Category: Entertainment

  • Music, art enthusiast wins 2025 Governor General’s Gold medal

    Music, art enthusiast wins 2025 Governor General’s Gold medal

    Talented Nigerian African music enthusiast, Chikezirim Nwoke, has bagged this year’s Governor General Gold Medal in Ottawa, Canada for his outstanding academic year

    Nwoke who graduated with his PhD in Anthropology with a Specialization in Political Economy from Carleton University is a music, poetry and art enthusiast.

    “I did not expect to receive this award, so I was exhilarated when I got the email,” said Nwoke. “Knowing that Carleton graduate students across the various faculties are doing groundbreaking work, it is an utmost honour to be named the Governor General’s Gold Medallist this year.”

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    The Governor General’s Gold Medal is awarded to the student standing at the head of the graduating class at the graduate level. The award is donated by Her Excellency the Right Honourable Mary Simon, Governor General of Canada.

    In 2022, Nwoke received the Vanier Canada Graduate Scholarship, which allowed him to fully focus on his research. He was also able to take up resident fellowships at the University of Edinburgh and Brown University, in addition to other non-resident fellowships.

    “I spent 10 months conducting ethnographic research at the Onitsha Market in Nigeria,” said Nwoke. “Carleton University, through the Institute of Political Economy, the Institute of African Studies, and especially the Department of Sociology and Anthropology, helped forge me into a fine scholar and made me realize that the world is mine to explore.”

  • Thrills as COSON’s GM, Bernice Eriemeghe-Ashibogwu retires

    Thrills as COSON’s GM, Bernice Eriemeghe-Ashibogwu retires

    Last Friday, August 29, was a glorious day for the lady who, for 15 years, has been one of the cornerstones of the progress of the Copyright Society of Nigeria (COSON).

    Gaily dressed friends, family members and members of the COSON Board, on the day, stormed the COSON House in Ikeja for a memorable, sweet red-carpet send-off event in honour of the widely respected Accountant and Administrator, Mrs. Bernice Eriemeghe Ashibuogwu,(Miss B), who was retiring as General Manager and CEO of the pace-setting organisation.

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    There was a lot of wining, dining, dancing and merry making as encomiums and messages of goodwill, from across the world, poured in for the lady who, for 10 years, was COSON’s Head of Finance & Administration, and in the last five years, was General Manager and CEO.

    Lots of gifts were also presented to Mrs. Ashibuogwu at the outstanding event masterfully coordinated and hosted by COSON Chairman, Chief Tony Okoroji.

    Among the many persons at the event were Senior Advocate of Nigeria, Mr. Innocent Adams Ovbagbedia; City Lawyer, Mr Kola Dopamu Peters; Actor, Broadcaster and Film Producer, Mr Patrick Harry Doyle; Yes Magazine Publisher, Mr Azuh Arinze; Broadcaster and Former General Manager, FRCN’s Metro FM, Ms. Cordelia Okpei; UBA Business Manager, Ms. Chiemeka Okafor; and the CEO. Dezet Group, Sir Uwem Umoh, celebrated entertainment journalist, Mrs. Nonye Ben Nwankwo; President, Creative Industry Group (CIG), Amb Felix Duke and his wife, Lady Capriz, etc.

  • Reekado Banks reflects on life as independent artiste

    Reekado Banks reflects on life as independent artiste

    Singer Reekado Banks has opened up on his journey as an independent artiste, describing the experience as ‘interesting’ and not entirely unfamiliar.

    The former Mavin Records star, speaking on a recent podcast, said his time at the label gave him insight into the business side of music, which has helped him in his current phase.

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    “When I was with Mavin Records, they had just transitioned from Mo’Hits, and it was pretty new. I saw the backend, how they were working. I saw Tega trying to raise the pillar in the structure and strengthen the relationships. So right now, I’m at that point of spending a lot of money back in the business and strengthening relationships,” he said.

    He noted that while such responsibilities could be daunting for some artistes, his exposure during his Mavin days prepared him. “It’s not hard for me, but interesting. I feel like I’m in the space of what I actually witnessed at Mavins,” he added.

    On the possibility of partnering with international labels, the Easy Jeje crooner said it was a natural progression. “Yes, I’ve seen Mavin Records do it, I’ve seen YBNL do it, so it feels like the next step,” he said.

  • Odumodu Blvck: I never planned to be a musician

    Odumodu Blvck: I never planned to be a musician

    Rapper Odumodu Blvck, has revealed that his music career happened by chance and was never part of his original plan.

    In a recent chat, the Declan Rice crooner said he initially set out to manage an artiste before circumstances pushed him into recording his own songs.

    “I never said I wanted to be an artiste. I wanted to go and manage somebody, and the person asked me to write music. I gave it a chance, and that’s how it started. Music called me,” he said.

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    Odumodu explained that the turning point came when a close friend dropped out of school and decided to pursue music. “He came to me and said he was downstairs, that he had dropped out and wanted to record. He asked me to manage him. We gave our last N20,000 for production. When we got to the studio, I ended up writing the song,” he recounted.

    According to him, that moment set him on the path to a music career that has since earned him national recognition.

  • Rising Star officialJaceBen unveils Pressure featuring Bela, hits 10,000 streams in 48hrs

    Rising Star officialJaceBen unveils Pressure featuring Bela, hits 10,000 streams in 48hrs

    Fast-Rising Nigerian star, better known as officialJaceBen, has released his much-anticipated single, Pressure. The track features the sensational artist, Bela, and together they delivered a sound that is already winning hearts across the music scene.

    Released under the backing of Complete Studio 369, managed by Maureen Obire, and sponsored by Favour Benson, within 48 hours, Pressure recorded over 10,000 streams, setting the tone for what promises to be another breakthrough year for the talented singer.

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    At a recent event in Lagos, his manager, Maureen Obire, not only celebrated the milestone and expressed gratitude to fans and supporters, but also revealed that the team has lined up a series of exciting and rewarding fan-engagement activities to bring audiences even closer to Jason’s music journey.

    Speaking on the release, officialJaceBen expressed his joy, noting that the single is only one of several projects already in the pipeline. With previous collaborations alongside artists like Bela and Romi, he continues to showcase his versatility and passion for creating music that resonates with fans.

    Beyond music, Jason Benson is a multi-talented personality. Currently studying International Relations at Anchor University, he is also a gifted basketball player, footballer, goalkeeper, and skilled keyboardist. His ability to balance academics, sports, and music reflects the dedication and creativity that fans hear in his latest single.

  • King Ojem drops new single, Favorite High

    King Ojem drops new single, Favorite High

    Nigerian-Born rapper, singer, and songwriter King Ojem has just released a brand-new single titled; Favorite High, an emotional track that dives deep into the realities of love, vulnerability, and healing.

    Known for his bold storytelling and genre-blending sound, King Ojem brings something fresh and personal with ‘Favorite High,’ a slow-burning, Alté-R&B/trap soul record that paints love as both a safe haven and a dangerous addiction.

    The track is taken from his upcoming 10-track album, Tales from a Junkie: Sober Edition, a project that shifts the focus from substance addiction to emotional recovery, self-awareness, and growth.

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    With his unique blend of Alté, alternative R&B, and trap soul, King Ojem is among the new wave of Nigerian artists pushing boundaries and redefining what it means to make African music on a global stage. He is already known for standout tracks like Pim Pim (nerveless) and Newbie but “Favorite High” marks a softer, more reflective side of his artistry, one that Nigerian music lovers will surely connect with.

    King Ojem said, “Favorite High captures the moment when love becomes your new addiction—soft, intoxicating, and both scary and beautiful.” 

    The new song also kicks off a multi-platform rollout with visuals, pop-up events, and a short film that ties the album’s narrative into a full experience.

  • BBNaija and the evolution of Nigeria’s entertainment industry

    BBNaija and the evolution of Nigeria’s entertainment industry

    Every year between July and October, Nigerians tune in to watch a group of strangers locked in one house, navigating tasks, drama, and unexpected friendships. That show is Big Brother Naija (BBNaija). But BBNaija is more than a guilty pleasure; it has become one of the most powerful launchpads for stardom in Nigeria. What started as a reality TV experiment has evolved into a cultural machine, producing celebrities who dominate Nollywood, music, media, and the influencer space.

    When BBNaija first hit our screens in 2006, it was viewed as simple entertainment: cameras, housemates, and weekend evictions. Fast-forward ten seasons, and it is clear that the show has redefined what it means to ‘blow’ in Nigeria. Today, a run in the BBNaija house is almost like a crash course in brand building: contestants walk out with ready-made fan bases, endorsement opportunities, and career paths waiting to be explored.

    The proof is everywhere. Bisola Aiyeola went from being a fan favourite to a respected Nollywood actress and media personality. Tobi Bakre has built a thriving acting career. On the music front, Laycon capitalised on his BBNaija win to boost his music career, while Whitemoney tapped into his audience to enter the Afrobeats scene. Even outside entertainment, Ebuka Obi-Uchendu, who first entered BBNaija as a housemate in 2006, has become the stylish face of the franchise itself, proving the show’s staying power as a career incubator.

    None of this would be possible without the fans. Voting, trending hashtags, and stan armies like the Titans, Icons, and Mercenaries do not just decide who stays in the house; they often decide who thrives outside of it. Fan bases fund billboards, organise meet-and-greets, and keep their favourites trending long after the show ends. Brands pay attention to this energy; endorsement deals often go to ex-housemates whose fans can guarantee sales and visibility. In many ways, BBNaija’s success stories are co-written by the audience.

    One of BBNaija’s biggest impacts is how it has shaped influencer marketing in Nigeria. Ex-housemates often step straight into high-profile ambassadorships, fashion campaigns, and social media partnerships. Their ability to engage loyal fans makes them irresistible to brands looking for reach and authenticity. The show has essentially created a conveyor belt of digital influencers, setting the tone for how marketing now thrives in Nigeria’s entertainment space.

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    Beyond individual success stories, BBNaija has reshaped Nigeria’s entertainment industry as a whole. It has provided Nollywood with new faces and audiences hungry to see their favourites in movies and series. It has introduced new artists to music lovers and boosted the visibility of Nigeria’s creative scene globally. On a business level, it has created jobs for content creators, PR managers, event organisers, and social media strategists. What was once just TV is now a full-fledged entertainment economy.

     Of course, the BBNaija effect is not all smooth sailing. Some critics argue that fame from the show is fleeting, with only a handful of housemates managing to sustain long-term relevance. Others suggest that Nollywood and the music industry can be sceptical of reality stars who rise too fast. But year after year, new alumni continue to prove that with the right talent, strategy, and fan support, BBNaija fame can translate into lasting success.

    The show has now become an integral part of Nigeria’s entertainment culture. It is no longer just about evictions, drama, or who wins the prize money. It is about opportunity, visibility, and the millions of fans who shape careers with their votes and voices. As long as the cameras keep rolling, BBNaija will remain more than a TV show; it will continue to be one of Nigeria’s most powerful stages, where stars are born in real time and carried forward by the energy of their audience.

  • Music, comedy as Beauty in the Motherland 2025 amplifies African beauty globally

    Music, comedy as Beauty in the Motherland 2025 amplifies African beauty globally

    The third edition of Beauty in the Motherland, Africa’s  largest beauty event, is set to take place at the Eko Hotel Convention Centre in Lagos, Nigeria, from September 30 to October 2, 2025.

    This annual showcase unites industry thought leaders, emerging entrepreneurs, and aspiring business owners to share insights, build partnerships, and engage in business -to-business networking.

    Unlike traditional exhibitions, Beauty in the Motherland 2025 will focus on knowledge exchange, collaboration, and industry growth.

    Part of the highlights would feature music, comedy and other forms of entertainment to spice the show.

    Panel sessions will address key topics such as global expansion, customer engagement, brand perception, and sustainable business strategies. The goal is not only to showcase products but also to foster long-term relationships between brands, investors, and retailers.

    The second edition, held in 2024, welcomed over 10,000 attendees over three days, excluding exhibitors, investors, and speakers. This year, organizers project over 35,000 participants in attendance, including business experts and beauty enthusiasts from across Africa and beyond.

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    Key speakers include Adeola Diadem of Beauty by AD; Adefunke of BeautybyAdefunkee; Dabota Lawson of Dabota Cosmetics; and Beatrice Eneh of Nectar Beauty Hub, alongside many other pioneers of African beauty. Exhibiting brands such as Amari Scalp Care, Adefunkee, Dr. Purejoie Skincare, Modara Naturals, Jaga Beauty, Curls and Tresses amongst others will also be on display.

    To further empower entrepreneurs, the event will offer cash prizes, grants, and sponsorship opportunities. Selected businesses will also gain mentorship from established industry leaders; this strategy is designed to help small brands scale into international markets.

    The voice of African beauty is powerful and limitless, Beauty in the Motherland 2025 is about ensuring that voice is heard globally, and that African entrepreneurs have the tools, platforms, and visibility to lead.

    With its mission to amplify African creativity, foster collaboration, and spotlight the continent’s entrepreneurial spirit,

    Beauty in the Motherland 2025 promises to be more than an event, it is a movement that places Africa at the heart of the global beauty conversation.

  • NIDCOM lauds Macjob’s record-setting film Ireke

    NIDCOM lauds Macjob’s record-setting film Ireke

    Chairman and Chief Executive Officer, Nigerians in Diaspora Commission (NIDCOM), Hon. Abike Dabiri-Erewa, has commended Nigerian international broadcaster and producer, Gbolahan Macjob, for the groundbreaking global success of his film, Ireke.

    In a statement issued by NIDCOM spokesperson, Abdur-Rahman Balogun, Dabiri-Erewa described the achievement as a remarkable milestone for Nigeria, noting that Ireke: Rise of the Maroons has set multiple international records for a Nigerian local language film.

    The epic production, which tells the untold story of African slave rebellion in the Caribbean, has been hailed worldwide for bringing often-neglected African and Nigerian history to a global audience. According to Dabiri-Erewa, the movie has transcended diaspora viewership, captivating Caribbean communities, white British audiences, and international film lovers across various regions.

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    The NIDCOM boss lauded the film’s outstanding viewing records, describing Macjob as a multi-talented creative whose roots and training in Abeokuta, Ogun State, remain central to his success. She highlighted that Macjob, a Mass Communications graduate of Moshood Abiola Polytechnic and an Emmy-nominated senior journalist with the BBC World Service, has consistently used his skills to promote Nigeria’s image abroad while supporting talent development at home through training initiatives and donations.

    Dabiri-Erewa reaffirmed NIDCOM’s commitment to supporting Nigerians in the diaspora, stressing that Macjob exemplifies the synergy between homegrown talent and international exposure. She said the release of Ireke reflects Nigeria’s rising global influence, assuring that the commission will continue to collaborate with diaspora talents to shape international narratives about Nigeria and empower young Nigerians with globally competitive skills.

    Ireke has already made history as the first Nigerian local language film to premiere at the Cannes Film Festival, the Nollywood film with the longest and largest screening in the United Kingdom, and the first to hold a simultaneous worldwide premiere in London, Lagos, and Abeokuta. It also became the only Nollywood film to host a press screening ahead of its official premiere.

    With major screenings scheduled in Canada, the film continues to build momentum as one of the most internationally celebrated Nigerian productions to date.

  • TIFF announces 2025 awards, juries

    TIFF announces 2025 awards, juries

    Ahead of the 50th Toronto International Film Festival, presented by Rogers, organisers have announced the 2025 award categories, jury members, and prizes that will honour the year’s most exceptional works.

    According to a statement by the organisers, the film festival is scheduled to run from Thursday, September 4 to September 14, 2025, and has juries that is composed of renowned film critics and filmmakers that will evaluate films for prestigious honours including the two Canadian feature film awards, the FIPRESCI Prize from the International Federation of Film Critics, and the NETPAC Award from the Network for the Promotion of Asian Pacific Cinema. 

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    “All prizes will be presented during an in-person awards ceremony that will also be livestreamed at 10 am ET at TIFF Lightbox on Sunday, September 14, the last day of the Festival.”

    The organisers revealed the 2025 jury for Best Canadian Feature Film & Best Canadian discovery awards and they include Jennifer Baichwal, Sophie Jarvis, and R.T. Thorne. The winner of the category will receive a cash prize of $10,000.