Category: Life – The Midweek Magazine

  • Lagos pledges support for tourism values

    Lagos pledges support for tourism values

    The Lagos State Ministry of Tourism and Culture has reiterated its readiness to continue to support and enhance the tourism values of indigenous festivals and celebrations of the people of the State.

    The Commissioner for Tourism and Culture, Mr Folarin Coker made the submission at this year’s Kayo-Kayo festival in Epe.

    Mr  Coker said the ministry has always identified with the annual festival and will continue to support it especially in view of the present administration’s policy on tourism promotion as an investment window to spur employment and increase the State’s economy.

    The Commissioner who was represented by the Head of Tourism Promotion Department, Mrs Adama Oni said the Ministry will continue to explore all avenues for the promotion and provision of enabling environment for the private sector to expand the business opportunities in the promotion of festivals, celebrations and culture of the people of the State.

    He commiserated with the Olu of Epe, His Royal Majesty, Oba Shefiu Olatunji Adewale and the entire people of the town on the sad incident which according to the Oba, prevented the indigenes from celebrating the festival in the usual grand style while the community dedicated this year’s episode to mourn the unfortunate demise of the six illustrious sons of the community.

    He promised that the festival will be celebrated glamorously next year.

    The Secretary-General of the planning committee, Abiola Anifowose, noted that the people of Epe community chose to observe the festival in a pensive mood with a special prayer and lecture on the significance of Hijra celebration and its link to the annual kayo-kayo festival observe in the community.

    He said the Kayo-Kayo is an annual religious and cultural festiva observed by the descendants of Oba Kosoko, who inhabited areas notably referred to as Eko-Epe in Epe Local Government of Lagos.

    He added that the festival is celebrated during the first month of the Islamic calendar in commemoration of ‘Yaom-al Ashura’ the tenth day of Muhharram in the Islamic calendar. “This is about a month after the muslim festival of Eid-El-Kabir,” he said.

     

  • ‘Tourism is all about service’

    ‘Tourism is all about service’

    Akpan Itoro, General Manager of  Success Villa Luxury Hotel in Calabar,the  Cross River State capital, has come a long way in the hospitality industry. Akpan, who started out at Nanet Hotels Limited in Kaduna, has worked at Benue Hotel, Makurdi, Serengeti Hotel and Hotel El–Sasso. He speaks with Assistant Editor (Arts) OZOLUA UHAKHEME on the relevance of tourism to the economy, the impact of Calabar Carnival on the state, tourism and security challenges.  

    How relevant is tourism to the growth of the nation’s economy?

    Tourism generally is all about the provision of required services to tourists. These services may include but not limited to accommodation, transportation, information and entertainment.

    Tourists as we all know are those who engage in traveling for pleasure, researches, recreation etc. Thus, it would be right to state here that tourism plays a paramount role in the nation’s economy. Why do I say so? At any angle one may like to look at nation’s economy, tourism is there. Consider the fact that for tourism to boom convergence of tourists from one place to another is a must. Hence transporters benefit from tourism. It is a known fact that a reasonable number of the nation manpower is found in the transport sector of the economy. More-so tourists feed on information, hence in dissemination of information the Mass Media Practitioners are not left out in the business of tourism. Come to think of the number of hotels eateries, recreational spots, ancient or historic edifices; all these places are maintained or run by people and they earn their living from there. For instance in Cross River State there are about three hundred hotels and these hotel are man by a substantial working population of the indigenes and non indigenes alike. Mention should also be made concerning the middle men in the sector; the contractors, suppliers, tour guides, translators etc. Apart from the sector helping to reduce the rate of unemployment, the taxes, levies etc paid by these establishments go a long way to impact positively on the nation’s economy. To add to the above tourism also play a role in attracting foreign exchange to the economy. The foreigners that visit our shore come with hard currency and this goes a long way to strengthen our economy. In summary, it is on record that tourism employs over 1 per cent of the world labour force.

    Considering the state of security in the country, how best can tourism blossom especially in Cross River State?

    Well we all know this is challenging period in the country security wise. But it is never an excuse for us in the sector to allow tourism die. It is on this note that I wish to thank security establishments in particular and the government in general for always organizing workshops and seminars on the developments in the security situations in the state. By so doing we are kept abreast of the right ways to keep the sector blossoming. In my personal opinion let it be known that that security is every body’s responsibility, in other word all hands should be on desk to ensure the safety of our working environment. Having said thus, it would be myopic of tourism employees to leave the entire job of security to only security agencies. One comes to this submission knowing full well that human being  not spirit works in these establishments. Hence since they are humans just like us they depend on the information at their disposal as directed to them to discharge their duties. Of late, terrorists, armed robbers, etc, activities have become worrisome and have even threatened the peace of the country almost on daily bases. Observations and studies have proved that the insurgents are majorly found in hotels, eateries, transport sectors posing as tourists. Hence we in the industry must at all times be alert to thwart their evil mission. It is on this note that I  wish to suggest that employees of this sector should look for under  listed tools or materials used in manufacturing explosives (bomb) in tourism environment, these are empty metal containers, batteries, wires, carbide, players, match boxes or lighters. Also be on the watch over possible places explosives or ammunition could be kept. These places include Public toilets, waste bins etc also one should be apprehensive of abandoned bags and vehicles. For staff working in the service areas, they should watch out for customers who stays for too long over a bottle of drink or taking nothing at all, unfamiliar guests, do everything possible to discourage two same sex guests occupying one room, guests or customers who patronise service areas at odd hours of the day and guests who stay longer than necessary.

    More so, employees should be advised to be observant at all times. Secondly, the golden role of service should be observed  while every suspicious move or object should be reported to appropriate quarters. In conclusion, staff should be encouraged to know security agencies emergency phone numbers and to feel free to call them as at when due. It is my belief that with the above suggestions tourism shall blossom in Cross River State despite the state of security in the country.

    Calabar Carnival is a yearly feast. How has this advanced tourism promotion in the state?

    First of all permit me to use this medium to thank the government of  Mr Donald Duke for taking the initiative to launch the carnival into existence and the subsequent governments for retaining the festival. It is worthy of mentioning here that the festival has been able to place Cross River State in the global tourism map. Apart from that it has also brought to lime light various tourism areas scattered across the state that were hitherto unknown. This bold step has gone a long way in awaking the subconscioussness of investors both within and without the state to invest their resources in the industry. At the backdrop of this, infrastructural development has been in the increase. For instance, the historic sites or monuments are being visited by tourists periodically and other festivals like new yam festivals, age groups festivals are assuming a higher standard in organising and display thereby attracting the attention of so many interest groups in the sector. The carnival has also made the government to construct new roads, motivate investors to embark in the building of world class hotels, conference centers etc. The carnival has also advance tourism development in the area of manpower training and development, because of high demand of good standard and excellence in the industry,  both the government and private sector are into training of personnel in the industry. For instance the monitoring body of tourism in the state (Cross River State Tourism Bureau) has been doing its possible best to ensure that many hotels in the state operate at world level standard. The body is also in the business of organizing workshops and trainings, these help to reposition personnel in the industry professionally and the end result is for the advancement of tourism in the state.

    What are the major hindrances to hospitality business in the state?

    As I did say earlier, the state and the private sector have tried in taking tourism to a new frontier but much still left to be done. There are so many hindrances to hospitality development in the state but the major one is epileptic power supply. This particular challenge has sent many an establishment grumbling. One of the essential services that customers need while patronizing hospitality outfit is constant power supply but unfortunately in the country we have been experiencing incessant power outage. This acts as a great impediment to the growth of the industry having considered the cost of running generator for a greater period of time just to satisfy customers. Another factor that hinders hospitality business in the state is poor road network. It will interest the public to know that some high class hospitality outfits are located in areas that are not motor-able, hence they investors in such businesses find it difficult to make ends meet as a result of poor patronage. Another issue that acts as obstacle to hospitality business is the mind set of some about working in hospitality industry. A lot of people in Nigeria still have this belief that hospitality job is for school drop-outs, prostitutes, less qualified people of the society and as such many do not want to make carrier  of it. Such that the industry lack highly qualified manpower to man top posts in the business, secondly the few qualified ones are not well paid. More so lack of training materials in some of the establishments couple with lack of exposure to modern equipments in the sector.

    Another hindrance in the business is poor funding. Many investors who have the interest of the industry at heart are incapacitated as result of lack of enough funds to actualize their dreams. Finally, excessive levies and what I may call double taxation on hospitality businesses.

    If you were made the commissioner of tourism in the state, what would be your priority?

    My priority would be very simple and clear. First of all I would identify genuine stake holders in the business of tourism then collaborate with relevant authorities to enable them actualise their dreams in the industry. Why would I wish to identify the genuine stake holders first? The reason is that the business of tourism is all about service, hence it is service first before every other thing but on the contrary some investors in the industry aspire to get every other thing before service. As a commissioner, I would do my very best to convince the state government to open tourism based financial institution that is empowered to to assist both  government agencies, private bodies and even individuals to get loans to fund their tourism projects. If Agriculture has a similar institution why not tourism after all statistics show that tourism is competing very well with Agriculture in employment of labour. Secondly, during my tenure I would do  everything possible to erase the erroneous belief that  tourism is for school drop-outs or for those who are not well sound educationally. These I will do by encouraging proper orientation both in schools and offices. Thus encouraging many to make career in the sector just as what is obtainable in many countries of the world. For instance countries like Brazil, Jamaica, Kenya etc are building their economies around tourism. I would also place as my priority putting square pegs in a square hole to show case professionalism. Apart from that accountability would be my watchword because every fund coming the way of my ministry must be judiciously used to proof a point. In a nutshell there are still much to be done with regards to tourism in the state even though the past administrations have achieved much but the industry is in a state of dynamism hence i would embark on research in-order to bring much dividend to government in particular and the society in general.

    What are the unique selling points of Success Villa Luxury Hotel? I mean what separates it from other competitors?

    In one sentence, I would say rendering satisfactory services before monetary rewards has been our watch-word and recognizes God in all our endeavours.

    What are your lessons in the industry?

    I wish to state here that the factor that plays a very prominent role in the survival of the business is the human factor. What I mean is that beautiful edifices, state – of- the- art  furnishing etc do play part in business patronage but service is the ultimate. Yes it is the service rendered that do attract a lot of patronages to a business concern. Hence, much attention should be paid on how we train our staff and how we take care of their welfare. Secondly experience has also taught me that it is not advisable to nurse sentiment while recruiting or employing staff both in the managerial and lower cadre. In summary, ours is service oriented business, from experience I have discovered that one must strive to satisfy clients first before looking for monetary rewards.

  • ‘Winning awards not the ultimate’

    ‘Winning awards not the ultimate’

    They all came for one event. But, the younger artists had different missions. While many were fulfilled participating in Life In My City Art Festival (LIMCAF), in Enugu, others eyed the coveted prize. Of the hundreds of artists that entered for the competition, Benin City-based studio artist Aisien Harrison won the Best Overall prize of N500,000 amid jubilation, reports Assistant Editor (Arts) OZOLUA UHAKHEME.

    In spite of the traffic logjam on Nike Lake Resort Road, guests, especially most of the shortlisted 98 artists for the awards and grand finale exhibition, arrived the function in high spirits. The Convention Hall, Nike Lake Resort Hotel, Enugu venue of this year’s Life In My City  Art Festival was filled to capacity. The anxiety got to its peak when 30 of the 98 participants were shortlisted winners in various categories by a five-man jury led by Prof Tonie Okpe of the Ahmadu Bello University, Zaria.

    But, when Aisien Harrison, a Benin-based full-time studio artist, was announced the overall winner by is Royal Majesty Igwe Nnaemeka Acbebe, Obi of Onitsha, there was wild jubilation in the hall.

    Harrison’s Melodius Struggle, a wooden sculpture won him a cash prize of N500,000.

    The other 29 winners included Muoneme Uzuchukwu (Best painting, mixed media and drawing) who got N250,000. Badru Taofeek Abiodun (Best multimedia) N250,000, Nattey Gregory from Ghana won the Photo Africa award of $1000, Idongesit Esong (Ufon Usoro-Uyo/Calabar zone N200,000, Okoro Emmanuel won (Dr. Pius Okigbo award for technical proficiency) N150,000 and a plaque, while Ibrahim Rashidat Folashade (Justice Aniagolu prize for originality) got N100,000.

    Others were Stephen Osochukwu (Best in Edo/Delta zone) – N100,000; Samuel Ilori (Best in Abuja) – N100,000; Raji Bamidele Abdulgaffar (Best in Lagos) – N100,000 and Godwin Ejike Ugwuagbo (Best experimental in Enugu State).

    “This is my third attempt in this art competition. Last year, I made the consolatory prize. Thank God I made it this time. I have always had the belief and faith that I would one day win one of the big awards but never knew it would come so soon. With this award, I will continue to work harder and be a model to younger artists,” elated Harrison said.

    The Auchi Polytechnic-trained sculptor said his winning piece Melodious Struggle is a commentary on the way Nigerian youths struggle to become a musical star at all costs. Melodious Struggle is a medium size wooden work measuring 30cm that reflects the many challenges most youths face in the struggle to produce hit songs for the music industry. The reclining shape and the skinny frame capture all the hurdles.

    “In rendering the piece, I omitted some forms, such as the head and toes of the figure. But at a closer look, the seeming invisible forms can be seen by discerning art lovers,” Harrison added.

    Igwe Achebe, who chaired the event enjoined participants to see participation in the festival as much more important than winning the awards. He said the festival has scored high in today’s art scene and has emerged as the most sustaining art event in the country, praying that it continues to grow in strength. He, however lamented that the government does not appreciate art, which according to him, explained why National Gallery of Art has no gallery of art. The Obi of Onitsha disclosed that he is planning to establish a private museum at Onitsha very soon.

    Appreciating the support of distinguished Nigerians, such as Ms Anne Okigbo who recently endowed an award in honour of her late father (Dr. Pius Okigbo) for the festival, LIMCAF board chairman Elder Kalu Uka Kalu said such efforts have come to swell the growing list of endowments which began in 2010. They include Justice Anthony Aniagolu, Tayo Adenaike (African Photography award), Bisi Silva award for Lagos zone, Jeff Ajueshi’s Thought Pyramid Gallery, Abuja award for Edo/Delta zone and Mrs Mfon Usoro’s Uyo/Calabar zone award.

    He stated that it is a great pleasure to see the eager faces of young artists who gathered at the event not just as contestants but more especially as aspiring young professionals in training. “They come here every year surely to expand their vision through interaction with older and wiser generations and to test their talent in a conducive atmosphere against those of their peers as well as superiors. In that regard it is a noteworthy pointer to their future that scions of prominent art aficionados of yesteryears whose parents bought the works of the older generation artists many years ago are now endorsing LIMCAF and its promise by endowing prizes in various categories to encourage the young ones of today,” he added.

    Continuing, Kalu said: “These prizes are of course in addition to the four main national prizes including the Overall prize and three best in category prizes. It is our hope that the list will continue to grow as the festival grows in stature and inclusiveness. The Board and its Organising Committee is in fact poised to examine the possibility of promulgating a new and more structured order of category prizes all in a bid to increase the number of young persons who benefit financially from participating in the festival.

    Present at the award night included former Director-General Nigerian Maritime and Safety Agency (NIMASA), Mrs Mfon Usoro, Ms Anne Okigbo, Elder and Mrs Kalu U Kalu, Chief and Mrs Robert Oji, Igwe LOC Agubuzu, Mr. Peter Eze, Cultural Attache, French Embassy in Nigeria, Miss Aude Urcun, and Mr. Orji Ndem.

    The 9th Life In My City Art Festival which has as theme, Beyond All Odds was supported by First Bank Plc, Rocana Nigeria Limited, Alliance Francaise Network in Nigeria, CCA, Lagos, Nike Lake Resort and Hotel, Tachi Studio and CLAM among others. It featured multimedia workshop and presentation, interactive session with top 25 artists, and exhibition.

     

  • Twin brothers’ legacy for media

    Twin brothers’ legacy for media

    In every profession, there are those whose contributions and actions play critical roles in the growth of such human endeavour. Often times, such individuals help shape and define the trends and practices and thereby become masters of the trade. This, perhaps, informed the choice of 50 world journalists that make Mike Awoyinfa and Dimgba Igwe’s book entitled 50 World Editors (conversations with journalism masters on trends and best practices.

    But, who are these world class masters of the pen profession? Your guess is as good as mine. They are drawn from top flight media organisations in Africa, Asia, Europe and the Americas. The 628-page book is a compilation of conversations with the masters on issues ranging from day-to-day schedules of practising journalists to what defines a news, what defines a front page story, quality of news, tips for success as a reporter, core values of a media house, the defining story of a reporter, and many more. In all, the conversations though share many things in common, reveal some interesting stories about some editors and their media organisations, including personal experiences.

    But, the book, which is a result of the authors’ ten years of traversing the globe interviewing key players in the industry, is not all about editors, but top media players some of them at the apex of the media pole-publishers, presidents, managing editors, editor-in-chiefs, editors, bureau chiefs, line editors and correspondents who made great marks in journalism. The scope is all embracing as it covers practitioners in print, broadcast journalism and international news agencies such as Reuters, AFP and Globalpost. The book is ‘ultimately biographical in the sense that each of the candidates featured in this collection shares his or her own journalism story and in so doing, reflects on the diverse aspects of the practice and precepts of journalism in different generations covering different countries.’

    To the authors, the book is a lived experience rather than a pedantic narrative of scholarly exploration, capturing similarities, diversities and sociological nuances of media operations in different countries of the world.

    Published in 2014 by Corporate Biographers Limited, the book is in three sections A to C, with The Americas having 20 of the 50 masters, while Europe has 19 and Africa and Asia share 11 masters. Nigeria’s newspaper legend Alhaji Babatunde Ajose of the old Daily Times led the pack of masters featured in Section C that comprises Africa/Asia alongside Segun Osoba, Nduka Obaigbena Thisday newspaper), John Momoh (Channels TV), Dele Olojede, Bayo Onanuga (The News magazine), Joseph Odindo (Nation Media Group, Kenya), Ferial Haffajee (Mail & Guardian South Africa among others.

    From The Americas and Europe Sections A and B are masters such as Michael Goodwin (New York Daily News), Jill Abramson (New York Times), Chris Cramer (former President CNN), Alan Rusbridger (The Guardian UK),  Robert Thomson (The Times UK), Victor de la Serna (El Mundo, Spain) and Alan Johnston (BBC Correspondent).

    On the challenges of being editor of Daily Times at the era of Nigeria attaining independence, Alhaji Jose said: “We published a paper that was trusted by the readers. To be trusted you have to show the integrity of a leader. The people knew that I had no political ambition. I had access and was consulted by highly placed government functionaries, prime ministers, presidents. So they know that whatever we did, it was not because I am a Yoruba man. They had seen the paper openly attacking Chief Obafemi Awolowo-the leader of the Yorubas.”

    But given the content of the book, it can be described as the ‘most encyclopedic book on global journalism.’ It ranks among publications such as Martin Walker’s 1982 award winning book, Powers of the press: The World’s Great Newspapers. Apart from that, one unique character of the book is that it presents the journalistic views of the world editors in their own words.

    Again, the public presentation of the book at the Nigerian Institute of International Affairs, Victoria Island, Lagos on September 15 was more than a launch. It brought together veterans in the industry to celebrate a worthy product, an effort that would gladden the heart of the late Igwe in great beyond. However, some oversights were noticed in the compilations. For instance, the retaining of late Dimgba Igwe’s email and telephone number suggests the book had gone to press with all the information before the death of Igwe. But, classifying Gillian Tett (Financial Times, USA) under Europe is an avoidable error of proof reading. If charity, they say, begins at home, 11 masters interviewed in Africa/Asia combined is an under-representation by the book, especially when considered against the conditions under which these media operate. Or is it a case of get one, you get all? Nigeria and indeed Africa deserves more representations in the book.

    Notwithstanding, the book is a legacy of a sort for the media industry, which makes it a must read for all-students of journalism, politicians and other professionals. 50 World Editors is a well-packaged book with clean quality prints and is a collector’s item any day. It will be useful for researchers, media operators and practicing journalists irrespective of generation or region of practice.

  • ‘I’m at home with portraitures’

    ‘I’m at home with portraitures’

    At any time you encounter a two-year-old baby you will appreciate his innocence. The expression on his face will also tell if he is anxious, happy or sad unlike adult who will pretend. These are among features that attract young Nigerian artist Oluwaseyi Gbadebo to produce many portraitures and paintings of children and pet faces.

    Gbadebo’s solo art exhibition, Synonyms opened last Saturday at Quintessence Gallery, Lekki Lagos is showcasing these similarities between the traits of a child and that of a pet, especially the expression on their faces. No fewer than 25 paintings will be exhibited and will include bold images of children between ages one  and 10 as well as pets. The artist who trained at the Ladoke Akintola University of Technology, Ogbomosho, uses palette knife to splash vibrant colours on canvas thereby creating images that are almost jumping out of the canvas space. His colour application is one tool with which he conveys his emotions in a near impressionistic manner.

    “I love children and the joy on people’s faces lures me to do portraits. I am more of a portrait artist though I am still evolving and I will dig deep portraiture. In fact, capturing the likeness of a mortal being on canvas is like immortalising him because after his death, the artwork will remain,” he said at a preview session.

    Gbadebo who is shortlisted among the finalists in this year’s LIMCAF in Enugu, recalled that he got engulfed by portraiture after overcoming some challenges in portraiture class in his 300 level programme at the university.

    Gbadebo said: God is the creator of man, woman is his helper and children are his heritage but dog is man’s best friend. Of Synonyms (a tale of man’s heritage and man’s best friend) and why the focus on children and pet, he said: “The subject of children and dogs has always enthralled me. I’m inspired by their character, the facial expressions they display and how they tend to live in the moment. They don’t remember the past neither are they worried about the future. These values of theirs are beautiful and they inspire me as a person. I noticed that with children and pets (dogs in this context) we tend to be very free as persons. While children seek attention, dogs retain the capacity to read our mood and then act accordingly.  I remember Coco (now late), my brother’s Boer bull dog. Whenever I was excited, Coco was excited but whenever I was sad, Coco was silent and she laid low. The Parisian artist, Francoise Nielly, inspires me by her bold and colourful approach to painting, but I find balancing my works in terms of mixture of techniques and use of colour personally suitable.

    The aim of this exhibition is to portray the wonder, innocence, self-less nature and beauty of childhood and also the loyalty and beauty of dogs. This exhibition is set to echo the values they stand for and to make society appreciate them more and most importantly to be grateful to God who has planted them in our lives.”                                                                                        The management of Quintessence started working with Gbadebo in 2012 when they noticed the potentials in his paintings and this stimulated the desire to give the emerging artist a solo exhibition.

    According to curator of the exhibition, Moses Ohiomokhare, Gbadebo is thrilled by expressions and has found great joy in children and animals. “His style is different from the stylised works that are in the market today. The body of works he has created also tends to show how much he has been influenced by animals in his youth as pets. Dogs are called man’s best friend because of their intelligence, loyalty and devotion and children being innocent and loving beings are best of friends of dogs,” Ohiomokhare said. Synonyms which will run till November 11 will feature works such as Lala, I hear you, George, Lunch time. Others are Rex, Baby’s rage and Max.

  • Contemporaries holds at Wheatbaker

    Contemporaries holds at Wheatbaker

    As the global art world gathers in London next week for Frieze, tagged one of the “blingiest” art fairs in the world, The Contemporaries, an exhibition showcasing works by eleven cutting edge Nigerian contemporary artists, attracted much interest when it opened at the Wheatbaker boutique hotel, penultimate Monday. It will run till November 13 and is supported by Veuve Cliquot.

    The exhibition of 21 paintings, sculptures, drawings, and mixed media works is a timely reflection of current trends in Nigeria and makes stirring and sometimes, tongue-in-cheek, comments about a nation expectant of change. The Wheatbaker’s fall exhibition The Contemporaries, showcases leading and emerging artists including Nnenna Okore, Duke Asidere, Uchay Joel Chima, Gerald Chukwuma, Raoul Olawale da Silva, Anthea Epelle,  Taiye Idahor , Chika Idu , Adeyinka Akingbade, Tony Nsofor,  and Onyeama Offoedu-Okeke.

    A kaleidoscope of art that offers fresh perspectives on environment and development issues, feminism, unity, identity, history & tradition, and freedom of expression, draw on the artists’ unique heritage and perspectives. The exhibition is a robust exchange of ideas challenging its audience not to merely “think outside the box”, but to literally “stand on the box” and use it as platform to behold new vistas.

    Sculptor and environmental activist, Uchay Joel Chima, whose skillfully crafted charcoal and paper relief addresses rampant environmental degradation and security challenges is juxtaposed  against the masterly paintings of children swimming under-water created by Chika Idu, who tried to escape the nightmare of traffic gridlocked streets by relying on water transportation, only to be confronted with the daily struggles of coastal communities affected by dredging, pollution, flooding and all forms of urban pressure.

    Artist, historian and architect Onyema Offoedu-Okeke, presents Obstacles to Paradise on the theme of global migration showing the desperate fragmented surge of humanity across geometric paths of color and symbol, while master sculptor Gerald Chukwuma’s ironic multi-media work, CHOP, created out of an intricate pattern of plastic spoons on wooden slats, makes a strong comment on the social cancer of corruption and the growing gap between Africa’s well heeled elite and the increasingly disadvantaged poor; in the artist’s own words, there is “plenty food, plenty spoons and empty plates”.

    “Art reflects society within a constantly evolving socio-political reality,” explains exhibition curator Sandra Mbanefo Obiago, who started documenting the impact of contemporary Nigerian art in 2011 in a five part documentary series, Red Hot Nigerian Creativity, she produced and co-directed. “Its exciting to see how the contemporary art scene is making a positive impact on our international identity and confidence as Nigerians, as Lagos fast becomes one of the most-talked-about emerging global art cities.”

    The Contemporaries is offering visitors works which exhibit inspirational bold abstract human forms created by painters Raoul Olawale da Silva and Tony Nsofor, alongside the unusual biomorphic sculptures and installations created by internationally celebrated Nnenna Okore, in which twine, burlap,  and discarded newspapers touch on recycling, transformation and regeneration inspired by natural and man-made conditions within semi rural dwellings.

     

  • Solutions to marital mistakes

    Solutions to marital mistakes

    The per cent of marriages that are breaking up is constantly on the rise, experts have said. Moved by this fact, a couple Pastor Ola Adejubee and his wife, Bose, have written a book, 52 marital mistakes and their solution. If you talk about marriage in some places even in the church, you are perceived as old fashioned and outdated. But we bless God because our Maker is the Ancient of Days and His word forever settled. While marriage is God’s ideas from creation, the need to be equipped with the various mistakes and their solutions in Nigeria is imperative for today’s world.

    The book provides answers to questions about how to handle teething problems in marriages. As Plutarch says that to make no mistakes is not the power of man but from their errors or mistakes, the wise and good learn wisdom for the future.

    The agenda of the book is to learn from many mistakes of others, because no one is an island, it is imperative to learn from others people’s experiences. A husband and wife that do not learn from other people’s blunders are doomed to multiply their own mistakes and prolong their journey to marital fulfillment.

    The book was printed by Point Blank Services, Palm grove Estate Shomolu, Lagos in July 2015.

    It is a small contribution to marital harmony, the book tries to inspire the need for regular improvements using our trademark mistakes and Solutions approach.

    The book is divided into two segments. It starts with women marital and their solutions in Pages 11-122 while men marital mistakes and their solution is in pages 123-230. The praise for this guide book is in its simplicity, good biblical reference, lazed with some measure of graphics to make them memorable and easily understood language.

    The book is easy to read. It has good layout and style. The first chapter highlighted the importance of inspiring trust in a man as a help meet for him. It stated that a wife inspiration should be more than our criticism of him. It posited further that for a progressive and peaceful marital life, the need to think about all the areas you have been criticizing him (making his weakness to bring him shame and correct them.

    Areas such as refusal to submit to your husbands, not knowing your identity to positively use your influence, regularly failing the test of humility, choosing friends with total disregard for biblical standard, negative and undue comparison of your husband with others,  being negligence of the need of your husband in the bedroom are among the 26 marital mistakes. Each sessions has practical examples and sometimes stories and quote from renown couples which makes the piece a valuable asset for its readers are unscripted to keep the reader inform while lighting the mood of the readers with graphics.

    Also for men, some of the marital mistakes are ignorance of the natural difference between the man and the woman,failing to accommodate the woman, not to know that submission is mutual, failing to understand the potency of maturity in marriage, ignorance of damages of ineffective

    communication ignorance of the power of trust and refusal to lead are among the 26 marital mistakes and their solutions written in the book.The book highlighted some of these mistakes with tips in each of the session on how to overcome those mistakes. The book is out to inspire hope and mend broken walls in marriages. Every Christian either as single or married should have a copy as it is a guide for a life long of marriage life without stress.

    It is a model of solutions packaged to serve as a relive to many who are facing one challenge or other in their marriage. Women too, may become complacent in appearance- and refuse to embrace new things. Crises must show up at some point in the marriage, how do you handle it as a man? On why the choice of the word 52 marital mistakes and solution, the writers noted that it has become a brand title for the couple as they have a few books written by the writers with the word 52 amonh which are: 52 ministry mistakes and their solutions, 52 money mistakes and their solutions.

     

  • Arthouse holds auction November 2

    Arthouse holds auction November 2

    Arthouse Contemporary will hold the fifteenth edition of its auction of Modern and Contemporary Art on Monday, November 2, by 6 pm at the Wheatbaker Hotel in Lagos. Arthouse Contemporary is sponsored by The Wheatbaker Hotel.

    Founded in 2007, Arthouse Contemporary is an international auction house that focuses on modern and contemporary art from West Africa. With auctions held twice a year in Lagos, Arthouse Contemporary aims to create awareness of the scope of contemporary art in the region, encourage international recognition towards its talented artists, and strengthen the economy of its art market. As West Africa’s premier auction house, Arthouse Contemporary has sold over 1,100 pieces of art worth nearly eight million dollars over the past seven years.

    As contemporary African art moves to become one of the fastest growing global art markets, this edition of the auction will feature both master works from the modern period and cutting-edge contemporary art from the region’s most celebrated artists. This edition of the auction will feature 103 lots, with new artists being featured for the first time including Timothy Adebanjo Fasuyi, Angela Isiuwe, Obiora Anidi, Chibuike Uzoma, Jimmy Nwanne, Johnson Uwadinma, Cheri Samba, Georgina Beier and Toyin Loye.

    The auction will also include charity lots from notable artists Rom Isichei, Isaac Emokpae, Sade Thompson, Olu Ajayi and Gbenga Offo, in support of Arthouse Foundation, a non-profit residency based programme that provides a platform for artists to expand their practice and experiment with new art forms and ideas. The proceeds of these charity lots will go directly to support Arthouse Foundation’s acquisition of a permanent venue for its studio residencies. The Arthouse Foundation has inaugurated its first year with our first artist in residence, Victor Ekpuk, who is completing a four month residency in Lagos.

    Works will be on display at the Wheatbaker Hotel for viewing in anticipation of the auction, on Saturday, October 31, by 11am-4pm, Sunday November 1, 12-6pm, and Monday, November 210am-1pm. The auction will be led by noted auctioneer John Dabney.

     

     

     

  • True Worship Heritage unveils ‘Music on Mission’

    True Worship Heritage unveils ‘Music on Mission’

    Music, when used properly, directed and sent on a mission, can repel demons, calm frayed nerves, open visions and inspire the soul.

    This was the position of the Senior Pastor of the Dominion Heights Christian Mission International and Coordinator of the True Worship Heritage, Pastor MacPaul Ifeanyichukwu Okolo.

    He spoke at the unveiling of the group’s album titled: 80 New and Holy Songs which on the church premises on Abeokuta Street, Idimu, Lagos.

    According to Okolo, the album is different as the songs were released for a particular purpose – to give God the true worship he deserves – and in accordance to the instructions given by the Holy Spirit.

    “It is a holy enterprise and, as such, patterns may not agree with what is commonly practised.”

    Pastor Okolo likened music to fire, which has positive and negative attributes. He said as fire produces light, music can also produce light or darkness. “Music is like fire; as fire produces light or smoke, so music can produce light or darkness. Music travels fast and nothing restricts it from filling your heart. If well directed and sent on mission, it can fire the human spirit.

    “Fire cooks our food, fires a rocket, fires a train’s engine, but when not guided, it can destroy. Music when used properly, directed and sent on a mission, can repel demons, calm frail nerves, open visions (as in Elisha’s case) and inspire the soul – the only way known to man to fire the spirit,” he said.

     

  • ‘Tourism is the greatest employer’

    ‘Tourism is the greatest employer’

    Director-General Nigerian Tourism Development Corporation (NTDC), Mrs Sally Mbanefo, has described tourism as the greatest employer. She said the corporation under her would ensure practical development and promotion of domestic tourism, which will propel job creation, develop the nation’s economy and raise social awareness on cultural preservation and environmental protection.

    Mbanefo spoke at this year’s World Tourism Day, with the theme, 1 Billion Tourists, 1 Billion Opportunities, held in Enugu State which  underscored the role  of  tourism  sector  as  a  valuable  and sustainable  source  of  livelihood  for  millions  of  people.

    “Nigeria has a better advantage over so many other countries to benefit from tourism. We have the advantage of population. Tourism contributes 10% to the global GDP but as at now, Nigerian is not fully benefiting from tourism like other countries. For instance, 4,333,000 tourism visited Nigeria in 2013, which contributed about 4 per cent to our GDP, while tourism contributes 17.7 per cent to the GDP of Gambia; 13 per cent to Egypt; 12 per cent to Kenya; 11.9 per cent to Mexico; 9 per cent to South Africa, and 6 per cent to Cuba.

    “We need to know that Nigeria should focus more on tourism as the best alternative to oil, with domestic tourism as the catalyst. I need to emphasise that Nigeria has the best of the ingredient of tourism. We have fascinating tourist sites, enviable cultural festivals, good weather, good and hospitable people. Have you ever wondered why most diplomats, after serving their terms chose to stay back in Nigeria? It is because of the warmth and friendliness of our people, environment and potentials,” she said.

    Mbanefo, who emphasised that the potential of tourism in Nigeria is N4billion prayed that government should take privatisation to the next level, which according to her will facilitate further facilitate an enabling environment for tourism to thrive in Nigeria.

    The NTDC boss lauded the Enugu State government for making tourism alive in the state, describing the state as a hub of eco-tourism.

    Meanwhile, the Permanent Secretary of the Ministry of Tourism, Culture and National Orientation, Mrs Nkechi Ejele, described tourism as the way forward for Nigeria. She noted that the Ministry is, on a daily basis, intensifying efforts at ensuring the money spinning sector is well developed and promoted in Nigeria, to ensure Nigerians, among the people of other countries, maximally benefit from the potentials of tourism.

    The Group Managing Director, Viko Nigeria Group of Companies Limited, Mr Lucky Kanu, expressed the readiness of his company to further support NTDC in promoting domestic tourism, thereby creating more jobs and wealth in Nigeria.

    “Our partnership with NTDC could be best described as demonstration of a successful practice of public private partnership in Nigeria, as the partnership has yielded opening of information desks in about six states in Nigeria, while we are working on a new project that will create over 500,000 jobs for the youth in every state of Nigeria,” Kanu said.