Category: Life – The Midweek Magazine

  • Ben Egbuna: Destiny fulfilled

    BEN Egbuna was a man of many parts: – a reporter, analyst, administrator and mentor.

    His career was characterised by diligence and dedication, tranversing the studios and suites of the Voice of Nigeria and Federal Radio Corporation of Nigeria, rising to be the first executive director (News) in the former, and director-general in the latter.

    Aside from being a fellow of the Nigerian Guild of Editors, he was, for a season, also the president of the African Union of Broadcasting. He was also one of the brains behind the Broadcasters Guild initiative.

    Egbuna was also a committed family man, who loved his wife, trained his children, and doted on his grandchildren. Like good wine, he held the promise of much fruitfulness even in advanced age until death snatched him away in January 2021.

    Before he answered his maker’s call, Ben completed his memoir, _A Destiny Fulfilled_, which details not only his exploits in the media, but provides useful nuggets on his socialisation, and worldview.

    Pungent and lucid, the 388–page book is a study in the development of an individual and the institutions that destiny took him through. It provides candid close-ups on leading names in the media and politics of his era and unfolds a lot of behind-the-scene happenings in high quarters in public service.

    From the classrooms in Enugwu-Ukwu and Enugu in the South East, to Sapele and Warri in the South South, to Lagos and Ota, in the South West, and Kuru in the North Central, Egbuna was at home with excellence anywhere he found it. From the trenches in Abia and Anambra states as a soldier, to the clerical post at

    Post and Telegraphs Department in Lagos, to the broadcast studios in Ikoyi and Abuja, to reportorial duties in Dar’ Salem, where he interviewed an unassuming President Julius Nyerere at a moment’s notice, Johannesburg, Nairobi, where he confronted racism; London, where he sparred with his boss; Ndjamena, where he escaped gunshots by whiskers, Egbuna weaves a compelling narrative.

     

     

  • NAFEST 2021 to showcase cultural potentials of Ekiti

    NAFEST 2021 to showcase cultural potentials of Ekiti

    By Rasaq Ibrahim, Ado-Ekiti

     

    The Ekiti State Governor, Kayode Fayemi, has said the state is hosting this year’s National Festival for Arts and Culture (NAFEST) to showcase Ekiti cultural heritage to the world.

    Fayemi said his administration bidded to host the cultural fiesta to further enhance creativity in the tourism sector and to create a more-viable platform and market for young people in the creative enterprises.

    Represented by the Deputy Governor, Otunba Bisi Egbeyemi, the governor spoke last week while addressing delegates at the 52nd National Technical Stakeholders’ Meeting of the Chief Executives of Culture in Nigeria.

    The year’s NAFEST, which has as its theme Celebrating National Unity in Diversity, will hold in Ado -Ekiti between  November 13 and 20.

    Describing the state as the most suitable place to host a national programme of such magnitude, Fayemi noted that Ekiti was awarded the hosting right because of its reputation as one of the most peaceful states in Nigeria which has one of the most hospitable people in the world.

    Fayemi, who noted  that his government has always given priority to culture and tourism, expressed delight that NAFEST would provide the opportunity for Nigerians to appreciate the role of culture in promoting national unity and integration.

    Read Also: This may be Kashamu’s biggest legacy

     

    He charged stakeholders to use the meeting as a preparatory ground for   the most eventful festival which will create windows of investment opportunities for the economic growth of not only Ekiti State but Nigeria as a whole. Dr. Fayemi said: “As a nation, we need to appreciate the dynamic nature of our cultures and acknowledge NAFEST as veritable platform to further celebrate our unity in diversity.

    “I, therefore, urge you to focus more on how we can redirect cultural activities towards revenue generation. We need to effectively tap into the economic potential of our cultural heritage and improve our grassroots development.

    The Director-General, National Council for Arts and Culture (NCAC), Otunba Olusegun Runsewe, said Ekiti State under Fayemi, had proved its readiness to offer something remarkable to the national and global audience with the level of preparation for the NAFEST.

    He described the festival as one of the measures to cement the unity and harmony of the country as it is an avenue to showcase cultures and traditions of the various ethnic groups spread across the 36 states of the federation.

    The Commissioner for Arts, Culture and Tourism in Ekiti State, Prof. Rasaki Ojo Bakare, showered encomiums on Governor Kayode Fayemi for investing heavily in the sector which has launched the state on the global cultural map.

    Prof. Bakare assured the delegates that “Ekiti State is 100 per cent ready to play host to both the nation as well as the tourism and culture publics across the world.”

     

  • Alakija calls for more women in publishing business

    Alakija calls for more women in publishing business

    By Evelyn Osagie

     

    Businesswoman and publisher Apostle Folorusho Alakija has decried the high entry barriers the printing and publishing industry has for women.

    She said the world gender ratio was approximately 50:50 and, in her view, 50 per cent of the world’s economic potential have been lost due to the exclusion of women in leadership roles.

    Alakija, who recently released five books, called for more women to venture into the publishing business in Nigeria.

    “The printing and publishing sector presents high entry barriers for women because it is highly capital intensive and technology-driven. I have had my fair challenges as an author, printer and publisher but with persistence and tenacity, I have been able to move forward. However, women are still vastly underrepresented in this space and need encouragement to flourish in this sector’’ she said.

    She made the submission as a guest speaker at this years Nigerian International Book Festival (NIBF).

    Speaking on the theme of this years conference, Awakening the Giant in Women for the Growth of the Book Ecosystem, Alakija, who is also the founder of Famfa Oil Limited, posited that the growth and development of the educational system and Nigeria’s economy, depends on reducing the gender ratio in the book industry through policy change. She enjoined the Bank of Industry to give more attention to the education sector and women driven-businesses particularly, in the publishing industry.

    She said: The stereotypes that women have been cast in, gender discrimination and economic disempowerment as well as a deliberate exclusion from capital-intensive and technology-driven male-dominated industries, has rendered most women helpless in the face of daunting circumstances.

    Read Also: Alakija celebrates 70th birthday with physically challenged

     

    There is need for legislation to empower female business owners while seeing to the eradication of taboos and cultural biases preventing women from thriving in business. The influence of a woman is far-reaching, it is important that more women enter the business of publishing as this will create a natural love for knowledge and reading which will be taught and extended their children, making readers and leaders out of them.

    In addition, she recalled Famfa oil Limiteds contribution of approximately N2.5b on educational infrastructure and N8.4b on scholarships since 2008, in collaboration with partners.

    We sought to do more to advance literacy and reading in Nigeria. To this end, we celebrated UNESCOs World Book Day in Nigeria in 2019 and inaugurated the Famfa Oil Literacy Day (FOLD), in 2020 to foster a reading culture among children in primary schools while also teaching them leadership skills. Also, having recognised the role of literacy in reducing poverty and inequality, we are committed to supporting educational initiatives that encourage learning she said.

    At the conference, Alakija presented 16 books she has authored including her first autobiography and its sequel, while holding a book signing session for readers and fans.

    She lauded NIBF organisers on their consistent efforts at enhancing literacy in Nigeria, adding value to the printing industry. It is noteworthy that this festival, promotes the reading culture in the country via educational and cognitive platforms; while advocating for stakeholders in the book industry, collaborating with the government advance the book industry and reading culture, she state

  • Publishers decry digital infrastructural decay

    Publishers decry digital infrastructural decay

    Former President, Nigerian Publishers Association, Mr. Gbenro Adegbola, has said poor development of digital infrastructure constitutes a wide divide between Nigeria and the rest of the world.

    Adegbola, who is the chief executive officer of 1st Veritas Educational Contents Delivery Limited, stated that the delivery of digital education was not as complex and delicate as viewed by many.

    He spoke recently while delivering a keynote address titled “E-Publishing and the challenges of the digital divide in a developing country like Nigeria”, at a seminar on e-publishing, at the  Nigeria International Book Fair 2021, held at the Harbour Point Event Centre, Victoria Island, Lagos.

    He described digital revolution as a phenomenon that was gaining momentum, saying that the public should adopt it for necessary change.

    Adegbola said:‘’As a general observation, it would seem that education and education delivery is far too delicate and, therefore, so conservative and resistant to the digital revolution. Probably not, because by its very nature, nothing can stop a revolution that is already gaining momentum.

    “Things exist as they simply are, and not necessarily the way we think they exist. They will not change for us, so we have to be sufficiently adaptable and ready to discard and reassess pre-conceived notions.’’

    Read Also: Experts task publishers to embrace technology

     

    He urged educational psychologists to come up with plans that would engender development via education technology.

    He stated: ‘’It would seem (that) people have been socialised into the need for some type of focused group environment that can motivate learners for positive engagement. This could be a worthwhile study area for our educational psychologists to focus on and draw out information and observation notes that will be of great help to the Ed-tech world.

    “The development of digital infrastructure is still relatively poor when looked at against even smaller countries as Togo. I believe it is well known that this, essentially, is what constitutes the digital divide between us and the rest of the developed world.

    “Revolutions, by their very nature, are extremely disruptive phenomena. The digital revolution has disrupted just about every other industry. From banking, to housing, commerce, even gaming and betting. Many industries that seem not to have felt the full measure of its disruption are merely deploying regulatory barriers to stave off the full effects of disruption on their industry. The educational world cannot be an exception.’’

    He urged policy makers in the country to take into cognisance, the current reality for the required transformation of the economy.

     

  • Nigeria’s next president:  Driving force for civic activism

    Nigeria’s next president: Driving force for civic activism

    By Victoria Amadi

     

    As part of its efforts to ignite paradigm shift between the ruling elite and the Nigerian people as well as stir civic activism, Citizens Intervention and Accountability Network (CIAN), a non-governmental organistion has produced a civic empowerment project tagged Nigeria’s Next President.

    The project, which is a book and audio resource tools, is being translated into Efik, Yoruba, Hausa, Igbo, and Pidgin English. This, according to the Chairman Organising Committee, Mr. Olawunmi Olaniyi, is to make the project accessible to wider audience and have greater impact on the general voting public.

    Olaniyi, who spoke in Lagos recently, disclosed that Nigeria’s Next President will be presented to the public at Abuja on December 3.

    He noted that the project is CIAN’s intervention and resolve to lend a helping hand and be a part of the solution to addressing Nigeria’s leadership recruitment process. He decried the rumblings in the National Assembly over section 52(2) of the Electoral Amendment Bill, saying the development portends the gathering of anti-democratic forces with a tendency towards a one-party state.

    “Going forward, as a people-oriented organisation, we would not fold our arms, and leave this parliamentary coup unchallenged, especially at a time when the power sector has repeatedly become a graveyard of failed promises, at a time when emerging trends about those who assume power in Nigeria suggest accident of history,” he said.

    Read Also: Plateau politicians urges Lalong to run for president

     

    According to him, the time for action is now and Nigeria should not be held back by the lack of elite consensus on its leadership recruit process. “The momentum is growing and we can hear the rumblings of this call-to-action among the Nigerian people, even among the political and economic elite in communities, cities and across the country. A new Nigeria is now. A new Nigeria is possible where freedom, peace and justice will prevail for all,” he said.

    In his remark, Director Information and Strategy CIAN, Dr. CandyFidel Onwuraokoye observed that the reluctance of governance, the pedestrian understanding of the currents of Nigeria politics and the indecisiveness of the government in the face of mounting national emergencies and crises, are alarming signposts on the highway to the imminent collapse of the Nigerian project. He said part of the fallout of the recently passed Electoral Act include issue of integrity of the electoral process, acceptability of election outcomes, and voters’ apathy and turnout as well as question of legitimacy of winners.

    “If nothing is done, the leadership question will continue to be, the main challenge of the country. The dichotomy and the tension it has created have produced a disruptive impact that we can no longer afford to ignore. For this reason, the leadership question must be a priority in the Nigeria development agenda. Nothing short of that goal will deliver on the promise of a more  equitable, inclusive, just, and peaceful Nigeria,” he added.

    Dr. Onwuraokoye said the goal of the project is to among others ignite a paradigm shift that will birth the process of galvanizing the people for eternal vigilance in the delicate construction of their destiny in addition to rallying them for participatory change they so desire in the polity.

     

  • ‘If I reincarnate, I will remain Fela’s disciple’

    ‘If I reincarnate, I will remain Fela’s disciple’

    Renowned saxophonist Lekan Animashaun, whose name is synonymous with Fela and Afrobeat will turn 85 on August 18. He was  a founding member of Fela Anikulapo Kuti’s Koola Lobito Band, aka Baba Ani, was part of Fela’s band from the 60s till the king of Afrobeat death on August 2, 1997. Animashaun was until his retirement the oldest member of the Egypt 80 Band. To celebrate the iconic saxophonist, the art community will hold a series of activities — Living Legend live drawing session, music performances, symposium and reception — at four venues in Lagos, Assistant Editor (Arts) OZOLUA UHAKHEME reports.

     

    I am very happy turning 85. For the fact that at this age I am living in my own personal house, I give Allah the glory. I have good health. I cannot remember when I went to the hospital for any health challenge. The same thing with members of my family, too, we ‘ve never had any health problem. Above all, I have peace of mind, eat what I like not what I see, I don’t wear rags same thing with my family members. So, to turn 85 with all these that God has done for me, I am very happy and thank the almighty Allah for all His blessings on me and my family.

    Many Nigerians have some kinds of impression about Fela’s lifestyle and the influence they have on his disciples. But, here you are at 85, no health challenge. How do we resolve that?

    When Fela was alive, he never forced anybody to do anything. As a member of the band, if you decide to leave the band and still return you are free. When you return he will always welcome you back.  But, you won’t get your earlier position because someone must have taken over that position. There were some of us who were copycats who copied everything about Fela. But, there were people like us who did things in moderation. Is it drinking, womanising, drug and weeds smoking they did with moderation. Personally, the only one I took part in is smoking of Nigeria natural grass (igbo). There were some who lived reckless life in the band. Also there were others like me who maintained a balance in living.

    With benefit of hindsight, are there periods that are indelible in your memory while with Fela?

    There are quite a number. First, was during my wedding day when Fela came with the band to perform at ceremony, which was rare for Fela because he did not perform at Owanbe functions like birthday, marriages and house warming. His band was a revolutionary one. At my marriage on Lagos Island, Fela did not only perform but also came with his wife, children and mother. That I can never forget.

    Secondly, when Kalakuta Republic was burnt by unknown soldiers of  Gen. Olusegun Obasanjo administration, Fela and his band were forced to relocate to Ghana. Throughout the period Fela was in Ghana, he was paying for my flight every weekend (Friday) to Accra and back to Lagos on Monday to resume work in Lagos. I was working as an environmental officer then. I started work at Lagos Island Council, served in Mushin and other councils but retired at Oshodi-Isolo Local Government Council.

     Your employers did not frown at your divided attention?

    During those times, there were two different sets of people who either loved or hated Fela and his music.

    There was a set that loved Fela and his music but could not come out to support him. The other set hated Fela and his ideology. Interestingly, luckily for me, I worked under officers who had strong interest in what Fela was doing and they did not worry. However, most travels were on weekends or holidays or I took sick leave to cover the period I would be away. While in government job, everybody knew me to be very hard working. Lots of my bosses knew I was in the revolutionary group of Fela.

    Did you exhibit all these traits in your office?

    I never exhibited those revolutionary tendencies at my work place. I simply faced my job as environmental officer as seriously and humanly possible.

    How did you learn the act playing instruments like trumpet and saxophone?

    I had a brother Waheed William, a musician, who is late now. He was based in the UK then while I was in Class Five in the secondary school in Lagos. I wrote him a letter telling him my interest in saxophone and music. He sent me a baritone and trumpet accompanied with a letter which I took to Pa Chris Ajilo who was a popular musician then in Lagos. He took me in as one of his students where I learnt the theory and practice of music. That was in 1959.

     Which bands did you play with before joining Fela?

    While with Ajilo as a student, when he discovered that I was competent enough to play in a band, he admitted me into his band, the Chris Ajilo and the Cubanos. That band was the resident band at the Federal Palace Hotel on Victoria Island then. So from there, I joined the defunct Nigerian Broadcasting Corporation (NBC Dance Orchestra), under the directorship of late Pa Fela Sowande.

    Where next did you go?

    It was while playing with NBC Dance Orchestra that I met Fela. There was a day we were having rehearsal at NBC, there I met Fela at the reception on my way to the restaurant. A day earlier, I learnt of Fela’s plans to form a highlife band. So, I walked up to him introduced myself and told him my intention to be part of his new band. He gave me his address and fortunately that evening they were going to have a rehearsal session. So I went to the house on 14A Agege Motor Road where I met others like Tony Allen who was also recruited. Benson Idonijie was there too. They were friends as they worked together as producers of jazz music at NBC then. At the rehearsal, Fela gave me my music part. And I set up my instrument. As I was performing, Fela just tapped Idonijie saying ‘I will take him.’ That was how I joined Fela in February1965. We started the Koola Lobitos, which metamorphosed into Nigeria 70, then Africa 70 and later Egypt 80.

    Read Also: Onyeka Onwenu: I received a marriage proposal from Fela

     

     What informed those changes?

    Well I cannot say exactly because Fela was behind the whole changes. He had his reasons. The last one I heard him telling someone was that he named the band Egypt 80  because, to his understanding, Black people came from Egypt.

    You were in Fela’s band during FESTAC 77. Why did Fela opt out of the festival committee?

    At the committee meeting, Fela suggested certain ideas on how to run the festival, which were rejected by the head of the committee who was a military man. Maybe his suggestions did not go down well with the committee. So, he withdrew from the committee and the festival itself.

    As a musician did you regret the lost opportunity to perform at such stage?

    Well, to me, Fela was a man of policy. If you were convinced that your ideas would yield favourable results for the country and here was a committee that rejected your ideas, you can take any decision to defend your ideas. So, I don’t see anything wrong in his quitting the committee.

    In 1988 US tour, about 13 of Fela band boys defected and didn’t return to Nigeria. How are they faring now in music?

    Well, I cannot say exactly. Some are still making it while others were repatriated. Also, some are into drug dealing.

    You once said that if Fela was a government promoter, you would have built 10 houses and owned luxury cars. Is that a regret for you?

    No. I have nothing to regret. I am not materialistic, after all I have a house of my own, eat well, don’t wear rags, my family is doing well. My first daughter is a senior official in Lagos State Government. So I have no regrets. I am not in this world to make money.

    Again, what kept you so long with Fela even after his death?

    There were rare things he did that impressed me. First, my marriage ceremony that he came with his family and band to perform.  Second, the help he was giving me to maintain my job as environmental health officer, paying my flight ticket to and fro Ghana at weekends so that I did not lose my job. Third and the most important reason was that when we started the band it was a merry-making band. But somewhere along the line, I discovered that Fela was not for merry-making. He was a man with a mission. This mission was to open the eyes, ears and minds of our people to things happening around us in order to think and reason and take appropriate step to get out of wahala. So, when I discovered this was his mission, it made me to stick to him. There was never a prophet without disciples. Somewhere along the line I decided to be Fela’s disciple even after his death because of what he stood for. His band was never for ceremonial events.

     Did you ever consider running a band of your own?

    I never thought of it until I retired from Egypt 80 in 2016.And I saw that I am still strong and can perform. I do perform along Dede, Seun and Freedom Park Five.

    So what kept you back?

    I didn’t want to leave Fela the way others did. But after leaving Egypt 80, I decided to form a band and am constructing a studio in my house. I intend to do live performances and recordings. I have laid down tracks of some of my songs with Yinka Alakija’s band – Prime Quest Highlife Band. I have both highlife and afrobeat.

    What lessons did you learn from Fela?

    One; don’t lie, don’t steal. Two; don’t love money too much. Three; be hard working. Even when his house was razed by unknown soldiers, with POP on one leg and one hand, he still came for rehearsal. That was Fela for you. He was hard work personified. I learnt all these from him.

    Update on your studio

    All I need now is to acquire an analogue recording machine.

     Fela as controversial role model. What is your take?

    On women, you can hardly maintain a band without women. Talking of Igbo, it depends on individuals. The West and America are making good use of these weeds which are natural except you add chemical to it. Some people abuse things. Moreover, he never forced anyone to do it and most of these things were done within his household.

     All through your tours across the globe, were there any unpleasant experiences in the hands of immigration or security or even on stage?

    There was a time we travelled to Italy. Fela was arrested and kept in custody for about a week. After he was released, we continued our show.

    If you were to reincarnate, would you still play with Fela?

    Oh yes. Unless if he changes his line of thought and decides to join the bandwagon in the society, I will not. If he reincarnates and I do, I will still join him. The country has not changed one bit. All he sang about are still staring us in the face till today.

     

  • Fresh flicker from Emokpae’s creative forge

    Fresh flicker from Emokpae’s creative forge

    Until August 8, 2018, Mrs Ighiwiyisi Jacob, Creative Director Hermosa Boda, a spatial design service, was a passive artist waiting to be inspired. But, the talent in her started to manifest when she fell in love with spatial art. Though raised in a family of art and artists-a daughter of legendary artist the late Erhabor Emokpae, August 8, 2018 was her turning point in art. With a strong support from her brother Isaac Emokpae, an established artist, Ighiwiyisi is certainly the latest chip off the old block.

    Since that impartation, she has continued to increase her dedication to developing the gift that God gave her and has never looked back.

    This has led to the production of a collection of exciting works of art, which will be on exhibition next Sunday at Gallery At The Landmark, Victoria Island, Lagos on August 8. Tagged I will not be lost, (a translation of her name Ighiwiyisi) the retrospective solo debut captures on canvass her personal journey in life, which traverses the lows and highs.

    “There are many moments of my life captured on canvas. The idea is to find specific things that are common to humanity. Everyone understands grief, heartbreak, promises and prophecies,’’ she said of the themes of the works.

    To her, the solo exhibition is to honour people who have impacted her life, her mother, brother, father, siblings, and husband, as well as her children.  Even random people who have made impacts- some negative, some positive but they have shaped her. “This exhibition is very much that. So, you will see things like Chapter Thirty-One that inculcates my father’s letter. Another work is Cheap Bleeding that captures the year my mother died. But, the idea is that I find that the specific thing that we go through is general.

    “We may think they are unique to us but people go through the exact thing but differently. Everyone understands grief, heartbreak, promises and prophesies. We just have different ways of identifying.w So, as personal as this exhibition is to me, it is very general as well,” she noted.

    Ighiwiyisi, a co-founder of the Gallery at the Landmark, recalled how she began to make drawings that she ordinarily would have paid an artist to make.

    “We were fully booked and there was no one to do the artwork. I needed to put the design down for the production. I sat down to sketch. On that day, I sat down at the table and I was just drawing. I didn’t want to miss that moment. This is why the exhibition will open on August 8. I call it an impartation. I don’t see myself as an artist but as a channel-God draws through me,’’ she said.

    With eight works on panel and four works on canvas, she explores impasto and expressionism amongst others. With emphasis on female portraits, art is her long-awaited catharsis.

    “I want people to see themselves and appreciate the journey. I want people to use my journey to appreciate theirs. I want people who are almost giving up on life to see that it can still get better. You can be gifted and be mediocre. You must treat that gift properly, apply yourself to it daily. If you are gifted and you put in dedication, there’s no telling where you’d go,’’ she added.

    I will not be lost which will run till September 8 will feature works like Who told you you were naked? Ezra, Volo, Still breathing, Chapter 31, Sofia, My invisible man, Only sleeping, With Me, Medium, Forward, Nomose and Noma.

  • Nigeria in global politics, diplomacy

    Nigeria in global politics, diplomacy

    Title:  Politics, Law and Diplomacy

    Author:       Alaba Ogunsanwo

    Reviewer:  Bukar Usman

    Publisher:  Sibon Books Ltd

    Year of Publication: 2020

    Pagination: Pages: 1296

     

     

    The book, Politics, Law and Diplomacy, by Alaba Ogunsanwo is dedicated to a veteran Nigerian diplomat, Edward Olusola Sanu. Ambassador Sanu, who is now over 90 years old, made his mark when he led the group of African, Caribbean and Pacific (ACP) countries to negotiate trade relations with the European Union (EU). The outcome was the Lome Convention of 1975. This is a fitting dedication as the book is an exploration of Nigeria’s relations with other nations.

    Ogunsanwo ended his diplomatic career as Nigeria’s Ambassador to Brussels in 1999. He was a Professor of Political Science at the University of Lagos in 1983 and currently teaches in the Department of Politics and International Relations, Lead City University, Ibadan. He had his first degree at the Ahmadu Bello University, Zaria, and post graduate studies at the London School of Economics. He has been affiliated with other local and overseas educational institutions. It is with such formidable credentials of diplomatic experience and academic rigour that Professor Ogunsanwo penned his book Politics, Law and Diplomacy, the subject of this review.

    Politics, Law and Diplomacy is Prof. Ogunsanwo’s collection of essays on various topics about the international system and the roles Nigeria played within that system at the West African, African and global levels. The book is divided into two sections, 39 chapters and 10  appendices. The essays were written and delivered at various fora between 2007 and 2019. Section 2 is devoted to diplomacy, international legal order and international institutions. The narrative, rich in data, discusses Nigeria’s relations with major powers, middle powers, smaller powers, and equal-level powers. It identifies some countries and examines Nigeria’s bilateral relations with each of them on trade, aid, foreign direct investment, political and security matters, regional integration, growth and development.

    Nigeria’s interests, pursued through its consulates and other establishments, were outlined to cover economic, political, cultural, educational, religious, and commercial spheres. The author stressed that concerns for security and welfare as well as growing globalisation and interdependence, have made countries to relate with each other as a matter of necessity. As a result, Nigeria, like other countries, has no option than to belong to regional and many bilateral and multilateral organisations. That was why Nigeria in concert with other countries formed the Organisation of African Unity (OAU), now African Union (AU); the Economic Community of West African States (ECOWAS), and enlisted as a member of the United Nations Organisation (UNO) upon attainment of independence in 1960.

    Nigeria made enormous contributions in terms of human capital, material and massive mobilisation of public opinion to stamp out colonialism and apartheid in Africa. These are narrated as firsthand account in details with great expertise and insider knowledge by Professor Ogunsanwo. He was directly involved as the top Nigerian envoy in Southern Africa during the de-colonisation and apartheid era and reflected his physical involvement in steering crucial events at that material time. Having also served in several foreign policy review bodies of Nigeria, he can be regarded as an institutional memory in his own right. He observes that for all its sacrificial contributions in helping many African countries out of the woods, Nigeria has maintained a policy of not demanding requital from those countries for services rendered. This position, criticised by some Nigerians, is contrary to the practice whereby a country that plays a major role in helping another in times of war or social disaster usually demands economic or political compensation from the beneficiary country.

    As both a political scientist and scholar, the author keenly observes significant changes in the international system in recent times, especially since the world moved away from the Cold War era in 1990. Given what some regard as a unipolar world that emerged from the ideological warfare, the policy of non-alignment diplomacy adopted by most developing countries became outdated and impracticable. Attention is now focused on democratisation, development and environmental protection. One could argue, though, that what we have now is a mere change of tactics among the former Cold War antagonists as trouble spots all over the globe still throw up their fundamental differences in one form or another and remain the underlying causes of much of the conflicts raging in those places.

    Nigeria and the other developing countries in the increasing globalised world would need to redouble their efforts to add value to their products if they are to increase their participation in the world trade of industrial goods. In Africa, Nigeria has a unique attraction in having a huge market. It also has a higher risk of being a dumping ground of finished goods from elsewhere and therefore needs to adapt to ever-changing situations in the international system.

    It is quite an impressive effort on the part of Prof Ogunsanwo to put up such a voluminous and enriching book of 1,296 pages to aid our understanding of the workings of the international system and the place of Nigeria in it. I am not surprised. I knew him from our days as students at the Ahmadu Bello University, Zaria, to be the studious type as he paced from hostel to dining room to classroom and vice versa. There were no games for him. Only his studies mattered.

    Some obvious editorial and printing errors have resulted in the omission of chapter 13, a repeat of chapters 15 and 16, and consequential mix-up in page numbering.

    The book by Prof. Ogunsanwo, an academic-diplomat, is a valuable reference material to all who seek to know how Nigeria’s diplomacy was shaped and conducted from independence to date, the complexity in interactions in the international system as well as the delicate functioning of the multilateral organisations like the United Nations Organisation. I strongly recommend it.

  • Badejo is 54th president of Rotary Club of Ikeja

    Badejo is 54th president of Rotary Club of Ikeja

    Gbenga Badejo has been installed as the 54th president of Rotary Club of Ikeja at a colourful ceremony held last Sunday at the Sheraton Hotels and Suites in Ikeja.

    It also witnessed the induction of the new board for the Rotary 2021/2022 year as well as presentation of awards to rotarians and non-rotarians, including 50 years of Rotary to Chief Olusegun Osunkeye.

    In attendance at the induction were the Deputy Governor of Lagos State, Engr. Obafemi Hamzat who was represented by Dr. Aina Oluwagbemiga, Dorothy Ufot (SAN) and Akinla of Erin Ijesha, Oba Isaac.

    Badejo said he planned to continue with the club’s signature and legacy projects to achieve maximum impact in their adopted communities. According to him, ‘’some of my key projects for this Rotary Year are, building of Rotary Club of Ikeja Youth Community Centre for Leadership and Vocational Training- in collaboration with Lagos State Government, setting up of 20-seater ICT Centre for SOS Children’s Home, Micro Credit scheme interest free loans and renovation of a Block of Classroom with Complete furniture for Ikeja Junior High School.”

    He added “we plan to build a games court that can accommodate handball, badminton and volleyball, supply medical equipment to LASUTH, give awards to health care professionals that have been adjudged to be excellent performers, visit and provide relief materials to orphanages and IDP camps.

    He noted that the club would also host its annual SOS Children Village Xmas Party, offer free test Medical Services to the Oregun Community, and distribute mosquito treated nets, provide borehole for Olusola Model Primary School Hudson Wright Oregun, donate equipment for Artisans, train and retrain Primary School teachers as well as engage in tree planting.’’

    Badejo graduated from University of Ibadan in 1984 with a Degree in Geography and emerged one of the best in his class. He capped his career journey as a Fellow of Institute of Chartered Accountants, with many record-breaking achievements to his credit.

    He was humble enough to take up Accounting from the scratch and eventually qualified as a Chartered Accountant having trained at BDO Binder Balogun Badejo & Co, Chartered Accountants where he cut his teeth in accounting and consulting and later Ayorinde Thomas & Co., Chartered Accountants.

  • ‘My music is all about the Africa’

    ‘My music is all about the Africa’

    Ghanaian fine artist and musician Nyornuwofia Agorsor has spoken of the messages she hopes to pass on with her creativity and artistic works. The  mother of five in a recent interview said: “My message is all about the African knowledge, heritage and love for the environment.  In my music, I talk about how the West is continually pulling Africa down and making us feel less humans by taking away our knowledge system and replaced it with religion and servitude education. I also talk about our environment and protecting it. In my paintings, I use alphabets, numbers and symbols to send my messages.”

    Narrating her journey into arts, she said: “I attended school to secondary level and I refused to continue because I realised our education system in Africa is servitude. It only encourages the pushing of files. It does not help in bringing out the creative genius in our societies who will exploit and add value to our human and natural resources. It keeps our minds very low and keeps us in servitude. And this has taken away our fundamental moral laws. I first came in contact with the arts, in the shrine.”

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    According to Agorsor, she discovered she was multi-talented at a young age through service and education in the shrine. “I came to know myself and what I am capable of,” said Agorsor.

    Speaking on her success story in the arts, she said: “My success story is having that freedom to create what I feel to create. I don’t create because am forced to do so”, she said.

    On her music, she said: “I released my debut album Hugadem in 2018. I am currently working on my next album global warming”, she noted.

    Agorsor, however, finds African women being harsh, noting that she would love African women to be patient in everything they do, “The African woman is bold enough to dream big. Fierce enough to protect her children and tender enough to soften situations. She doesn’t need to appear strong by being harsh or rude,” said Agorsor.