Category: Life – The Midweek Magazine

  • ‘Expose girl-child to opportunities in agro cultural-tourism’

    ‘Expose girl-child to opportunities in agro cultural-tourism’

    A Fellow of the African Women in Agriculture Research and Development (AWARD) Lauretta Togonu Bickersteth has said there are opportunities for youths, especially the girl-child in the agro-tourim sector.

    She spoke at he career fair, which has as theme Exposing the girl–child to career opportunities in hospitality, tourism and agriculture.

    The event featured student participants drawn from Senior Secondary School class of St Louis Grammar School, Ibadan, Oyo State capital.

    She said: “I am propelled by the need to nip in the bud the malaise of employment, which is ravaging the fold of employable but unemployed youths. I saw it as a mistake of the government, the parents and us as individuals of not looking inward enough at seeing the vast opportunities wasting away, particularly in the agro-tourism sector.

    Resource persons at the fair included the Chief Executive Officer Mitimeth Achenyo Idachaba; Chief Executive Officer Bims’Life Gardens, Mrs Bimbola Okutinyang; Bimpe Alabi and Mrs O Oluwatoyin.

    The government of Oyo State was represented by officials from the Ministry of Agriculture and Rural Development and a Director from the Culture and Tourism Ministry.

    Each of the representatives praised the efforts of the organisers and emphasised the need for the students to tune their minds away from being employees to being employers.

    The students, who filled the St. Louis Grammar School Hall to capacity, were not only attentive but participated actively as the methodology adopted included motivational forum which prepared their minds with documentary films and culinary demonstration of what are available and how it could be done.

    These provided the students with a picture of what the resource persons were about to present which helped in the understanding of the issues at hand.

    Bickersteth noted: ‘It is a collective mistake as we all look forward to bag a white collar job. Also, there has been absence of a concerted and earnest effort at exposing the students in secondary school to the reality of employment as it concerns white collar jobs and unveil where the opportunities are.’’

    She said she was happy that the method employed at the fair has been effective as students are happy sharing experiences from those who have acquired numerous degrees but have never applied for work, but generate employment.

    Bickersteth said: “I am, however, grateful to Bookstore, Tribune Newspapers, Inspiration FM, BCOS, Fresh FM, Fan Milk, Wavecrest College of Hospitality, Orisun School of Catering for the support and collaboration at making this event a reality.”

    The Principal of the school, Mrs M. A. Ibitoye commended Bickersteth for “her sense of responsibility for bringing this eye-opening Career Fair to her alma mater. This is an immeasurable gift and a necessity, which should be hosted in all the secondary schools in Nigeria.”

    To Duru Excellent, an SS3 pupil, who won the first prize in tourism essay, said: “This is an exceptional career talk and exercise. It has helped in shaping my vision and ambition in life. I am grateful to the organiser not because of the prize but because of what I have gained from this exercise. I hope this can be replicated in other schools.”

    Another pupil, Asuquo Mary, said: “This is one of the best things that ever happened to me in my education journey. From the proceeding and interactive discussion by the resource persons, my mindset about job has been redefined and my mental creativity has been sharpened. Honestly, from today, there is no any idle holiday for me. I have an idea, which I have discovered from the discussions. I am going to make money but I will not reveal it now. I thank Lauretta Togonu Bickersteth who hosted this mental-sharpening career fair in my school.”

     

  • Trauma as Artists Village  is demolished

    Trauma as Artists Village is demolished

    Last Saturday will remain a black day for some artists whose studios were pulled down at the Artists Village located within the National Theatre premises Iganmu, Lagos.

    About 5am, artists woke up to the harrowing growl of destruction leaving behind heaps of art works and properties overrun by bulldozers. Art works and other personal effects worth millions of naira went with the demolition.

    Information and Culture Minister, Alhaji Lai Mohammed was reported to have expressed displeasure over the large extent of destruction incured in the wake of the demolition. It was learnt that the demolition was said to have been ordered by the General Manager, Nation Threatre Complex, Mallam Kalsir Yussuf.

    According to one of the resident artists at the village, Aremo Tope Babayemi, the affected artists are only maintaining civility due to the soothing assurances of the Minister of Information and Culture, Alhaji Lai Mohammed.

    Justin Chinedu Ezirim, choreographer and dancer, has been in the industry for about 15 years was affected. He has won two different dance competitions in Nigeria, Closeup Fest ChallengeandMNET Let’s Dance Nigeria, and he was also part of the choreographers of the recently concluded musical play,Wakaa. His dance studio was brought down on the day in question.

    He said: “On  Saturday morning, we witnessed a demolition without any prior notice. We have different studios here. Some of us slept in the studio because we had an event on Friday and it was late; we couldn’t go home. Imagine sleeping in the studio and it  (the building) was (suddenly) on you. Imagine the trauma! Imagine the shock! See people’s properties being destroyed, including drums that we used our hard -earned money to purchase. I teach children for free as my way of giving back to the society. Out of whatever little profit I make – because dance does not pay in this country – I purchase property for my own studio. Now I don’t have them anymore. How many years will it take me to start saving all over again? We managed to nurture the talent God gave us because we don’t want to misbehave about, we use the talent to represent this country, and when we represent the country, people clap! Why will anyone want to pay us back by demolishing our property? It’s our own money. We pay rent here at a rate which NCAC subsidised for us, so these structures are very legal. Then they say we are hoodlums!”

    To disprove the accusation that they were harbouring hoodlums, he proceeded to mention reputable people who had studios in the artist’s village, including Felix Okoro, who directs popular writer, Odia Ofiemun’s works; Abiodun Olaku; Chief Lari Williams Mufu Onifade, former Chairman Lagos chapter of Society of Nigerian Artists; Olu Ajayi, Aremo Tope Babayemi, Yemi Adeyemi, and many others. He also noted that the likes of Richard Mofe Damijo, Joke Sylva, Jude Orhohra, Asa, Ijodee, and Zule Zoo were products of the Artists Village. How then, he wondered, could anyone accuse them of hooliganism?

    Looking forlorn and melancholy was the Director of Guobadia Art Gallery, Guobadia Monday. Still shaken, he narrated his experience on Saturday morning. At 6 am, he said, he was abruptly woken and told demolition was going on. He did not believe. By the time he came out to check what was happening, he found them already at his doorstep.

    He recounted: “I asked what was happening and as soon as they told me, I started trying to rescue my art works. People started telling me to leave there because I was liable to die. Then, the bulldozer levelled my studio. Some of my materials, a drum of resin, some of the mats, a new fridge I bought, my TV, and others were buried by the bulldozers. I could only rescue few. I asked the policeman why he was doing this to me, and he said ‘did you not get a notice?’ I said I didn’t. Still they ignored me and when I kept following them, I was manhandled. When the boys here saw how badly I was being treated, they tried to intervene. Before I knew what was happening, they brought out guns and started firing. I narrowly escaped. They shot the other boy, Smart, on his leg.”

    Veteran actor, Lari Williams said: “I even asked the Minister why we were not told. He has the authority to demolish the place but at least, we are not animals. We should be told that this is going to happen. 5:30 in the morning, and people just heard of bulldozers. We didn’t even know to what extent they were going. I thought they were going to demolish the whole place. The whole thing went on until it got to a point where they were shooting somebody’s leg! Is that fair?”

    Mr Kenneth Ede, an engineer at the Artists Village, was not present at the commencement of the operation but met some of it and was thankful he was still alive. Narrating his ordeal, he said: “Around 5:30AM, I got a call to start coming down here. I got here and saw things being destroyed. They said it is because we have shanties here, but in my five years here, I have never seen any shanties here. We tried to talk peacefully to Mr Kabir Yusuf, but he refused. Instead we were dehumanised by the policemen guarding him. He was the one that led them, and he was accompanied by someone we later gathered was the D.P.O of Denton Police Station, Oyingbo.”

    He pointed to a gunshot on his car which he claimed was meant for him, but which he narrowly dodged.

    Narrating how the Artists Village came to be, Babayemi said: “The Artists Village project, which belongs to the National Council for Arts and Culture (NCAC) parastatal in the Ministry of Information and Culture is the best policy that has come out of the Ministry of Information and Culture. This was the national headquarters of the NCAC, but when the federal capital shifted to Abuja, all federal agencies had to relocate to Abuja. The NCAC, therefore, decided to subsidise accommodation for us, and the idea is to encourage self-reliance in young creative people. It is not owned by the National Theatre; it is a separate government agency. That is why when the minister came to appease us, he said: ‘None of you will leave for the other – News Agency of Nigeria, National Theatre of Nigeria, NCAC – so you will work together to have a buoyant culture sector’.

    ‘’Because of the minister’s responsiveness and sincerity of purpose, we are deescalating tension within the immediate environment. But we are not resting on our oars to bring Yusuf (the Director-General of National Art Theatre) to book because great injustice has been done to artists who are under the protection of a Federal Government agency.

    The last has not been heard of the demolition however. All effort at reaching the director-general of the National Theatre was unsuccessful.

  • Minister to commission: enlist more sites in UNESCO

    Minister to commission: enlist more sites in UNESCO

    Information and Culture Minister, Alhaji Lai Mohammed, has urged the National Commission for Museums and Monuments (NCMM) to enlist more sites on the World Heritage List as well as showcase the cultural similarities to boost interaction among the various ethnic groups in the country.

    The minister spoke at the opening of a two-day retreat for management staff and curators of the commission in Kaduna.

    He said: “The NCMM has a big role to play, especially in the areas of cultural rebirth, reawakening and re-orientation, which should be targeted at promoting national peace and harmony, youth empowerment, revenue generation as well as improve the non-oil revenue drive for the country.’’

    He also called on the management of the museum to enlist more heritage sites into the prestigious United Nations Educational, Scientific, cultural Organisation (UNESCO) World Heritage List, saying this would widen the spot the nation occupies on the global tourism map. This, he said, would translate to a high influx of local and international tourists to Nigeria and increase revenue drive of the administration.

    The Minister, who was represented by Director Cultural Industries and Heritage, Federal Ministry of Information and Culture Mr. Seyi Womiloju, called on Federal Ministry of Education and state Ministries of Education to integrate Museums Studies in Educational Curriculum, adding that this would create avenue for students to know about indigenous art as well as increase their moral values.

    He also called on the Centre for Earth Construction Technology (CETECH) under the NCMM to be repositioned to organise trainings for youths, to promote indigenous technology as well as tackle the housing challenges facing the nation.

    The Director-General, NCMM, Yusuf Abdallah Usman, stressed the essence of ethical rebirth of Nigerians, saying that it is the intrinsic factor that validates the museum as a veritable platform, to actualise the aspiration of the Federal Government.

    He noted that the museums promote better understanding on heritage they foster dialogue and self-reflection.The museum, according to him, “holds the cultural wealth of the nation in trust for all generations and by its functions and unique position, has become the cultural conscience of the nation.’’

    He charged participants to put in their best and ensured that by the end of the retreat, they would have an action plan, well formulated to provide the way forward for Nigeria in achieving the change agenda, contribute meaningfully as an agency in realising government’s set objectives in museum and generate fund from non-oil ventures.

    Kaduna State Governor Nasir El-Rufai, who was represented by Director Administration and Finance Ministry of Commerce, Industry and Tourism Alhaji Muazu A. Dantata, pledged to assist the commission in the forthcoming exhibition of Nok artifacts recently returned to the country by Germany.

    Citing Nok arts as the earliest ancient culture, dated 1,500 years (500BC-200AD) as one of the evidences of early civilisation in sub- Saharan Africa, the Governor said the state would partner the commission to take inventories of the state heritage resources, and also develop museums in the three senatorial districts as educational resource centres.

    The Emir of Zazzau, Alhaji Shehu Idris, requested of the support of the NCMM in establishing a Palace Museum to showcase the material evidence of the historical development of the Zazzau Emirate from earliest time to date.

    Emir Idris, who was represented by Alhaji Abbas Ahmad Fatika, Sarkin Paddan Zazzau, urged the commission to redouble its efforts in preserving the nation’s heritage sites, monument and artifacts.

    The representative of Emir of Jama’a Alhaji Muhammadu Isa Muhammadu, Alhaji Abubakar Mohammed, praised Usman for holding the retreat for curators and the Management staff, saying it was a good move towards creating a better Nigeria in line with the change agenda of the Buhari administration.

    Among those at the event were District Head of Nok, Alhaji Ibrahim Nok.

     

  • World of couple with quadruplets after eight years of waiting

    World of couple with quadruplets after eight years of waiting

    They waited on the Lord for eight years for children. They fasted and prayed and travelled far and wide in search of medical solution.When they had almost lost hope, God answered their prayers. Instead of one that they were praying for, He gave them four. Two months after the quadruplets’ delivery, Mr and Mrs Olusola Ololade from Ogun State are crying out for help. Why? EVELYN OSAGIE writes on their plight. 

    For eight years, they waited on God for a child. When He finally answered them, it was in a big way. He gave them quadruplets. Coping with these bundles of joy has not been easy for Mr and Mrs  Olusola  Ololade.

    It was Pemisire that cried first. Before his father could rush to carry him to prevent him from waking up his three other siblings, Ifeoluwa    responded with a loud cry. While their mother was rushing to calm her down, Semilore, their brother, also woke up.

    Left with no other choice, this reporter reached out and carried him, feeling bad that she had disturbed their morning routine.

    “We are lucky Anuoluwa is still asleep. This is how we’d go on and on today,”  Ololade, 42, said as he rocked Pemisire to sleep.”

    “Once one starts crying, others would follow; that is why you see us rushing to pacify the one who starts crying first. Still, one or two would have woken up by then,” Mrs Ololade added as she patted Ifeoluwa to sleep.

    The babies ate and slept and some minutes later, the scene was replayed again, but this time, Anuoluwa woke up first.

    It was the drama that played out when this reporter visited the Ololades. The babies, two boys and two girls born on the same day, were their first after eight years of marriage. Ifeoluwa (a girl) was born first, followed by Pemisire (a boy). Anuoluwa (a girl) was the third and her brother, Semilore, the fourth.

    The couple, both Community Health Extension Workers (CHEW) under the Local Service Commission with over 10 years of experience, said they tried  for eight years diverse approach to have children to no avail.The husband works at Obafemi-Owode Local Government Area (LGA) of Ogun State. His wife, Adesola, works with Ikenne LGA.

    “We met at the Ogun State College of Health Technology as students. After our marriage on March 10, 2007, we had agreed to have four kids, but we never thought that we would wait eight long years to have them all at once. We went through a lot, tried medical and spiritual means. Everybody around us seemed worried and had advice of medications and places to take us to. I got tired of it,” Mrs Ololade recounted the ordeal during the eight years of childlessness as he fed Anuoluwa.

    “It is sad the pressure couples whose marriages do not produce children early go through. My husband would often tell me not to worry; especially each time our efforts failed or neighbours and family members come with a would-be solution. But when I was alone, I was worried and sad. I thought a lot about our situation and prayed earnestly for a child. We went to crusades and camps to pray, sought traditional, Islamic and church counselling. I got tired of taking the herbs,” Mrs Ololade, who took Semilore, also called Temiotan, from the reporter after putting his brother to sleep, added. The emotion in her voice may have reached her as Anuoluwa began crying.

    “You have not seen anything yet,”Mr Ololade said, dropping her sister, Ifeoluwa, first by her side as he reached for her.

    Was there any medical diagnosis that certified you barren, the reporter asked?

    “No. There was none. Like my wife, I also worried and even had high blood pressure. By second and third year, when the pressure began to mount, I was even given the advice to take on another wife, but never allowed the thought to cross my mind twice. I knew we were not God; since we were medically sound, only He alone knows best. I made a promise to myself that even if I do not have a child in this life that I would not stop serving God and humanity.

    “As health workers, my wife and I ensure that people in the rural communities are taken care of – medically. We even go out of our way to visit patients in the remote areas who have stopped coming to the health centres for their treatment. So, I gave myself more to my work,” the quadruplets’ father answered

    “So how and when did this miracle occur; did you go for in vitro fertilisation (IVF),” asked the reporter?

    Mr Ololade said: “No, we didn’t do IVF. It was natural – God’s own way. By 2014, both of us decided we would stop seeking counselling in diverse places as advised; but focused only on medical approach. We were determined to go all the way, medically, as we prayed. We kept taking our medications and last year, my wife got pregnant. I did the first pregnancy test myself and you can’t imagine the joy we felt. While we were expecting just one, God gave us four instead. I prayed for my wife and children safe delivery. We were advised that considering the number of babies to be expected, it would be safe to register for ante-natal treatment at Olabisi Onabanjo University Teaching Hospital (OOUTH), Sagamu, where the doctors prepared our minds that only two or three may survive. They were delivered on November 6, 2015 and my wife barely survived.”

    He, however, lamented that  these past two months it has not been easy. “We knew the implication of their birth is capital intensive since whatever we buy must be in fourfold. But nothing prepared us for what we, especially what my wife, have faced in terms caring for them.”

    To affirm their parent’s words, Semilore turns round and wakes Pemisire who responded with a cry while Mrs Ololade reacted quickly, raising him up and covering his mouth with her breast. The scene repeated itself several times before the end of her session with the couple.

    “It is like this every day. Its 24 hours caring for the children. I don’t know when the day starts or ends,” the excited mother of four said.

    “I barely have time for myself. Once one starts crying at midnight, others would follow. It is as if they are in a choir. And it would take three to four hours to put them to sleep. If not that my mother and sisters come to assist me with carrying them at the night; and their children to assist in the day, I would have broken down. My breast milk is never enough for them (laughs); they consume one can of baby milk per day.

    “Now that my nieces and nephews have gone back to school and the Yuletide is over, we now have limited hands to assist. My husband doesn’t live here in Sagamu, but in Isara Remo. This is my family’s house; I came here due proximity to the hospital and poor health after delivery – I went through two caesarean sections. I gave birth to my children through caesarean section at OOUTH, days after I felt severe pain and was rushed back. They found water had accumulated in a section of my womb and had to operate. I stayed there for a month. When I was discharged, we thought that I should stay here so they can take good care of me and help me with the kids since our place of abode is far from here. With all that is happening, I’m afraid I may not be able to return to work. I intend to focus on caring for my children, especially in their formative years,” Mrs Ololade observed.

    But her decision is not without its price, which is particularly financially related. Hence, the couple is seeking help from well-meaning Nigerians. “We don’t want to lose any of our children because we went through a lot to have them. We are happy and grateful to God for their delivery, but we need all the support we can get. We are seeking the help of Nigerians in taking care of the children. We would have called for help earlier but couldn’t go public at the initial stage when the children were born because my wife was re-admitted at the hospital for about a month. She is well now that is why we decided to make the birth of the children public.”

    The Ololades can be contacted on First Bank Plc, Account Name: Ololade Samson Olusola, Account Number: 3017788828.

  • What is royal in  Air Maroc?

    What is royal in Air Maroc?

    Royal Air Maroc advertises a royal treatment for its passengers, from check-in to touch down. But Seun Akioye, who recently flew with the airline to Paris, writes that his treatment was far from being royal.

    The Boeing 737-700 belonging to the airliner, Royal Air Maroc (RAM) touched down at the King Muhammed International Airport, Casablanca, Morocco with a thud slightly tilting passengers inside its cabin against one another. There was a creaking noise, resounding in the cabin as if some parts of the airplane on contact with the ground was about to disintegrate. This added to the displeasure of the passengers, nobody clapped in appreciation of the pilot or his crew; nobody smiled.

    The passengers were huddled into the arrival hall of a crowded, uncoordinated and unfriendly airport. Three officials stood at the door, one of them clothed in a white protective suit with a thermometer in his hand. As passengers filed in, he checked their temperature to see if any one of them carried the deadly Ebola virus. The other officials maintained a discrete distance from the passengers. There was a look of worry mixed with terror on their faces.

    When a passenger passes the check, the man in the protective suit would dismiss him with a nod of his head. Health checks over, the passengers moved into the arrival hall. There were hundreds of other passengers inside, many of whom looked lost and frustrated. All the signs in the hall were written in either Arabic or French and no official spoke English.

    Several long and disjointed lines of passengers waited to pass through the security check. There was no coordination and intermittently an official would appear calling the name of a passenger who was about to miss a flight and taking such through security, other passengers looked on in frustration as stone faced officials moved around rebuffing enquiries from passengers by pretending to speak only French or the indigenous Moroccan language.

    The nightmare of the travellers did not begin in Casablanca, it started at the Muritala Muhammed International Airport Lagos. RAM advertises its “royal” services to would be passengers, many fell for it. When the airline came to Nigeria, it boasted: “Royal Air Maroc flies its passengers on only the best airplanes, passengers are treated to the best bouquet of hospitality and comfort while onboard Royal Air Maroc Nigeria flight….. Royal Air Maroc Nigeria has engaged the services of well trained and adequately motivated staff to attend passenger’s needs.” However, nothing could be further from the truth.

    On December 3, 2015, I travelled to Paris for the United Nations Framework Convention on Climate Change (UNFCCC) Conference of Parties 21 and had the “misfortune” of flying on the airline. Things unravelled pretty early, the departure time to Casablanca was an unusual and inconvenient 5:20 am, which means many of the passengers had to sleep at the airport. With no facility for early travellers, many of the passengers slept on the bare floor using their luggages as pillow.  The lucky ones slept on the creaking and hard iron chairs. Ventilation was a luxury. Few could complained but all of the airport officials shared this cruel fate.

    Check in began around 3: am and the officials perhaps infuriated at such an early call made life hell for the passengers especially those travelling for the first time. “Where is your birth certificate?” one yelled at a lady. You have to show me proof that you went to school like your degree certificate,” another told a lady who was going to join her husband in Brussels, Belgium. The officials also demanded to see all the documentations the passengers used in securing the visa. Some of these passengers later alleged to have parted with between N10,000 and N15,000 paid to several officials in order to board the flight.

    But, the brutality of the officials paled in significance to the uncharitable flight RAM reserved for its Nigerian passengers. For an international flight, the Boeing 737 has capacity for 96 passengers in the economy class with three seats on either side of the aisle. The seats are cramped and there were no individual television sets. Instead, three overhead screens hung above the passengers. And throughout the flight, they would show only the map of the journey and that was also in French language.

    Nothing about the flight followed the norm. There was over one hour delay and the pilot did not apologise nor  give explanations. The pilot conversed for a long time in French, then another language before saying two sentences in English that were inaudible. Every aviation law known to me was flouted with passengers still using mobile handsets even during taxi. Handbags were not stowed under the seat and the cabin crew would take a look at them and move on.

     

    The crew from hell

    It became clear that the Nigerian government must have begged RAM to ply the Nigerian route and not the other way. The crew seemed to detest the Nigerian passengers  as they showed no care and sometimes shouting at them. The airline it seemed, was grudgingly doing business in Nigeria and the crew of four showed no empathy nor did they pretend that part of their duty was to make the passengers happy. They were there to pass the time and would only be too glad to get rid of us in Casablanca.

    Immediately after  take-off, a child began to cry. Then he wailed. For several minutes,  he was screaming, I half-feared the pilot would delay the flight as the scream had assumed a dangerous trend. In other airlines, the crew would have tried to pacify the child. A chocolate here, a toy there would surface. Not this crew. They walked past the child as he began to throw tantrums.

    “Where is my mummy,” he screamed even though she was sitting beside him. The embarrassed mother tried to contain him. “Where is my baby?” the boy yelled and the plane lifted. Facilities in the plane was at best wicked. The toilet, which was tolerably clean, did not however have liquid soap. So, after doing your business, every passenger would slap on the same soap tablet leaving a part of their dirt on it.

    But, the most unforgivable part was that throughout the almost five hour flight, RAM did not serve any meal. Instead, they gave the passengers a piece of croissant or cake-depending on your luck- and a tiny packet of juice.

    The frustrated and hungry passengers devoured this pitiful “breakfast” which was ‘dropped’ rather than served on the tray tables of the passengers. Later, a lady passed around pestering passengers with the offer of a “very hot” coffee. As far as I could see, nobody took the bait. We were too bitter to respond.

    Duty free sales contained only cigarettes and alcohol. But, even if one is tempted to buy, the scowl on the face of the seller would serve as deterrence. Immediately after the snacks were ‘dropped’ on us, the head crew, a tall big fellow went to the back of the plane collapsed three seats and slept off. His face to the roof, a part of his leg obstructing the free flow of traffic on the tiny aisle.

    The flight from Casablanca to Paris was better even though it was the same small, old plane. But, at least the crew treated the almost entirely white passengers with respect and dignity and meal was served. The food, a substance resembling couscous and some funny soup was mostly abandoned by the passengers around my seat.

    The smile, which was so rare on the flight from Nigeria was supplied in abundance to the Caucasian passengers. It was a great shock to me as I thought smiling was a strict taboo in the policy of RAM. But, it was evident that the airline had little regards for its Nigerian passengers and its services. Everything but pleasant reinforces the question: what is royal in Royal Air Maroc  and why do they treat Nigerians with impunity?

     

  • ‘National Commission for Museums and Monuments goofed’

    ‘National Commission for Museums and Monuments goofed’

    The National Commission for Museums and Monuments’ rejoinder to the article on ‘Museum at 70: Whither the Museum Service in Nigeria’ makes an interesting but laughable and off the mark reading as it neither addressed nor countered the issues raised.

    It was an enthronement of falsehood, half- truths and tissue of lies. At best, what the rejoinder succeeded in achieving was playing to the gallery as well as glorifying and dressing the director-general in borrowed robes while trivialising and undermining the achievements of the celebrated movers and shakers of the museum service in Nigeria.

    Considering the chronicle of the Chief Executive Officers (CEOs) of the museum, the Director-General, Mallam Abdallah Yusuf towered above the rest, giving the impression that he has achieved even more than Kenneth C. Murray (the acclaimed father of the museum service in Nigeria), Bernard E. B. Fagg (the discoverer/author of Nok Terracottas and father of Jos museum) and the indefatigable Ekpo Eyo (the acclaimed father of modern museum service in Nigeria).

    The presentation of the achievements of the celebrated past CEOs was shallow and unimpressive, capable of causing many senior citizens of this country who have been following the development of the Nigerian museum service to be appalled by the ignorance of those who are supposed to be better informed. The disservice the rejoinder painted of these great men of honour in the annals of the museum service will cause their bodies to roll in the grave. What was written about K. C. Murray, Bernard E. B. Fagg and Ekpo Eyo was scratching the surface and not a true acknowledgement of their accomplishments.

    Nevertheless, one thing is clear, and that is, that the individual achievements of these forerunners far surpasses whatever achievement, imaginary or real, the   director-general who has been labelled to have come to kill and destroy what had been achieved by his predecessors lay claim to.

    Let me correct the skewed impression in the rejoinder that Sir Akanbiemu has some issues to settle with his former employers. Far from it as this is a figment of imagination on the part of the PRO employed barely in 2006 (a greenhorn and a neophyte in the museum profession) or whoever has scripted the rejoinder for her.

    It is an undisputed fact that the museum remains the primary constituency of Sir Akanbiemu, which explains why he has been deemed fit to occupy the prestigious position of the première Resident Curator of Olusegun Obasanjo Presidential Library, Abeokuta when Olusegun Obasanjo Presidential Library Foundation was shopping for the right candidate. At his place of work in Abeokuta, he has proven his professional know-how and dexterity to the admiration of the Chief Promoter, Chief Olusegun Obasanjo, the Board of Trustees and the firm of expatriate museum designers, Ralph Appelbaum and Associates (RAA).

    A Leicester (England)-cum Ekpo Eyo trained museologist and curator numero uno, he has been in the vanguard of championing museum professional issues in and outside the civil service and has written many articles in several professional books and journals as well as some  newspapers, including The Nation relating to heritage matters. Thus, what has been written on the Museum at 70 is what the author has telescoped from empirical museum professional viewpoint, which is giving both past and serving museum professionals nightmares.

    It is noteworthy that the views expressed in the article under reference had earlier been corroborated by the Minister of Information and Culture, Alhaji Lai Mohammed in his address to the CEOs of parastatals in his ministry and reported in The Nation that some of them are round pegs in square holes and that they do not exhibit professionalism. The Minister went further to complain that the two world heritage sites of Osun Osogbo and Sukur are under the threat of being de–listed because of lack of maintenance whereas South Africa, a late entrant into the world heritage list, boasts of eight sites. If one may ask, what was  Yusuf’’s achievement as the Director of Monuments, Heritage and Sites before his appointment as the CEO and in the position he has occupied for the past six years? To further lend support to the opinion expressed in the article, a one-time Secretary-General of the Commonwealth, Chief Emeka Anyaoku, decried the poor state of museums in the country as reported in The Nation of Wednesday, December 23, 2015, at the National Commission for Museums and Monuments 70th Anniversary exhibition at the Lagos Museum.

    According to him, “almost all the 45 museums across the country are in bad shape and poorly funded”. What is the corollary of this lamentation except that it buttresses and revalidates Akanbiemu’s position that things have gone awry in the museum arising from the tenterhooks of neglect and lack of professional direction by some directors-general.

    The claim that the Commission supervises 48 museums in the nation is not only misleading but erroneous if the International Council of Museum (ICOM) definition of a museum is anything to go by. Going by its definition, more than half of this purported number are symbolic buildings serving as administrative offices with no collections, storage, galleries et al which constitute the embodiment of a museum.

    Perhaps, the PRO did not understand the context the phrase ‘ignorant and inexperienced leadership’ was used in the article. It did not refer to all the museum’s directors–general as she claimed in the rejoinder. Rather, it referred to those that came after  Eyo. Let her re–visit the article for a clearer understanding. On her detour for the author to channel his energy to more productive and constructive ventures, it is unfortunate that she is ignorant of his immense contribution to the available museum literature and to the human capital development of professionals from within and outside the museum who pass through the Institute of Archaeology and Museum Studies (IAMS) in Jos Museum where he teaches Museum Management (MUS 512). He has been a source of inspiration to upcoming museum professionals who benefit from his wealth of experience as an encyclopaedia of museology and museography.

    Needless to delve into the unprecedented achievements of the forerunners of the museum service for want of space, suffice it to ask the leadership of the NCMM some pertinent questions that require unambiguous answers.

    • Does writing a foreword or preface to a publication confer the status of a publisher as the rejoinder portrayed? As a matter of fact, Yusuf has no intellectual contribution to the contents of the books and exhibitions but only wrote the foreword, which is honorary and a privilege. All the publications emanating from that institution way back in the days of the Federal Department of Antiquities to the time it metamorphosed to the NCMM before the advent of Yusuf have always bore the name of the institution as publisher and not the CEO. How come Yusuf is being projected as the publisher of five books funded with government cash?
    • Who were the architects of the new buildings in Esie Museum, which the rejoinder deliberately failed to acknowledge?
    • Under whose administration did museums suffer unprecedented burglary and theft of museum priceless objects?
    • What is the ownership status of the Museum of Traditional Nigerian Architecture (MOTNA) expanse of land encroached upon by intruders but was reclaimed by President Olusegun Obasanjo through the Brigadier-General Oluwole Rotimi’s panel of inquiry?
    • What informed the relocation of the PREMA course for the training of English- speaking African museum professionals from Jos Museum to Ghana?
    • How many sensitisation workshops on Sukur and Osun Osogbo were done in Adamawa and Osun states?
    • What happened to President Olusegun Obasanjo’s N500 million intervention fund for the Museum and Archives?
    • What happened to the looted Nok and Sokoto objects(ref.http/meoiredafri-que.com/en/nok galerieamis.php)
    • Was the MOTNA contract to the tune of N24million paid for and awarded to Ishola Ajagbe Metal Company in 2012 executed?
    • Where is the whereabout of N225million left in the coffers of the Commission by Akigun Roberts on his departure as Chief Executive of the Commission in 2008?
    • What happened to the balance of N12million from the N24million unofficial lease of the director-general’s residence at Adeola Odeku Street, Victoria Island, Lagos of which only N12million was officially declared to the ministry in 2013?
    • What happened to the balance of N70 million from the N318million in the coffers of the Commission after the purported refund of N248million to the ministry and was the refund receipted?
    • What happened to the N16million left over from the N47million personnel cost for the Institute of Archaeology and Museum Studies, Jos in 2013?
    • What happened to the $2million Ford Foundation fund for the rejuvenation of Lagos Museum?
    • Who of the directors received the purported tyres purchased in their names supplied by Batako Cleaning Services in 2013 for N1,618,200?
    • Where is the where about of the two lion cubs removed from Jos Museum Zoo in 2009 in exchange for a hyena by Yusuf, which he claimed was billed for Kano Museum but never got there?
    • What is the outcome of the antiquity Canon missing from Jos Museum since October 1, 2014?
    • What is the appropriateness of these payments to the following companies from the Over Head vote in 2013 which rightly falls under capital project? They include:
    1. a) N13,699,597 paid to Rohan Stone Global being second instalment for the construction of museum in Adamawa.

    (b) N4,402,517 to Royal Stone Global being first instalment for the construction of  administrative block in Maiduguri.

    ( c) N5,292,086 to Ell Services Limited being mobilisation fee for the construction of gallery, landscaping and fence at International Centre, Birnin Kudu.

    • What is the difference between Rohan Stone Global and Royal Stone Global?
    • Which bank did Yusuf, a civil servant, source the money to purchase his accommodation opposite the House of Representatives Deputy Speaker’s official residence in Apo, Abuja?

    As for the errand PRO, who has adorned the ‘candido mask’ for her master’s voice because of the benevolence of unmerited favours, it will be advisable that she treads softly with caution, lest she ends up in the tiger’s belly. Conversely, rather than Akanbiemu approaching the leadership of the Commission whose iron and steel doors are permanently shut to people willing to offer useful advice, it should, instead, approach him for mentor-ship in Museum Management being his erstwhile lecturer at the Institute of Archaeology and Museum Studies (IAMS) in Jos in the light of the state of the Commission which is in comatose.

    May the NCMM be rescued from the claws of the clique of a rapacious and looting gang of job hunters, opportunists, adventurers and clueless leadership.

     

    • Akanbiemu is Resident Curator,

    Olusegun Obasanjo Presidential Library, Abeokuta, Ogun State.  

  • Dons seek new ways of teaching theatre art

    Dons seek new ways of teaching theatre art

    Professors of Theatre Arts drawn from various higher institutions of learning have met in Abuja to forge the way forward.

    The professors, among others, called for the periodic establishment and review of the theatre arts curriculum to facilitate a tripartite connection among the academia, industry and government.

    They also called for the development of separate templates for Film and Film Studies, noting that both should henceforth, be domiciled in Theatre Arts.

    For effective delivery of theory and practice, the dons urged the Federal and state governments to make improved budgetary allocations for resource input and physical facilities. In the same way, they called for harmonised Industrial Training Programme for all Theatre Arts students.

    While calling on the university system to create a template that is favourable to both practice and scholarship for promotional evaluation of lecturers, the experts called on professionals in the discipline to carry along the Society of Nigeria Theatre Artists (SONTA)  and other affiliates on policy and curriculum development for theatre arts and film studies.

    The theatre experts, who met for three days in Abuja, also called on SONTA to organise a workshop for theatre and media/film arts professors.The workshop, according to them, would enable the egg heads to revise the curriculum and make recommendations to the National Universities Commisssion (NUC) on BMAS for theatre, Film/Media arts as well as cultural studies.

    Ostensibly, the first meeting of Theatre professors offered the platform to deliberate on how to provide leadership and direction for teachers and students in the same profession. It was organised by the SONTA and hosted by the University of Abuja. The meeting featured paper presentations which addressed relevant issues on the practice and learning of the theatre. It also sought unity and cooperation of leading scholars in the theatre profession, with a view to improving the quality of teaching and research as well as acquiring relevant equipment and facilities for theatre training.

    At the event were professors of Theatre, Dramatic, Creative and Performing Arts as well as professors of Film Production and Film/Media Studies from the following Universities: University of Ibadan, University of Lagos, University of Jos, University of Ilorin, University of Maiduguri, University of Benin, University of Port Harcourt, University of Abuja, Nnamdi Azikiwe University, Awka, Federal University Lafia, Kwara State University, Malete, Nasarawa State University Keffi, and Niger Delta University, Wilberforce Island.

    Among those at the event were Prof Michael Umale Adikwu;Vice Chancellor of University of Abuja, Deputy Vice Chancellor (Administration) Prof Sani Mashi and DVC (Academics), Prof Gboyega Kolawole.

    Others were Prof S. O. OAmali, former Vice Chancellor, University of Ilorin and Nasarawa State University, Keffi and Prof. Duro Oni, a Trustee of SONTA and Deputy Vice Chancellor, Management Services, University of Lagos (UNILAG).

    Also there were Prof Olu Obafemi, former Director of Research, National Institute of Policy and Strategic Studies (NIPSS) who served as Chairman, and Dr. Barclays Ayakoroma, Executive Secretary, National Institute for Cultural Orientation (NICO).

    Other prominent scholars were Prof Hyginus Ekwuazi, former Director-General, Nigeria Film Corporation; Prof Saviour N. A. Agoro, Provost, Isaac Jasper Boro College of Education; Prof Saint Gbilekaa, former Chief of Staff to Benue State Governor; Prof. Emmanuel Dandaura; former president, SONTA and a Trustee; Prof Mabel Evwierhoma, Dean of Arts, University of Abuja; Prof. Sunday E. Ododo, President of SONTA and convener of the meeting, among others.

    Papers presented at the meeting include the following: A Critique/Review of the Media Arts/Film/Film Studies Programme: Towards a

    Benchmark Template, by Ekwuazi; Theatre Arts – Industry Interface and Industrial Training Fund (ITF) – SIWES, by Prof. S. E. Ododo; Developing a Template for the Appointment and Promotion of Theatre Artists in Nigerian Universities, by Prof. Sam Ukala; Benchmark for Theatre/Dramatic/Performing Arts Programme and Cultural Studies in Nigerian Universities: Towards a Template of Modification for more Relevance, by Prof. Emman S. Dandaura; as well as Falling Standards both in Teaching and Publications; Physical Conditions of Performance and Training; Research and Mentoring,  by Obafemi.

     

    • Balogun lectures at the Federal University, Oye-Ekiti, Ekiti State.
  • Using arts to engage the youth on development

    Amid drama and poetry performances, the realities of out-of-school adolescent girls and a call on government and society to address the challenges were presented at this year’s Teenage Festival of Life held at the University of Lagos, reports adeola ogunlade.  

    Ifesowapo Aboru Senior Secondary School, Aboru in Lagos State has emerged winner in song and poetry category of the 2015 Teenage Festival of Life organised by Action health International held recently at UNILAG Multipurpose Hall, Lagos.

    The theme for this year’s programme was Securing our future: youth and the post 2015 sustainable development agenda. It featured drama, essay, song, and poetry performances from various public secondary schools across Lagos State. Army Cantonment Junior Secondary School, Ikeja won the Essay category while Ajara Senior Grammar School, Badagry won the Drama category of the competition.

    The event was spiced by the presentations by two guest artistes Sako and a television host, Olajumoke Damilola and a Spoken Word performance by Atilola Morunfolu.

    The resonating messages of these performances were the needs, concerns, and realities of out-of-school adolescent girls as well as their call to action for the government and society at large to address these challenges. The Main Auditorium of the University of Lagos was filled to capacity for the festival as over 2,000 young people, as well as representatives from the State Ministry of Education, Non-Governmental Organisations, Community Development Associations (CDA) attended the event.

    Ambassador of Finland to Nigeria, Mrs. Pirjo Suomela-Chowdhury said that education is another element of sustainable development. “The school system in Finland has achieved international recognition because of its high quality. In Finland, school is free for all and all schools are of a high standard. Teachers are highly qualified and motivated professionals. Teaching and education are highly valued. I want to emphasize the critical importance and enormous value of the education that you are receiving. Education makes all the difference in an individual’s life.

    “Education gives you the opportunity to make real choices in life, and to use your potential to the full. It opens up new horizons to you, with a whole new world of possibilities. With education, you can make your own life better, and you can improve the life of your family and your community”, she said.

    She stressed that when talking about the future, young people must be at the centre. Your contribution is extremely valuable. At the same time, or course, we know that for sustainable progress, the dynamic and innovative approaches of the young need to be combined with the knowledge and wisdom of more experienced generations.

    The founder of Action Health Incorporated, Mrs. Essien said that the goal of festival of life is raise awareness, reinforce importance and foster commitment among young people to positively engage in the post-2015 sustainable development agenda.

    Essien said the world is home to 1.8 billion young people, the largest generation of young people aged 18 to 24 in its history and Nigeria is home to 57million young people age 10 to 24years. Despite the teeming population of young people, they often not consulted in creating national development plans or addressing issues that affect them.

    “We want to engage young people to articulate the world and the environment for themselves beyond 2015. We want to showcase youth creative art skills in portraying ways which young people can contribute to the post-2015 sustainable development agenda”, she said.

  • Foundation provides succour for the needy

    Foundation provides succour for the needy

    You must not lose faith in humanity. Humanity is an ocean; if a few drops of the ocean are dirty, the ocean does not become dirty”. This famous quote manifested in the philanthropic endeavours of the Vessel of God Charity Foundation run by Pastor (Mrs)  Annette Atanda. It is one of the few-and-far-between silver linings in the tenebrous fabric of the Nigerian social clime.

    Without doubt, a good percentage of the country’s population is savvy to the economic woes that have plagued the country in recent times. Retrenchment has become as Damocles’ famed sword, hanging ominously above the average Nigerian worker; inflation is rearing its oppressive head; ritual murder, kidnapping and other similar vices seem spliced to the news in macabre union, and the impression this presents is that there is nothing commendable about the contemporary Nigerian society that any should desire to be a part of it. Many Nigerians are tensed and understandably shrewd with their finances, and the general atmosphere spells woe unto anyone who is incapable of surviving independently.

    With the activities of the Vessel of God Charity Foundation however, there is yet hope. The foundation is a charity organisation run majorly by Mrs  Atanda who has been through tough times herself. Orphaned at an early age, she would have dropped out in her second year of studying Economics at the University of Nigeria, Nsukka had a friend not decided to share her allowances with her. There was a will, and so there was a way. She graduated with a second class upper, but fell ill some time later. The illness got worse and she was admitted at Lagos University Teaching Hospital (LUTH) where she witnessed first-hand how people’s lives were being condemned for paltry amounts of money. She decided to start helping them and by 2010, she had received her official calling from God to start the Vessel of God Charity Foundation. It was to Aseese Community that she was led to commence her charity.

    She is not alone in this selfless endeavour. Fast by her side, acting as a bulwark, is her quiet and congenial husband, Pastor Femi Atanda. Initially, they started the charity with a scholarship fund. Annette had met a young girl hawking and weeping, and upon asking her what commoved her so, she disclosed that she could not go to school and had been reduced to hawking the streets. With support from the VOG foundation, she is now a JSS 1 student of Queen’s College, where she is heroically rating far above her peers. In similar fashion, the foundation sponsors the education of another class-topping young lad at Ikotun High School, and virtually 18 other children. Initially, funding was solely from her own salary which she earned for working as a service manager at a bank. Now however, family and friends have joined in it, and she hopes private bodies are hoped to join by God’s grace.

    Perhaps most captivating of the stories of those the foundation has helped is the story of Promise. She used to sell and smoke Indian hemp, as well as use it to cook for her husband and three children. She used to live in an uncompleted building in the most abject immiserisation. The foundation got her a home and put two of the children in school. The foundation also got her a job.

    The organisation has big plans for the future. It plans to develop a hospital for providing free medication and health services. It also plans to set up a Boarding School so it can provide free education. Not least of these are its plans to have lawyers on board who will help in its human rights cause. However, the organisation is currently limited to providing only clothes, shoes, food, books, bibles and other sustenance materials at outreaches. This is of course, in addition to its numerous scholarships – all of which are funded by someone’s salary and help from friends. To repair Nigeria is not a day’s job, but it will be a step in the right direction if people could join hands with the Vessel of God Foundation’s activities to help those of scant resources.

  • When giants gathered  for BJ at 70

    When giants gathered for BJ at 70

    In a display of love and fraternity, literary giants gathered in Ibadan, Nigeria’s city of literature, to celebrate one of their own, Prof Biodun Jeyifo. The renowned writer, don, columnist and Professor Emeritus, Department of English at Cornel University, Ithaca, New York, United States, turned 70 on January 5, SOLA BALOGUN reports.  

    •’We remain committed to social justice’

    The Arts Theatre of the University of Ibadan (UI) played the symbolic host to the giants, as the organisers- Prof Femi Osofisan and Dr Yemi Ogunbiyi- reportedly convinced Chief Lekan Are to change the venue. The chief had offered to host the guests at the Kakanfo Hotel on Ring Road, Ibadan, as part of his contribution to great feast. But having remembered the historical significance of the Arts Theatre in their individual and collective careers, the literary giants insisted on celebrating B.J’s 70th birthday on the Arts Theatre stage.

    The ceremony was graced by renowned men and women of letters, many of who were B.J’s students, admirers, friends and colleagues. The birthday lecture was delivered by Prof Dan Izevbaye;  Prof. John Pepper Clark-Bekederemo chaired the occasion. Prof Wole Soyinka, Izevbaye and Chief Are were the special guests of honour. The lecture essentially became another eye-opener to the bane of Nigeria’s development in the key areas of literacy and leadership, while the various speakers at the occasion agreed that Nigeria’s literacy giants and critics should work to tackle the twin problems of identity crisis and lack of social injustice.

    Prof Izevbaye used the lecture to raise pertinent issues such as the problem of identity among the youths, the dwindling cultural values and the gradual disappearance of indigenous language in the country. He observed, among others, that parents in Nigeria no longer speak their indigenous languages to their children despite their proficiency in these languages. He also decried the overwhelming embrace of the American Internet at the expense of literacy through books, noting regrettably that “Our country has deleted History from its school curriculum and therefore, filled the gap with European history and civilisation”. Izevbaye buttressed the vision of the post modernists on the need for Africans return to oral culture of folklore and myths, adding that reliance  on foreign cultural values would neither give Africans their own identity nor set them on the right path of socio-economic development.

    Explaining the roots of the Boko Haram insurgency and its devastating effect on Nigeria, Izevbaye reminded that the sect was the product of the age long confrontation between the West and the Middle East. He noted further that the war is now being fought on Nigerian soil through the insurgents and that failure by the country to re-invent itself after colonialism eventually plunged it into incessant socio-political crises.

    While paying homage to the celebrator, Nobel Laureate Wole Soyinka commended Prof  Biodun Jeyifo for a successful literary career that hasn’t attracted the wrath of the authorities. According to Soyinka, “How BJ has done it without being jailed, I don’t know.”   He extolled BJ’s pursuit of truth and justice through his works, noting that the Russian language is the only one that has the same word for both truth and justice. Soyinka went ahead to honour his protégé of many decades, by presenting him with a bottle of vodka, which he referred to as the drink of revolutionaries (Marxists). He also gave him a jar of coffee and a compact disc as a reminder of his insightful poems.

    For Chief Are, there is need for Nigerians to embrace their indigenous languages and cultural values. The old man who was a school mate of Soyinka at Government College, Ibadan (GCI), cautioned that Africans would no longer have anything to show if they allow their language and culture to go into extinction. Chief Are equally used the occasion to correct the erroneous belief among Nigerians that Soyinka founded the famous Pirates Confraternity as a cult group. He hinted that the confraternity was founded with a vision to fight injustice, and not as an organization aimed at promoting cultism.

    The celebrator jokingly told the guests that he became superstitious a few months to his 70th birthday as a way of avoiding danger.  He said, “For the first time in my life, I became superstitious…I didn’t want to travel. I said I don’t want to travel before I made it to 70″. He reminded the  colleagues who have come to the university to honour him. The VC recalled the ingenuity of both Professors Molara  Ogundipe and Dan Izevbaye who bagged First Class Honours degrees from the English Department of the University. He however attributed the low turnout of students and other members of the university community to the yuletide break, adding that what the ceremony lost in the number of attendees, it has gained in the quality of literary giants, scholars and guests in attendance.

    Also in attendance at the ceremony which later had veteran singer Jimi Solanke entertaining guests were Emeritus Professors Femi Osofisan, Ayo Banjo and Ayo Bamgbose. Others were Prof Adebayo Williams, Prof Ropo Sekoni, Prof Duro Oni, Prof Bode Sowande, Prof Olu Obafemi, Prof Remi Raji  Oyelade, Prof Lanre Bamidele, Prof Hyginius  Ekwuazi, Dr Tunde Awosanmi, Dr Matthew Umukoro, Dr Jeleel Ojuade, Dr Chukwuma Okoye, Dr. Sola Olorunyomi, Dr Alphonsus Osisaremi, Dr Wumi Raji and Dr Bashiru Akande Lasisi.