Category: Life – The Midweek Magazine

  • Tourism Minister unveils Kosoko Museum, pledges support

    Tourism Minister unveils Kosoko Museum, pledges support

    Minister for Tourism Lola Ade-John has described museums as beacons of enlightenment that foster understanding and appreciation of the past while guiding the future development of the society. She said in a globalization world and technological advancement, institutions like museum projects authenticity and reminds us of the nation’s beauty and complexity.

    “Museums, beyond artifacts, serve as beacons of enlightenment, fostering understanding and appreciation of our past while guiding our future steps. In a world of globalisation and technological advancement, institutions like this museum project authenticity, reminding us of our country’s beauty and complexity.

    “As the Federal Ministry of Tourism, it is crucial to recognise and harness cultural institutions’ immense potential in advancing our national tourism agenda. Collaborating with the museum presents opportunities to promote cultural tourism, drive economic growth, and foster social cohesion,” she said. Ade-John spoke at the unveiling of King Kosoko Memorial Museum, Ereko Street, Lagos penultimate Thursday.     

    She said the unveiling of the museum provided opportunity to explore the vital nexus between cultural heritage, tourism and the pivotal role of institutions like King Kosoko Memorial Museum in shaping our collective narrative.

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    “As we convene within the halls of this esteemed museum, we’re reminded of the rich history that defines Nigeria, particularly Lagos State. The King Kosoko Memorial Museum preserves and showcases our forebears’ legacies, echoing stories of resilience, creativity, and cultural diversity that shape our identity,” she added.

     According to the minister, some areas partnership between King Kosoko Memorial Museum and the Federal Ministry of Tourism will include promotion of cultural tourism, capacity building and cultural exchange programmes.

    “Let me reaffirm our commitment to preserving, promoting, and celebrating Nigeria’s rich cultural heritage. Through alliance with the Federal Ministry of Tourism, the King Kosoko Memorial Museum can realise its potential as a driver of sustainable tourism development.

    I don’t know we have a gem here. We will do everything possible to attract visitors here. In conjunction with the presidency, we will ensure that our future budget will help to bring investors to finance some of the developments here that have already started.

    Speaking on behalf of King Kosoko royal family, General Secretary Prince Sikiru Adeoye Kosoko said the family was impressed with the presence of Minister of Tourism Lola Ade-John, saying it is a thing of joy to be alive to witness the changes and development taking place in the palace under the leadership of the Oloja-elect Dr. Abiola Olojo Kosoko.

    “Dr. Abiola Olojo Kosoko is a great asset to King Kosoko royal family, royal families in Lagos and Lagos State in general. Victory is an achievement to all members of King Kosoko royal family both at home and diaspora,” he said.

    Oloja of Lagos-elect and Chief Curator of the museum, Prince Abiola Olojo-Kosoko disclosed that upgrading the museum will be the next project, which will be in sections. This, he said, is to enable visitors to the museum to identify which aspects they want to research on. “But right now, we are having issues with finances and I hope going by her own words, she will do the needful and see what happens from all these,” he said.

    On how to involve professionals to preserve and document the contents of the museum, Olojo-Kosoko explained that the family is still using its private consultant and that it took the family 17 months to put the museum together. “But it took us this long because of the leadership tussle over the Oloja of Lagos title. I am not the only one that contested, we were about 11 and was shortlisted to 3 and I merged the chosen one. And some people are not still happy that I am the one chosen but I don’t need to wait because they were holding me down and that took me this long to bring this out.

    “I want to make Kosoko dynasty not to be involved in competition. We decide what happened in the traditional leadership and authority. We don’t need to start competing, let people see us as models. This will also help us to project, promote and preserve our history,” he assured.

  • Women seek more NDE support

    Women seek more NDE support

    National President of Nigerian League of Women Voters (NILOWV) Mrs. Mangu Pado Irene has said that the impact of the National Directorate of Employment (NDE) is not only being felt among the women, but that there are authentic data on NDE trainings and empowerment enjoyed by the Nigerian women. Mrs Irene who spoke at a thank you visit to Director-General of the (NDE), Mallam Abubakar Nuhu Fikpo, said members of the league need more retraining and empowerment. “Many of us have been trained al binitio but we need retraining and empowerment, NDE has done these for us effectively”

    She acknowledged that NILOWV’s partnership with the NDE has been highly fruitful and that the Directorate should be well appreciated by the women. She added that like Oliver Twist, the group wanted more assistance from the NDE.

    “Our relationship with the NDE has been great; we shall put it on the media that NDE has been highly impactful on NILOWV, We are women of diverse background who have benefited immensely from the NDE, however, we are here again as Oliver Twist because of the high level of poverty especially among women due to the present economy of our country”.

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    “We need more assistance in the area of empowerment. Please, push us further away from poverty”.

    The President explained that NILOWV beneficiaries nationwide have been formed into clusters to make assistance and empowerment seamless.

    “Farmers among us need to be encouraged to do more. They need assistance in the storage of their farm produce. Youths among us also need trainings on home use products, techs and the ICT”.

    Responding, the Director-General of the NDE appreciates NILOWV for its thank you visit and the gospel of the NDE being spread by the organization.

    “We are happy you told others that NDE is impactful, for that, we shall strengthen our partnership”.

    He disclosed that a Desk Officer was appointed by the NDE to ensure that NILOWV is well catered for.

    “We agreed on a percentage which NDE has abided with nationwide. NDE programmes are regular, so, we shall continue to provide support for NILOWV especially now that you are formed into clusters”.

    The Director-General used the opportunity to call on the unemployed in the country to embrace the job opportunities provided nationwide by the NDE and bail themselves out of poverty.

  • Thought Pyramid lifts artist with cash

    Thought Pyramid lifts artist with cash

    Miss Ene Yakno-Abasi Jessicah emerged winner of the grand prize at this year’s Next of Kin art competition and exhibition series 6, held at Thought Pyramid Art Centre, Ikoyi Lagos penultimate Sunday. She outclassed 19 other artists to win the N500,000 cash prize, which she will use to fund her solo exhibition  next year.

    Ene is an emerging abstract realism artist based in Lagos. She was one of the best graduating students of the Department of Fine Arts at the University of Uyo, Akwa-Ibom State, where she earned Bachelor’s Degree in Fine and Applied Arts with specialisation in Textiles.

    The finalists at the Next of Kin Series 6 include Martin Senkugbuge (Uganda), Adenuga John Opeyemi, Emeka Amadi, Victoria Ndubuisi,  Elie Hatungimana (Rwanda), Opara Courage, Oladeji Emmanuel Adeniji, Joseph Miegbolabofagha Daya and  Adenle Olukunle Sunday. Others are Cliff Kibuuka (Uganda), Omoyeni Ogedengbe, Mek-Abasi Effiong, Chinedu Raphael Chidebe, Abdlquadr Olamide Ojelade, Abdulrazaq A Titilayo, Awoleye David Olusegun, Betzalel Alvin, Jayeola Damilola Joshua and Evans Akanyijuka (Uganda).

    The exhibition with the theme Renewed Hope opened to public last Monday featuring artworks by no fewer than 20 Nigerian and foreign artists. The exhibition titled The continental season organised by Thought Pyramid Art Centre, Ikoyi Lagos, will run till April 30.

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    Next of Kin Director and Coordinator, Mr.  Ovie Omatsola said this year’s season marked a departure from tradition by extending its scope beyond Nigeria’s borders for the first time. He noted that four non-Nigerian visual artists were selected from across the continent to join the twenty finalists, emphasizing Next of Kin’s commitment to redefining boundaries, encouraging creative dialogue, and honoring artistic brilliance internationally.

    “For the first time in our history, Next of Kin Series 6 welcomed applications from artists outside Nigeria. This continental expansion has enriched the Next of Kin exhibition with diverse perspectives and creative expressions,” he added. This change, he said, allows organisers to showcase more talent, providing a larger platform for artists to exhibit their work and gain recognition. The selected finalists for Next of Kin Series 6 explore the theme Renewed hope. The artists interpreted this theme creatively across various artistic media excluding performance art.

    Next of Kin is a yearly juried art project that is both a competition and an exhibition. The sixth edition is where the new generation of artists are guided, supported and mentored at the initial stages of their career where it matters the most. Next of Kin contributes to the development of fresh talents.

    Anthonia Nnneji, Christian Allison, Ikechukwu Ezeigwe, Olalekan Adeyemi and Idowu Emmanuel are three of the five previous winners of Next of Kin and since achieving that feat, they have gone ahead to dominate their respective art specializations both locally and internationally. 

    Next of Kin is an art initiative created to plan and prepare the future of art in Nigeria by discovering from the hoard of current emerging artists- one who possesses that peculiar artistic originality and creative disruptiveness with transcending futuristic abilities and traits. The success of Next of Kin lies in the unearthing of such talents.

    General Manager Nigerian Machine Tools (NMT),  Obehi Ojeaga said the project is in sync with the vision of NMT in promoting creativity. Mr. Korede Dada Idowu of Trust Banc, one of the main sponsors of the project,  said the bank believes in the power of art to inspire, provoke thought and unite communities, adding that by supporting the exhibition, ‘we aim to not only showcase exceptional artistic talent but also to underscore our commitment to fostering cultural vibrancy and innovation.’ 

    “We believe that true financial success is fueled by vision and imagination. Just as artist creates a masterpiece the connection between finance and creativity births magic,” he added. Idowu reiterated that it is Trust Banc’s vision to continue the legacy of discovery and empowerment, ensuring that Nigerian art continues to thrive and evolve.

  • Pelumi Nubi: Challenges on my London to Lagos 68-day journey

    Pelumi Nubi: Challenges on my London to Lagos 68-day journey

    Pelumi Nubi recounts experience in the dersert, borders, ALAO ABIODUN reports.

    In 1966, 27-year-old Newton Jibunor, an environmentalist, completed a solo drive from the UK to Nigeria through the Sahara Desert. 58 years later, history has repeated itself in the form of 28-year-old Pelumi Nubi, who concluded a 68-day solo drive from London through 16 other countries, to Lagos.

    In spite of the inclement weather, Pelumi embarked on the daring journey looking on the brighter side. Her driving took her through interesting landmarks across different countries.

    Pelumi’s latest feat reminds all and sundry of the audacious 46-year-old cyclist Kunle Adeyanju also known as “The Lion Heart”, who completed London-to-Lagos trip with his motorbike in 2022. He embarked on this trans-continental journey to raise funds for Rotary International’s fight against polio.

    The journey took him approximately, forty-one days; he travelled 13,000 kilometres (8,100 miles) through 11 countries and 31 cities before he arrived at his final destination Lagos, Nigeria.

    Also, in 2022, another UK-based Nigerian, Babatunde Tomori, drove a Volkswagen passenger bus, the brand most often used for danfo, from London to Lagos. He set out in June 2022, and arrived in Nigeria on August 5, 2022.

    Born in Lagos, Pelumi moved to Croydon, South London with her family at age 10. When faced with hostility from her school peers, she found solace in the library. At university she came across a global exchange programme that offered a heavily-discounted trip to India.

    The experience helped and shaped her in using her free time as a student to travel to practically every country in Europe, using low-cost carriers. Her first project was co-founding The Black Explorer, a premium-feel print magazine aiming to amplify black travel

    Pelumi graduated with a First Class honours degree in medical science and started a PhD in human genetics and cancer research before she quit.

    She said: “A lot of people called me crazy – I know I’m trying to do the impossible, but it’s the right thing for me. Life is short – so why not step out of your comfort zone? It might encourage you to try lots of other impossible things, too. I’m a traveller at heart, and I was craving this big adventure.”

    While studying for her PhD at Coventry University, Pelumi started seeing stories of people travelling to Lagos through unconventional modes of transport, like bikes.

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    She wondered whether it would be possible to go the distance by car – particularly one which wasn’t designed to drive on all-terrain, like a 4×4.

     The Journey

     A life of adventure is what some people like Pelumi wear like a second skin. Pelumi knew from the onset that the ride would be the ultimate test of human endurance and anything could go wrong.

    Pelumi’s journey, which began on January 30, 2024, was filled with challenges, including being denied entry to Sierra Leone at the border and dealing with an accident in the Ivory Coast. The delays necessitated a shift in her arrival from the initial date of March 23 to Sunday, April 7, 2024.

    Pelumi began her journey in January from England, crossed into France, Spain and headed for Morocco then through the West Sahara Desert, Mauritania, Senegal, The Gambia, Guinea-Bissau, Guinea, Sierra Leone, Liberia, Mali, Burkina Faso, Côte d’Ivoire, Ghana, Togo, Benin before finally entering Lagos.

    Pelumi said her journey: “Has shown that it is possible, anything and everything you want is possible, you can do it, so go after it with all you’ve got, with all your energy, with all your life”.

    However, her resilience and determination enabled her to overcome these obstacles and finally arrive in Lagos on April 7, 2024, where she received a heroic welcome from the Lagos State Government.

    She said: “I’ve been a traveller. I’ve travelled to so many places, explored so many cultures and each time I was travelling, it was mostly to like Europe, Asia but my own continent, I barely has any footprint there so I was like I wanna explore more of this place I was born into.

    “I was born in Lagos, Nigeria, and grew up in the UK, and each time I came home, I just flew for 6 hours … but then, there is this West African region I haven’t really met myself into, and I wanted to.

    “So, I started Googling ‘overland travel’ and I just did not see people that looked like me, there was no explorers like just being showcased in the media and I was like this needs to be changed in terms of travel, why is that story not been told, why is the African nation in terms of tourism not been explored”.

     Timeline

     Pelumi began her journey on January 31, heading from London to Paris, France. On February 4, she crossed from Paris into Barcelona in Spain.

    By February 10, Pelumi had made it Morocco in North Africa. Her journey was not without challenges. On February 18, she had to go for an eye treatment before traversing the Sahara Desert.

    On February 20, she crossed the Sahara Desert into Mauritania. On March 2, she made it to Senegal.

    On March 8, Pelumi’s journey had reached The Gambia and Guinea Bissau on the 13th. By this time, rough roads had begun to take their toll on her car.

    By March 19, she was to enter Sierra Leone when she was temporarily halted by the authorities who refused her entry because her car was a right-hand drive. This delay would postpone her arrival date from March 23 to April 7.

    On March 24, she was again refused entry, this time at the Liberian border. She finally gained entry on March 25 after the intervention of the Nigerian Embassy in Liberia. She would later on that day post on Instagram that she suffered an accident with her car in Liberia.

     Recounting her challenges, Ms Nubi said: “The most difficult and longest border I stayed at was Liberia, which was two nights. For me, the Sahara Desert has one of the best roads I drove on, and Guinea has one of the worst roads.

    “Some days I drove for 10 hours, some, one hour, while there are days I didn’t drive at all. So, understanding what my body needed, especially as a woman, we have our monthly time. It was important to know when I was exhausted.

    “I had eye issues in Morroco, and I was in an accident in the Ivory Coast, but I just prioritised my health over anything else.”

     UNILAG warm reception

     The University of Lagos was agog for several hours when Pelumi arrived the campus, the terminal point of her journey.

    After 68 days of driving, Pelumi arrived the main gate of the University of Lagos at exactly 2:25 p.m. where she was greeted with carnival-like performances courtesy of students of Creative Arts Department and University of Lagos International School (ISL) as well as cheers from the crowd of admirers and well wishers.

    Pelumi proceeded in a slow drive to the Senate House Quadrangle of UNILAG where she parked her car which was nicknamed her travel buddy “Lumi the car”.

    She was formally received by members of UNILAG Management led by the Vice-Chancellor, Prof Folasade Ogunsola. Prof. Ogunsola saluted her courage and indomitable spirit, adjudging it a further attestation to the “unbreakable spirit” Nigerians are made of.

     She challenged students of the university to take cues from Pelumi by pursuing their ambitions with whatever they have at the moment and not wait for anything or anyone.

    Prof. Ogunsola applauded Pelumi for triumphing over racism and all the dangers along the entire road stretch, describing her as “courageous”.

    She said: “With this, you have joined the league of notable women like Olufunmilayo Ransome-Kuti, Margaret Ekpo, Queen Amina of Zaria among several others who have achieved milestones and shattered records”.

    Other speakers at the ceremony included renowned Environmentalist and Businessman, Dr. Newton Jibunoh who broke the record as the first Nigerian to drive from London to Nigeria (56 years ago and at the age of 27 years); Chairman/CEO, Nigerians in Diaspora Commission (NIDCOM), Hon. Abike Dabiri-Erewa and former Nigerian Ambassador to Spain; Nimi Akinkugbe.

     Pelumi’s elated parents

     Prof Timothy and Olubukola Nubi speaking in a joint interview said: “What looks to you people as content creation was a nightmare for us. It has been two months of fun to the whole world but not to us. We are believers in God. We kept on relying in the power of her name Oluwapelumi. (God is with me).”

    Her parents said they expected the most challenging part to be when she was travelling across the Sahara Desert. “We thought that getting to the West African borders would be fun. But we found that that was where the challenges were. But we thank God that all has ended in praise.”

     Sanwo-Olu’s gesture

     When Lagos State Governor Babajide Sanwo-Olu received Pelumi, it came with a huge surprise and reward. Her respectable act of kneeling caught the attention of many. 

    The governor rewarded her with a house, car and named her Lagos Tourism Ambassador.

    She was accompanied by her parents, Prof. Timothy and Olubukola; the Chief Executive Officer/Chairman, Nigerians in Diaspora Commission, Hon. Abike Dabiri-Erewa, and the vice chancellor of the University of Lagos (UNILAG), Prof. Folashade Ogunsola at the Lagos House, Marina.

    While presenting the keys to the house and a branded LAGRIDE vehicle with customised number plate NUBI 9JA to the 28-year-old adventurer, assured the travel content creator that the state government would write off the entire bill for her solo drive from London to Lagos.

    He charged Pelumi Nubi to use her platform to showcase the rich cultural values and aesthetics of Lagos to the world, which are part of her responsibilities as Lagos Tourism Ambassador.

    Sanwo-Olu said President Bola Tinubu was aware that Pelumi is back in the country and willing to meet with her.

    He said Lagos’ gesture to Pelumi is not really about the gifts and heroic welcome given to her, but to encourage more women to break barriers and compete favourably with their male counterparts in any sphere of life.

    “Your experience and journey, which lasted over 68 days, are indeed very inspirational and you have actually shifted mountains. This is indeed a true African and Lagos spirit that you demonstrated. It is a true Nigerian capability that you have demonstrated, but more importantly, this is a story of Lagos no dey carry last.

    “For us in Lagos, we will work with your planners to see how we further celebrate you. And it is not really about you being the one celebrating; it is about the future.

    It is about the girl-child. It is about the power of possibilities. It is about the power of the mind. You are a complete African story that we can showcase,” Sanwo-Olu said.

    Julius Aregbe, Special Adviser on Tourism, Arts and Culture in Lagos, applauded Pelumi for “demonstrating a can-do spirit”.

    He also described the travel content creator as a “role model for other young Lagosians”.

    Car finally rests at Lagos Museum

     Pelumi’s car nicknamed Lumi, a Peugeot 107, was an integral part of Pelumi’s 68-day-long adventure

    Lumi’s new place will now be the Lagos State Brand New J Randle Center for Yoruba Culture and History as a monumental gift where tourists will have the opportunity to catch a glimpse of the ride.

    By donating Lumi to the Lagos Museum, Pelumi hopes to inspire others to embark on their exciting adventures and explore the world.

    From being driven through the Sahara Desert, a fatal accident, and long drives both day and night, Lumi stood the test of time.

    Pelumi said, “My dearest Lumi, I had my most vulnerable moments with you, and it’s only right that I let the world experience how tough you are (just like me).”

    “The car tears and deep conversations I had with you like you were human will forever be remembered. I can’t wait to watch all of our videos we both went through it.”

     Pelumi’s next steps

     Pelumi said she is passionate about travelling and will continue to explore while inspiring others, especially women, to step out of their comfort zone to get things done.

    “I have always being a traveller. I have travelled to over 80 countries, and I am going to continue, I am not going to stop suddenly,” she said.

    “I want to continue to inspire the young generation in the educational service as well as policy changes, especially with our border control. We need to do better to make sure that Africa is a free continent to travel to.”

    For Pelumi, this sterling accomplishment is due to her grit, hard work, perseverance and determination. This is indeed a motivation for many young Nigerians in constant pursuit of excellence in their various callings.

    Her feat has brought glory not just to her, but also to her country, Nigeria, Africa, and the black world. It is a reflection of her resilience and passion. It also embodies the true spirit of doggedness and tenacity of purpose.

  • An evening with nine poets

    An evening with nine poets

    By Lanre Idowu

    With words and music, mime and dance, nine performance poets serenaded their audience with their interpretations of selected poems of the literary giant, Professor Wole Soyinka Thursday evening at the Eko Hotel, Victoria Island.

    It was the occasion of the annual celebration of World Poetry Day on March 21 as declared by UNESCO in 1999. Organised for the fifth time in Nigeria by Providus Bank under its CSR initiative, it was an event that featured nine poets—six from Nigeria and three others from Kenya, Qatar, and the UK.

    Although previous editions had centred on development issues especially those concerning the environment, education, gender-sensitivity and inclusivity, the 2024 edition was designed to flag off Soyinka’s imminent entry into the Club of Nonagenarians.

    It was presented as a conversation around Soyinka’s poetry. Each poet was tasked with picking two poems of Soyinka’s for appraisal and providing a poetic response. Hence, it was headlined, “Engaging the Quintessential Poet Wole Soyinka @ 90”. And what a delightful two hour outing it was.

    Evelyn Osagie’s opening act reminded the audience of the evil of banditry as captured in Soyinka’s ode to Leah Sharibu, the young Christian girl who was stolen from boarding school by godless animals in northern Nigeria and remains a hostage for refusing to renounce her faith and standing up to evil men.

    For as long as she remains a slave of the filthy pigs, Evelyn said that we are all hostages to bloodied hands that suck unformed breasts and the matter “is no longer Leah”.

    Other acts followed in quick succession, connecting with the audience with words, movements, and music that brought their hearts alive, and set their minds, thinking.

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    Owoicho Oko, Uche Uwadinachi, Ngwatilo Mawiyoo (Kenya), Salamatu Sule, Ruth Mahogany, Akeem Lasisi, Malika Booker (UK), and Natalie Handal (UAE) put up enlivening performances befitting their enchanting names!

    Salamatu, adopting the style of a teacher moderating a tutorial class, described a writer, nay a poet, of Soyinka’s standing as a “social crusader, public investigator and defender”. She challenged filmmakers to tap more into the poetic form for a rewarding outcome.

    To Booker, poets are those who dissect and challenge language use; indeed “poets anoint the people with words”.

    Ngwatilo Mamiyu expressed delight to be in Nigeria, pointing to her shared rage with some of Soyinka’s works. In a tribute to diligence, she noted, “Sweat is living for the earth…”.

    Lasisi, waxing lyrical in English and Yoruba, reminded the audience of the return of the savages to the sacred zone ….anarchists, kidnappers, bandits with no notion of order or greatness who would rather hold everyone and everything hostage than let Nigeria breathe.

    Wole Soyinka was _compelled_ by the project consultant and compere, Jahman Anikulapo to speak to the audience. He did for barely one minute, and expressed delight at the turnout but said his birthday in July would be the best time for more talk.

    The turnout was good. It was a good mixture of the Ancient and Modern drawn from the Arts, Academia, Media, the Diplomatic community, and a welcoming crop of young professionals. It was a pointer that with strong corporate organisations showing sustained interest in the Arts, poetry can continue to contribute its quota to making the people vent, think, and act.

    • Idowu is Editor-in-Chief of Media Review

  • Edozie’s Gatherings interrogates culture, values

    Edozie’s Gatherings interrogates culture, values

    Gathering, a solo exhibition of recent works by George Edozie, a celebrated Nigerian artist, curator, conservator and community activist, opened on Monday at Wheatbaker in Ikoyi Lagos.

    The exhibition which is curated by SMO Contemporary Art is featuring the artist’s recent paintings, drawings and sculptures that explore Edozie’s multifaceted artistic expression, which touch on current socio-political themes which critically affect Africa’s sustainable growth and progress. Gatherings will run till May 30th. 

    Edozie, an alumnus of the University of Benin with a Bachelor’s degree in Fine and Applied Art, has been working as a full time studio artist for over 25 years. His distinctive style, characterized by vibrant colors, bold texture, and experimentation with divers media including textiles, showcases a versatile artist, inspired by traditional and contemporary African realities.

    In his latest series, Edozie delves into themes of unity and collaboration by depicting diverse micro and macro gatherings in his expansive canvases and powerful portraits. His exploration of family dynamics, and the complexities of human interactions on the communal, national and regional levels, provides a rich tapestry of meaning and conjecture in his work.

    As the current president of the Guild of Professional Fine Artists GFA, Edozie spends much of his time gathering his peers, and finding solutions to improve and strengthen opportunities for artists, by providing training for the younger generation, and advocating for fair representation and government support. Edozie curates the yearly Oraeze art festival, which he has nurtured and developed alongside the annual Ofala festival in his hometown of Onitsha for the past nine years. Through this platform, Edozie has showcased the works of hundreds of artists from across Africa, Europe, Cuba and the wider Diaspora. Through mentorship, workshops and symposia, Edozie has contributed significantly to the growth of Nigeria’s creative industry and this commitment to the greater good of the community is depicted through his works in Gatherings.

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    In his bold charcoal and pencil portraits, interspersed with works using acrylic and collage on canvas, Edozie interprets traditional African iconography and cultural traditions and values through a contemporary lens.

    A large metal and fabric sculpture is a homage to traditional kingship, exploring how royalty dating back to the Ife and Benin Kingdoms, have protected,  nurtured and influenced artistic expression, strengthened cultural appreciation, and fostered a strong and positive identity.

    “In an era dominated by artificial intelligence, it becomes imperative to acknowledge and celebrate the authentic creativity and craftsmanship of artists like George Edozie,” Obiago said.

    “It is critical that we document important African artists like Edozie, who has not only contributed significantly to contemporary art, but who worked as a conservator of modernist masterpieces in many private and institutional collections; Edozie is arguably one of the leading professional art conservators currently restoring works in Nigeria.”

    “As an experimentalist, I endeavor to transcend cultural barriers and foster a sense of global unity through my art,” Edozie explained during an interview. “My paintings serve as reflections of the universal human experience, transcending racial and ethnic boundaries.”

    “Gatherings offers viewers a chance to traverse narratives shaping our shared humanity, transcending superficial boundaries,” according to Director of the Yemisi Shyllon Museum of Art, Jess Castellote. “It celebrates an artist who, with each stroke, invites us to look beyond the surface and immerse ourselves in the stories woven through the fabric of his body of work,” he added.

  • Environmentalist takes battle to Makoko

    Environmentalist takes battle to Makoko

    Firewood smoke and the smell of fish roasting on makeshift ovens amid the littered streets welcomed guests to Makoko. It was the day environmentalist and poet, Dr Nnimmo Bassey, unveiled his newest collection of poems. The collection, which centred on environmental issues, is entitled: I see the Invisible.

    In solidarity with the plight of people of Makoko community, the poet chose to hold the event last Wednesday opposite the fish market in the place.

    Just like the preoccupations of the book, which is Bassey’s seventh poem collections among his over 20 published works, the unveiling also bought up the issues that the community is confronting in terms of environmental and the threat of displacement that is always hanging in the air, among others The event was themed: “Cultural Survival: Book Reading and Strategic Discussion”.

    On the choice of Makoko for his book unveiling, Bassey said: “Makoko represents virtually all the environmental challenges that we have in Nigeria, except desertification. We have sea rise, we have water pollution, we have sanitation problems, we have a lack of potable water.

    “Everything that should not happen in a community happens here, which is not the fault of the people, but because of class neglect by the system. And seeing that the collection of the poems are mostly about environmental issues, Makoko becomes the primary place that we proposed. We are also hoping that the children who performed during this event (a cultural display by children during the event), will be inspired to become writers in poetry, in drama  and to stand up and defend their community and project the positive image of our nation.”

    Bassey, who recently bagged the 2024 Wallenberg Medal as the first Nigerian and 5th African to be so awarded, urged the Lagos government to be sensitive to the plight of the people of Makoko community. He said: “I want to see a government that will invest in Makoko to upgrade the place, provide all the facilities needed for living in dignity and living a life that we all dream of. Makoko should be like the Venice of Nigeria. People go to Venice in Italy to see how the people are living above water. We have a prime example here and we are hoping that our politicians will open their eyes and begin to support this community.” 

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    He called for legislation against land reclamation because of its negative impact on the environment, saying: “Nigeria has a coastline of about 845 kilometres. Every community along the coastline faces serious challenges. But Makoko people have built their houses above water and the houses are surviving. We should learn from how they are living. This is adaptation to climate impact.”

    While reacting to the purported report of the recent threat of demolition of the Makoko area by the authorities, he said: “When governments see environmental problems, the first thing they think of is demolition. Demolition is weakening our people, it is weakening our community. Resilience means supporting the community; building their capacity and building infrastructure that are climate proof. We should stop sand filling or sand dredging. People talk about reclaiming land. You don’t reclaim land, you are destroying the land by destroying the place that soaks water when there is a rain fall. So, we should actually have a law that stops the so-called reclamation of land across the coastline of Nigeria.”

    The event featured various recitations from this reporter Evelyn D’Poet, Folarin Balogun, Olashile Favour and musical performance from the Environment Musician.

    Child rights activist and executive director of CEE-HOPE, Betty Abah, who reviewed the book, also read some poems in the collection. Abah praised Bassey’s efforts at advocating against the pollution of the environment and other human rights endeavours, and still making time to write books.

    She also commended Bassey whose love for Makoko has seen him visit the community 13 times within 10 years. She said despite not being based in Lagos, plus his extremely busy schedule which involves several international travels, the event of the book launch makes it the 13th time he was visiting the community.

    The event had in attendance Elder Claudius Akintimehin Adewale, Apostle Samuel Ade, Elder Dosu Isaac, the spectrum of Makoko community represented by local chiefs, fisher folks, women and children. The majority of the complaints of the people was the interference with their environment in the form of dredging and sand filling by the Lagos government which has affected their fishing trade.

    The community representatives thanked Bassey for his constant support towards their people.

  • SORA opens atop Trinity Towers

    SORA opens atop Trinity Towers

    SORA, the crown jewel that sits atop the newly built Trinity Towers in Oniru, Vitoria Island, Lagos will unveil its splendor at the grand opening on Friday 29. SORA is poised to set a new standard for top class entertainment, luxury dining, excellent lounging and more in the heart of Lagos.

    Located on the 15th floor, SORA commands breathtaking panoramic views of the vibrant cityscape below, offering a setting unlike any other. As guests ascend to the summit of Trinity Towers, they are transported to a realm where opulence meets innovation with every moment imbued with a sense of exclusivity and refinement.

    At the heart of SORA lies its culinary ethos – a celebration of flavors, textures and artistry to tantalize the senses and transcend boundaries. Led by a team of masterful chefs, SORA’s expertly curated menus showcases the finest ingredients that results in various gastronomic delights.

    SORA is a sanctuary for those who seek to unwind, socialize, and enjoy the finer things in life having sleek and sophisticated bars and lounges that beckon guests to savour special cocktails expertly prepared by their resident mixologists. Their exclusive bars offer a curated selection of premium spirits, wines, and champagnes to satisfy the most refined tastes.

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    As dusk descends upon the city, SORA truly comes alive, transforming into a beacon of sophistication and allure. The pièce de résistance of the establishment, the helipad, stands as a testament to our commitment to redefining luxury hospitality. Here, amidst the twinkling lights of the city below, guests also have the opportunity to also arrive and depart in style, further setting the stage for an unforgettable experience from the moment they step foot onto our rooftop oasis.

    For those seeking the ultimate in exclusivity, SORA offers private dining experiences in intimate settings exuding elegance and charm. Whether hosting a romantic dinner for two or a corporate gathering of esteemed guests, their dedicated team stands ready to cater to every whim and desire, ensuring that each moment is imbued with a sense of sophistication.

    In a city teeming with various offerings, SORA emerges to stand out as a beacon of innovation and distinction, setting a new standard for entertainment and more in Lagos.

  • US govt awards National Museum 95,000 dollars grant

    US govt awards National Museum 95,000 dollars grant

    US Mission has said that it spent over $1.3 million in grants across Nigeria over the past decade in support of cultural preservation programmes. These grants have funded a wide range of projects, including restoration, documentation, conservation, capacity building, and exchange programs, according to US Assistant Secretary of State for Educational and Cultural Affairs, Lee Satterfield.

    She spoke at the National Museum, Onikan, Lagos, last week during the launch of the $95,000 grant to the Metropolitan Museum of Art through the Cultural Property Agreement Implementation Grant programme. The grant, she said, will fund the Preserving Nigeria’s Heritage project, which will create a digital inventory of the Nigerian Commission for Museums and Monuments’ collections and establish museum and community education programmes.

    “Today, we’re thrilled to announce the take-off of the $95,000 grant to the Metropolitan Museum of Art through the Cultural Property Agreement Implementation Grant program. This grant will fund the “Preserving Nigeria’s Heritage” project, which will create a digital inventory of the Nigerian Commission for Museums and Monuments collections and establish museum and community education programmes.

    She noted that the launch of the project is to celebrate a significant partnership between the U.S. Department of State, the Metropolitan Museum of Art and Nigeria’s National Commission for Museums and Monuments. 

    Satterfield, who believed that culture policy is security policy, said this significance is why the United States has a proud history of supporting cultural preservation efforts around the world, including Nigeria.

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    “Through the Ambassadors Fund for Cultural Preservation, we have demonstrated our commitment by awarding over $1.3 million in grants across Nigeria over the past decade. These grants have funded a wide range of projects, including restoration, documentation, conservation, capacity building, and exchange programs.

    “I will give a couple of outstanding examples: In 2020, we awarded the U.S. non-profit organization CyArk a $125,000 grant to digitally survey and document the Busanyin Shrine within the Osun Osogbo Sacred Grove.  That effort created a digital record of the shrine to use in planning future projects and preservation initiatives, and at the same time provided training in digital tools and cultural heritage management for local museum professionals.

    “In 2022, we awarded a $114,000 grant to Yale University to support a wood conservation partnership between the National Museum in Lagos and Yale’s Art Gallery. This project serves as a great example of the collaborative spirit that fosters cultural exchange and strengthens the preservation of Nigerian heritage,” she added. 

     She said the Preserving Nigeria’s Heritage project will have a significant impact by improving access to Nigeria’s cultural treasures for a wider audience, both in Nigeria and internationally, enhancing the professional skills of museum staff through training and collaboration, and raising awareness about the importance of cultural preservation.

    She recalled that the US and Nigeria signed a cultural property agreement in January 2022 and that while the United States is committed to protecting cultural property all over the world, ‘our closest collaborations and working relationships are with our bilateral agreement partners.’

    “This is Nigeria’s first Cultural Property Agreement Implementation Grant, and it demonstrates our commitment to working with Nigeria to protect, honor, and preserve its cultural heritage.  The United States remains a steadfast partner in Nigeria’s efforts to safeguard its rich cultural heritage. We are confident that this grant will contribute significantly to this ongoing mission,” she noted.  

    Acting Director General NCMM, Mr. Emmanuel Babatunde Adebiyi commended the US Mission for its continuous support in the preservation of Nigeria’s cultural properties that spread across the country. He said the National Commission for Museums and Monuments and by extension Nigeria is blessed by the supports received from the US Mission. “We have been having immense collaborations between Nigeria and US in the last two years particularly in culture sector,” he added. 

    Adebiyi disclosed that following an understanding reached between NCC and the US Homeland Security, the commission no longer need to go through tedious law suits or diplomatic rigmarole to retrieve stolen artefacts from US. “The uncommon financial largesse US being giving to Nigeria is appreciated,” he said.     

    Principal Curator, National Museum Lagos, Chizoba Joy Ephraim who recalled her four weeks residency at the Metropolitan Museum of Art, New York, said it was an honor for her to obtain professional skills, learn, unlearn and relearn about museum practices.  She observed that the most interesting parts of her visits were the use of visuals which makes the galleries livelier. 

    “Every museum is unique in their mission and vision. The most interesting parts of my visits were the use of visuals which makes the galleries livelier. It will be appreciated if The Metropolitan Museum can add this to their package for us.

    “Interacting with collections in the galleries is very vital, when visitors communicate with an object or objects while in a gallery tour, it gives them the courage to come back again to finish the discussion they started with the collections.

    “In this regard, documentation of museum collections is said to be the heartbeat of museum, without documentation an object has no identity, therefore documentation add value and regard to museum collections,” she said.

    The US team led by Consular General Will Stevens, and Metropolitan Museum representative Savita Monie, took a few tour of the exhibition of artefacts restored during the collaboration between Yale University Art Gallery in New Haven, the National Museum Lagos, National Commission for Museums and Monuments and Yaba College of Technology, Lagos. The collaboration was aimed to equip conservators at the National Museum Lagos with advanced storage, documentation and treatment techniques to help Nigeria preserve its historic artefacts.

  • Soyinka @ 90: Nine poets honour Kongi

    Soyinka @ 90: Nine poets honour Kongi

    It was an evening of celebration of words, music and dance at this year’s World Poetry Day held at Eko Hotel and Suites Victoria Island, Lagos last Thursday in honour of Nobel Laureate Prof Wole Soyinka. He will turn 90 in July. Tagged: Engaging the quintessential poet @ 90, nine poets drawn from Nigeria and three other countries critiqued poems by Soyinka amidst spectacolar poetry performances, Assistant Editor (Arts) OZOLUA UHAKHEME reports.

    Nine renowned poets, six Nigerians and three from Kenya, United Arab Emirate (UAE) and United Kingdom celebrated the written words, culture and creativity as they took to the stage to honour the Nobel Laureate Prof Wole Soyinka who will turn 90 in July13. In their respective presentations/performances, they held conversations with Soyinka by critiquing or engaging their chosen poems of Soyinka, in their individual dictions and styles. All through the evening, the poets showcased a diverse range of poetic expressions and performances that captivated the audience. It was this year’s annual World Poetry Day organised for the fifth time by Providus Bank in association with the Culture Advocates Caucus. Venue was Grand Ballroom of Eko Hotel and suites, Victoria Island, Lagos last Thursday. 

    This year’s event, which was anchored by the duo of Jahman Anikulapo and Dafe Ivwurie was not all about spoken or written words as there were dancing and exhibition that showcased Soyinka’s photos from his childhood till date, tagged WS: A Life In Full.

    The poets that performed included Uche Uwadinachi, Salamatu Sule, Evelyn Osagie, Akeem Lasisi, Owoicho Oko, Ruth Mahogany, Malika Booker, Nathalie Handal, Ngwatilo Mawiyoo.

    Managing Director/CEO Providus Bank, Mr. Walter Akpani said every year since 2019, the bank have hosted the festival featuring both young and old poets to give poetic interpretations to different issues that affect our world. “We only missed 2020, when we cancelled just a day before the event, due to the lockdown imposed because of the global COVID-19 pandemic. We have not missed a year since then. This year’s event is special for two reasons. The first is that this will be the fifth year of this celebration of Providus Bank’s support for literature via the World Poetry Day. The second reason is that this year, Prof. Wole Soyinka turns 90,” he said. 

    Setting the tone for the evening performances, Coordinator of the programme, Mr. Jahman Anikulapo explained that this year’s edition of the event was dedicated to celebrating Soyinka because ‘we have never had the opportunity to celebrate him.’ “So what the poets will do is to respond to some of the ideas already projected in Wole Soyinka’s poetry. They are not reciting his poems, and they are not doing tributes. If any of you should have tribute to Wole Soyinka, please remove it because he doesn’t even like that. You are responding to or critiquing Wole Soyinka’s poems. So, it is an engagement. That’s why the theme is World Poetry Day: Engaging the Quintessential Poet at 90, Anikulapo added.

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    The Nation’s Evelyn Osagie took the first shot with her dramatic poem entitled It is No Longer Leah, which is a response to Soyinka’s A humanist Ode to Chibok/Leah. Expectedly she held the audience spellbound with that performance, which was followed by Darkness at Dusk, a response to Soyinka’s poem, Darkness at Dawn. Earlier, putting her presentations in context, she said: “It’s an honour to be here today. Thank you Prof for being an inspiration to all of us. And for being the light we see in the tunnel. My apologies, for starting with this because this shows the poet as a seer. His piece “A Humanist Ode to Chibok/ Leah”, for me, is a timeless and timely piece. We all know what happened recently in Kuriga.

    “That poem by Prof is still speaking to us. Last month was six years after Leah Sharibu was kidnapped, next month, 14th to be precise, it’s going to be 10 years the Chibok girls were kidnapped,” Evelyn said, while introducing her poem, “It is No Longer Leah”.

    Uwadinachi who put up spectacular show in Her Joy and Night, also thrilled the audience using  a female model in a blue skimpy dress to whom he ‘confessed’ his love on stage. Mawiyoo, a Kenyan poet recited Sweat Is Living For The Earth, Ujamaa, The Child Before A Mirror Of Strangers, The Kick and Goat Meat.

    For Sule she presented In The Small Hours and Procession Hanging Day 1, which is a response to Soyinka’s Procession One, Hanging Day. While Booker read her One In Labour, Anoint My Flesh, The Section- Future – An Anthem To Humanism, Mahogany recited My Mom and Eulogy To The Ugly Duckling, A Child Before A Mirror Of Strangers, Civilian and Soldier.

    Expectedly, Lasisi thrilled the audience with spectacular poetry performances done in both English and Yoruba in his In The Spirit Of Bringer Of Peace and The Savages Are Back In The Sacred Zone, which was written in response to Soyinka’s A Humanist Ode To Chibok/Leah. Handal recited Retrospective in response to Soyinka’s Selected Poems: 1965 -2022.

    His sterling performance was capped with an invitation to the celebrator Soyinka and wife to the stage for photo shoot. Soyinka though obliged him, noted that the organisers jumped the gun as his birthday, which comes up on July 13, is still some months away. Humorously, he wondered why the hurry to celebrate his 90th birthday, and asked if it was their birthday.

    “You jumped the gun. We still have a few more months to go. Why are you in such a hurry? Is it your birthday? Go and get a proper watch. So you know what the time is. Thank you. It’s been a very pleasant and touching evening. Happy birthday to all of you,” Soyinka said.

    The World Poetry Day (WPD) is celebrated every March 21 globally as declared by the UNESCO in 1999 to ‘promote the reading, writing, publishing, and teaching of poetry throughout the world” and, to “give fresh recognition and impetus to national, regional, and international poetry movements.’ Since 2020, the Providus Bank under its CSR initiative -Providus Bank Poetry Café- has hosted the celebration of the Day, curated by the Culture Advocates Caucus, CAC, Directed/produced by Jahman Anikulapo, under the supervision of the Nobel laureate, Professor Wole Soyinka.

    Officially titled, ProvidusBank World Poetry Day Café: An Evening with Wole Soyinka, the past editions have treated themes relating to the general human conditions, especially on ’ matters relating to preservation of the environment, education and mental empowerment of the youth, protection of the Girl-Child and respect for the female gender, among others.

    The 2024 edition coincides with the 90th birthday anniversary year of Soyinka, who is a ‘globally celebrated poet, dramatist, memoirist, essayist; pubic intellectual, and above all, a human and civil rights defender.

    The support that poetry is enjoying in the last five years from ProvidusBank is not only timely, but also instructive and healthy for the promotion of the creative industry. The event has thus joined other flagship arts events such as Art X, 234 Artfair, Ake Arts and Book Festival that are being backed by other banks as part of their corporate social responsibilities. Among guests that attended the event were Newton Jibunoh, Joke Silva, Koko Kalango, Bisi Olatilo, Taiwo Ajai Lycett, Kayode Aderinokun, Erelu Abiola Dosumu, Prof. Manthia Diawara, Professor of Film Studies, New York University, Prof. Jean-Paul Colleyn, Institute des Artte, France, and Awam Amkpa, Professor of Cultural Aesthetics and Dean Faculty of Humanities, New York University, Abu Dhabi.