he said, is questionable. He said there are more teachers, who speak than those who show practical steps to training. “Teachers are not lecturers because in the universities, we have lecturers. But, in the polytechnics, we have more teachers than lecturers. A lecturer’s business is to engage your mind and give you references to act on. A teacher’s work is to make you understand well what you are doing.

    “When we were in school it was slightly different. We had professionals, who were teaching. Now, we have teachers who I am not sure, everybody will take serious professionally. But, I must admit one thing as plus for them. They can articulate by words what they see. But, a lot of people like to be shown the way, not told the way,” he recalled.

    The former President Guild of Professional Fine Artists of Nigeria stressed that if art schools must produce quality students, they must review their intake modalities and the curriculum for training such students, noting that such curriculum must include training in business entrepreneurs.

    According to Adejumo, One Draw Gallery in response to these inadequacies initiated New Artist Managers and Entrepreneurs (NAME) progamme to train young artists on how to survive as business men. “The programme is designed to equip artists adequately and let me them know that they cannot survive with talent alone because talent will fetch you money, but it won’t sustain your money. You need a good business to sustain your money,” he said.