Category: Life – The Midweek Magazine

  • Enugu airport gets tourism information desk

    Enugu airport gets tourism information desk

    In furtherance of its campaign for the promotion of domestic tourism, the management of Nigerian Tourism Development Corporation (NTDC) in partnership with Viko Group of Companies Limited has opened yet another tourism information desk at the Akanu Ibiam International Airport in Enugu, Enugu State to boost passengers easy access to information on flights time, hotels and tourists sites in the country.

    Director-General Nigerian Tourism Development Corporation (NTDC), Mrs Sally Uwechue Mbanfeo said that the NTDC’s information desk is part of the corporation’s efforts towards promoting domestic tourism. She recalled that the corporation’s collaboration with Viko Group of Companies Limited had earlier commissioned four information desks at airports in Lagos, Abuja, Kano, Calabar and now Enugu. She also noted that Enugu State is one of the tourism friendly states and a major tourism hub in Nigeria.

    “Enugu State is a place to visit and a destination of choice for tourists of various inclinations. Enugu and Nsukka towns present tourism infrastructure for cultural, eco-tourism, sporting, business and conferences. The following facilities are prominent; The Nike Lake Resort, Enugu Polo Amusement Park, Enugu Zoological Garden, Nsukka Zoological Garden, Hotel Presidential, Ezeagu Tourist Complex, Dugudu Lakes and Ajali Owa Sandy Stream among others,” she said.

    She noted that “Nigeria has been solely dependent on the oil sector for many years. Nigerians are not encouraged to visit the various attractions from North to South, East to West to experience what God Almighty has endowed Nigerians with and we want Nigerians to take their life styles seriously, knowing that one’s health depends on leisure which is part of tourism. This is one of the things that promotes longevity of life. “Tourism is sustainable and a necessity in economy building and not a luxury,” she added.

    Mrs. Mbanefo however called for greater support from both private and government to promote domestic tourism activities in Nigeria in order to move away from total dependence on oil and create jobs for the teeming youth, alleviate poverty and reduce urban migration.

    CEO of Viko Group of Companies Mr. Lucky Kanu, said: “This information desk features a travel information portal for tourists with information on the aviation industry, ‘real time’ flight information can be personalized with alarm sent to customers phones as reminders of their scheduled flight time.”

    He noted that the portal is opened to provide information about attractions in Nigeria that are not known to tourists. “We are promoting domestic tourism in the country in order to increase revenue generation for the country, opening for job opportunities for our teeming unemployed youth”, he said.

    Kanu expressed his willingness and determination to collaborate with the NTDC to create job opportunities and will work on the existing partnership with NTDC to open more information desks in all major airports in Nigeria. He stated that “passengers can browse for free and view tourists sites, tourists activities, products, hotels, car hire services, events and festivals. Also they can make enquiries and book excursion trips to schools and holiday sightseeing within the country at no cost at all”.

    Kanu said the significance of the desk is much in terms of benefits as it would provide information on passengers’ flight with ease. “This will further create more awareness and increased traffic for the airport,” he said.

    The manager of the Akanu Ibiam International Airport, Enugu, Mr. Mgbemene Ijiako commended the synergy between NTDC and Viko Limited which has resulted to the establishment of the NTDC Information Desk in Enugu International Airport, Enugu State.

    He said, “on behalf of the federal republic of Nigeria, Federal Airport Authority of Nigeria, I commission this Tourism Information Desk to the glory of God.”

    His Royal Highness Dr. Eze Chukwu Debelu II of Ibagwa Aka Nsukka, who was in attendance, described the information desk as a significant link for tourism promotion. “What Israel gets from tourism is more than what Nigeria gets from oil. But I pray as we open our eyes to grow the sector, we will harness the endowment for our good,” he noted.

    It will be recalled that tourism information desks have been opened at other airports such as Nnamdi Azikiwe Airport, Abuja, Murtala Mohammed Airport 2, Ikeja, General Aviation Terminal, Ikeja, Aminu Kano International Airport, Kano and Margaret Ekpo International Airport, Calabar.

     

  • ‘How to enrich culture contents of tourism’

    ‘How to enrich culture contents of tourism’

    Despite paucity of funds, Director-General, National Council for Arts and Culture (NCAC), Mrs Dayo Keshi, is determined to organise the yearly National Festival of Arts and Culture (NAFEST). She speaks on the council’s plans to explore the wealth creation aspect of the festival and the celebration of NCAC’s 40th Anniversary, among other issues, with Assistant Editor (Arts) OZOLUA UHAKHEME. 

    The Federal Executives of Culture of the Federation (CEC) rose from a meeting in Abuja more determined to key into the economic diversification programme of President Buhari’s administration.

    They resolved that there is the need to skew the yearly National Festival of Arts and Culture (NAFEST) programmes for effective involvement of local artistes in wealth creation instead of entertainment.

    According to a communiqué, the culture executives approved seven competitive events for the festival and considered states, such as Edo that have not hosted the festival as possible hosts for NAFEST 2015.

    Tentative date for the festival, which theme is: Our culture, our art, our wealth, is October  24 to November 1.  The endorsement of Edo State by the executives was also informed by the fact that the state has an added advantage as the heart beat of cultural grandeur and royalty in Nigeria.

    The competitive events are indigenous poetry and display (children participation), drama, traditional wrestling, traditional furnished apartment, traditional cuisines, essay writing and painting and drawing.

    But, the executives in their respective reports lamented their challenges of dwindling approvals and late releases, collapse of state cultural infrastructure and security, especially in the Northeast geo-political zone. The reports also revealed the discovery of new cultural phenomena, such as caves, in the Federal Capital Territory (FCT), and new festivals in Bauchi State.

    In line with the public-private partnership (PPP) arrangement in the face of dwindling revenue, culture executives were encouraged to explore partnership as a means of expanding their scope of relevance against the backdrop of dwindling budgetary approval.

    It also resolved that the National Council for Arts and Culture (NCAC) at the 40th anniversary should focus on promoting cultural industries and that states be encouraged to actively support the celebration both at zonal and national levels.

    At an interactive session with Arts Editors in Lagos, Director-General, NCAC, Mrs Dayo Keshi, disclosed that the NCAC at 40 anniversary platform would be used to mainstream her vision of raising the bar in the promotion of the nation’s cultural heritage. She said the theme of the anniversary is Showcasing the inevitable role of culture in national development and economic diversification.  The objective, according to her, is to showcase the economic value of the nation’s cultural industries as well as to redirect the attention of both the public and private investors to the numerous economic opportunities that exist in the sector.

    “The 40th anniversary will also bring to fore the potentials of the council in managing and developing the nation’s rich cultural resources towards socio-economic development of the nation. It is also aimed at bringing the people closer to their cultural essence,” she said.

    She continuing she said: “Until we begin to see the value of what can be generated, we will remain irrelevant. Nigeria’s cultural industry has products that are viable to the economy as each local government has what we can build the industry around. All these can empower grassroots. Nigeria today must build its future wealth on enterprise because there lies the growth.

    The council’s 40th anniversary events, which will run from August 20 to December, will feature logo unveiling, AFAC Expo, school syllabus production, roundtable forum, children cultural fiesta, international and variety nite. The production of Prof Wole Soyinka’s play, Trial of Brother Jero will hold in some schools in Abuja.

    She also disclosed that this year’s AFAC is an expanded version with 22 states and countries participating.

    She noted that as part of efforts at empowering the grassroots, a national dome should be established in cities such as Lagos and Abuja as mall and marketing outlet for the sale of Nigerian arts and crafts products. The dome project, she said, should be private sector driven. She also suggested that more national festivals with specific cultural elements like masquerades, durbar and boat regatta should be held every 3months to provide more tourists attractions all year round instead of the once a year national festival. She said such national festivals like boat regatta will feature only coastal states that have the comparative advantage in the event.

    “The proposed national festivals will not erase the old ones. The more we have the better for the development of our creative industry. We have the population to run it and can be held every three months. These festivals are part of how to make our cultural contents of tourism richer. It is also a view of what can be done to widen the scope,” she added.

    Mrs Keshi said her long term vision include to grow and develop the cultural infrastructure to enhance the economic value of cultural industries, articulate clearly to the public, the framework for cultural industries to thrive, encourage grassroots participation in the development of cultural industry, embrace the bottom-up development and approach as it relates to crafts development in order to empower grassroots development, and sensitise the public and private sector on the economic values of our cultural industries.

     

  • UNODC trains anti-corruption  agencies, civil society groups officials

    UNODC trains anti-corruption agencies, civil society groups officials

    The United Nations on Drugs and Crime (UNODC) has trained some officials of anti-corruption agencies and civil society organisations (CSOs).

    According to the agency, UNODC Country Representative Koli Kuoma, represented by the Project Officer, Mrs Horsheth Virk, the training was to assist states in dealing with corruption, adding that participants would understand the international instrument that is available to them that will help them in their respective agencies to fight this scourge of corruption.

    She said the training was also to ensure that people know about United Nations Convention Against Corruption (UNCAC) to which Nigeria is a signatory, while urging participants to make a content use of the training so that they will be able to disseminate and actualise the knowledge that is given form the training.

    The training, which was funded by the European Union (EU) in Lagos, had in attendance officials from the Economic and Financial Crime Commission (EFCC), Federal Ministry of Justice and the Nigerian Police, in Lagos to build integrity and reduce corruption in the country.

    “We expect agencies to work together to implement the UNCAC recommendations which include better data collection systems, drafting new legislation, immunities and obstruction of justice, anti-corruption institutions, pending bills and powers of the Attorney-General,” she said.

    Associate Crime Prevention and Criminal Justice Officer, Conference Support Section, UNODC, Sophie Meingast noted that corruption attacks the efficiency and legitimacy of the institutions responsible for upholding the rule of law and fairly applying market rules.

    “On a purely financial level the effect of corruption is huge with US $ 1 trillion paid in bribes each year. The total cost of corruption is estimated as equaling more than 5 per cent of the global gross domestic product (US$ 2.6 trillion). Corruption accounts for 10 per cent of the total cost of doing business globally and some countries have lost up to 20 per cent of their internal revenues to corruption. Previous academic studies have suggested that a 1 per cent increase in the corruption level reduces the growth rate by about 0.72 per cent. But the intangible costs of corruption are much more significant. Corruption in key rule of law institutions such as the judiciary, police and prison services reduces the legitimacy of government and consequently has an impact on the willingness of citizens to play by the rules,” she said.

    Assistant Director ICPC, Raheem Adesina said the corporation of the agencies in the fight against corruption was crucial, saying Nigeria needs to take practical steps to ensure that the recommendations of UNCAC are carried out because it will strengthen the fight against corruption in Nigeria.

    He noted that Nigeria lacks protection in reporting crime and that this would hinder the future generations from venturing into crime related cases because protection is not there.

    “Nigeria does not have protection for law enforcement officials neither does it have protection for those reporting crime. We do not have adequate laws to protect them and this is affecting cases, because these people are harassed or killed because they gave witness, this would prevent others from venturing into such. This is a serious gap which has to be filled because it prevents the fight against computation. Some of our cases are lost because we do not have laws that protect those involved,” he said.

    He said there was need for a law to address the embezzlement in private and pub

    lic sector, saying people should be held accountable if they have properties or belongings that are above their income. There should be a law to address this, he said.

    He added that it is essential for the   stakeholders, the anti-corruption agencies, the civil society, the government and those involved in the fight against corruption to come together and harmonise these efforts with  the development partners to ensure that the UNCAC recommendations were implemented.

     

  • Stardom calls as SOO Live The Dream makes its debut

    Stardom calls as SOO Live The Dream makes its debut

    Talented young Nigerians in local communities, dreaming of becoming superstars someday, may soon have their dreams brought to reality. SOO Live The Dream is new music talent hunt project poised to offer youngsters in local communities a platform to bring their musical talents to the spotlight.

    But its debutedition is targeted at giving life to the aspirations of music-oriented youths not from Esan North-East/South-East Federal Constituency of Edo State, you may have to wait some years,according toits organisers.

    The project is named after the acronym of the brain behind it, the Honourable Member representing Esan North-East/South-East Federal Constituency, Hon. Sergius Oseasochie Ogun (SOO). It is powered by Ogun and driven by Dihoo Records Ltd.

    Stating that the objective of SOO Live The Dreamdebutedition is to empower youths from his constituency, Ogun, a lawyer,said the project aims at identifying budding talents in singing and music production. Ata pre-event media parley in Edo State,he noted that one of the promises he made to his constituency is to empower the youths, saying  SOO Live The Dreamis one of the platforms that will be used to launch the careers of the next Africa’s superstars, especially form his constituency.

    “One of the sectors that have really shown some inspiring growth in Nigeria is the entertainment industry, and the youths are the energy behind this sector that not only brings recognition and honour to the country but also adds a lot of value to the economy. SOO Live The Dreamis promoting gainful and socially accepted enterprise among the youth population of Esan North-East/South-East Federal Constituency, and to jumpstart the careers of music-oriented members within the target population,” he said.

    Billed for September17 to 20, he said,SOO Live The Dream Talent Huntwill be introducing an array of innovations that would give participants a chance of a lifetime to kick-start their careers.  “Auditions for SOO Live The Dream™ will take place on September17and 18, by 8 a.m. During the auditions, it will be at the discretion of the judges to choose 20 candidates who will go on to the next level of selection, called the ‘performance screening’.

    Unlike other talent hunt shows where the winner takes all, he added that, SOO Live The Dream wouldbe affording the 20 contestants an opportunity to attend a one-day seminar, where heavy industry players will coach them on the business of being a recording artiste, music promotions and legal frameworks free of charge.

    Saddled with the task of complimenting and criticising the contestants in their search for true talent is panel of judges,comprising Muyiwa Asenuga a.k.a Nomoreloss, Sydney Shocker, Monique D Vibes and Elcee McEdwards.

    Interested participants,the organisers say, can pick up free entry forms from any of the designated collection centers, such as Ubiaja Post office; Uromi Post Office; Hon. Barr. Sergius Ogun Secretariat, 67 Market Road, Ubiaja; 19, Mission Rd, Kuddy Ranky, Opp. 1KD Supermarket, Uromi; 52, Old Agbor Rd, After Iyere Plaza, Uromi; and Cooperative Fast Food Restaurant, Ambrose Ali University, Ekpoma; Auchi Poly, Esan Students Meeting Ground, Opp. Man-O-War Base and Unicafe Business Centre, Shop 1, University of Benin (UNIBEN)Shopping Center, Main Gate.

    They can also download the entry form from the SOO Live The Dream website at http://soolivethedream.com/. “The completed entry forms are to be submitted at the form collection and submission point nearest to the intending contestant. The form Collection Points are:

     

     

     

  • British Council unveils art seasons

    British Council unveils art seasons

    The British Council has unveiled a new United Kingdom (UK)/Nigerian art season in Lagos. It unveiled the year-long cultural season, tagged: UK/Nigeria 2015–16, at a reception that hosted the creative community in its office.

    The event drew a large crowd of partners, sponsors and young entrepreneurs from Nigeria and the UK, including officials of the British High Commission.

    The season, which will run from next month till April next year, is meant to celebrate the various genres of arts and entertainment across in the United Kingdom and Nigeria,according to the UK’s international organisation for cultural relations and educational opportunities.

    Guests at the event included: Bolanle Olukanni; author and founder of Ake Arts and Book Festival, Lola Shoneyin;  Kemi Lala Akindoju; Tope Oshin; ace photographer, Kelechi Amadi-Obi and Tunde Sotimirin.

    Also present were officials of the British High Commission and the British Council including Deputy High Commissioner, Mr Simon Shercliff; British Council, Country Director, Nigeria, Connie Price and Director Arts Nigeria, British Council,Ojoma Ochai.

    According to Price, UK/Nigeria 2015–16 is a major season of arts in Nigeriafocused on creating access to art, new digital work, innovation, art in public spaces and working with young people; in addition todeveloping skills and capacity across the creative industries.

    Price said: “Both our countries are renowned for the breadth of our cultures and for our dynamic creative industries so it is fitting to come together to initiate new collaborations. UK/NG 2015–16 is the biggest ever season of arts work by the British Council in Nigeria. We aim to foster cultural exchange as well as the flow of ideas and develop stronger relationships between people, institutions and governments across Nigeria and the UK.”

    British Council Communications Manager (Arts), Adedamola Mogaji added that the UK/Nigeria 2015–16 will be creating new connections in arts, education, innovation, trade and investment. “UK/Nigeria 2015–16 is aimed at building new audiences, creating new collaborations and strengthening relationships between the UK and Nigeria.It is also “Programmed in association with a host of partners, it features more than 30 projects and over 80 events in art, fashion, design, theatre, dance, music, literature and film throughout Nigeria and showcases of Nigerian arts and creative industries in the UK.   Partnerships between Nigerian and British artists, institutions and organisations will be at the heart of the season,” she said.

    According to the Council, some of the key season events will include work created by leading British Company Candoco Dance with a cast of disabled and non-disabled dancers from Nigeria and the UK; work in the North of the country around theatre and conflict; projects designed to boost the creative industries in Abuja and Calabar; an Inter-Ministerial Conference; the return of Lagos Theatre Festival; and a residency Interwoven: Go Woman Go! by British artist Laura Aldridge in Abuja and Lagos.

    Others guests at the event included DJ Sosse, who hosted the guests to a night of delightful music, KPeace, Nigerian Idol Season 5 winner, who treated the guests to his brand of Fuji infused music; Ambassador Ayo Olukanni, Former Nigerian Ambassador to Australia; Arnold Jackson, from the Nigerian Export Promotion Council, Abuja; Chioma Udeh, Founder, AFRIFF; Mrs Funmilayo Balogun, Permanent Secretary and Ministry of Tourism, Arts & Culture, and others.

     

     

  • Osinowo makes case for peace

    There could not have been a better time than now to organise an art exhibition that promotes peaceful coexistence among Nigerians.

    The partnership between IBEJI Foundation, Forum for Islamic Welfare and Education, and Halal Art Gallerieo is bringing forth such an appropriate and timely platform for the promotion of peace.

    And as part of its efforts at projecting Islamic advocacy for peaceful co-existence in the society through art, the three groups are organising a solo art exhibition by Ridwan Osinowo titled: Peace: the Sower and the Envoy.

    The exhibition, which will open on August 30 at the National Museum, Onikan, Lagos, will feature exclusively over 40 Islamic art works aimed at correcting erroneous notion that Islam promotes violence, as being seemingly propagated by insurgents.

    The exhibition which will run till September 6 will also witness an inter-faith forum that will feature clerics as guest speakers on the closing date. The forum is to engage speakers and audience from both Islam and Christianity and other concerned faithful.

    Guests expected at the opening include Deputy Governor of Lagos State Dr. Idiat Oluranti Adebule, Chairman, Bi-Courtney Mr. B.O.B. Babalakin and royal father of the occasion is Sultan of Sokoto, Alhaji Abubakar Sa’ad, among other notable members of Nigerian community as well as diplomats from various countries.

    Each of artwork on display symbolizes a seed of peace; the Sower is Almighty God while individual member of the society is the envoy that is expected to walk the noble course. Titles of the individual art pieces were mostly generated from verses of the Qur’an and sayings of Prophet Muhammad which form the foundation of Islam as a religion of peace. Majority of the works were rendered in beautiful Arabic calligraphy while the rest range from abstract and stylist paintings.

    Speaking at the preview session, CEO of IBEJI Foundation (Ismail  Bolaji Ebiti Jamaah in Islam)  Alhaji Rafiu Adisa Ebiti said arts in Nigeria is an emerging enterprise, which requires viable sponsors. He said there is need to do more in awareness creation for the arts to grow especially in its appreciation. He noted that the greatest way to save and invest in arts is to buy collectors’ item which appreciates with time.

    On the collaboration, he said: “We are partnering with the artist to show we have great art works around. There will be peace no peace in the face of crises. It is also to show that we can live together in spite of the religious differences. The theme of the exhibition is very appropriate at this time in the nation/s history.”

    One unique trait of the exhibition is the introduction of aluminium composite panel (ACP), HDF board, sublimation plate and sublimation printing technique with which Osinowo experimented to execute most of the art pieces. Osinowo richly used mirror gold, silver and bronze variants of ACP together with transparent Perspex and sublimation printing technique for rendition of Arabic calligraphy in both flat and three dimensional (3D) forms. Features a combination of these media in art exhibition is unprecedented in the history of Nigerian contemporary art. Among works for display include Messenger of peace, Peaceful coexistence, Togetherness and Selflessness.  

    Until now, the Yaba College of Technology trained artist has participated in several secular and Islamic exhibitions in Lagos, Abuja and Saudi Arabia. Many of his masterpieces adorn public places and private homes in Nigeria and abroad.

     

  • ‘NGA’ll execute its programmes’

    ‘NGA’ll execute its programmes’

    Despite the scarcity of funds, the management of National Gallery of Art (NGA) has resolved to keep faith with the implementation of its progammes and activities, which were initiated to promote the visual art sub-sector.

    The gallery will also push the Art Embellishment and Artist Royalty Act through at the National Assembly.

    NGA’s Director-General, Mr. Abdullahi Muku, who spoke with Arts Editors in Lagos, said: “If enacted the act will make it mandatory for every public building and bridges in Nigeria to have some kind of embellishment especially art works with a percentage of the construction cost set aside for this purpose.’

    He said apart from the money that would be made avalable to the artists to access through the sale of their works, to make them sit up and bring out the best in them.

    “With Artist Royalty entrenched in the Act, if an artist sells his work to somebody and that person resells it, a percentage of it will go to the artist or his/her family. This is a residual income that will benefit artists just like the royalty that performing artists enjoy for the playing of their musical works in any medium,” he noted.

    Three years ago, an Act aimed at promoting embellishment and artist royalty could not go beyond the first reading at the Seventh National Assembly. But, Muku assured that the NGA is hoping to reopen the bill through private sponsorship. “This is a dream we are hoping to realise with this eighth Assembly,” he added.

    Leading the programmes is the proposed Abuja Biennial, which has been in the works since 2013. Also, on the priority list of NGA is a proposed-bill to repeal and reenact the Act that set up the agency over 20 years ago.  According to Muku Abuja Biennial is an event, which the agency would continue to push for as it has a lot of economic benefits for Nigeria. “The Abuja Biennial is a programme we are committed to, both for its economic benefits to the country generally and the artists in particular,” Muku said.

    “For 14 days, renowned artists from Nigeria, Africa, the Diaspora and the world would gather in Abuja to showcase the best of the best of the their works with art collectors, art dealers and art lovers buying these works.”  Earlier scheduled for this year, the event has been rescheduled to hold in 2017.

    The decision to initiate the event, he said, was informed by the experience of NGA’s participation at similar events within Africa and overseas.

    He cited the Dak’Art in Dakar, Senegal as an example of a biennale that inspired the event. “Having participated in the Dakar Biennale almost from inception, we discovered that they have been able to make good money from organising the event compared to what they spend. We are hoping to do the same by getting the private sector fully involved and other key stakeholders,” he said, adding that the biennale would start even on a low key.

    Reacting to questions on how public-private partnership (PPP) can drive the gallery’s events, Muku said:  “We are open to the input of the private sector.  In fact, the coming in of Art Galleries Association of Nigeria (AGAN) was meant to promote government’s policy of public-private partnership (PPP) which was used to run the now rested Art Expo, Lagos.

    He did not fail to s the economic viability of the Abuja Biennale, saying: “The Abuja Biennial is an art market that will bring together artists, art and culture administrators, art collectors/connoisseurs, political leaders and administrators, tourists and tourism practitioners. It is so named to identify with the world standard as every biennial is named after its host city. Abuja being the capital city of Nigeria is chosen for its economic vantage position and is keying into Mr. President’s vision of diversifying the economy.”

    Other events of the gallery include Nupe Art Conference/Exhibition, Art of Friendship, Children Funfair, Children Funfair, Art Fair and National Visual Arts Competition.

    He, however, blamed the inability to host the National  Visual Arts Symposium and the distinguished lecture series last year on logistics, hoping that they would take place this year.

  • Behold the ‘New Jerusalem’ in Benue

    Behold the ‘New Jerusalem’ in Benue

    Given the economic reality, especially the rising foreign exchange rate, intending Christian pilgrims to Jerusalem or Rome may look the direction of Aokpe Pilgrimage Centre in Benue State for spiritual edification and enrichment. The 23- year-old religious site is fast emerging as Nigeria’s ‘New Jerusalem’ where thousands of pilgrims converge every August to celebrate the ‘special day of grace’. Assistant Editor (Arts) OZOLUA UHAKHEME ,who was at the centre’s 21st anniversary, reports. 

    The pain of travelling the seven-kilometre bad road from Ugbokolo in Okpokwu Local Government Area of Benue State to Aokpe community did not deter the huge crowd of pilgrims to Aokpe Pilgrimage Centre.

    Thousands of Christians, especially Catholic faithful, from various dioceses in the country and outside Nigeria, converged on the centre for four days (August 1-4) to celebrate the 21st anniversary of Our Lady of Aokpe Mediatrix of All Graces.

    Some pilgrims defied the scorching sun and intermittent shower of rain to sit and pray in the open field around the Altar of Perpetual Adoration, Crucifix of Jesus and Good Shepherd Garden.

    For the four days, the sleepy and serene Aokpe community was literarily overrun by pilgrims and tourists to the centre. Temporary souvenir and gifts shops dotted the road to the centre as traders displayed foods and gift items, such as rosary, candles, pendants, wall papers, religious cassettes and CDs, among others.

    But, to get the centre is like a journey through the Biblical narrow path to heaven. No two big vehicles found it easy to move on the opposite direction  on the rough road. And all vehicles moved on gear one all through the short but  tedious journey. This created a brisk business for operators of commercial motor bikes (Okada) as most pilgrims patronised them, which is a popular and more convenient mode of transport from Ugbokolo to Aokpe. The 15- minute ride on a bike took a vehicle about 30 minutes to cover on a dry day.

    To the pilgrims, the bad road is not only a challenge, but it is also part of the penance for the spiritual edification, enrichment and growth – the essence of their pilgrimage. From visitation to apparition room, praying the Rosary, making confessions and penance on penance concrete track leading to the crucifix of Christ, fetching of holy water from the spring fountain, reciting the glorious mysteries, participating in the Hour of Mercy and the Stations of the Cross, there was no dull moment for the pilgrims. It was marathon prayers, praise and worship sessions accompanied by spiritual talks and the three-hourly holy mass during which pilgrims made constant supplications and sacrifices to the Eternal Father for collective and individual needs.

    On Monday, August 3, eight masses were conducted for the nation and the state, reconciliation, students, refugees and other internally displaced persons, peace, sponsors of Aokpe project and Holy Spirit. At the grand finale on Tuesday, August 4, the Most Rev Dr. Michael Apochi, Catholic Bishop of Otukpo Diocese, took charge of the mass of the Blessed Virgin Mary that lasted for three hours.

    In his exhortation, Rector of the centre, Rev. Fr. Ejembi Vincent, said the spiritual and social challenges of Nigerians are enormous as ‘we are living at a time when immorality is gaining ground, insurgency, Boko Haram, youth unemployment and other economic crisis bedevil us.’

    The visionary, Mrs Christiana Agbo Ejeh,   a lawyer, said the Blessed Virgin Mary started appearing to her since 1992, when she was 12, and that Virgin Mary told her she would appear on August 4, 1994 to bestow grace on her children.

    “Virgin Mary told me that every August 4 should be set aside to celebrate a special day of grace,” she said.

    The story of Aokpe Pilgrimage Centre, which is marking the 21st anniversary of the apparition (special day of grace) is like a prophet who is unknown in his homestead. The centre witnessed its first apparition of the Blessed Mary 23 years ago in October 1992, when the Blessed Virgin Mary appeared to a 12-year old girl, Christiana Inebu Agbo. Although the Aokpe apparition is yet to be  recognised, the Catholic Church has, however, given it some serious considerations through the appointments of Rectors for the Pilgrimage Centre and the involvement of her priests in the devotions taking place there.

    The first positive sign that the church’s approval would come one day was the declaration by the Northern Bishops which was read at the centre by the Metropolitan Archbishop of Abuja, now Cardinal John Onaiyekan, at the height of the apparitions in January 1996.

    It would be recalled that in July 2013, there was the apparition of Blessed Mary on the wall of St. Benedict Catholic Church at Ubiaja in Edo State. Also, in the same month in 2012, the apparition of Blessed Mary was seen on a tree trunk in New Jersey, USA.

    Up till date, Benue State government is yet to fix the seven-kilometre road that leads to the only religious site which attracts tourists and pilgrims yearly. What seems visible in the community is the electricity supply that is epileptic as usual.

    Benue State Director of Tourism Mrs. Dooter Ajoko disclosed that the state government has concluded plans to revive the Makurdi Airport and construct the seven-kilometre Ugbokolo-Aokpe road project that was abandoned by past administrations in the state.

    She assured that the government was determined to develop tourism as income from oil has continued to dwindle. She said tourism is one of the priority areas the new administration is given attention to generate income alongside agriculture, entrepreneurship development and creating enabling environment for industry to strive.

    She said that Aokpe is of particular interest to the state because it has spent much money on pilgrims to abroad. “With Aokpe, government intends to promote it to encourage domestic tourism instead of spending foreign exchange on pilgrimage abroad. Unfortunately, not many people in Benue are aware of the centre at Aokpe. So, government wants to promote and develop the centre,” she said.

    According to report, ‘apart from spiritual benefits the presence of Martian site is of immense benefit not only to the locality but the entire nation. It is estimated that once the Catholic Church gives its formal approval and recognition of Aokpe as a Marian site, Nigeria could earn billions of naira from pilgrims who would throng the site from all over the world. In fact, the Blessed Virgin Mary Herself had during several of her appearances declared that Aokpe would become great and that She would do great things in Aokpe.’

    Benue State Queen of Culture and Tourism 2014/15, Miss Mimi Pine expressed shock at the size and quality of pilgrims and activities at the centre, lamenting that she is getting to know the centre at the close of her tenure as Miss Tourism in the state. But to add some cultural elements and colours to the events, performing troupes from Benue State Ministry of Culture and Tourism were on ground to thrill pilgrims to some scintillating dances.

     

    Making of Aokpe Pilgrimage Centre

     

    According to reports by the centre, the first acknowledged apparition of the Blessed Mary on African soil took place twenty three years ago at Aokpe, a small village about seven kilometers from Ugbokolo in Okpokwu local government area of Benue State. In October 1992, the Blessed Virgin Mary appeared to a 12-year-old village girl, Christiana Inebu Agbo. The Blessed Mary made consistent appearances which last till September 2004, which the visionary Christiana Agbo described as the last appearance and the last message. Altogether, the Blessed Mary made over a hundred appearances at Aokpe within the twelve year span that the apparitions took place, most of which were privately done between the Blessed Mary and the visionary. Quite a few were public in the sense that dates were fixed ahead of the apparitions and great multitude of people assembled when the apparitions took place and messages relayed to the audience simultaneously.

    The main public apparitions were between August 1994 and May 1996. The most prominent was on August 4 1994, declared as special day of grace by the Blessed Mary herself and celebrated since then by devotees of Aokpe.

    On the occasion, the then Catholic Bishop of Makurdi Most Rev. Athanasius Usuh who then had Episcopal jurisdiction over the area was requested by the Blessed Mary to either come to Aokpe or send emissaries to witness the apparition scheduled for that date. This, the Bishop did and the emissary Rev. Fr. Emmanuel Ojaje Idoko photographed and video-taped and documented the apparition as well as the miracles that occurred on that occasion which included the receipt of Holy Communion by the visionary from an Angel and the miracle of the sun.

     

    Landmark features

     

    Despite the various challenges to the actualisation of the dream of becoming a Marina site recognised by the Catholic Church, the centre is witnessing some progress in the area of physical and spiritual development. Already there are the upliftment of the holy spring water discharge point, erection of the Good Shepherd Garden for retreats and altar of Perpetual Adoration built and consecrated on August 4 2010. These were achieved through contributions from devotees as well as the willingness of the local community to receive guests and donate their land for development. Also, the Mediatrix complex which comprises of some guests chalets, a conference hall, and water fountain and garden are among facilities completed and in use.

    It is gathered that a business consortium has also submitted proposals for the building of hostels and tourists sites around the centre on a build operate and transfer (BOT) basis.

     

    Christiana’s encounters with

    Blessed Virgin Mary

     

    “I was in my room praying when suddenly Our Lady appeared to me. When she appeared to me, she said: “I come from Heaven. I am the Refuge of Sinners. I come from Heaven to win souls for Christ and to hide my children in my Immaculate Heart. What I want you to do is pray for the souls in Purgatory, to pray for the world and to pray to console Jesus. Will you accept?” And I answered her, “Yes.”

    “In the same month I was in my room and suddenly I saw two Angels singing. I do not know what they were singing. I became afraid and ran out. My brother went and called my mother who said that she could not see anything. The two Angels remained for some minutes, then one of them said, “I am the Angel of Peace.” Then they disappeared.

    “The December 1, 1992, I went to the Church to pray. After saying prayers and the Rosary with the people, I left the church and Our Lady suddenly appeared to me and said: “After saying the Rosary sit down and meditate for some time.” She then disappeared.

    On October 1, 1993, Christiana saw a round object like a ball on the floor with flowers around it. Our Lady came and stood on it. Prompted by her mother, she was going to ask Our Lady’s name. Our Lady cut in quickly and said, “Behold, I am a Holy Mother and I will introduce myself another time.”

    When Christiana said, “I do not know your name,” Our Lady replied: “The time of giving my name has not yet come. The name I will bring will be a powerful one. I will do many things in St. Patrick’s Church said:”

    The title which Our Lady eventually gave Christiana is one which evokes much doctrinal and devotional history: Mediatrix of All Graces.

  • Photographers celebrate day with football

    Photographers celebrate day with football

    The World Photography Day Nigeria holds today at the Freedom Park in Lagos. Last Saturday,  photographers played a friendly match to kick-start the celebration. EVELYN OSAGIE reports. 

    AS the world commemorates the World Photography Day today, Nigerian photographers will be joining their counterparts to celebrate at the Freedom Park in Lagos.

    The day, which dates back to 1839, is marked yearly on August 19 by photographers and photo ethusiasts across the world. Their Nigerian counterparts have gone a step further to indigenise the celebration, tagging it World Photography Day Nigeria last Saturday.

    To kick-start this year’s World Photography Day Nigeria, which is in its third edition, the organisers held a football-friendly.

    The match, which is a pre-event initiative, was between press photographers and commercial photographers.

    The sport initiative, a new addition to the yearly event, was to bring together various stakeholders in the industry, according to the Project Founder/Coordinator, Mr Yemi Royal.

    “The press photographers and those in the commercial world rarely meet, so we have added sports to this year’s occasion to create this platform to create room for networking. It is also meant to create awareness on the World Photography Day, which is to be commemorated on Wednesday, August 19, 2015.”

    The two teams slogged it out on the pitch of the Nigerian Institute of Journalism (NIJ), Ogba, Lagos. The event was chaired by NIJ Provost, Mr Gbemiga Ogunleye, who was represented by NIJ Deputy Provost, Mr Jide Johnson.

    Also the event were Mr Boye Ola of NIJ; former Chairman of Photo-Journalists Association of Nigeria (PJAN), Mr Ashamu Adegbola; Chairman of PJAN, Mr Ademola Akinlaja; members of PJAN and commercial photographers.

    While the press photographers wore white jerseys with a touch of yellow, the commercial photographers were decked in yellow jerseys with a touch of blue. The referee for the match was a celebrity photographer, T-Briggs.

    Both teams had eight players each. PJAN Vice Chairman, Mr Femi Kuti, was the captain for the press team; while Mr Femi Agbonyin. The teams were interesting to watch. Particularly glaring was the commitment with which both played.

    The saves of Answer, the goalkeeper for the commercial photographers, was particularly impressive. His excellent saves gave his team an edge during the first half of the game.

    Even though there was no medal given to the winner. The two teams played with the passion of people looking forward to a gold-plated trophy as reward. It was almost as if their winning the game would be a prove of their place in the industry.

    In subsequent editions, Mr Royal said the winning team would be presented with a trophy, adding that the sport initiative would be one of the many side attractions  in future celebrations.

    The commercial photographers were in the lead in the first half with two goals to nothing; their opponents equalised in the second half, scoring two goals simultaneously.

    The two goals in the first half were scored by Micheal Owoyele and Mr Agbonyin. The commercial photographers  scored another goal, but the photo-journalists were not ready to accept defeat as they equalised before the final whistle was blown. The 40-minute match ended in a draw.

    For Mr Royal, photography is a highly accessible art form appreciated by millions. According to him, the World Photography Day Nigeria initiative is a non-commercial venture that seeks to bring together “photographers from across the country of various classes (professionals, amateurs and enthusiasts) yearly to share and celebrate photography”. With Creating a Viable and Unified Photography Industry as theme for this year’s edition, Royal said, the initiative focused  on growing the love of photography.

    “Our mission is to engage, educate, empower and stimulate the photography community in Nigeria,” he said.

    Meanwhile, wile registration is expected to begin at 9:15am, the one-day event is opening with an exhibition tagged: The untitled.

    Like the previous year, there would be a Photo Walk, followed by talks/discussion sessions on the theme of event.

    He added: “This theme would be anchored by selected industry professionals, but individuals attending are also encouraged to prepare to proffer suggestions to the challenges facing the photography industry).”

    Royal disclosed that they would give out gift voucher worth N10,000 for photography books to the first 150 photographers to register at the venue, adding that the event is powered by Indigo.

    Other sponsors of the World Photography Day Nigeria include Papilo Studios and Chiza Eventte Creative Solutions.

  • A decade of service by Ekitipanupo

    A decade of service by Ekitipanupo

    Ekitipanupo community square is celebrating her with year anniversary with the publication of a book appropriately titled: Ekitipanupo Legacy Book.

    The title is very apt because it depicts what has taken place over the past 10 years. It is a legacy we are bequeathing to generations yet unborn. The motto of the community is “Thinking, harmonising and serving.”

    A book review is supposed to take a critical look at the book in question. This book (Ekitipanupo Legacy book) looked at the development and growth of an organisation that was bred and nurtured on the internet with many of the members never having physically seen or met themselves but had developed a close affinity to one another because of the common interest of Ekiti. This think- tank group that is also referred to as an indigenous intellectual round table for all of Ekiti people is the brain child of the author and a few others who invited the rest of us to join them. There was a time we discussed the name of the forum whether it was to be called panupo (one voice) or panupo (one mind) and we settled for one mind and many voices.  Ekiti represents our singular purpose and her progress becomes our major focus. Ten years down the road, our  aim have become solidified.

    The author himself, in the prologue to the book began the review of his book when he wrote that:

    The book is titled: EKITIPANUPO: Historical Excerpts and highlight of the Forum Deliberations between 2005 and 2015 because the initiative has grown to become an institution among other reasons. Consequently, the book was put together essentially to capture the activities of the forum in one-stop pictorial book such that every literate Ekiti indigene would like to keep a copy of it because it is loaded with timeless material. It is in seven sections with the preface written by the Baba-Isale of Ekitipanupo, Chief SB Falegan. Part I tells the story of Ekitipanupo… p.11

    This 331-page book is divided into seven parts with each part covering specific items providing information of what Ekitipanupo is all about, its composition and its achievements over the last 10 years. Part one is about the forum, its platform, constitution and its anthem a robust history of Ekiti state and her people. Part two is about the development of a blueprint for Ekiti development. Part three presents the various lectures the forum has hosted over the years.

    Part four is about the discussions on various issues of importance to the forum presented by different distinguished members of forum in their area of interest but pertinent to the development of Ekiti. In part five the book exhibits photographs of Ekiti people celebrating events whether they are members of the forum or not. This section also contains historical pictures of those who have served or represented Ekiti in different affairs. Part six, presents us with integrated seminal sessions depicting expert opinions from multidimensional dialogues. Finally, part six consists of tributes to members and other Ekiti sons and daughters in all spheres of life including the creation of a Hall of Fame for distinguished Ekiti individuals.

    The book is very comprehensive and covers many areas of participation by members. However, we notice that the pictures though very voluminous still left some people and communities out. Among these, for example, Moba which has not been fully represented especially on the aspect of leaders and royal fathers. The picture of Oore, the paramount ruler of Mobaland, who was also the first chair of all the Ekiti Obas (pelupelu), was conspicuously absent. Chief Omoboriowo, the first deputy governor (an Ekiti man) in the old Ondo State was not included so also Governor Olumilua who was the first Ekiti man to be an elected Governor of the old Ondo State. These minor (some might say major) omissions have taken nothing from the credibility and authenticity of the book.

    All Ekiti people should be proud of this work. We commend the author and all others involved in the writing, compilation and publication of the book. We are sure it was a hectic task. This book will make a good reading for all. We recommend the book to all Ekiti sons and daughters and it will be a splendid addition to anyone’s library.