Category: Life – The Midweek Magazine

  • New perspectives on dynamics of leadership in Africa

    New perspectives on dynamics of leadership in Africa

    Title: Tomorrow’s leaders

    Author: Andrew Okhenoaghue Umoru

    Reviewer: Banji Ojewale

    Publisher: Blueshield Publishers

    Pagination: 124

    In 1983 Chinua Achebe, the ate Nigerian writer and critic, was a lone voice as he mourned the death and dearth of strategic leadership in his country. His intervention through the slim nonfiction, The Trouble with Nigeria, was mocked when it wielded the sledgehammer on Nigeria and argued that flailing leadership was primarily responsible for the country’s seasonal misery and crises. This eminent novelist of universal acclaim held that poor management of our enormous resources was the cauldron brewing the challenges besieging the land.

    But a great community of critics rose after reading the book to give their fellow critic a sarcastic riposte: the troubles with Nigeria were too complex to be dealt with so simplistically in a small book and by attributing them to one single origin.

    Now, 38 years after, what we discover is that Achebe was so awfully right. We missed his point; and this has been pushing us into avoidable pitfalls over the years.

    But, according to Andrew Umoru in his book, Tomorrow’s Leaders, we must go back to the grave issues of leadership in Nigeria and Africa or forever stay in the margins of development, our ginormous resources notwithstanding. He presents the case that your latent endowments, even if they seem inexhaustible, are helpless, hopeless and hapless, in the hands of incompetent overseers. Umoru says these bestowals may be natural or created through human or technological feats. Yet, they will remain in a state of inertia until effective and what he calls, strategic leadership, arouses them.

    Umoru writes:’’ The vast human and material resources and opportunities in the continent (of Africa) require leadership to manage into the success we all desire. With good leadership, Africa can rise beyond imagination and join the comity of nations regarded as the economic superpowers today…A continent that has the most endowed and fertile lands of our world and the richest continent on earth in terms of natural resources has become so damaged through bad leadership that the world is wondering what’s going on there…What Africa needs right now is charismatic, conscientious and visionary, young and agile leadership to…bring development in every sector.’’

    Here, Umoru drops out of the crowd. If he has all along joined in the singsong of leadership as the missing link, his book now offers a paradigm shift. Our quest for meaningful and result-delivering superintendents, he insists, must go past the present. Society must have its feet in today and cast its sights in tomorrow. What he proposes is a comprehensive picture that draws the youngsters into the net of operations. Hitherto, it had been a succession of sluggish and senile sets of the oldies recycling themselves all over the continent.

    ‘’We can’t afford to export this deadly and unhelpful leadership style into the future, according to Leaders of Tomorrow. Its author asserts, ‘’The best way to predict the future is to create it,’’ quoting America’s Civil War President Abraham Lincoln. And the ideal way to go is to give the youth encompassing empowerment.

    ‘’Although there isn’t any chapter wholly dedicated to the youth in the six-chapter book, the entire work is a discourse on innovative and dynamic leadership which the jaded can’t give. Andrew Umoru would therefore agree with the English philosopher, Francis Bacon (1561-1626), who declared: ’’Young men are fitter to invent than to judge, fitter for execution than for counsel, and fitter for new projects than for settled business.’’

    The book’s plunge into various leadership models derived from classical principles and other spheres of human activities like literature, sports, history, military, religion, commerce, politics, culture etc. reveals the catholic mind of the author. So the reader will find references to such celebrated names as Alex Ferguson (sports), Wole Soyinka (literature), Winston Churchill (military history), Steve Jobs (innovation), to establish the point that good leadership must deliver results in order to receive applause and move society into the future.

    The one thousand and one management theories Andrew Umoru advances have been described as ‘’the management theory jungle’’. But, ironically, the author himself thickens the forest with a bigger tome. Thus this small book has become a massive heuristic fortress of facts and figures to be foraged by the true seeker of acceptable models of creative leadership. You emerge from its labyrinth desiring to know more.

    Despite these pluses, the book hasn’t been able to shut out the printer’s devil: he was given too much freedom to cause a lot of spelling and grammatical mishaps.

  • Strengthening Nigeria-China cultural relations

    Strengthening Nigeria-China cultural relations

    The socio-cultural affinities between China and Nigeria took centre stage at this year’s Chinese New Year Festival held at Oriental Hotel in Lagos. No fewer than nine performances by Nigerian students, including those from Bethesda Home for the Blind, Surulere, Lagos, Kilmore Catholic School, Amukoko and Onward School, thrilled the audience to impressive dancing, singing and drumming sessions, Assistant Editor (Arts) OZOLUA UHAKHEME reports.

    Director-General National Council for Arts and Culture (NCAC), Otunba Segun Runsewe has urged Federal Government to activate the Nigerian Cultural Centres in Beijing and Nanjing in China to promote cultural ties between the two countries. He also called on both countries to sign a Memorandum of Understanding (MoU) on the repatriation and safeguarding of Nigeria’s artefacts in foreign countries and international borders.

    Runsewe who spoke on Promoting friendship between China and Nigeria: benefits, challenges and the way forward/expectations, at the celebration of the 2022 Olympic Winter Games Beijing and Chinese New Year tagged: One World, One Spring, Huaxing Shines: Sharing Love Endlessly last week, said Nigeria-China relations need to be boosted by adopting various innovative strategies that will enrich a win-win cooperation between the two countries. He said that organising regular cultural troupe/performances and exhibition among the two countries, especially as Nigeria and China share same date of independence anniversary. This, he said, will be expedient for proper utilisation of the Independence Day through cultural programmes such as festivals.

    The NCAC boss and others were honoured at the festival with award in recognition of their contributions to strengthening the bilateral relationship between Nigeria and China.

    “There should be improvement of citizenry perception/relation of both countries through deliberate policies, organising collaborative programmes, public relations and other campaign platforms to allay fear and suspicion especially as it concerns racism and accommodation of Nigerian NGOs to interface with that of the Chinese.

    “There should be transparency in the signing of Memorandum of Understanding (MoU) between the two countries in areas of funding and other collaborative ventures. There is also the need to create more centres to promote the teaching and learning of Nigerian and Chinese languages,” he said.

    Runsewe said collaborating with the Chinese government to create a world class Nigeria-China resort will enhance tourism and national development. He praised the People’s Republic of China for their unequalled contributions toward the growth of the bilateral relations between the two countries, adding that Nigeria-China relations needed to be enhanced by adopting various innovative strategies that would encourage cooperation between the two countries.

    Transfer of technology in all facets of national development, according to him, is very crucial especially to the Nigerian creative industry. He noted that Nigeria, being an agrarian country, efforts should be made by the Chinese government and industrialists to develop the Nigerian textile industry, mechanised farming and other artisan products. He, therefore, called for the expansion of technical aids as support to medium and small scale industries to energise the Nigerian economy, but added that considering its economic power and population figure, China is to Asia what Nigeria is to Africa.

    Information and Culture Minister, Alhaji Lai Mohammed said that Nigeria has proven to be the largest market for China’s industrial products in Africa such as textile and pharmaceuticals. This, he said, accounts for over a third of China total trade with West African countries. The minister, who was represented by the Director-General, Centre for Black and African Arts and Civilisation (CBAAC), Hon. Oluwabunmi Ayobami Amao, spoke on Promoting friendship between China and Nigeria: benefits, challenges and the way forward/expectations.

    He stated that Nigeria has been benefiting from China’s financial and technical assistance in the development of its infrastructures, while China has tapped into Nigeria’s oil and gas sector to fuel its growing industry.

    “It is believed that Nigeria-China trade moved from about 1.8 billion dollars in 2003 to 13.5 billion dollars in 2018. In this process, more Nigerians have equally established business and other relationships in China. Going by indices at the level of economic relations, the volume of bilateral trade between the two countries have been valued at over 50billion dollars in the last three years. There are about 218 Chinese companies in Nigeria and are all actively engaged in the various sectors of the economy.”

    According to the minister, one major area of the Chinese strategic relationship with Nigeria is the building of rail infrastructure, which is gradually positioning Nigeria as a modern economy with infrastructural foundation. He noted that Nigeria has also benefited from a number of Belt and Road Initiative projects, which includes the Abuja/Kaduna standard gauge rail line linking the nation’s capital Abuja to Kaduna, the Lagos /Ibadan standard gauge rail line linking Lagos to Ibadan and the Lagos/Kano railway, which is an ambitious project connecting the two most populous cities in Southern and Northern Nigeria.

    He noted that both Nigeria and China are on an enduring relationship that is daily blossoming and growing to a huge bilateral synergy built on strong mutual benefits. “China’s investment in Africa and by extension Nigeria is phenomenal and has over time progressively transformed into Africa’s largest trading partner surpassing traditional partners such as Europe and the United States of America. As it is, there is need for concerted efforts by both countries to ensure that gains of the friendship that have been recorded continue to blossom,” he added.

    He disclosed that the Federal Government is fully committed to ensuring that culture is properly harnessed to contribute its quota in promoting friendship and cooperation between China and Nigeria. He stated that the Centre for Black and African Arts and Civilisation (CBAAC) has begun preparation to commemorate the 45th anniversary of Second World Black and African Festival of Arts and Culture (FESTAC 77).

    The minister stated that FESTAC 77 @45 is designed to be a weeklong event packaged with activities to showcase diverse cultural expressions and entertainment which include music, dance, poetry, folklore, drama, traditional cuisines/food fair, art and crafts exhibitions, cultural variety night among.

    “This would afford artists and culture practitioners on the African Continent and the Diaspora as well as other countries of the world the platform to promote and encourage their diverse creative expressions, elements, products, and art forms. We have since commenced the preparation with a number of stakeholders including UNESCO, the African Union Commission and its member states,” he added, urging the Chinese government and community to be part of the festival and cement bonds of friendship existing between Nigeria and China.

    He noted that people-to-people and cultural exchanges between Nigeria and China are still areas with huge untapped potential.

    “There is a need to develop and tap this cooperation’s potential. Nigeria and China need to broaden cultural and people-to-people exchanges to deepen their traditional friendship.

    “The two countries need to take into consideration the growing enthusiasm of their people for interactions. We must encourage friendly exchanges in education, culture, health, science and technology, media and other fields and increase people-to-people exchanges to cement the social foundation for China-Nigeria friendship.China and Nigeria must make use of the platforms to increase mutual visits by central and local governments, art troupes, academic groups and other exchanges at all levels and in all fields,” Mohammed said.

    ACP Chioma Ajunwa, Nigeria’s Olympic gold medalist, urged Nigeria to be committed to its development plans the same way China has demonstrated, hoping that Nigeria will learn from the bilateral relations between the two countries.

    Some of the performances included Lion dance, Otigba cultural dance, Kung fu fan, Together for a shared future, Atilogwu dance, Boundless love, Unforgettable tonight and My nine villages. 

  • Homage to Barber

    Homage to Barber

    A Septuagenarian sculptor and retired civil servant from the Lagos State Civil Service, Akinlawon Soremekun, has extoled the virtues of the late Prof Abayomi Barber who passed on last December at the age of 93.

    He expressed this in his latest work – bust of the late nonagenarian, which he crafted to commemorate the artist he described as the father of Nigeria’s modern art. Soremekun likened the late Barber to fallen iroko tree that can never be replaced noting that the late Professor is best celebrated now that his death is fresh and also for the need to tell the younger generation who the late painter was.

    In statement issued in commemoration of the late ‘doyen’ of Nigerian art Soremekun said the late Prof. Barber will be remembered for adding “immeasurable values” to the world of painters and artists alike, noting that he built capacity in the field touching lives wherever he sojourned.

    Soremekun noted that the late Prof Barber was renowned among his contemporaries and art school describing him as an erudite modern art figure in Nigeria as he was best known for the application of naturalism and surrealism methods in his art works. Soremekun who has crafted prominent Nigerians including the 1986 Nobel laureate winner, Professor Wole Soyinka, the late Yusuf Grillo said the late Barber influenced his life positively as a sculptor saying, his style of modeling was a ‘second to none.’ “I was influenced by his style of modeling when I saw his sculpture (busts) on Chief Obafemi Awolowo and Muritala Muhammed. He visited Yaba College of Technology studio in the 70’s and demonstrated how to model a bust to sculpture students. Prof Barber influenced so many young artists, to be creative, and work details into their paintings and sculptures.

    “He was a complete gentleman, an encyclopedia and a teacher in the world of sculptural arts. We shall miss his fatherly roles while we cherish his footprint in the sand of time. He impacted our world and we shall never forget him. May his gentle soul rest in the bosom of his creator,” he added.

    Born October 23, 1928, Prof Baber died December 26, 2021. Until his death, he was the mentor of the Abayomi Barber Art School, Lagos. Some of his signature works include life sized busts of former Nigerian president, Murtala Mohammed, the late Ooni of Ile-Ife, Adesoji Aderemi and his oil painting of the late President, Shehu Shagari.

  • ‘There is life after prison’

    ‘There is life after prison’

    Escape from Prison’, a new book to empower people towards nation-building has been unveiled in Abuja.

    Written by a Social Entrepreneur and Life Coach, Bashiru Adamu, the book seeks to help people come to that place of mental freedom and intentionality towards their purpose, goals and aspirations, irrespective of what they have been through.

    Adamu, who is the founder of  Dream Again Prison and Youth Foundation, said ‘Escape from Prison’ is a life-transforming book based on a true-life story to empower both young and old people become productive members of the society towards nation-building.

    Adamu said his wealth of experience  working in Nigerian Prisons, inspired him to write the book, adding that it was also his way to contribute his quota to the society.

    He said the book speaks to both those trapped in mental prisons and those in physical prisons.

    Escape from Prison, is a book about patriotism and nation-building. The book is about seeing a problem and creating a simple innovative and sustainable solution to it. Everyone is gifted with potential and is surrounded by great opportunities, but, due to self-imposed or societally imposed prisons, many are frustrated and limited, thereby living their lives on the irritation of being forced into settling for less instead of owning the responsibility of influencing their outcome on structured choice.”

    According to him, his intention was to let people know and believe that they all have purpose and potentials, and can live their lives to the fullest irrespective of whatever prisons that bound or still bind them.

    He said the book is out there to give many people the boost, energy and enthusiasm to own and learn how to share their stories in the most empowering way.

    “I  want people to experience the freedom and beauty of living their dreams and the possibilities that lie therein. This book is my true-life story of setting up a library in Otukpo Prison in Benue State, as part of my community development service during my National Youth Service Corps programme in 2012, which granted me access to Zimbabwe’s first billionaire in the United Kingdom, Dr. Strive Masiyiwa, a man who gave me the opportunity of an all-expense-paid five-week internship in his organisation Econet, located in Harare Zimbabwe.

    “The library I set up in  Otukpo Prison has now grown into a non-profit organisation called Dream Again Prison and Youth Foundation. The non-governmental organisation works to curb recidivism by empowering incarcerated inmates to utilise their time and energy to add value to themselves towards becoming productive members of society when released. From a single prison in Otukpo, Benue State to six more prisons in Kirikiri Medium Custodian Centre, Kuje in Abuja and Medium-Security Custodian Centre Kaduna.”

    Adamu said he wrote this book to serve humanity with hope, especially for people in Africa, adding that the book contains success stories of people with whom his NGO worked with and who now have a better life post-incarceration.

    He said: “In the book are success stories of people whom the NGO worked with while in prison but now have a successful life after prison. I shared my story ofbacks, lack, vision support and milestones in a simple but most compelling way that will give the readers hope, inspiration and the knowledge of how to create a sustainable social change in the space they choose to work and walk.”

    Adamu urged inmates never to allow their experience in prison nor what made them get into prison to discourage them from living their full potentials.

    He thanked the Government through the Nigeria Correctional Service for partnering with NGOs like Dream Again Prison and Youth Foundation, and some faith-based organizations in the reformation and effective social reintegration of offenders.

    He said the government must work very hard in reviewing the welfare packages of the wardens to motivate them to be effective on the job, adding that staff training, housing, salary and equipment for the job should be properly looked into.

    “The Judiciary arm of government will also need to revamp their approach with cutting edge technology towards offering speedy trials to decongest the correctional centres, and government should work on putting up a good support system for ex-convicts especially those who are found innocent after years in incarceration. Reformation is not just the work of the government; all hands must be on deck towards making our society safe and better for all,” he said.

     

     

  • ‘Let’s occupy our minds with ideas in books’

    ‘Let’s occupy our minds with ideas in books’

    One year after he opened his first outlet at the Sheraton Hotel, Abuja, Engr. Anthony Akpokene opened another Flomat Books Ltd outlet at the Departure Hall of Asaba International Airport, Asaba, Delta State capital recently. Guests at the event included Bishop Mogekwu, Bishop Mighty Okonkwo, Dr. (Mrs.) Augusta Ogbene, Dr. (Mrs.) Elohor Odiase Dr. Ogaga Ifowodo, Mr. Anote Ajeluorou, Mr. Jerry Edo, Mr. Tietie, and Mr. Maxwell Chiejina Ajufo.

    Chairman of the event, Mr. Joshua Egube, lauded the noble vision of Akpokene in setting up a bookshop at a vantage point like the Asaba Airport. According to him, ‘books are central to everything in our lives. Whatever book you want, Flomat Books can make them available for you on request. He’s ready to import books and serve whoever needs them. Akpokene helped in setting up Scripture Union in Asaba and it’s doing very well.’

    Mr. Akpokene stressed the importance of books and the education they bring to a people in liberating their minds from premordial instincts that easily disrupt society and cause anarchy.

    ‘’I am glad to welcome you to the opening ceremony of Flomat Books Ltd stand here at Asaba International Airport at the Departure Hall. Today,  January 16, 2022 is a remarkable day and I want all of us to note this  in our diaries. It’s a remarkable day in this airport, the city of Asaba, and Delta State. Why is it remarkable? I will always say that education is key to the development of a people; they say if you want to hide anything from the black man put it in a book. Why? Because the treasure is in the book, but the black man will not read it,’’ he said.

    The CEO enumerated the kinds of books in stock, saying travellers have an array to choose from to enrich their reading experience.

    ‘’Before you are books of all kinds: Leadership, Management, Motivational, Economics, Finance, Optometry, Pharmacology, Nursing, all kinds of books both academics and religious. And we have Bibles. Talking about Bibles, I just want to talk about two bibles here that are unique to the African setting. The first one is called the African Study Bible, which I was part of those who started the initial discussion about 10 to 11 years ago and I’m so glad that I can see the bible today. It came out recently and they sent me a few copies, because I was part of those who discussed the need for an African Bible,” he added.

    Akpokene said his modern bookshop which occupies a space of three-square metres, has the kind of knowledge and value of books that are priceless, and enjoined travellers to buy directly, requests for books they want or order online through WhatsApp, Facebook, etc, channels, adding, ‘’We hope that this is the beginning of greater things for Delta State in particular and Nigeria in general because this is a breath of fresh air.

    Poet and lawyer, Ifowodo lent his weight behind the new bookshop, saying books are agents of ideas that travel widely to meet those who may never leave home.

    ‘’In fact,  any time ideas are involved, any time there’s the matter of the mind and how to better our society is involved, Tony is there,’’ he said.

    Ajeluorou commended Akpokene for his vision in opening a bookshop outlet at the Asaba airport saying it would enable travellers have easy access to books. He said there is a book famine in the country that needs to be fed through what Akpokene is doing by establishing bookshops across the country. He debunked the notion that Nigerians don’t read, saying instead that books were not available for those who want to read. Akpokene, he said, is an  example of a man with a burning desire to bridge the gap in the demand and supply end of books to meet the reading needs of Nigerians.

    He called on Governor Ifeanyi Okowa-led administration in Delta State to urgently fix all the state-owned libraries that have been abandoned, with some already collapsed due to neglect. He wondered why the state library branch at Ozoro had remained in such deplorable state well over 10 years now since it collapsed. Ajeluorou said libraries were an important aspect of education and culture, especially in an era when books are so expensive and well out of the reach of most parents who can’t afford them for their children and wards. Libraries, he added, are cultural melting points where young people pursue their dreams of being educated.

    He later performed a poem from a forthcoming anthology of poems The Undying Spirit entitled Flames of Olomoro, which draws attention to the deplorable activities of oil companies that still flare gases in communities in the Niger Delta region.

     

  • I escaped death nine times, says Ekpo

    I escaped death nine times, says Ekpo

    Akwa Ibom Deputy Governor Moses Ekpo turned 80 recently. The veteran journalist with a knack for successfully navigating whichever sphere he finds himself, has moved from journalism to the fight against indiscipline, copyright theft, politics, becoming a deputy governor. In this interview with EVELYN OSAGIE, Ekpo recounts his experience, his voyage into journalism battles and exploits.

     

    The feeling of being 80

    It feels young to be 80 because when you are young you appear to be vibrant. And if you get to 80 and God still gives you the ability to be vibrant, you’d feel as young as you were many years ago. I thank God that he has given me robust health all my life. There is no record except probably when I was a child that I spent one day in the hospital. So, that is to God’s glory. The theme of my birthday celebration is ‘Celebrating  God’s favours’. And they are numerous in my life.

    Influence of my background on the man I became

    I come from a very humble background. I didn’t come from a family that could be spoken of in any form other than the rustic village people of my little village of Ikot Obiodo in Abak. My parents were not very rich but they were very rich in heart. I didn’t find them famous but they made their contributions in the little churches that they served and the community that they served.

    My primary and secondary schools education were in the village – then Government School Abak and Holy Family College (Catholic school which I think has also shaped my entire life).

    In other words, I came from a family that totally believed in God – that with Him everything is possible. I came from a background that cherishes a good name, what my parents used to tell me was ‘You must maintain the name of this family’. And I’ve tried to do so. So, I don’t mess it up. These are the things that provide joy for me at all times.

    And then, I had an opportunity to embrace this profession, the ‘journalism profession’. I think from secondary school in what we call essay and composition writing. I think I translated that into making reports which the principal found useful to be put on the notice board. I was reporting football matches and boxing matches – as you can see in the photograph there.

    My voyage into journalism

    I had a good start in the profession of journalism. Right from secondary school, my reports were being published. Perhaps that also made the principal think I should be a staff of the school magazine, The Link, in which I eventually became the editor in my final year. This shaped where I was going. But we finished school and everybody in those days was thinking he would go to Customs or to the Central Bank of Nigeria. I tried all of those. I even tried being recruited into the army. But of course, my mother pulled me out at a point. They didn’t believe that soldiers were reasonable nor were they afraid of soldiers.

    I found my way eventually into journalism, as a matter of fact, it is very interesting. I was standing in line to be interviewed for a job in the Central Bank at Tinubu Square in Lagos when I also heard that a newspaper was recruiting people on Apongbon Street. That newspaper was The Daily Service. And I went to try my luck. I was interviewed, those who did set me aside and asked that I see the Editor-in-Chief, then Lateef Jakande, the late governor of Lagos State. He and Bisi Onabanjo, the late governor of Ogun state, interviewed me and said they would have taken me but didn’t have a job for a reporter but had one for a proofreader. I didn’t know who a proofreader was or what proofreading was about but said I would take the job. And that was the beginning and how it all started.

    Though Jakande and Onabanjo are late, they remain my models. They are fantastic people, good journalists, good managers and I probably would not have been who I am if I didn’t get into their office and thank God I did.

    My ordeal as a prisoner of war in the hands of Biafran soldiers

    Being 80 is God’s grace. He is the one that has the power to keep one alive and well. I have had a near death experience in which God kept and protected me. For example, I was a detainee. As a matter of fact, my kind of prison was very different: I didn’t have a number and I was listed in the detention camp. I was classified as a saboteur. Sabotage is another word for treason.  Therefore, in 30 months of the war, I was hanging between life and death.

    I  was there for 30 months of the entire civil war. I was arrested in the newsroom. I remember it very vividly, the Eastern Nigeria Broadcasting Service (ENBC) newsroom on Ogui Road, Enugu. I was on morning duty and was preparing my bulletin for the 7 O’clock news when I was taken away. And from then on, I was moved from one prison to the other and charged before a court for treason, presided by the late Justice Nkemena, who was the judge. And whenever he handled a case, his judgement was either 100 years in jail or directly to the grave beyond. Interestingly, between all these, I appeared in his court nine times. Some days we would get to court – makeshift court and were told the investigating police officers were in the war front or the people who were to give evidence that one is a saboteur are not available. And I was in many prisons – Umuahia prison, Enugu prison, Awka prison, Aba prison, Ntueke prison in Orlu. As the war moved, prisoners were being moved as well. But no matter the prison, there were the makeshift courts in which I was arraigned. The last straw was the Ntueke prison where our prison was carved out from a primary school. And the meaning of Ntueke in English is “dust of the people.” In  other words, it was a graveyard as it were, where there was brutality.

    I remember my prison mate, Prof. Chike Obi said to me when I returned to the cell after the ninth appearance, “You are a cat. You have nine lives. I don’t think you can die in this prison.” And how did it happen? That morning I was dropped by the prison lorry to face my trial. Although I didn’t have the luxury of a watch, I think it was about 7 o’clock. The lorry was going somewhere to drop off other prisoners on its way to Arochukwu to evacuate some people.

    From court to the morning of freedom

    And for the first time, everybody that was supposed to give evidence against me was in court. I was put into the dock, swore the oath, and shortly after there was an air raid. We didn’t know that the war was coming to an end. The Nigerian Air Force raided that whole area: people were killed, strafed, others ran for cover. Those who knew where they could go went. But, I didn’t know where to go from there because I was in the middle of the Igbo land. So, I had to wait at the court premises till the raid was over. I remember that Arochukwu front was in distress. And they were ferrying people out of Arochukwu, including the soldiers. I really didn’t know what to do. I speak a bit of Igbo language. People were looking at me and saying in Igbo, ‘Why is that man standing there, doesn’t he know that people are running’. But I was asking myself where do I run to and what route do I take.

    From prison to freedom

    But one significant thing happened. That same morning, Joseph Achuzia, a top commander whom they used to call “Hannibal” in the Biafran Army, was also running from his command. He was in an entourage of trucks loaded with soldiers. He was carrying his wife and his children (I think it was two of them). They saw me standing: I was barely clad; I just had the prison singlet and a pant. They may have thought, ‘This man must be a straggler or something’. And Achuzia, who was famous at dispatching people at sight, came down from his car and pulled his revolver, and his boys came down with him. But it was his wife who restrained him. I remember her, telling him in Igbo, ‘You are running away from trouble there. This person you see standing while others are running do you think he’s a human being! I heard her, ‘Please, come back to the car and let us move from this place!’ And that was how he ended up not doing anything to me. A short while after then, the driver of the prison lorry that dropped me off on its back, saw me and asked what I was doing there.  ‘Everybody has run and you are here’, he said. I told him I don’t have where to run to. And he said, ‘You couldn’t have run into the bush, out of this place. I told him I don’t know my way out of there. He asked what I wanted. I told him to take me back to the prison (Laughs.) Because that was the only place I knew and that was safe. I remember him crying and asking me ‘Why return to prison when everybody is running away’. Anyway, he took me back to the prison. It took us about six hours. We got back, I was signed in, and that was when Prof. Obi said, ‘Aah, and you came back the ninth time? You are a cat: you have nine lives and will not die. The war ended that morning.

     

    From journalism to the fight against copyright infringements

    When I finished at the War Against Indiscipline (WAI), I was asked to try my hand at the Nigerian Copyright Council, which was also then in the Ministry of Information.

    That was how I met the current Director-General of Nigerian Copyright Commission (NCC), Dr. John Asein, who I asked to join me.

    I was not a lawyer and even though the copyright industry has to do with law, I think it also had to do with mobilisation – since I had done so well at other positions like WAI. We did our best using our mobilising power and our ability to communicate.

    We started the Nigerian Copyright Council then with so many difficulties. And I  praise and celebrate those pioneer staff of mine. We were just 11 of which Asein is one. I think we lost one of them, but they were so committed. They had no facility. They had no offices. They had no seats, but they persevered.

    I remember the  Nigerian content creators: writers, musicians, artists, and everyone, used to have tough times. They had no idea that you could earn a living from the works they produced for 70 years. For example, then the musicians could only earn money from their songs produced in an album or when they were hired to sing. And pirates were feasting off their works. We went on a huge awareness drive across the country to educate the content providers, while kicking against piracy. And the result is  we now have a copyright industry that is reeking in tons of money both in foreign exchange and foreign currency into the economy of the nation.

    And what NCC has come to be is also a testament of what perseverance and hard work can do. In fact, the Nigerian Copyright law, which we helped put into place that has since protected the rights of owners, was an eye-opener for the creators. But more should be done by the government to provide more funding for the NCC; and to build for them befitting buildings of their own across the states and especially in Federal Capital Territory.

     

  • Thinkation 2022: Nurturing the minds of youths

    Thinkation 2022: Nurturing the minds of youths

    Thinkation 2022 chief host, Ambassador Dr. Unyime-Ivy King has said that Thinkation 2022 will be for everyone but more importantly for the youths. He described Thinkation as a flagship annual event of the Ubong King Foundation, which was conceived by its founder- Ubong King some five years ago. Its maiden edition was held in 2018 in Lagos.

    Speaking in Lagos on behalf of foundation, King noted that the event was born out of the founder’s burning pain point, having known and tasted failure, and rising from the ashes of defeat to success and impactful living. “His life experiences birthed a strong passion to raise young entrepreneurs with a mandate to impact their world through creative thinking, in addition to education. It is also to wean them from a dependency mindset to a productive one as well as influencing the hungry minds in this generation to reposition them and get productive. It is a creative merger of Thinking and Education,” he added.

    According to him, the foundation hopes to help Africans from all walks of life to bridge this critical gap by nurturing the minds and thought processes of Africans through this initiative. He noted that it is important to have the productive population of a nation well-groomed mentally to the point where they want to exceed the status quo that prevail in their surroundings, in order to attain their full potential in career, finance, health, business and relationships, transforming young minds to leaders.

    This year’s Thinkation conference will feature former Vice President of Zambia and President Movement for Multiparty Democracy Nevers Sekwila Mumba, Economic Growth and Development consultant Just Ibe, Chief Visionary Officer Merignos Consulting and Mentoring Ltd Ugochukwu Omeogu, Chief Executive, Stanbic IBTC Dr. Demola Sogunle,; Perfume Connoisseur/brand ambassador for the perfume industry Glenn Davis (Mr. Cologne), among others.

    The event which will be hybrid of virtual and physical due to the COVID-19 rules and, will also be blended with executive panel of discussants, music and other forms of entertainment. The carnival-like event will take place on the January 29 in Lagos.

     

  • Kuti: It is difficult for artistes to be unbiased

    Kuti: It is difficult for artistes to be unbiased

    Seun Anikulapo-Kuti, son of Afro-beat legend, Fela, has revealed why it can be difficult for artistes, creatives and cultural icons like him to be unbiased in their assessment of socio-cultural issues plaguing the country.

    He said that while most Nigerians look up to artistes to defend and uphold the cause of human rights and freedom in country, they often dismiss the place of vested interest and class struggle the artistes themselves may be part of.

    “As artistes, we are all employees of the elite of the community that we reside. It’s therefore, difficult for artistes to be unbiased. Trust me, this is where class consciousness must come into your perception. I don’t know whether any of us understand the class struggle, but class warfare must be at the forefront of your own analysis of any artiste you’re trying to follow.  There’s always class warfare. Whether as a poor working-class person you recognise it or not, that doesn’t mean class warfare does not exist,” he said.

    Speaking at the second edition of the Freedom Vibes Series, the activist and Afrobeat musician said that the role of artistes in the society has to be narrowly defined. According to him, artistes are professionals in their field, but they may not have all the answers to social ills and malaise besetting the country.

    He said: “It’s peculiar that only in Africa that celebrities speak for the people. So, if you have a big political issue or human right issue, we don’t really have the experts. Nobody will listen to professors and officials because we as African people, we understand already not to trust any of the institutions. In Europe and America and other places, professors and experts on these issues come to speak for them. But we find out that in all African communities, it is celebrities that speak for African people. And trust me as a musician myself, I will tell you. Because I do music doesn’t necessarily mean I know what’s happening. Because I am successful in music doesn’t mean I know what’s happening.”

    Read Also: Seun Kuti worthy of celebration- Yvonne Jegede

    Initiated by the executive producer of Unchained Vibe Africa, Ayo Ganiu, Freedom Vibe Series is a hybrid event committed to the cause of artistic freedom of expression and human right advocacy. After a successful inaugural edition in October 2021, the initiative continues to engage cultural icons, artists and stakeholders in the art sector to bring to fore conversation around free speech, citizens right and privileges and particularly artists’ role to showcase their crafts freely without repression from government institutions.

    Focusing on the theme Artists and Freedom of Assembly, the event attracted speakers such as lawyer and human right advocate, Dele Farotimi, veteran journalist and culture advocate Jahman Anikulapo, writer and poet, Iquo Abasi as well as Kuti.

    Ganiu stated that artists are very vital in the advocacy and promotion of freedom of assembly of the citizens. Citing as example the role they played during the EndSARS protest, he noted that such social feat would not have been possible without the intervention of artists.

    “In October 2020 during the #EndSARS protests, artists took the innovation and creativity to another level with stages erected at Lekki Toll Gate and Alausa Secretariat in Lagos. The music and artistic showcases were part of the key strategies that made the protests peaceful and sustainable for about two weeks,” he said.

    On his part, Farotimi said that although Nigeria has many laws that protect the freedom of expression of the artist, these laws are not effectively implemented so as to protect the artist himself.

    “The reality is that we have all the laws in the book that deal with freedom to assemble and freedom of speech. We have by far more freedoms enshrined into laws in Nigeria than in most countries in the world.

    We are signatory to the African charter on human rights. We are signatory to the United Nations charter of human rights. We have more than abundance law on our books. But the tragedy of the Nigerian situation is that these laws do not matter in application. So, whilst I can assure the Nigerian artists that there are abundant laws on his side, these laws do not matter in practice,” he said.

     

  • Benin bronzes: Artistic colonisation vs restitution

    Benin bronzes: Artistic colonisation vs restitution

    The great Benin Empire flourished between the 14th and 16th centuries under the hereditary male monarch known as Oba, with a highly organised government and powerful army. The Oba’s Palace was adorned with masterpieces of bronze works, ivory and wood, carvings as a means of materialising their history. By the 12th Century Benin, craftsmen had achieved such sophistication and technical accomplishments in the bronze casting technique of lost-wax method, an artistic feat Europeans could only attain in the renaissance period of 15th Century, about the period the Portuguese arrived the coast of West Africa.

    The Benin punitive expedition of 1897 was as a result of British interest to control trade, enforce the Gallwey treaty and annex Benin Empire and make it a British protectorate based on the objective of “the general progress of civilisation”. The Europeans who acted on the wilful ignorance about Benin kingdom met stiff resistance and after 10 days of heavy fighting Benin kingdom fell. About 2,500 artefacts were carted away as spoils of war and about 40 percent of the art works are in the British Museum up to date. Others were sold to museums outside Britain.

    The resultant artistic colonisation was an aftermath of the conquest of Benin Empire, looting of artefacts and legitimating colonial powers over the Benin people in their own land. The Europeans appropriated the artistic heritage of others and created an unequal relationship between them and the colonised people whose artefacts were carted away as testimonies of the merits, and success of colonisation, as a proof of African peoples disappearing indigenous cultures and ways of living, and as patrimony of European imperial powers. The European audience were fascinated on the arrival of Benin bronzes at the British Museum and were shocked that the bronzes came from Africa considered as uncivilised people.

    The Benin bronzes attracted press reviews and scholars which clearly affirmed that the artefacts could be treated as art. Some of them attributed the Benin bronzes as deriving from ancient Egypt or from the Portuguese through trade. Europeans exploitatively promoted a culture that deprived many African people of their art heritage through their museums and galleries which projected African art and artefacts as works to be traded, looted and exhibited in the agenda of Western art consumption, commercialisation and deprivation. Most of the Benin art works taken out of their original contexts have remained fossilised in glass casings of Western museums.

    The masterpieces of Benin bronzes, ivory and wood carvings are the cultural production of the Benin people in its intrinsic material and cultural value which had become a major contribution to world culture and an eloquent testimony of African civilisation, creative ingenuity, similarity and equality with other races. While the art works are appreciated on a global scale, the question remains: can the art works under the ambience of Western museums and galleries serve as repositories of cultural knowledge and artistic value for the Benin people who made and used them. Can the present generation of Benin people claim ownership of their art stored away in foreign lands. These issues critically raise the consciousness for restitution.

    Europeans against restitution have argued that historical changes which affected artefacts are not subject to ethical considerations. This raises the question whether the looted artefacts can belong to the heirs of colonisers and not the colosed? Secondly, they have argued whether a claim can be made by local inhabitants of Benin Kingdom or the Nigerian state that was not in existence when the artefacts were made and exported (looted). This has also raised the proprietary issues of the local, national and global which are political. What is most crucial is that the genealogical and cultural origins of the Benin bronzes are firmly established.

    Europeans have assigned themselves the role of homogenising the world’s cultures through holding artefacts assumed to play the role of preserving diversity. They have argued that they have human and material resources to play that role. The West have also held unto the idea of “Universal Museum” holding artefacts in trust for the world, and have asked where else can one see the world as one? Western museum directors have also argued that objects and artefacts installed centuries ago in museums in Europe and America were acquired under different conditions and have become part of the museums that cared for them and the heritage of nations which housed them.

    The fault line of the European argument is that it is imagined from the viewpoints of Western countries as owners of such museums with vested interests in sustaining and maintaining European claim to cultural superiority and legitimacy of colonial loot in the looming demands for restitution and reparation of artefacts. One may wonder if there is anything wrong with local custody and appreciation as part of responsibility for common humanity. Works of art or artefacts need to be appreciated in terms of being viewed, understood, discussed or analysed and as such contribute more meaningfully to the people’s existence in societies of origin because culture resides in the living persons who transmit it to the next generation. Studies have also shown that the local people are more interested in the role artefacts play in their various communities rather than have them museumsed as relics. This have caused them to be physically, emotionally and intellectually dissociated from museums as colonial tools of oppression.

    The Benin bronzes are no doubt, global heritage of mankind but remain essentially the cultural and symbolic capital of its country of origin, Nigeria. In this regard, they have brought honour, prestige and recognition for the Nigerian nation and by implication Africa as a whole. The restitution mission can be two-fold, one that looks back to the past in terms of outright return of all the looted artefacts and art works to Nigeria, and the one that looks to the future in terms of demanding compensation or royalties to be paid to the Benin Kingdom as intellectual, artistic and cultural property rights by withholding museums, galleries, auction houses and such other institutions.

    Outright return of the artefacts to Nigeria can only be significantly meaningful if the right museum architecture, ambience and capacities to display, restore and preserve in perpetuity can be created. Also the call for restitution is a moral compass which ensures that the condition which gave rise to the looting of the priceless Benin bronzes never reoccurs.

     

    • Prof. Ecoma is the Head of Department of Fine & Applied Arts, University of Calabar.

     

  • UNIFEST targets varsities to win souls

    UNIFEST targets varsities to win souls

    Holyway Outreach Ministry has begun moves to fill the gap between creativity and evangelising through drama. Although, the immediate objective of its project tagged” Universities for Christ Festival (UNIFEST) is to preach the gospel through the instruments of drama, film, dance, music and spoken word, the fiesta according to Dr Gbenga Ajayi, UNIFEST Artistic Director, is also designed to harvest playwrights, screenwriters, actors, set designers and cinematographers who after maturing their arts will provide creative contents for soul winning purpose.

    Ajayi, a Theatre and Media scholar, while speaking on the project, said the maiden edition of the festival which has the theme “Let there be light” will hold virtually on Friday January 21 through Saturday, 22nd in seven Nigerian universities and will feature drama, film, music and the spoken word. The centres include Federal University of Technology, Akure, University of Ibadan, Federal University of Agriculture, Abeokuta, Obafemi Awolowo University, Ile Ife, University of Jos, Federal University of Oye Ekiti, University of Benin and the Redeemer’s University, Ede. The shows will be streamed live on Holyway YouTube channel.

    In actualising the dream, Holyway Outreach Ministry established drama clubs in the aforementioned universities which run as interdenominational fellowships. Ajayi shed more light on the vision, “the target audience cuts across different age grades and backgrounds. It is a global vision. We have opened discussions with universities in Africa and hope to reach out to universities in Europe as the project expands. The criteria for joining the club is being born again”, he noted.

    Read Also: 2019 Report: Works Ministry to recover N1.174b from abandoned road contracts

    On how the clubs are administered, he explained, “they have their excos and members who are supervised by Staff advisers within the universities. They will organise drama and film festivals locally in their universities and post contents regularly on Holyway YouTube channel”.

    Given the scope of the project, funding has been a big challenge, the organisers said. To this end, the outreach will welcome donations from individuals with passion for talent hunt and youth development.

    Founded by Dr. Gbenga Dele Ajayi and his wife, Yemi, Holyway Outreach Ministry evolved from Christian Theatre Foundation with the purpose to win souls through drama, film and youth camping. The ministry had organised drama festivals, film outreaches and produced a number of video films such as Scars, Shipwreck, Itesiwaju Arinrinajo (Pilgrim’s progress in Yoruba) and Ami idanimo (Identification mark).

    Over time, the Ministry’s works have expanded to include the annual Goodlife camp and the Holyway School of Film and Media where aspiring Christian filmmakers are trained.