Category: Life – The Midweek Magazine

  • BSN honours Kolade, others

    BSN honours Kolade, others

    FORMER Nigeria High Commissioner to the United Kingdom (UK) Dr Christopher Kolade, has been honoured by the Bible Society of Nigeria (BSN) at its 11th Luncheon and Awards at the Muson Centre, Onikan, Lagos.

    Others also honoured were wife of eminent legal academic and Senior Advocate of Nigeria (Prof Taiwo Osipitan), Mrs Cecelia Olapeju Osipitan and General Overseer, Foursquare Gospel Church of Nigeria, Rev Felix Meduoye.

    BSN’s General Secretary Rev Dare Ajiboye said they were honoured for their excellence in service and contributions to nation building.

    In his response, Kolade, who lamented corruption in the country, wondered why it is so rampant. “Why is corruption prevalent in the country? Why is it that when you want to do something well, people will be on your neck to do something else?” he asked. He also asked if those who are corrupt actually read the Bible.

    He said Christians must not succumb to corruption for the fear of losing their jobs or means of livelihood. He said in the midst of temptation, they should fear God and trust him for His protection and care.

    The octogenarian urged Nigerians on three things: read God’s  words, pray for assistance for others to read the Bible and believe God for his promises.

    Mrs Osipitan, who is Managing Director, Great Nigeria Insurance Plc, promised to assist BSN to achieve its core mandate. Her husband, Taiwo, who was guest of honour, urged Christians to give Bibles as gifts during celebrations.

    At the event, Permanent Secretary, Mnistry of Home Affairs and Culture,Lagos State, Mrs Grace Ebun Olademeji, represented Governor Ambode Akinwunmi.

  • ‘Consider traditional rulers in security matters’

    ‘Consider traditional rulers in security matters’

    Prominent Yoruba culture activist Aare Latosa of Ibadanland Adegboyega Mabinuori has blamed the increasing spate of crimes in the country on failure of leaders to provide adequate security for the people.  He stated that Yoruba culture gives room for peaceful co-existence of people in the society because the norms and traditions of human existence in the race do not encourage any form of criminality or vices.

    He decried the spate of kidnapping, robbery, killing and corruption in the society, noting that these vices thrive due to the neglect of tradition and proliferation of foreign culture, religious beliefs and style of living. “Nobody dare use ogun or sango to swear and do evil, such person won’t escape it none of our deities harbour evil or criminality,” he said.

    Mabinuori spoke at this year’s Ibudo Asa Adulawo cultural event organised by The Centre for African Culture and Tradition held last week at the National Museum, in Ibadan, the Oyo State capital.

    The two-day event, which had as theme Culture and Tradition a Panacea for an Effective National Security, is a unique cultural event, which sought to promote and further enhance the effective usage of Yoruba culture and tradition in solving the nation’s problems, particularly security issues, which are threatening the unity and stability of the country.

    He called for strict adherence to culture and tradition as practised by the ancestors in order to live long and enjoy peaceful atmosphere devoid of any form of criminality, which he said, can  be achieved. “The potency of Yoruba deities and gods cannot be doubted and we have to go back to the roots so as to enjoy a better society,” he added.

    He, however, urged federal and state governments to incorporate community leaders and traditional rulers in the security affairs of the nation as ‘these people are closer to the people, know what goes around and it is easy for them to easily identify strangers and invaders. If every community is secured, the nation’s security will be guaranteed.’

    Assistant Commandant of the Nigerian Security and Civil Defence Corps, Mr. P O Shomide said that in order for a country or community to be effectively secured her culture and traditions must be understood, respected and sustained.

    “People generally are nation’s assets which ensure their own national security depending on commitments to collective sense of being and understanding. Culture and tradition, therefore, cannot be jettisoned in view of desired national security,” he added.

    The curator National Museum, Ibadan Elder Amos Olorunnipa said the role of Yoruba tradition and culture in securing the society and maintaining a peaceful society is great. “In the olden days our society was peaceful because of the effective usage and respect for tradition but it is unfortunate now that we have lost most of these things. We are in this situation of insecurity as a result of neglect of culture and tradition,” he said.

     

    Continuing, she said: “Today here are people who even hide under Yoruba culture and tradition to swindle, dupe members of the society, do evil and engage in criminality. All this need to be checked and I want to use this medium to appeal to our leaders and proponent of tradition and culture to please. Identify and stop the nefarious activities of people in that categories”.

    Olorunipa also stressed on the need for the organisation and museum to have a working relationship that will ensure proper research and documentation of historical facts and records for the promotion and advancement of Yoruba culture.

    The chairman planning committee of the event Asiwaju Akinade Nurudeen said that the choice of the topic is appropriate and ‘if the submission of the speakers were considered it would do our country a whole lot of good and enhance a functional and peaceful society.

    Highlights of the event included the crowning of Omidan Asa 2015, conferment of Cultural Ambassador Award on Ibadan-based Fuji musician Taiye Adebisi popularly known as Taiye Currency and cultural display from Ijala chanters, Ewi exponents, snake charmers and beauty peagants.

  • What do you want in life?

    What do you want in life?

    The captivating title of this book will surely draw readers to it. The book is basically the biblical storyof Bartimaeus, the blind man in Jericho, who while begging heard the voice of Jesus and his disciples, shouted on top of his voice till he was noticed and attended to by Jesus Christ. There and then he received healing after being blind for about 25years. It is a book written out of inspiration from God by Pastor Gabriel Ogunbiyi, woven around the need for human to accept God’s ways so as to benefit from his abundance. The book is divided into nine chapters and 57 pages. With forward by Evangelist TounSoetan.

    Chapter four is quite a moving story of Bartimaeus, he shunned the crowd to be heard, and many were sternly telling him to keep quiet but he kept shouting ‘Son of David have mercy on me’ the lesson here is the need for Christian faithful not to allow the crowd to shout them down when seeking help from God, indeed the crowd may not be right at times or most times, but for one’s convictions. The book teaches about our communication with the Lord (chapter eight), specifically what exactly do we want from God. According to the author, it is a simple question that in most cases generate mundane and needless answer from people.

    The story of Bartimaeus (son of Timaeus) before his encounter with Lord Jesus (chapter one) is that of Loneliness, Stagnancy, unloved and branded with negative names. These, unfortunately, is the attribute associated with a blind person. For Bartimeaus, it was a glorious day after being at a spot for 24 years, when he heard the voice of Jesus Christ.

    This is a book for everyone, every chapters is supported with prayers to serve as a guide for readers. The lessons inherent in the book is unquantifiable. The story line flows like a thriller and the packaging is commendable. Above all, the book showcase strong believe in miracles, and indeed that before God nothing is impossible.

  • ‘I poured my frustration as banker into writing’

    ‘I poured my frustration as banker into writing’

    After 13 years in the financial sector, Chinyere Vivian Obi-Obasi walked away from it all. Motivated by her passion, Mrs Obi-Obasi, a lawyer, anchored her career on the shoreline of creative writing. This 2011 Nigeria Liquefied Natural Gas (NLNG) Literature Prize finalist has co-founded Grower Literature, a publishing outfit. She is advocating parents-driven involvement in promoting reading. With Evelyn Osagie, she shares her thoughts and motivation.

    Writing is a gift. It has been fun writing books and stories and being appreciated by those who read them. My mother introduced me early into the world of creative writing. In promoting my creativity, she spent a lot of money buying novels for me. My mother used to buy us as much as 10 books; and they were relatively cheap. She would give us money to buy books ourselves and exchange with friends when we were done  with reading.  She also encouraged my writing then. All these helped me to become the writer I am today.

    I have always been writing. I started writing bit by bit from secondary school. Up till while I was studying English, and later Law, I kept on writing. After my second degree, I sent a complete manuscript to a publishing company: they neither acknowledged nor published it. I finished law school and concentrated on my law practice. And it was not until 2001 when I got into the bank that I picked up writing again to fill up those nights that I used to prepare my submissions.

    The high point of my writing career, which gave me a lot of joy, was in 2011 when I got to the finals of Nigeria Liquefied Natural Gas Literature Prize competition. I have published three children’s books, The Brave Driver, The Faithful Dog and The Great Ponds, while my short stories have been featured in newspapers/anthologies (Camouflage) and (Eko O nibaje). My book, The Great Ponds, was shortlisted for 2011 NLNG Literature Prize. That same year my book, The Change, won the ANA/Lantern Prize. I am the current National Financial Secretary for the Association of Nigerian Authors (ANA).

     

    My voyage into banking

     

    It was a very difficult situation. I spent about 13 years working in the banking sector. I worked in the bank up till last year August when I resigned to concentrate and go into writing full-time and on my writing other allied professions, such as public speaking and script-writing.

    Banking job is not something most people just wake up and want to do. Sometimes, it is the Nigerian situation that forces them into it. Banking job is attractive and so you come with your talents and gifts; but when you get there you find out that this is not what I am supposed to do. But what do you do, you have family responsibilities and friends depending on you. In fact, bankers don’t spend most of the money they make; it goes to the public because you don’t even have time to go to the market or enjoy or relax. And I intend to do a book that I call Banking Exposed.

    Another terrible thing about banking job is that it is not like most careers. For example, a teacher can leave teaching  profession, chances are that he/she would open a school or set up a centre or something related to it. A journalist can you leave journalism and establish his/her own paper or run an online paper; and it is same with a medical doctor. But it is not so with banking. To set up even a community bank is not a tea party. So you would see a banker who, after leaving, goes into an entirely different career that has nothing to do with banking. So it doesn’t matter if you’ve spent 20 years. Yes, there are things I know about how the bank works that the ordinary person doesn’t, but what else.

     

    Mixing banking and writing

     

    While in banking, I already had a good writing culture, so I wrote every night.Just like I did during my school days, I wrote every night from 2am till early hours of the morning without fail, including Saturdays and Sundays. While I was working in the bank, then, there were lots of frustration: long working hours and all that. When I came back home, I’d pour that frustration into my writing. Writing was like an escape for me and a lovely experience.

    I would have left banking a long time ago but I didn’t have a clear vision of what I was going to do. I knew I’d leave there and write someday; but I wasn’t sure about what I wanted to do to put food on my table. I wanted to own a bookshop but there was the danger of not running the bookshop by myself. So, I left last August when I got a clear vision of what I was going to do. I have no regrets. With Kenechi Uzor, we have floated a publishing house for children, Grower Literature. We currently have three books on our label. This is beside the other things I  now do, such as public speaking, stand-up comedy and acting.

     

    Eking out a living off my creative works

     

    I don’t because sadly, your books must be sold first and not so many get sold except when I get bulk purchases like when Julius Berger took me on a tour in certain cities and bought hundreds of my titles or when schools purchase the books in bulk. Writing is something that would yield after some years. Right now, My Great Ponds, published by Hybun that made 2011 NLNG Prize for Literature final list, is on the curriculum of five states; and some of my children books may get into the school’s curriculum soon. Despite being on the curriculum, my book is still faced with the challenges confronting the industry, such as distribution and agent problems. Some people would pick the book without remitting the money.

    In this part of the world, to make money from your books, you have to personally go into marketing and since you cannot catch two birds (writing and marketing) at once, something will give way. I look forward to a time when genuine marketers will handle the marketing side so the writers can concentrate on writing and producing good quality books. One of my goal is to own a bookshop which will take only 10 per cent for running cost because the author who gives me his/her books to put in my store is doing me a favour. If half of the books you find in bookshops are paid for in cash, shop owners would not be able to pay for them all. But what gain is there if the author gives his book to shops and the shop owners take 40 per cent. Let’s say the book costs N500, 40 per cent of that amount is forfeited by the authors to bookshop owners. Meanwhile, the take-home price is not up to the cost of production. So the next thing to do is to increase the price so that you can make profit. But writers should make money from the proceeds of their works. This brings us back to the exuberant cost of books. In a way, it is not entirely the authors or publishers fault. There is need for government interventions.  Let the writers get involved and establish bookshops that would begin to charge lesser percentage.

     

    My growing up

     

    My upbringing inspired the woman I became. I was born into the family of eight children (six girls and two boys). My parents, Mr and Mrs Iwual, were industrious business people, who were very caring. They embraced their God-given assignments with joy and complemented each other well. Whereas my father will not beat you, my mother will beat you but, all in all, while growing up, we were closely knit and happy. My father was very democratic that my mother believes he was, sometimes, too lenient with us. I used to jokingly tell my children that I cannot match my parents’ level of care. My mother made me into the woman I am today; and I mirror her life in all ways. In those days, we had talks every day on the facts of life; she told me many important things that I am planning to put into a book.

    My mother, who died in 2010, taught me that raising children is not a time to be involved with excessive socialising but a task that requires deep concentration. Before she died in 2010, she was a consummate businesswoman who tried her hand on diverse legitimate businesses.

    My parents loved education and encouraged us. Five out of us attended Federal Government Colleges; I attended Federal Government Girls’ College (FGGC), Benin-City. I read English Language/Literature in Abia State University; Law from University of Uyo before proceeding to Law School such that by 27, I was done with all these.

    I have also copied their legacy of education in raising my kids. Two of my children finished from Queens College and I used to visit them once a term. I used to jokingly tell my children that I cannot match my parents’ level of care. They hardly missed any visiting day; and took me home during mid-term breaks that were not up to a week.

     

    Managing the worlds of spouse, motherhood, banker and lawyer

     

    I work within the time God has allotted me; do not complain. I have a good attitude towards whatever I do. I owe it as a duty to the society, to be a role model ‘wife’ in assisting my husband in everything; to bring up children who are industrious and ready to add value wherever they find themselves. And finally, I owe it as a duty to myself and my Maker to be fulfilled and discover, utilise and maximise every given talent in me. As a parent, your life is a mirror to your children. If you tell lies you cannot tell your children not to. If you don’t read, you can’t raise children who read. They see the positive results of my hardwork and that I have not died, they find it very easy to do the same.

    My third daughter Ugochi Obi-Obasi is a brilliant writer. Sometimes when I read what she writes I marvel. She has won a number of awards and I know in future she will be one of the writers that will be well spoken about in Nigeria. She is currently the head girl of her school. I am very proud of her writing skill.

    My son Chukwuemeka Obi-Obasi is a performance poet who was only last year at the age of 10 awarded a scholarship on account of his brilliant performance.

    He performs poetry like a grown up not a child in the best professional manner. These poems were not necessarily written by him. He is also ever willing to learn.

     

    Igniting reading culture in kids

     

    In our days, we had Pacesetters, Hints and others publications to read; but all the publishing houses soon folded up. If we are saying we are bringing back the book, it means that something happened to the book at some point. What happened to it? Parents have a role to play reviving the dwindling reading culture, especially in children. I also adopted her policy on my children. My house is full of books….cartoons of books.  I buy new and second-hand ones. Sometimes with N5000, I can buy so many. My children watch TV and they read. They watch and when they get an uninteresting segment, they’d read two pages.

     

     

  • Soyinka’s birthday bash returns to the forest

    Soyinka’s birthday bash returns to the forest

    Unlike previous editions in which activities were held in Lagos, Ogun and Osun states, events for this year’s Wole Soyinka International Cultural Exchange (WSICE) project will hold exclusively in Abeokuta, Ogun State, where the Nobel laureate resides.

    Also, the organisers disclosed that it would concentrate all activities in Ijegba Forest Residence of Prof Wole Soyinka, and the Ogun State Cultural Centre, Kuto, Abeokuta

    The yearly project initiated in 2010 and debuted on the 76th birthday anniversary of the Nobel laureate will hold from July 12 till 14. It is to celebrate Soyinka as the quintessential artist and symbol of our humanity, according to the promoters of the project, Nigeria-based ZMirage Multimedia Company and US-based GlobalNewHaven.

    The theme for the year is Justice and freedom: Essential conditions for humanity, which are two fundamental concerns of the Nobel laureate in his career of promoting better humanity not only in his literary writings but also in his intervention in local and global socio-cultural and political discourses.

    WSICE is the core project of the The Open Door Series promoted by Alhaji Teju-Kareem-led Zmirage and Prof Segun Ojewuyi-led Global New Haven, and it has been staged every year since 2010 when Soyinka turned 76. Last year witnessed the grand fifth edition, which marked the 80th birthday anniversary of Prof. Soyinka.

    While the 2014 fifth anniversary edition was a grand parade of drama, poetry, music, painting exhibition and variety youth programmes in honour of Soyinka’s 80th birthday, this year’s has been redesigned in terms of performance features. The 2015 project will focus on storytelling – ‘as a resourceful art form that is an integral part of the socialisation process of an average African personality’, according to the Executive Producer, Teju Kareem.

    “Our theme is Storytelling & youth development and this is designed to address our observations that in an era when the society continues to drastically lose its moral values, due to vagary of factors including improper and inadequate child upbringing and chaotic educational system, we believe that a full exploration and exploitation of the power of Storytelling in parental upbringing and as well as school activities could help to inculcate moral values in our young ones”.

    Continuing, he said: “We also reckon that Wole Soyinka is essentially a storyteller as will be seen in his poetry, drama, songs and even public commentary through which he has grossly affected our lives and those of other peoples around the world in past six decades and more.

    “To realise the objective of the core International Cultural Exchange dimension of the project, we have identified two international reputable experts who engage storytelling to teach and mentor young ones, and have made tremendous impacts on the socialisation process in their respective stations. From the Diaspora is the Caribbean leading storytelling performer, Theodora Ulerie aka Anty Thea (Trinidad and Tobago) and from Nigeria, Mrs. Noma Sodipo, founder and anchor of the popular children TV programme, Story Time with Auntie Noma. These two tested and core professionals will help us realise the objectives; they will run workshops and mentorship sessions with junior secondary schools drawn from Ogun State, and 81 senior secondary school students from across the country. The 81 from across the country represent the finalists in the annual essay competition, which will focus on the theme of the celebration “Justice & Freedom: Essential Conditions for Humanity”.

    A core aspect of the yearly project is the student mentorship programme during which the First Lady of Ogun State, Her Excellency, Mrs Olufunsho Amosun yearly counsels the gathering of hundreds of students drawn from Ogun State and rest of the country on the importance of education and imbibing moral lessons of patriotism and discipline.

    In the past three editions she has mentored over 10000 students in Nigeria and also in London, where she was a Guest of Honour in 2013. Two editions ago the First lady of Osun, Her Excellency, Alhaja Sherifat Aregbesola and the Deputy Governor, of the State, Otunba Grace Titi-Laoye also mentored over 1000 students drawn from Osun, and the 79 finalists in the year’s essay competition.

    Stressing on the objective of the ICE, Kareem stated: “We in ZMirage and GlobalNewHaven — believing firmly in the educative as well as entertaining functions of theatre and literary arts — have resolved to consistently commit time, energy and huge financial resources to this project so that the Arts, especially Theatre, can once again take pride of place in Nigeria and the world. The primary focus for us is the cultural exchange value of the project, which enables us reach out to the world, giving and receiving artistic contents that can change and enrich lives.

    The Executive Producer disclosed that much of the activities will be held in the 850-seater site-specific Amphitheatre installed last year to host the presentation of Soyinka’s epic, Dance of the Forests as directed by Tunde Awosanmi, head of department of Theatre Arts, University of Ibadan.  There will be performances by Ogun State Cultural Troupe; Jimi Solanke; and Yinka Ola-Williams at the AmphiTheatre in Ijegba Forest.

    The idea of staging much of the events in the forest theatre, Kareem said, is to stress the educational and touristic virtues of the project. “We want the children to start identifying with the importance of such touristic facilities and as well to have a feel of the grand model that Soyinka is by paying visit to his residential enclave”.

    This year’s WSICE will be produced by Ms Haneefat Ikharo. She took over from the pioneer producer, Lillian Amah, a writer, actress and producer.

  • A thought for Makoko less-privileged

    A thought for Makoko less-privileged

    It was a cold Saturday morning. Hundreds of children and some aged at the Makoko slum in Lagos were almost hopeless over their situation. They wore long faces. But, shortly before sunrise, White House Group, a team of volunteers, led by its president, Mr. Austin Eroutour, visited the community with packs of foods.  And that changed, albeit, temporarily, the mood of the people. The people mostly children were excited and smiled as they filed out to receive their gift.

    The gesture of the society is driven by passion and quest to grow people and better the society.

    As they struggled to take turns, falling over one another, you could feel and see the innocence in them – the strong will to live, striving to add value to the larger human community.

    They were joyously exhibiting the ‘child’s innocence’ bringing to the fore their innate abilities to live their full potentials if given the opportunity by giving them education, while guiding and guarding them on the right paths, imbibing in them universally acceptable norms and values.

    Though there are education facilities in this community but many of the children were out of school for various flimsy reasons ranging from their parents inability to pay one levy or buy a book that the cost is not enough to buy meat pie in a fast food spot. Among these children are future doctors, accountants, lawyers, teachers, journalists, architects, administrators, writers, painters and engineers.

    Some of the children spoken to commended Whitehouse and other NGOs that had visited them and provided food and other items including medicine for their efforts. According to the children, they prefer being given scholarship that is real not on the pages of newspapers.

    Mr. Vincent Utere a PR trainer and a member of the team said that ‘the future development and unity of Nigeria lies in the hands of these children. Among them are would be great leaders in diverse fields. Therefore, it is our collective responsibility to help them discover and develop themselves. To realise this, we must all be involved irrespective of creed or tongue.’

    Mrs. Olanike Eruotor, who counselled some of the children stated that ‘our coming here is to see what we can do in our own little individual way to help make these wonderful children better than us. This is indirectly protecting ourselves as well as securing the lives of our children, building a peaceful and united Nigeria.’

    President Lagos Penya Club, Mr. Leslie Oghomienor,  said ‘a time has come for us as individual to allow our consciousness to be above our strength to make progress for the benefits of these little ones – our future. This place will never change. We have to change it. Our person-to-person little effort will make a great different. Do something for someone around you. It might be your lifeguard’.

    The team went on to attend to the elderly many of whom were women who apart from their inability to pay their rents or feed well, were having health issues due to the environment they line in – swampy and water logged. The team could not do much in terms of medicals since there were no qualified health personnel in the group.

    From Whitehouse effort and that of other organisations and individuals,  it is observed that change will only be made possible by those whose spirits are far bigger and stronger than their present circumstances.

    Eruotor noted that to strive to rise above the situation and hope for the better for no one was born with wealth or education. “You have the ability to be whatever you want for your own good and for the best of the society. Be strong do your best and God will surely do the rest,” he added.

    As the convoy of six trucks rolled off roaring towards the main road a few of the people chorus, ‘Please you people should come again… Apart from Makoko, over one billion people go to bed hungry each night and there are millions of children without clean potable water not to talk of food. There are women dying in bid to get the fruit of the womb while others are busy aborting pregnancies.

  • Obaseki on Muson stage

    Obaseki on Muson stage

    drama

    It was a rare moment for young thespians as pupils of   Childville Schools, Ogudu, Lagos presented Agho Obaseki, a part of  Don Pedro Obaseki’s play  – Ovonramwen Nogbaisi at the fifth edition of her yearly stage play presentation.

    The performance, which ran for two hours, was presented at the MUSON Centre, Lagos penultimate Friday. It was witnessed by pupils from the school and other schools, such as the Grange College, Ikeja. It didn’t exempt the presence of parents who jointly applauded and commended the performance.

    The play centres on the travails of the then Oba of Benin, Oba Ovonramwen Nogbaisi, and his people. In 1897, the British launched a punitive expedition, sacked Benin City, sent the  Oba on exile to Calabar and took over the area to establish a British colony to further its commercial interest.

    Oba Ovonramwen later died in exile in 1914. After the exile of the Oba to Calabar, the British used Obaseki to terrorise the Benin people to gain access to their culture, and Obaseki used the opportunity in a wrong way by misbehaving. But the position of the Oba was taken back by his son.

    According to Mrs. Ettah Ezinwanne the Head of Secondary, the yearly stage play presentation was aimed at making the pupils knowledgeable of historical events of our country. She said  a lot of learning can be extracted from it  and make them develop the artistic side possessed by every child.

    “We want our pupils to know and understand some of the things that happened before now, we also want them to know some traditional things that shape our future as we have done plays like Moremi, The gods are not to blame by Ola Rotimi, Things Fall Apart by Chinua Achebe and Oba Ovonramwen that revealed those traditions, we want them to be able to learn how to speak in public like our fathers did in the past as they spoke out for their rights since they were actively involved in situations around them, and we want them to be able to use the stage which are life skills that we want to them to be exposed to.”

    She noted that the schools management has carefully and specifically selected drama as a genre of art in bringing the mission to reality because drama as a genre of art is more encompassing; enriching and more beneficial to the pupils since it constitute music and poetry.

    Ettah urged other schools to venture into likely strategy that Childville has put in place by using the little that is within their power for presentation and engaging in class drama to assist their pupils. She said the school is looking forward to making the annual presentation opened for all to witness that the benefits embedded in it may get across to all and sundry.

    The director of the play, Gboyega Jerome a seasoned thespian who had worked with gurus of theatre like Ben Tomoloju, Bayo Oduneye, and late Chief Hubert Ogunde said that with what the pupils are manifesting on stage, there won’t be deviation from what they are being taught on the profession because the Nollywood stars today are more financially capable than some bank officials. He added that  drama would be taken by the young stars as a means of living or a hobby. He said the pupil can do better in future if they are well trained starting from now and made to see the right approach to a bright future from now.

    “When we talk about Richard Mofe Damijo and other big Nollywood stars, they started from somewhere so we are to start with the kids from now.”

    Jerome noted that the stage play that featured seventy one casts is of high relevance to the society as it connotes that every individual should stick to whatever belong to them by trying to be contended with it because cheating is nothing good.

    Ini-inyang explained that he never expected to get to play the role of Oba Ago Sinwi because he was auditioned since he never had the idea of acting hence he used every opportunity that appeared before him. He noted that the production took three months to undergo the rehearsal stage and it was seldom frustrating as they came during mid-term break and had to wait for extra hours after school so as to attain perfection.

    “Kudos to my director- Mr. Jerome for the professional work; sometimes he might be very strict but he knows what he is doing at the end of the day” He said.

    Ayo Adejuwon a primary six pupil who acted as the main character revealed that he is only doing drama as a hobby for now because he would like to be an engineer. He however said that every pupil should be committed in whatever they do and never loss faith due to the fact that the performance has really assisted in the building of his confidence in doing better things since he performed Ago Obaseki’s role.

  • Abeokuta…Beyond the rocks for launch

    Abeokuta…Beyond the rocks for launch

    book

    Ever been to Abeokuta the Ogun State capital? If you have, you would not miss the imposing rocky hill of Olumo, one of the famous tourist sites in the country. But, there’s more to the ancient city of rusty-brown rooftops and hilly terrain.

    It occupies a prime position in the nation’s socio-political development for its many firsts. Abeokuta boasts of the first newspaper-Iwe Irohin, first church, first hospital and first psychiatric hospital in the country and many more ancient sites that define the city.

    But, these historical firsts are unknown to many visitors and tourists to the country. Unfortunately, the state government, which ought to derive maximum benefits from promoting these tourism potentials the city possesses, has done little or nothing to push the sector. The result has been a wasting tourism corridor, with just a little light shed on the Olumo Rock, when the Gbenga Daniel-led administration gave the rock a face-lift by developing it and building an elevator that rides to its top from where the city’s breathtaking view can be assessed with stunning effect.

    Determined to record history and put everything about the ancient city in a book format, Hakeem Adenekan has published a new standard coffee table book entitled Abeokuta… Beyond the Rocks. The book, which is laced with a vast pictorial layout that puts the city in proper perspective, will be launched on July 4 at June 12 Cultural Centre, Kuto, Abeokuta. The launch is  a deel between Ogun State Government and Nigeria’s foremost culture centre, Terra Kulture Lagos.

    Adenekan took up the project because he felt saddened that there was no literature to capture the rich cultural attractions of Abeokuta to outsiders who might wish to visit and help boost the local economy.

    In a chat in Lagos, Adenekan said he is happy that through the book he has been able to keep some aspects of Abeokuta history as many old building have given way to renewed urbanization. He noted that apathy among Nigerians towards record keeping is one great disservice. “Unfortunately, Nigerians don’t have their own history. In order to complete the book, I had to travel UK to get some of the history,” he said.

    Adenekan wondered, like most ordinary Nigerians, what the country’s leaders usually bring back as real value from their numerous and wasteful trips abroad when they can’t execute a mere coffee table book to showcase the different attractions in their states, if only for its ego-trip. Having gone abroad for study and other sundry trips and seen firsthand how small things like a coffee table book about cities help boost cities of little consequence, he felt compelled to produce one, as a wakeup call on those whose statutory duty it is to do so back home.

    “Like I usually ask people, especially those in government, why don’t you bring something new back to Nigeria among the many good things you see abroad to enrich the stock of what we have here?

    “We talk about tourism and all that. What we do in Nigeria is scratch the surface. To realise this book, we went into the archives. The title is from a small survey we did in Lagos on what people want to see if they were to go to Abeokuta as tourism destination. People said they wanted to come to Abeokuta to see Olumo Rock. But there’s more to the city than Olumo Rock. We had to create this compendium that is internationally acceptable.

    “The idea came to me while in the United Kingdom studying. We just want to document and keep our history. It’s better for us to start our own documentation and not allow it to be done for us by foreigners. It took five and a half years to put this together. We took aerial photographs of Abeokuta landmarks using a helicopter.”

    Adenekan said the challenges he faced while producing the book ranged from Nigeria’s perennial apathy about record-keeping, which is near zero to ‘area boys’ wanting their own share and weather conditions so the photographing could be right. He lamented Nigeria’s poor archiving, adding that on occasion, he had to resort to the British Museum to get certain facts about his own country. Abeokuta… Beyond the rocks will be useful for the general public and those who believe in history.

     

  • ‘Why I sang  Ibi Giga’

    ‘Why I sang Ibi Giga’

    Her voice reverberated loudly inside the capacity-full Restoration Chapel in Ado Ekiti, Ekiti state capital, where she sang a number from her seven-track musical debut. Singer, evangelist and music teacher Tofunmi Ayodele thrilled the guests to other scintillating tunes from her album, entitled Ibi Giga (High Places) recently to herald her maiden musical work in praise singing and evangelism.

    Ayodele’s music, which soon attracted regular airplay on radio stations across Southwestern states, was  presented at the headquarters of Restoration Prayer Ministry in Adebayo area of Ado Ekiti. It was graced by hundreds of worshippers, clerics and music lovers in and outside the Ekiti State capital. The album has seven tracks of great messages rendered rhythmically to the delight of the audience. The musical work essentially comprises songs of praise and exaltation to the Almighty aside rendering prayers and admonishing Christians to always put their trust in their maker and shun frivolities.

    When asked about how she composes her songs, the pretty mother of three children disclosed that Ibi Giga came to her as a revelation which reminded her of a people who were held in captivity and locked up with giant iron gates. The people engage in perpetual struggle to regain freedom but only those who can fast and pray fervently eventually got released. According to her, Ibi Giga which was produced by Judah Associates was inspired the Holy Spirit, as she received special messages from God to man. Her words’ As a singer and minister, I usually receive special messages in my closet. And when God speaks to me, His words come with great revelations. The revelations are what I turn to my songs and the Holy Spirit always teaches me the lyrics’.

    Ayodele, who studied Music privately after her university education, first and second degrees in Biochemistry- hinted that she also chants Ewi (Yoruba poetry) in churches and at wedding ceremonies. ‘ I enjoy singing and chanting for God in appreciation of His mercy and love for me and my people. My husband too has been a great source of support and encouragement to me. Both of us are ministers. He is popular for playing musical instruments while people know me as a singer. He plays the organ while I sing and we also train choristers aside teaching songs and instrumentation’, explained Ayodele who added she is overwhelmed by the way the audience received her first musical work. She disclosed that the success of Ibi Giga has spurred her into working on the next album, noting that she would never disappoint her teeming lovers and admirers.

     

  • ‘My journey in acrylic’

    ‘My journey in acrylic’

    visual art

    Osazuwa Osagie’s name and paintings are not new to most arts collectors in Nigeria. What perhaps are not too common of the former cartoonist at the defunct National Concord and recently The Nation on Sunday are his paintings done in acrylic. Churning out paintings in acrylic is one decision he took recently to correct the erroneous belief that acrylic as a medium is ‘inferior’ or less popular to oil.

    In his solo art exhibition entitled My Journey in acrylic, opening at the Quintessence Gallery, Admiralty Way, Lekki, Lagos on Saturday, Osagie is presenting about 25 paintings in acrylic focusing on landscape, seascape, life and more importantly issues bothering on child abuses. Despite the seeming low popularity of the medium Osagie is believed strongly that his exhibits at the show will turn many heads. However, he noted that he is exhibiting primarily to make statement about his new forms as well as to promote the acrylic as a medium.

    “To me, exhibition is not primarily about sales, but to keep your name in the minds of collectors and enthusiasts. In fact, any versatile artist must not rely on sales from exhibition to survive. This is because there are lots of other avenues through which an artist can make money.

    Above all, this show is to affirm that acrylic is not inferior to oil, which many collectors appreciate much more than acrylic,” he said at a sneak preview of his works. Osagie said most of his oil paintings are in large size canvasses unlike those in acrylic, which are done spontaneously and smaller in size for easier pick.

    Asked of his cartooning strips, he said he is missing that part of his art, which he has done for so long. But, because of his experiences at the defunct National Concord newspaper where he couldn’t retrieve his old cartoons, he now takes proper care of preserving his new cartoons.

    Little wonder, some bonded copies of his cartoons at The Nation on Sunday occupy prime place on the book shelves in his studio. To him, the copies are also a testimony that I have done newspaper cartooning successfully apart from being a studio artist.

    The Auchi Polytechnic trained fine artist is equally at home with sculpting, which he said, is his next assignment. “Sculpting is part of me way back from school. I sculpt but do more of commissioned job. I hope to hold a solo show featuring sculptural pieces and paintings,” he said.

    My journey in acrylic will run for a month at Quintessence Gallery, Lekki, Lagos.