Category: Life – The Midweek Magazine

  • Kuforiji-Olubi: Woman of substance at 80

    Kuforiji-Olubi: Woman of substance at 80

    She is a woman of many firsts. In her younger days, many of her male counterparts could not stand up to her. In a male, dominated world, she found her place early. But one achievement Otunba Ayora Bolajoko Aduke Dorcas Kuforiji-Olubi cherishes most is the gift of long life. She joined the octogenarian club last week. She celebrated her 80th birthday with family and friends at a high-profile thanksgiving at the All Saints’ Church in Yaba, Lagos Mainland. EVELYN OSAGIE reports.

    Otunba Ayora Bolajoko Aduke Dorcas Kuforiji-Olubi is 80. Family members and friends joined her to celebrate the event at the All Saints’ Church, Yaba, Lagos Mainland.

    Born in Lagos on September 28, 1936, Otunba Kuforiji-Olubi has excelled on many fronts. She is the first woman president of the Institute of Chartered Accountants of Nigeria (ICAN) and an industrialist extraordinaire.

    Widely recognised (nationally and internationally) as a financial expert and industrialist, she chaired several boards in private and government organisations. She is also a former Secretary (Minister) of Commerce and Industry; and a devout Christian of the Anglican faith.

    It is no surprise that she celebrated her 80th birthday with thanksgiving. One could hardly believe she was 80. She looked respledent in a beautiful yellow and cream attire that complemented her skin.

    It was a day of celebrations. But Mrs Kuforiji-Olubi was not alone. Her family and friends attended the event. Some of the notable personalities are former Ogun State Governor Gbenga Daniel; former Anambra State Governor Peter Obi; incumbent Ogun State Governor Ibikunle Amosun, who was  represented by Secretary to Ogun State Government, Mr Taiwo Adeoluwa; wife of former President Olusegun Obasanjo, Bola; wife of the late Ooni of Ife Oba Okunade Sijuwade, Olori Ladun; founder of First City Monument Bank (FCMB) Otunba Subomi Balogun and wife, Olori Abimbola and ace photographer Sunmi Smart-Cole.

    They called her a “woman of excellence”, a “philanthropist”, “detribalised Nigerian”, whose early exposure to various cultures and religions are responsible for her ability to mix with people from diverse nationalities and in different areas of Nigeria.

    The ceremony, which was officiated by the Vicar, Venerable Femi Fatile, had notable clerics in attendance. In his sermon titled: Put on new eyes, Most Revd Adebayo Akinde (rtd) called for sober reflection in the face of achievements. Akinde, who took his text from Isaiah 60, urged Nigerians to seek spiritual enrichment above material gains, saying such move would have positive impact on the nation.

    Revd Akinde, a former Bishop of the Anglican Communion, said: “More than ever before, give yourselves to spiritual living. Many Christians are spiritually blind. Give yourselves to the study of God’s word. What are you living for? Each year we mark our anniversary, we are drawing closer to our final departure. Therefore, we must pay more attention to how we live our lives. What is the end of your earthly journey?”

    Revd Akinde praised the Mrs Kuforiji-Olubi, advising guests to emulate the celebrator, who, he said,  remains humble despite her accomplishments. “I praise your character of goodness and love for God. Mrs Ayora Bola Kuforiji-Olubi, God has been good to you, and I know you know it. Despite intimidating challenges, you are still standing. You are a special daughter of God and the God, who has blessed you this much and that has kept you these past 80 years, will continue to strengthen you,” the cleric said.

    Those who did not come sent their   messages, which the celebrator published in her programme.

    In his goodwill message, Amosun described her as “a pioneering high achiever” who has attained several ground-breaking records. He said: “The occasion of your 80th birthday calls for the celebration of the remarkable achievements you have recorded over the years.

    “Our dear  nation has benefited immensely from your invaluable contributions to the private sector of  its economy. I wish to note that your achievements when you served as  Deputy Chairman and Honourable Secretary (Minister) for Commerce and Tourism in the Interim National Government in 1993 remain a reference point.

    “On this occasion of your 80th birthday, I pray that the good Lord will preserve you for many more years, in good health and sound mind, so that our dear state and nation will continue to derive inspiration from your exemplary life and benefit from your rich experience.”

    Mrs Feyi George, who is also the celebrator’s cousin and former pupil, called  Mrs Kuforiji-Olubi her “hero”, saying: “Aunty Bola is a very special person I have admired all my life”.

    “Today, aunty is celebrating her 80th birthday and it is with great joy in my heart that I salute her. I salute her as an icon, as a leader and as a good mother. Tokunbo, Kunle and Joke have a lot to be proud of and a great legacy to live up to. May this celebration of her 80th year on earth, remain a source of joy, not only to her but to us her aburos!”

    One of Mrs Kuforiji-Olubi’s favourite teachers, Mrs Bess Santos, nee Enahoro, who is fondly called “Sisi Bess”, said: “A special wish to celebrate your birthday with you. Time rushes by so quickly, it’s hard to believe how fast and now we are celebrating that 80 years have gone past in your life!

    “I remember a diligent young lady, who took her academics very seriously and whose excellence in mathematics could never be faulted … a student who was a pleasure to teach. It gives me great pleasure to send you this special wish on this joyous occasion. May God abide with you and keep you safe. Happy 80th birthday, Dorcas.”

    Describing the celebrator as “a very charming lady, who had many suitors, but always too bookworm, her classmate, Mrs Henrietta Olaitan Anthonio, wrote: “Dear our beloved sister and friend Lady Dorcas Ayus is 80, yet she does not look her age. We praise God. She has very cheerful disposition. All our classmates loved her to assist us with our homework, we studied in the bush, you were very intelligent and not proud.

    “Always helpful. No wonder you achieved so much, and are our Teacher, Miss Bess Enahoro, who later became Mrs Santos, padi. Her royal highness was very kind-hearted and sympathetic… always in top form. I can write about her without stopping. I brought out our school photographs in case you did not have, hey I pray that the good Lord will always be with you and the family, amen”

    Goddy Jidenma Foundation sent its best wishes. Its message signed by its vice chairman, Prof Pat Utomi, and  executive secretary, Dr Ije Jidenma, reads: “We commend you for your great strides and the contributions you have made to our country, Nigeria as a professional and business leader having served as the first female president of ICAN, and Chairman of the United Bank for Africa Plc (UBA). Your contributions as a notable leader in other spheres are well documented, including your brief role as the Secretary for Commerce and Tourism in the Interim National Government. May God’s grace and infinite blessings and goodness not depart from you and your household.”

    The celebrator thanked the church, clerics and guests for their support and goodwill. She thanked God for sound health and long life, saying she was ill, but recovered in good time for her birthday celebrations. “I thank you all for coming to rejoice with me. God bless,” she said.

     

     

  • Printed word beyond the spoken story

    Printed word beyond the spoken story

    The gripping collection of 10 short stories, Blood Will Call by Sola Osofisan, aptly depicts a committed soul laden with the call of writing by blood.

    Sola showed early promise while living in Nigeria with the unprecedented double-barreled winning of twin Association of Nigerian Authors (ANA) prizes in the same year. He achieved the feats through the manuscripts he submitted which beat published books to the coveted awards.

    The books were eventually published by Heinemann Nigeria in 1991 as The Living and the Dead and Darksongs. The publishing outfit Malthouse also released another  of Osofisan’s book Darkvisions. It is noteworthy that Sola now resides in New Jersey, United States after his family won the American Visa Lottery.

    Sola’s vision as can be gleaned from the titles of his books is dark. In the new short story collection, Blood Will Call, darkness still rules the roost. The first story, “A Mother Screaming” is a heart-rending tale of a mother going into labour in the forest with her five-year-old daughter Ebitimi totally helpless. The stricken woman asks her poor daughter to flee with her new blood brother before the advent of the evil men of the wild who ensure that “she was dragged upright and added to the end of the jangling chain link” of the slave traders. Ebitimi bears witness to a reality that can unman the strongest of men thus: “Only the patch of drying blood on the ground was left of her mother.”

    The title story, Blood Will Call props attention from the oral to the scribal and even to the audio-visual. The story starts ominously at a time that “was not a Storyteller’s night” because the moon “clung desperately to the night, seemingly fearful it would lose its grip and plummet in shame like a fallen god …” Itanpadeola, the acclaimed Storyteller of storytellers, comes to the village of Ifeoloju to tell his stories only to end up in bitter disappointment. His lament rings true: “Time has moved on…” He opens up to his brother Ogunbodede that the modern times have overtaken them, stressing: “How can one out-talk the radio, out-dance their television, out-run their motor car and in the same breath out-electrify electricity? If you know the secret, pray share. Tell me, how?” It is in accepting the book of stories, Tales My Father Gave Wings, authored by his son Itangbemi who had gone to the city that he learns that “more people may be reading it and hearing his son’s words than he had performed before his entire lifetime on the road.” Crucially the one message the son sent to the father is just a word: Forever. For the celebrated storyteller of yore, the city beckons.

    Violence and desolation are twice-told stories of the oil-rich Niger Delta as limned by  Osofisan in “Shifting Sand”. Kalada is the tragic prop of a terrain besieged on all fronts as he bears the heavy burden of post-imprisonment: “Kalada pushed himself to his feet, still reeling from the ailments that had gnawed away at his flesh in prison. Each bone in his body cracked reluctantly awake to feel the half-blind sun. It had been a while since he had witnessed the morning a free man. He swallowed two pills from the small stained envelope the prison nurse had shoved indifferently into his hand as he was released the previous day.”

    The celebration of the so-called American Dream is never within the hemisphere of the characters that dominate Osofisan’s stories set in the United States. The American Nightmare suits their bill as in the story “Fallen” in which a Nigerian immigrant who speaks in “my carefully cultivated African American accent” is promptly laid low by the shady racist David Marone with the note: “You are not black American.”

    The longest story in the collection “Don’t Come To America, Emeka” is hip and contemporary, starting out with the exchange of text messages between two medical doctor friends, Dr Emeka Asike in Nigeria and Dr Uche Ofoegbu in the United States. Uche’s advice to Emeka goes to the heart of the matter: “Don’t come to America, Emeka. If you must come, follow the example of the Northerners; they fly in for a brief spell to study, negotiate a big deal or purchase equipment for their factories and before the temptation to remain here germinates, they are back home in Nigeria. I can’t say I have encountered a single Hausa man in the African markets or on a bus in the time I’ve been here. Not one. It may be that my current psychological state keeps me from the circle within which they thrive, considering they tend to have deep pockets and I don’t. Nevertheless, stay in Nigeria where your wife treats you like a king and looks to you to provide for the family.” He of course defies the warning and comes to America, but fails for a fourth time to pass the America medical license exam, thus becoming a woe to his wife Martha who is a rich qualified Nurse and family breadwinner. He hits the wife in frustration but the wife does not call the police. The poor soul cannot wait long enough to quit America and his wife and kids for trouble-strewn Nigeria, only he has no money to buy the return ticket…

    Osofisan has a gift for the demanding art of the short story. He can do arresting dialogue and delineates his diverse characters adroitly. Blood Will Call deserves celebration.

     

  • ‘Ilojo Bar must be restored’

    ‘Ilojo Bar must be restored’

    On the eve of Eld-El-Kabir, September 11, a developer pulled down the 190-year-old national monument, Ilojo Bar, at the Tinubu Square, Lagos. National Commission for Museums and Monuments Director-General Yusuf Abdallah Usman recalls the commission’s long battle to preserve the monument.

    Ilojo Bar (formerly known as Casa De Fernendez or Angel House) was built 190 years ago and, in all these years, it stood as the best example of Brazilian style architecture introduced by Africans who regained their freedom from their “Portuguese masters” in Brazil. Its historical, social and architectural values have been well acclaimed, thus, prompting the Federal Government to give it special protection status as a National Monument through Gazette 25 Vol. 43 of April 5, 1956.

    Since then, the National Commission for Museums and Monuments has been maintaining, promoting and preserving the monument with members of the Olaiya Family, Lagos State government and other stake holders both local and international.

    The threat to this historic building has been unfolding for sometime due to rising commercial interest in view of its strategic location. In October, last year, a member of the family wrote to the Commission saying that one of them was trying to engage a private developer to demolish the monument and clear the place for commercial development.

    In response to this, a meeting was called with the family members led by Mr. Daniel Adewale Olaiya on January 19, 2016. The meeting discussed the issues around the monument, including its legal status, how the structure is put to use and the grievances of the family members. It was finally agreed that the statues quo of the monument should remain while they submit their complains through appropriate official channel but nothing was heard from them since then.

    The recent threat to demolish the monument came on July 2, 2016, when a developer in collusion with some members of the family mobilised a bulldozer and some armed men with the intent to demolish the structure. The National Commission for Museums and Monuments got information about the move and quickly mobilised the Lagos museum staff and Lagos State government officials, who accosted the group and frustrated the attempt. In the meantime the attention of law enforcement agencies was drawn.

    On July, this year, the developer again mobilised to demolish the building and this action was again rebuffed this time through the intervention of Hon. Agboola Dabiri Special Adviser to the Lagos State Governor on the Lagos Central Business District.Following his intervention,a stakeholders’ meeting was summoned at Lagos State secretariat Alausa, Ikeja where Hon.AbikeDabiri-Erewa did everything possible to avert the demolition of the monument.

    Subsequently on Tuesday, August 16, 2016 a stakeholders’meeting was convened by the National Commission for Museums and Monuments at the National Museum, Lagos involving major stakeholders. This include members of the Olaiya family, management staff of National museum, Lagos, representatives of Lagos State Ministry of Tourism and that of the Brazillian Consulate, Benedita Gouveia Simonetti and Adeniran Arimoro.

    During the meeting, the stakeholders agreed that steps must be taken to safeguard the monument from any threat, including involving law enforcement agencies and placement of notice on the site notifying the public about the status of the building. The meeting also agreed to revive an earlier plan to organise a gala night to raise funds for the rehabilitation of the monument.

    To our greatest surprise however, on Saturday, August 27, 2016, the same developer again mobilised his bulldozer and actually damaged a portion of the building. A petition was written and submitted to the Area Commander of the Nigerian Police (Lion building), requesting  the arrest and prosecution of the culprits but apparently the police did not find the matter serious enough to detain or prosecute them.

    Seeing the levity with which the Area Command handled the matter, another petition was written on August 29, this year to the AIG Zone 2 Onikan. Meanwhile on Thursda, September 1, 2016, Hon Dabiri-Erewa was again approached and he gave an official letter to the Special Adviser to the Governor on Urban Development requesting the ministry to withdraw a letter of permit for demolition said to be given to the developer. Another letter was written to the Governor intimating him about the status of the monument and seeking his assistance to safeguard it.

    However, despite all the efforts of highly responsible and patriotic individuals and government agencies, the developer on the eve of Eid-el Kabir (September 11, 2016) sneaked in with his instrument of destruction and wilfully demolished the Ilojo Bar, an outstanding historic and architectural monument that has adored the cultural landscape of Lagos Island for nearly two centuries.

    This sad event is a critical turning point in the history of heritage management in Nigeria. The shocking way the action was carried out without any shame and embarrassment is a source of serious concern for the National Commission for Museums and Monuments as heritage managers and for all responsible Nigerians who love history and culture. The action is not only criminal, but it has robbed us of an important heritage resource that helps defines us as a people and assist our understanding of our past and our projection of the future.

    The demolition has destroyed a masterpiece of the only surviving Brazilian houses in Lagos with its attractive arches and fine iron works as statue described as being “Gothic in style and balustrade reminiscent of a Venetian palace”.  It has done great injustice to the credit of African craftsmanship in architecture which has exerted great influence on Yoruba architecture that is today visible in all parts of Yoruba land.

    Indeed, the demolition has eliminated the tangible evidence of social and cultural impact of the transatlantic slave trade and its abolition. It has wiped away an outstanding source of memory and history of freed slaves and their roles and impact in the evolution and development of cosmopolitan urban Lagos. At the same time it has destroyed one of the outstanding symbolic evidence of cultural ties between Nigeria and Black diaspora in general and Brazil in particular.

    This dastardly act has distorted the eminent position of Lagos in colonial history as centre where returnee slaves from Brazil built houses in the new architectural fashion when Lagos was created as a colony, thus impoverishing Lagos of its rich architectural urban history and undermining its acclaimed status as centre of excellence.

    However, the NCMM will not rest on its oars until the perpetrators of this dastardly act are brought to book. In line with the powers and responsibilities conferred on it by NCMM Act, Cap N19, Laws of the federal republic of Nigeria 2004, the NCMM will ensure that criminal action is brought on the culprits as well as demand full compensation for the demolished monument. It will be reconstructed and fully restored according to professional restoration standards. We wish to assure all Nigerians that the Ilojo Bar will be restored as it is a fully documented National Monument with an up-to-date and comprehensive documentation of its architectural history and design details.   Consequently, NCMM is poised to restore Ilojo Bar back to its original authentic form.

    In the meantime, the site of the monument being an integral heritage space is being explored for rescue archaeology and heritage impact assessment.

    We call on all well-meaning Nigerians to join the National Commission for Museums and Monument in saving, protecting and maintaining our national heritage resources.

  • Osofisan inducted as Thalia laureate

    Osofisan inducted as Thalia laureate

    Nigeria’s  famous playwright, scholar and literary giant Prof Femi Osofisan has been inducted as the winner of the prestigious Thalia Award by the United Nations Educational Scientific, and Cultural Organisation (UNESCO), global partner in the performing Arts – the International Association of Theatre Critics.

    The event, which was attended by over 150 world authorities in theatre criticism from 66 countries took place last week in the German Embassy in Serbia.

    The Nigeria Ambassador to Serbia and the German Ambassador to Serbia led the cream of the international community who witnessed the glamourous event.

    Osofisan has by the feat become the first African to be so recognised by the respected Thalia Award Committee. The award is a unique professional honour, next only to the Nobel Prize for literature, which Nigeria won in 1986.

    Enroute Belgrade to be installed as a Thalia laureate, Osofisan was celebrated by the African continent as one of its leading dramatists at an impressive ceremony in Egypt.

    On September 20, Osofisan was honoured as one of the icons of African Theatre at this year’s edition of the Cairo International Festival for Contemporary and Experimental Theatre. This came few months after the Pan African Writers Association honoured him for his contributions to the literary development of the continent.

    Osofisan thanked the organisers for the life-changing honour that has shifted global attention to African Theatre and Literature, which he believes has a lot more to offer humanity and the emerging global knowledge economy.

  • The dilemma of media

    The dilemma of media

    Doctoral students of Mass Communication, University of Lagos (UNILAG) are out with a report chronicling factors that influence media organisations’ commitment to keeping the fabrics of the society together by promoting national interest.

    THE obligation to keep the fabrics of the society together by promoting national interest of the country has been identified as the major factor of information dissemination mass media organisations, according to a study by this year’s doctoral students of Mass Communication, University of Lagos (UNILAG).

    “National interest and other factors, such as ownership, commercial and political interests, have also influenced the media organisations commitment to these philosophies,” the report says.

    Other factors are pressure to survive especially during periods of economic downturn; corporate and personal security of the staff; regulatory agencies; public relations consultants; and legal matters.

    The study by the doctoral students was carried out under the supervision of communication scholar, Prof Ralph Akinfeleye and a senior lecturer, who is also acting Head of the Department of Mass Communication, UNILAG, Dr Oloruntola Sunday.

    The philosophy of a media house is the collective vision that a media organisation brings to bear in its operations. Such a vision represents the standard and critical elements of a company’s organisational strategy and it is what drives the daily operations of the media organisations. Similarly, it constructs in advance the terms of any discussion that will take place about the organisation or any issue arising from the corporate life or purpose of the organisation.

    Twenty-one media establishments, from both print and electronic, were covered in the study. They were purposively selected by the researchers for the study that was designed primarily to identify the philosophies of selected media organisations; determine the extent to which the selected media organisations adhere to their stated philosophies; and ascertain the factors that affect their adherence to these philosophies.

    Although the operations of media organisations are guided by the stated philosophies, oftentimes enshrined in their mission statements, the observation that sometimes some of them have had cause to bend the rules in favour of certain interests, motivated the study. The researchers are Afoke Hope Orivri, Daniel Kunde, David Olaluwoye, Emmanuel Ojila, Husseini Hassan Shaibu, Kabir Alabi Garba, and Musa Sule.

    Others are Olalekan Sote, Dayo Duyile, Peter Kehinde Akodu, Solomon Ntukekpo, and Vincent Nwanma.

    Specifically, the study, which ran between April and August, this year, sampled the views of 21 senior media practitioners comprising correspondents, news and line editors, assistant and deputy editors-in-chief, managing editors and editors-in-chief who have at least five years of professional experience, using both survey design and structured interview methods.

    While all these media houses possessed philosophies as expected, the terms accuracy, fairness, truthfulness, balance, objectivity, factuality, and safeguarding public interest were common key terms in their philosophies. While national interests easily passed for public interests in usage in all the philosophies, the usage seemed particularly emphatic in federal government-owned media. The covert commercial interest symbolism embedded the philosophies of privately owned media. Seventy percent of media organisations, especially the print media, attached greater value to news while 16 percent of them laid emphasis on entertainment and sports. However, the study revealed that organisational deviation from the stated philosophies diminished whatever values and beauties shown in the analysis of the findings.

    Respondents pointed out constraints responsible for this deviation: vested interests and factors beyond the media practitioners’ control. Thirty-seven percent of the respondents maintained that their organisations’ adherence to corporate philosophies is low while 28 percent stated that their organisations moderately adhere to their philosophies. Only 10 percent of respondents thought the degree of adherence to the corporate philosophies is very high.

    Also, the study sought a value-based answer in the area of organisational pressure of media practitioners to drop news item(s) when the news item does not in any way violate the corporate philosophy of the media organisation. Ninety percent of respondents admitted they have been under pressure to drop such news item(s), which they viewed as a violation of the philosophies of their organisations. However, 10 percent of respondents said they never experienced any pressure for dropping news items.

    Ninety-five percent of respondents who were under pressure to drop some news items actually obliged, though unwillingly, while one respondent said he did not oblige. From the data, however, it would appear killing news in media organisations seldom occurs. The study appraised other variables like modulation of news item(s) to suit certain interests instead of outright killing of the news. Ninety percent of respondents have come under pressure to modify some stories to pacify some vested interests or fit into some contexts. Ten percent of respondents, however, never came under pressure to modify their news content. Twisting or scaling down news items appears not to be a frequent practice in the media organisations.

    All the respondents agreed that national interest, one of the factors, impinge on their adherence to corporate philosophies of media houses as there is always the struggle to balance national and organisational interests. Eighty-six percent of respondents saw ownership interest as another dominant factor that negatively influences adherence to corporate philosophies by media organisations. Sixty-seven percent of respondents maintained that advertisers bear a lot of influence on their operational philosophy while 43 percent said political interests impinge on their adherence to their philosophies.

    Twenty-four percent of respondents said threat to their corporate existence and security of staff are responsible for not upholding their philosophies while 14 percent of respondents said public relations practitioners did influence sometimes. Twenty-four percent of respondents said regulatory agencies are responsible for not adhering to their philosophies while one respondent said fear of legal matters makes his organisation to deviate from its philosophy.

    From the context of this study, it is instructive to note that media organisations have philosophies, but the manner of professional practice does not sync with this confirmation. However, the knowledge of the factors that impinge on adherence to those philosophies such as national interest, ownership interest, economic downturn, threat to life, political influence, advertisers’ interest, public relations, and regulatory agencies will assist media managers to begin to fashion out strategies to mitigate the side effects of these factors.

    Indeed, one issue raised by the study, which has continued to defy consensus among communication scholars and public policy formulators, is the definition of what constitutes ‘national interest’. The study asserts thus, “Unfortunately, there is no precise conceptualisation of what is national interest until date. To this extent, the constitutive and nuances of national interest are still ambiguous. The determination of what constitutes national interest still resides within the purview of the national security agencies and sometimes the instrument is used as ambush tactics by overzealous security operatives.  The implication here is that journalists often find it difficult to determine when they are crossing the borders and stepping on the landmines called national interest.”

    Based on the findings, the study therefore tasks media organisations to ensure that they adhere to their corporate philosophy because it is their identity and the social bond between them and the public.

    Also, it emphasises the need for media owners (government and private) allowing their organisations to operate freely to promote best professional practice, in addition to ensuring prompt payment of staff salaries “so that the staff can avoid unethical practices and protect the corporate integrity of the organisations.”

    The study has special admonition for the security operatives: “They must respect the rights of media practitioners. In fact, they must realise that issues regarding fundamental human rights, freedom of information, expression, and rule of law are the bedrock of operation in a democratic system of government.”

    If Nigeria’s desire to attain democratic maturity with all its nuances is genuine, both government and media operatives should pay attention to the findings of this study. It anchors this attainment on a free, responsible, self-regulated media, which is always in dialogue with itself and the reading/viewing/listening public.

    The study’s argument is that “when the media regulates itself through constant dialogue with the public, such media will earn public trust and confidence, which are the ingredients needed to discharge its constitutionally recognized obligation of holding government accountable to the people, thereby stimulating good governance.”

     

  • My mother and I, by Wale Aboderin

    My mother and I, by Wale Aboderin

    A forthnight ago, children of the late Mrs Jadesola Aboderin celebrated her posthumous 80th birthday in Lagos. Her first son, Wale, is the Chairman of Punch Newspapers Ltd. He spoke with NNEKA NWANERI about his childhood and how running the family business prevented him from becoming a pilot.

    How has it been without your mother all these years?

    I don’t even remember that I am fatherless and motherless, because I am not Godless. You don’t have anybody to look up to than to look up to God. Everything that I have said is in the biography written in honour of my late mother, Mrs Florence Jadesola Aboderin. It is entitled: Unsung Greatness. I can guarantee you that the book was not exaggerated or made up, because the only thing that was missing from my mother was the wings of an angel; and I mean it.

    Why hasn’t her exemplary life rubbed off on society?

    It is said that the good is varied with people, and I get a heart break knowing that that will continue to be the case because we don’t have a system in place whereby even the government recognises the proper hero and all the things they have done in life.  So I cannot expect people to change or things to go in another direction, but I can do my own little part to let people know so that maybe they can turn to honour some people while they are still alive. Make people know that because they are doing good, people should know them. Just like the Holy Bible says, there is nothing that has happened that hasn’t happened before, and won’t happen again. But these occurrences are given to us as a testimony, so that those that see such things happening can key into it. This is a very good example of what happened at my mother’s 80th posthumous birthday. It was an opportunity for people to remember her and tell stories of her, and in so doing, impact on those who do not know her; most especially the younger ones who in their own way can do better than she did.

    Do you regret doing the house chores?

    It’s so long ago, but I don’t think I have any regrets. We are very independent kids, we have to stand on our own when she’s off to work, and wherever we were we always took control of things. We have always been leaders. But I don’t think there was a time I regretted her not being around to do house chores.

    Do you regret taking up the family business?

    The only regret is that it has kept me from being what I wanted to be and doing those things I really love to do. I would have been a pilot, musician, an actor, or anything in the art which I really love doing and have a flair for. But my number one ambition was to be a pilot because I really love to fly.

    What do you do at your leisure?

    I have a female basketball team which I coach at my spare time.  I love to watch basketball on TV and the Paralympic Games which inspires me.

    Why do you avoid social scenes

    I want to attend parties, but I have consciously refused to  because I don’t have the time to tell lies. I am not saying this to say politicians are liars, but I would rather use my time thinking of ways to help humanity. Look at what is happening in America: Donald Trump came out to tell the truth, the establishment didn’t like it and are now doing everything to work against him. Yet, he keeps winning. Why? Because there is someone who wants to tell the truth and do things differently. He does not talk like a polished politician, that is why people think that he is speaking ‘rubbish’. But we don’t need a politician…we need a leader who will speak the truth. As for me, I will rather in my time and space, do what I can do by telling the truth.  When I go to places where my integrity would be compromised, the Devil sees it as an opportunity to get me. But as long as I know in my heart that what I am doing is the right thing, and that I am a brand and the brand stands for integrity; my personality, then I have no one to answer to. God says in the Bible that he will convert our wisdom to foolishness. The foolishness of the Lord is better than the wisdom of man. Thus the reason why I like to do those things that people can’t understand. Let them gossip and talk. It gives me no good reason to look back when working because I am not afraid of anyone, neither have I lied to anyone. I just keep moving forward.

    Why are you always playful and wear a smile?

    People have often wondered why I keep smiling even when under stress. It is the peace of the Lord that gives me strength. I just keep smiling, even when someone has annoyed me. It takes more energy to frown when people have annoyed you. When they see you are unhappy, they believe they have won and I don’t have time for such people. In my own corner, I’ll just keep smiling and let it expand from there, with the hope that it would be infectious.

    A word for Nigerians

    We are too populated in Nigeria. There is a saying that a child who loves his teens will remain in bondage. All we do is grumble, forgetting that if everybody can take one step forward, count the number of steps, we would have ended up going around the world doing good.  But here, nobody is ready to take that first step. If you can do a common favour to a stranger, the world would be a better place.

  • Rotary Gbagada inducts president

    Rotary Gbagada inducts president

    Penultimate Sunday at the Yoruba Tennis Club in Onikan, Lagos Island, members of the Rotary Club, Gbagada, installed Olanrewaju Akintilo as their 33rd president. JOSEPH ESHANOKPE reports.

    THE Greetings Hall of Yoruba Tennis Club in Onikan, Lagos, was a beehive of activities two Sundays ago when members of the Rotary Club of Gbagada inducted Olanrewaju Akintilo as their 33rd president.

    Outgoing president of the club Otunba Olusola Adenuga-Taiwo was glad that he had completed his one year tenure. Presenting his scorecard, he noted that he completed at least one project in each of the six core areas of the Rotary Foundation.

    He said the club also completed a project started by his predecessor Prof Olukayode Taiwo in Cotonou, Benin Republic, and chartered a new Rotary club in Ago Iwoye. It inducted four members, contributed immensely to the Rotary Foundation and PolioPlus Fund, and supported small scale businesses with N1.5million in Ososa, Ijebu, Ogun State.

    Specifically, Adenuga-Taiwo praised Hon Isola Ogunsola for his support; adding that without him, he would not have achieved much. He gave him and some Board members of the club awards.

    After his speech, Akintilo was called to the podium. He shone in his white dress, with office insignia dangling around his neck. After his citation, at 3.50pm, Akintilo was ‘sworn-in as the 33rd president amid a song titled: ‘It’s a small world. It is a small world. It is a small, small world.’’

    At that moment, the District Governor (DG) Pat Ikheloa arrived in the hall. The MC, while welcoming the DG, said the DG came ‘’at the right time when the mantle of leadership is being passed to Akintilo’’.

    Akintilo paid tribute to his grandmother Madam Segilola Adeagbo (Iya Ibeji) for his upbringing, and more importantly, for inculcating in him the virtue of doing good. He decried the resurgence of polio virus, two years after Nigeria was cleared of the epidemic by the World Health Organisation (WHO). Akintilo sought  support to tackle the disease and ensure that it is eradicated.

    On his card for the year are the provision of two dialysis machines at the General Hospital, Gbagada and renovation of Ifako Primary School. So far, he has presented some materials to children suffering from clinic feet at the Lagos State University Teaching Hospital (LASUTH), Ikeja.

    Launching a special fund to prosecute his projects and programmes, Akintilo urged his friends and family members to assist his administration. The response was impressive as there was ‘naira and dollar  rain’ thereafter.

    The President-elect Adefowoke Williams described Akintilo as a seasoned PR practitioner.  She reminded him that he was ‘taking over a winning club, noting: ‘’It is the leading club in District 9110, having won the ‘coveted best club award’ for 13 years, seven of which were back-to-back and produced three DGs since it was carted in 1984’’.

    Lagos State University (LASU) Vice Chancellor Prof Lanre Fagbohun, who was guest speaker, sought support for youth empowerment, saying that the success of a nation depended on its youths. Education, he noted, could galvanise the youth for national development. With the right education, he submitted, the youth, would be prepared for national assignments.

    Fagbohun , who spoke for about 15 minutes, praised Rotary and similar organisations for living up to their objectives and that they always look for ways to make lives better.

     

    Reeling off statistics, he painted a gloomy picture of daily living and that ‘our world is falling apart’’. To solve the problem, he called on everyone to contribute to make life batter, lamenting that some people pass through this world without giving a helping hand.

     

     

  • GTBank opens virtual art gallery

    GTBank opens virtual art gallery

    Guaranty Trust Bank (GTBank)  PLC has opened a virtual art gallery, ART635, in Lagos.

    At the opening, its Managing Director, Mr Segun Agbaje, said the bank embarked on the project because it wanted to unlock people’s creativity.

    He said: “Although African art goes back in centuries, the industry on the continent is still young and untapped’’, hoping that with ART635, ‘’we can drive its evolution into a lucrative and vibrant economic sector”.

    ART635 Curator Mr. Uche Okpa-Iroha urged artists to be more critical and provocative in the execution of their works, adding that they didn’t have to shy away from being critical of their works.

    “Address issues with your art works. Let your work be petition to the authority and engage more with the spaces around you. And if we work and synergise, we can transform the sector,” Iroha said.

    Biodun Omolayo, who spoke on building the business of art, said artists had to make efforts to market their works, noting that every artist was a business man. He described the virtual gallery as a unique platform that would add value to art and artists.

    Art635 is an online repository of African artworks and is set to serve as a leading platform for the promotion of indigenous artists across the continent.

    At the moment, most budding indigenous artists in Nigeria and across Africa have limited space to showcase their works and make substantial living from their works.

    The bank said the gallery would expand the exposure of these artists, provide an enabling platform for the marketing of their works and serve as a much-needed motivation for  further development of their artistic skills and talents. It allows every artist to upload his works on to the web for the curator to okay.

    The launch of Art635 is the latest of the bank’s sustained efforts to promote African arts. Art is one of the four pillars of GTBank’s corporate social responsibility policy and its support for art over the years ranges from collecting art work from artists, to partner with Tate and other art institution to promote the value of African art in Africa and the international markets through project-lead initiatives

    With ART635, the bank aims to further its support for African arts by helping African artworks become not just seen and appreciated, but also to turn them into a much more profitable and commercially viable venture for indigenous artist who earn very little from their works. This is in line with the bank initiative to go beyond the tradition understanding of corporate social responsibility as corporate philanthropy by intervening in the economic sector to strengthen small business through capacity building initiatives to boast their expertise, exposure and business growth.

  • ‘My worry about Nigeria’

    ‘My worry about Nigeria’

    His life is typical of the wise saying ‘never despise a little beginning’. Sunmi Smart-Cole remains a motivation to many. From being a teacher at age 15 with only primary school education, he worked his way up with determination. He became an accomplished draughtsman, drummer, barber, photographer and journalist. The high society came out in large number to celebrate him last Sunday as he turned 75. During this chat with EVELYN OSAGIE, he played the drums with finesse, showing that age has not diminished his skill. Smart-Cole talked about Nigeria, his talents and friendship with the late Afrobeat legend, Fela Anikulapo-Kuti.

    It feels great being 75. I have no regrets. I feel extremely blessed and fortunate. I am grateful to God for great mercies and for sparing my life. Many born about the same time with me and some of my friends died in their 30s and 40s. I have been involved in three major accidents; and three times I escaped death. I was hit from behind by a big truck. The second time, we nearly ran into a trailer while Abike Dabiri now Dabiri-Erewa, and I were accompanying Mrs Maryam Babangida to Zaria and escaped. I fell down in a helicopter, broke my leg and neck, had my knee replaced by metal but survived.

    I am a proud father of two young men. And I thank God for giving me five talents, and making me excel in them all. I have been a successful architecture (draughtsman): I designed the house of Sierra Leonean second Prime Minister Albert Michael Margai, after his brother was Sir Milton. I designed a house for the BBC producer called Pete Mayas, whose mother was from Venezuela and that he wanted a country home built there. And the house had a swimming pool on top, and you could see the silhouette of people swimming. I ran a successful barber’s shop. By God’s grace I had exhibited my photographs in five countries, travelled around the world, and photographed very influential people. Indeed, God had been gracious to me. For example, I was on President Obasanjo’s pre-inaugural tour, to 28 countries. I have taken photograph with Fidel Castro, some of our former presidents, including Yar’Adua that died, and excluding Sir Tafawa Balewa and Dr Goodluck Jonathan. I never cared about Jonathan and I don’t regret it. The first time we fought we met in a church in Calabar when he was Deputy Governor to Diepreye Alamieyeseigha.

    I have also been a drummer and part of a musical group. Although I never played music for money, our group have gone to play in Ghana and America. As a journalist, I have also edited a popular paper, Lagos Life.

    My worry about Nigeria

    When I was growing up I wanted to be upright. I prayed to God that I didn’t want to become rich doing anything dubious or immoral instead, let me die poor. I won’t be the first. I had been tempted three times by some ministers – they’d steal money and I would help them to siphon it. One time, a minister who was appointed four days before called me and asked to recruit me; when he looked up and saw I was weeping, he thought I was overjoyed that it was time to become rich. But I was crying for Nigeria. He had not worked at all. All he was thinking of was how to steal money and how I would help him. This is my worry about Nigeria – it is unfortunate that there is too much corruption in the country. It is a pity that higher institutions keep giving politicians, “fly-by-night” pastors, honouree degrees. Meanwhile, there are many people who have made in-depth contribution but are not making noise about it. if I were in another country, I would have got one too.

    In most Saro houses, you’d see the maxims: Cleanliness is next to Godliness” and “Godliness and contentment”. Both have been grafted on my heart since childhood. And I’ve made up my mind a long time ago that whatever life throws at me, I’d take and be content.

    My growing up

    I was born in and grew up in Port Harcourt. It was a very cosmopolitan place with people from many countries and diverse nationalities – the lingua franca was English. But my paternal grandfather, Revd M.S. Cole, landed in Lagos Colony in 1897. So don’t come and ask me if I am a Nigerian. Chief Obasanjo asked me that in Washington once and we nearly got into a fight. My grandfather was a priest. He worked at the Cathedral Church of Christ of Nigerian Anglican Communion at Marina and also at All Saints’ Church at Montgomery Road, Yaba, from 1944 to 46. My father was also a priest in Port Harcourt but I don’t want to get into that story because I don’t want you to refuse to buy my memoir which I am working on. I have been posting photographs of me and some influential personalities on social media, and some people would have been saying “is Sunmi Smart-Cole going to die?” (Laughs) No.

    My self-education journey

    I am not poor but I’ve known what poverty is. People won’t believe there was a time we couldn’t eat rice everyday but only on Sunday after church. My formal education stopped at the age of 14. I passed the entrance examination to three secondary schools – Kings College, Lagos; Baptist High School and Stella Maris Secondary, both in Port Harcourt; but I could not go because  there no was money. My mother was a dressmaker but a lot of things led to that. Anyway, she took me to the Bishop of our church at the age of 15, hoping to get a scholarship since most of the schools were owned by the missions. And the man gave a letter to the manager of schools and I came out dancing, thinking I had been given a scholarship. But he actually instructed him to give me a job as a teacher at the age of 15. I became a teacher, teaching Infant One and Infant Two at St. Cyprians Primary School, Port Harcourt. I taught until I was 17, and resigned the job. I love the children but I hated the job because I’d wanted to be where my friends were – in school. But I have always kept my head up and never allow any situation to keep me down.

    I decided, at the age of 17, to educate myself, which was the toughest jobs I ever did. I learnt to speak English by listening, reading, and absorbing all sorts of things.

    I went to where they sold second-hand clothing, what they called “Okrika wake-up” to buy old magazines and books – Time magazine, Newsweek, Reader’s Digest and National Geographic. I was particularly influenced by the column in Reader’s Digest that says “Word Power”. I read the Bible three times – from Genesis to Revelations, not in search of religion but in search of words. I listened a lot to radio and try to speak well. Listening to broadcasters were not just a joy but greatly influenced to me. I lived in America for 10 years and refused to speak like them because they don’t speak good English. So that is how I learnt to speak English and here we are today. At the same time, by God’s grace, my educational background did not stop me from being appointed Editor of Lagos Life.

    My friendship with the late Fela

    Fela was a great musician and my friend. He had a licentiate from the Trinity College, London. He was a musicologist just like people before him, like the greatest African musician and composer Fela Sowande. Fela was very good to his friends.

    Because of my training as an architectural draughtsman, I used to design his posters for his shows. When I knew him, he drank only Fanta soft drink and couldn’t stand anybody who smoked. It was his trip to America that changed his life. Although before then, he was an Africanist; with the advent of black power movement, he was a sympathiser.

    Fela and I used to pack at Campos Square to see his girlfriend, the one we called “the Ghost”. We used to called her so behind his back because she was very tall and unusually slim, and those were the kind of women he liked. Fela was somebody who liked women; but women like him more than liked them. He liked common people too.

    His love affair with the area boys and common people had started way back then. On the day he received his salary, he would change it to small amount. And when we got to Campos Square, they would rush at him from all corners. It was like security, like he was buying their loyalty. They never deflated his tyres. One time armed robbers stopped him on the street while he was driving his brother, Beko’s ambulance, when they saw he was the one they prostrated, apologised and ran away.

    When he came back from England he had forgotten about his Koola Lobitos in England, and formed Fela Ransom-Kuti Quintet, a jazz group. I could only play conga drums then.

    My foray into the world of music

    I belonged to a music group called the Soul Assembly, led by Segun Bucknor. I was the drummer. There were also James Nelson-Cole, vocalist and rhythm guitarist and his elder brother Mike, and alto saxophonist Isaac Olasugba.We played Soul music that people can dance to and a little bit of Jazz. We made a record. Our first record was God give me Soul. I organised the very first Jazz festival in Nigeria in 1965 at Kings College Hall. Art Alade brought the money and the last European principal of the college, P.H. Davies gave me five pounds I paid for the hall. The groups listed to perform were Art Alade and the Jazz Creatures, Wole Bucknor and the Afro Jazz Group, Fela Ransom-Kuti’s Quintet and another group called the Mother Jazz Chill. Segun was on the piano, Don Amaechi on bass and I played drums. But the show was not all that successful, but it is on record and set the pace for other Jazz festivals to follow. Our group started playing American Soul Music in Nigeria because before we started playing, we had some people, led by Yinka Balogun, who were members of Elvis Presley fan club. Another group, led by Pat Fame, were Cliff Richard’s fan club for European and American musician. Nobody was playing black American music. Although we went to Kingsway and UTC to buy records but nobody played it until Segun came back from America and we, our group, the Soul Assembly started playing Soul music (African America music).

    We formed the group. And Mr Steve Rhodes, who was my boss at Rhodessoundvision, and in the business of managing groups and artistes like Fela, sacked me because of the group we formed. I was working for him. Segun worked for Niger Dam Authority, which was merged with Energy Commission of Nigeria (ECN) to become National Electric Power Authority (NEPA). James and Mike worked with different tobacco companies. We wanted Mr Rhodes to manage us as he was managing other people but he refused because he couldn’t get us together to go play across the Southwest.

    My barber’s shop

    That led to my sack, made me feel very disappointed, and led to my establishing the barber’s shop at Yaba, which was made popularly by Sam Amuka, the then editor of Sunday Times. He visited my shop and saw me reading Times magazine. He said, “Where are the customers?” The next day he sent a reporter and a photographer to come and interview me. And on a Sunday, it came out on centrespread, Soul Brother Sunmi Cut his Name on Head.

    The paternal grandfather of the wife of the Vice President, Dolapo Osinbajo, Chief Adetunji Soyode, was the man who gave me the money to open a barber’s shop – 20 pounds. It was initiated by my friend Niyi Soyode (Dolapo’s father’s immediate younger brother). It became very popular. I am blessed with great friends who had stood by me all my life; like the son of Nigeria’s Number one tailor M.O. Idowu, Ade, who has been making all my suits in the past 35 years.

    He asked me to come for fitting about a month ago that he wanted to give me a suit for my birthday. I went and when I got there his hair was so bushy. I had my kit in the car. I forced him to sit down and cut his hair. He is giving me a suit free and I gave him a haircut free.

  • ‘Ilojo Bar must be restored’

    ‘Ilojo Bar must be restored’

    On the eve of the Eld-El-Kabir holiday on September 11, a developer pulled down the 190-year-old national monument, Ilojo Bar, at the Tinubu Square, Lagos. Director-General, National Commission for Museums and Monuments, Yusuf Abdallah Usman, recalls the commission’s long battle to preserve the monument.

    Ilojo Bar (formerly known as Casa De Fernendez or Angel House) was built 190 years ago and, in all these years, it stood as the best example of Brazilian style architecture introduced by Africans who regained their freedom from their “Portuguese masters” in Brazil. Its historical, social and architectural values have been well acclaimed, thus, prompting the Federal Government to give it special protection status as a National Monument through Gazette 25 Vol. 43 of April 5, 1956.

    Since then, the National Commission for Museums and Monuments has been maintaining, promoting and preserving the monument with members of the Olaiya Family, Lagos State government and other stake holders both local and international.

    The threat to this historic building has been unfolding for sometime due to rising commercial interest in view of its strategic location. In October, last year, a member of the family wrote to the Commission saying that one of them was trying to engage a private developer to demolish the monument and clear the place for commercial development.

    In response to this, a meeting was called with the family members led by Mr. Daniel Adewale Olaiya on January 19, 2016. The meeting discussed the issues around the monument, including its legal status, how the structure is put to use and the grievances of the family members. It was finally agreed that the statues quo of the monument should remain while they submit their complains through appropriate official channel but nothing was heard from them since then.

    The recent threat to demolish the monument came on July 2, 2016, when a developer in collusion with some members of the family mobilised a bulldozer and some armed men with the intent to demolish the structure. The National Commission for Museums and Monuments got information about the move and quickly mobilised the Lagos museum staff and Lagos State government officials, who accosted the group and frustrated the attempt. In the meantime the attention of law enforcement agencies was drawn.

    On July, this year, the developer again mobilised to demolish the building and this action was again rebuffed this time through the intervention of Hon. Agboola Dabiri Special Adviser to the Lagos State Governor on the Lagos Central Business District.Following his intervention,a stakeholders’ meeting was summoned at Lagos State secretariat Alausa, Ikeja where Hon.AbikeDabiri-Erewa did everything possible to avert the demolition of the monument.

    Subsequently on Tuesday, August 16, 2016 a stakeholders’meeting was convened by the National Commission for Museums and Monuments at the National Museum, Lagos involving major stakeholders. This include members of the Olaiya family, management staff of National museum, Lagos, representatives of Lagos State Ministry of Tourism and that of the Brazillian Consulate, Benedita Gouveia Simonetti and Adeniran Arimoro.

    During the meeting, the stakeholders agreed that steps must be taken to safeguard the monument from any threat, including involving law enforcement agencies and placement of notice on the site notifying the public about the status of the building. The meeting also agreed to revive an earlier plan to organise a gala night to raise funds for the rehabilitation of the monument.

    To our greatest surprise however, on Saturday, August 27, 2016, the same developer again mobilised his bulldozer and actually damaged a portion of the building. A petition was written and submitted to the Area Commander of the Nigerian Police (Lion building), requesting  the arrest and prosecution of the culprits but apparently the police did not find the matter serious enough to detain or prosecute them.

    Seeing the levity with which the Area Command handled the matter, another petition was written on August 29, this year to the AIG Zone 2 Onikan. Meanwhile on Thursda, September 1, 2016, Hon Dabiri-Erewa was again approached and he gave an official letter to the Special Adviser to the Governor on Urban Development requesting the ministry to withdraw a letter of permit for demolition said to be given to the developer. Another letter was written to the Governor intimating him about the status of the monument and seeking his assistance to safeguard it.

    However, despite all the efforts of highly responsible and patriotic individuals and government agencies, the developer on the eve of Eid-el Kabir (September 11, 2016) sneaked in with his instrument of destruction and wilfully demolished the Ilojo Bar, an outstanding historic and architectural monument that has adored the cultural landscape of Lagos Island for nearly two centuries.

    This sad event is a critical turning point in the history of heritage management in Nigeria. The shocking way the action was carried out without any shame and embarrassment is a source of serious concern for the National Commission for Museums and Monuments as heritage managers and for all responsible Nigerians who love history and culture. The action is not only criminal, but it has robbed us of an important heritage resource that helps defines us as a people and assist our understanding of our past and our projection of the future.

    The demolition has destroyed a masterpiece of the only surviving Brazilian houses in Lagos with its attractive arches and fine iron works as statue described as being “Gothic in style and balustrade reminiscent of a Venetian palace”.  It has done great injustice to the credit of African craftsmanship in architecture which has exerted great influence on Yoruba architecture that is today visible in all parts of Yoruba land.

    Indeed, the demolition has eliminated the tangible evidence of social and cultural impact of the transatlantic slave trade and its abolition. It has wiped away an outstanding source of memory and history of freed slaves and their roles and impact in the evolution and development of cosmopolitan urban Lagos. At the same time it has destroyed one of the outstanding symbolic evidence of cultural ties between Nigeria and Black diaspora in general and Brazil in particular.

    This dastardly act has distorted the eminent position of Lagos in colonial history as centre where returnee slaves from Brazil built houses in the new architectural fashion when Lagos was created as a colony, thus impoverishing Lagos of its rich architectural urban history and undermining its acclaimed status as centre of excellence.

    However, the NCMM will not rest on its oars until the perpetrators of this dastardly act are brought to book. In line with the powers and responsibilities conferred on it by NCMM Act, Cap N19, Laws of the federal republic of Nigeria 2004, the NCMM will ensure that criminal action is brought on the culprits as well as demand full compensation for the demolished monument. It will be reconstructed and fully restored according to professional restoration standards. We wish to assure all Nigerians that the Ilojo Bar will be restored as it is a fully documented National Monument with an up-to-date and comprehensive documentation of its architectural history and design details.   Consequently, NCMM is poised to restore Ilojo Bar back to its original authentic form.

    In the meantime, the site of the monument being an integral heritage space is being explored for rescue archaeology and heritage impact assessment.

    We call on all well-meaning Nigerians to join the National Commission for Museums and Monument in saving, protecting and maintaining our national heritage resources.