Category: Brand week

  • Where does advert revenue go?

    Where does advert revenue go?

    Advertisers invest heavily on brands promotion but hardly get returns on their investments. How can they reap from their investments? Experts show the way out, reports ADEDEJI ADEMIGBUJI.

    For advertisers and creative agencies,the maxim “I know that half of my advertising dollars are wasted….I just don’t know which half,” is real. This maxim was popularised by John Wanamaker, regarded as the father of both modern departmental stores and advertising.

    Developing advert copies is difficult. It becomes more difficult when such adverts fail to sell the product. When that happens, the creative agency gets fired by the client, then Wanamaker’s maxim becomes apt.

    The reality of the advertising business is that many marketing programmes are usually not easily justified if weighed on the balance of return-on-investment. Such advertisement ends up being a leap of faith because it’s particularly expensive and its direct benefits particularly difficult to quantify.

    A good advert should sell a product and not just create good impression, humour or recall, especially in the current economic realities which is putting pressure on advertisers to cut down on their marketing budgets. This, perhaps, remains a major reason Cannes Lion Festival, the world’s most coveted advertising and marketing awards, decided to introduce a new award category to reward any outstandingly creative advertising piece or an innovative marketing strategy that truly drives sales.

    For Nigerian advertising agencies, the industry has witnessed great creatives that have all the element of good concept, notwithstanding that they are yet to win the Cannes Lion Festival. However, the recognition of their works by some other global rating agencies, is a testimony to the fact that they are not doing badly, except for the fact that most of the ads hardly enhance sales or influence consumers to buy the product.

    The abysmal performance of the Mobile Number Portability (MNP) campaign adverts is a case of advert investment gone awry.  The telecom sector is among the highest advert spenders in the country.

    According to figures from a recent Mediafact, a publication of MediaReach OMD, last year, the sector spent N14.7 billion on advertising to emerge as the biggest spender. During the period under review, all the telecoms operators reportedly invested a larger part of their media investment on MNP a scheme introduced by Nigerian Communication Commission (NCC), to increase quality of service and deepen competition among the players. Surprisingly, the NCC reported few months ago that only a dismal 80, 424 subscribers ported out over 129 million subscribers within 10 months (July 2013 to February 2014).

    Further statistics from the telecom industry regulator revealed that between May last year and February this year, MTN, the biggest telecoms company in the country, recorded 36,819 cases of subscribers porting out of the network. This was followed by Airtel, Globacom and Etisalat with 22,595; 12,357; and 8,653 respectively. The figure also showed that within the period under review, MTN recorded monthly out-porting figures of 3,409; 2,719; 3,142; 3,925; 4,266; 4,453; 4,491; 3,052; 3,667; and 3,695. Also, Airtel recorded monthly out-porting figures of 1,190; 1,315; 1,327; 5,826; 6,520; 1,447; 1,004; 1,199; 1,429; and 1,338. Globacom also recorded monthly out-porting figures of 1,646; 1,122; 1,367; 1,354; 1,267; 1,204; 1,206; 973; 978; and 1,240 for the period. Etisalat had the lowest number of subscribers who left its network with a monthly figure of 768; 646; 917; 934; 1,019; 1,001; 1,129; 626; 806 and 807 for the period. In the report, MTN reportedly accounted for about 45.78 per cent of out-porters; Airtel, 28.09 per cent; Globacom, 15.36 per cent; and Etisalat, 10.75 per cent.

    While the CEO of TPT, Mr. Charles Igbinidu, is of the opinion that the MNP campaign created a high level of awareness, but to the telcos, such advertising investment has remained a waste, at least, going by the number of people that the portability ads called to action.

    In Igbinidu’s assessment, the campaign is not totally a flop as being suggested in some quarters. This is because the portability campaigns have, at least, achieved one goal, which is awareness. “I am sure many Nigerians are now aware that they can change their operator and still retain their numbers. So in the area of awareness creation, it has been a success. I also believe that MTN’s ‘I don port’ campaign is a classic. It is a very creative campaign and the media relations leveraging has also been superb,” said Igbinidu.

    The Managing Director of Milward Brown Nigeria, a global marketing research firm, Mrs. Geri Roberts, recalled that one of the campaigns (MTN’s Saka I Don Port) generated high level of appeal with great humour but she wondered that the ad failed to influence people to switch from their network despite the comic model explored to sell the MTN MNP product. She explained that the advert failed as reflected in NCC report because the advertisers and their agencies failed to audit the creative before going to town. She explained that an effort should have been made to understand how the consumers feel about the telecom services and take critical steps to address them before flagging off such campaign which she described as appealing and humorous. “These are four people. All of them same of same. Even when we are talking about MNP, it is not enough to bring Saka dancing. There are issues. Call drops. It’s raining season now, you can hardly have smooth network and so switch from what to what? When these adverts were being aired, if anyone of them had checked the consumer’s opinion, they will know the true picture. In Saka advert, we laughed and enjoyed it but we refused to follow Saka. The advert was just about following Saka (a model who dumped Etisalat for MTN) and no benefit offered,” she said.

    Why advert fail to sell the product

    The Managing Director, Millward Brown Sub Saharan Africa, Mr. Soumya Saklani, told The Nation that sometimes, an advert can be creative but may not impact on sales of the product being advertised. While most of these ads are memorable, he regrets that they are often classified during gain analysis as waste of investment. “Creative, but can it sell? There are ads that are very engaging, very appealing, people remember them, they enjoy them but there are two things that are equally important beyond just remembering advert,” he said.

    Saklani explained further: “One of it is do remembering what brand it was for. After time, we found out that people remember what was shown last night. Very good ad. We asked them what brand was it for and they answer it well. So, one of the challengers advertising agency face is not only about coming out with a creative ad that is very strong, they have to make sure that the branding is very good. The brand must be integrated in the advert so that people will not forget which brand it was for. For instance, if you see an MTN ad, you will see Yellow everywhere and they have every other ways to make the advertising more branded. Another is Call to Action. So, yes, I like it, I enjoyed it but what am I supposed to do?  Am I supposed to buy it, recommend it was for or am I supposed to find out more? So, there are the issues that must be considered to make an ad succeed.”

    In addition, Roberts noted that most advert fail to sell because they make consumers look as if they are silly. “What moves me when I watch an advert is that it must be grounded in reality and have a bit of humour. An advert shouldn’t talk to me as if I am silly. Some advert come with someone with a dark complexion and after using a product he becomes white the following day. Many of these advert talk to you as if you are silly. They talk to consumers as if they are silly but the consumers are not silly at all,” said Robert.

    Who should be blamed: Client or Agency?

    Over the years, Nigerian advertising agencies have complained that clients obstruct their creative concept. In the same vein, advertisers too believe that after developing a good brand, getting a good agency to communicate the value proposition is always a critical task for brand managers.

    The former Managing Director of Rosabel Advertising Limited, Mr. Kayode Oluwalana lamented agency experience: “Sometimes you wonder if the client is a copy writer or art director. If he is one, then why does he need an agency? Some clients get in the way so much that by the time the communication material is ready for exposure, it has become completely bastardised and useless, but all the same the client is happy! It’s his work after all. A particular client is known to have shot down an otherwise great concept with ‘my daughter doesn’t like it’. And here, the daughter is way far off from the audience targeted with the campaign.”

    Contrary to this position, the General Manager, Marketing for MTN and President, Advertisers Association of Nigeria (ADVAN), Mr. Kola Oyeyemi, in his recent book, “Kill or Get Killed: The Killer Marketing Instinct” wrote: “Once the brand management team has successfully developed a compelling and relevant value proposition base on sound insight, communicating this proposition to the trade and the consumers is the next critical job. The best of propositions can fail if wrongly communicated. Thus, the choice of the right advertising agency as a partner is very important. If you get the hiring decision wrong, you can compromise the fortune of the brand.”

    To Robert, neither advertisers nor their agencies should be shielded from the blame of creating a communication that fails to enhance return on investment. She said most communication managers at both end fail to carry the consumers along from the first stage of their brand messaging before it get to the public. “I will blame it on no one but the most important link missing in most adverts is the consumers. I won’t say it is either the client or the agency is to be blamed. It is good for the creative agency to package for the client to approve but remember that the kind of people we are packaging advert for are quite different from clients and the agency. So, for me, I will say that right from the beginning, we should bring in the consumers so that they can give us objective feedback from the creative idea. Though I know that consumers tend to kill the creative ideas because they don’t understand the rationale but we can use them as critique and we don’t have to take everything hook, line and sinker and throw away the ads. The reality still is that they know what make them take purchasing decision, what makes them happy. So, we take the creative from there,” she said.

    Making the advert money count

    Globally, advertisers are demanding result-oriented advertising copies. One of the recent innovations that are helping them gauge the effectiveness is through software or a method called “Link-Testing” and help stop the waste of investment on advertisement. The proprietor of the software, Milward Brown, said before advertisement is produced and exposed it must go through Link-Testing which accordingly helps predicts the sales response to advertising. “With volumetric predictions included as part of Link, Millward Brown can help you prove the value of strong creative by predicting the sales response, and can also provide insights to help you adjust the broader marketing mix in order to increase ROI from your advertising,” Roberts explained.

    According to her, the Link volumetric is a new analytical service that marries Link results with sales (or results from sales response modeling) and other relevant client data to create a more direct measure of the contribution that advertising quality will make to sales.

    Link has been extensively validated and evidence shows that ads which perform well in Link are more likely to generate a significant sales uplift than poor performers. This means that marketers can focus on the issues and opportunities identified in Link, safe in the knowledge that addressing those issues will make the advertising more effective.

    “In Link, we measure an ad in all these parameters or measure its ability to succeed, it can measure that the branding is good but the call to action is weak. Link started in the 80s and it helps advertising agencies understands how best to make an advert sell a product. Link measure where the problems and correct to make the advert attracts the consumers. It focuses on the quality of the advertising creative,” she explained.

    Narrating his experience about the Nigerian advertising creative landscape, Saklani complained that most advert in Nigeria fail because they are not grounded on good research and production values. “The audio and video don’t follow some quality measures. Link offers an opportunity for advertisers and marketers who are spending millions of millions on the advertising budget to maximise the impact of their investment and stop the wastages,” he said.

    When agencies can use link to test an advert

    “If a building foundation is going on and you wait till it gets to 16 storeys before calling an architect, and he tells you this is bad and you begin to correct it floor to floor. That will spell doom at the end of the completion. But in Link-testing an advert, you start from the beginning of the creative concept. It is a software and methodology designed by Milward Brown to create solution. For instance, it will determine if you will have to reduce a 45 seconds advert to 10 seconds and safe money yet impact on the sales. It will guide advertising agencies and advertisers on quality control of the advert,” Roberts explained.

    MNP failed pre-campaign gain loss test?

    “In the case of waste in MNP advert, if the advertisers had linked-test the copies, using animation, we would have told you that yes I am laughing and as a consumer I will have been able to tell you that there is nothing to gain in the advert but Link will tell you about the gain losses analysis. Link will tell you that this advert is very funny, very engaging but call to action is very weak. “ she said.

    With the Link-Testing software, expert believes consumers will trust most advertisement while advertisers too will experience increase patronage through their promises on their advertisement.

     

  • Obiano okays Gulder’s new look

    Anambra State Governor Chief Willie Obiano has described as creative the new packaging of Gulder.

    He spoke when a delegation from the Nigerian Breweries (NB) Plc, manufacturers of the beer, visited him at the Government House, Awka.

    He said the brand’s new look made it distinctive from other beers. He said: “This new Gulder bottle makes the beer stand out from other beer bottles. I have seen the new bottle and what you have done with the new packaging is really creative. It’s really good.”

    Obiano further described Gulder as an innovative beer, hence its wide acceptability in the market. He said: “I must say I am not surprised that Gulder beer is doing well in Nigeria. The brand is a case study at the Lagos Business School. Let me also use this opportunity to commend the Brand Managers working to ensure Gulder’s success. They are doing a great job of promoting such a great drink.”

    He added that many people in the East, including Anambra, patronise Gulder as well as other Nigerian Breweries brands.

    Obiano noted: “We have the population that enjoys beer here. If there is a segment in Nigeria, so concentrated that enjoy drinking beer, you find that in Anambra State.”

    The new Gulder bottle has several revolutionary attributes, such as a premium Staniol with the gold neck seal with a conical-shaped neck.

    The bottle also has a strong masculine shoulder with a distinctive metalised label.

    The rich metallic front and back labels add to Gulder’s premium look and feel. The new look bottle was unveiled on September 6.

     

  • Wine/Spirit expo coming

    The organisers of Wine/Spirits and Beauty Expo plan to deliver over 100,000 markets to operators on October 10 during the Mega 3 Expo.

    The expo, which is being organised by Exhibition Gurus will hold at the Tafawa Balewa Square (TBS), Lagos. It is designed to be a meeting point for operators in wine, spirit, beauty, fashion and related industries.

    Practioners will exhibit their goods, services and give free samples from exhibition booths to over a 100,000 customers.

    Chief Executive Officer, Exhibition Guru, Akin Eso said: “There will be a lot of wine-tasting, unveiling of new products and lots of giveaways at the expo this year, and to cap it all, an intending couple will win a N15 million worth of wedding goods.”

    Exhibition Guru has been at the forefront of industry-related exhibitions in the country. Its first major exhibition was the hugely popular, Wed Expo in Lagos which attracted over 50,000 people. There have been other exhibitions subsequently in Lagos and Abuja.

    Eso said: “Exhibition is the way to go for effective marketing; at the exhibition, you get to see the market, the people in their thousands and get immediate feedback. What we are doing is experiential marketing, sales and launch put together. There is nowhere you get ready-made market like exhibitions.”

    He promised that the exhibition  would be the biggest in Africa. We are going to have over 100,000 ready to buy customers in attendance from all over world, and the kind of exhibitors coming this year are also all over the world.

    Wine exhibitors that have already signed up on the expo’s website www.exhibitionguru.com.ng,  Pernod Ricard said, one of the biggest wine and spirit firms in the world – makers of Chivas, Absolut and more, Disaronno, Grand Oak, Aspire Wines, Campari world best Liquors and Mixers, Gran Cantina makers of Foss Marai wines, McNamara Wines, Skinnycocktail International Ltd, Vision Essence makers of Xenius Champagne Brut, Morcone Williams Brand, Voulez Wine Distribution, Linzi Liquors, Wine Crockery International, Mrpete World Class Sommerlier, Blends and Cocktail Mixers, Golden Rum Spirit and Liquors, Champagne Vollereaux, Organic Wines International, Sparta Sparkling Wines, Canto Wines are among those that would be showcasing their products and services at the wine expo.

  • Chi Happy Hour unveils three variants

    CHI Limited has introduced three new variants of Chi Happy Hour into the market. They are Apple Peach Pear, Guava and Kiwi Mint Lime.

    According to the company, they are blended fruit drinks aimed at  exciting its consumers.

    Unveiling the products at their head office in Lagos, Chi Limited assured consumers that each pack of Chi Happy Hour has tasty fruitiness.

    The firm said studies had shown that consumer’s preference for a healthy and refreshing alternative to carbonated soft drinks and the introduction of these new variants is based on this understanding.

    The Managing Director of Chi Limited, Mr. Roy Deepanjan, said: “We recognise that consumers in the juice category prefer to explore exciting taste and different fruit mix options. We, therefore, arrived at these variants after several consumer studies, and we are quite confident that the taste will be liked by one and all.”

    Chi Happy Hour is available in 1Lit, 500ml & 250ml packs. By rolling out the products.

     

  • Unilever kicks off Sunlight Community Wash campaign

    Unilever Plc has taken its Sunlight Community Wash Campaign to the grassroots, promising consumers a clean and fresh wash experience with its two-in-one Sunlight Detergent.

    The Community Wash Train started at Ehanlen community in Uhele-Ekpoma, Edo State, moved to Udoko community, Ondo Town, Ondo State; Oba-Oke communty in Olorunda, Osun State;  Okeho community, Kajola  Oyo State and, and stopped at Owu Community in Abeokuta, Ogun State.

    The residents came out in large numbers to have a feel of the detergent. The event was attended by key personalities from the communities. They acknowledged Sunlight detergent’s attribute of sensational cleaning and all-day fragrance.

    In Udoko community, Ondo South West Local Government Area(LGA), the playground of Saint Peters Primary School hosted many residents who participated in the wash. The residents, who defied the early morning rain, joyfully took part in the various activities that made up the show.

    The Market Women’s leader in the area, Mrs Adeyemi Christiana, praised Unilever for its quality products, especially the Sunlight Detergent. She said: “We appreciate Sunlight Detergent because, as market women, we are prone to dirt and sunlight detergent is readily available to help us with its two-in-one cleaning and freshening ability.  This is why we called on all our women to be part of the community wash and they were so excited about it.”

    The traditional ruler of Oba-Oke, Oba Adam Iyiola Bamidele Yusuff,  said: “My people have really embraced the product and vowed to henceforth use Sunlight Detergent for all their household washing.”

    Also, pleased with how the community wash ignited and united his community, Oba Rafiu Osuolale Mustapha, Adeetan II, the Onjo of Okeho, in Kajola LGA of Oyo State, thanked Unilever for introducing the product to the people in his community.

    Others, who spoke on the quality of the product, said it foams quickly and leaves lasting fragrance on clothes.

    Mrs. Folashade Olaoluwa, a retailer, said: “It is a nice detergent because it foams well, removes dirt and doesn’t make clothes fade. I really fancy its fragrance. All my children use Sunlight Detergent in washing because of its qualities.”

    Mr. Oluwale Olarenwaju, a Man-O-War member, said: “I am excited to see Sunlight Detergent in Osun because that is what I use in Lagos. If you check my khaki uniform that I just washed in this community wash, you will feel that it is brand new.”

  • Ray of hope for Aegis group

    The Dentsu Aegis Network,which has affiliates in Nigeria, predicts continued optimism, with global ad spend growth forecast at five per cent for this year and 2015, writes ADEDEJI ADEMIGBUJI with agency report.

    THERE are better days ahead in the advertising industry, a report by Dentsu Aegis Network has said.

    The report published its forecasts for global advertising expenditure for this year and 2015.

    In the report, there are indications of strong performances by the United States (US) and United Kingdom(UK), with Western Europe returning to positive growth.

    Based on data received from 59 markets across the Americas, Asia Pacific and EMEA, Dentsu Aegis’s  forecast shows global advertising revenues accelerating by five per cent in the year, an increase on the 4.8 per cent predicted in March, and reaffirming positivity for next year with yearly growth of five per cent.

    From a regional perspective, Dentsu Aegis predicted as further positive momentum for the year for North America and Western Europe, compared with figures announced in March. The US continues to show strong market growth, with levels of advertising spend in North America expected to exceed the pre-recession peak in 2007 for the first time by the end of the year. Western Europe is expected  to see a return to positive growth of 2.7 per cent after two consecutive years of declining advertising spend, driven by a strong UK advertising market forecast to grow by a robust +7.5 per cent this year.

    While forecasts show a slight decline in growth when compared with predictions from March, this year, Asia Pacific and Latin America are still both forecast  to outperform global predictions, with growth rates for the year of +5.4 per cent and 12.1 per cent, and the only regions to see double digit growth in some markets.

    Dentsu Aegis Network’s data also highlights that the outlook for next year continues to be encouraging with all key markets forecast to return to positive growth.

    By media, digital outperforms previous predictions for this year with yearly growth forecast at +16.1 per cent. Digital  will also increase its share of spend, hiting 20.5 per cent and 22.6 per cent  next year, when it will outpace the combined Magazines and Newspaper global share for the first time.

    While the steady decline in Print is expected to continue, other mediums are to achieve yearly growths of about five per cent in the year and next year.

    The Chief Executive Officer (CEO), Dentsu Aegis Network, Jerry Buhlmann, said: “Dentsu Aegis Network’s latest advertising forecast gives us increased optimism for the outlook of global and regional advertising spend. With the global recession further behind us and a healthy trend of five per cent year-on-year global ad growth, there is positive momentum building across the industry. While Digital continues to headline market trend discussions, the components within this dominant media now provide the interesting chapters, with the opportunities in mobile leading the debate. With changes and trends in consumer behaviour driving business opportunities, brands need to deliver innovative and integrated solutions to reap the rewards ahead.”

  • Portland Paints opens centre 

    Portland Paints and Products Nigeria Plc, a subsidiary of UAC of Nigeria Plc (UAC), has inaugurated its Sandtex Paints Experience Centre (SPEC) at Oregun, Ikeja, Lagos.

    The event came on the heels of firm’s growth drive which has been marked by the expansion and upgrading of its factory and retail trade capacity with the installation of the first In-Plant & Point of Sale (PoS) Colour Tinting technology in the industry.

    The Group Managing Director of UAC and Chairman of Portland Paints, Mr Larry Ettah, said the company’s new offering reinforces the UAC Group’s values, which emphasise innovation and customer focus as a significant boost to the company’s business thrust. Ettah, who was represented by Mr Joe Dada, executive director, Corporate Services of UAC, explained that the solutions proffered by the company would ensure that customers have access to quality products.

    The Managing Director/Chief Executive Officer (CEO) of Portland Paints, Mr. Olufemi Oguntade, said the introduction of the in-plant tinting at the factory and the PoS system at the retail outlet would provide a broader range of colours to the customers for both commercial and individual building projects.

    He said: “The company is committed to delivering exceptional value to all our customers through our Sandtex flagship brand. Customers will enjoy up to a thousand more colours, with improved products that come in new, modern and attractive packaging which will be available within minutes at our newly upgraded experience centres; all these are geared towards satisfying our customers who are key to the growth of our business.”

    Oguntade highlighted the significant input from Portland Paints’ technical partner, Kansai colourants of South Africa – represented by Cindy Browne,  a Senior Executive – towards the realisation of the Portland Paints’ strategic moves.

    The Portland Paints chief informed the guests, which included architects, building engineers, painters and distributors, that all existing conventional depots of the company were undergoing a major facelift and would be upgraded to Sandtex Paint Experience centres so that customers can be provided with colour solutions in a trendy, sophisticated and convenient environment.

     

  • Larger beer war deepens as Gulder rebrands

    Larger beer war deepens as Gulder rebrands

    The Gulder brand has gone through several marketing phases in recent times. It has taken several innovative approaches to sustain its equity and address some of its marketing challenges since it started in 1970. The brewer giant recently changed the brand’s bottle. Could this decision have been informed by the competition in the larger market? ADEDEJI ADEMIGBUJI asks.

    The beer sector has never lacked crazy creative concepts to activate its brands. But in a market that is bogged down by dwindling sales and the entry of new players, only a brand that deplores a result-oriented creative approach with good taste could win the heart of consumers.

    The reason every brand in the sector spends so much to get the most memorable activation for their brands is obvious. In recent time, the beer industry recorded a decline in growth as at third quarter of last year.

    Research showed that  high cost of living and heightened security concerns led the overall beer market to further witness a decline of about 10 per cent last year. Two key factors were also responsible for this.

    The heightened security concerns in certain parts of the country has added pressure on distribution. This has impacted negatively on beer consumption as its supply was constrained by the circumstance.

    Financial Derivatives Company (FDC), a financial institution, said the nation’s beer market has seen a decline in the super-premium and mainstream brands to the benefit of value/growth brands by 8.3 per cent last year. This was characterised by relatively lower prices. Such brands include Trophy lager, Hero beer, Goldberg, Life beer and Dubic beer.

    “From our analysis, we conclude that the industry is attractive. We note that though the barriers to entry are high, the bargaining power of suppliers is moderate, while the bargaining power of buyers is low. There is little threat of substitutes for the products produced in the industry and favourable complements for the products,” FDC said.

    To remain relevant in the industry, every brand has continued to explore marketing tactics to stay on top of the game to deepen market share. While some engage in various activations, others are bringing new flavour to their brand.

    Guinness Nigeria, one of the two biggest brands in the country recently launched the #Made of Black campaign, in addition to other successful campaign outings last year when it unveiled the largest Jersey in the world. Also, a few years ago, Nigerian Breweries built an Ultimate Ship likened to a titanic ship in a bid to build the Guilder brand and leave a memorable experience for consumers.

    However, the sector has recently witnessed another creative spark from Gulder. In its attempt to introduce a new bottle for the Guilder brand, NB built a Walkway at Oceanview Ground where it was launched during the Gulder Ultimate Search Final Selection Party. The Walkway was built with Guilder crates to create an aura around the newly launched bottle.

    Forty four years after its introduction into the Nigerian alcoholic beverage market, Gulder is now wearing a new look. The re-introduction and repackaging of the brand, popularly called the Ultimate.

    The event marked the culmination of several weeks of a suspense-filled campaign tagged “The Cube is Coming”, which had millions of Nigerians guessing what the Gulder brand had up its sleeves.

    The Managing Director, Nigerian Breweries Plc., Mr. Nicolaas Vervelde, said the Gulder re-launch was in tandem with the company’s penchant for innovation, which has sustained its leadership in the brewery sector.

    He said: “In 1946, the story of innovation started with Nigerian Breweries Plc. We launched the Gulder brand in 1970 in a unique brown bottle with a unique logo and unique recipe. This unique beer is loved by millions of Nigerians who savour the taste every day, every week, every month and every year. Gulder was the first beer to be launched in cans, which is a further sign of its innovativeness.”

    Vervelde described Gulder’s new bottle launch as revolutionary. He further said: “It is a historic moment for the Gulder brand. The new bottle which was contained in the Cube reflects that this celebrated brand, Gulder, is at the forefront of advancement and I can assure that what you are going to see is the result of several years of hard work and skill that the brewery industry has seen in a long while.”

    The highlight of the occasion was the official presentation of the new bottle, which was performed by Hubert Eze, and Sales Director of Nigerian Breweries Plc., respectively.

    The Marketing Director, Messrs Walter Drenth, described the bottle as the most innovative in Nigeria. He said: “What we have done is to take Gulder from a 1970 bottle and transformed it to a 2020 bottle. I can tell you that this is the most innovative bottle in the Nigerian beer market today. Let me also assure that despite the efforts and resources committed to giving our esteemed consumers of Gulder this classy bottle, the price and the taste remain the same.”

    According market survey, Gulder is the second highest selling beer in the country. It spent about N0.7 billion on above-the-line advert last year trailing behind Guinness Extra Stout’s N1.6 billion and Star Larger beer’s N1.5 billion in the same media category.

    It is also adjudged the second only to another brand also manufactured by Nigerian Breweries Plc.

     

  • Dealers defend Tecno products

    Dealers defend Tecno products

    THE Tecno Dealers Association of Nigeria (TDAN) has described mobile phones manufactured by the company as one of the best in the world.

    Its President, Prince Onuigbo Anthony  said this at a briefing in Lagos. He said Tecno is the only mobile phones manufacturer with an indigenous firm in its first line of distribution.

    Onuigbo said they were compelled to address the media because of a publication which described Tecno products substandard.

    “Recently, there was a publication in the media by some individuals who are out to tarnish the image of Tecno brand to confuse the undiscerning public.”

    He said the writers were envious of the growing market of Tech brands in the country, urging the public to disregard them.

    According to him, the Tecno brands have ensured that mobile phones are affordable to the common man.

    “The Tecno brand entered the Nigerian market about six years ago with the vision of giving the consumer value for their money,’’ he said.

  • ADVAN unveils awards for Brand Journalist

    ADVAN unveils awards for Brand Journalist

    The Advertisers Association of Nigeria (ADVAN) has announced entries for the maiden edition of Brand Journalist of the Year  Award.

    The award, which rewards reporters’ excellence in brands reporting, is open to those in the print, broadcast and online media who are practising in the country.

    According to the President of ADVAN, Kola Oyeyemi, the journalists’works on brands, branding and brand values submitted for assessment must comply with the principles, demands and ethics of the profession, adding: “The works shall be judged on clarity of message, factuality, fairness, balance, human interest, originality, freshness od ideas, depth, confidence, emotional appeal, creativity, technical execution, mastery of the media, quality and levels of professionalism.”

    He noted that judges would also asses the authors, on their understanding of brand values and brand distintiveness.