Category: Entertainment

  • Brain Jotter pays tribute to ‘Gwo Gwo Gwo ngwo’ singer Ejeagha

    Brain Jotter pays tribute to ‘Gwo Gwo Gwo ngwo’ singer Ejeagha

    Skit maker Brain Jotter has paid tribute to legendary musician Mike “Gentleman” Ejeagha, who passed away after battling prostate cancer.

    Brain Jotter shared a heartfelt video and message on Instagram, honoring Ejeagha‘s enduring legacy and hit song “Gwo Gwo Gwo Ngwo,” which gained renewed popularity through a dance challenge.

    The skit maker visited the musician with N2 million cash gift after the challenge dance garnered over 29.1 million views and 30,000 comments on Instagram, and over 19.6 million views on TikTok.

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    Captioning the post, Brain Jotter said: “39years ago, he made magic (Gwo Gwo Gwo Ngwo song). 39years later, we danced to it again. Now, he rests, but his melody lives forever. Rest in peace, legend”.

  • ‘How we secured a global deal for Davido’

    ‘How we secured a global deal for Davido’

    Afropop artist and Grammy nominee, David Adeleke aka Davido has signed a groundbreaking global partnership with a world-renowned sports betting and gaming platform, Stake.

    The partnership was made possible through the joint efforts of three international firms, Dupla, Cresthood Legal LLP and the African Union Sports Council (AUSC).

    A statement by the advisory teams, noted Davido’s unmatched blend of artistry and business acumen as the reason for signing the partnership with his brand.

    The team, spearheaded by Uche Egbe, MD, AUSC Region 2 and Oluwasanmi Falade, Partner, Cresthood Legal, pinpointed the singer as the perfect face for Stake. com’s African market expansion.

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    According to Falade, the focus of its firm was to ensure the deal was structured to serve the long-term interests of all parties.

    “It’s a proud moment for us all. Davido’s unique brand value and cultural influence made him the clear choice, and we’re proud to have contributed to making this vision a reality.”

    In his words, Egbe, said, “It’s exciting to see a deal of this scale shaped by an African-led team. The depth of local understanding paired with international experience made the outcome truly impactful.”

    Similarly, co-founders of Dupla and former senior LALIGA executives, Luis Cardenas and Miguel Montoro stated that, “Working with professionals who understand both the cultural and commercial dynamics of the deal was key. We are impressed with how this deal went.” 

  • Oluseyi Solagbade set to storm London in August

    Oluseyi Solagbade set to storm London in August

    Nigerian gospel artist, Oluseyi Solagbade is expected to perform in London, on August 15, 2025 to a waiting audience.

    The show, according to the organisers, is scheduled to be held at the Concord House, Dagenham, United Kingdom.

    The praise concert, which is organised by Bdot Music Empire and supported by Toxhann Concepts, is Solagbade’s first outing in the UK.

    The popular ‘Sio,’ singer is well known mostly among members of the Celestial Church of Christ and other denominations.

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    Bdot Music Empire boss, Abidemi Adetunji said though it’s a gospel concert, it is however targeted at second and third generation Nigerians  in the UK.

    Adetunji said the essence is to ensure they are in touch with home even if they have not been to Nigeria before.

    He said: “ ⁠We would like Nigerians in the United Kingdom to know that Oluseyi Solagbade would be coming to the UK for his first ever UK edition of Oluseyi’s Christ Cafe. He would be lighting the show alongside some other guests artist like Sammypee, Tiwalola Shittu, Israel Ekundayo, Ebenezer Opalemo, Damilola (Dee’Reign), Tunde Stainless, MoShoba, Tosin Adisa and Danny Jazz.”

  • Ireke: Rise of the Maroons set for July release

    Ireke: Rise of the Maroons set for July release

    Nigerian born filmmaker Gbolahan Peter Macjob’s ‘Ireke: Rise of the maroons’ is set for July release after premiering at the 2025 Cannes film festival.

    The new Yorùbá movie premiered at the Cannes Film Festival as the first Nigerian local language movie to achieve such a feat.

    Come July 25, the movie will have its worldwide release in over 100 cinemas combined across the UK, Nigeria, Ghana, Benin, and Austria – another first for any Nigerian movie.

    In the same vein, the film has made another feat as the first Nigerian movie ever to secure an exclusive distribution deal with Europe’s largest Cinema chain – the Odeon.

    Read Also: Zenith is ‘Best Bank in Nigeria’, says Global Finance

    ‘Ireke: Rise of the Maroons’ tells the story of the slave rebellion of the 18th century in the Caribbean plantations which led to the creation of the Maroons and how their resistance led to a truce and ultimately the end of slavery in the region.

    After its release at Cannes, the film has opened up conversations about the need to tell stories about shared history from the global south which resonate with the global north.

    With the exponential growth of the Nigerian film industry in the last decade and its continuing appeal to a wider audience, this local language film is set to capture hearts of the Black and ethnic minority communities in the UK this summer.

    This is the first time anything like this has happened in Sub Saharan Africa and the fact it’s a debut for the writer/director.

  • Adaora Umeoji’s impressive run

    Adaora Umeoji’s impressive run

    About this time last year, the Board of Zenith Bank PLC made a historic announcement when Adaora Umeoji OON was appointed as the Group Managing Director and Chief Executive Officer following the conclusion of Dr. Ebenezer Onyeagwu’s tenure.

    The decision sparked scepticism among some observers, particularly those unfamiliar with her capabilities as a woman leading a major banking institution in Nigeria.

    The banking industry is notoriously challenging, and many doubted whether she could rise to the occasion.

    However, the Board had a visionary perspective, believing that Adaora was not only the right choice but also the perfect leader to propel the bank forward while sustaining its tradition of innovation.

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    One year into her leadership, Adaora has silenced the sceptics through her remarkable achievements. Under her stewardship, Zenith Bank has consistently outperformed expectations, reporting substantial profits after tax during their financial declarations. Her strategic approach to leadership has instilled confidence among investors and stakeholders, demonstrating that her capabilities extend far beyond any preconceived notions. Those who initially questioned her suitability for the role are now reassessing their opinions, as she continues to deliver impressive results and embody the essence of effective leadership.

    To commemorate her successful first year, a celebration was held over the week at Zenith Bank’s headquarters in Lagos. The event, hosted in an elegantly decorated boardroom, was attended by Adaora’s colleagues who expressed their admiration for her leadership style. Many noted that her tenure has inspired them to enhance their own work ethic and collaborative spirit. Unlike conventional leaders who might take a backseat, Adaora leads from the front, actively engaging with her team and fostering a culture of excellence.

    This hands-on approach has not only contributed significantly to her success but has also motivated her colleagues to strive for greater effectiveness and innovation within their roles. The celebration served as a testament to her impact on the bank and the positive changes she has instigated in its culture and performance.

  • Mike Bamiloye defends viral gospel hit “Never Going Back”

    Mike Bamiloye defends viral gospel hit “Never Going Back”

    Renowned evangelist and founder of Mount Zion Faith Ministries, Mike Bamiloye, has defended the viral gospel song ‘Never Going Back’ by Gaise Baba and Lawrence Oyor.

    The song sparked both admiration and criticism within Christian circles.

    In a heartfelt post on social media, Bamiloye addressed the controversy surrounding the song, urging believers to focus on its transformative message rather than the artists’ appearances or stylistic choices.

    The song, blending Yoruba rhythms with a bold declaration of faith, has resonated deeply with Nigerian youth, amassing over 4 million streams online.

    Mike Bamiloye said its lyrics, such as “Ife Jesu lo wa mi ri, to gbami ku o” (“The love of Jesus sought me, found me, and died for me”), deliver the gospel in a way that connects with a generation inundated by secular influences.

    However, some Christians, including a pastor, have criticised the song, fixating on Gaise’s colorful hair, Lawrence’s headband, and the energetic dance moves in its music video.

    Bamiloye expressed dismay at this reaction, questioning why some believers are quick to judge the song’s outward presentation rather than celebrate its potential to reach young people.

    The evangelist warned that condemning such gospel expressions risks alienating young people who are already bombarded by secular music and culture.

    “Never Going Back – A Soundtrack for This Generation. So Never Going Back by Gaise Baba and Lawrence Oyor, hit the internet and it went viral, young people love it, but recently, I have been seeing videos of a pastor and some Christians criticizing the song and I can’t stop thinking about the message of the song and the reactions it has sparked amongst us christians.

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    “Here’s the thing: teenagers and young adults today are some of the most difficult people to reach with the gospel. Why? Because they’re constantly being influenced by friends, social media, entertainment, and everything in between. In a world that glamorizes drugs, promiscuity, money-worship, and “love” that fades faster than a Snapchat story, we finally get a song that boldly centers Jesus and personal transformation, that our youths are vibing too and some of us are criticizing it? What is wrong with us? Let’s take a step back.

    “The lyrics say: “Ife Jesu lo wa mi ri, to gbami ku o”—“The love of Jesus sought me, found me, and died for me.” That’s the gospel, in Yoruba rhythm and sound! Yet all some people can talk about is Gaise’s hair color, his blinks, the headband on Lawrence’s head and the dance steps in the song. Really?

    “Someone said, “I go narrow, dem think say I no know road o.” Isn’t that what the Bible teaches? Narrow is the path that leads to life. Didn’t Jesus say He came for the sick, the lost, the sinners? Will every gospel singer be Dunsin and Nathaniel?

    “Instead of focusing on the outward appearance of the ministers, what if we focused our hearts on praying that: Out of 4 million streams, at least 400,000 youths would genuinely surrender to Jesus.

    “Another 400,000 who are still searching would encounter the Holy Spirit and find salvation. The rest would be stirred to rededicate their lives and stay rooted in Christ.

    “Wouldn’t that be worth celebrating? Here’s the truth: whether we like it or not, someone is influencing your children, your teenagers, and your youth group. If they’re not listening to something like Never Going Back, they’ll be listening to something else and let’s be honest, a lot of what’s out there isn’t helping them know Jesus.

    “When we publicly condemn songs like this, directly or subtly, we shut the door to one of the few tools actually speaking the language of the street with the heart of the cross.

    “I’m not a pastor, but I know this: Jesus came and died for sinners. None of us regardless of titles, appearances, or backgrounds is better than another, we’ve all simply found favor of God and are trying to live a life that pleases our Heavenly Father.

    “So rather than criticise, let’s pray. Let’s encourage. Let’s support gospel expressions that speak to this generation in their own rhythm.

    “Haba!! some of us are still “saving the ark” and we are not even aware of it. May God help us all”.

  • Nigerian men don’t see women as equals – Kate Henshaw

    Nigerian men don’t see women as equals – Kate Henshaw

    Actress Kate Henshaw has spoken out against the persistent inequality faced by women, criticising both societal attitudes and legal frameworks that reinforce gender bias.

    Referencing the biblical creation story, Henshaw argued that women were created as equals to men, not as subordinates.

    She lamented how cultural and legal norms have distorted this principle, contributing to longstanding gender disparity.

    The actress pointed to specific laws in Nigeria that she believes institutionalise discrimination, such as citizenship provisions that favour foreign women married to Nigerian men, while denying the same rights to foreign men married to Nigerian women.

    Read Also: Why I deleted my husband’s pictures on Instagram – Queen Atang

    She also condemned aspects of the Violence Against Persons Prohibition (VAPP) Law that permit men to “reasonably chastise” their wives, describing such clauses as enablers of domestic abuse.

    Henshaw called for urgent legal reforms to ensure equal rights and protection for women under Nigerian law.

    She said, “God created man and woman. He created the man first, no doubt. Even pastors and churches are at fault for this. He (God) brought the woman from the side, not from the head over the man or from under to be beneath him but beside, to reign beside him, to be fruitful, multiply and bring up children and grow together but Nigerian men see women as less than human that is why when you leave these shores and go somewhere else, they show you people pepper.

    “You see us as this wood…even our laws, the violence against persons’ prohibition laws favour the man…A man is reasonably allowed to chastise his wife”.

  • Why I deleted my husband’s pictures on Instagram – Queen Atang

    Why I deleted my husband’s pictures on Instagram – Queen Atang

    Reality star Queen Mercy Atang has clarified why she unfollowed her husband, David Oyekanmi, on Instagram and deleted their wedding photos.

    In a video, Queen said the decision was made to keep her marriage private and off social media due to the numerous messages her husband receives from other women on his Instagram account.

    She stated, “I was just trying to take my relationship off social media. Because my husband’s account is out there, a lot of girls feel the need to slide in his DM to say positive and negative things.”

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    She said the move was inspired by celebrities who keep their spouses’ personal details private.

    Although her actions sparked speculation about marital issues, she eventually restored the wedding photos and reinstated her husband’s name in her Instagram bio.

    The couple tied the knot in March 2024, and the photo deletion occurred in October 2024, fueling rumors of a marital rift.

  • Queen Atang decries alleged ‘unfair’ treatment of content creators on Instagram 

    Queen Atang decries alleged ‘unfair’ treatment of content creators on Instagram 

    Reality TV star Queen Mercy Atang has criticised Instagram for what she described as the platform’s unfair treatment of content creators.

    She said her outburst followed a troll’s negative comment on a video she posted of herself twerking. 

    According to her, she visited the troll’s page and was shocked by the apparent hypocrisy.

    Expressing her frustration, she said it was unjust that trolls can post hurtful remarks without consequence, while creators risk being banned simply for defending themselves.

    She also alleged double standards on the platform, pointing out that people are quick to judge others despite engaging in even worse behaviour themselves.

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    She wrote: “Dear IG @instagram. It honestly feels unfair that trolls can freely come to someone’s page and drop negativity, but if we respond, we risk being banned.

    “A lady had something to say about me twerking, so I checked out her page, and let’s say… the irony was loud.

    “The way some of you judge others yet do worse yourselves is truly wild.

    “I wish I could respond properly, young lady, but my account is currently shadowbanned, and I’ve already been warned by IG. So no, I won’t reply directly.

    “But here’s what I will say: go take care of yourself.”

  • ZeePee ignites airwaves with new single ‘BeBe’

    ZeePee ignites airwaves with new single ‘BeBe’

    Rising Nigerian music sensation ZeePee, whose real name is Paul Emmanuel Ponzing, has officially released his latest single titled “BeBe”, a high-energy anthem already making waves across airwaves and playlists.

    Born in Jos on July 31st, ZeePee has quickly established himself as one of the most exciting new voices in Afro-fusion, with a sound that blends Afrobeat rhythms, soulful melodies, and street smart lyricism. 

    BeBe is no exception. The track captures the vibrant essence of nightlife and youthful celebration, layered with ZeePee’s signature flow and rhythmic delivery.

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    Speaking on the inspiration behind BeBe, ZeePee describes it as “a celebration of good vibes, freedom, and the kind of energy that brings people together on the dancefloor. It’s gold and black it’s flashy, bold, and unforgettable.”

    The single has already received strong support from FM stations, hosting ZeePee for an exclusive premiere and interview. Listeners praised the track’s infectious beat and replay worthy hook, marking it as a potential club hit for the summer.

    ZeePee, known for previous songs like Afro Diva and Pere, continues to push boundaries with each release. His growing fanbase, known for their loyalty and energy, can follow his journey and stay updated.