Category: Life – The Midweek Magazine

  • LIMCAF top prize hits N1m

    LIMCAF top prize hits N1m

    Nigeria’s biggest and longest running visual art festival, Life In My City Art Festival (LIMCAF), is offering an overall winner’s prize of one million naira, effective from this year’s gala night edition that will hold on Saturday, October 28.

    Rising from a meeting of the Board of Trustees recently, Art Director Dr. Ayo Adewunmi, announced that all other LIMCAF prizes have been similarly increased. For example, the main category awards for the Best in Painting, Sculpture, Textile, Ceramics and Graphics, which used to attract a prize of N250, 000 will now earn N500,000 each for their producers.

    Also, new awards have been introduced; they are the Most Creative Female Entry, the Most Promising Female Young Artist, and a Special Prize for Persons with Disability. Dr. Adewunmi said that these new prize categories have been introduced to bring LIMCAF in line with international best practice whereby females, the younger generation and persons with disability are provided special incentives to practise and participate fullyin every area of human activity. He explained that in addition to the new special categories all the other category prizes are still open for the females to compete for.

    The endowed prizes, including the Justice Anthony Aniagolu Prize, which now earns N300,000, up from the previous N150,00. The other endowed prizes, including the Dr. Pius Okigbo, Barrister Mfon Usoro and the Vin Martin Ilo Prizes remain the same for now.

    However, a new Endowment is the Fidelia Okoroafor Prize for the Most Promising Young Female Artist, which will earn a young person not older than 18,N200,000.

    All these mean that the overall total of prizes on offer now stands at N6.4million naira annually, a more than 100% increase. This does not include several other opportunity offers, such as residences and international travel including especially the all-expenses-paid participation in the Dak’ArtBiennale for the top six winning artists in each year.

    Life In My City Art Festival was founded in Enugu, in 2007 by Chief Robert Oji, CEO and founder of Rocana Nigeria Ltd, a publishing and outdoor advertising agency whose aim was to economically empower aspiring young artists and create avenues for the advancement of their careers through interaction with established artists, scholars, collectors and gallery owners. His other aim was to raise awareness and interest in art, so that young people graduating from the several schools offering tertiary education in art can find that art is not only a noble profession but also an economically sustainable enterprise.

    Since its founding, the Festival has held every year except for the COVID-19 year, 2020.In those 16 years, about4,000 young artists have participated in the Festival, earning a total of about N19 million in prizes, from the Overall Prize through the Category Prizes, to the Endowed and the Consolation Prizes.

    About N28million has been spent on 22 winning artists from the 2018, 2019 and 2021Festivals sponsored on the international travel experience and participation in the Dak’Art Biennale, courtesy of Emeritus Professor El Anatsui, a Patron of LIMCAF.

    LIMCAF’s workshops for art teachers and secondary school children taking in 100 young students with their teachers and coordinators every year have been designed to deepen the grassroots focus of the Festival, which sees art as a strong social development tool for young people in our society.

    Dr. Adewunmi stated that the workshops will not only continue but that LIMCAF will widen its net to take in many more talented young persons in the expectation that sponsorship and public support will grow, along with the appreciation of the mission and vision of LIMCAF.

    He disclosed that LIMCAF’s Chairman Elder K. U. Kalu and the entire Board spent some time during the meeting to express appreciation for the Festival’s main Sponsors, MTN Foundation and Ford Foundation as well as the Patrons whose continuing interventions, support and encouragement have taken the festival to whole new and more impactful levels.

  • ‘Nigeria shouldn’t be in a hurry to receive looted artefacts’

    ‘Nigeria shouldn’t be in a hurry to receive looted artefacts’

    Foremost art collector Omooba Yemisi Shyllon was in his element recently when he fielded questions from art scholars during an interview session marking Prof. Toyin Falola @ 70. He spoke on why Nigeria should not be in a hurry to receive the looted Benin bronzes, the non-performance of the Ministry of Information and Culture, and the National Orientation Agency, and the consequences of embracing foreign culture and religion on national development. Assistant Editor (Arts) OZOLUA UHAKHEME reports.

    The Founder, Omooba Yemisi Adedoyin Shyllon Arts Foundation (OYASAF), Omooba Yemisi Shyllon, has decried government’s reluctance to invest in art, which he said, is more lucrative than kidnapping because art is lawful and more enduring. He said art is a legal transaction that is respected all over the world and can be passed from generation to generation.

    Omooba Shyllon spoke as guest of the Toyin Falola Interviews held online recently. The event, which was part of series of interviews to celebrate Prof. Toyin Falola at 70, was tagged The Toyin Falola Interviews: A Conversation with Prince Yemisi Shyllon. It was streamed in over 30 countries across the world.

    Among the interviewers were iconic Professor of African Studies Toyin Falola; renowned artist Victor Ekpuk; accomplished Professor of Art History, Peju Layiwola; and distinguished artist, painter, art critic and cartoonist Prof. dele jegede.

    Nigeria’s largest private art collector, with over 7,000 artworks of sculptures, paintings and other media, as well as over 55,000 photographic shots of Nigeria’s cultural festivals said:

    “Art is more lucrative than kidnapping. It is more enduring. It is lawful; it is a legal transaction that is respected all over the world. It can be passed from generation to generation. It also helps to promote the culture of a nation. It helps to develop young minds into being more productive in society. Collecting art is a form of providing employment. If Nigeria could invest in art, the tourism potential is extensive.

    “The Eiffel Tower takes about 10million visitors per annum. The potential behind art is huge and unimaginable. Art will give this nation something to be proud of. It will give this nation something to showcase, which in fact means that we contributed to civilisation, that we had history before we were colonised. It is completely better than ransom taking.”

    Omooba Shyllon has blamed the development crises in Nigeria on the repudiation of our indigenous culture. He said one of the reasons Nigeria is underdeveloped is that fact that its citizen have over the years embraced the culture and religion of foreigners to the detriment of their own indigenous culture. He believes the leaders are not only the ones to blame for this neglect but also the followers who sheepishly follow foreign religions and culture.

    The former Executive Director and Legal Adviser at Nigerite Limited, however, noted that the followers who follow foreign religions and culture also have share of the blame.

    “We have a big problem in Nigeria. It’s not just leadership but also followership. The average Nigerian does not understand what culture is. He sees culture from the prism of religion and no more.

    “I have had cause to give lectures to demonstrate the fact that culture is much more encompassing than religion. Religion is only part of the philosophical trappings of culture. There is more to culture than religion. Even within the philosophical concept of culture, we talk about the values of society, the attributes expected within a culture. This is only a part.

    “When you look at culture from a wider angle, it has the elements of customs which again is very large. You also have the problem of tradition. After this, you look at the systems of government. You look at the literature, music, dress pattern, language, and food,” he said.

    Reacting to the seeming non-performance of National Orientation Agency and the Ministry of Information and Culture on the need to cherish, respect and preserve their cultures, Omooba Shyllon called for the separation of the ministry to reduce duplication and cost of running them.

    “To what extent is our Ministry of Orientation doing something to educate Nigerians about the importance of culture? Rather, they allow religious houses to misinform. They allow religious houses to usurp and manipulate the minds of the people. They allow religious houses to refer to their father’s house with the left hand. They allow religious houses to spread the propaganda, with a view to spreading other people’s culture. So, the problem is, it is more holistic than that. It is beyond just ministry of culture. It is for us as both leaders and followers to reorientate.

    “The problem is we should not only focus on just the leaders. We should also talk about ourselves. To what extent are we doing things in either individualistic basis or collective basis to made a difference, to draw our attention in this direction for us not to lose the values. Or else what is culture. Culture is the way of life of the people.Itisabout everything I have mentioned earlier that is transferred from one generation to the other through the learning process. It is the unique identity of the people. We are losing our identity.

    “Finally, our cultural institutions should stop sitting down and expecting people to come there. They should go out. For instance, a museum should not just expect people to come and visit. They should go and talk to them in the churches and mosques and let them realise there is nothing demonic about our ethnographic and cultural objects.The same ethnographic and cultural objects have been used to promote Christianity. The same ethnographic and cultural objects have been used to promote other civilisations.

    “We are here destroying the very essence of our beliefs, of our culture without growing. And no nation can grow effectively without using its own culture to grow. America is very proud of what it is today because they grow their nation from their cultural perspectives. China is growing based on Confucianism. Japan is growing by virtue of Shintoism. And these are based on the cultures of some people,” he said.

    He argued that we don’t seem to realise that what we do individually or as government goes a long way in permeating down in destroying the very essence of the people including identity.

    Commenting on the increasing spate of returned Benin bronzes, Omooba Shyllon cautioned that Nigeria should not be in a hurry to receive those looted art works unless there are adequate infrastructures in place where those art works can be preserved.

    “Those works should be returned but should not be hastily returned. We should be ensuring under the different conventions and UNESCO to have recognition of our legal rights to those works. Once our legal rights are established, we can use that to negotiate royalty on an annual basis and give ourselves enough time to prepare the reception for those works.

    “We are in a hurry to have these works returned. What has happened to some of them that have been returned? Go to our various national museums, you will weep. I have been to museums in Africa and I am not proud of what I have in my country. I have been to the Kenyan museum in Nairobi. I was very pleased by what I saw. I have been to Cairo museum in Egypt, I was very pleased with what I saw. I have been to the Senegal museum; I was very pleased with what I saw. I cannot say that about my country, which was why I volunteered to serve without collecting money as part of the management committee of one of Nigeria’s national museums founded in 1957.

    “Let us use the advantage of the various United Nations and treaties under supervision by UNESCO to negotiate that they recognise our legal title to retain possession for now and give some phased return in which we build capacity, in terms of infrastructure, human capital, science and technology.

    “We don’t have carbon dating equipment in Nigeria and we are shouting restoration and repatriation. We lack the necessary infrastructural capacities. The bulk of the Nigerian populace that you are returning the works to believe that those works are demonic,” he said.

  • Renewed hope for girl-child

    Renewed hope for girl-child

    Canada-based Nigerian licensed immigration advisor and convener, Leadership Conference, Edmonton Canada, Dr. Lina Mba has said that mentoring of teenage girls who dropped out of school due to pregnancy will form the thrust of this year’s Leadership Conference holding in Edmonton Canada in August. She said proceeds from the conference will be used to procure equipment and training opportunities to develop skill that will fetch the girls revenue as well as  contribute to local economy.

    Dr. Mba, who spoke online, said: “Some proceeds of the forth coming event will go to support our Girl Child Project. We are currently mentoring teenage girls that dropped out of school due to pregnancy and are having challenges going back to school. These proceeds will help them get equipped with equipment and training to develop a skill that can turn into a source of revenue and contribute to their local economy,”. 

    She recalled that mental health awareness among Black communities was the theme of last year’s edition because there were high incidences of suicide and depression among Black communities in Canada. 

    She noted that creating a platform to spread awareness is important because ‘we want to save people and let them know that things will be okay in due time and suicide is not an option.’ 

    According to her “Many people in the Black community are suffering in silence because they are shamed and mocked when they discuss their mental health challenges. We need to be able to have these difficult conversations to thrive as a community.”

    Dr Mba disclosed that this year’s leadership conference, which holds on August 26, and will be streamed will attract top CEOs and potential investors from all over the world. “We will have some Canadian politicians in attendance. Awards will be given to a select few,” she added. 

    On the quality of speakers at last year’s conference, Dr. MBA said there were diverse set of speakers that ncluded Mr. Justin Brittany and Mr. Scott who are white. 

    She explained that mental health is not discussed in the Black community and that having Black dignitaries facilitate the event is important as this provides reliability. Among the facilitators at last year were Mrs Funky Banjoko, who is the first black councilor in the city of Fort McMurray, Mrs. Sochi Ogbonna who was appointed by the government of Alberta as Co-chair of the Alberta Anti-Racism Advisory Council (AARAC), and Minister KC Madu who has excelled in Canadian politics.

  • Harvest of bouquet for Jahman at 60

    Harvest of bouquet for Jahman at 60

    Artman Jahman Anikulapo is 60. To celebrate his huge contributions to arts and culture, notable art/culture practitioners and enthusiasts rolled out the drums. It was a day of tributes and thrilling performances. EVELYN OSAGIE reports.

    Artman Jahman Anikulapo has joined the league of the sexagenarians. To the members of the art and culture community, it is no small feat. Although most legends often go unsung, not wanting such a milestone to go uncelebrated, they rolled out the drums to celebrate him.

    Culture activist Eniolorunda Oladejo Anikulapo, is a leading light in Nigeria’s culture and art scene and  is best described as an art aficionado. He is also a committed art promoter.

    For decades, he has been promoting the arts/tourism and its practitioners, under the auspices of The Guardian, Culture Advocates Caucus (CAC), Committee for Relevant Art (CORA) and Lagos Book and Art Festival (LABAF), among other platforms.

    He has been Programme Director for Culture Advocates Caucus since 2009 and the Programme Chairman, Committee for Relevant Art (CORA). In 1999, he founded the cultural picnic, the Lagos Book and Art Festival (LABAF) and teaches young European students media arts and culture.

    Although a theatre arts graduate, his voyage into art journalism began in 1993 at The Guardian newspaper, where he rose to become the Editor of The Guardian Life Magazine, and Editor, The Guardian on Sunday

    Ever since he turned 60 last week Monday, he is being applauded by many, including Nobel Laureate Prof Wole Soyinka and President Muhammadu Buhari for his footprints on the media, art/culture activism and tourism sector.

    At three separate venues across Lagos, Freedom Park on Broad Street, Adumaadun Art Gallery, in Magodo Phase 2, and Terra Kulture on Victoria Island, artistes, enthusiasts, friends and colleagues converged to celebrate Nigeria’s iconic art journalist Mr. Anikulapo. Expectedly, two of the events were held almost simultaneously featuring cultural performances and evening with Jahman. The Freedom Park leg of the events, which was hybrid, attracted a huge turnout and climaxed with a dinner.

    To pay homage to the artman whose impact is still being felt in the industry, an impressive list of a committee of friends thronged the Freedom Park, Lagos for an amalgam of events held in his honour. It was a rain of tributes and lots of thrilling performances tagged Artman Jahman turned 60 that began in the afternoon and ran into the night.

    It began with an open forum tagged: Celebrating Jahman @60 that had a keynote address by recently retired Professor of Theatre Arts at the University of Lagos, Duro Oni. Guests later moved to the open-air space set up for another feast of tributes and performances. 

    Some called him ‘legend of the arts’, others called him ‘an institution’. But, ‘a ghost worker whom no one knows how he achieves what he does.’ 

    While applauding Jahman’s support through the years, Soyinka stated: “In just a few words, the best expression I have for him is that of a ghost worker. You hear about the expression ghost worker in a negative sense. Some of them have never been anywhere near the establishment. But someone somewhere is collecting salary.

    “I always think of Jahman as a ghost worker. By that I mean you don’t know how he achieves what he does. If you give him a task, you don’t ever see him at work on it. I think he’s an instinctive artistic facilitator. He promotes others without promoting himself. He has assisted me in theatrical production and worked behind the scenes.”

    Describing him as “a literary legend” Oni, who spoke on ‘The Artman As Interventionist: Celebrating Jahman @ 60, said: “Jahman has celebrated so many people who are listed in the committee of friends for this programme. The fear of the critic is the beginning of wisdom. Jahman does not suffer fools. He can be very hard. Even at this gathering he is looking around.”

    On the panel for the event, which was a mix of virtual and physical speakers were: Molara Wood, Lookman Sanusi, Kole Odutola, Norbert Young, Ayodele Arigbabu, Laolu Akande, Segun Adefila, and Akin Adesokan. Moderated by Deji Toye, each of the panellists regaled the audience with stories of their encounters with Anikulapo and his impact on their lives. 

    Award-winning writer and former Arts and Culture Editor, NEXT Newspapers Molara Wood also extolled Jahman for his intervention over the years in the lives of many artists and writers who have grown to be very great as well as his assistance in honing her skills as a writer for The Guardian way back. 

    She said: “He gave me the column to write on the broad range of arts. He shipped off all The Guardian Literary Series to me in London. He would always give me context. From there, I was able to build readership. He did a lot to encourage me. He truly believed in me.”

    There was poetic adulation of Jahman by former Arts Editor at Punch Newspapers, Akeem Lasisi with drums accompaniment and music from Afrocentric musician Eda Oto. There was a performance art by Jelili Atiku. Guests were also entertained by the Gifted Steppers, Theatre Centrik and the Crown Troupe of Africa. 

    The highlight of the evening’s event was the joint singing of Pa Ben Tomoloju’s ‘Epo Biriki’ by the composer himself who is known as the celebrator’s mentor, Jahman, Edaoto, and Yinka Davies. 

    The evening of tributes continued as Tam Fiofori, Benson Idonijie spoke on how Jahman had impacted their lives. 

    For veteran documentary photographer Fiofori, some of his best works were written for Sunday Guardian, courtesy of Jahman. 

    Burna Boy’s grandfather, Idonijie described the artman celebrator as “his son and a man of virtue, who “has groomed a whole generation of journalists. He introduced me to print journalism after I wrote for the radio for 35 years. The fact that I have written books today is because of him.” 

    On her part, veteran thespian, Taiwo Ajai-Lycett was of the view that “Jahman represents all that is lacking in our society. He doesn’t care much about himself, and when you get to that stage, it means you have attained freedom. He is the epitome of the true strong society that I want.” 

    Veteran actress, Joke Silva also eulogised Jahman’s contribution to the culture space, saying: “You have an amazing understanding of young people, and you expand their minds like what you have done for my son, Soji. Being a celebrity couple, it can be difficult for the children to navigate that space and be their own person.” 

    The evening of tributes was topped by Jahman’s son Seun, who while wishing his father a happy birthday said: “You are a mountain of a man and I am grateful to have you as a father.” 

    The event, curated and anchored by Dr. Shaibu Husseini, Otunba Tunji Sotimirin, Nobert Young, and Pamela Udoka, also had in attendance others such as Otunba Kayode Aderinokun, Toyin Akinosho, Femi Odugbemi, Dr. Dele Morakinyo, Muyiwa Osinaike, Biodun Abe and Bolanle Austen-Peters, among others.

  • Afo fertility figure among Nasarawa people

    Afo fertility figure among Nasarawa people

    In many communities in Nigeria, issue of fertility is linked to the spiritual. It is also believed that the some gods are assigned for human, crops and animal fertility. There are different mediums that this gods are represented, it could be in carved wooden figures, stones, rivers, shrines among others.

    It is believed that our ancestors are still living with us hence they see to anything that concerns their loved ones and the community at large. Most times when reproduction seems difficult, individuals consult and appease the ancestors for child bearing.

    Afo is a group that is also known as Eloyi, who lives at the foothills of the Nasarawa and Loko mountains and claim to be related to the Kanuri of Northern Nigeria. The figures are sacred. Once a year they are brought out to the village square and sacrifices and prayers are offered and blessing comes in the form of fertility of the land and human.

    Features of Afo figure include feminine figure, matted haird, prominent facial features, slanty tribal-marks on each side of the cheek, whiskers on each side of the mouth geometric designs on the chest down to the breasts, flappy/flabby breasts and and protruding stomach with marking. Others are hands at akimbo, straight legs and prominent female genital.

    •Mrs. Okoh is Assistant Director, 

    National Commission for Museums and Monuments, Abuja  

  • Obiozor: Tribute to a great ambassador, patriot

    Obiozor: Tribute to a great ambassador, patriot

    I developed a close and much cherished relationship with Ambassador George A. Obiozor, President-General Ohanaeze Ndigbo Worldwide, since his days as the Director-General of the Nigerian Institute of International Affairs in Lagos, and later in Abuja, in the 1990s. I was then serving in the Cabinet Office/Presidency.

     As our lines of duty crossed, I was fascinated by the depth of his knowledge of international geopolitics and the socio-political realities of Nigeria. His academic credentials prepared him for the professional roles he played as a public servant. Born on August 15, 1942, Prof Obiozor was educated at the Institute of African Studies, Geneva Switzerland, and earned B.A (Hons) Political Science degree in 1968 from the University of South Tacoma Washington. He graduated M.A International Law and Organisation from the University of Puget Sound, Washington, before proceeding to Columbia University where he obtained Ph.D in International Affairs in 1976.

     In our official relations and in the performance of my functions as a career officer in the federal public service, I found his contributions quite informed, realistic and helpful. His commitment to work and to the progress of Nigeria was remarkable.

     Our warm friendship continued after my retirement from the service in 1999, through his years of high-profile diplomatic service, and right up to his demise on December 26, 2022. Prof Obiozor had worked briefly as Nigeria’s High Commissioner to Cyprus before serving as the nation’s ambassador to Israel (1999 – 2003). He was Nigeria’s ambassador to the United States from 2004 to 2008. Throughout these diplomatic postings, we remained in touch as our relationship had transcended official duties.

     Prof Obiozor contributed immensely to my literary career. He readily reviewed some of my manuscripts and commented on some of the books. He attended the presentation of my books at the International Conference Centre, Abuja, in 1999, and at the Shehu Musa Yar’adua Centre, Abuja, in 2006. His most recent literary input is the Foreword he wrote to my forthcoming book, Conversations with Bukar Usman. While he would, unfortunately, not see the book when published, his Foreword would remain as a testimony of his steadfastness and intellectual insight.

     His personable disposition and goodness had largely ensured that we sustained our cordial and intimate friendship right to the end. A straight-forward person, he was very open and forthright in our official discussions and quite amiable and jovial in our private relationship. 

     On January 9, 2021, Prof. Obiozor was elected the President-General of Ohaneze Ndigbo Worldwide, a pan-Igbo socio-cultural organisation. Judging from his acts and utterances since he assumed the leadership of Ohaneze, notably his assurance that “Ndigbo are committed to Nigerian unity” (Punch, 10 September 2021), it could be seen that his nationalistic disposition to unity, peace and progress of Nigeria remained unchanged.

     I can earnestly and sincerely attest, from our long and close association, that he is a committed patriot. He lamented the way ethnic bigotry and mutual intolerance were hurting inter-personal relationships and the peaceful co-existence of Nigerians. In a September 10, 2019, email message sent to me, where he kindly expressed “tremendous admiration for your good self, intellectually exceptional qualities and genuine patriotism”, he bemoaned, “Bukar, knowing people like you makes me sad to see our great country often in agony under the yoke of ignorance and arrogance”. Given Nigeria’s great diversity and Obiozor’s nationalistic outlook, one cannot but appreciate the delicate role he played in his last few days.

     The last time he was leaving Abuja for Lagos, we agreed to meet during his next visit to Abuja. Alas! That meeting would no longer hold. In the passing away of George A. Obiozor, I must say that, beyond the regret that Nigeria has lost a notable patriot, I truly lost a great friend. May God grant his soul heavenly peace and comfort his bereaved family members and well-wishers.

     Dr. Bukar Usman is former Permanent Secretary in the Presidency, Abuja  

  • Funmine holds concert

    Funmine holds concert

    The crowd of gaily-dressed guests was massive. The venue was colourfully decorated with the adjoining streets full of glittering vehicles. Soul-serenading music oozed out of the giant speakers strategically placed at the corners of the venue with some giant ones in front.

    The event was the end-of-the-year musical concert and album launch of Ms. Oluwafunmilayo Kemi Buraimoh, popularly known as Funmine, a highly-talented upcoming act, held at Chukzie Hotel and Suites on Alhaja Kofoworola Crescent, off Obafemi Awolowo Way, Ikeja, Lagos.

    The well-attended twin events were actually a display of pomp and colours, as the Red Carpet, which preceded them, turned out to be like a competition session where guests competed to show love to Funmine.

    The album titled: Igbadie, is actually a three-tracker, including Humanity First, Yeyemi and Igbadie, which Funmine said was a product of painstaking research into some societal ills.

    Humanity First is a song that reminds every African that redemption is near and we can only make it happen by taking independent responsibility for our actions, while it enjoins leaders to approach leadership with kindness and shun ethnic and religious bigotry. Yeyemi and Igbadie, both Yoruba phrases, are songs that remind all about the ephemerality of life and the need for all to use the short period they would live to love one another.

    All the songs were written and performed by Funmine, who has also been hosted to promote her album by several radio and television stations.

    The beautiful performance of the songs sealed the cool night of the concert and album launch, leaving all the guests with mouth agape and sweet memory.

    Dignatories on the occasion were: Mr. Segun Ibironke, a lawyer, who was the Chairman; the Chief Executive of Tenstrings Music School, Lagos, Mr Emmanuel Akapo, who was the Chief Launcher; Mr. and Mrs. Foluso Iliasu, the special guests of honour; the Senior Special Assistant (Security) to Ekiti State Governor, Mr. Charles Fasuba, among others. Many of the ectastic guests praised Funmine for the quality of her work and urged her not to relent iwn her effort to achieve greatness.

    It was, indeed, a night to remember for a long time to come.

  • Group empowers Abia women

    Group empowers Abia women

    Illustrious women of Abia State, under the auspices of Amaba Daughters Association, Isuikwuato Local Government Area of the state have raised the bar for other communities to emulate. The group comprises of those at home and in the diaspora has called for economic empowerment of women in the area and berated the political class for doing little to improve the lot of their people. It is also to encourage their male counterparts to emulate them (women) by forming groups or platforms through, which they (men) can empower people in the community economically.

    President of the association, Mrs. Obiageri Ikpechukwu-Onu made the call when Amaba Daughters Association feted women during Christmas celebration and presented N1 million cheque each to three women groups in the community under its empowerment programmes. The empowerment, which is the fourth in the series, was meant to improve the lots of the women in line with their needs. While a group preferred a skill acquisition centre where women will be trained, others preferred to run event centre by buying canopies, tables and chairs among others.

    Mrs.  Ikpechukwu-Onu   said the gesture was to support women in their petty trading enterprises.

    According to her, the programme has progressed from individual empowerment to group status with focus on women and children, noting that ‘if you educate a woman, you educate the nation.’ This, she said, will also go for economic empowerment, which also implies empowering the community.

    She said: “Each of the three Amaba community groups, namely: Ndioha, Amaokwe and Ohoro, was empowered with  N1 million this year and we are also considering the nursing mothers, infants and children in the community and have formulated  the process and procedure to deliver this in 2023.

     ”We are urging and encouraging men’s groups to come up with an arrangement that will translate into economically empowering the rural people.”  

    It will be recalled that in the first year of the association, the group empowered 10 people including men with the sum of N50, 000), while in the second and third years, the empowerment was increased to 20 people  with the sum of N50,000 gifted to them especially those who already have existing businesses.

    The association’s Programme Coordinator in Nigeria, Mrs  Okwy  lroegbu-Chikezie  said the programme was targeted at alleviating poverty  among the community women. She stressed that the programme started in 2019 when women were given N50,000.00, each to empower them.

    “In the second and third year, we also empowered 20 people with support from the former Chief of Army Staff Lt-General Azubuike Ihejirika who assisted us with yam seedlings.

    “In 2022, we  issued them with a cheque of N1 million each for different projects they wanted to do, such as skill acquisition, rental business, among others, and we  are happy the women organised themselves to come up with business ideas, hence we encourage them to work hard to succeed as we strive to  do more to encourage them.”

    Chairman of the occasion, Prof. David Onwuka of Federal University of Technology Owerri (FUTO),Owerri, commended the association for coming up with the novel idea of empowering indigent women in the community.  He said: “What our daughters are doing is wonderful and needs to be encouraged and I urge the recipients to invest the money given to them wisely to make more money and be able to solve their individual and collective problems.”

    A representative of the Eze in Council and the Palace Secretary, Chief Obiora Ogonsiegbe, also commended the association. He recalled how they bought bags of rice during the COVID- 19 pandemic and shared to the people of the community including cash. 

    According to him, on two separate occasions they bought over 100 George’s and Ankara textile materials to make for colourful uniformity during their annual events. Some other times, they shared  cash to the elderly and this has made other groups to initiate programmes and projects targeted at different segments of the society.

    Ezinne Kanu and Chibuzo Okemmiri thanked the association for the empowerment programme and confirmed that it has boosted their businesses. Others said that surprisingly they had employed between one and three people in their small scale businesses and indirectly lifting others out of poverty.   

  • Bayelsa communities get post-flood relief items

    Bayelsa communities get post-flood relief items

    Determined to bring smiles on faces of recent flood victims, Chipper Cash, partnered  ActionAid to provide relief support to those affected by floods in Bayelsa State. Relief materials such as monetary gifts, food, water, blankets and hygiene kits were provided.

     Marketing Campaign Manager at Chipper Cash Nigeria, Goldie Iyamu disclosed that the initiative, which is particularly targeted at female-led households among others, is driven by its commitment towards caring deeply about its communities. The initiative was kicked started in Two Clans in Yenagoa: Gbarain and Ekpetiama. ‘’We as a brand that cares deeply about its communities, it is committed to providing immediate relief to those affected by the flood through its partnership with ActionAid. He said: “This initiative will focus on helping families in Bayelsa State rebuild their lives after the flood and providing money and food items to residents in affected areas. And by partnering with ActionAid who have expertise in disaster relief, our goal is to help as many people as possible get back on their feet after this tragedy.

    “We are beginning with two areas and are targeting female-led households, the terminally ill and the aged as the primary recipients of the post-flood relief. With over 70 plus household benefiting, we are happy to restore, bring hope and joy to affected families this season.  Governance Team Leader, ActionAid, Comrade Ene Obi noted that the partnership with Chipper Cash was a timely and needed move. “It is indeed a pleasure that Chipper Cash decided to work with us to put smiles on the faces of families.”

     One of the recipients, Rachael Oviri, who suffers from overgrown uterine fibroids, who, before the flood, was doing menial jobs on people’s farms and would sometimes work with Garri processors to make ends meet, said: “When I found out I was selected to benefit from this intervention, I was very happy. My feeding for the next six weeks or more seems guaranteed with this package.”

    Another victim, Savannah Brandy said excitedly: “This is a pleasant surprise indeed. I haven’t used soap to have my bath in a long time. I opened the package and saw vegetable oil, rice, garri, maggi, and money. Today is just a good day. I had just bought groundnut to drink garri minutes ago. But by these gifts, I will cook rice later tonight”  

     According to The Bayelsa State Emergency Management Agency, the flood affected no fewer than 1.3 million people, estimated 10,000 people were rendered homeless and displaced, with a death toll currently at 96.

  • NANTAP launches Akete

    NANTAP launches Akete

    The National Association of Theatre Arts Practitioners (NANTAP) has rewarded winners of the Akete play writing competition organised by the association to groom young talents that will take over from older artistes in order to avoid vacuum. Paul Ugbede won the first position with a cash prize of N2million  while James Henshaw and Olusegun Ajayi won the second and third position respectively. Henshaw went home with N1million while Ajayi got 500,00 Naira.

    Speaking at the launch of Akete and the unveiling of face and the ambassador of same at Freedom Park, Lagos, National President of the NANTAP, Mr. Israel Eboh said that it was vital providing youths with platform and train them to be the best and be able to take theatre to the next level. “ Many young talented artistes need to be encouraged. It is why we give them the task of writing plays and we assess them. Their creative concepts matter a lot and we are ready to take them to another level,’’ he said.

    He stated that the initiative is to groom them to take over from the older ones, so there won’t be a vacuum noting that Akete Festival would align with the 2023 World Theatre Day, coming up in March to boost the culture of Nigeria. He added that a lot of youths do not know much about Lagos culture and history even theirs.

    “It is why we need to nurture new talents, we have to bring them back to our culture, which other countries still have,” he said.

    The Secretary General, NANTAP, Makinde Adeniran said ‘Akete’ is designed to celebrate Lagos. He said that it is also to celebrate its illustrious sons and daughters of Lagos. “Lagos is one unending drama, we complain about everything but we do not leave. It is also design to celebrate new emerging talents,” he said.

    He noted that when playwright was advertised, they received 69 entries from across Nigeria and diaspora, about Lagos.

    “We trimmed it down and three persons emerged winners. The plays will be published into books. We are talking to Lagos Ministry of Education to help publish it and put it in their curriculum. It is to identify young talent and inculcate their works into the theater,” he said.

    The pioneer president of NANTAP, Mahmood Ali- Balogun said that with phones and other gadgets, youths have become nonchalant about their various cultures. “We have to bring them back to our cultures but we need to nurture new talents, a lot of our youths do not know much about Lagos. With government support and Touch Stone, brand strategy and communication and DDB PR company, it will go a long way,” he said.

    Chief of Staff, National Theatre, Steve Ogundele who represented Prof. Sunday Ododo, General Manager National Theatre said ‘’we have a lot to gain in ‘Akete’ Festival. We will do all we can to support the Festival, we will welcome showcasing the plays.’

    Face and ambassador for Akete Dame Taiwo Ajai-Lycett, said that ideas create money. “If you create music, plays and others we listen and watch synergies with it but unfortunately government is quiet about it. It is in the theatre that we have team work and unity.

    “We need to motivate youths, energise them before money will come,’ she said. She noted that for the industry to move forward, ‘ we should do away with me, myself and I syndrome.

    “It is our responsibility to change the attitude of everyone to that of positive thinking and build the industry.

    She noted that the industry should be called arts, tourism and culture because without arts, there won’t be tourism. Arts is what attracts people,” she said.

    Ajai-Lycett, however, said that she was happy to be the face and ambassador of Aket’. “I am honoured, privileged to be made the face and ambassador of ‘Akete’ which will kick off in March 2023.

    “To mark World International Theater Day, it is about all of us that is growing old, because we are old doesn’t make us useless.”It is a collective responsibility. It has honoured me, just as I will work for dignity and work for everybody,” she said.