Category: Life – The Midweek Magazine

  • ‘I will raise the bar for the council’

    This year’s National Festival of Arts and Culture (NAFEST) ended in Abakaliki, Ebonyi State, last Sunday. It recorded many firsts. Aside having the Vice President, Namadi Sambo, as special guest of honour (first time the Presidency will be so represented),the festival was led by a woman Director-General, Mrs. Dayo Keshi. Also, the host state, Ebonyi, won the giant gong as the overall best state, despite being a first time host. Nineteen of the 36 states attended the festival, reports Assistant Editor (Arts) OZOLUA UHAKHEME, who was at Abakaliki.

    Like at the opening, cheers from the crowd at the closing of this year’s National Festival of Arts and Culture (NAFEST) at the Abakaliki Stadium, captured the mood and great expectation of the art community.

    With an early morning rain providing a soothing weather, states delegation filed out in colourful attires as the curtain was drawn on this year’s festival. For states that won laurels, especially the host, Ebonyi, it was dancing and jubilation galore.

    It was the first time in the history of the 44-year-old festival, that the Presidency would be represented by Vice President Namadi Sambo, who declared the festival open last Tuesday. Expectedly, the host state justified its 18 years’ wait with adequate preparations for this year’s festival described by many as successful, despite seeming low attendance by states. Absenteeism and lateness of states to the festival may have threatened the objectives of the festival.

    Observers blamed this on the delay in release of funds to the state art councils as well as the increasing political campaigns. “It has become a recurring decimal that any NAFEST held a year preceding the general elections always suffers setbacks as most governors are more concerned about how to retain or capture power at the polls. Unfortunately, such shift by the governors is always at the expense of the spirit of the festival,” according to an observer. For instance, from the Southwest zone, only Oyo State was in attendance, while Edo, Akwa-Ibom and Bayelsa were the states from Southsouth zone that attended the festival. Delta State came in the morning of the closing day.

    Worried by this trend, the newly appointed Director-General of National Council for Arts and Culture (NCAC) organisers of the yearly festival, Mrs Dayo Keshi, said the council would as a matter of priority look into the many challenges of the states including lateness to festival, late release of funds, inadequate preparations among others.

    “Over two third of the states attended this year’s festival. But, we will be looking at these challenges of the states. We will connect with the governors on the need for full participation of the states. The few states that come early often emerge as winners. NAFEST belongs to us; it gives us the platform to showcase the rich culture of the people and should be nurtured by all. In fact, I will adopt advocacy as part of methods to spread the message,” she said.

    Notwithstanding, Keshi described this year’s festival as very successful because the host governor, Chief Martins Elechi showed special enthusiasm and support for the festival, including provision of facilities and security for all.

    She observed that the country’s cultural industry is yet to take its rightful position though music, movie and fashion have made significant impacts on the nation’s economy. She stressed that the success of these genres has proven that if the sector is well structured and funded it would contribute meaningfully to the nation’s economy.

    “Every local government area has something special and peculiar that can be made economically viable. I am hoping that we would be able to put in place some structures to that effect. Again, we hope to create a market for art and crafts that will attract tourists. But for it to thrive, it needs government support and the creative industry will consequently stem the influx of unemployed youths to the cities,” she added.

    On whether she will stick to the existing  programmes of the council, she said: “There are always rooms for improvement. Art and Craft Expo and NAFEST are two major programmes of the council. But, I will raise the bar of the programmes. I am quite happy with the concept of NAFEST and AFAC, and I will look at the aspects that will make it economically viable.”

    Although the new chief executive appreciates continuity, but she is not lacking in new ideas that would raise the bar. She  is considering how to package the different components of the festival as marketing platform to the public all through the year. According to her, having such cultural events that will attract corporate sponsors will be an added opportunity for the growth of art and crafts.

    “It will be a private-public partnership (PPP) at different levels while we still seek sponsorship. The idea of running the different components is to enhance packaging. Once packaging is done right, sponsors will come after us,” she added.

    The former director, Culture Industry and Heritage at the Ministry of Tourism, Culture and National Orientation said she was excited at her new appointment and that it was good someone from the sector was appointed to continue the job. She noted that having worked on the policy formulation side for over three decades, it is exciting to be on the other side to  contribute to the growth of the sector.

    Asked what she would be remembered for, she said: “I hope that at the end of my tenure, culture sector would have empowered the artists, raised the bar and every part of Nigeria would see culture as most efficient way to show Nigeria to  the world. Then culture would be one of the sectors that will not be looked down upon.”

    Director, Human Resource Management, NCAC, Mallam Ado Mohammed Yahuza said the festival events were packaged in tandem with the theme of the festival-Celebrating Nigeria @ 100: The role of culture as a vehicle for national unity. He noted that the emphasis on youths at the festival events underscores that the future belongs to the youths using culture to foster unity of the country. ”.

    According to him, Ebonyi State like Bayelsa lived up to expectation despite being a first time host of the festival. “This is not the first time a new state will host the festival. We have been in Bayelsa twice and the festival went well. We always do our survey before the hosting of the festival. In the same vein, Ebonyi State has been generous in providing security and logistics including venues,” Yahuza said.

    Earlier at the opening, President Goodluck Jonathan who was represented by Vice president Namadi Sambo pledged greater commitment to the development of the nation’s creative industry.

    He expressed delight that in spite of numerous challenges confronting the nation, NAFEST was held in a convivial atmosphere. According to him, it has become obvious that the annual festival is not only strategic to the protection of the people’s culture and tradition, buthas great potentials for engaging the teaming unemployed youths.

    He said there is a nexus between arts and culture and the economic growth of any nation.

    “The event is high profile in nature and the celebration will manifest abundant grace for the nation outside the country”, he said.

    He stated that the one-week cultural fiesta would provide another platform to re-echo the Centenery message with which the nation celebrated its 100 years of nationhood.

    ”NAFEST is affirming that there is a lot from our culture that binds us. As we move into another century, it is our collective duty to leverage on these for promoting our oneness and uniqueness as Nigerians and as a way of moving the dreams of our founding fathers nearer to realisation”, Mr. President stated.

    Commending Governor Martin Elechi for taking the challenge of hosting this year’s festival, Mr. President highlighted the place of the private sector in promoting the festival. He, therefore, assured the provision of enabling environment for any organisation or group that picks interest in investing in the nation’s culture and tourism sector.

    This year’s festival featured colloquium,

    dance-drama, children painting and drawing, traditional cuisine, traditional architecture, story- telling and traditional wrestling among others.

     

  • Workshop for hoteliers, caterers

    A one-day workshop for hotels, catering outfits and other stake holders in the hospitality industry will hold on November 21 at Airport Hotel, Ikeja, Lagos.

    The workshop is being organised by a team of professional stakeholders in the Hospitality Industry.

    In a statement by the Chairman of the Organising Committee, Bright Uwabor said  the theme as Security Challenges in Hotels and Hospitality Industry in Nigeria-The Way Forward.

    He said the workshop will afford participants to share experience with security experts and knowledgeable speakers on the current security challenges in the country and establish baseline awareness and integrate security challenges in the Nigerian hospitality industry.

    Also, stakeholders will assess and analyse the range of obstacles, risks and capacity in the industry, as well as acquainting participants with the various appliances & gadgets to be used in averting criminal tendencies.

    The keynote address will be delivered by the AIG Umar Manko of Zone 2, Nigeria Police, Onikan, Lagos.

    Other guests expected include Lagos State Governor Babatunde Fashola and his deputy, Mrs Adejoke Orelope-Adefulire; Minister of Tourism, Culture and National  Orientation, Chief Edem Duke; Inspector General of Police, Mr. Suleiman Abba and Director General of Nigerian Tourism Development Corporation, Mrs. Sally Mbanefo.

    Highlights of the event will include presentations by security experts, Law enforcement agents, and renowned academics that will address various security challenges in the hospitality industry and proffer sustainable solutions.

    A special edition of a Hospitality Magazine will also be published on the event day.

    The event will recognise of few corporate bodies and individuals who have contributed immensely towards the development and sustenance of good security network in the Hospitality industry.

  • All rise for Fela

    All rise for Fela

    When some hundreds of admirers of the late Afrobeat legend, Fela Anikulapo-Kuti and fans of Afrobeat music trooped out last Saturday morning for a road carnival at Ikeja, Lagos,many thought it was a protest march. The crowd of dancers and singers took off from the New Afrika Shrine at NERDC Road, Central Business District, Ikeja through Alausa, seat of Lagos State government, to Ojota, Maryland, Ikeja and Gbemisola, home of the maverick musician and New Afrika Shrine. The carnival that was to kick off by 7am did not flag off until 3pm lasted about three hours. It was part of this year’s Felabration– a parade of African culture at its best. A pageant of sorts, the carnival sets its trail alight with fancy colours, beautifully decorated cultural costumes, acrobatics and lovely choreographers.

    As the carnival train traversed the city, residents of Lagos were reminded of the memorable long walk -from Tafawa Balewa Square, Lagos Island to Gbemisola in Ikeja -that trailed the burial of the late musician in August 1997.

    The week-long celebration of cultural icon and Afrobeat maestro, FelaAnikulapoKuti and his enduring legacy as the annual Felabration took had stared penultimate Sunday with screening of a documentary, Finding Fela, at the New Afrika Shrine, Ikeja. Expectedly, the annual celebration of the life and times of Fela, over the years has attracted high class musical acts from all over the world as well as from the local scene.

    A festival of different genres of music, witnessed performances from artistes such as Oritsefemi, Wizkid, Tuface Idibia, Weird MC, Omo Baba, Wale, Olamide, Saeon, Duke Amayo, MC Bash and a host of others. These musicians kept the New Afrika Shrine alive with musical performances at different nights all through the week. However, the icing on the cake was the appearance of Jamaican reggae singer and songwriter, Don Carlos.

    Currently showing in major cinemas across the country, Finding Fela is a documentary about the artiste’s life, music, social and political relevance. It portrays his journey into creating the Afrobeat genreof music which has transformed into a movement and using that forum to express his revolutionary political opinions against the dictatorial Nigerian government of the 1970s and 1980s.

    On Monday, October 13, organisers held a symposium which dwelt on the unification of the people of Nigeria, a topic of the dear to the late Fela as evidenced in the themes of most of his songs. Tagged The Amalgamation of the People of the Niger Area, the symposium, held at NECA House Auditorium, Alausa, Ikeja which had Dr. Obiageli Ezekwesili as keynote speaker. The discourse which was described as timely owing the centenary celebration and the challenges the country is currently facing also featured Prof Sophie Oluwole and Edward Emeka Keazor.It also had in attendance, individuals from the political, cultural and social circles.

    As has become a culture, the effervescent followership the music icon built during his life time gathered for one week every year to celebrate their icon. This is further heightened with the concert which took place every night for the whole of the week.

    Highpoint of the week was the carnival held on Saturday. A display of culture and tradition, the culture brought memories of Fela to the residents of Ikeja and its environs.

    Felabration is our annual festival of music and arts commemorating the life and times of Nigerian’s foremost musical icon, the late great Fela Anikulakpo-Kuti. As a music brand, it’s revered and highly influential.As the creator of Afrobeat, social critic, political activist and champion of the underprivileged as well as a philosopher of his own political ideologue, Fela is still today a hero to millions for his contributions to society. The entire essence of Felabrationis to create a lasting legacy for Fela and all his struggles,” Essien stated.

    He added that Fela, in his essence, should be better celebrated than he already is in our national annals. “Gradually we are getting there. A few years back, Fela was not as celebrated as he is today but the case is different now. People now come from all over the world to celebrate him. There is even a documentary in his honour currently showing in the cinema. Perhaps soon, he will have a national holiday to his name,” according to Essien.

    Born October 15 1938, FelaKuti was a Nigerian multi-instrumentalist, musician, composer, pioneer of the Afrobeat music genre, human rights activist, and political commentator. On 3 August 1997, his brother and former Minister of Health, Olikoye Ransome-Kuti, stunned the nation by announcing his death a day earlier from Kaposi’s sarcoma which was brought on by AIDS.

    More than a million people attended Fela’s funeral at the site of the old Shrine compound. After his death, a new Africa Shrine was opened in a different section of Lagos under the supervision of his son Femi Kuti.

    Every year Felabration features exciting line ups of artistes designed to whet the appetite of music lovers. The Felabration Week always runs through the week of October that includes the 15th ensuring that Fela’s posthumous birthday celebrations are part of the Festival, organisers reveal.

    At the National Museum, Onikan Lagos, Leo Entertainment in collaboration with the National Museum, held an art exhibition and music concert between October 12 and 13. The exhibition featured portraits of the Abami Eda, which were collected from different artists who loved Fela. It was part of the celebration of the life of the late Fela Anikulapo Kuti. The musical concert and art exhibition was tagged The Fela You Don’t Know.

    Looking at the art and listening to the music reminded the people who knew Fela and also show who does not know Fela, the type of person who Fela was while on earth.

    According to the organizers, the event was to combine visual art with musical concert to show and tell different stories about the life of the legend as a talented musician.

    The late Afrobeat legend who was a justice fighter using his music was seen as a political threat to the government when he was alive. He spoke more on how to govern the community and was able to impact people’s ideology and belief through his songs.

    The late Olufela Oludotun Ransom Kuti was born 15 October, 1938 in Abeokuta. He was a multi-instrumentalist, musician, composer, pioneer of the Afro beat music genre, human right activist and political maverick, who was also good in various aspect of musical instruments, saxophone, vocal, keyboards, trumpet, guitar, drums. Fela Kuti had several labels which are Barclay/Polygram, MCA/Universal, EMI Nigeria and JVC.

    Fela was a first cousin to the Nigeria writer and Nobel laureate Wole Soyinka, the first African to win a Nobel prize of literature. He (Fela Kuti) who also changed his middle name to Anikulapo (meaning  He who carriers death in his pouch), said that his original middle name of Ransome was a slave name. Fela music was popular among the Nigeria publics and Africans in general. In fact, he made the decision to sing in pidgin English so that his music could be enjoyed by individuals all over African where the local languages spoken are very diverse and numerous.

    The death of Fela in August 2, 1997 gave birth to the Felabration concert, a yearly event held by various organizations and individuals to celebrate the life of late Fela Kuti.

  • LagosPhoto Festival: A global feast for change

    It all started four years ago with some committed photographers. Today, it has broken boundaries and assumed the  toga of a catalyst for social change.  On Saturday, the LagosPhoto Festival, which is the first international art festival of photography in the country, will open at the Eko Hotel & Suites, Victoria Island, Lagos.

    This year’s festival, which will run till November 26, will feature 40 photographers from 21 countries across Africa, Europe and America. The month-long programme will feature exhibitions, workshops, artists’ presentations, discussions, screenings, and large- scale outdoor installations in congested public spaces in Lagos.

    LagosPhoto aims at providing a platform for the development and education on contemporary photography in Africa by establishing mentorship and cross-cultural collaborations with local and international artists.

    Other exhibition venues are Omenka Gallery; African Artists’ Foundation; Stranger Lagos; Goethe-Institut; Alliance Francaise, and Miliki. Outdoor exhibitions in Lagos include Muri Okunola Park (Victoria Island); Falomo Roundabout (Ikoyi); Beko Ransome Kuti Park (Antony); Awojobi Park (Onike); MKO Abiola Park (Ikeja), and Dolphin Park (Ikoyi).

    LagosPhoto presents photography as it is embodied in the exploration of historical and contemporary issues, the promotion of social programmes, and the reclaiming of public spaces. This year’s theme, Staging Reality, Documenting Fiction, examines contemporary photographers working in Africa, who negotiate the boundaries and relationships between photography, beliefs, and truths. Incorporating conceptual and performative strategies that expand traditional photographic practice, many contemporary artists working on the continent move beyond the confines of the photojournalistic gaze.

    At a sneak preview of the exhibits, the artists produce works that consider the complex social and political concerns that define a new Africa in the 21 Century, and they explore how the ubiquity of images plays a vital role in how reality is constructed and articulated.

    Utilising genres such as staged narratives, performance, appropriation, self-portraiture, and still life, the artists push the temporal and spatial boundaries of the photographic medium. In doing so, Staging Reality, Documenting Fiction considers how the artists imagine various futures and charter fictive worlds, using photography as a catalyst to investigate the changing realities of Africa today.

    The exhibiting photographers include Ade Adekola (Nigeria);  Laurence Aëgerter (France);  Leonce Raphael Agbodjelou (Benin);  Jenevieve Aken (Nigeria);  Seun Akisanmi (Nigeria);  Aisha Augie-Kuta (Nigeria);  Ricardo Cases (Spain);  Edson Chagas (Angola);  Kudzanai Chiurai (Zimbabwe);  Pierre-Christophe Gam (France/Cameroon);  Angélica Dass (Brazil);  Cristina de Middel (Spain);  Delphine Fawundu (Sierra Leone/USA); Glenna Gordon (USA);  Hassan Hajjaj (Morocco); Jacqueline Hassink (The Netherlands);  Nicolas Henry (France);  Jan Hoek (The Netherlands); Sam Hopkins (UK/Kenya);  Namsa Leuba (Switzerland/Guinea);  Lowe Cape Town (South Africa)  and Thomas Mailaender (France).

    Others are Dillon Marsh (South Africa); Jide Odukoya (Nigeria); Abraham Oghobase (Nigeria); Karl Ohiri and Riikka Kassinen (UK & Finland);  Bayo Omoboriowo (Nigeria); Zac Ové (UK/Trinidad);  Augustin Rebetez (Switzerland);  Viviane Sassen (The Netherlands);  Mary Sibande (South Africa); Anoek Steketee and Eefje Blankevoort (The Netherlands);  Sésu Tilley-Gyado (Nigeria);  Bénédicte Vanderreyd (Belgium); Karine Versluis (The Netherlands); Lorenzo Vitturi (Italy) and Hans Wilschut (The Netherlands).

    Through numerous collaborations, LagosPhoto continues to provide a platform for the improvement and progression of professional and emerging photographic talent in a comprehensive public programming initiative that includes workshops, artist presentations, and portfolio reviews facilitated by prominent local and international photographers.

    The festival is proudly sponsored by the Eko Hotel & Suites and Etisalat, in partnership with World Press Photo and the Archive of Modern Conflict. Supporters include Lagos Inland Revenue Service (LIRS), Lagos Signage and Advertising Agency (LASAA); Lagos State Park; Lagos State Ministry of Tourism and Culture; Lufthansa; Microsoft; Romarong; Pirelli; WINGS Magazine; PIXERS; Luxeria; Doculand; Pernod Ricard Nigeria; iREP; Universal Furniture; Goethe Institut; British Council, and Easy Taxi. LagosPhoto is additionally supported by the Ford Foundation.

  • Ubani is Face of Niger Delta

    Ubani is Face of Niger Delta

    Uyo, capital of Akwa Ibom State, stood still when some beautiful and delectable damsels from the nine states of the Niger Delta strutted the runway at Sheer Grace Arena, Uyo.

    The event was the grand finale of the Face of Niger Delta Cultural Pageant Season III.

    Mr. Elisha Attai, Jennifer Eliogu, Joseph Benjamin and Yinka Nathan were saddled with the herculean task of selecting the best and the brightest of them, who would be most befitting of the crown.

    Obed David and the Nollywood hopeful, Sedater, led guests and attendees through the programme for the event as comperes.

    The girls, who were in camp for about two weeks, had undergone rigorous drills, such as cooking contests, leadership mentoring, talent contests, physical and mental fitness tests, among several others.

    Cultural troupes from Abia, Akwa Ibom, Bayelsa, Cross Rivers, Delta, Edo, Imo, Ondo and Rivers states, the nine states of the oil rich Niger Delta region, took turns to thrill guests with their various brilliant and entertaining performances.

    Some indigenous music and comedy acts like Icekyd, Unik Brothers, David Daniels, Sexy Johnny, Fadabasi, Sir James and General Odey gave good accounts of themselves, proving that the region was endowed with talented youths.

    After the introductory outing of the  contestants, singer Jodie of the Kuchi Kuchi fame, who hails from the Niger Delta, took to the stage. She held the audience spellbound for about 30 minutes with her eclectic performance.

    The second outing was more tasking for the contestants, who were adorned in several royal traditional attires depicting women in authority from their respective states. They were made to explain, amidst cheers from the audience, the concept of their dressings and what each ornament signified.

    Their third and final outing featured flowing elegant evening dresses fashioned out from popular Niger Delta fabrics, and this time, the mental and intellectual skills and abilities of the contestants were put to test by the judges through various brain teasing questions and a special presentation on the topic  Towards the Niger Delta of our Dream.

    While the tension heightened and the girls waited backstage for the announcement of the winner of the contest, petite, but dynamic Chidima Ekile took the audience through  another electrifying musical performance. She undoubtedly did a great job at dousing the tensed atmosphere.

    Victoria Ubani, a 300-level student of Communication Arts at the University of Port Harcourt emerged the Face of Niger Delta 2014. She is from Abia State. Ms Ekemini Umoren of Akwa Ibom State and Sharon Ozuru of Rivers State were first and second runners-up.

    The winner was decorated by the Senior Manager of Youth, Culture, Sports and Women Affairs, NDDC Akwa Ibom, Mrs. Imabong while the key to a new Kia Rio 2014 car was presented to Ubani by the Special Assistant to the Managing Director, Niger Delta Development Commission (NDDC), Akwa Ibom on Youth and Culture, Mr. George Turner.

    Ms. Ubani smiled home with N1 million cash prize and an undisclosed monthly salary package for the duration of her reign with a leadership training trip to Sun City, South Africa.

    Turner, who represented his boss, Dan Abia, reiterated the commission’s commitment to supporting youth-oriented projects. He congratulated the Kelly Godwin Attah led Gold House Production team for organising a world-class event with the capacity to unite the people and foster peaceful coexistence among them, while also showcasing the region’s rich cultural heritage.

    The overjoyed beauty queen, who was overwhelmed and speechless, thanked the organisers amidst tears.

  • Filani heads Limcaf 2014 grand finale jury

    Renowned Nigerian scholar and artist Dr. Kunle Filani has been selected by the Board of the Life In My City Art Festival to head the committee of jurors for this year’s Life In My City Art Festival (LIMCAF).

    Other members include Dr. Ken Okoli, lecturer at the Ahmadu Bello University, Zaria, Dr. Helen. Uhunmwagho, Dean of the School of Art and Design, Federal Polytechnic Auchi,  Dr. George Odo of the Department of Fine and Applied Arts, University of Nigeria Nsukka and  Monsieur Jacques Montourcy of the Cultural arm of the Embassy of France in Nigeria.

    According to the Art Director of the festival Mr. Ayo Adewunmi, this is the second time in the history of the festival that the names of the jurors are being made public in advance as the Organising Committee believes that the integrity of the Festival’s processes is now secure and public confidence has been sufficiently established.

    The task of the committee is to select the top 25 works whose owners will be invited to Enugu to be part of the grand finale exhibition and the award night ceremonies.

    Adewumi stated that unlike previous years, the venue of the grand finale exhibition which opened on Monday was b at the exhibition hall of the Nigerian Gallery of Art, Enugu and not the Nike Lake Resort Hotel. “At the end of the exhibition, the top 25 works will be moved to the Nike Lake Resort Hotel, for the award night ceremony,” he added.

    He noted that this will impose extra strains on the committee members who will review some 130 finalists from the eleven zones of LIMCAF. He said that as always, the members will be under virtual quarantine from the moment they arrive Enugu on Thursday October 23 until they produce the winners and report to the audience on award night on October 25.

    “Our aim is to ensure that they work in serene concentration and high confidentiality throughout the judging process” Mr Adewunmi said. “My happiness is that from what I have seen, the committee will find that their period of confinement will be exciting and worthwhile even if strenuous, considering the great variety and high quality of entries from young people across Nigeria.”

    Filani who has been teaching art at the tertiary level since 1985 is currently an adjunct lecturer at the Institute of African Studies, University of Ibadan. A former Provost and Chief Executive of the Federal College of Education Osiele, Abeokuta he was a pioneering member of the Ona movement, which art genre he has helped to ensure its place in contemporary history. Filani initiated the “Best of Ife” exhibition series and is the president of Culture and Creative Arts Forum (CCAF) and a Fellow of the Society of Nigerian Artists (SNA) among others. Photo Africa exhibition and the Clam exhibition will open tomorrow Thursday, October 23 while the Clam Multimedia Workshop holds on Friday October 24.

  • ‘Walk the right path for growth’

    ‘Walk the right path for growth’

    After the lull a few years ago, this year’s annual Sobe Day anniversary n Edo State attracted an unprecedented turnout of indigenes, who described the event as their own ‘Xmas’, reports Assistant Editor (Arts) OZOLUA UHAKHEME.

    Call it the biggest feast in the community in recent time, you are right. Call it their own ‘Xmas’ or new year celebration, you are not wrong. That is what Sobe Day celebration means to most sons and daughters of the community who travelled from far and near to savour the cultural feast which holds every last week of September to commemorate the merger of Sobe with Edo State in 1991.

    The theme of this year’s Sobe Day anniversary was Democracy and Unity as Pivots of Sustainable Development.

    The four-day event featured Christian crusade, football tournament, cultural performances, street carnival, homage to the traditional ruler, free medical checks led by Dr. Martins Momoh, and an all-night party.

    As early as 8 am in the morning of Saturday, September 27,  all the participating groups and clubs took turns to pay homage to the traditional ruler of Sobe, His Royal Highness, Anthony Ero Aleburu 1, The Odibiado of Sobe Land. By mid-day, the carnival train had traversed the major streets and roads of the community, dancing and singing. A few hours later, the various groups – cultural troupes, women and children – defied the down pour and trooped out in larger numbers to celebrate their rich cultural heritage.

    From performing to singing, dancing and recital, the various groups thrilled the audience. Of the groups, the Ebira Cultural Troupe’s giant masquerader stood out as it was not only colourful, but dramatic in performances.

    The venue of the event was St. Eugene’s’ Playground, Sobe, and it attracted dignitaries such as the Chairman of Owan-West Local Government Council, Barrister Godwin Aigbodion; his Vice, Reginald Okun; His Royal Highness, Anthony Ero Aleburu 1, The Odibiado of Sobe Land; members of the Council of Chiefs; Bishop Pandit Sunday Oburekin; Special Senior Apostle Funso Oshoro; the interim Chairman, Sobe Development Association; Mr. Francis Uwaifo among other dignitaries.

    Aigbodion, who was accompanied by his Vice, Honourable Reginald Okun, the Councilor representing Sobe (Ward Eleven), Honourable Jimfred Obaidiku and other party chieftains, expressed disappointment over the lukewarm attitude exhibited by the Federal Government during the burial of one of the great sons of the town, the late Commissioner of Police, Pa Benedict Elide Odiase, (the Composer of the current National Anthem). He also condemned the slow pace of construction work at the Sobe–Sabogidda-Ora federal road by Picolo Construction Company, which has denied the community access to Sabongidda-Ora, the council headquarters, which can only be access through Ondo State. The delay in completion of the road project, it was gathered, may not be unconnected with the poor and irregular funding by federal government.

    He disclosed that the council has resolved to immotalise the late Pa Odiase by naming the newly built legislative block in the council after him (Pa Odiase). He said Sobe community will be duly informed of the commissioning date of the project.

    Impressed by the colourful event,Aigbodionsaid he never knew that the CSobe Day activities are so colourful and elaborate. He advised that henceforth, the community should involve the council as ‘it will willingly want to participate in the events.’

    The town’s monarch, Anthony Ero Aleburu 1, used the occasion to thank all sons and daughters of Sobe that have contributed to the success of the anniversary. The King, who was witnessing the event for the first time  since he  ascended the throne advised that security issue in the community should be a collective responsibility, which everyone should be fully involved in because it cannot be left in the hands of the police alone.

    The traditional ruler also thanked the state and the local governments for their developmental efforts in the community. He, however, called on the state government to facilitate the immediate take-off of the approved Area Customary Court in Sobe since the community has provided the building for the court.

    He lamented the lack of access to banking facilities in the council area following the closure of the Skye Bank Plc branch in the town.  He advised the management of the bank to review its decision on the closure as the community may be forced to ask them to ‘remove their properties from the land if they are not willing to use them.’

    Chairman of the occasion, Bishop  Oburekin sued for peace and unity among the people qouting Psalm 133 of the Holy Bible, which says: ‘Behold, how good and how pleasant it is for brethren to dwell together in unity …’ He said: “If we are walking the right path and we are willing to keep walking, eventually we will make progress.”

    He advised parents to encourage their children to speak Sobe dialect as it is fast facing extinction, noting that there is need to ‘preserve and promote our cultural heritage especially, the age group and other cultural troupes.’  On political issues, he urged leaders to play genuine politics without bitterness such that the people can enjoy the dividends of democracy.

    Life Patron, Sobe Development Association (Abuja Chapter) and sole financier of this year’s celebration, Mr. Funso Osoro, said the growing popularity of the annual event has made many Sobe indigenes outside the community to have positive attitudes towards the progress of the community.

    “Parents living in the cities have changed their old mindset towards the community to the extent that they now allow their children to attend the celebration unguided. In fact, it is as important to them as the Xmas and New Year celebrations,” he said.

    On the need to tie the celebration to developmental projects, Osoro noted that unfulfilled pledges by guests and friends of the community had in the past celebrations made launching of projects unrealisable. He however stressed that ‘nobody from outside can fix the community for us, we have to do it ourselves. So, launching that bring outsiders to make pledges will never do it. But, in subsequent celebration, we are considering projects such as grading of the major streets, fixing the street light and provision of portable water.’

    Osoro disclosed that the youth-based events such as folklore, beauty pageant and musical concert would be incorporated in future celebrations. This, he said, is to allow for effective youth participation for continuity sake.

    Interim Chairman, Sobe Development Association, Mr. Francis Uwaifo called on the state government to provide Sobe, which is a border town, with a standard Police Station to checkmate the increasing security challenges pose by criminals.

    “The government should also upgrade the three healthcare centers in the community to a General hospital.  The market in the town is over-crowded and deserves expansion. The Local Government Council should as a matter of urgency fence the proposed land for the new Main Market project and put in place the necessary machineries for its construction.”

    The event was not all about long speeches as the former president of the Performing Musicians Association of Nigeria (PMAN) Admiral Dele Abiodun and his band were on stage for an all night party.

  • Artistic fumes from Art of Friendship

    Abuja residents got a refreshing bouquet of art when the National Gallery of Art, Abuja, held its art exhibition tagged: Art of Friendship 2.

    It featured works by artists from Nigeria, Republic of Czech, France, Italy and Korea. The exhibition was held at the Federal Capital Teritory (FCT) Archives and History Bureau, Abuja, and it attracted an impressive crowd that included the Minister of Tourism, Culture and National Orientation, Chief Edem Duke, Director-General, National Gallery of Arts Abdullahi Muku, Ambassadors of participating countries and their Cultural Attachees, the management and staff of the gallery, artists and art lovers.

    There were 40 works on display comprising paintings, mix-media, drawing, sculpture and printmaking. Nigeria’s works for the exhibition were some of the best of the national collection with artists cutting across the six geo-political zones of the country, of different generations, schools, movements, training and styles.

    They included Kolade Oshinowo; Kunle Adeyemi; Jimoh Buraimoh; Olu Ajayi; Mufu Onifade; Monday Akhide; Mu’azu Sani; Abiola Idowu and Kaltume Gana. Artists from the Czech Republic were Boris Jirku and David Ledvinka, who according to Czech’s Ambassador, Pavel Mikes, are “representing two generations of contemporary Czech artists.” Czech visual arts have a long and famous tradition of glass sculpture. At the exhibition both artists presented paintings and pastel drawings respectively.

    The Republic of France featured Pascale Bigot, a French artist with special interest in mix-media, using pastel as a base, applying paper or fabric as a creative complement. According to the Ambassador of France to Nigeria Jacques Champagne de Labriolle, Bigot’s presentation in this exhibition “is a selection of figurative and landscapes of Provinces in the South of France.”

    The Republic of Italy had Isabella Catoni, who according the Ambassador of Italy to Nigeria, Fulvio Rustico, lives and works between Italy and Nigeria. It was gathered that Isabella only spent a year in Nigeria, but inspired by the rich and vibrant cultural scene which resulted in the series of paintings called I sell fish out of the sea.

    The Republic of Korea, otherwise known as South Korea, is the fifth of the countries with interesting and large number of participating artists only next to the host country, Nigeria. The South Korea featured 10 artists equipped with high sense of artistic exploration and experimentations. According to the South Korean Ambassador to Nigeria, Choi Jong-hyun, majority of the Korean artworks displayed, depicts the encounter between the East and West in the areas of techniques and materials applied in creating the works on display. There is this synthesis in the application of western pigments alongside Eastern coloration on traditional Korean mulberry paper called “hanji”. Other techniques used by the Korean artists include mosaic of stamped tiny seals such as the case of Kim Seung-hee’s Mt Namsam (2006), using  stone powder and creating images carved in high relief such as Lim Jong-doo’s Flying to the sky (2005) and Oh Jae-hoan’s Mountains and Rivers (2005).

    Apart from effectively representing their countries, all the artists through individual creative construction of forms produced works of art emitting artistic fumes made up of aesthetic vitality, pictorial sincerity and solidity, which could readily arouse visual attention. Their imageries are visibly modernistic, technically satisfying, humanistic in content and culturally revealing. One also commend the artists, especially the foreign participants for their ingenious manipulation of media as well as their unalloyed commitment to pursuance of technical excellence which definitely will help promote the much needed cultural exchanges and creative/artistic alliance among the five republics.

    According to Abdullahi Muku, the exhibition was a forum to use cultural fiestas to preach the message of peace while Ngozi John-Uyah, the Curator of the exhibition sees it as “a cultural conversation between five countries, from three continents speaking with one voice.”

    The National Gallery of Art (NGA),  which initiated the Nigeria Visual Arts World Tour (NIVATOR) in 2010, maintained and sustained platforms where Nigeria’s art collection are jointly exhibited with other foreign pieces in a single exposition. It is another dimension to NGA’s numerous platforms of showcasing, promoting and projecting the contemporary material culture in Nigeria.

    •Nnadozie, a painter, is the Curator National Gallery of Art, Lokoja.

  • Coffers of faith

    Worship to the unseen.

    Spiritual fray to the unclean.

    Reflected by praise and hymns.

    A disaster emerges within.

    In a colosseum of divinity.

    Hope and pray to the majesty.

    ill luck picked her day.

    To rain fire and brimstones all the way.

    Would there have been a secure venue.

    The shrewd craft of a believer.

    Weaved to everlasting existence.

    Crumbles built upon architectural elegance.

    Deaths upon deaths at the scene of a battlefield.

    Only but few can relate to this eulogy.

    We never died for once.

    The coffers of faith remains untouched.

    Written and edited by

  • Wash your hands  to save your life

    Wash your hands to save your life

    DespitE the containment of the Ebola Virus Disease (EVD) in the country, the Lagos State Commissioner for Education, Mrs Olayinka Oladunjoye, has urged Nigerians to continue the habit of frequent handwashing with soap.

    According to her, frequent handwashing with soap could prevent many communicable diseases. She added that clean hands save lives.

    She spoke while addressing  over 500 puils from four schools at Falomo Senior High School, to commemorate this year’s Global Handwashing Day.

    The event was organised by the United Nations Information Centre (UNIC) Lagos in collaboration with the Lagos State Government (LASG).

    To mark the day, 13 handwashing points including the one provided and donated by UNIC Lagos were put in place. The Senior Public Information Officer, UNIC Lagos, Envera Selimovic, noted that handwashing was not meant for the Global Handwashing Day alone, but should be done as many times as required every day.

    The ceremony  was witnessed by the Special Adviser to the Lagos State Governor on Public Health, Dr YewandeAdesina who explained in details the eight steps to washing hands and getting rid of germs.

    Dr Adesina urged the pupils to thoroughly follow the procedure of washing hands and to make sure they do not turn off the water tap with their already clean hands. She advised that wrist or elbow should be used.

    Afterwards, the Honourable Commissioner for Education led the dignitaries and students to wash hands in confirmation of the fact that ‘Clean hands save lives’

    The Tutor-General and Permanent Secretary for Education District III, Mr O.G. Olatunji, delivered the welcome address at the programme anchored by the National Information Officer of UNIC Lagos, Oluseyi Soremekun.