Category: Life – The Midweek Magazine

  • Osinbajo reads to children on World Book Day

    Vice President Yemi Osinbajo read from The Legend: Dr Nnamdi Azikiwe to pupils of L.E.A Primary School, Life Camp, Abuja, as part of activities marking this year’s United Nations World Book and Copyright Day.

    The event tagged “Nigeria Reads” was organised by Rainbow Book Club founded by Mrs Koko Kalango.

    Other dignitaries at the event were the Minister of Education, Mallam Adamu Adamu, FCT Minister Alhaji Muhammed Musa Bello, the UNESCO Country Director, Mr Ydo Yao, represented by Mr Ifeanyi Ajaegbo, and Mrs Kalango.

    After the reading, there was a question and answer session, whereby the Vice President asked the children questions from the book and also answered questions the children had for him. The students asked him questions on issues such as corruption, marriage, life as a Vice President, his childhood, bullying, and ways to regain the country’s lost glory. The Vice President answered their questions intelligently while advising them on ways to be better children to their parents and better citizens to their country.The children presented Osinbajo with a hand-made card and went on to take pictures with him.

    The pupils and staff of the L.E.A. Primary School, Life Camp, Abuja thanked the Vice President for motivating the children to read and for visiting their school. They also remained very grateful to the Rainbow Book Club for creating the opportunity for them to celebrate this year’s World Book and Copyright Day.

    RBC kicked off the Get Nigeria Reading again! Campaign in 2005 with Chimamanda Adichie and since then has enlisted the participation of high profile authors, captains of industries, government officials and celebrities to create awareness of the correlation between reading and building a successful nation.

    Rainbow Book Club has managed the Port Harcourt Book Festival (formerly the Garden City Literary Festival) since 2008. The work of the book club got Port Harcourt nominated as UNESCO World Book Capital 2014.

    The organisation has run over 200 book clubs in primary and secondary schools, set up 13 libraries, organised trainings for over 500 book club facilitators, organised over 42 reading and writing exercises to groom upcoming writers and published some of them. We have also promoted established writers.

  • Three artists for Lagos-Berlin residencies

    Three artists have been selected for this year’s Lagos-Berlin residencies. They are Jumoke Adeyanju (Germany),  Natalia Orendain del Castillo and Ojudun Taiwo Jacob (Nigeria)

    The residency for artists and curators is being held by the Goethe-Institut Nigeria, in partnership with the Center for Art and Urbanistics (ZK/U) in Berlin, the cultural office of local government Berlin Mitte, SAVVY ContemporaryArt Space, Berlin and the Arthouse Foundation in Lagos.

    Adeyanju, an all-round artist, dancer and poet, and Castillo, a Mexican-born visual artist and scenographer, will travel to Lagos in autumn. About the same time, Jacob will start a three- month residency in Berlin.

    “Since its founding in 2015, the aim of the artist’s and curator’s residency in Berlin-Lagos, is to strengthen the dialogue between Germany and Nigeria. It provides an individualised offer to get an insight into the art and culture scene of the city and the partner institutions. They will offer possibilities of exchange, mentoring, making contacts and the presentation of work results,” according to Goethe.

    The first to participate in this project in 2015 was the artist and curator, Folakunle Oshun from Lagos. He supported Emeka Ogboh in working on his solo exhibition, entitled: No food for the lazy man at Galerie Wedding. The following year, performance and video artist, Tito Aderi-Ibitola presented her projects that have been dealing with topics like female identity, gender roles and racism.

    “Thanks to the new partners, Arthouse Foundation, the residency programme could be set up bilaterally in 2018. For the first time: two artists, living and working in Berlin, have the opportunity to come to Lagos for a six-week stay in the cultural capital of western Africa. Two juries in Germany and Nigeria selected the residency holders among more than 60 applications,” Goethe stated.

     

    About the artists

     

    In her country, Castillo started her studies in visual arts specialising in sculpture. With  interest in all-performative arts, she continued her studies in the Kunsthochschule in Berlin Weissensee as a stage and costume designer.

    Since 2012, she has participated in several  experimental, documentary and music theatre productions in Berlin, Frankfurt am Main, Prague, Norway and Mexico.

    Her research focuses on space perception and production, sound as creator of space and the performativity within the everyday; making use of immersive, installative and participatory formats to explore the audience´s experience.

    Jacob is a multimedia performance artist, who lives and works as a performer, chorographer and curator in the Bariga, Lagos. In 2012, he founded the Illuminate Theatre, whose artistic director he has been since.

    He received his choreographic and artistic/conceptual training through his many years of collaboration in the Crown Troupe of Africa in Bariga/Lagos. In particular, the jury was impressed by its strong artistic profile, which he developed in a self-named existentialist style, despite art-far-removed contexts, and by his concept, which deliberately addresses the Western context.  Jacob’s art works have a strong connection to public space using participatory approaches. Galerie Wedding has a specific interest in promoting performative positions in the context of visual art. The jury believes that in residence Jacob’s works could provide crucial artistic impulses for the further development.

    Adeyanju was raised in Aachen, Germany. She studied Area Studies Asia/Africa at the Humboldt University of Berlin, pursuing a Masters in South and Southeast Asia Studies. Jumoke has worked as a research assistant and undergrad-lecturer (teaching on necropolitics, Fanon, charity politics and performing arts in East Africa) at the Humboldt University and Alice Salomon University.

    Prior to her academic journey, Jumoke went into Hip Hop culture as a young dancer.

    In 2012, Jumoke organised the first Break Dance Battle of Zanzibar. She recently joined the newly founded “blackism collective”, a multidisciplinary movement artists collective. They premiered their first piece “(self-)vations” at SAVVY contemporary last month.

    Next to dance and academia, Jumoke has evolved as a host of multiple cultural events and as a multilingual poet. She has been on stage at variousoccasions in Germany, Tanzania and New York performing her poems in English, German, Kiswahili and Yorùbá. Adeyanju is the founder of “The Poetry Meets Series” and co-director of “Ujamaa Culture Centre e.V”, a community center for African-diasporic people, momentarily facilitating exhibitions/installations, african language courses (Twi) and film screenings.

    Jumoke is also a freelance translator (German-English-Kiswahili), (vinyl-)DJ and radio host on Berlin Community Radio for YAASAA – an African media platform.

    She is interested in how various elements of expressive artforms.

  • ‘Africa’s publishing market worth $1b’

    nigerian Publishers Association (NPA) President Mr. Gbadega Adedapo has said despite challenges, the publishing industry contributes over $1 billion to the continent’s Gross Domestic Product (GDP), adding that it is enjoying a cumulative growth rate of six percent yearly.

    He, however, described weak laws and poor enforcement as obstacles in the battles against piracy in the  publishing industry. He said the challenges in the industry were quite many, including mistrust between publishers and authors.

    According to him, “publishing, literacy and access to books are prerequisites for success in life and the development of our countries and continent.

    “We must always remember that strong publishing industries and national cultures of reading are the foundations for socio-economic development and are critical for participation in most areas of life,” he added.

    Adedapo, who spoke at a briefing in Lagos, disclosed that no fewer than 30 publishers from across the globe would attend the international seminar on Publishing for Sustainable Development in Africa today, at the Eko Hotel and Suites, Victoria Island, Lagos.

    The seminar is being organised by the International Publishers Association in partnership with NPA and the Nigerian International Book Fair.

    He stated that some of the most prominent and influential figures from the world of publishing would attend the seminar in Lagos to discuss major challenges and opportunities that could dictate the future of the industry across Africa.

    Adedapo said: “This event is extremely important for the International Publishers Association, the African publishing industry and Nigeria in particular. Not since the 29th International Publishers Association Congress, held in 2012, has there been a more important international event that focuses on the significant progress the African publishing industry is making.

    The seminar will be structured around the theme Publishing for Sustainable Development:The Role of Publishers in Africa,and will consist of six-panel discussions to be held on the sidelines of the Nigeria International Book Fair.

    Topics of discussion include the publishing industry’ssocio-economic contribution to Africa,strengthening African educational publishing, bringing the voice of African writers and publishersto the world, the role of technology in overcoming illiteracy and promoting reading, addressing freedom to publish challenges in Africa and enhancing enforcement of copyright and IP laws.In a statement, IPA President Dr Michiel Kolman said: “This seminar reflects the importance of the African publishing industry and its potential in terms of both cultural and economic progress.

    The topics will not only highlight the challenges being faced but also explore a diverse set of possible solutions.

    “While every nation is different and each market unique, there are still many common goals for publishers across the African continent and this gathering of such distinguished and accomplished guests will certainly help to establish those and move forward in both ambition and action.”

     

    Nigerian International Book Fair Executive Secretary, Mr Abiodun Omotuyi said this year’s fair would focus on the benefits of networking as a theme and how to work together and move the book industry to next level. He stated that 80 per cent of participants at the fair will be at the seminar, assuring that this year’s University of Lagos convocation, which will hold same week will not affect the fair negatively. “Our task is to drive human traffic to the fair,” he added.

  • Preparation for Lagos Ankara Festival in top gear

    National Convener, Lagos Ankara Festival 2018, Mr Wole Oladunjoye,  has said  the sale of Ankara textile materials in Lagos market monthly is worth over N1billion.

    This revenue, he said, would be quadrupled in the first three years of the Ankara festival.

    Oladunjoye, who spoke at a briefing in Lagos on the forthcoming Lagos Ankara Festival, said Ankara textile has become a household name in Africa, particularly in Nigeria where the fabric has been glamorised and made prominent. He said this year’s festival would hold in November at Tafawa Balewa Square, Lagos, describing it as one of the creative events that will drive tourism.

    He said the festival was being organised as an event that  could compete with others, such as Calabar carnival and Rio Carnival in Brazil.

    Ankara is more than colourful fabric as people now go creative in designing other items like shoes, bags, and bangles. This will boost the internally generated revenue of Lagos State. I dream of it daily and we will use the festival to partner state governors in reactivating the ailing textile industry,” he said.

    According to him, the festival was borne out of the need to create laudable initiatives to support Governor Akinwunmi Ambode’s unparalleled vision to make Lagos entertainment and tourism capital of Africa.

    The festival, which will feature exhibition, pageant, carnival and award is also designed to develop a colourful and unique tourism-driven festival that is synonymous with the city of Lagos by attracting Africans and the world.

    Festival National Coordinator Mr. Tunde  Laface said Ankara culture is here to stay as every Owambe party is not complete without Ankara fabric. He said: “The Caribbean’s and Brazilians have built a great carnival culture using their bright, colourful patterned fabrics and way of life as a focal point to attracting millions of tourists yearly to Rio and NottingHill carnivals.’’

    An Assistant Director from Ministry of Tourism, Arts and Culture  Mrs Foluke Oluwasanmi praised the organisers of the festival, saying it is a laudable project not only in attracting internally generated revenues but in empowering the youth and women. She noted that the festival will also bring out the creativity in the people.

    Present at the briefing were Mrs Adenike Dairo, a textile dealer from Balogun Market and Alhaja Risikat Eniola, who represented the Iya Oloja-General, Mrs Folasade Tinubu-Ojo, among others.

  • Recipe for peace, harmony, by monarchs

    The Alaafin of Oyo, Oba Lamidi Olayi-wola Adeyemi 111, has identified fear of predominance of one ethnic zone over another, over-concentration of powers, non-establishment of public accountability for office holders,  and inequitable system of revenue allocation as some of the basic problems facing the country.

    Oba Adeyemi spoke when he paid a courtesy visit on the Sheu of Bornu, Abubakar Umar Garbai El-Kanemi.

    He said the issues were not new, but have metamorphosed and taken various shapes.

    “The ultimate consequences are that they still pose serious threats to peace and national security. And as constant variables in our national consciousness, there should be genuine and concerted efforts towards addressing these challenges to peace and security. Nigeria’s ethnic, sectional and religious diversities ought to serve as source of national unity, cohesion and integration but, unfortunately, this has over the years constituted serious threat to peace, security and national development because the elites have always tended to manipulate these identities for their parochial interests,” he said.

    The monarch noted that settlement of inter-personal, inter-ethic and communal disputes or conflicts is a critical area where traditional rulers could be very central in democratic consolidation and sustainability.

    This, according to him, “is due to the fact that conflict is part and parcel of human coexistence but peaceful resolution of conflict is one of the hallmarks of democracy and development. If we adopt the traditional methods of conflict resolution as alternative to the modern judiciary, it would go a long way in improving our justice system which has not only been over-stretched but also grossly abused.

    “The position here is that the ruler at the centre of traditional justice system could achieve rapid peaceful resolution of inter-personal and communal disputes which have become clog in the wheel of our progress and development. Traditional rulers have been doing this at the local level but this need to be backed and strengthened by formal governmental authority and recognitions.’’

    The paramount ruler pointed out that apart from the advisory role given to the traditional institutions in the democratic dispensation, traditional rulers should be seen as the coordinator of general community development as he has natural capability to successfully act as adjudicator, mediator, intercessor and facilitator of community projects and programme.

    He noted that traditional rulers have been grossly under-utilised given the enormous potential in their offices, positions and influence, adding that traditional rulers should be accorded a pride of place in our development strategies so that ‘’we can fully tap their enormous natural potentials and powers’’.

    Responding, the Sheu of Bornu lauded the visionary leadership qualities of the Alaafin for his untiring efforts in the areas of national developments, social justice, emancipation of traditional institution and human resources development. He said both the old Oyo and Borno Empires present pictures of the society where religious and tribal diversities were harmonised to ensure peace, security, and development.

    Continuing, he said: “In both empires, there were different sub-ethnics and religious groups that co-existed peacefully and where ethnic and religious sentiments were subsumed under societal interests. Nigerians have a duty to work for all that promotes peace and harmonious living. We must be our bothers’ keepers, eschew all acts detrimental to peace, unity and rapid development.”

  • The Change We Need for launch tomorrow

    A Book The Change We Need by a prolific columnist and member of The Guardian Editorial Board Dr. Luke Onyekakeyah will be launched tomorrow at the Chartered Institute of Bankers’ Hall, Victoria Island, Lagos at 11am.
    The 248-page book x-rays topical contemporary issues on the Nigerian condition specifically politics, governance, economy, oil and gas, education and infrastructure.
    Head of English Department, University of Lagos, Professor Hope Eghagha, wrote the foreword of the book.
    ‘’The occasion will provide a room for detailed discussion of our country and its redemption,’’ a statement by the organisers said.

  • 29 years after, Tola Wewe’s missing painting resurfaces

    Barely two months after Ben Enwonwu’s painting Tutu (1974), which was allegedly stolen years ago, resurfaced and sold for one million pounds at Bonhams auction in London, Tola Wewe’s 1989 painting titled: Iye Boabo that was allegedly stolen has been uncovered by Nigeria’s leading auctioneer, Arthouse Contemporary.

    The 29-year-old painting was uncovered during exchange of mails between Arthouse Contemporary and Wewe as part of authentication of artworks for this month’s edition of Arthouse auction.

    The former Ondo State Commissioner for Art and Culture, who spoke with Art writers in Lagos, recalled that Iye Boabo was among paintings he exhibited at the Obafemi Awolowo University, Ile- Ife, after a group show organised by the Ona Movement at Institute of African Studies, University of Ibadan in 1989.

    He said the group exhibition, which also featured works by Moyo Okediji, Tunde Nasiru, Bolaji Campbell, and Kunle Filani   launched the Ona Movement.

    “I was compelled to keep all my unsold paintings with Moyo Okediji because I did not have a car and Okediji was a lecturer there at Ife. I was a teacher at Ondo then. It was not only my works that were there then. The works of other four artists were there too.

    “Eventually, Okediji left for the US for further studies, leaving the works behind in the house. Unfortunately, the house got burgled. I would have discovered this earlier when I saw Okediji’s paintings at Fench church framers in 1996. But, I was not sure if he had sold them. And take note that communication was not as fast as it is now. Years after we met, I told Okediji of my experience and he said the works were part of our collections stolen from his house,” he recalled.

    Wewe disclosed that the uncovering of the stolen painting was made possible when Arthouse sent him a mail requesting his authentication of the ‘stolen’ painting that was submitted by a Lagos-based art collector for May auction.

    “On April 18, 2018, I got an email from Arthouse seeking my authentication of Iye Boabo like I used to do. I sent a mail to Okediji informing him of the news. Arthouse, mail reads: ‘Chief Tola, Hope this finds you well. The attached work has been submitted for our coming auction. We kindly request your assistance with the following information; title, medium and artist statement. We look forward to hearing from you’.”

    “I responded with a mail to Arthouse thus: “The painting is mine. I have the title and the story that inspired the painting. I am very pleased to discover this painting is still living because I have been looking for it since late 80s. I will be glad to know who the collector is, and probably agree on some terms before giving you further details on the work. Thank you for your quick response.

    “After few days of no response from Arthouse, I switched to Whatsapp reminding Arthouse Manager Nana Sonoiki that I was still waiting for a response. She replied that she has forwarded my mail to the owner of the painting. I told her we need to act quickly because I may be forced to make the issue public. Her response: ‘How? That we stole your work?’

    I replied that ‘Arthouse has no problem with me because it is my saviour and if not for an institution like Arthouse, how would I have seen the painting? Kindly tell him to link up with me.’ From then onward, it stopped communicating with me.”

    Wewe, who puts the value of Iye Boabo at over N20 million, which he said, is under-pricing, said that Iye Boabo is not a mere two-dimensional piece splashed with paintings. “Art is my life and soul. It is what I have laboured for. As at the time I produced the work, many of my colleagues do not paint because it was unaffordable. I was earning about N500 a month. I was committing all my resources into art and we were not selling. It was like a religion for me and it was from my life saving. So, for a collector to flash the work and want to lay claim to it is unacceptable. I will not at this period be in a haste to indict ArtHouse until further investigation. I have a feeling that this may provide a link to the whereabouts of the other works. Okedeiji lost all his entire collection. I lost about 20 to 30 paintings, which were my early paintings,” he added.

    Wewe’s major concerns include reclaiming his painting, knowing the collector, knowing how he got it and knowing where other paintings are. “If civil persuasion fails, I may resort to legal action,” he said feeling unhappy about the huge loss.

    When Sonoiki was contacted on telephone, she said: “I am disappointed in the action of Tola Wewe to call a press conference on this matter. I wrote him notifying him of the painting. I expected him to wait a little in order to get a feedback from the owner of the painting instead of going to the press. Now that he has gone this far, he can go to court if he feels so. However, Arthouse has not presented the painting for auction.”

  • FESTAC ’17: Rebirth of art, culture

    THE University of Ibadan, Oyo State, came alive with artistic and dramatic activities when organisers of FESTAC ’17 gathered young creatives at its Arts Theatre.

    With the theme “Art: past, present and future”,  the event, which was inspired by FESTAC 77, featured a lecture, performances and art and fashion exhibition and was anchored by radio presenters Official Fearless and Adeyinka.

    It was graced by celebrities, including Hafeez Oyetoro (Saka); Ali Baba; Project Fame 5th edition winner Adetoun Adekoya; 2017 Miss Nigeria Mildred Ehiguese; Oshisko twins; Peteru; Floyd Igbo and Khadija Adeola.

    It also featured upcoming artists like Puffy, Timi O.J., Judo and Oche.

    According to the creative director of FESTAC ’17, Damilola Akanbi, the project was borne out of the need to revive our art and culture(s), to educate secondary school students and inspire likeness for art.

    “I realised that art is gradually reclining in our society during the course of my service days where I discovered in secondary schools that students were rarely informed about art, worse, there were no art teachers in those schools due to the negative impression they have about art. It also aimed at advertising artists who are bent on retaining their love for art through their works.  FESTAC ’17 created this platform for artists, non-artists and would-be-artistes. Hence I sought to revive FESTAC ’77 by turning back it to become 17, instead of ’77. ’17, which is short for 2017, the year the initiative was conceived.

    “The brand, April Touches, which I founded, has taken it upon itself to bring back the culture. It’s time we push the vision.  Art isn’t just drawing and painting. We should be informed about the openness of art to various sectors and the economy”. He went on to say that the initiative would go beyond Ibadan.  In subsequent years, it’d be reenacted in Lagos, southwest, across Nigeria and, subsequently internationally,” Akanbi said.

    FESTAC’17 began a display of clothings by clothiers, such as Tife Wears and Wande couture; artworks; and literatures. The energetic dance performances by the duo Anu and Alex, and Timi O. J. threw the audience into a feat of excitement. The spokenwords by Timi O.J., and playlets and comedy by two theatre companies – House of Dramedy and Apian Way – drew also loud applause from the audience.

    While Igbo gave the lecture on the theme, a stage director Okwong Fadamana,  noted that “art is a representation of things in diverse forms”.

    Akanbi hails from Abeokuta, Ogun State where he had his tertiary education, and is an event manager and set designers. He studied Creative art at Tai Solarin University of Education. He is having his masters in Theatre Arts, University of Ibadan.

    The event was sponsored By Ella’s Touch, Slay with Desyde, Film Rats Club, Apian way Theatre, Buzzy Body and T. Light.

  • Discover Nigeria unveils tourism website

    UNITED Kingdom-based Nigerian entrepreneur and Director, Discover Nigeria, Mr. Toju Francisco Da-Silva, has unveiled a new platform for the promotion of tourism as well as other business opportunities.

    He stated that there were many tourism potential that were untapped in the country, adding that if Nigeria begins to key into them, it will help attract the rest of the world.

    Speaking at the unveiling of the website in Lagos, Da-Silva said the focus of the idea is to promote Nigeria on digitalised platform, which he said,would allow individuals tap into areas where they have interests.

    He added that the directory link on the website is where to access the opportunities, such as pitching long-term business ideas that will attract foreign investors. But he stressed that such an individual must register as a member to get a chance of meeting big European investors in September in London, among others.

    Da-Silva said the Discover Nigeria is committed to partnering organisations, such as the Federation of Tourism Association of Nigeria (FTAN), state ministries of Tourism and Nigeria Tourism Development Corporation (NTDC). He disclosed that discussions had started with NTDC through its director-general.

    “We have an idea on how we can generate income for the government and grow the tourism potential in the country,” he added.

    According to him, through Discover Nigeria website, ‘’we want to reach out to those who don’t have opportunities. The focus of the event is to introduce Discover Nigeria, so from now, what we will be doing is to build up on our events. There is a new event we are working on which is holding in September in London. We will be giving feedback to partners, agencies and government here in Nigeria and also in the United Kingdom’’.

    Continuing, he said: “At the event in UK, we will be expecting successful Nigeria business owners and UK business owners. For us, if we need to get the type of investment and development we require, we need to promote the tourism potential of Nigeria. The directory provides a list of companies and individuals who have been vetted by us. The directory will be provided by us.”

  • Lagos SSG, wife bid tearful bye to ‘dear dad’

    The remains of the founder of Ibidapo Contracting Services Limited, Chief Meshack Ibidapo, were buried last Friday at Atan Private Cemetery in Yaba, Lagos, after a funeral service at the African Church Arch Cathedral Bethel, Broad Street, Lagos. OLATUNDE ODEBIYI writes.

    Tears flowed freely last Friday as the remains of the founder of Ibidapo Contracting Services Limited, Chief  Meshack Ibidapo were buried at Atan Private Cemetery in Yaba, Lagos State.

    The late Chief Ibidapo, was the father-in-law to the Lagos Secretary to the State Government (SSG), Tunji Bello.

    The late Chief Ibidapo was buried about 3:19 pm. He died on April 3. He was 89.

    Chief Ibidapo worked with Barclays Bank (now Union Bank Plc). He was married to Jadesola on February 15, 1951 and had eight children. He was born on November 7, 1928 into the family of late Pa Samuel Ibidapo Okunrinboye and Deborah Ibidapo (nee Ogunbadewa).  He has royalty flowing in him from both the paternal and maternal sides. From the paternal side, he is part of the esteemed Olokubobade family of Owo. The Okunrinboye axis is just one of the five branches of the tree holding the Olokubobade royal pedigree.

    Dignitaries, including wife of the Lagos State Governor, Mrs Bolanle Ambode;  Leader, House of Representatives, Femi Gbajabiamila and mother of the Senate President, Morenike Saraki attended the funeral.

    Others were the Chief Executive Officer/Managing Director, Vintage Press Limited, publishers of The Nation, Victor Ifijeh; the Executive Director, Finance and Administration, Ade Odunewu and Editor, Daily, Gbenga Omotoso; Vice Chancellor, Lagos State University (LASU), Prof Olanrewaju Fagbohun and Femi Falana (SAN), among others.

    The ceremony began last Wednesday with service of songs at the deceased home; while the wake was held at Eko Club in Surulere on Thursday.

    At the burial service held at the African Church ArchCathedral Bethel, Broad Street, Lagos on Friday, the Bishop of Ife/Oshogbo Diocese of the African Church, Rt Rev IlesanmiAdekunle, in his sermon said Ibidapo died at a good old age, adding that he lived a good life.

    The cleric said: “Baba lived a fulfilled life. I learnt a lot from him, there was never a dull moment in his life and I always went to him to get refreshed. He touched the lives of many; the wake was full of testimonials of the good life he lived. ”

    The cleric described the late Ibidapo as a man who encouraged and supported all, adding that he benefited greatly from him.

    All roads leading to Eko Club in Surulere, the venue of the reception, were filled as a result of the ceremony.  It took the intervention of the various security officials, including the Lagos State Traffic Management Authority (LASTMA), to coordinate traffic. Many of the guests walked under the hot sun to the venue. They left their drivers to continue in the traffic. The hall was filled. The hall decoration was classy. It was a time to eat, dine and dance as the live band dished out songs to guests’ delight. Each of the the late Chief Ibidapo’s children had their session to dance, as they were joined by families and friends.

    Fagbohun said the late Ibidapo was a man of character and  integrity.”I thank God for the life he lived.  He passed that character of integrity to his children and he lived a life that is worthy of emulation for this generation. Baba left resounding legacies of transparency and kindness. He was a good man and everyone has been saying good things about him,” the VC said.

    Bello said the deceased was a father to him. ”To me, he was not a father in-law, he was my father.  He was a great man and I learnt a lot from him. When he was alive, one would never know if he was rich or not. He was a simple man and for that reason, I admired him.

    “He was a man that lived within his means and he taught us not to live outside what we can afford.  He was a generous giver.

    “Most of my children grew up with him; he took care of many people’s children and they are all doing fine today.  There was no one who met him and would not have something to learn from him. He distinguished himself in all things and he always thought about the lives of others and he took good care of all his workers. I will miss him because there is no one to advise me again like he does. No one to tell me things the way they are,” he said.

    Pa Ibidapo’s first child, Captain  Samuel Ibidapo (rtd), a pilot, said his father was a strong man.” His life is worthy of emulation. He gave all his children the best education and we are all well to do in our various fields. He was a philanthropist. I will miss him for his fatherly advice. He was a man I could always go to anytime I needed advice. He taught us to be upright, devoted in our work and to save for the rainy day and not spend all your earnings.

    Wife of Tunji Bello, Prof Ibiyemi, the sixth child of the deceased, said her father was loving and cared for the family.

    “We never lacked anything. He made sure his children are educated and he encouraged us to aspire to be great. He encouraged us to excel in life and be able to stand on our own; he was a cheerful giver and a wonderful man.

    “He taught us integrity, he taught us to know that we must never owe anybody. He taught us so many things about life and, all his words to us have made us who we are today.

    “I will miss him a lot, for his love and generosity. He left legacies of integrity, love, truthfulness and to be a cheerful giver.”

    A son in-law to the deceased, Bode Dawodu, a civil servant, said his father in-law was a generous man that has his family in mind.

    He said: “He will always advise us; he took all of us in-laws as his own children.  He is a giver and a lover of all. He was a man everyone can trust and hold on to.”