Category: Entertainment

  • Lucase 2 join Spadez Management

    Lucase 2 join Spadez Management

    Spadez Management and PR Limited have announced the signing of an exclusive Talent Management Agreement with sensational musical duo, Haruna Samuel and Daniel Kwatwa aka Lucase 2.

    The contract signing ceremony took place on January 17, 2025, at Novare Mall, Wuse Zone 5, Abuja, and was graced by representatives from both parties.

    Present at the event were Mr. John Abah, legal representative from Baron and Stagger Chambers; and the leadership team of Spadez Management and PR Limited, led by Managing Director Obianuju Asika and Business Development and Marketing Manager Adedayo Bonojo.

    The event marked a significant milestone in Lucase 2’s career and laid the foundation for an exciting new chapter in their professional journey.

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    Lucase 2, renowned for its innovative sound and captivating performances, have been steadily building a reputation as one of the most promising acts in the Nigerian music industry.

    Speaking at the ceremony, Managing Director Obianuju Asika shared her excitement saying, “We are delighted to welcome Lucase 2 to the SpadezMPR family. Their exceptional talent, passion, and commitment perfectly align with our vision of nurturing and promoting extraordinary talents. We are confident that together, we will achieve remarkable milestones and open doors to endless opportunities that will resonate globally.”

    Lucase 2, equally enthusiastic about the partnership, expressed its gratitude and optimism for the journey ahead: “This is long overdue. We have always dreamed of working with a management team that understands our vision and goals. Signing with Spadez Management is the first step towards achieving greatness.”

  • From Outside to Oblee: How youths drive thriving Lagos nightlife

    From Outside to Oblee: How youths drive thriving Lagos nightlife

    Imagine neon lights reflecting on sleek cars, pulsating Afrobeats filling the air, inviting aroma of pepper soup and asun wafting through the crowd, and Suya man stationed strategically at the entrance. Add to this mix are elegantly dressed ladies, dashing young men, and the infectious joy etched on every face—it’s a recipe for an unforgettable night.

    This picture that is painted above readily tells the story of being outside at night but when an infectious Afro Tune created by DJ YK is added to the mix, it readily becomes Oblee.

    In 2024, the buzzword was ‘Oblee.’ Meanwhile, the broader nightlife culture has been christened ‘Outside,’ capturing the energy of those who flock to clubs, lounges, and festivals to enjoy the night. Hence, the term widely used by several youths across Nigeria, ‘we outside,’ meaning we are out for the night.

    In the same vein, December festivities was famously dubbed ‘Detty December’ in 2020 after the dreaded COVID-19 pandemic that shut the world down. And since the debut  in 2020, every year seems to bring a fresh moniker for the end-of-year festivities.

    Lagos, the city that never sleeps, continues to live up to its reputation with each passing day. From the bustling island to the lively mainland, the city’s nightlife evolves in creative  ways as young people redefine the scene with dance, music, video concepts, clubbing, festivals, fashion, slang, and aspirations.

    The Lagos nightlife vividly showcases the resilience, energy, and creativity of Nigerian youths. For some, staying up all night may seem exhausting, but for others, it’s a profession or simply a chance to unwind.

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    Youths in Lagos – albeit other parts of Nigeria – have consistently demonstrated their ingenuity, turning the nightlife scene into an ecosystem of creativity and opportunity. One notable trend is the rise of hype men and hype goddesses, whose job is to inject excitement into the music or beats spun by DJs, elevating the experience for club-goers. This innovation has not only enriched the nightlife culture but also created job opportunities for many.

    Another thriving arm of the Lagos nightlife is the strip clubs where strippers, often performing provocative dances to captivate wealthy patrons.

    Being outside readily means having enough cash to throw around and Oblee is incomplete without a loaded pocket or bank account as the case may be. Hence, money changers play a vital role as ‘outsiders’ exchange mint notes for digital transfers while earning commissions.

    For instance, exchanging a bundle of ₦20,000 in ₦200 notes could yield a fee of ₦30,000 to ₦36,000, depending on whether the transaction takes place on Lagos Island or Lagos Mainland.

    It’s no doubt that the thriving nightlife economy has opened doors for countless youths to earn a living. Many have diversified into roles such as show promoters, DJs, event planners, sound engineers, drummers, hypemen, strippers, money changers, drinks vendors, cigarette sellers, and food vendors.

    According to a widely spread article, the 2024–2025 Detty December season in Lagos, Nigeria generated over $71.6 million in revenue from tourism, entertainment, and hospitality. This season highlighted Lagos’ status as a top African destination for tourism and entertainment.

    Contrary to the  perceived notion that nightlife is a Friday or weekend affair, it starts as early as Monday for youths in Lagos. In fact, a casual Sunday evening in Lagos often sets the stage for the week’s adventures.

    This can be seen in major gigs that include house parties and social gatherings. The popular DJ Obi’s House holds on Mondays on the Island of Lagos, while Holiday Monday holds at Iyana Ipaja – a Lagos suburb – on Mondays and Blue Monday show by DJ Stormy also holds on Monday nights.

    “We outside tonight,” declared a young man this writer overheard at a restaurant. His friend echoed the sentiment: “How this night go be now?” Without hesitation, the first man replied, “I just wan dey make I enjoy my life this night, and I still get one house party wey I dey go tomorrow. Na me dey in charge of artistes wey go perform.”

    “To be sincere, this clubbing thing has helped some and destroyed some. Imagine John, the manager of this place, he recently build his house in this Lagos. You no go believe am. They realize a lot of money here but it’s left to you to use it the way you think is best. And as we dey talk am, some of the ballers who always shutdown (spend) this club don’t even have a dime anymore. So the impact is different,” said Tom, during a chat with this writer.

    Speaking on how youth culture has influenced his business operations, a nightlife business owner, simply known as Bigfish said “nightlife is for youths, they are the ones making things happen. You know they are in their prime, especially those who are not married so they have lesser things to worry about and they are ambitious. Some of them even conclude business deals in the club. You will be surprised.”

  • Meet 27-year-old real estate star providing affordable housing

    Meet 27-year-old real estate star providing affordable housing

    In a world where success is often measured by wealth and status, 27-year-old Samuel Olatunde’s journey is a reminder that true greatness is born from perseverance, determination, and a passion for making a difference.

    At his age, Olatunde has already made an indelible mark on Nigeria’s real estate industry as the co-founder of Edala Homes, who is providing affordable housing solutions that are transforming lives.

    His company’s innovative approach to real estate development is not only changing the face of Nigeria’s housing market but also inspiring a new generation of entrepreneurs and business leaders.

    In a chat with i-GEN NEWS, Olatunde admitted that his success was not overnight, as his journey began in the bustling streets of Agege, Lagos, where he grew up surrounded by the harsh realities of poverty and hardship.

    It was in these challenging circumstances that Olatunde discovered his inner strength and resilience.

    With a fierce determination to succeed, Olatunde worked multiple jobs to fund his education, including a stint at a bakery and as a mobile cinematographer and graphics designer.

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    “I grew up in Agege, Lagos, where I developed a deep appreciation for resilience and determination. Over the years, I’ve explored different paths; from working in a bakery for two years to being a mobile cinematographer and graphics designer. I’ve also run businesses, including a modern fashion brand called TMME and a consulting firm for small businesses called Semi Writers. I can say for sure that these experiences shaped my entrepreneurial journey and prepared me for the real estate space where I now co-own and run one of the fastest growing real estate companies in Nigeria,” he said.

    While in his school, he balanced his academic pursuits with entrepreneurial ventures, running a fashion brand and consulting firm.

    For Olatunde, balancing school and business was a daunting task. There were moments when the weight of his responsibilities threatened to overwhelm him, and he considered throwing in the towel but his vision for making a meaningful impact kept him motivated, even when the challenges seemed insurmountable. And it was precisely those challenges that forged his resilience and determination.

    Despite the obstacles, Olatunde persevered, driven by a burning desire to make a difference. He earned an Ordinary National Diploma (OND) in Accountancy from Yaba College of Technology and a Bachelor of Science (BSc) in Finance from the University of Lagos, laying the foundation for his future success.

    He said: “Yes, balancing school and business often felt overwhelming. There were times I wanted to quit, but I reminded myself of why I started. My vision for impact kept me going, and the challenges only made me stronger.

    “My motivation comes from a desire to solve pressing problems and leave a legacy of impact. My family and co-founders have also been a great source of encouragement throughout my journey.”

    His academic achievements were not limited to his formal education; he also honed his skills through various internships, including stints at P&G Nigeria, GTBank, and KPMG.

  • Olumide Oworu: Entertainment industry can be overwhelming

    Olumide Oworu: Entertainment industry can be overwhelming

    As quiet as Olumide goes, his career is not quiet. Presently, one of the leading faces in films on streaming platforms and cinema, Olumide was born on December 11, 1994 in Nigeria. He’s a versatile actor, model, and rapper. He began his acting career at the age of six with the television series, Everyday People. He’s best known for his role as Tari in the Africa Magic series, The Johnsons, and as Weki in MTV Shuga. Olumide attended King’s College in Lagos and later graduated from Babcock University in June 2017. Throughout his career, he has received several accolades, including the Nollywood Revelation of the Year Award in 2014, and the most promising actor award at the 2015 Best of Nollywood Award. In addition to his entertainment career, Olumide ventured into politics, running to represent Surulere constituency one in the Lagos State House of Assembly in 2023. He speaks with i-GEN News team lead, GBENGA BADA in this interview on his career, life, love and politics.

    You ran for the Lagos State House of Assembly in 2023?

    Yes, I did.

    A lot of things happened during the 2023 election. And funny enough, you ran against a senior colleague in the industry. How did that make you feel and do you still relate with Desmond Elliot?

    So we haven’t seen each other since after the election. But I mean, my very first ever acting gig, Everyday People. He was in the production as well. So he’s known me since I was six years old. And I have a lot of respect for him and you know that he’s accomplished in industry as well. So, on my side, I’m cool. Like if I see him, it’s cool, I might even be able to ask some questions. Obviously, he has way more experience politically than I do. But it’s, it’s an opportunity that I’m very thankful that I was able to even be, you know, a part of. And it’s something that is one of the proudest moments of my life so far, just being able to run at such a young age, because I was 28 when I did that. And that just means a lot to me personally.

    So what actually prompted that decision to go all out and contest for an election?

    We just need to be a part of our affairs. I want to live in Nigeria, I want to raise my family in a Nigeria that is good, that is a land of opportunities. And I know how things were when I was growing up. And it’s just sad to see that we’re just on a downward spiral, almost nothing minus like the entertainment industry and sports and a few other industries have nothing positive. Everything else just seems to be nosediving. And I just really want to be a part of the people that are going to make some form of change in society.

    I see that your mom manages your career

    Yes.

    And why is that?

    So my mom has been my manager since day one. She’s the reason why I even started out in entertainment. I started doing radio jingles when I was about a year and a half and I was modeling for corporate brands up until when I was about five. She took me to my first ever audition, which was for Everyday People. And she took me to every audition I was a part of until maybe I was about 20, 21. So she really was the one who had the vision. I mean, obviously, there was the talent, but she spotted it and she helped me nurture it. And I believe there’s no better person to manage the trajectory of my career than my mom. Even if I do, at some point, get somebody else that’s going to do more of the day-to-day ups and downs, because she can’t be doing that as much, but the person’s still going to report to my mom. My mom’s still going to have final say. If she says we’re doing something, we’re doing something. If she says we’re not, we’re not. Because I also trust her discerning spirit as a mother as well. It’s also very convenient. I have 24-7 access to my manager. So that also helps as well.

    If you look back to where you’re coming from to now, despite being on streaming platforms and cinema, would it be right to say you have this thing for TV?

    Well, I started on TV. Everyday People was my first big break and that was on TV. But I think the thing for me I like about TV is it allows you to grow into the character because you have a longer period to play the character. For film projects, you just come, you get on set for six weeks, eight weeks, four weeks, whatever the case is, and you’re done. But for TV, it allows you to nurture the character so you can keep adding layers as you even grow and develop as a person and as an actor. So I definitely do have a soft spot for TV, for sure.

    You shared a picture holding hands with your girlfriend but blocked her face and a lot of people came for you. So, why did you make the post?

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    So the thing about being in entertainment is it takes a lot of your time and a lot of your personal space. So you don’t really have a lot of privacy when it comes to you as a person, because a lot of people are trying to find out what’s going on or you’re moving around. There’s cameras and there’s reporters and things like that. So as much of my life that I could hold on to and feel like that is private for me and the people close to me, I try to be selfish with that as much as I can. Also, for her there’s the same pressures that come with being in the industry. And I’m also trying to ease my partner into that because it’s very different from being, as I say, in the regular world. Entertainment is a lot. And if you don’t know how to maneuver in the world, it might be a bit overwhelming. So that’s why I haven’t posted her just yet. But the reason why I do post is at the end of the day, I’m very proud to be in a relationship. I’m not hiding my girlfriend. I recommend even just finding your person because the world is such a crazy place and it just helps to just have somebody that, you know, is in your corner, has your back and more importantly, somebody that you see yourself building a future with and having an amazing family with. And I definitely see all these traits in my partner. So that’s why I post.

    You are featured in Alakada, Lisabi, Everyday People, The Johnsons, MTV Shuga and several others. How do you get into the right production?

    I would say number one is definitely the grace of God in my life for sure. You know when you are blessed and you are working in line with God’s plan for your life, a lot of things seem easy and a lot of things that you can’t explain, but you also have to tap into that grace. So number one, definitely the grace of God. Um, number two, I genuinely believe in my ability as an actor. And I believe that I love the character that I’ve played. I’ve done justice to them in a way that only me could do justice to them. I believe there are certain roles for certain actors. And I’ve just been fortunate enough to also have people that speak for me in rooms when I’m not even present. And I have an amazing relationship with people that I work with and I give off good energy. So I’m also somebody that people genuinely look forward to working with. And I think if you put all these things together, those are just a recipe for success as an actor, just working hard, working smart, tapping into the grace of God, but also just being somebody that people want to actually interact with and work with. Because if you have good energy, it just makes the work environment a lot more healthy.

    At 30, it’s about 24 years you’ve been in the industry.

    Yes.

    What did you study in school and was there a time you got tired of acting while studying?

    I did mass communication. So public relations and advertising. So it’s a thing where even as I got admission is when the Johnson’s… I’m not going to lie. There have been times where I’m like, “Omo all this acting P be like, say we go full dump or jump ship.” Because up until very recently in Nollywood, we’re still developing and growing, but we’re only just starting to have a structure. And things are only just starting to fall in place. And things are only becoming a lot more clear, especially with the recent presence of streaming platforms. And now our industry is now being taken seriously. So there was a time I can’t lie, where as an actor, you go into every month, not even knowing what you’re going to do in that month. You’re just winging it. There’s no shooting schedule. I remember even in COVID like I didn’t, I didn’t cause obviously we’re all at home. So I didn’t film. So I didn’t earn for like almost a year. So I’m like, “omo this acting. Shey I will not just leave. Shey I will not just leave with these degrees?” I can’t act from home, but, um, you know, after, after COVID, honestly, just God has just been so faithful and things have just been taking shape. And it’s just amazing to see where I’m at now and all, you know, the amount of work that I’ve put in people that have come through for me, believed in me and just be where I’m at now. I’m, I’m just super thankful. And I’m also very excited, just getting into my thirties. This is probably the most excited I have been about being in the entertainment industry.

    Are you going to produce your own projects and will there be wedding bells in 2025?

    Yeah, at some point I definitely, I’m going to direct my own projects and produce my own projects, but I believe it is also important to work on timing. Timing has to be right. I still believe there’s a lot to have to learn as an actor. There’s a lot I have to learn in terms of the business. As I said, now it is only just taking shape. So “how do we make a movie? Where’d you put the movie? How’d you get it to the final consumer? Importantly, how’d you make money?” So these are things I’m really trying to understand. So I’m well equipped for when I then start to produce my own things, but I enjoy taking pictures. I love making videos of things. Editing is my problem. I don’t like to edit, but I’m in love with just capturing stuff, capturing events, capturing moments. And I believe there’s a lot that I can put into making my own projects. So in the not too distant future, for sure, you know, there’ll be Olumide Oworu productions or something along those lines, but making my own films for sure is definitely on the cards for me. And in terms of marriage, it would be nice if I can get it done this year. Cause I’m actually very excited about the prospect of getting married, but I also want to put, you know, one or two things in place first, I need to make sure that my partner is coming into comfort. I cannot take somebody out of her daddy’s house and I’m not, do the rightful. , but yeah, I, I’m, I’m looking forward to getting married. I genuinely have an amazing partner. Um, she’s changed my perspective on so many things in life and I really can’t wait to give her my last name.

    Finally, how many times have you been told that you look a lot like Kunle Remi?

    A lot. So when we did Ijakumo, we always used to joke about it and be like, “you’re the first producer that’s going to put me on you in a film as brothers or something, it is going to be crazy.” And we did Ijakumo. I played the younger version of Kunle. And that was amazing, but we still haven’t played brothers yet. So, I mean, whoever does it first, omo it’s going to be a hit oo. Cause everybody really just says me and Kunle look alike. I genuinely look forward to working with them as a brother. I feel that it would be fun to call him Egbon (my elder brother) on set.

  • Promotion interview for civil servants begins in Ogun

    Promotion interview for civil servants begins in Ogun

    The Ogun State Civil Service Commission has commenced the year 2023 and 2024 promotion oral interview exercises to eligible officers in the service.

    In a statement, the Permanent Secretary of the Civil Service Commission, Mrs. Roseline Jacobs, said the promotion interview which is to be conducted across all Ministries, Departments, and Agencies (MDAs) in the state would come to an end on February 7, 2025.

     The statement further stated that all eligible officers are to obtain their gazette and Public Service Commission Rules (PSCR) of last promotion at block A, Room A261 Civil Service Commission as these shall be verified at the venue of the interview.

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    Jacobs noted that the Commission has to maintain the status quo of the service as all officers on Grade level 07 to GL12 are to attend the oral interview in their respective Agencies, while the Management Level Officers (Officers and Professionals) on GL 13 and above are to appear at the office of the Head of Service.

    Also, all officers on GL 6 and 12 are to appear before the Commission on Monday, January 27, and Tuesday, January 28, 2025, respectively while the Centrally Deployed Cadres (except those on GL 06 and GL 12) are to attend their interviews at the Bureau of Establishments and Training.

  • Davido to hosts US rapper DDG, son in Lagos

    Davido to hosts US rapper DDG, son in Lagos

    American rapper DDG has announced that he will be visiting Lagos after receiving an offer from Davido.

    DDG, on X, expressed gratitude and excitement after Davido offered to host him and son Halo in Lagos.

    He stated that Davido has assured him that he’s “good” in Lagos.

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    “My homie davido said im good in Lagos.. finna book me & halo flight,” he wrote.

    The Nation reported that DDG expressed desire to leave America, citing a lack of fulfillment and considering Lagos or London as potential new homes. 

  • Eezee Conceptz Global addresses Judikay’s viral financial report

    Eezee Conceptz Global addresses Judikay’s viral financial report

    Eezee Conceptz Global has responded to the recent release of gospel singer Judikay’s financial report on social media, expressing concerns over a breach of the non-disclosure agreement (NDA) and the reputational damage caused by the public disclosure of an unverified audit.

    According to the label, the audit was intended to clarify Judikay’s financial standing and determine obligations based on contractual terms. 

    However, instead of being officially shared for response or clarification, the report was made public, violating confidentiality agreements.

    Eezee Conceptz emphasized that the unauthorized publication of the financial details has significantly harmed the label’s reputation. 

    The company also stated that Judikay’s team should have sought clarification directly with digital platforms rather than allegedly leaking the report online.

    The label said it remains committed to transparency and accountability, reiterating its willingness to explain, address, and resolve discrepancies promptly.

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    “RE: Judikay financial report posted on social media Eezee Conceptz Global finds it deeply concerning that Judikay’s financial report was shared publicly on social media without prior official communication with us.

    “As a company committed to transparency, we willingly provided all necessary bank statements and documents to facilitate the audit process. we had any intention of resisting the audit, access to these records would not have been granted in the first place.

    “We fully complied with the audit process, including providing statements from digital service providers (DSPs).

    “However, we were neither informed of any discrepancies nor given the opportunity to address them.

    Instead, we learned of the accusations through informal channels and eventually saw the report circulating online. Despite requesting the report, it was withheld from us until its public release.

    “Key Issues in the Financial Report Shared Online by JUDIKAY

    1. YouTube Discrepancies

    Artists are paid based on the actual revenue deposited into our bank accounts. It is important to recognize that certain deductions, such as the 30% tax on streams from the USA, can create variances between the amounts reported on YouTube and the actual funds received. 

    “To clarify such variances, it is

    essential to first ascertain streaming data from the USA to determine the tax deductions applied.

    “This makes it very important that the audit report should have being shared with us officially, allowing for a collaborative review to verify deductions and clarify the discrepancies.

    “Misclassification of Funds as Artist Income Granting access to our bank statements does not imply that all incoming funds are Judikay’s revenue. Proper clarification is vital in such

    cases: Mogi Aaron: This client paid for unrelated services, yet these funds were mistakenly classified as Judikay’s income. The client has since raised concerns about their private information being included in the financial report circalating online, which violates privacy agreements. Swipe to see evidence.

    “4  Genet Services: This payment was for a concert held in Ghana. All involved parties

    were paid, and this transaction is unrelated to Judikay’s streaming income. Its inclusion in the report also breaches confidentiality agreements to our client.

    “5. No Data to distribute to Artists:

    Other Payments (Viusasa Media, Michelle Towo, etc.): These payments pertain to multiple artists under our label, not exclusively to Judikay. Additionally, these streaming platform data have not been received due to internal issues on their part. We have written them severally with proof of intensive follow-up. However, they are yet to provide it.

    “Since JudiKay’s team had concerns, they should have clarified directly by contacting the digital platforms. Because we cannot give multiple artists money to only you.

    “We ceased remittances as we were awaiting a financial report from Judikay and needed to conduct an audit of her account too for earning from content and remaining obligations due to the label to base on the contract to determine the financial standing and clarify who owes whom.

    “Breach of Non-Disclosure Agreement This audit was binded by a non-disclosure agreement (NDA). However, the report was never communicated to us officially for a response or clarification.

    “Instead, it was made public, violating the confidentiality terms and bypassing standard practices of sharing findings with concerned parties for rebuttal.

    Impact of Public Disclosure. 

    “The public release of an unverified financial report without prior communication or consultation has caused significant reputational harm to Eezee Conceptz Global.

    “While financial discrepancies can arise, the appropriate course of action is to communicate findings directly for resolution. Regrettably, this was not done. Had Judi Kay’s team reached out, we would have gladly explained addressed and resolved these discrepancies promptly.

    “Judi Kay’s team approach to this issue largely implies that there is a greater agenda at play to tarnish the image and reputation EeZee Conceptz and its founder have built over the years.

    As an organization, we remain committed to transparency and accountability.”

    The caption says: “The report contains significant misclassifications, wrongly attributing payments for other services and artists as Judikay’s income, while exposing sensitive client information.

    “This unwarranted disclosure has caused reputational harm, which could have been avoided through direct dialogue. We remain committed to transparency and fairness in resolving these issues.

    “We are deeply disappointed by the public release of Judikay’s financial report without prior communication. Eezee Conceptz fully cooperated, providing all required records, yet the findings were withheld from us and shared online, breaching our Non-Disclosure Agreement (NDA). No funds were diverted or misappropriated.”

  • Why billionaires prefer me to ‘baddies’, by Bobrisky

    Why billionaires prefer me to ‘baddies’, by Bobrisky

    Controversial crossdresser Bobrisky has claimed that billionaires prefer intimate relationships with him over women, citing two major reasons for their alleged preference.

    In a recent Instagram post, Bobrisky stated that the primary reason is his inability to get pregnant, which eliminates the risk of unwanted pregnancies for these high-net-worth individuals. 

    He noted that many of them are already in committed relationships or marriages and seek discreet arrangements.

    Read Also: Unsafe abortions fuel maternal deaths in Nigeria, says LIFE 

    The second reason, according to him, is his lack of jealousy. 

    Bobrisky asserted that he is patient and does not demand constant attention, which appeals to billionaires who are drawn to his appearance and personality.

    He said in a video: “No matter how much the guys keep filling me up I will never get pregnant. A lot of these billionaires and CEOs have serious relationships.

    “They are married but they want to have fun at the same time. Dating someone like me is the best because a lot of you girls are greedy and selfish you want to keep unwanted pregnancy.

    “I don’t get jealous. I wait for my time. I don’t call married men, they call me because I’m pretty.”

  • FULL LIST: 97th Oscars nominations unveiled

    FULL LIST: 97th Oscars nominations unveiled

    The Academy of Motion Picture Arts and Sciences has announced the nominations for the 97th Oscars, honoring the outstanding cinematic achievements of 2024. 

    The nominations were revealed on Thursday, after being postponed twice due to the Los Angeles wildfires.

    The Oscars ceremony will take place on March 2, 2025, at the iconic Dolby Theatre at Ovation Hollywood, where winners will be announced during a live, televised broadcast. 

    This year’s awards reflect the Academy’s commitment to diversity, equity, accessibility, and inclusion, shaping a more vibrant and inclusive cinematic future.

    The ceremony will feature the presentation of the coveted Academy Awards, known as the Oscars, across 23 categories. 

    The event will be broadcast live on ABC in the United States and, for the first time, simultaneously live-streamed on Hulu.

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    Comedian and podcaster Conan O’Brien will make his hosting debut, while Raj Kapoor and Katy Mullan return as executive producers. 

    The 97th Oscars promise to be an unforgettable celebration of cinematic excellence and diversity.

    Here is the full list.

    Best picture

    Anora

    The Brutalist

    A Complete Unknown

    Conclave

    Dune: Part Two

    Emilia Pérez

    I’m Still Here

    Nickel Boys

    The Substance

    Wicked

    Best actor

    Adrien Brody – The Brutalist

    Timothée Chalamet – A Complete Unknown

    Colman Domingo – Sing Sing

    Ralph Fiennes – Conclave

    Sebastian Stan – The Apprentice

    Best actress

    Cynthia Erivo – Wicked

    Karla Sofía Gascón – Emilia Pérez

    Mikey Madison – Anora

    Demi Moore – The Substance

    Fernanda Torres – I’m Still Here

    Best supporting actress

    Monica Barbaro – A Complete Unknown

    Ariana Grande – Wicked

    Felicity Jones – The Brutalist

    Isabella Rossellini – Conclave

    Zoe Saldaña – Emilia Pérez

    Best supporting actor

    Yura Borisov – Anora

    Kieran Culkin – A Real Pain

    Edward Norton – A Complete Unknown

    Guy Pearce – The Brutalist

    Jeremy Strong – The Apprentice

    Best director

    Jacques Audiard – Emilia Pérez

    Sean Baker – Anora

    Brady Corbet – The Brutalist

    Coralie Fargeat – The Substance

    James Mangold – A Complete Unknown

    Best adapted screenplay

    A Complete Unknown – Jay Cocks and James Mangold

    Conclave – Peter Straughan

    Emilia Pérez – Jacques Audiard

    Nickel Boys – RaMell Ross and Joslyn Barnes

    Sing Sing – Clint Bentley and Greg Kwedar

    Best original screenplay

    Anora – Sean Baker

    The Brutalist – Brady Corbet and Mona Fastvold

    A Real Pain – Jesse Eisenberg

    September 5 – Moritz Binder, Tim Fehlbaum, Alex David

    The Substance – Coralie Fargeat

    Best original song

    Never Too Late – Elton John: Never Too Late

    El Mal – Emilia Pérez

    Mi Camino – Emilia Pérez

    Like A Bird – Sing Sing

    The Journey – The Six Triple Eight

    Best original score

    The Brutalist

    Conclave

    Emilia Pérez

    Wicked

    The Wild Robot

    Best international feature

    I’m Still Here – Brazil

    The Girl with the Needle – Denmark

    Emilia Pérez – France

    The Seed of the Sacred Fig – Germany

    Flow – Latvia

    Best animated feature

    Flow

    Inside Out 2

    Memoir of a Snail

    Wallace & Gromit: Vengeance Most Fowl

    The Wild Robot

    Best documentary feature

    Black Box Diaries

    No Other Land

    Porcelain War

    Soundtrack to a Coup d’Etat

    Sugarcane

    Best costume design

    Wicked

    Nosferatu

    A Complete Unknown

    Conclave

    Gladiator II

    Best make-up and hairstyling

    A Different Man

    Emilia Pérez

    Nosferatu

    The Substance

    Wicked

    Best production design

    Wicked

    The Brutalist

    Dune: Part Two

    Nosferatu

    Conclave

    Best sound

    A Complete Unknown

    Dune: Part Two

    Emilia Pérez

    Wicked

    The Wild Robot

    Best film editing

    Anora

    The Brutalist

    Conclave

    Emilia Pérez

    Wicked

    Best cinematography

    The Brutalist

    Dune: Part Two

    Emilia Pérez

    Maria

    Nosferatu

    Best visual effects

    Alien: Romulus

    Better Man

    Dune: Part Two

    Kingdom of the Planet of the Apes

    Wicked

    Best live-action short

    Anuja

    I’m Not a Robot

    The Last Ranger

    A Lien

    The Man Who Could Not Remain Silent

    Best animated short

    Beautiful Men

    In the Shadow of the Cypress

    Magic Candies

    Wander to Wonder

    Yuck!

    Best documentary short

    Death by Numbers

    I Am Ready, Warden

    Incident

    Instruments of a Beating Heart

    The Only Girl in the Orchestra

  • Mercy Chinwo vs EeZee Tee: EFCC withdraws arrest warrant as contract dispute intensifies

    Mercy Chinwo vs EeZee Tee: EFCC withdraws arrest warrant as contract dispute intensifies

    In a significant development at the Federal High Court Ikoyi Lagos on Friday, January 24, the Economic and Financial Crimes Commission (EFCC) withdrew its warrant of arrest against Ezekiel Onyedikachi, popularly known as EeZee Tee, the former record label boss of gospel artist, Mercy Chinwo.

    The withdrawal followed a contentious legal battle between Mercy Chinwo and EeZee, stemming from financial disputes under a 50/50 gross revenue-sharing agreement. 

    EeZee Concepts, the record label, alleged that it had paid Chinwo $625,000, an amount central to their disagreement.

    During the Friday’s proceedings, Justice Alexander Owoeye, presiding over the case, did not make any direct pronouncements regarding the financial dispute. 

    However, after a thorough review of the facts, the EFCC, represented by its lead counsel, Bilikisu Buhari formally requested the withdrawal of the arrest warrant.

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    EeZee’s counsel, Onyekachi Ubani argued that the EFCC had overstepped its bounds in obtaining the initial arrest order. 

    He emphasized that the issue at hand was a contractual dispute rather than a criminal matter. 

    Ubani also informed the court that his client had filed a fundamental human rights enforcement suit in another court to halt his arrest and had lodged a preliminary objection to the charges against him.

    Speaking to newsmen at the court, one of EeZee Tee’s  legal counsel, Barrister Maxwell Opara, said: “EFCC approached the court, stating that our client invaded service and ran away from arrest, based on that fact, the court granted an order that our client should be arrested. 

    “Upon receiving that information we put in the papers asking court to set aside the other, we also put in motion challenging the arraignment of our client because this is a pure civil matter that is being regulated by contract and the said contract has not been invalidated or declared as an instrument of fraud before EFCC will jump in.

    “We came this morning only for them to tell the court that they have just been served and they needed time to respond. For the interest of justice, the court granted their application which we never objected to and the court also made a consequential order directing that they should not go for our client because we have filed our papers before the court and put them in notice to state what the matter is all about which they complied.”

    Justice Owoeye, thereafter, fixed 14 February for possible arraignment and hearing of pending applications before the court.