Category: Life – The Midweek Magazine

  • Tourism icon urges govt to assist in sector’s recovery

    Tourism icon urges govt to assist in sector’s recovery

    Tourism icon Chief Mike Amachree is of the view that tourism makes more money than any other sector.

    He has, therefore, called on all tiers of government in the country to begin the process of restarting tourism industry after the lockdown of the industry for more than a year as a result of the global CoronaVirus (COVID-19) pandemic that brought travel and tourism i to a stand-hill.

    Amachree, who was a former President of Association of Tourism Practitioners of Nigeria (ATPN) and a member of Vision 2010 during General Sanni Abacha’s military administration, advised that the Federal Government, states and local governments should liaise with the private sector tourism industry practitioners through the Federation of Tourism Associations of Nigeria (FTAN) on how to provide help to industry practitioners.

    He said: “As everybody knows, the COVID-19 pandemic affected the travel and tourism industry more than any other sector. Although the process of recovery has already begun, many industry practitioners are finding it difficult recovering from their losses. This is where the government ought to come in like we saw in many other countries. In the past, we used to have some of our tour operators who travel abroad to our source markets, like the United States, the United Kingdom, and the Caribbean and South American countries to sell and promote Nigeria’s tour sites for these people to visit. They have partners and have also developed contacts in these countries that source for tourists to Nigeria. They should be encouraged through grants and loans to rebuild their businesses and start to sell the country once again.

    “In the area of domestic tourism, there are many local tour operators who promote and sell Nigerian destinations with interesting packages. They also need to be encouraged with financial incentives to rebuild their business. When they start creating and selling tour packages to tourist sites in the country, their visits would improve the local economy of these places where the sites are located.”

    Amachree also urged that Nigeria should take advantage of international tourism fairs that have now resumed physical expos and exhibitions to promote the country. He said: “In tourism business, travel and tourism exhibitions and expos are important tools in doing business as practitioners have the opportunity to interact,  network and get direct vital information about a destination and tourism products from their owners and managers.

    “In order to rebuild the Nigerian tourism industry, Nigeria should also start participating in some of these international fairs to tell the world that the country is ready and that as a destination, the country has tourism products that could excite tourist visitors.”

    He said the government should not wait for the industry to recover on its own but should rather be proactive by stimulating the recovery process through these injections of funds to the industry and assisting the industry practitioners to fully recover and as this will help to improve the economy of the country.

     

  • 32 win USAID/Nigeria  COVID-19 food challenge

    32 win USAID/Nigeria COVID-19 food challenge

    USAID/Nigeria has announced the selection of 32 winners of their COVID-19 Food Security Challenge. The winning small and medium enterprises will receive awards totalling $4 million in funding and technical assistance to implement their solutions that improve food security in Nigeria.

    The contest was run in partnership with USAID’s Exploratory Programmes and Innovation Competitions (EPIC) Team in the Innovation, Technology, and Research Hub within the Bureau for Development, Democracy, and Innovation.

    Nigeria faces a food security crisis that is compounded by the COVID-19 pandemic. The pandemic has significantly disrupted already fragile agricultural value chains across the country, including smallholder farmers’ ability to produce, process, and distribute food. This disruption to agricultural productivity and limited access to markets has a negative impact on livelihoods, especially among the most vulnerable households, women, and youth.

    To address food insecurity, USAID/Nigeria, in partnership with EPIC, launched the COVID-19 Food Security Challenge in April. It is partnering  viable youth-led and mid-stage companies in Nigeria to improve food production, processing, and distribution.

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    Over the next year, the Challenge will support the winners as they implement and scale their sustainable, local, and food-based models and increase incomes for smallholder farmers.

    After receiving over 500 applications to the Challenge, USAID/Nigeria selected 19 youth-led companies (led by youths up to 29 years ) and 13 mid-stage companies (with a customer base of at least 1,000 people) that are working across 33 states in Nigeria. USAID/Nigeria said12 of the winners are women-led businesses and 31 new to USAID.

    Some of the innovations that USAID/Nigeria is funding through this Challenge include online platforms that connect farmers to customers and services; access to solar refrigeration to extend the freshness of fruits, vegetables, and meat in off-grid communities; organic fertiliser made from converted biowaste; and micro-lending organisations to help smallholder farmers gain access to finance.

    The winners will use USAID/Nigeria’s funding and technical assistance to expand their food production and food security activities to mitigate the impacts of COVID-19 on Nigeria’s food value chain and improve the resilience of vulnerable households.

    More information on the challenge and its winners can be found at the USAID/Nigeria COVID-19 Food Security Challenge’s website.

     

  • Artists partner Art Trade Gallery for new narrative

    Artists partner Art Trade Gallery for new narrative

    A new art gallery on the mainland, Art Trade Gallery, in Dopemu, Lagos is partnering  some young artists to raise  quality artworks for discerning collectors and buyers, Assistant Editor Arts OZOLUA UHAKHEME reports.

    There is a renewed effort to reposition the Lagos art market to reverse the hitherto  monopoly Lagos Island residents enjoyed due to the availability of facilities that house major arts events, especially visual art.

    For decades, the usual movement has been for artists on the mainland to take their works to the island for exhibition. With the recent opening of the Art Trade Gallery at Dopemu, artists are beginning to drive art traffic to their neighbourhood.

    Housed in the Mat&Mic Event Centre, the gallery offers unique and original artworks at prices generally considered as reasonable. It is designed to attract new lovers of art who are drawn to the aesthetic appeal of the works and are poised to acquire them. To create a variety of pieces, the gallery has collected works from both emerging and established artists who have showcased their skills in various media using diverse techniques.

    Established after the lockdown in 2020, the gallery was conceptualised on the need to create a space for artists based on the mainland and beyond to showcase their works beyond Lagos Island where many art shows are domiciled. A recent visit to the gallery was quite revealing: every signed artist is under a six-month contract which is not exclusive as artists still have the liberty to show or sell their other works to other galleries.

    The founder, Art Trade Gallery, Morounfolu Adesanya, grew up in the neighbourhood where the gallery sits. But the strong ties with the community were not the only reason why he situated the gallery there. “As the city’s urbanisation increases, it is no longer convenient to commute in Lagos. People want to go to venues that are closer to their homes. And traffic can be hectic. Our gallery is located inside an event centre that was completed in the middle of the COVID-19 restrictions,” he said.

    For him, the gallery events tick all the boxes; meaningful, cultural, entertaining and certainly not a high-traffic phenomenon. With an accounting background, Adesanya knew art was a good business as a young student when he bought my first artwork and later sold it at a profitable sum. Today, his vision is to see people buy artworks the same way one buys a television set. He said: “Since we started the gallery, we have had all kinds of people come in to see the artworks and to make purchases. People now buy artworks as wedding or even birthday gifts or business gifts because the artworks are beautiful and the more people see, the more expensive they are. You can get artworks within your budget and original artworks signed by the artists can increase in worth in just a few years. That is something that is valuable in your house,”

    On his part, the gallery’s co-founder, Afolabi Adesanya, stated that  it also aims to make artworks affordable to everyone.

    “Actually, this idea had always been in the mind of the CEO before the lockdown. He owns this building and it has been set up as a multipurpose building and he set aside the top most floors for the arts. It just happened that the lockdown caused a delay but here we are,” he said.

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    The gallery has enjoyed some beginner’s luck. Buyers are showing up. And they are not the usual art collectors. Art Trade Gallery is a community of creative artists, having Jimoh Lukman, Eugene Aghimien, Hanson Okere and Adetola Adenuga among the first set of artists signed by it.

    Jimoh, a versatile artist, is a product of the Yaba College of Technology. He draws inspiration from African motifs, culture, contemporary issues and society.  He has executed various commissions such as stained glass in churches, murals and numerous portrait paintings.

    The gallery owner gives us the freedom to do any work,” he said in a brief chat. “The first time I heard about this place, I didn’t come with my work. I looked around and saw paintings.” Satisfied by what he saw, he returned with his pieces and sealed the contract. He didn’t keep a good deal to himself. He shared it with Aghimien, a Benin-based multi-disciplinary artist. Essentially a painter, Aghimien has explored the integration and sustainability of various fibrous materials and pigments on canvas and other unconventional support. With a first and second degree obtained from the University of Benin, he has a very visible presence in the art scene from participating at group and solo exhibitions in Benin and Lagos.

    “I was skeptical initially and I asked if the artist would not inflate their price which could hold back their work from selling, he said he would make some publicity and then I signed some documents and brought in my works. I have participated in October Rain before I went to Benin for further studies,” he said.

    Collectors often buy works from galleries because of authentication and documentation. For Hanson Okere, a sculptor and pyrography artist, creating an authentic means of self-expression has been his dream since he was a child. After his graduation from the University of Port Harcourt, he explored pyrography more.

    “I relocated to Lagos in 2019 and as at last year, my work, ‘The Ecstasy of A woman’ trended on Twitter and that’s where I started,” he recounted.

    Growing up in Mushin in the midst of artists and commercial art, Adetola Adenuga, built his reputation as a multi-media artist with research and experiment.

    “I think this will help a lot of younger artists. My father is an artist. He did a lot of screen printing and commercial art in Mushin. I have a graphics studio in Mushin where we are into printing, signage and more,” he said.

     

  • Reminiscence of a journalist

    Reminiscence of a journalist

    Title:  A Story to tell: Autobiography of the Alamuman

    Author: Smolette Adetoyese Shittu-Alamu

    Reviewer: Cyrus Ademola

     The are many unspoken heroes whose life and times are yet to be chronicled for others to read and glean from their illustrious experiences. These are great men and women behind the scene who sacrificed the glitz and glamour of limelight in order to serve in obscurity for the greater good. It is always a huge privilege when the stories of these great men and women are penned down for generation yet unborn.

    Such is the story of the veteran broadcast-journalist and elderstateman, Smolette Adetoseye Shittu-Alamu, popularly known as ‘The Alamu Man’. In his book, A Story to Tell: Autobiography of the AlamuMan, Mr. Shittu-alamu chronicles his childhood experience, the intrigues of his formative years and the rough, but exciting trails that paved the way for him to become a household name in broadcast-journalism. The book is written in a simple, down-to-earth fashion “with the capacity to compel the reader not to put it down”.

    The foreword of the book is presented by the Osun State Governor, Adegboyega Oyetola. The governor describes Mr. Shittu-Alamu as a man who for several decades has established himself as an asset to the nation with a unique skill of proper and effective information dissemination. He praises the journalist as an expert whose broadcasting prowess contributes to “nation-building and human development”.

    He further comments on the book as a classic work that will enable “readers to gain insight into his (Adetoyese’s) life as a child, his growing up years and his various exploits as a Radio entertainer, Radio & TV producer, Actor, Reporter, Editor and Compere of many social events.” According to him, the autobiography is indeed a story to tell.

    The book is written to celebrate the 70h birthday of Mr. Smollete Adetoyese and a journalism career that has spanned for more than four decades. The Septuagenarian holds nothing back as he relates his story right from childhood until the time of the publication. Written in a rapid-fire narrative of 15 chapters and 378 pages, the author traces events, circumstances, coincidences as well as choices (both good and bad) that make him the man he is today.

    For instance, he reminisces the first 19 years of living with his father in Ghana before travelling to Nigeria, and the unquantifiable impact that had (and still has) on him. According to the author, his father taught him and his other thirty-three siblings the place of education and the unrivalled imperative to pursue the course and cause of justice. “Even as an illiterate, papa was an unrepentant litigant, always in court over cases that touched him, no matter how remotely and those that even had absolutely nothing to do with him. He struck us as ‘The People Defender,’” he recalls.

    The author relates his academic years with great candour and honesty. According to him, his academic pursuit was not a linear, straightforward journey. It was more of a rollercoaster experience with many detours and zigzaggings. After an incessant rejection into the university, Shittu-Alamu had to take a job as an auxiliary teacher to make ends meet. However, his passion for a higher academic pursuit never diminished.

    He chronicles the difficulties that bedevilled him and stood as an obstacle in his journey to become a graduate. “It took me eight years to enter the university in spite of the fact that I had the five credits required at school certificate level and that by  1975, I had three Advanced Level GCE or HSC passes to enable me to proceed to the university. I did not go because I just could not. The forces of darkness seemed to have their way. It was tough. But I forged on,” he writes.  In the twilight of 1984, the author bagged a B.A in Language Arts at the University of Ibadan. The autobiography also covers the reeling years of the author’s professional life, and various events that ultimately led him to the profession of his dreams.

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    According to the author, he didn’t set out as a broadcast-journalist, even though he had a passion for the profession. As a matter of fact, his first salary was that of an auxiliary teacher at a Roman Catholic Middle School, Asesewa in the Eastern region of Ghana. “I had applied in late October 1972 to the Eastern Region Ministry of Education for a job as an auxiliary teacher, after all the effort to get admission into sixth form had failed. I got the appointment by mid-November and within a week, I reported formally and became the man in charge of Form Two,” he writes.

    In the chapter entitled “Fishing in other Pools”, the author further narrates other fields he ventures into that, ultimately, contributed to his career as a broadcast-journalist. The road to greatness is never a merry-go-round, but a long and bumpy journey. This is true of every great story, and the AlamuMan’s experience is not an exception. Both thrilling and exasperating, the author tells the story of how his experience in other fields has granted him a deeper, wholesome perspective both as a broadcast-journalist and a septuagenarian. He records meeting other great men like the governor of the Old Oyo State, the late Chief Bola Ige, the late Dr. Chuba Okadigbo, a former Senate president, and the astute politician from the author’s state (Osun) Senator Bayo Salami. Even at 70, he can only reminisce the immense impact and influence these wonderful people had on him.

    Another striking quality the AlamuMan, as he’s fondly called, embodies is the fact that he is a man of deep and immense faith in God. At 70, the author has more than enough to tell on the role faith plays in his life. He captures this in the chapter “A Vertical Encounter”. Faith is an illuminary beacon that brightens the path of men and women alike. According to the author, the Christian faith he converted to in his adult life animates in him virtues such as temperance, enthusiasm, self-control, and love for humanity. The author quotes the the words of Pope Francis as the cynosure that epitomises his faith: “The world tells us to seek success, power, and money. God tells us to seek humility, service and love.” Despite the vicissitudes that life espouses, faith indeed does make him whole.

    Finally, the author shares his life as a retired broadcast-journalist. With a brilliant and consummate professional life spanning for more than four decades, Adetoyese Shittu-Alamu gives a seasoned and well-informed advice to the power-that-be in the closing chapter of the book. As an elderstateman, Adetoyese shares his distilled thoughts on leadership, character in politics, the virtue of sacrifices as well as the role of faith in public space. None of these recommendations stems from an armchair thinking as we have seen in the narrative how the Septuagenarian himself embodies each and every of these virtues.

    In the afterword section of the book, Special Adviser to President Muhammadu Buhari, Mr. Femi Adeshina, accurately describes the book as having “the capacity to compel the reader not to put it down.”

     

  • Rotary Club targets N65m for projects

    Rotary Club targets N65m for projects

    The new President, Rotary Club, Onigbongbo, Oluseyi Adebusuyi Adetunji, is set to raise over N65million to execute its projects and programmes during his one year tenure.

    Speaking at his installation at the weekend at the Rotary International District 9110 Centre, Ikeja GRA, Adetunji said the projects, which fall within the seven focal areas of Rotary International programmes, include the ongoing reconstruction and renovation of a block of toilets worth N3.5million at Estate Primary School, Ogba, Lagos; construction of a health centre at Irawo for N25million,and  renovation of sciences and agricultural laboratories at Immacaulate Junior Secondary School, Maryland, Lagos for N25million.

    Others include raising N1.5million for its micro finance scheme and donation of mosquito nets, cotton wool, soap and other medical materials to Onigbongbo community. He promised to take the club to greater heights.

    Adetunji reiterated that the objective of Rotary is to touch lives. He therefore urged his colleagues and non-members to donate generously during the fund raiser to enable him get enough cash to execute the projects.

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    The president, who felt happy and wonderful for being the 40th president,, promised to deliver on his promise.

    Former District Governor Kola Sodipo said that Rotary, from a humble beginning by one man Paul Harris, now has a membership of over 1.4million in 200 countries. Noting Rotary’s principles and object, Sodipo, who was the guest speaker, said Nigeria would have been better than it is if Rotary’s values were imbibed.

    Speaking on the theme ‘Serving humanity through Rotary’, Sodipo said Rotary’s aim is to provide humanitarian services. He therefore urged all to support the cause of humanity by donating to the Rotary Foundation, assuring that their money would be judiciously utilised.

    Chairman, Investiture Committee, Razaq Babatunde Salau, who was delighted with the event, despite the initial hiccups, which included finance, prayed for a smooth tenure for the president, adding that this was important as he would take over from Adetunji.

  • Our challenges, by NAN

    Our challenges, by NAN

    The News Agency of Nigeria (NAN) has bemoaned the poor salaries and allowances of its staff and the inadequate infrastructure it faces.

    Its Managing Director and Chief Executive Officer, Mr. Buki Ponle, identified these two issues, among others, as the challenges the agency is facing.

    Ponle, who spoke at a workshop organised by the National Salaries, Incomes and Wages Commission in Lagos, said: “Apart from the challenge of inadequate infrastructure facing the agency, one other deplorable finding was the poor salaries and inadequate allowances of staff when compared to the volume and nature of work being undertaken by our workers.”

    Represented by NAN Director, Finance and Account, Mr. Oladele Ojo, he stated that the agency still received lean take-home pay, notwithstanding its role as the national harbinger of information.

    “Indeed, NAN remains the only national purveyor of information with clear-cut mandate that places such onerous responsibilities on the agency. It is no exaggeration that we work laboriously to achieve results, yet we receive so little,” he added.

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    He said NAN has a monthly average of about 5,000 stories, 700 pictures, 100 videos and 50 audio clips transmitted to diverse clientele made up of about 300 public and corporate subscribers. This, he said, made the agency to remain the medium of choice, adding that last year, it conveyed about 61,319 stories to its clients.

    The Chairman, National Salaries, Incomes and Wages Commission, Mr. Ekpo Ata, said the government had declared that the days of carousel were over as any agency agitating for salaries and improving welfare must also come to the table to promote and increase productivity.

    The chairman, who was represented by the Director, Productivity, Prices and Incomes Department, Mr. Babatunde Oresanya, said news originality must be translated to money as the government was not interested in hazards because all jobs have it.

    “This is the way we do it. It does not work and help anymore as effort must translate to productivity and creativity,” he said.

  • Uneven Steps: Journey of nightmares

    Uneven Steps: Journey of nightmares

    Title:        Uneven Steps:

    Author:    Lanre Idowu

    Reviewer:  Akpandem James

    Pagination: 69

    It is not often that you have a book review begin with the author; but the fact remains that the content of a book is as good as the writer. The author transfers his knowledge and personage onto the package. The integrity of the author gives impetus to the book and believability to the content.

    The author of Uneven Steps: The story of the Nigerian Guild of Editors (NGE), Mr Lanre Idowu, can be described as a tested combatant and a Field Marshall in journalism. He is a frontline participant in its affairs and a first class traveller in the journey of the Guild of Nigerian Editors (NGE). So writing about the journey of the guild, for him, is like relieving an experience.

    The main title of the book, Uneven Steps summarises the story of the guild. It signposts a travel episode of a giant who toddles along on a necessary trip harassed by headwinds: climbing hills and descending valleys with pain and stress; yet clinging on to the hope that along the way it will encounter a benevolent spirit that will confer on it the kind of status commensurate with public expectations of its members.

    A giant that is always apprehensive of the verdict of history, going by the original intentions of the founding fathers; and the realities of modern times, particularly as it affects the practice and the status of the body of practitioners. A journey full of nightmares: some imagined, some imposed; but largely self-inflicted.

    The book narrates how sometimes the guild moves closer to attainment of its ideals; but as hope rises, the factors that hold all of us and the country hostage sneak in, and the light dims and the concert goes awry. When it happens, the editors and the guild walk the scene with uneven steps. Editors are not alien to sour grapes, they encounter them in their search for what makes them what they are; in the process they eat some, and the experience often has never been palatable.

    So, going through the book, it looks obvious that the state of the NGE, which is just about a year younger than the country itself, is not different from the story of the country – audacious but not firmly established, moving but unstable. At some stage the steps would be firm but along the line they would wobble and then become uneven. In fact, a giant with feet of clay!

    The guild was given birth to by great minds and “ancestors” of the journalism profession, eminently acknowledged in Chapter Three. It was produced in the factory of rebellion, to avert annihilation by capitalists who saw the media as the vehicle to drive and sustain their ambitions. It was also to stave off discrimination in the Nigeria Union of Journalists (NUJ). It was, therefore, a child of circumstance.

    Idowu says it was, in part, the product of reverse discrimination in the NUJ. The editor was a hired hand who could be directed and fired at will. But editors are not agberos whose major pre-occupation is to load vehicles with no qualms as to capacity and safety considerations. The agbero’s interest is to load the vehicle and get his commission – whether or not the vehicle gets to its destination safely, is none of his business. Editors are not cast in that mold.

    The pioneers wanted protection and relevance; they needed to do their jobs professionally, and with integrity. They formed the guild. They started the journey well, but the vagaries of weather and the harshness of the geopolitical tendencies coupled with the whims of the economic climate affected the smoothness of the journey, leading to tiredness, stress, despondency and ultimately uneven steps.

    Notwithstanding tha Idowu himself is a high priest in the congregation, he never pulled his punches where the sacrament went sour. He never also failed to beam the shining lights where appropriate. He is not one who allows sentiments to interfere with his conclusions. Wherever he saw a spade, he called it by its real name.

    The book is done in a 6×9 inches format with 214 pages, including 20 pages of front matter (Dedication, Abbreviations, Tables, Foreword, Preface and acknowledgements) and 45 pages of back matter (References, Appendixes and Indexes). There are 16 pages of images of past officials and events of the Guild. It is a catalogue of the triumphs and travails of the Guild in its sixty years. It is dedicated to the continued search for meaning and responsibility in the media and its promotion as a strong pillar of democracy and an agent of national development.

    The main section starts with abbreviations of regular organs and institutions mentioned in the book; then tables of laws and cases, followed by the Foreword written by a revered “ancestor” of the profession, the late Prince Tony Momoh. The author wrote the Preface covering almost three and half pages. Acknowledgements and the Content pages follow before the first chapter.

    The main story is set in 17 chapters. The first chapter talks about the birth of the guild – In the beginning; followed by The Press and Independence; The Guilds founding fathers; The Guild under military rule (1966-79); the Guild in the Second Republic (1979 – 1983); In search of the Guild (1983 – 1988); Resuscitation of the Guild (1988); Between Resurgence and Grovelling (1988-1992) and the Guild and Military Repression (19933 – 1998), in that order.

    Other chapters include: A more assertive Guild; Constitutional Crises in the Guild; The Guild’s fellowship Award; Who is an Editor; The Editor in the Digital Age; The Associate Membership Conundrum; Who funds the Guild and The future of the Guild.

    The book paints the Guild as a not too healthy child: a child with a fainting spirit; a body that is often missing in action during critical times – it disappears and returns limp; often brought back to life through a resuscitation process. For instance, in Chapter Six: In search of the Guild (1983 -1988), Idowu wrote that during the turbulent years of Decree No. 4 of 1984 when “the law was in no mood for journalistic adventurism” and when media houses were haunted at will, including the proscription of Newswatch magazine (Proscription from Circulation, Decree No.6 of 1987), the guild was in limbo.

    He put it this way: “While the NPAN and NUJ were in touch with the government to cut short the ban of Newswatch, the editors were missing in action. Since the fallout of the Minna Convention of 1982, there had been no professional body of editors to engage government”. It took some kind of Necodemus moves, using some editors in government-owned media as medics, to bring the ailing Guild back to life. Idowu saw the move as part of the grand design by “government to woo the press, construct a semblance of amity and empanel a professional association for periodic engagement”.

    Pages 56 to 63 covering two chapters unveiled the helpless and seemingly escapist nature of the Guild at some point, even in the face of threats, torments, torture and emasculation of its members and the media. For instance on page 57, veteran journalist Chris Okolie was quoted (1988) as telling an executive member: “During the murder of Dele Giwa your executive kept mute. So, too, was your executive helpless when Ray Ekpu was charged with murder and arson. The executive did nothing when Daily Sketch and Tribune editors were put under pressure. Likewise the same executive looked the other way when Newswatch was proscribed for publishing the Politbureau report”.

    The Guild was still recuperating when new viruses were introduced into its system – the regular trademark of our woes as a political entity – Region and Religion. Coupled with the non- categorical definition of who an editor is in the electronic media, these became the underlying ailments that further crippled the Guild, a disability it is still struggling with till this day.

    It was at the Minna Convention of 1982 that the infection occurred. In spite of the quality of practitioners then, the fumes of politics and the rascality in some quarters choked the Guild and it was placed on a ventilator until the Babangida regime in 1988 applied pressure on its chest; and was subsequently revived by proxy editors from government-owned organisations. Chapters Six and Seven deal with those issues.

    So, did the Guild get well soon? Chapters Seven to Nine did not seem to discharge the patient, as the record shows that the status was between resurgence and groveling, especially as members came under another round of military repression between 1993 and 1998. It was not until 1998 that the Guild was on its feet and became more assertive; but the excitement of recovery after being bedridden for a long period and the zeal to fortify its ranks against another epidemic of the Minna dimension led to a constitutional crisis that almost returned the Guild to the casualty ward (Chapter 11).

    One nagging symptom that is yet to find appropriate prescription and remedy is the editor himself. Who is the Editor and who should be a member of the NGE? If an ailment is not properly defined and diagnosed, prescription and treatment become difficult. And that’s a major challenge of the Guild. From the presentation, this seems to have become a problem since the Minna Convention, as indicated in Chapter Five.

    In Chapter 13, Idowu states that the original intention of the Guild was to have a club of de jure and de facto editors who, in law and in fact, determine what goes into publications. This, it is stated, made it easier for the founding fathers to agree on who a newspaper editor or deputy was. “It was also not controversial to determine who qualified as an associate member”.

    Throughout the book, the issue of professionalism and ethics rings loud. The desirability or otherwise of a Press Council can also be found in chapter 4. In fact in Chapter 8, the book quotes one of the Guild’s past presidents, Alhaji Waida Maida as having told his colleagues in 1991 that “the media are gradually losing believability and we must do something to arrest this trend. We ought to appreciate the weight of our responsibility in the sustenance of democratic rule once the military hands over to the civilians”. Whether that has been achieved, the answer blows in the wind.

    It’s not all gloom. Apart from indications in about three preceding chapters, the concluding chapter on the Future of the Guild states clearly that there is a lot to commend the body for, if assessed by its stated objectives. For one, the search for a code of ethics has been successfully completed and periodic enlivening of its provisions, especially at periods of general elections, is ongoing.

    The author displays a monumental power of recall and a professional grasp of perspectives. He made about 74 citations from key players to back up his narrative on particular subject matters. The book is a befitting trophy for the Guild at 60. It is one book that every journalist, journalism teacher, journalism school and those interested in the growth of journalism practice, should have. In fact, it should find space in every library. It is both a reference book and a history book.

    The writer has done his bit in chronicling the journey of the Guild in the last 60 years of its existence. Although the founding fathers championed a course that was meant to give impetus to the practice and the profession, lack of trust and leadership incongruities threatened the concord that existed in the fold at the beginning, a development that has persisted till this day.

    There is, therefore, the need for members to arise, like the tribune of old, and form a vanguard to protect and pilot the affairs of the body. We must channel all our efforts towards building a strong independent body that can, in one accord, deliver a sucker punch when challenged. We must resolve at all times to remain steadfast to the ideals of the profession and the nurturing of a galaxy of stars. We should be an inspiration to other professional bodies, God being our guardian.

     

  • Seinde Signature marks first anniversary

    Seinde Signature marks first anniversary

    All is set for the first anniversary of Seinde Signature fragrance brand as the company will host a series of events this week.

    According to its Managing Director/Chief Executive Officer, Mr. Seinde Olusola, the objective of the event is to highlight the bright future and legacy of Seinde Signature that will revolutionise the fragrance industry in Nigeria and Africa as well as put Nigeria on the map as a key player in the luxury fragrance market.

    On the company’s one year journey, Olusola said: “At the inception and when you look at development in fragrance industry, we were not known. But in less than one year, we have achieved results to God’s glory, which will take another company some five to ten years to achieve. We have been able to sign over 20 exclusive deals with niche fragrances from across the globe. We have a partnership with high-end exclusive brands and we have grown from one office to three offices. Also, we have a storage store, administrative wing and a retail store.”

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    Olusola, who created the Seinde Signature brand to bridge the gap between Nigerians and the appreciation of quality niche fragrances, said the series of events will kick off on October 30 and end on November  1.

    He added that the event christened  Scentiversary of Seinde Signature will hold in Lagos and Abuja, and will include A Meet and Greet in Lagos, a private dinner in Lagos with special guests at 7pm on the October 30, the anniversary party and official product launch at 5pm on the October 31, The Fragrance Craft Workshop in Abuja at 12pm on November 1, in collaboration with Lael Perfumery Academy and a private dinner in Abuja at 7pm on November 1, in collaboration with Leal Perfumery Academy.

    He, however, noted that some special guests such as Glenn Davis (aka Mr. Cologne), a fragrance influencer from USA; Daniel Josier, a master perfumer from Spain with over 20 years of experience; Felice Di Maio, fragrance influencer and advisor from Germany; Bogdan Vlad; founder, luxury perfume brand Testament Collection based in London; Daniel Mark Gyimah, founder of luxury niche brand Mystery Modern Mark from the Netherlands and Joseph Alexander aka JoeScentMe, fragrance influencer and reviewer from the USA, will be attending.

  • Foundation launches campaign

    Foundation launches campaign

    OAK Heart Foundation, a non-profit organisation, which focuses on educating the public about heart disease, promoting early detection and

    providing resources to those in need, has launched its campaign tagged My Heart, My Gold online.

    The event, which was attended by over 50 participants was anchored by the Manager Oak Heart Foundation Chinelo Ikekwem and supported by Spectra Industries Limited, a production firm.

    The founder, Oak Heart Foundation, Oluwagbemisola Akomolafe, who commended the participants for attending the event, highlighted the objectives of the foundation.

    A guest speaker Dr Daniel Dube, who gave the heart health statistics,

    and exposed the danger of a failed heart, stressed the need to take proper care of the heart. Another guest speaker, Dr Martins Igbokwe, a Consultant and Urologist and a kidney transplant surgeon,  spoke on  “Relating a healthy heart to urological functions.” He outlined the effect of the heart on the kidney, heart and erectile dysfunctionality and kidney transplant.

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    A career coach, Mrs Busayo Adegoke, spoke on how a healthy health breeds a good career and emphasised on the need to properly care for our heart to avoid nervous break downs, blood pressure attack. Mrs Adegoke stressed that you could only be effective/ productive at work when your health is well cared for.

    An expert, Dr Uche Okezie enlightened on the heart, people at risk to suffer heart diseases easily, symptoms of the heart disease as well as how to care for your heart. After the doctors finished the whole Talk about the heart, how to prevent cardiovascular diseases and how to maintain a healthy diet, Spectra Industries represented by Betty, talked about their products could help to maintain a healthy diet.

    At the end there was an interactive session between the medical personnel and the participants.

    Participants pledged to have a healthy

    heart and sensitise others on how to care for their heart.

    The Oak Heart founder, Oluwagbemisola Komolafe, who thanked the

    participants, urged people to support the group’s campaigns. Highlight

    of the event was wining of items such as smart wrist watches, BP

    checkers to encourage constant checks up on blood pressure and Spectra

    Industry products like their cocoa powder and Hyfiba Soy meal by active participants.

     

     

  • Adam & Eve holds The Content

    Adam & Eve holds The Content

    Despite the COVID-19 pandemic that ravaged the world, Adam & Eve Luxury Store, Ikeja, Lagos reputed for its gifts, designer home ware and outdoor furniture has explored new window of opportunities in marketing of artworks.

    The shop has been utilising its mini-art gallery to attract collectors to generate sales of art works without holding exhibitions, according to its Chief Executive Officer (CEO), Mrs. Modupe Ogunlesi.

    Ogunlesi, who spoke on the forthcoming art exhibition, said the group show is a continuation of Adam & Eve’s efforts at expanding the space of art appreciation in Lagos.

    She added that the exhibition tagged The Content is returning in a bigger and most fascinating way.

    “The gallery space created from The Content exhibitions has been making some modest sales in the last few years, even without organising art exhibitions. In fact, we have also added quite a number of collections as the appreciation interest from the public grows,” she said.

    Just as the soil never loses its texture, the curator of the exhibition, Lekan Onabanjo, said: “As a concept, The Content has not deviated from its original plan of creating a gallery.”

    To offer the Art critics, in a most exciting manner, The Content; 2nd Harmattan Edition holds between November 5 and December 12 at Adam and Eve at G.R.A. Ikeja. Lagos.

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    The exhibition, which promises to be a gathering of diverse mediums, styles and techniques would feature works by six renowned artists such as Wande George, Segun Aiyesan, Hamid Ibrahim, Clara Aden, Emeka Nwagbara and Elizabeth Ekpetorson.

    To spice this edition, which is a mix of mid-career, master printmaker Dr. Bruce Onobrakpeya and one of Nigeria’s top painter Lekan Onabanjo would curate the exhibition with their artistic styles.

    Aiyesan said of his works: “My art generally express my desire, my joy, my pains, my fantasies and numerous imperfections. I glory in my imperfections, even though I strive to be better with the next stroke I throw.”

    For George, he tried as much as possible not to paint everything that catches his fancy but those things that catch his heart.

    “My style is an amalgamation of Cubism and minimalism because I believe that nature itself is composed of planes hence two dimensional art should take cue from nature,”  he said.

    Aden’s works for the past ten years take a critical look at the social, political and cultural issues with profound emphasis on gender identity. Ever since she has been able to hold a pencil, it’s been the ‘driving force’. Realism is the main feature of her practice.

    Nwagbara’s passion fuelled his transition from paid employment to full-time studio practice. His paintings are inspired by everyday people and mostly dominated by female subjects.

    Ekpetorson said: “I am a painter and draughtsman. What I do isn’t an integral aspect, or a percentage, rather it is me in entirety. Through my works, I seek to draw attention to self-acceptance: embracing one’s self unconditionally, without fear or exception.”

    One of Ibrahim’s works is about using the hands to pass across hidden feelings, information, etc…as the hand reflects the hidden messages, take a deeper look, the hand will reveal coded emotions and messages.