Category: Life – The Midweek Magazine

  • That the giver may not die

    That the giver may not die

    Kindness and giving come naturally to Mrs Motunlayo Adefunke Sofowote, founder/president, Glowing Channels’ Foundation. In the past 15 years, she has been providing succour for the less privileged. Now, the 67-year-old woman, who is battling with cervical cancer, needs help to live. RAYMOND MORDI reports that her friends are organising a photo exhibition to raise funds for her treatment.

    A photo exhibition is being put together to raise funds to save the live of Mrs. Motunlayo Adefunke Sofowote, founder/president of Glowing Channels Foundation, a non-profit organization that has been providing succour to the less privileged in the society in the last 15 years. The exhibition, which is taking place under the theme, ‘She Lives On’, would open on May 4, 2014, at Freedom Park, Broad Street, Lagos, at 4 pm prompt and would run for one week. It is being organized by a group known as ‘Mrs Adefunke Sofowote Cancer-Fighting Fund Team’.

    The woman has been critically ill since August last year and requires urgent financial assistance, to continue her treatment at the University Teaching Hospital, Lübeck (otherwise known as the UniversitatsKlinikum Schleswig-Holstein, UKSH), in the northern part of Germany, where she has been hospitalized. It was at the close of the year 2011, when she was preparing for her Glowing Channels Foundation annual charity concert, that she was diagnosed with cervical cancer, a deadly ailment that is said to be responsible for the death of one woman in every hour in Nigeria. As her treatment at the EKO Hospital, Ikeja, Lagos, progressed just before Christmas, she found that she was getting weaker.

    For a woman who has been very active over the past few decades, as a writer, motivational speaker, philanthropist and a regular volunteer in a number of activities in the upliftment of humanity, it was a telling sign to slow down or shut down. The one fondly called ‘Mummy Sofowote’ has since found herself in life-threatening situations repeatedly.

    She is currently receiving a series of medical treatment at the German hospital. Close friends and family have rallied round her so far, by constantly providing money to cater for her treatment. As a result, some measure of success has been achieved.

    But a bigger amount of money, which is far beyond the scope of what her immediate family and friends can afford, is now required. The turn that her medical treatment has taken since August last year has taken the capacity beyond the scope of her immediate family and friends. According to her husband, Mr. Segun Sofowote, the renowned dramatist, writer and veteran broadcaster, “Every session of treatment she undergoes costs the equivalent of well over a million naira. We need now N25 million to pay for her hospital bills, another N5 million to pay for her medications and prescriptions and another N5 million to take care of her living expenses in Germany.” The costs themselves are threatened by the fluctuating rates of the foreign exchange market.

    Mrs. Sofowote’s predicament is somewhat awkward. Not getting the required financial support at the right tie to continue her treatment seamlessly could be critical. She is being taken through a series of treatment regimes that would span over a long period of time. As a result, she is not expected back to Nigeria till about the end of next year.

    “The exhibition is a creative way of raising the necessary funds for her treatment,” Mr. Charles Ayo Dada noted. Mr. Dada is the coordinator of the exhibition. “The idea is to give back something to the patrons,” he added. In his view, those who would support the cause of this exhibition would come in different categories. In his words: “Those pictures have their own appeal, so there are those who would buy because they love art. But there are those who may be moved to give more than the cost of those pictures, if they see it as a fundraising activity. There would also be those who would buy because of the theme of the activity, particularly because they know the woman at the centre of it all and they want to identify with the project.”

    As a dedicated part-time photographer with longstanding experience, Mrs. Sofowote has quite a unique collection of photographs, out of which 40 have been selected for the exhibition. “We have had to go through a collection of photographs she had taken over the years, to select the ones we would put on display,” Dada noted.

    Mrs. Sofowote, 67, is a passionate giver. Every December since 1998 (with the exception of the last one), she has remained committed to her annual Glowing Channels concerts, primarily to give succour to the needy and provide wholesome entertainment for families. Over the years, the likes of Kayode Olajide, the late Benjamin Aderounmu (better known as Kokoro), Bright Chimezie (a.k.a. Okoro Junior), Therese D’Avila, superior soprano from Ivory Coast, and groups like Notes and Tones, Seye Aluko’s Sound Foundation and Professor Mosun Obidike’s The Symphonic Voice from Ibadan, Oyo State, have featured at the concert. Glowing Channels, the humanitarian organization, was inspired by the memory of the late Chief Adeyemi Olusola Lawson, to revamp wholesome entertainment for the spiritual upliftment of people, as well as a vehicle to raise funds for the succour of the less-privileged in society.

    As those who know her very well would readily attest, Mrs. Adefunke Sofowote is a warm, modest and elegant woman. As a writer, she provides rare insights. “I’m motivated to write from the deep well and wealth inside of me,” she told this writer after the launching of her fourth book, ‘366 Days of Soulful Planting’ in May 2009.

  • ‘Harness women’s potential for development’

    ‘Harness women’s potential for development’

    A Non-Governmental Organisation (NGO), the Women’s Optimum Development Foundation (wodef), has urged leaders to harness the potential of women for social development. The group held a Rare Gems Award ceremony in Lagos. Evelyn Osagie reports.

    The role of women in nation-building was a major concern at the Rare Gems award organised by the Women’s Optimum Development Foundation, (wodef), a non-governmental organisation, that focuses on women empowerment and economic development.

    The event, which was held at the Sam Shonibare Community Centre in Lagos, was used to celebrate individuals who have impacted on their communities.

    For Nigeria to meet up with expectations of the Millennium Development Goals (MDG), leaders were urged to take advantage of the potential of women to bring about change. wodef National Coordinator and ace broadcaster Mrs Bimbo Oloyede described women as “change agents” that are essential key to achieving “equality and progress”, which was UN Women’s theme for 2014.

    With the theme, Women As Peacemakers,she condemned the killings in the northern part of the country in addition violent against women across the globe, describing such inhuman acts as “senseless and inhuman”.

    She said: “Let’s spare a thought for women around the world who are challenged with fear, poverty and hunger, whose children cannot determine their fate or future. We must also turn our minds to the children of of Buni Yadi in Yobe State and other children and women whose lives have been cut short by senseless violence and I ask you to stand in their honour because that is the least we can do.”

    Mrs Oloyede said the efforts of the women should be backed up by that of the youth. While charging them to be involved in the quest for the changeand progress,she urged that theypay more attention to current happenings. “We must therefore encourage young people to key into post 2015 gender concerns by engaging them in various activities that expose them to development initiatives in Nigeria.

    “They also confront factors with which their contemporaries contend daily in other parts of the country and indeed other parts of the world. In addition, this is a very potent way of not only bringing public attention to the Millennium Development Goals but also to the individuals that promote and actualise them,”she said.

    To encourage youths, she said, WODEF chose to involve the pupils selected from 16 public, military, missionary and private schools in the nomination process of the rare gem awards.

    She said: “Our strategy is to involve them directly in the Rare Gems project which WODEF has been organised nine times since the year 2000 and through which 85 awards have already been presented to those who have impacted on their communities.

    “Eight schools were asked to create original presentations based on each the MDGs and our stated theme, while the other eight were each given a list of 10 criteria and asked to research and nominate a total of three women, men or organisations for awards in specific areas, also relating their findings to the achievement of the millennium development goals in Nigeria. The list of 24 nominees was presented to the judges who were given the criteria to study prior to choosing the final eight winners.”

    This aspect of the project, according to Mrs Oloyede, started last November during the 16 Days of Activism Against Gender Violence.

    The recipients included: Rochas Foundation (Imo/Abuja); Hajia Salamatu Garba of Women Farmers Adancement Network (Kano); Dorothy Esangbedo (Lagos); Mrs Grace Omotosho (Lagos); Action Health Incorporated (Lagos); Mrs Joanna Maduka (Lagos); Mr Rotimi Olawale (Abuja).

  • Church holds concert in UNILAG

    The Breath of Life Ministry will hold a musical concert on April 13 at the University of Lagos (UNILAG) main auditorium. The theme of the programme is UNILAG Mega Praise Summit/ Gospel Swagger. The morning session will run between 9:00 to 11:30 am and the evening between 3:00 to 8:00pm. The programme will feature song ministration, instrumental performance, dance, comedy and preaching.

     

  • Royal tunes for the legend

    Royal tunes for the legend

    Title: ORANMIYAN: WHAT IS IN A NAME?:

    Osile, Oke – Ona, Egba’s Involvement.

    Author: Oba Adedapo Adewale Tejuoso

    Page: 212

    Publisher: Pumark Nigeria limited

    Reviewer: Qasim Olalere Akinreti

     

    In Yoruba mythology, a name is given to symbolise circumstances of birth in a home, posterity, sense of character and projection into the future. The author, Oba Adedapo Adewale Tejuoso, added Oranmiyan to his coronation title, and the governor of Osun State, Ogbeni Rauf Adesoji Aregbesola, heralded his political prowess with the name Oranmiyan. Both leaders today have changed the course of history, adding value to lives of the people in their respective domain. And that is the premise on which this historical book will radiate. The word Oranmiyan and Oranyan are used interchangeably to underscore the intonation of the Yoruba dialect of undiluted Oyo and others forms of Yoruba language. It also reinforces the connection of both Oyo and Ile Ife to the story line.

    The 212-page book is divided into two main chapters. The origin of the Yoruba and Egba roots traced. Appendix takes major segments of the book providing basis for the authenticity of the Oba Adedapo Tejuoso, the Osile Oke Ona’s storyline. Pointedly too, it acts as the major plank of the title of the book.

    The chapters are sub divided into the following headings, brief history of Oke – Ona Egba, Mythological Kings, Queen of Sheba, A Lesson for Yoruba Leaders from Yoruba history. Others are Oranmiyan Movement, Traditional Heritage, A Lesson from Japanese History, Nigerian Women Award, Biography of Chief Mrs Bisoye Tejuoso, A Brief Citation of Oba Dr Adedapo Tejuoso, and Photo Panorama.

    The heights of the book are locked in the sub headings on, Oranmiyan: Ile Ife Involvement, Oranmiyan: Oyo’s Involvement, Oranmiyan Oko’s Oke Ona Egba’s Involvement. The last part of the content are an extract from a book Omoluwabi, And the King Praise God and lastly, Kings’ Day of Praise.

    The book will go down in history as a compendium linking tradition and modernity to underscore the mythology surrounding the status of Oranmiyan in Yorubaland. Oranmiyan was the progenitor of the Oko, present day Oke Ona Egba, he reigned in Oko and moved the seat of government of Yorubaland there for a while, pages 37 and 179. The obelisk monument in Ile Ife had resemblance with the Washington monument obelisk.

    That the Alaafin of Oyo, Alake of Egba and Owa Obokun of Ijesaland and other major Obas in Yorubaland cannot properly be installed until the sword of state was brought from Ile Ife, page 50. 1903 landmark event on the clarification of 22 great obas wearing of beaded crown in Yorubaland finally put in perspective the authority of the Ooni of Ife , as the undisputed leader of Yoruba obas as well as the pre-eminence role of Ile Ife as the spiritual head of Yoruba nation, pages 71 to 78 makes an interesting read.

    The Yorubas link to the Middle East, precisely Egypt was noted by two distinct features, the writings on scroll in the Holy Bible in reference to the Egyptian writings of hieroglyphics page as well as “Ife Marble” sculptures and those seen in the Egyptian court of the British museum, pages 7, 8 and 46.

    It is noteworthy that this historical publication equally substantiated Oranmiyan as a king in Ile Ife, Oko in Egbaland, Oyo Ile, and Oyo Ajaka, with influence on the entire Oyo Empire in the days of yore. These claims support the efficacy of Reverend Johnson’s record on Yoruba history, pages 14 and 179. Pages 56 to 66 was an expose of the founders of Yoruba nation from Oduduwa, to Oranmiyan, the remarkable roles of Moremi, the two sons of Oranyan, Ajaka and Sango were exhaustively highlighted.

    Going by the analysis of the book, the Egba roots were traced to August 5 1830 when warriors and their families settled in Abeokuta under the Olumo rock.

    A lesson for Yoruba leaders from historical perspective is quite instructive for new crop of leaders, who must eschew bitterness and be united for the common good of the people, pages 86 to 88.

    The story of Oranmiyan movement revived by Rauf Aregbesola, the present governor of Osun State brought into the fore the achievement and focus of King Oranmiyan in Yoruba history . This consummate in the six -point agenda of the Oranmiyan group namely, banish hunger, poverty, unemployment, promote functional education, restoring healthy living and enhance communal peace and progress.

    The absolute love and commitment to a race by good leadership are great lessons the Yoruba land could learn from Japan, who had almost the same attributes with the Yoruba nation. With Yoruba people level of education and civilisation in all spheres, the author believes, his beloved race can make it.

    For his passionate love for her late mother , an industrialist per excellence, Oba Adedapo Tejuoso, the Osile Oke Ona Of Egba, devoted a chapter to eulogise his mother, the Iyalode of Egbaland, late Chief (Mrs.) Bisoye Tejuoso, the first woman industrialist in Nigeria, “…. an enterprising woman, wealthy in her modest form, respectable and living a comfortable life…” . If one had listened to the lyrics of evergreen songs of legendary Chief Ebenezer Obey in the 70’s, the apt description and contributions of Madam Tejuoso would be well appreciated on pages 102-109.

    To further justify the title of the book, the celebration of Oranmiyan festival brought into fore the cherished cultural heritage of an average Yoruba. Ooni of Ife, Oba Okunade Sijuade’s goodwill message on the celebration of Oranmiyan festival contextualised this essence “…..no one can celebrate Oranmiyan without reference and obeisance to the Opa Oranmiyan domiciled in Ile Ife, the source…the underpinnings of our civilisation, history and cultural heritage have been the tradition of tolerance, openness to new ideas, respect for ancient wisdom, intellectual pursuit and abhorrence of violence. The Yoruba people are loving testimony to the noble tradition of blending the old and the new.” (page 139-143). There lies the traditional heritage of the Yorubas of the South western Nigeria and beyond.

     

    Language

     

    The language is simple, fluid and self explanatory. It helps the reader to follow the sequence of historical facts and reinforce the authority of the author as a quintessential Yoruba Oba imbued with candour and grace of royalty.

    His use of proverbs, or local idioms of Yoruba Language, pieced with appropriate translation in English, enhanced the quality of the publication for children yet unborn to tap from Oba Adedapo Tejuoso’s, logical analysis and writing prowess. As a medical doctor and traditional ruler of note, he has surely raised the bar in contributing his quota to the literary world.

     

    Aesthetics

     

    Here, effective use of picture both coloured and white pictures to sign post and enhance the quality of the publication as historical reference piece.

    The opening coloured picture on the cover page lifted up the beauty of the book, while the relevant pictures therein confirme the uniqueness of the book. The quality of the print and lettering generally are commendable, makes the book pleasurable to read.

     

    Shortfalls

     

    The most prominent shortfalls of the book are arrangement of contents, the inclusions of invitation letters and award ceremonies. At best they could be edited for the usage of the book. The appendix at the opening pages and within the book should have come at the end of the chapters. The referencing does not follow the APA style.

     

    Recommendation

     

    For anyone genuinely interested in the authentic story of Yorubaland and the per-eminent role of Oranmiyan in annals of Yoruba, must get a copy of this book, read and digest the rich contents. It’s classical work of arts which generations of Nigerians and more importantly historians and researchers will find worthy of reading and suing for research work on Yoruba history.

     

  • ‘I can’t work without music’

    ‘I can’t work without music’

    How did your artistic journey begin, who inspired you to become an artist and who were your mentors?

    I specifically remember one occasion when I was very young, when my dad noticed that I was becoming more and more “visually expressive”, literally painting and drawing on the walls! So he sat me down and took a plain sheet of paper and we had our first art lesson. Right in front of me, with just a few strokes, I saw a horse and its rider manifest with pristine accuracy. From that moment on, I saw my dad in a different light and it continues till today. So you can say my Dad was the trigger that started my quest through art.

    With regards mentors, I must say a big thank you to Professor Abayomi Barber, who is one of the best cultivators of talent. His dedication to patience and ensuring students’ mastery of the core skills of art helped me find structure during a very unstable part of my creative journey. Part of what drives me is the power to create new things in a variety of ways.

    Does having a father who was a very successful artist put pressure on you?

    There is always the false expectation that the son of a great artist will be like his father. Unfortunately, yes there is pressure that comes from being compared to him. However, today there are fewer people who know him, much less link us together, until it is referenced either in my work or in a write-up. A very odd form of responsibility has arisen where, I have to also re-educate people about who he was.

    How do you begin your artistic process? How do you prepare for a new piece?

    Ah well! The first thing I usually do when I get that itch is to say a quick prayer and then play music. I cannot work without music: Randy Crawford, Maxwell, Marvin Gaye, Terence Trent D’arby, Jessie Ware, Asa, Ali Farka Toure, Enya are just a few of the people I’d have on my playlist. Then I write about what I want to create or how I feel, this allows me to put a more unbiased context to what I will eventually create. Then I make a small sketch, from then on its mixing colours and prepping surfaces. All this time spent allows me to fine tune my burst of creativity; eventually if I can “tame” it to some extent, then I can control and ultimately hone the energy to suit my vision.

    Was it hard to make the transition from fine art to photography?

    No it was not hard to branch out into photography. My Dad was a “closet” photographer same as my Grandfather. There were photographs taken everyday of almost every aspect of daily life so photography was second nature for every one in the Emokpae household. My sojourn into photography started simply because I needed references for my painting work. Initially I used magazine photos but it affected my work, because most of the models were white — and my paintings looked like black women with Caucasian features. Eventually I started taking photos myself and got hooked, and the rest is history. (PS, whatever pays the bills)

    How do you hope people respond to your work?

    Positively and with proper thought. It is not just about what you see, it is also about what you feel. Too many people do not allow themselves the pleasure of an experience for the sake of the experience and this limits how much we appreciate art. Before you say yes or no to something, THINK.

    How has your work evolved over the years? What prompted these changes?

    Over the years, I have gone from realist to romanticism, to surrealist, to expressionist and still I continue to venture. I cannot say for sure what prompts every one of these changes, however I know that each time I get restless in a medium or style it is driven by the sense that I have told this story before and I don’t need to re tell it, basically “on-to-the-next-one”.

    How could the Nigerian artistic environment be improved?

    We need funding and enlightenment. Funding in the sense that, too many artists are thinking laterally. They create only to survive; this simply means that if they become comfortable, they lose the edge that drove them initially. We need bursaries and grants to foster pure artistic pursuits devoid of the need for profit. Then we will see an age of true genius in the visual arts sector. Now what you see is that a lot of artists get stuck within a well paying rut for too long and they wind up creatively stagnant. The enlightenment comes with less encumbered artistic expression

    What advice do you have for young artists?

    Be patient and think – Why would I buy/approve of/like/enjoy what I’m about to create? How will I be remembered? Beyond these, have fun and don’t just focus on material gain.

  • Message of World Theatre Day 2014

    Wherever there is human society, the irrepressible spirit of performance manifests – Brett Bailey.

    Under trees in tiny villages, and on high tech stages in global metropolis; in school halls and in fields and in temples; in slums, in urban plazas, community centres and inner-city basements, people are drawn together to commune in the ephemeral theatrical worlds that we create to express our human complexity, our diversity, our vulnerability, in living flesh, and breath, and voice.

    We gather to weep and to remember; to laugh and to contemplate; to learn and to affirm and to imagine. To wonder at technical dexterity, and to incarnate gods. To catch our collective breath at our capacity for beauty and compassion and monstrosity. We come to be energised, and to be empowered. To celebrate the wealth of our various cultures and to dissolve the boundaries that divide us.

    Wherever there is human society, the irrepressible Spirit of Performance manifests. Born of community, it wears the masks and the costumes of our varied traditions. It harnesses our languages and rhythms and gestures, and clears a space in our midst. And we, the artists that work with this ancient spirit, feel compelled to channel it through our hearts, our ideas and our bodies to reveal our realities in all their mundanely and glittering mystery.

    But, in this era in which so many millions are struggling to survive, are suffering under oppressive regimes and predatory capitalism, are fleeing conflict and hardship; in which our privacy is invaded by secret services and our words are censored by intrusive governments; in which forests are being annihilated, species exterminated, and oceans poisoned: what do we feel compelled to reveal?

    In this world of unequal power, in which various hegemonic orders try to convince us that one nation, one race, one gender, one sexual preference, one religion, one ideology, one cultural framework is superior to all others, is it really defensible to insist that the arts should be unshackled from social agendas?

    Are we, the artists of arenas and stages, conforming to the sanitised demands of the market, or seizing the power that we have: to clear a space in the hearts and minds of society, to gather people around us, to inspire, enchant and inform, and to create a world of hope and open-hearted collaboration?

  • Teaching them how to fish

    Teaching them how to fish

    Senate Minority Whip Ganiyu Olanrewaju Solomon has empowered some youths to enable them set up their own businesses. The Senator’s gesture, says Lagos State All Progressives Congress (APC) Interim Chairman Chief Henry Ajomale, is a sad reminder of the nation’s empowerment crisis. Assistant Editor DADA ALADELOKUN reports.

    The event started on a convivial note. But suddenly, there was silence. The speaker’s voice quaked, as listeners nodded their heads. Chief Henry Ajomale, Interim Chairman of the All Progressives Congress (APC) in Lagos State, held the microphone, analysing what remains a pain in the hearts of many Nigerians.

    He struggled to contain his emotions as he bemoaned the fate of the 19 job seekers who died last month during the Nigerian Immigration Service (NIS).

    The Blue-Roof, popular events rendezvous at the sprawling LTV premises in Alausa, Ikeja, was filled. It was a moment for “the lucky ones” – numbering about 800 – who were being empowered with multi-million-naira equipment. The posture was a follow-up to their two-week training in diverse vocations, which was aimed at teaching them “how to fish.”

    The programme was sponsored by Senator Ganiyu Olanrewaju Solomon the Minority Whip of the Upper Chamber of the National Assembly, representing the Lagos West District. He did it in conjunction with the Federal Ministry of Youths and Sports.

    Exuding excitement, the youths donned branded T-shirts. With hearty praise-songs for their benefactor, they filled the roomy hall to capacity as early as 9 am, looking into the future with an air of assurance. At some locations in the hall was a spectacle: Loads of the expensive equipment that were later donated to them with take-off grants.

    Before Ajomale spoke, Solomon had told the gathering why he took the bold step to rescue the beneficiaries from the brink of despondency with the training that ended on February 25. “With the various skills acquired by the youth, they need not continue to worry their heads over the white-collar jobs that are not there. Besides the equipment, we are also giving them some stipends in bank drafts to help them start off without ado,” Solomon said, urging them to evince seriousness in their vocations.

    Sobriety gripped the gathering when he lamented the terrorism of joblessness in the country – especially among able-bodied youths. An unpleasant noise swept through the crowd in response to Solomon’s outburst over the ill-fated “NIS 19.” Thunderous sighs of agony and frustration shook the gathering. After a one-minute silence demanded by the senator for the repose of the late job seekers’ souls, he sought more commitment from both the government and other stakeholders in the fight against unemployment, which he warned, was becoming a major threat to lives and property in the land.

    Everyone rose in earth-shaking ovation for the lawmaker. APC chieftain Cardinal James Odunmbaku (Baba Eto); Mr Wale Raji, Permanent Secretary, Ministry of Commerce and Industry, who represented Governor Babatunde Fashola; Mrs Risikat Akiyode, who stood in for Fashola’s deputy, Mrs Adejoke Orelope-Adefulire; another APC leader, Bashorun Tajudeen Jaiyesimi; officials of the Federal Ministry of Youth and Sports, among other dignitaries, were not left out.

    Ajomale was effusive in Solomon’s praise for his thoughtful generosity, especially towards the beneficiaries. Urging them to make good use of the gesture, the politician said: “If you teach a person how to fish rather than giving him fish, you are eradicating poverty in his life. This is what our senator is doing and the Federal Government must imbibe it.”

    Fashola had kind words for the senator, saying of the empowerment: “This is a timely intervention in view of the rate of unemployment in the country today.” Orelope-Adefulire also lauded Solomon’s passion for the development of youths and women, adding: “This is a gesture that will complement government’s poverty-reduction efforts and socio-economic rebirth. This will certainly reduce crime rate.”

    The Coordinator, New Renewal Group (NRG), an influential political body in APC, Mr Abiodun Musa, stormed the LTV premises with one of his group’s branded vehicles – loaded with various souvenirs. “This man (Solomon) is not only an asset to his district; he has proved a treasure to our party by exemplifying what it stands for – compassion for the less-privileged. Giving is his life; it is one virtue that all of us, including you, must imbibe,” he told a group of some beneficiaries.

    Pleasant surprise was bold on the faces of the youth when Solomon and the dignitaries stepped out to present the equipment, certificates and the grants to them. On their lips was the tacit exclamation: “So, this can be true!”

    Mojeed Afiz who learned barbing got kits to start off; Abayomi Agbelega and Olamide Faniran smiled home with Bench Grinders; Jude Okoro, dish installation equipment, Halimat Adeleke, shoe-making machine, among others.

    A graduate of Sociology from the Lagos State University (LASU), Ibrahim Adisa, could not contain his joy. He was trained in barbing after his futile effort at securing a white-collar job. “I’m from Alimosho. Youths are the leaders of tomorrow but our government has not proved it to us. I believe posterity will remember the senator for this gesture. I know that soon, I will become an employer of labour,” he said.

    Rashidat Adigun, a graduate of the Lagos State Polytechnic (LASPOTECH), was trained in Make-up and Gele. She was happy that the senator fed them throughout the training while giving each of them N1,000 daily for transport. Heaping prayers on the lawmaker, she said: “I had looked for an opportunity to learn the vocation in many places, but they kept demanding about N100,000 form me, which I couldn’t afford. I thank God that GOS has done it for free.”

    Indeed, it was an outing that was generally adjudged a model in the concerted efforts to bail the nation out of the woods by building the economic base of the citizenry.

  • ‘Mbanefo, an asset to tourism industry’

    ‘Mbanefo, an asset to tourism industry’

    Abia State Governor, Chief Theodore Orji has commended President Goodluck Jonathan for appointing Mrs Sally Mbanefo as the Director-General Nigeria Tourism Development Corporation (NTDC), describing the act as ‘a patriotic fetching of an appropriate person to excavate and exhibit a goldmine for the benefit of the nation.’

    Governor Orji spoke last week when he received the Director-General in his office in Umuahia, Abia State. Mrs Mbanefo was accorded a rousing welcome at  the airport where she was received by the Deputy Governors of Abia State and Imo State, Chief Emeka Ananaba and Prince Eze Mbadumere. She was handed her over to Chief Uche Sunday Aja,  the chairman of Ukwa East Local Government.   Chief Aja led the NTDC train to Oganihu Women Hall where the community had gathered for a rousing reception for Mrs Mbanefo. “We are expecting in our midst  a lady of immense intelligent, a humble achiever, a go-getter, a woman who is showing to all that Nigerian women are not push over, a reasonable and responsible representative of President Jonathan.

    A woman who has within seven months as the DG  toured over 14 states which none of her predecessors in office ever did. A woman of great aura who is coming to Abia to help us market and promote our tourism sites so that we the people will make money and enjoy from the blessings which God Almighty has blessed us with in the state.”

    The Chairman of the Local Government, Chief Aja, commended her for the seriousness of purpose, which informed her coming to Abia State in general and his local government in particular. The people were pleased with the DG ‘for not staying in her plush office in Abuja and talking grammar of domestic tourism without venturing to see the places by herself. This has distinguished and sets her apart from the crowd of armchair DGs.

    “We are happy to see you. We are seeing the seriousness of purpose in you. We pray that God Almighty will see you through.”

    Mrs Mbanefo described the ceremony as wonderful and unexpected reception held in her honour. “I am also short of words. This reception and your kind words are not only appreciative pills but rejuvenating tonic to do more. I promise you to do all within my capacity to promote the tourism potentialities of this great country and this wonderful community.”

    The DG assured the people of her desire to assist in the promotion tourists sites in the state. “We are going to collaborate with the state government, members of the private sector and foreign investors to turn this great lake into a global tourism site,” she added.

    DG and her team also visited the War Museum and said: “Though these are reminiscences of our past which might be not too palatable, but the right efforts should be made in preserving for the generations yet unborn, our strides and struggle during the process of becoming a nation. Also, it showcases to the world the innate ingenuity of the vibrant people called Nigerians. We at NTDC will not shy away from our charter in ensuring the effective marketing and promotion of these sites.”

    Governor Orji said: “I have to thank you for not only identifying the tourism potentialities of Abia State but also coming personally with your team to visit the bastion of tourism in the Southeast. I have been monitoring your activities since your appointment and I can boldly say you are an asset to the tourism sector. You have raised the stake in that sector. We shall support without looking back.”

    The Governor assured the DG of immeasurable support for the

    DG and NTDC, saying “we are going to reinforce your efforts

    which are geared towards the mobilisation of the hidden tourism wealth of the nation. You have displayed within a little time, your sincerity of purpose and commitment to the mission of the Federal Government. We are not going to let you down. Thank for coming to Abia State. We appreciate you.“

  • Redemption of Africa (ll)

    Redemption of Africa (ll)

    (A review of Wole Soyinka’s Harmattan Haze on an African Spring)

    Politics of exclusion, intra and inter-country boundary problems, lust for power, warped ideology, etc. are identified as the heart of the crises plaguing the continent in the book. While underscoring the place of “strict adherence to democratic justice” in resolving most of the myriads of convulsions threatening the continent, the blind defence of these European-created boundaries of death certainly demand interrogation: “Is it truly in the interest of the occupants of that continent that the present boundaries are being consolidated, defended, held so inviolate that the population of the continent is routinely decimated, millions maimed and incapacitated for life, vast hectares of farm land rendered useless by liberally sown anti-personnel mines? Youths are robbed of their innocence and their humanity, as the continent becomes the corrupted playground of boy soldiers. In short, what price is worth paying for the illusion of boundaries and ‘sovereignty’?”

    To clear any misconception, the playwright-historian is not advocating the disintegration of the present nation entities. In fact, a proper interrogation could even lead to the opposite – amalgamation. The point is where such horrendous human conflict is traceable to this product of European fictioning, as in the case of Sudan, “Where this is seen clearly to be the case, and internal instability of a costly dimension evidently derives from such impositions, common sense urges that, at the very least, the basis for such amalgamations be revisited with a view to ascertaining where precisely lies the will of the people themselves, acting in freedom.”

    The criminality of the Janjaweed, under the banner of impunity, really troubled the human rights activist and he devoted a lot of attention to it. South Sudan eventually gained its independence after the publication of this book but then what does one make of the current internecine upheavals in the new country? I think the answer to the situation could be located in Soyinka’s lecture during his investiture as Awo Laureate on March 7, 2013: WINDING DOWN HISTORY: RELIGION AND NATION, POWER AND FREEDOM.

    One then comes to the conclusion that, whereas there are no absolutes in any propositions, it seems the path of “democratic justice” , as enunciated by the author, can be the best of all the alternatives as a way of restoring our humanity in Africa. The sanctity of the rule of law, constitutional provisions that safeguard the interest of minorities and entrenchment of democratic norms such as free and fair elections, all within the structures of government most suitable for different countries based on their cultural, economic and socio-political realities – federal, confederal or unitary. But admittedly, these can only be achieved through interrogation of the present in an atmosphere perfumed with burning passion for justice. Restructuring, either of the structures of government, forms of government or power relations, seems inevitable across the African continent.

    If I may add in passing; in Nigeria, for instance, the present unitary system disguised as federalism must be dumped without further ado. The aim of dividing the country into three regions, each with a regional council in 1947, according to the then governor of colonial Nigeria, Sir Arthur Richards, was “To create a political system… within which the diverse elements, may progress at varying speeds, amicably and smoothly, towards a more closely integrated economic, social and political unity, without sacrificing the principles and ideals in their divergent ways of life.” Inherent in this submission was federalism. Again at the Ibadan General Conference, preparatory to the promulgation of Macpherson Constitution of 1951, the question on the structure of Nigeria was asked: “Do we wish to see a fully centralised system with all legislative and executive powers concentrated at the centre, or do we wish to develop a federal system under which each different region of the country would exercise a measure of internal autonomy?” The London Conference of 1953 and Lagos Conference of 1954 that followed emphasised a full-blown federal constitution, which was later captured in the Lyttleton Constitution of 1954 and Independence Constitution of 1960… Now that history has come full circle in Nigeria, we need to return to the bequest of our founding fathers – federalism.

    In Harmattan Haze on an African Spring, Wole Soyinka (WS) also holds that the redemption of African spirituality, indeed, Africa and the world lies in the embrace of the doctrines of Orisa. “Thus, for all seekers after peace and security of true community, and the space of serenity that enables the quest after Truth… we urge yet again the simple path that was travelled from the soil of the Yoruba, across the Atlantic landmass to contiguous nations, across the hostile oceans to the edge of the world in the Americas – Go to the Orisa, learn from the Orisa, and be wise.”

    What WS presented in this book is an exegesis of Orisa worship. The Babalawo (traditional healer/diviner), the equivalent of a Bishop or Imam is “the wistful embodiment of all that is missing in the political life of a continent.” Ifa, the equivalent of Bible or Koran, according to WS, “emphasises for us the perpetual elasticity of knowledge. Ifa’s tenets are governed by a frank acknowledgment of the fact that the definition of Truth is a goal that is constantly being sought by humanity, that existence itself is a passage to ultimate truth, and that claimants to possession of the definitiveness of knowledge are, in fact, the greatest obstacles to the attainment of Truth.”

    He rejects the tag of paganism often placed on believers of Orisa by Christianity and Islam and cautioned that these traditional religions should not be conflated with cults. “The accommodative spirit of the Yoruba gods (Ogun, Esu, Oya, Sopona, Sango, etc) remains the eternal bequest to a world that is riven by the spirit of intolerance, of xenophobia and suspicion,” he submits.

    WS spoke of the “beneficent gods and their potencies, their curative and fortifying interventions…the combative, even malevolent, who can be invoked to work against the enemy,” citing the reference by a former head of state after a visit to Mandela in prison to the potency of these traditional powers: “Where is our egbe? Where is our onde? Where is our famed juju to take out these perpetrators of hideous injustice on our own soil?”

    Rightly or wrongly, the question cannot escape the attention of a reader, let alone a reviewer: Why did these traditional powers not work against the intruders, including their religions on the continent of Africa? The dramatist is a faithful of the Orisa but is he a worshiper in any shrine? This certainly is another conundrum.

    In summary, we cannot but agree with our erudite scholar that religion should be an evocation and constitute “the spice of life, not the trigger of strife.”

    The culture icon made a strong case for the efficacy and potency of traditional medicine, citing a haunting instance where the latter had come to the rescue of orthodox/western medicine. Harmattan Haze on an African Spring is a treasure trove, controversial to boot in some aspects.

    Finally, WS urged that the questioning of cultures and social norms within the concept of what is globally acceptable or fundamental human rights is a categorical imperative. Cultural relativism or respect for other cultures should be within such a context. You cannot say because in your own culture, the toe of the first born must be cut or that girls must not go to school, therefore I have to respect such.

    Of course, this lucubration cannot but contain some errors – the ritual every reviewer must perform. “African past and present” is given as “African past and presence” on page 19. Berlin Treaty of Partition of Africa took place in 1885, not 1881 as provided on page 50. “…is one of my favourite” should have been “favourites” on page 98; “it serves” is typed as “it serve” on page 196.

    Through the exploration in Harmattan Haze on an African Spring, Prof Wole Soyinka, my intellectual avatar, has once again reiterated the immensity and polyvalence of his knowledge. He has sown a seed on a fertile ground, which should sprout to produce “a new breed of explorers for the relay race towards a deeply craved Age of Universal Understanding – African inspired.”

     

    •Soyombo, a media practitioner, writes via densityshow@yahoo.com

     

  • East meets West documentary

    East meets West documentary

    ‘Crocodile in the Yangtze’ is a film that tells a story of how China’s first Internet entrepreneur and former English teacher, Jack Ma, battled US giant, ‘eBay’ to build China’s first global Internet Company, Alibaba Group. The “documemoir” written, directed and produced by an American,Porter Erisman, who worked in Ma’s company for eight years, Crocodile in the Yangtze captures the emotional ups and downs of life in a ‘Chinese Internet world’ between 1995 and 2009 when the Internet brought China face-to-face with the West.

    An english-language film, Crocodile in the Yangtze is a compilation of period footage shot in the 1990’s-2000’s in Hangzhou, China. Film editor, Giuseppe De Angelis spent hours in editing the footage into a comprehensive and smooth film drawing on 200 hours of archival footage filmed by over 35 sources.

    Erisman followed his heart to China and spent ten years living and working there. He worked as a Vice President at Alibaba.com and Alibaba Group in Hangzhou, China between 2000 and 2008. It is clear that from the film, Erisman was a truly integrated and respected member of the Alibaba family. In several scenes, he and Jack shared the glory of the developments that occured in the company.

    It is incredible to consider how this footage was captured in real-time and preserved, but according to Erisman, a camera was always rolling behind the scenes at Alibaba’s, even from the earliest days of the company’s formation. The film contains childhood photos of Ma as a small boy and his personal journey from English teacher to a global business leader. It also shows Erisman as a young boy in the US and later as a young adult in China, telling the story of what brought him to Alibaba and what caused him to want to stay.

    The story rolls forward on a double lane: Alibaba thrives in a time when social, economic and technological transformation are happening in China and the outside world watches Alibaba with a careful eye, finally realising its strength.

    In addition to behind-the-scenes footage, Erisman and De Angelis weaved in archival news coverage of reporters on Wall Street interviewing Ma and assessing his company to potential investors. It is interesting to watch the narrative about Alibaba’s change over time within the financial media.

    The film is more than an account of the history of a Chinese internet company. It gives a truly inside perspective on internal meetings and private conversations between Ma and his team, capturing the triumphs, but also repeated struggles to turn a profit.

    It mirrors how Ma led Alibaba to startup the business in a small apartment which later grew into a global company of more than 16,000 staff.

    One of Erisman’s goals in making this film was to inspire young entrepreneurs with a dream. As the film chronicles, Ma was originally trained as an English teacher, with no background in computer science or business. For that reason, his story is one about a simple man with a dream. That relatability makes this film accessible to everyone.

    Konga.com has hosted the technology business community to a special screening of the film documentary. Konga believes that 2014 will be a promising and rewarding year for the Nigerian technology and business eco-systems, not only because there will be growth, but because these sectors will provide solutions to Nigerians at large.