The Nation Newspaper

Category: Entertainment

  • I can’t speak, walk well again after surgery complications – Toyin Lawani 

    I can’t speak, walk well again after surgery complications – Toyin Lawani 

    Celebrity fashion designer, Toyin Lawani, has spoken out about her experience at a Lagos-based hospital, alleging complications following a surgical procedure.

    Lawani shared her ordeal on Instagram, stating she visited the hospital for spine surgery but ended up with lung infection and lost use of her legs after spending almost N100 million.

    The mother of three is threatening to sue, claiming the hospital mismanaged her health.

    She shared updates on her condition, including multiple surgeries and ongoing treatment in the UK.

    Lawani wrote in part, “Your cup is finally full, shebi I told you people I don’t have your time yet. Don’t worry just wait for me. I’m coming.

    “You go spend close to 100m for hospital & them go still mismanage your health. They thought I was joking when I said I was going to sue, but I said they should just wait first when I’m stronger, I will tell my story, Still suffering the consequences from the hospital right now na another thing u go find go there, na another thing dem go carry put for ur hand. I kept asking myself why i did my spine surgery implant in Nigeria.

    “Till today I still can’t speak or walk well. I had complications and started bleeding in my lungs. Had to be taken back into the theatre the next day to reoperate again, before i know i stopped breathing, They had to puncture my lungs and destroyed my vocal cords.

    “When I lost the use of my two legs after i was sent home & i ended up back in that hospital again, I had to call the ent doc in UK. He then told them to operate for the 3rd time to take the tracheostomy tube out from my lungs and see if i can breathe myself,

    “Wo after that i was on next flight to uk with my family. When i got here, the doctors told me i had to do another surgery again & said i had infection in my lungs & they showed me the big lumps. Still in hospital in & out till date due to this. They won’t even care if its their mismanagement, you will still pay.”

  • How Funke Akindele made over N6bn at Nigerian box office in five years

    How Funke Akindele made over N6bn at Nigerian box office in five years

    Renowned actress, filmmaker, and producer Funke Akindele has reinforced her position as one of the most commercially successful figures in Nigeria’s film industry, recording an unparalleled run of box office successes over the past five years.

    According to industry box office figures, Akindele has grossed over N6 billion in the last five years, with a string of hit films that have captivated local audiences.

    Her commercial rise gained momentum in 2020 with the release of “Omo Ghetto: The Saga,” which grossed over N636 million nationwide.

    Akindele’s subsequent releases have consistently broken records, cementing her status as a dependable box office force.

    “Battle on Buka Street” (2022) earned approximately N668 million, while “A Tribe Called Judah” (2023) crossed the N1 billion mark, grossing an estimated N1.4 billion.

    In 2024, Akindele surpassed her previous record with “Everybody Loves Jenifa,” which generated nearly N1.88 billion, making it the highest-grossing Nollywood film of all time.

    Her latest release, “Behind the Scenes” (2025), has earned over N1.7 billion, emerging as the top domestic film of the year.

    With multiple billion-naira titles to her name, Akindele occupies three of the top four positions on the list of Nigeria’s highest-grossing films.

  • Carter Efe’s baby mama speaks out amidst drama

    Carter Efe’s baby mama speaks out amidst drama

    Carter Efe’s girlfriend and baby mama, Emmanuella, has responded to claims, expressing shock and hurt over his posts about their private life.

    Efe, on Sunday, revealed that he separated from his baby mama over a year ago.

    In a series of posts, he shared that the relationship took a toll on his mental health, finances, and creativity, causing him to struggle with content creation and stability.

    He described the experience as deeply painful, particularly being apart from his child.

    Now reacting, the mother of one alleged that Carter Efe had controlled her life, stopping her from working and pursuing her acting dreams.

    She also claimed that he had blocked her female friends and family, and even threatened to take away her social media platform.

    Emmanuella said she was shocked by his actions, especially since they had been together just three days prior.

    The baby mama denied allegations of being a prostitute, stating that Carter Efe was the one who didn’t provide for their child without her asking. 

    Read Also: Carter Efe opens up on ‘painful’ separation from baby mama

    She wrote on Instagram: “Honestly I never knew there would be a day like this, sitting in front of camera to talk about my private life?? It’s well sadly this is my reality, I have seen everything Carter posted about us however the way he posted it was weird because we were literally together 3 days ago and we had x ,we have a baby together and for you to Cater for your child I will have to come to you before you can give me money even though we aren’t together anymore like you claim

    “You stopped me from working, I’ve always wanted to be become an actress but Carter doesn’t want that, I had to kill that dream, I can’t even work at the hospital because he said I would sleep with the doctors at the hospital, this same person blocked all my female friends because he knows I would confide in them, going ahead to post a video of my female friends brother is crazy, if people try to contact me he blocks it, he made sure I kept my family away, honestly when I saw his post about me I was shocked because he called me this morning and told me he was about to post something calling me a prostitute and that he would make sure I don’t ever post myself ever again since he was the one that gave me the platform he would also take the platform from me, God knows everything”.

  • FULL LIST: Burna Boy, Rema, others emerge winners at AFRIMA 2026

    FULL LIST: Burna Boy, Rema, others emerge winners at AFRIMA 2026

    The 9th edition of the All Africa Music Awards (AFRIMA) 2026 witnessed a stellar performance by music sensation Rema, who walked away with three prestigious awards.

    The 24-year-old artiste won Best Male Artiste in Western Africa, Artiste of the Year and Best African Artiste, Duo or Group in African RnB/Soul for “Calm Down”.

    Burna Boy, one of Nigeria’s most prominent music stars, took home the Album of the Year award for “No Sign of Weakness”.

    Yemi Alade, a renowned singer, songwriter, won Best Soundtrack in a Movie, Series or Documentary for “You Are” from “Iyanu: The Animated Series”.

    Fast-rising artiste Shallipopi made a notable impact, winning Song of the Year for “Laho” and Best African Collaboration alongside Burna Boy.

    Phyno, a prominent rapper, won Best African Artiste in African Hip-Hop.

    The awards ceremony, held at the Convention Centre, Eko Hotels and Suites, Victoria Island, brought together notable African artistes, showcasing the continent’s rich musical diversity and cultural heritage.

    Other winners at the event included Tanzanian singer Jux, who won Best Male Artiste in Eastern Africa, and Cindy Le Coeur of the Democratic Republic of Congo, who won Best Female Artiste in Central Africa.

    AFRIMA 2026 showcased African musical diversity and cultural heritage, with Lagos hosting the awards for the third time, following previous editions in Ghana and Senegal.

    Below is the full list of winners:

    Best Male Artist in Central Africa

    • C4 Pedro (Angola)
    • Eboloko (Gabon)
    • Gims (DRC)
    • Gerilson Insrael (Angola)
    • Kocee (Cameroon)
    • L’Oiseau Rare (Gabon)
    • Fally Ipupa (DRC)
    • Magasco (Cameroon)
    • Singuila (The Congo) – Winner
    • Werrason (DRC)

    Best Female Artiste in Central Africa
    • Anna Joyce (Angola)
    • Blanche Bailly (Cameroon)
    • Charlotte Dipanda (Cameroon)
    • Cindy Le Coeur (DRC) – Winner
    • Deborah Lukalu (DRC)
    • Emma’a (Gabon)
    • Jessy B (The Congo)
    • Krys M (Cameroon)
    • Liriany (Angola)
    • Rebo (DRC)

    Best Male Artiste in Eastern Africa
    • Bien (Kenya)
    • Diamond Platnumz (Tanzania)
    • Element Eleéh (Rwanda)
    • Joshua Baraka (Uganda)
    • Jux (Tanzania) – Winner
    • Marioo (Tanzania)
    • Mbosso (Tanzania)
    • Bruce Melodie (Rwanda)
    • Sat-B (Burundi)
    • Yared Negu (Ethiopia)

    Best Female Artiste in Eastern Africa
    • Abigail Chams (Tanzania)
    • Bridget Blue (Kenya)
    • Denise (Madagascar) – winner
    • Haleluya Tekletsadik (Ethiopia)
    • Lady Jaydee (Tanzania)
    • Mahlet Wendimu (Ethiopia)
    • Salemia (Ethiopia)
    • Weeha (Ethiopia)
    • Winnie Nwagi (Uganda)
    • Zuchu (Tanzania)

    Best Male Artiste in Northern Africa
    • A.L.A. (Tunisia)
    • Adviser (Mauritania)
    • Amr Diab (Egypt)
    • Cheb Momo (Algeria)
    • El Grande Toto (Morocco)
    • Hamza Namira (Egypt)
    • Lbenj (Morocco)
    • Mohamed Ramadan (Egypt)
    • Stormy (Morocco)
    • Wegz (Egypt)

    Best Female Artiste in Northern Africa
    • Chirine Lajmi (Tunisia)
    • Inez (Morocco)
    • Jannat (Egypt)
    • Jaylann (Morocco)
    • Manal (Morocco)
    • Meryem Aboulouafa (Morocco)
    • Sherine (Egypt) – Winner
    • Zina Daoudia (Morocco)

    Best Male Artiste in Southern Africa
    • Anderson Mário (Mozambique)
    • Jah Prayzah (Zimbabwe)
    • Manana (Eswatini)
    • Nasty C (South Africa)
    • Teddy Makadi (Malawi)
    • Tyler ICU (South Africa)
    • Wanitwamos (South Africa)
    • Yo Maps (Zambia) – Winner
    • Zeze Kingston (Malawi)
    • Kazba De Small (South Africa)

    Best Female Artiste in Southern Africa
    • Babalwa M (South Africa)
    • Hanna (Zimbabwe)
    • Makhadzi (South Africa)
    • Nkosazana Daughter (South Africa)
    • Nontokozo Mkhize (South Africa) – Winner
    • Sha Sha (Zimbabwe)
    • Temwah (Malawi)
    • Tyla (South Africa)
    • Uncle Waffles (Eswatini)
    • Zee Nxumalo (South Africa)

    Best Male Artiste in Western Africa
    • Asake (Nigeria)
    • Axel Merryl (Benin)
    • Black Sherif (Ghana)
    • Burna Boy (Nigeria)
    • Davido (Nigeria)
    • Didi B (Côte d’Ivoire)
    • Djodje (Cape Verde)
    • Rema (Nigeria) – Winner
    • VJ (Senegal)
    • Wizkid (Nigeria)

    Best Female Artiste in Western Africa
    • Amaarae (Ghana)
    • Ayra Starr (Nigeria)
    • Djelykaba Bintou (Guinea)
    • Josey (Côte d’Ivoire)
    • Mariam Ba Lagaré (Mali)
    • Mia Guissé (Senegal)
    • Moliy (Ghana)
    • Tiwa Savage (Nigeria)
    • Viviane Chidid (Senegal)
    • Wendy Shay (Ghana) – Winner

    CONTINENTAL CATEGORY

    Best Male Artiste in African Inspirational Music
    • Christian Mukuna (DRC)
    • Djunny Beatz (Mozambique)
    • Gaise Baba (Nigeria)
    • Israel Mbonyi (Rwanda)
    • Jah Prayzah (Zimbabwe)
    • Joel Lwaga (Tanzania)
    • Kocee (Cameroon)
    • Lawrence Oyor (Nigeria)
    • Milo (Côte d’Ivoire) – Winner
    • Sjava (South Africa)

    Best Female Artiste in African Inspirational Music
    • Ada Ehi (Nigeria)
    • Choisie Basolua (DRC)
    • Krys M (Cameroon)
    • Martha Mwaipaja (Tanzania)
    • Mercy Chinwo (Nigeria)
    • Morijah (Côte d’Ivoire) – Winner
    • Nontokozo Mkhize (South Africa)
    • Roseline Layo (Côte d’Ivoire)
    • Vestine & Dorcas (Rwanda)

    Best African Artiste, Duo or Group in African Jazz
    • Adrian Younge & Ali Shaheed Muhammad (Ghana)
    • Haddinqo (Ethiopia) – Winner
    • Mádé Kuti (Nigeria)
    • Rorisang Sechele (South Africa)
    • Sibusiso Mash Mashiloane (South Africa)
    • The Cavemen (Nigeria)
    • Alune Wade (Senegal)
    • Nomfundo Xaluva (South Africa)
    • Kyle Shepherd Trio (South Africa)

    Best Artiste, Duo or Group in African Contemporary
    • Fireboy DML (Nigeria)
    • Axel Merryl (Benin) – Winner
    • Espe Bass (Congo B)
    • Bien (Kenya)
    • Jaylann (Morocco)
    • Kizz Daniel, Angélique Kidjo & Johnny Drille (Nigeria)
    • Mbosso (Tanzania)
    • Ferre Gola & Rayvanny (DRC)
    • Didine Canon 16 (Algeria)
    • Wendy Shay (Ghana)

    Best Soundtrack in Movie, Series, or Documentary
    • Igho’le Trap Mix Version (“To Kill a Monkey”: Series) – Oscar Heman-Ackah (Ghana)
    • El Ma2as (“The Start”: Film) – Tamer Hosny, Reda Elbahrawy (Egypt)
    • You Are (“Iyanu”: The Animated Series) – Yemi Alade (Nigeria) – Winner
    • Timpi Tampa (“Timpi Tampa”: The Film) – Ismaël Lo (Senegal)
    • Tori Ife (“Seven Doors”: Series) – Tolu Obanro (Nigeria)
    • Saatte Ragouj (“The Last of the Mohicans” Film) – Kafon (Tunisia)

    Songwriter of the Year
    • Bakhaw Dioum – “Choix” (Mia Guissé ft. Wally B. Seck) (Senegal) – Winner
    • Emel, Jehanny Beth & Camille Berthomier – “Fall in the Light” (Tunisia)
    • Emma’a – “Trop d’amour” (Gabon)
    • Emmanuel Ayobami Alli-Hakeem – “Za” (Anendlessocean) (Nigeria)
    • Ferre Gola – “Amour Illusoire” (DRC)
    • Mohammed Ismail Sharrif – “Rebel Music” (Black Sherif) (Ghana)
    • Mugisha Fred Robinson – “Tombé” (Element Eleéh) (Rwanda)
    • Olamide Adedeji – “Hassibunallah” (Olamide) (Nigeria)
    • Prince Omoferi & Nwamu Francis Chukwudubem – “It Hurts” (Johnny Drille & Don Jazzy) (Nigeria)
    • Victor Ngatuvese Kaune – “Oputuri ‘Queens’” (One Blood Namibia) (Namibia)

    African Fans’ Favourite
    • Ali Jita (Nigeria)
    • Barnaba (Tanzania)
    • BNXN & Rema (Nigeria)
    • Chella (Nigeria) – Winner
    • Dlala Thukzin (South Africa)
    • Innoss’b (DRC)
    • Kizz Daniel (Nigeria)
    • Parazar (Algeria)
    • Faceless (Nigeria)
    • Tul8te (Egypt)

    Best African DJ
    • DJ Malvado (Angola)
    • DJ Maphorisa (South Africa)
    • DJ Moh Green (Algeria) – Winner
    • DJ Mombochi (The Congo)
    • DJ Tunez (Nigeria)
    • DJ YK Mule (Nigeria)
    • Kelvin Momo (South Africa)
    • Oscar Mbo (South Africa)
    • Uncle Waffles (Eswatini)
    • Woodblock Djs (South Africa)

    Producer of the Year
    • Beneth Seraphin Akatché Koffi (Senegal)
    • Butternut, Xolani Majoz (South Africa)
    • Dina One (Mali)
    • Element Eleéh & Mugisha Fred Robinson (Rwanda) – Winners
    • Jazzworx (South Africa)
    • Progrex (Nigeria)
    • DaVinci (Angola)
    • Tempoe (Nigeria)
    • Themba Sekowe, Gomolemo Joy Gumede, Kabelo Motha (South Africa)

    Album of the Year
    • Ebtadena – Amr Diab (Egypt)
    • No Sign of Weakness – Burna Boy (Nigeria) – Winner
    • 5ive – Davido (Nigeria)
    • Diyilem & Bazarhoff: Genius – Didi B (Côte d’Ivoire)
    • Ngomoya – DJ Maphorisa & XDuppy (South Africa)
    • Salgoat – El Grande Toto (Morocco)
    • Big Aka 4 Aka Kai – Himra (Côte d’Ivoire)
    • Thato Ya Modimo – Kelvin Momo (South Africa)
    • Idrache (Traces of the Past) – Tinariwen (Mali)

    Best African Video of the Year
    • “Rebel” – Black Sherif (Ghana)
    • “Meta” – Nomcebo Zikode & Sofiya Nzau (South Africa)
    • “Ki Lo Wa Wa” – Yemi Alade (Nigeria)
    • “Timpi Tampa” – Ismaël Lo (Senegal)
    • “Tori Ife” – Tolu Obanro (Nigeria)
    • “Ova” – Mbosso (Tanzania) – Winner
    • “Ololufe” – Juma Jux & Diamond Platnumz (Tanzania)
    • “Shaolin” – Seyi Vibez (Nigeria)
    • “Stk Stk” – Dizzy Dros, Kekra & Norfafrica (Morocco)

    Song of the Year
    • “Isaka (6AM)” – Ciza, Jazzworx & Thukuthela (South Africa)
    • “Bengicela” – Mawhoo Gl Ceejay & Thukuthela (South Africa)
    • “Choix” – Mia Guissé (Senegal)
    • “Diplomatico” – El Grande Toto (Morocco)
    • “Kaay Waay” – VJ (Senegal)
    • “Laho” – Shallipopi (Nigeria) – Winner
    • “Ololufe Mi” – Jux & Diamond Platnumz (Tanzania)
    • “Push 2 Start” – Tyla (South Africa)
    • “Shake it to the Max” – Moliy, Shenseea, Skillibeng & Silent Addy (Ghana)
    • “With You” – Davido (Nigeria)

    Best African Dance/Choreography
    • Jaylann – “Ha Wlidi” (Morocco)
    • Lady Ponce – “Je veux danser” (Cameroon)
    • Rebo – “Mobambo” (DRC)
    • Serge Beynaud – “Taper Dedans” (Côte d’Ivoire)
    • Toofan – “Deodorant” (Togo)
    • Tyla – “Push 2 Start” (South Africa)
    • Uncle Waffles & Royal Musiq – “Zenzele” (Eswatini)
    • Weeha – “Dimama” (Ethiopia) – Winner
    • Werrason – “Tout se paie ici bas” (DRC)
    • Wizkid – “Kese” (Nigeria)

    Best African Act Reggae, Ragga & Dancehall
    • Magasco – “Dirty Whine” (Cameroon)
    • Moliy, Shenseea, Skillibeng & Silent Addy – “Shake it to the Max” (Ghana)
    • Ruger & Kranium – “Dudu” (Nigeria)
    • Sean Morgan – “Vuu” (Malawi)
    • Black Sherif – “Rebel Music” (Ghana)
    • Takana Zion – “On My Eyes” (Guinea) – Winner
    • Tiwa Savage – “Forgiveness” (Nigeria)
    • Wakadinli – “Kum Baba” (Kenya)
    • Yemi Alade – “Baddie” (Nigeria)
    • Iyani, Mwanaa & Cedo – “Kifo cha Mende” (Kenya)

    Best African Collaboration
    • Blanche Bailly & Lady Ponce – “Lève toi” (Cameroon)
    • Goon Flavour, Master Kg & Eemoh – “Ngishutheni” (South Africa)
    • Mia Guissé ft. Wally Seck – “Choix” (Senegal)
    • Moliy, Silent Addy, Skillibeng & Shenseea – “Shake It to the Max” (Ghana)
    • Paki Chenzu ft. Himra – “Assaut” (Togo/Côte d’Ivoire)
    • Shallipopi ft. Burna Boy – “Laho” (Nigeria) – Winner
    • Uncle Waffles ft. Cowboii, Royal Musiq, Uncool MC & Xduppy – “Zenzele” (Eswatini)
    • Davido ft. Omah Lay – “With You” (Nigeria)
    • Mawhoo, GL Ceejay & Thukuthela ft. Jazzworx – “Bengicela” (South Africa)
    • Benny Adam & Khadija El Warzazia – “Mok Ya Mok” (Morocco)

    Read Also: Eni, Claudia host AFRIMA Red Carpet as Tosyn, Ariane Lead Fashion Watch

    Most Promising Artiste of the Year
    • Cysoul (Cameroon)
    • Joshua Baraka (Uganda)
    • King Luca (Cameroon)
    • L’Oiseau Rare (Gabon)
    • Lwah Ndlunkulu (South Africa)
    • Massamba Amadeus (Senegal)
    • Qing Madi, Valorant (Nigeria) – Winner
    • Rym (Morocco)
    • Kunmie (Nigeria)
    • Fola (Nigeria)

    Artiste of the Year
    • Amr Diab (Egypt)
    • Ayra Starr (Nigeria)
    • Burna Boy (Nigeria)
    • Davido (Nigeria)
    • DJ Maphorisa (South Africa)
    • El Grande Toto (Morocco)
    • Fally Ipupa (DRC)
    • Jux (Tanzania)
    • Rema (Nigeria) – Winner
    • Shallipopi (Nigeria)
    • Tyla (South Africa)

    Breakout Artiste of the Year
    • Blaq Major (South Africa)
    • Ciza (South Africa) – Winner
    • Eboloko (Gabon)
    • Himra (Côte d’Ivoire)
    • Marioo (Tanzania)
    • Mawhoo (South Africa)
    • Moliy (Ghana)
    • Shallipopi (Nigeria)
    • Trap King (Algeria)
    • VJ (Senegal)

    Best African Lyricist Rapper
    • ALA (Tunisia)
    • Didi B (Côte d’Ivoire) – Winner
    • Jessy B (Congo B)
    • Klassafan le Melangeur (Guinea)
    • Nasty C & Usimamane (South Africa)
    • Nyashinski (Kenya)
    • Reminisce (Nigeria)
    • Sarkodie (Ghana)
    • Switch (Libya)
    • Yacou B OG (Mali)

    Best African Artiste, Duo or Group in African Hiphop
    • ALA ft. Mootjeyek (Tunisia)
    • Cassper Nyovest (South Africa)
    • Eboloko (Gabon)
    • El Grande Toto (Morocco)
    • Himra (Côte d’Ivoire)
    • Phyno (Nigeria) – Winner
    • Nasty C & Usimamane (South Africa)
    • Odumodublvck (Nigeria)
    • Sarkodie (Ghana)
    • Suspect 95 (Côte d’Ivoire)

    Best African Artiste, Duo or Group in African RnB & Soul
    • Bensoul & V- Be (Kenya)
    • Big Zulu ft. Malungelo (South Africa)
    • Braye (Nigeria)
    • Calema (Sao Tome)
    • Emma’a (Gabon)
    • Kunmie (Nigeria)
    • Manal (Morocco)
    • Naledi Aphiwe & Mawelele (South Africa)
    • Rema (Nigeria) – Winner
    • Wegz ft. Tayc (Egypt)

    Best African Duo, Group or Band
    • Babylone (Algeria)
    • Blaq Diamond (South Africa)
    • Celema (Sao Tome & Principe)
    • Team Paiya (Côte d’Ivoire) – Winner
    • The Cavemen (Nigeria)
    • Tinariwen (Mali)
    • Toofan (Togo)
    • Vestine & Dorcas (Rwanda)
    • Wapendwa Muziki (Kenya)
    • We Are Nubia (Kenya)

  • Next Awujale: KWAM1 laments exclusion as Fusengbuwa resumes nomination process 

    Next Awujale: KWAM1 laments exclusion as Fusengbuwa resumes nomination process 

    …writes governor Abiodun 

    Fuji music maestro and Olori Omooba of Ijebu land, Alhaji Wasiu Ayinde, has expressed concern over perceived moves by the Fusengbuwa Ruling House to exclude him from the nomination process for the next Awujale of Ijebuland.

    Ayinde alleged that the Fusengbuwa ruling house, which is next in line to produce the next Awujale, has been taken decisions that run contrary to the Chieftaincy Declaration, Obas and Chiefs Law of Ogun State.

    In a letter written to Governor Dapo Abiodun of Ogun State, KWAM 1 who is said to be of the Fidipote Ruling House claimed that the Fusengbuwa house was sidelining him from the ongoing selection process for the next Awujale.

    This is coming as the Fusengbuwa Ruling House resumes the nomination process tomorrow, January 12, 2026 in Ijebu Ode, the Headquarters of Ijebu Ode Local Government Area of Ogun State after an initial halt to the process.

    Scores of princes were said to have indicated their intentions to succeed the last Awujale, late Oba Sikiru Kayode Adetona, who joined his ancestors at 91 on July 13, 2025 after 65 years reign on the throne.

    KWAM1’s allegations of exclusion were contained in a letter dated January 8, 2026, sent to Governor Abiodun by musician’s lawyer, Dr. Wahab Shittu, SAN.

    Earlier, he had approached the Ogun State High Court in Ijebu Ode seeking an interim injunction to restrain Governor Abiodun and six others from proceeding with the selection process but the court declined the request.

    The musician eventually withdrew the suit, without providing explanations.

    Read Also: Tacha rejects ‘Na Man Dey Do Man’ narrative, says men benefit more from other men

    However, in the recent letter to the governor, he recalled that the Ijebu Ode Local Government, had through a letter dated January 6, 2026, from its Secretary, Oke Adebanjo, granted the Fusengbuwa Ruling House the approval to commence the nomination process and conclude it within 14 days starting from January 6.

    He said he was surprised to know that while family members were preparing for the meeting, one Prince Adeleye Lateef Ademuyiwa, the family’s Public Relations Officer, issued a notice directing candidates to collect nomination cards and appear before a screening committee.

    KWAM1 noted that the directive scheduled the nomination exercise for Monday, January 12, 2026.

    The letter read, “It is a matter of deep concern to our client that all these directives, which contravene the Chieftaincy Declaration, Obas and Chiefs Law, and the letter from the Secretary of Ijebu-Ode Local Government, were included in the family’s letter dated January 6, 2026.

    “It is clear that there are plans by the leadership of the ruling house to disenfranchise members desirous of participating in the nomination of candidates for the Awujale stool.

    “We wish to emphasize that all members of the ruling house are entitled to attend the meeting to nominate candidates of their choice.

    “A group of people in the ruling house cannot usurp these rights. The directive providing for screening and nomination by delegates is inconsistent with both the spirit and letter of the Chieftaincy Declaration and the Obas and Chiefs Law of Ogun State 2021.

    “In the interest of justice and compliance with due process, we urge timely intervention to address these concerns, ensuring the integrity of the process and protecting our client’s rights.”

  • Tacha rejects ‘Na Man Dey Do Man’ narrative, says men benefit more from other men

    Tacha rejects ‘Na Man Dey Do Man’ narrative, says men benefit more from other men

    Reality TV star Tacha has criticised the widespread saying “na man dey do man,” insisting that men advance and empower one another far more than women.

    In a post on X, she argued that men dominate leadership and funding opportunities across major sectors, including politics, business, entertainment, technology, oil and gas, finance, and the creative industry. 

    She maintained that these industries remain overwhelmingly male-controlled.

    Tacha referenced her own career, noting that if she possessed the same influence and ideas but were a man, she would likely have achieved greater progress due to easier access and fewer barriers. 

    She added that women continue to face distinct expectations and structural challenges that make success more difficult.

    Describing the popular phrase as misleading, she asserted that it ignores the reality of Nigeria’s deeply patriarchal environment, where men occupy 70 to 90 percent of key positions.

    “That’s not opinion, that’s structure. Men fund men far more than they fund women, and even women often prefer doing business with men over other women. So abeg?? How did we arrive at the idea that men are somehow the most unsupported group?

    If “na man dey do man” were true, industries wouldn’t look the way they do 2day. See lemme tell you, power doesn’t accidentally concentrate. It flows where systems allow it, and those systems heavily favour men. I’ll use myself as an example: I’ve always said this openly. If I were a man with the same influence, ideas, work ethic, and drive, I would be much further in life, not by cheating/shortcuts, just by sheer access.

    “I’m constantly pitching ideas. Anyone who knows me knows this. If we talk consistently for a week, I’ve probably brought up a business idea already. I’m always thinking about scale, leverage, money, and growth. The reactions are usually the same: “Wow, you’re really smart.” “I didn’t know you think like this.” “This idea can actually make money.” They see the value. They understand the upside.

    “But here’s where things diverge. With men, deals often end in handshakes. With women, deals often come with conditions. Somehow the conversation shifts from business to “let’s go on a date,”

    “I’m at the Eko hotel for the weekend.”

    “People say, ‘go to the club, that’s where deals are sealed, ‘ and yes, that works for men. A guy meets an exec, they drink, vibe, shake hands, deal done. For women, even in those same spaces, even when the idea makes perfect sense, there’s often an unspoken expectation attached. That’s a barrier men simply don’t face.

    “So when people say men put women on more than men, it’s nonsense. Men put men on. The system puts men on. Women succeed despite the system, not because of it. That’s why I always tell women: work like crazy. Over-prepare. Over-deliver. Don’t rely on goodwill.

    “Cause in this environment, competence alone is rarely enough, you have to prove it again and again. “Na man dey do man” is just pure nonsense. The reality is simple: power circulates among men, and women pay a much higher price to enter the room.”

  • My ‘choices’ led to divorce with Kristy Scott – Desmond Scott admits

    My ‘choices’ led to divorce with Kristy Scott – Desmond Scott admits

    Desmond Scott, a popular social media personality and chef, has confirmed his divorce from wife Kristy Scott, taking responsibility for the dissolution of their marriage.

    In a statement posted on Sunday via Instagram story, Desmond revealed he initiated separation talks in late 2025 and made “choices” he regretted, leading to their decision to divorce.

    Desmond apologised to Kristy, their family, and followers, stressing Kristy’s importance as the mother of their two boys and committed to co-parenting.

    The statement reads, “I want to begin by apologizing to Kristy, our family, and everyone who has been impacted by the public attention surrounding this situation. I know this news has been disappointing for many, and I’m truly sorry for the hurt it has caused.

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    “Kristy is the mother of my children, and that will always come first. I remain fully committed to being an active, present, and loving parent to our boys, as I have always been.

    “Kristy and I faced challenges and made sincere efforts to work through them. Toward the end of 2025, I wanted to separate, and I had conversations with Kristy regarding this. During this period, I made choices that I am not proud of. I took responsibility for those actions, I shared this with her directly and personally, and ultimately we decided to divorce. I ask for privacy and compassion as we navigate this difficult chapter of our lives”.

    Desmond asked for privacy and thanked supporters, vowing to continue sharing his passion for cooking.

    “Thank you to everyone who has supported us over the years. I’m grateful for that support and will continue sharing my love for cooking and the things that inspire me. I hope you’ll continue that journey with me”.

  • Carter Efe opens up on ‘painful’ separation from baby mama

    Carter Efe opens up on ‘painful’ separation from baby mama

    Popular skit maker and streamer, Carter Efe, has revealed he separated from his baby mama, Emmanuella, over a year ago.

    In a series of post on Instagram, Efe shared that the relationship took a toll on his mental health, finances, and creativity, causing him to struggle with content creation and stability.

    He described the experience as painful, particularly for being apart from his child.

    Efe attributed his recent growth and increased visibility in streaming to the separation. 

    He expressed gratitude for his recovery and progress, stating he’s now in a better place emotionally and professionally.

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    He wrote, “Just to let you know guys have been single for over 1 year now. God is good!!!! I saw mad changes in my life.

    “This lady has frustrated my whole life to the extent I trend everyday for beating a lady……..For good 2 years i lost everything, I lost my mindset, I cannot think or shoot content,I got broke………….

    “Good 3 months I didn’t see my kid! CHARIS. I never let that hold me down on my grind.

    “This days you guys noticed have been happy and active it’s because I was able to move away since! !!!!!

    “GOD IS GOOD. You left me for good 5 months only to come and see that I’m the biggest streamer in Africa

    “Lmaoooo000000 you wan follow me enjoy when you nor Dey there for me…Funny b!tch”

  • FUNKE AKINDELE: Undisputed queen of Nigerian Box Office

    FUNKE AKINDELE: Undisputed queen of Nigerian Box Office

    In the history of Nigerian cinema, very few names command both commercial power and cultural relevance the way Funke Akindele does. From sitcom stardom to cinematic dominance, she has evolved into a box-office force whose impact is measured not just in applause but in billions of naira.

    Today, her title as the Queen of the Nigerian Box Office is not only symbolic but one that has been earned, documented, and unmatched.

    From Jenifa to a cultural empire

    Funke Akindele’s rise began with Jenifa, a character that quickly became more than a role. Jenifa was a cultural phenomenon relatable, quotable, and deeply Nigerian. What followed was not a fleeting success, but the careful building of a franchise and, ultimately, a brand.

    That early connection with audiences laid the foundation for something bigger. Funke understood her viewers instinctively, their humour, their values, and their desire to see their everyday realities reflected on screen. She didn’t just entertain; she built loyalty.

    Breaking records, redefining Nollywood

    As of 8 January, Funke Akindele once again rewrote Nollywood history with her latest film, Behind the Scene, which has grossed over ₦1.7 billion in Nigeria and at least €93,000 in the UK in less than one month of release. This extraordinary performance makes it the highest-grossing Nigerian movie in history, a record no filmmaker has ever achieved at such speed or scale.

    What makes this feat even more remarkable is that it is not an exception; it is part of a consistent pattern. Everybody Loves Jenifa crossed ₦1.8 billion, reaffirming the enduring power of the Jenifa franchise. Before that, Battle on Buka Street earned ₦668 million, becoming a family favourite nationwide, while Omo Ghetto: The Saga, shocked the industry with ₦636 million, redefining commercial success for its genre. Altogether, she has grossed over ₦4.8billion.

    These films didn’t just succeed financially; they broke the internet, dominated conversations, and turned cinema releases into cultural events.

    The difference

    Funke Akindele’s dominance is no accident. Unlike others who simply release their films into cinemas with little buildup, she treats every project like a full-scale campaign. Months before release, she is already creating buzz through skits, teasers, interviews, and glamorous photoshoots featuring her cast and crew. By the time her movies hit cinemas, anticipation is already at a peak. Even from the skits and trailers alone, audiences are left with little choice but to show up when the movie finally hits cinemas.

    She is also highly strategic about timing. Funke Akindele intentionally releases her films during the festive season, particularly December and Christmas, when people are more relaxed, reunited with family and friends, and actively seeking shared experiences. December is a peak period for bonding, and cinema naturally becomes part of that tradition. By positioning her movies at the centre of this season, she makes them the go-to choice for families and loved ones spending time together.

    Added to this is the presence of IJGBs returning home during the holidays. With many Nigerians in the diaspora back in the country and eager to reconnect with local culture, her films become a must-watch event. This convergence of compelling promotion, perfect timing, and a diverse holiday audience has significantly contributed to the consistent, record-breaking success of Funke Akindele’s movies.

    She also redefines collaboration. Rather than actors completing a project and moving on, Funke ensures her cast remains actively involved in promoting the film after release. The result is a sustained wave of coordinated publicity that keeps her movies trending far longer than others. For Funke Akindele, the work does not stop when the movie is released; that is when the real work begins.

    Her marketing strategy extends beyond social media. She creates branded merchandise such as T-shirts and bags, hoodies, and joggers. Hosts lavish premieres and distributes PR packages to celebrities who amplify the film across their platforms.

    She collaborates strategically with influencers, turning screenings into meet-and-greet experiences that draw fans to cinemas not only to watch the movie, but to meet their favourite personalities. This approach benefits everyone, the fans, the influencers, the cinemas and ultimately translates into massive box-office returns.

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    Even within cinema halls, her presence is felt. Promoters actively market and advertise her movies to audiences who came to watch other films, ensuring that no opportunity is missed. Even if someone had planned to see a different film, witnessing such an engaging and entertaining promotional team at the cinema could easily sway their decision to watch her movie instead… the power of in-person promotional marketing.

    Breaking borders

    Perhaps one of her boldest achievements is her expansion into international cinema houses. Funke Akindele is the first Nollywood filmmaker to consistently sell out screenings abroad, with successful runs in the UK and now Winnipeg, a milestone many in Nollywood had not yet imagined possible.

    This international success reinforces a powerful message: Nigerian films can travel, Nigerian stories can sell out global cinemas, and Nollywood can compete on the world stage.

    Always a step ahead

    Many have studied Funke Akindele’s previous marketing strategies, hoping to replicate or surpass her success. Yet, with every new release, she introduces fresh ideas and unexpected innovations that keep her firmly ahead. Just when the industry thinks it has caught up, she changes the game again.

    Behind her success is clearly a formidable company of creatives, marketers, and innovators bursting with new ideas. Together, they have built not just hit films but a system of excellence that consistently delivers results.

    Crown earned

    Funke Akindele has expanded cinema culture in Nigeria, raised commercial expectations, and proven that women can lead blockbuster films at the highest level.

    Little wonder she is widely known as the 001 of the Nigerian box office.

    Funke Akindele is not just breaking records; she is setting them, defining an era, and reigning unmistakably as the undisputed Queen of Nollywood.

  • Why I didn’t attend Allwell Ademola’s funeral – Muyiwa Ademola

    Why I didn’t attend Allwell Ademola’s funeral – Muyiwa Ademola

    Actor and filmmaker Muyiwa Ademola has spoken out about missing the burial of his cousin Allwell Ademola, in Lagos. 

    In a social media post, Ademola revealed he was abroad and unable to return in time for the ceremony.

    Allwell Ademola was laid to rest on January 9 at a Yaba cemetery with many prominent Yoruba film industry figures in attendance. 

    “It’s a final goodbye, Couz. The hardest part is not being in the country to witness your final journey home. Your passing is another painful reminder that tomorrow is never guaranteed. 

    “Each day we live brings us closer to our final day, and each birthday takes us nearer to the last. May we live long, amen. Sun re o Omo Oba EniObanke Ademola, bami ki baba mi Awofe Ademola, ki Uncle Adetokunbo Ademola… o digba o! O di gbere!”, he wrote.

    Social media users have sent condolences to the Ademola family following his post.