Category: Life – The Midweek Magazine

  • Onobrakpeya, Shyllon lead guests to LIMCAF 2018

    With the 2018 Grand Finale events narrowing down to a matter of weeks and days, the indications are that this year’s edition will hit a higher note than ever. Among other things it will be attended by an impressive list of who is who in the art and corporate worlds.

    The Board of Trustees in a statement signed by the Executive Director of the Festival Mr Kevin Ejiofor has proudly announced that Dr. Bruce Onobrakpeya, a UNESCO Living Human Person Award recipient will chair the Award Night while Omooba Dr. Yemisi Shyllon, one of Nigeria’s most outstanding and internationally recognised art collectors, will be Special Guest of Honour.

    The Enugu State Governor,  Ifeanyi Ugwuanyi, will receive them as Chief Host, with the Patrons of the Festival, Igwe Nnaemaka Achebe CFR, Obi of Onitsha and Professor Emeritus El Anatsui in attendance.

    Many other prominent personalities in the corporate world and in the field of art are expected at the Enugu event

    The statement explained that the exhibitions in the seven zones of the LIMCAF Festival have ended with the Lagos event as this year’s climax.

    Lagos was declared open by the Chairman of Sterling Bank of Nigeria, Mr Asue Igbodalo of Bamwo and Ighodalo a prominent Lagos Law Partners firm while the Abuja Exhibition was opened by Ms Anne Okigbo a former World Manager and sponsor of the Pius Okigbo Prize. The Thought Pyramid Art Centre in both cities hosted the exhibitions.

    The Guest of Honour Mr Asue Ighodalo had noted and strongly commended the high quality of the works on display and commended the organisers for sustaining the project for 12 long years which was unrivalled in the field of art in Nigeria.

    Over four hundred entries were received nationwide with the highest numbers coming from Abuja, Ibadan, Lagos and Enugu. The best of the best 100 new works by the youth of Nigeria will feature in the Grand Finale Exhibition opening on Monday 22 October 2018.

  • How to enthrone peace in Nigeria, by experts

    The International Day of Peace is devoted to strengthening the ideals of peace. As part of the activities marking the day, experts at a conference organised by the United Nations Association in Nigeria (UNAN) and the Nigeria Institute for International Affairs (NIIA) in Lagos highlighted how to tackle the challenges capable of fuelling conflicts in Nigeria, BOLA OLAJUWON reports.

    WHat does Nigeria need badly now? Peace, according to the participants at a one-day event to mark the International Peace Day held by the United Nation Association of Nigeria (UNAN) in collaboration with the Nigerian Institute of International Affairs (NIIA) in Lagos.

    They urged Nigerians to embrace peace–irrespective of their ethnic groups and religion.

    The event was chaired by the Secretary-General of Retired Career Ambassadors of Nigeria, Lagos Chapter, Ambassador Olusegun Akinsanya.

    The chairman, after calling for a minute silence for the late Kofi Annan (former Secretary-General, UN) stated that the day was “to remind ourselves of the virtues of peace and vice versa.”

    He said that this year’s theme was apt in view of the myriad of security/socio economic challenges facing the continent, particularly Nigeria…… The violent clashes arise from ethnic, religious, terrorism and election related conflicts. He added that peace is a right and individual freedom/liberty is guaranteed by international instruments. He called on all citizens to guard against hate speech or utterances capable of fuelling conflicts or disharmony.

    The event then went into panel discussions on the following key topics: Examining the Right to Peace and Peaceful and Co-existence in Nigeria – The role of Culture and Religion; Leveraging Freedom of Expression and Access to Information to promote peace in Nigeria- Challenges and Prospects; and Women and Youth in Peace Building in Nigeria – A Case of Peace as a Right.

    High Chief Samuel Hundogan, the Agoloto of Ganho, Badagry Kingdom, as part of Panel 1, stated that peace emerged from existence of man but has continued to be eroded and tampered with. He raised the misconception of religion and discussed the right to peaceful co-existence. He also discussed the role of culture and religion in peace-making, whereby he gave the characteristics of culture/content of culture. He ended by calling for all to build understanding through consensus building; governance at all levels must translate into tangible benefits for all Nigerians while the Federal Government should urgently address all sectarian crises.

    Another panellist for Panel 1, Prof. David Aworawo, a lecturer at the Department of History, University of Lagos, noted that studies on war and peace have established that progressive or enduring development is possible only in an atmosphere of peace and stability.

    Reviewing the impact of culture on peace in Nigeria, Prof. Aworawo stated that there are 174 ethnic and linguistic groups in the country, with varying cultural practices. The differences have been the source of conflicts in parts of the country, he said.

    According to the university don, analysis of the determinants of peace and conflict has thrown up justice, fairness, tolerance, inclusiveness and accommodation as key issues.  The absence of these ideals creates the condition for conflict. Prof Aworawo called on the government to ensure equity, fairness and justice in all dealings. The government also needs to carry out extensive enlightenment campaign to make people realise the need to pursue the cause of peace.

    Panel 2 said the Freedom of Information Act (FOIA) that was assented to by then President of Nigeria on 28th May, 2011, was expected to be a death-blow to corruption and lack of transparency in governance. The media was expected to use the Act to fight corruption, ensure transparency in governance and enthrone peace.

    Though laudable, the panel said the Act does not apply to state-owned public institutions.

    “In any economy, freedom of information is a fundamental indicator of economic development and progress, civic engagement and a properly functioning democracy,” it said.

    In conclusion, the panel stated that for the Act to become effective in other parts of the country, state houses of Assembly must implement its provisions, because at present, it is a federal law only and thus applicable only to federal institutions and agencies.

    Dr. Omotola Ilesanmi, a Research Fellow at the NIIA, who discussed on Panel 3 as a representative of women, noted that conflicts and wars are widespread all over the world with main targets being civilians.

    “Women, girls and boys are affected by conflicts in different ways- women and girls experience conflict related sexual violence, they are raped and taken as sex slaves. Women still do not remain passive victims in conflicts as they play multifarious roles in wars and conflicts,” she said.

    According to Ilesanmi, women are peace advocates, peace builders and change agents working assiduously to prevent and end conflicts.

    She stated that including women in peace building processes in Nigeria could be crucial to achieving lasting peace.

    Country Coordinator of Commonwealth Youth Peace Ambassadors Network (CYPAN) Mr. Odunze Eberechukwu Caleb, representing the youths, discussed on Panel 3, saying with the population of young people in the world estimated to be 600 million, youths have become victims of conflicts.

    Odunze noted that as constructive instrument in nation-building, young people have been used in escalating crisis/conflict, instead of being instruments for promoting peace.

    Young people, according to Odunze, are becoming powerful agents of change and need to be included in driving the nation forward.

    UNAN Secretary-General Ganiyu Owolabi, an engineer, in his reaction to the marking of the Peace Day noted: “The Peace Day event is a testament of UNAN’s commitment to promoting peace and prosperity in Nigeria in line with her plethora of activities since its establishment”.

    The event was attended by secondary students, students of higher institutions of learning, civil society groups and members of staff of the Nigerian Institute of International Affairs.

  • Women artists exhibit works to mark October 1

    As Nigeria celebrated its 58th Independence anniversary last week, women artists across the Southwest displayed their artworks to celebrate the country’s cultural heritage.

    Themed: Art-Mosphere: Celebrating Nigerian Cultural Heritage, the exhibition was organised by the Female Artists Association of Nigeria (FEAAN), Southwest zone. It held in Lagos, and featured a collection of 47 artworks by 15 female artists.

    The artworks, according to FEAAN National President of, Chinze Ojobo, represented deep expressions and reflections of female artists as a social conscience to the society. Women, she said, serve as ambassadors of peace and friendship, alongside promoting Nigerian culture and heritage. “We have touched on various issues and happenings in Nigeria, including our current challenges. Most of the works on display range from painting, print, ceramics, textile, photograph, strings and mixed media,” she added.

    FEAAN Southwest zone coordinator, Ayoola Omovo, praised the efforts of female artists for their exceptional show of sophistication in their various artworks for the ‘Art-Mosphere’ project, adding: “I’m convinced that anyone looking for a more sophisticated expressionistic language, coming out of the current Nigerian art renaissance, will be drawn to the Female Artists Association of Nigeria.”

    “I hope you enjoy Art-Mosphere for its artistic richness,” Omovo added.  Omovo, who is also a participant in the exhibition, displayed a number of artworks, some of which are: Behind The Mask (ink on recycling rag) and Save The Children (ink on canvas), both designed in 2018.

    Urging up and coming artists, Clara Aden, an award-winning art illustrator, who is also the Assistance Production Manager of Hearts Magazine, said: “Follow your passion, stay focused and let your instinct influence your art, and above all, be persistent. Because it’s not all about the money or making sales, it’s about changing the society for the better.”

    Aden displayed two works at the exhibition: Arugba Mixed Media, 30″ by 24″ and Yoruba Bride Mixed Media 20″ by 24,which, she said, depicted the beauty of Yoruba culture.

    An indigene of Katsina State, Hafsat Zayyanu, a creative artist, who works with oil paints, fabric paints and pastels in producing artworks, displayed her works. Among the works she exhibited was Fura da Nono III Mixed Media.

    Her artistic dexterity, she said, was gained by the encouragement she got, especially as a child.  She said she intends to create developmental programmes that will help communities and the society at large.

    Speaking of her three exhibited artworks, another exhibitor, Ogochukwu Ejiofor, said: “Being an optimist, driven by the patriotic power of positive change, I have woven my painterly patterns around my work with emphasis on a happy mood.”

    She, however, added that she is delighted in writing poems and short stories for children.

    An exhibitor, Evelyn  Osagie, whose art pieces majorly advocate love, peace and unity, environmental protection, women and children rights; displayed three photographs, sub-themed: “Water: Our Heritage;” namely: Water Boy, Water Dance and Canoe Boy.

    Evelyn D’Poet, as she is famously known, is an award-winning multi-talented artist who creates pictorial and written narratives that celebrate the beauty of Africa and its people. Aside from being an artist and a photographer, she is also a performance poet and a journalist.

    Explaining how she has been able to make it as a photograph artist, she said: “I’m obsessed with taking pictures, but I let the obsession stand for something. I capture scenes from a point of view contrast to popular perception. And being an activist has contributed immensely to my success.”

    Besides being an artist, another exhibitor, Esuru Ichoku, is also into fashion design. “This is because whenever art does not pay my bills, I could have something to fall back on,” she said, adding that she is more passionate about art than her other job.

    At the exhibition, she displayed Queen Idio Printed Design on fabric, which was designed in 2015; and L’egusi Printed Design, in 2018.

    The works, Esuru asserted, were inspired by both traditional Nigerian and British visual art and culture. “Because they are deeply rooted in the creative philosophy of appreciation and aesthetic hybridisation,” she added.

    Oluchi Zom, also a participant, had two paintings on display: Grace II 24″ by 20” and Grace 32.5″ by 28.5″. She is a visual artist ,who earned a B.sc in Multimedia from Brunel University in London, and a teacher of Darkroom photography.

    According to her, she derives inspiration from things around— people and nature. Asked how much of her artworks she has sold, she said: “Art is not that appreciated in Nigeria. Although I’ve sold many works, sometimes, one may not even make any sale up to a year. That is why most artists don’t do it full-time.”

    Other participants in the ‘Art-Mosphere’ art exhibition include: Dr. Rita Edumchieke (Greener Pasture Batik and Okwa Uli Batik); Dr. Stella Mofunaya (Celebration Cut Print); Aisha Idirisu (Wind 1 Mixed Media 16″ by 12″ and Wind 2 Mixed Media 16″ by 12″).

    Also, Adebayo Esther (Palmwine Tapper Mixed Media 13″ by 32″); Onyinye Afam (Young Dream, Strings 24″ by 34” and Stock in the vow 24″ by 34″ String); Patience Anthony-Euba (GlazeVaseI and Glaze Vase II); and Ngozi Nwade (Hope, Stone on fabrics and Protection, stone on fabrics).

  • Traditionalists to govt: use African culture to fight social ills

    The founder, The Ancestral Pride Temple worldwide, Oluwo Faniyi Fasola, has urged the Federal Government to recognise, uphold, respect and observe the African traditional religion to promote and value the nation’s history and heritage.

    He said upholding the African traditions and culture would complement the fight against corruption and other social vices, noting that it will further promote peace,  harmony and grow the economy through tourism and other infrastructure.

    Oluwo Fasola made the call at the 2018 Children Day anniversary of Indigenous Faith Parish of African Traditional Religion (Ijo Orunmila ti Adulawo) in Ota, a suburb of Ogun State. He said progress and peaceful co-existence would be the order of the day when African tradition is given preference, observed and regarded.

    He said: “Orunmila (God) didn’t make a mistake by creating the country with many ethnic groups, different languages and traditional cultures. the effect of neglecting other traditional cultures and embracing other cultures “Christian and Muslim” is what is happening today.

    “There were no issues of theft, incessant killings, criminality and other society norms in the olden days when our forefathers observed traditional cultures. Orunmila (God) and His messengers are very clean and have zero tolerance for indiscipline.

    “Till today, a true traditionalist doesn’t involve in criminality or else the wrath of the deities would befall such a person. Our research had shown that majority of people involved in killings or caught with human parts for money rituals and others are Christians and Muslims, especially the church owners.

    “That is why we the traditionalists are appealing to the government to consider, observe and give total recognition to African traditional religion to enable the traditionalists operate as one entity to complement the fight against indiscipline, criminality and other social ills affecting the progress of the country.

    “Christians have five days as public holiday, Muslims have about 6 days but we are only requesting for just one day to project and celebrate our heritage. It is time to forget playing and joking with our tradition, we should not be fraudulent with the benefit of traditional worship.

    “We must not forget our tradition as it was handed over to us from our forefathers, we must wake our neighbours up each time they want to go astray,” he said.

    Chief Priests of African Traditional Religion,  Chief (Aro) Adekunbi S. Kayode called on all association members to be dutiful and respectful in their choice of religion.

    He urged all members to abstain from any form of indiscipline that would not promote the image of the traditional heritage. He noted that they should quickly expose anyone contradicting or portraying a bad image of traditionalists while hiding under its umbrella.

    He urged the Federal Government to ensure that August 20  was declared every year as public holiday to mark African Traditional Day. Kayode said a deep exploration of African tradition would give a boost to the nation’s tourism sector because every machinery to drive tourism “is embedded in African tradition”.

    The event featured singing,  dancing,  quiz competition and drama.

  • Dare to dream?

    A few years ago, I made a presentation at an entrepreneurship workshop. Among other things, my task was to help the participants see possibilities that had erstwhile eluded them. So, I decided to engage them in a little exercise. I gave them the following instructions: “I want you to close your eyes and imagine the story I’m about to tell you. If at any point you find the story unrealistic or stupid, open your eyes.” Of course they agreed to the “Simple” activity.

    I said, “Imagine you are riding a bicycle down a familiar street. You are waving at friends and acquaintances. Suddenly, you find yourself riding at the top of trees, and then you find yourself riding on the water in a swimming pool. Now you can stop riding and open your eyes”.  Guess how many people still had their eyes closed by the end of my story? You got that right! Very few! As can be expected, some of the participants opened their eyes when I mentioned cycling because they had never cycled. Quite a number of them understandably opened their eyes when I got to the part of riding at the top of trees. However, by the time I got to the part of riding on water, almost all the eyes were staring at me as though I had gone insane. I’m sure you are also wondering how I came up with the “silly” story.

    My purpose was to find out how many of the participants were inhibited in their minds. Think of this. How much does it cost to dream or imagine? Nothing right? They couldn’t have been injured by riding a bicycle for the first time in their minds could they? Since they controlled the pictures in their minds, they could ride a bicycle on water and not drown couldn’t they? Why then do people find it so difficult to dream or use their imagination? According to Albert Einstein, “I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world”. Imagination is our only connection between where we are and where we want to be. If we cannot travel in our minds, we will never take a step in reality.

    Imagination is a “free” component of the human mind. It can take us anywhere we want to go, that is, if we wish to go anywhere. Several of us have built a protective wall in our minds. Unfortunately, the wall that keeps us safe inside may also keep good things out. The kind of information we store in our minds can determine how far our imaginations can go. If we believe anything is possible when we have the right information, we will release our minds to run wild with creative imagination.

    We must deliberately monitor the kind of information we expose our minds to because they form our beliefs and our beliefs create the boundaries of our lives. According to Sarah Vowell, “The only thing more dangerous than an idea is a belief”. Peace Pilgrim also said, “If you realise how powerful your thoughts are, you would never think a negative thought”. Do you want to be a leader, an influencer or an achiever? Free your mind to dream freely about what you desire for your future. That doesn’t cost you a thing! After you have created a solid vision of your future, the vision will pull you towards that future as you work diligently to achieve it. Dream big, reach far and break boundaries.

    Thanks for reading my article today. I would really love to hear from you. So, do share your views with me by sending SMS to 07034737394, visiting www.olanreamodu.com and following me on twitter @lanreamodu. Remember, you are currently nothing compared to what you can become. Don’t lock your potentials in; let them breathe!

  • India celebrates Gandhi’s 150th anniversary

    The Indian High Commission’s Office has celebrated the late Mahatma Gandhi’s 150th birthday anniversary in Lagos. The event, which took place at the Remembrance Arcade Park, was to commemorate the United Nations Day of Non-violence International.

    As an Indian activist and leader of the Indian independence movement from the British rule, the late Mahatma Gandhi, fondly called Bapu, was an ordinary man with extraordinary deeds and non-violence philosophy. His fight for freedom and peace gave voice to many landmark movements in India and South Africa.

    Speaking on Gandhi’s achievements, Second Secretary, Head of Consular Office of the High Commission of India, Mr Subbu Ramesh, said: “He dedicated his entire life to the peace of humanity. With the support of the Indian government we are planning to host more events like this and also distribute documented messages of Mahatma Gandhi to schools in Nigeria.”

    Highlighting the three principles taught by Gandhi, Ramesh listed some of the leaders who were inspired by the sage. He said: “He has left three principles for us to follow, which are truth, non-violence and peace. To face challenges you need to follow these three principles of Bapu.

    “Gandhi’s ideas have played a vital role in South Africa’s transformation, and with the help of Gandhi’s teachings, apartheid has been overcome. Nelson Mandela, great leader of the South African people and another giant of the 20th Century anti-colonial struggle, often cited Mahatma Gandhi as one of his greatest teachers.”

    Another leader Gandhi influenced was the late Martin Luther King Jr., a civil right leader in the United States of America, who adopted non-violence as the weapon of choice to help millions of Africans fight for their rights.

    “Also when Barack Obama was visiting Wakefield High School in the United States, a ninth grader asked: ‘If you could have dinner with anyone, dead or alive, who would it be?’ Obama answered: ‘Well, dead or alive, that’s a pretty big list. You know, I think that it might be Gandhi, who is a real hero of mine.”

    “He was also the messenger of non-violence, who dedicated his entire life to the service of humanity,” observed the General Secretary of Indian Culture Association, SanjeevTandon. According to him, Gandhi has inspired many political leaders in India and globally, including the former Lagos State Governor, Asiwaju Bola Ahmed Tinubu, who, he said, is a fan of Gandhi. Tandon said: “Mahatma Gandhi taught us how to fight war without the use of weapon. I am very proud to say that former Lagos State Governor Bola Tinubu is a fan of Mahatma Gandhi. Few years back, I used to see billboards of Tinubu and Gandhi side by side; he also wears glasses like Mahatma. He is a very good follower of him.”

    A video, Bhajan,  by  the favourite “Vaishnav Jan To Tene Kahiye”, performed by artists from over 124 countries, including Nigeria, using traditional musical instruments such as Gangan( the African talking drum), was shown.

    A Nigerian dance group, Light Year Entertainment, also put together a short play on Mahatma Gandhi and carted away a gift of N100,000, which was presented to the director of the group by an impressed Indian audience.

    Mr Narayanbhai Patel, one of the organisers of the event, added that Gandhi’s fight for freedom and peace, also gave voice to many landmark movements. “He did not only fight for the Independence of India, but heralded the end of colonialism across the world,” Patel said.

  • Independence bouquet with Okada as metaphor

    Mr. Adamu Ajunam, a retired engineer, author and photographer is a lover of documentary. He has unquenchable thirst for recording social issues using his camera. His 30 years with Julius Berger Plc were not only dedicated to construction and engineering works, but the effective use of his camera to document those fleeting moments on the streets of major cities he travelled to. Today, his rich collection of photographs covers the many narratives about the untapped resources of Nigeria ranging from tourism to landscape, vegetation, weather and living in poverty amidst plenty.

    On Nigeria’s Independence Day celebration on October 1, Ajunam hosted art collectors and art aficionados to the formal opening of his Anthill Art Gallery and Anthill Photo Studio at House 8 Nnobi Street, Surulere, Lagos. At the new gallery was an exhibition featuring photographs of Okada riders over the past five years which depict transportation challenges in Nigeria. With the theme The Modern Transportation in Nigeria, the exhibition mirrored the phenomenon that has become everyday transport mode everywhere in Nigeria. The exhibition ran from October 1 till last Monday.

    Speaking at the opening of the exhibition, Ajunam blamed the emergence of Okada as a mode of transport on the lack of a standard transportation policy, adding that Nigeria is long overdue to have such policy backed by a master plan.

    “Nigeria as a nation should have a standard transportation policy backed by a master plan and there shouldn’t be trailers on the way as they cause havoc on the roads. In fact, fuel shouldn’t be carried by trailers when depot is an available option. There is no distance in Lagos that should take a driver up to 30 minutes from Mainland to Lagos Island, from Ikeja to Mainland, from Surulere to Island, from Amuwo-Odofin to Island, from Ebute-Meta to Island. But, this is not the case, as three hours are being spent on the road while going and coming from work,’ he said.

    Passion for photography

    “I have always had a dual profession as I am also a radical photographer. When I retired from Julius Berger Plc, I decided to continue as a photographer and a publisher to enable me carry out this idea. I decided to have a gallery where I can exhibit my works as well as open the doors for other artists in Surulere community to make use of. Most times, events like this are held only on the Lagos Island,which shouldn’t be. The idea of setting up a gallery in Surulere is a very conscious one in order to get young people and passers-by, peep and get inspired as well as motivated to discover themselves as artists.

    The Anthill of Savannah is my corporate identity, which was crafted from achieving from the scratch and getting published after 6 to 7 years as an engineer. I have written two books. The first book is on Lagos and the second on Nigeria, which served as a travel guide. The first titled Eko the navel of a giant, since Lagos is the hub of commerce in Nigeria, and the second titled, Nigeria the harvest of nature, indeed our culture is very blessed with nature.

    The term ‘Modern transportation in Nigeria’ is a satirical statement as the word ‘modern’ does not depict what is seen in Nigeria today.

    Transport policy

    30 years is a small number in a life of a nation. But, reflecting on the Okada transportation system, there is no comfort on Okada and it yields little commercial gains.  Okada has its own hazard, which is not only accident, but also health hazard from inhaling gas and fumes from cars.

    Okada can be a mode of transport but it had its own effect on human. Interestingly, a new rail has been completed in Abuja, which operates twice a day, and the Lagos (Agege-Apapa), which runs 4times a day which was regarded as a problem of under-utilisation as a result of low patronage by passengers, which can only be solved by transportation policy.

    Okada as a metaphor

    The shooting of these artworks started five years ago across the country. Artwork happens in a moment unlike photo-journalism where you get a shot and then report. There are rules one must observe when one is into photography, which means one have to recognise a shot before he starts shooting. I want my art work to tell a story about Nigeria as transportation is a challenge to our living longer. Lagos is blessed with water, yet we still use canoe, which has no capacity of carrying a large number of passengers. It is possible to build jetties to handle boats. If government does not have money to buy the high capacity boat, Jakande started it and he built Baba Kekere and two other boats that can take up to 40 persons. He also built some jetties including Mile Two. Why should such facility be abandoned? If you go to Tanzania or Kenya they have high capacity boats that carry up to 50-60 passengers at a time. For us here, to go from Mile Two to Lagos Island should not take up to 5 minutes by water. So, my artwork is to educate Nigerians on this sector.

    Again, I have a series on Living under a dollar, which I have been shooting. It examines people who are living under a dollar per day, which is poverty. Take for instance those who sell handkerchiefs, how much do they sell in a day? Those who sell groundnuts, how much do they sell in a day? I also have series on Agege bread, which I have been shooting for four years and most of these women who hawk the bread are either pregnant or with a baby on their back.

    Documentary is a neglected aspect in Nigeria. Like I said, 30 years is small for a nation to be called a nation. A nation’s development is a process where everyone gets involve. When a narration is done on this, people get inspired. Documentation is also what I do, which is the reason for my exhibition.

    Post retirement passion turned into business

    The gallery facility and photo studio are open to the public for commercial service. I have been lucky to come across people of dual profession. When this is broken down, art is about number. For instance, your music note is number, your violin is number. It is now a question of how do you place and use these numbers. I am an artist and I paint, but I stopped painting because it’s a waste of money as a result of the colour being used for painting,which is not so for photography.

    As you take pictures, you drop and get back to it anytime you want. So, I stopped being an artist because it was too expensive for me in terms of wasting colours. But, painting helped me a lot because when I change colours of my photo I have an advantage of having the feeling of what pictures should look like. I am also looking forward to documenting my works into motion pictures and not only still pictures.

    Money is being made from photography when the art works are on sale. Artworks in the gallery are for sale and can be reproduced like 10 of one or and 5 of one. Title of this series is Okada.  I have a photo studio,where you can have your portrait, but my line of profession is not indoors but outdoors.

    People’s response to what I am doing now is what I have to wait for and see, as I have no idea on how people will respond.

  • Harvest of cultural shows on Nigeria-China Independence Day

    Unlike in recent past, this year’s Independence Day celebration in Abuja assumed a unique dimension as it demonstrated the power of culture and creativity uniting people of diverse nationalities and backgrounds. From art exhibition of over 100 paintings, sculptures and mixed media from the famous Nike Art Gallery, to poetry performance, musical performance, Chinese and Nigerian chorale songs and dances, the feast was unprecedented.

    The exhibition, which featured works of 22 artists from all over the country, collected by Nike Art Gallery, has as its theme: Tapestries of Life. It was a joint independence anniversary event of Nigeria and China, which held at Heritage Africa Village Square (HAvis), Plot 1633 Ahmadu Bello Way, Kado, Abuja. Interestingly, Nigeria and China share October 1 as their national days.

    Some Chinese nationals, including the cultural counsellor at the Chinese Embassy in Abuja, Dr Li Xuda, and two visiting guests from China, Judy Huang and Margie Huang, were at the event.

    Nonetheless, the gathering was a highly engaging intellectual conversation on the theme; Nigeria and China: A Shared Legacy of Culture and Humanity.

    HAvis CEO Mr. Moses Ayom recalled how the facility was birthed as a culture and creativity resort, saying that the Independence Day culture festival was a testament to the power of dreams. According to him, the cream of scholars, journalists, poets, performers and citizens, who thronged the place on the day to immerse themselves in culture and creativity, as a unique way of commemorating the national day of Nigeria and China was generating excitement across the culture spectrum, especially in the Federal Capital Territory of Abuja.

    “To my mind, therefore, this gathering is a manifestation of the many possibilities when a community decides to work with a common purpose to accomplish a set goal. In this case, the goal is to return creativity and culture to their rightful place in our lives. I must, therefore, pay tributes to the amazing men and women all over Nigeria, the continent of Africa and around the world, whose power of imagination and creativity has provided the basis for entrepreneurs to venture into the creativity and culture sector,” he said.

    Permanent Secretary Ministry of Information, Culture and National Orientation, Grace Gekpe, commended Ayom for the initiative, noting that as a place for the community of creativity and culture, the government will extend all the support within its powers to ensure that the project succeeds and is sustained for the glory of the industry.

    Chinese Cultural counsellor, who is also the Director of Chinese Cultural Centre, Mr Li, said he was glad that the relationship between China and Nigeria was becoming more resourceful, especially through the intervention of culture workers. He offered the support of the embassy for a greater exchange of ideas, programmes and personnel between the embassy and HAvis. He proposed two programmes that could be of interest to the two organs:  that HAvis could be engaged as a “Chinese Language Center” and that the Chinese Embassy would pay a formal visit to HAvis in the nearest future to explore areas of cooperation and collaboration.

    Interestingly, HAvis in June signed a tripartite memorandum of understanding (MoU) with the Institute of African Studies at Zhejiang Normal University, China, to  commence a  Chinese-Nigeria Cultural Research Centre, and at the University of Abuja. The objective is to explore how through studies of language and cultural resources, Nigeria and China can develop closer ties, especially in the  youths’ training and manpower development. Chairman Advisory Board of HAvis and former Vice Chancellor Benue State University, Prof David Ker, who  chaired the October 1 event, said the proposed relationship between HAvis and the Chinese Embassy will be of immense benefits to youths in the nation’s creative sector.

    HAvis Governing Board Chairman Prof Duro Oni, who presented the  keynote address, traced the rise of China in the global political space with the conclusion that the giant in the Asian continent had become so influential on the  world stage that it was important to understand how it has been reaching out, using culture. Oni, a former Deputy Vice Chancellor of University of Lagos, recalled that the Chinese adopted the thoughts of the ancient philosopher, Confucius, to shape the other dimensions of their national life, including economic planning and international relations.

    He explained that there were hundreds of the Institute across the world, all having a respective dialogue with host communities to foster cooperation and interaction. He said out of the scores of those institutes across Africa, two are present in Nigeria, bringing to bear the unique nuggets of Chinese thought to their hosts without creating any sense of superiority in the interaction process. He mentioned how the institute has become a veritable instrument in fostering educational exchange between Nigeria and China, as would be seen in the courses on Chinese Culture being offered at the University of Lagos.

    Prof. Oni also spoke on the indebtedness of many African countries, including Nigeria to China, noting that it was up to African leaders to engage and negotiate aid and borrowing terms, which would not plunge their countries into debt trap. He, however, stressed that countries like Nigeria and others on the African continent require massive investments in infrastructure to grow their economies.

    This, he pointed out, is something the Chinese have because they have been able to develop their technology to the point that they can now put in place infrastructure of superb quality, which would greatly boost the economies of recipient countries. Prof Oni admonished that in analysing the Chinese aid or borrowing model, African governments and peoples must keep an eye on the big picture and not lose sight of the benefits, if the relationship is strategically aligned to needs and priorities.

    In his contribution, Prof Ukertor Gabriel Moti of Department of Public Administration, University of Abuja, African leaders and administrators have a lot to learn from the way the  Chinese have organised their system to be so efficient, effective and impactful on the lives of their over one billion people; massively cutting out waste and unbridled corruptions. Moti, a leading scholar on burgeoning Sino-African relationship, stressed that through cultural exchanges like HAvis is proposing, greater mutual advantages could be reaped in the cooperation of the two continents.

    Prof Okpe Okpe of Nassarawa University, Keffi, corroborated ProfMoti, stressing that rather than lamenting what seemed for now a lopsided relationship, African countries and their leaders should focus on how to reap immense benefits from the handshake with the leading Asian nation. Reflecting on the possible fear from the West of the emerging dominance of the African economic landscape by China, Okpe said best approach is for African leaders to always approach the Chinese negotiation with the best of their intellectual resources and not just politicians, who are most times clueless about the implication of treaties and policies they signed.

    Deputy Director, National Universities Commission (NUC), Dr. Esther Ogbonnaya-Orji, who represented NUC Executive Secretary, said HAvis indeed, has the potential to transform into a training institute for the creativity industry. She commended the network with the Chinese universityand promised the support of the commission.

    Nike Art  Gallery Chairman, Chief Reuben Okundaye, described arts and culture as means through which Africans should relate more profitably with China and the West. He said art is an area of comparative advantage that should not be neglected by African leaders in their relations with the Chinese.

    On her part, Chief Mrs. Okundaye urged China Cultural counselor to work with experts to develop a programme around local production of dyes, which she said, has become too expensive to import, thus discouraging a lot of young people from venturing into production of adiire (tie & dye) fabrics, which are in high demands both locally and internationally. “If this is done, a lot of disadvantaged women and young people will be productively engaged, and find means livelihood,” she said.

    Among groups and individuals that performed were poetry performance by Oluwaseun Adekoya and Israel Udechukwu as directed by Jerry Adesewo  of Arojah Royal Theatre; The Silhouette; Benue, Enugu and Nassarawa states troupes; Capital Voices Abuja, (CVA); Cef Band and students of Maris School, Abuja. The show was put together by Heritage Africa team led by Jahman Anikulapo, assisted by Jerry Adesewo, HAvis Director of Productions.

  • Oghobase explores Jos landscape, mining in Layers of Time…

    A solo photo exhibition by Abraham Onoriode Oghobase titled Layers of Time and Place: What Lies Beneath will open at Art Twenty One, Eko Hotel and Suites, Victoria Island, Lagos on October 12 at 6pm.

    The idea for exhibition emerged from Oghobase’s first trip to Jos, Plateau State a few years ago. He was fascinated by the vastly different terrain from the urban jungle of Lagos, his own home since birth.

    The large man-made ponds and lakes, which form a prevalent part of the modern landscape of the city of Jos and its surrounding areas, were visually striking.

    When researching its history, the artist discovered the prevalence of mining of tin deposits beginning in 1904, when the British colonial government began mineral exploration in Nigeria’s Northern Protectorate. He became interested in exploring these mining ponds and other traces left behind from the height of the industry, which continued into the early 1970s. Despite its rapid decline following that period, tin mining still continues today in the state on an artisanal and informal scale.

    The resulting body of work, sponsored by Art Twenty One, is a cross-sectional study of moments frozen in time, detailing his experience in and around Jos. The series reveals multiple layers of the artists’ personal encounter with the unique topography of Plateau State – bare grasslands and ancient rock formations, all indelibly scarred by human pursuits of the past and present.

    Digitally altered self-portraits re-imagine British colonial history and systems of power. Self-portraits against dusty and desolate backdrops interrogate the city’s legacy of mining and the adverse effect it has had on the people and surrounding environment.

    An installation of rock specimens in the exhibition space point toward the materiality of the work – digital negatives deconstructed in the lithographic printing process – placed over close-up self-portraits to reinforce the relationship between the natural environment and human experience. The captured, unaltered landscape, littered with the abandoned, ramshackle remains of colonial mining practices, and images revealing artisanal miners and herders all expose a continuum of human activity. What If Austria Had Colonized Nigeria? is a sub-series first presented in 2017 at the Leopold Museum in Vienna, Austria as part of the exhibition Conundrum of the Imagination: On the Paradigm of Exploration and Discovery – curated by Bonaventure SohBejengNdikung and Pauline Doutreluingne – that imagines an alternative history by employing the lithographic printing approach to combine Jos landscapes with images from Austria.

    Layers of Time and Place ultimately aims to provide an opportunity, using history and the self as a framework, to see beyond the image, stretch the limits of perspective and imagination and delve deeper into the sense and meaning of a place.

    Oghobase who was born in Lagos, in 1979 studied at the Yaba College of Technology’s School of Art, Design and Printing in Lagos, majoring in photography. A quest for the purpose of existence has led Oghobase to a unique form of art as he explores issues relating to human emotions and identity against specific socio-economic backdrops, often using himself as material for his performance-based work.

    In recent years, Oghobase has adapted the four-color separation printing technique to build hybrid compositions consisting of monochrome layers of images. Oghobase’s photography has been exhibited widely, including at the Leopold Museum, Vienna (2017), Palais des Beaux Arts (BOZAR), Brussels (2016), Victoria and Albert Museum, London (2014), and KIASMA Museum of Contemporary Art, Helsinki (2011).

  • ‘Invest more in peace education’

    The co-founder & Project Lead of Galaxy4Peace, Precious Ajunwa, has called on the federal government and other stakeholders to invest more in peace education as a panacea for preventing and reducing violent conflict among youths in Nigeria.

    Ajunwa said this at the 5th edition of the annual Sweat4Peace organised in commemoration of the International Day of Peace in Lagos.

    The event brought together over 500 participants from Lagos, Abuja, Port Harcourt and Ibadan to observe the day. The programme also included the first-ever Peace Day School Tour in six schools across Nigeria, and a Peace Meal Dinner Hangout for young people.

    The over 300 children reached, aged between 8 and 17 years old, were also taught about Sustainable Development Goal No. 16 – Peace, Justice and Strong Institutions. The session also evoked brilliant questions and feedback in line with the commitment of Galaxy4Peace to the attainment of global goals.

    Ajunwa said that in these times when hate crimes are on the increase, we must continuously invest and teach children the values of love, peace, forgiveness, empathy, tolerance and non-violence not only on this global day but at all times.

    “It is such ideals that Galaxy4Peace represent, hence our resolve to follow the teachings of Mahatma Gandhi and build a world where peace, unity and love prevails”, she said.

    She noted that with peace education as the most paramount tool to bring positive change, we set out to make a case for investment in education that builds peace through the TeachPeaceEarly program.

    She added that the Peace Day School Tour message focused on three core pillars – dismantling all forms of violence, creating a just and sustainable culture of peace, and telling the Peace Day story.

    Ajunwa noted that the primary aim of the Peace Day is to spread the message of peace, provide an opportunity for young people in Nigeria to uphold the ideals of peace within their environment.

    She said “We want to have them commit to peace despite their inherent differences, while highlighting their roles in achieving SDGs No. 16 – Peace, Justice and Strong Institutions. Sweat4Peace has always served to highlight the need for a coordinated and integrated effort at ensuring efficient delivery of critical peacebuilding goals, and this by a cohesive private and public partnership”

    Sweat4Peace Team Lead, Abuja, AdeboteOluwaseyifunmi challenged youths to become ambassador of peace within their community said. “I strongly believe that this is the most important time for young people to extremely uphold peace, with the 2019 general election around the corner. I’m even more delighted about the consistency over the years and how this program is helping to shape young Nigerians to become global peace ambassadors.”

    Addressing Portharcourt participants, Maureen Aliko said “as humans divided by a thousand and one things achieving inner peace is crucial in reaching an outward peace. As we mark World Peace Day, it is important that everyone is involved in not only putting an end to any challenges that threatens our world peace, but to take crucial steps to guarantee peace is served in any conflicting situation”.