Category: Entertainment

  • Cannes Film Festival calls for entries ahead of 79th edition

    Cannes Film Festival calls for entries ahead of 79th edition

    Submissions is currently open for films seeking consideration in the Official Selection of the 79th edition of the prestigious Cannes Film Festival.

    Otherwise known as Festival de Cannes, the event is scheduled to hold from May 12, 2026 to May 23, 2026 in France.

    The festival will bring together filmmakers, actors, producers and creative minds for nearly two weeks of premieres, screenings and industry activity.

    According to the organisers, deadlines for enteries are vary by categories, with February 15 set for school films under the La Cinéfondation (La Cinef) selection, March 2 for short films and March 13 for feature-length films.

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    “All debut feature films selected across the festival’s major sections, including the Official Competition, Un Certain Regard, Out of Competition, the Directors’ Fortnight and the Critics’ Week (Semaine de la Critique), will be eligible for the Caméra d’Or, which honours the best first film.

    “The festival also highlighted opportunities beyond the main competition. The Short Film Corner, a professional networking and screening platform distinct from the official competition, is exclusively reserved for short films. Submissions to this section are paid and must be completed online via the Cinéma de Demain platform.

    “Meanwhile, the Marché du Film, Cannes’ international film market, will once again allow producers and sales agents to organise paid market screenings for buyers and distributors. Further details are available through the Marché du Film’s official channels.”

  • Heartbeat: Tensions rise as love show enters Episode Two

    Heartbeat: Tensions rise as love show enters Episode Two

    Episode two of Africa Magic Heartbeat picked up exactly where the premiere left off, with Ken and Queen Latifa still wrapped in the intimacy they sparked on night one. If there was any doubt about whether Latifa wanted that moment to end, her body language quickly cleared it up. The connection was still very much alive.

    As the episode unfolded, most of the pairs settled into getting to know each other better, easing into conversations and shared moments. However, while the house seemed to be finding its rhythm, Hilda and Igwe stood apart as the only pair still struggling to properly connect.

    Elsewhere, new dynamics began to surface. Chidera and Kena shared a surprisingly serious conversation about future marital plans, hinting at intentions beyond surface attraction. At the same time, Igwe shifted his focus, turning his attention toward Queen Latifa as he continued exploring his options. Alvin also had a moment of honesty with Shekinah, openly addressing what he felt was a confrontational tone during a conversation that revealed early cracks beneath the flirtation.

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    Things took a sharper turn during a group truth game, where confessions flowed freely, and emotions sat closer to the surface. But the real tension arrived shortly after.

    When Queen Latifa asked Ken to step away briefly to get her water, the mood shifted almost instantly. In his absence, Igwe appeared to be flirting with her, a moment that did not go unnoticed. By nightfall, a divider had been placed on Ken and Latifa’s bed, signalling the first visible fallout of the season. Ken, meanwhile, wasted little time redirecting his attention toward Toria.

    Attention levels became even clearer during the wall of messages task. Hilda received none, while Igwe, Queen Latifa, and Toria each received three messages, confirming where interest was building and where it was fading.

    The episode’s biggest moment came with the “Score the Kiss” challenge. Blindfolded, the men took turns kissing each woman, who then scored the kiss based purely on how it made her feel. The winner, Igwe, earned the power to choose a woman to spend the night with at the Love Nest.

    Faced with multiple options and no shortage of attention, he hesitated over his decision, reinforcing his growing reputation as both the most desired and most indecisive man in the house.

  • SuperNowa: What exactly goes on in a child’s mind?

    SuperNowa: What exactly goes on in a child’s mind?

    Sonia Irabor’s SuperNowa, recently released on Prime Video, may sound modest by title, but it ventures into the landscape of a child’s mind. The film leans heavily into anxiety as its central theme, exploring how it shapes perception, and family dynamics.

    Visually, the film is carefully put together. There is striking cinematography and fairly convincing sci-fi elements. While the plot itself is straightforward, it gains emotional depth through the use of flashbacks and symbolic references. That said, the portrayal of anxiety—though well-intentioned—sometimes feels overstated, slightly diluting its realism.

    SYNOPSIS

    Nowa Ohini, fondly called “SuperNowa,” is a quiet yet exceptionally bright 12-year-old girl already in SS2. Beneath her academic brilliance lies a struggle with anxiety that manifests as more than a passing phase—it is treated as a condition. Unknown to her family and caregivers, it’s grief that’s calling on her.

    SuperNowa is a great movie for every Nigerian family. African family to be precise. The movie shines light on this rarely explored subject within the Nigerian film space, particularly when it concerns children.

    STRENGTHS OF THE FILM

    One of SuperNowa’s strongest assets is its simplicity. The narrative flows gently, making the film easy to settle into while still carrying emotional weight. The exclusive movie screening room was both as quiet as a whisper, and as loud as a siren. A testament of how immersive the movie is.

    It thoughtfully examines themes that are often overlooked, especially within the Nigerian context. Anxiety in children is frequently misunderstood, dismissed as laziness or unseriousness, with little effort made to ask deeper questions or seek therapeutic help.

    Sonia Irabor, made SuperNowa as a tool to emphasize how family as a crucial support system—imperfect but ultimately essential. This grounding perspective adds warmth and relatability, allowing the story to feel sincere and human.

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    Casting is another strong point. Each actor fits seamlessly into the story, contributing just the right amount of energy without overplaying their roles. Darasimi Nadi delivers a standout performance as Nowa Ohini, carrying much of the film’s emotional load with impressive instinct and restraint. Her on-screen chemistry with Nonzo Bassey, who plays her brother Junior, is particularly outstanding, portraying a believable sibling bond that anchors the film emotionally.

    Supporting performances from Onyinye Odokoro and Bimbo Manuel are solid and engaging, while Carol King and Harriet Akinola further enrich the narrative with grounded, relatable portrayals.

    Visually, SuperNova is aesthetically pleasing. The use of color—from room designs to costumes and sci-fi effects—works cohesively with the cinematography and color grading. The result is a visually immersive experience that enhances the storytelling. It is, at its core, a family-friendly film.

    The story also briefly addresses the Nigerian education system, highlighting gaps in school care and acknowledging that children learn differently and possess varied forms of intelligence.

    WEAKNESSES OF THE FILM

    The film’s most notable shortcoming lies in its conclusion. While emotionally charged, the ending feels rushed and leaves several narrative threads unresolved. Additionally, the absence of Nowa’s other siblings during key moments is noticeable. It gave room for acutely developed characters. Also, the school competition that drives the story was not taken care of properly. At the beginning it was. But later on it was more of a passive depiction. It felt rushed.

    FINAL VERDICT

    SuperNowa is a visually appealing and emotionally driven film that courageously addresses childhood anxiety. It’s a must watch for every home. Even if it stumbles in its execution toward the end, it’s a convincing movie.

    Rating: 6/10

  • V.Ai emerges as new Afrobeat voice blending emotion, versatility

    V.Ai emerges as new Afrobeat voice blending emotion, versatility

    Lagos-born Afrobeat artiste Victor Aina, professionally known as V.Ai, is redefining the genre through emotionally driven music, versatility, and deliberate storytelling.

    Emerging from Nigeria’s creative epicentre, he represents a new wave of artistes expanding Afrobeat beyond familiar trends and formulas.

    Drawing from Afrobeats, swing, and global pop influences, V.Ai delivers a sound that moves seamlessly between high-energy rhythms and introspective melodies. 

    His music is crafted to resonate across settings, from dance floors and late-night drives to quiet moments of personal reflection.

    His single All Night presents a sensual and polished take on Afrobeat, evoking intimate moments, rooftop evenings, and nights that linger until morning. 

    In contrast, Shanawole offers bold, high-energy vibes that celebrate movement, freedom, and youthful ambition, underscoring his range and adaptability.

    V.Ai’s forthcoming EP, Fully Healed, is a deeply personal project focused on resilience, emotional growth, and self-awareness. 

    The body of work chronicles a journey of healing and strength, where vulnerability is transformed into power and self-expression becomes a form of freedom.

    Driven by a clear purpose to spread positive energy and good vibes, V.Ai continues to position himself as a distinctive and compelling voice within the evolving global Afrobeat movement.

  • Netizens react as Pastor Kingsley Okonkwo gets tattoo

    Netizens react as Pastor Kingsley Okonkwo gets tattoo

    Relationship coach and lead pastor of David Christian Centre (DCC), Kingsley Okonkwo, has sparked a debate on social media after revealing a new tattoo on his arm. 

    The tattoo, which he shared on his Instagram page, with the caption ‘3:16’, has left many of his followers surprised and divided. 

    While some supporters argue that faith is about inner conviction, not outward symbols, others question whether tattoos align with the moral image expected of a pastor, citing Leviticus 19:28, which warns against marking the skin.

    @iamqneth noted: “The Bible says we should not make a mark on our skin.well I know that the Bible hasn’t changed and God’s word hasn’t change too so all I can say is hmmmmm” 

    @ladyrosabel commented: “For those of us that have something to say but decided not to say it, may the peace of the Lord be with us amen”. @iamkingdinero1 shared: “Just know God personally, nó let anyone introduce their own God to you , find your God , know am for yourself’

    @sailorojay stated: “It’s baffles me like does this pastor not know it’s a sin to tattoo his skin?? Like I have nothing for tattoos but as a pastor you should be the one person leading your members in the right part with what the Bible teaches. It’s like pastors of these days only use verses in the Bible that favors them and throws the rest out.” @papcy_valery shared: “Leviticus 19:28 Do not cut your bodies for the dead or put tattoo marks on yourselves. I am the LORD.”

    Okonkwo, known for his teachings on marriage and relationships, has not publicly addressed the controversy.

  • Funke Akindele slams critics over movie promotion ‘dancing’ strategy

    Funke Akindele slams critics over movie promotion ‘dancing’ strategy

    Filmmaker Funke Akindele has addressed movie promotion strategies in Nigeria, following comments by Kunle Afolayan

    Afolayan had expressed frustration over the need to dance to promote films, stating he found the process draining.

    He said: “It is draining. I want to make a film if you guarantee me that I don’t have to dance to sell that film.”

    Afolayan also criticised the growing obsession with box office figures, stating that massive cinema numbers mean little if creators do not benefit financially.

    “There’s no competition. I don’t want two billion in cinema, or even one billion, if I won’t make ten million from it,” Afolayan stated.

    In an Instagram post, Akindele emphasised opportunities are plentiful for everyone, stating that those struggling should focus on their own path.

    Akindele on Instagram story, wrote: “I’m not the one hindering your progress. Ka rin ka po, yiye nin ye ni. If you can’t beat them or join them, create your
    own path. No allow jealousy burn you. The sky is so big for everybody to fly. Eyin Werey jojo!!! And dem never see anything ooooo…

    “Go ahead and create alternative promotion or marketing strategie for promoting your business, or hire a company to handle it. You can do it! The opportunities are endless, and everyone has their own path. I’m focused on mine, and I have faith in God’s plan for me. Gbam!!!!!!”

  • Abike Dabiri-Erewa makes acting debut in Afolayan’s ‘Aníkúlápó: The Ghoul Awakens’

    Abike Dabiri-Erewa makes acting debut in Afolayan’s ‘Aníkúlápó: The Ghoul Awakens’

    Chairman/Chief Executive Officer of the Nigerians in Diaspora Commission (NiDCOM), Abike Dabiri-Erewa has shared a glimpse of her acting debut in the highly anticipated Netflix series Aníkúlápó: The Ghoul Awakens, the second season of Kunle Afolayan’s epic fantasy franchise.

    In a post on X (formerly Twitter), Dabiri-Erewa wrote: “A bit of my little stint on the legendary Kunle Afolayan’s epic film Anikulapo:The Ghoul awakens” where I played the role of “ Iyalode”.suing for peace between the warring communities Showing on Netflix . Don’t miss it”.

    The post included a short video clip from the series showcasing her performance as the Iyalode, who intervenes to mediate conflict between feuding groups.

    This marks Dabiri-Erewa’s first foray into acting, following the announcement in mid-January 2026 that she had been cast alongside Portuguese actor Pedro Teixeira and other new additions like Bukunmi “KieKie” Adeaga-Ilori, among others. 

    The series, which premiered on Netflix on January 30, 2026, continues the story from the 2022 film Aníkúlápó, expanding its Yoruba epic fantasy narrative of power, loyalty, love, and supernatural elements across Oyo and beyond.

    Afolayan, known for his visually rich storytelling and indigenous cultural focus, hosted a watch party and premiere events at his KAP Film Village and Resorts in Oyo State. 

    The project has drawn praise for its star-studded cast expansions and high production values, with the official trailer emphasising themes of awakened power demanding a steep price.

  • Kunle Afolayan: I will return to cinemas if…

    Kunle Afolayan: I will return to cinemas if…

    Filmmaker Kunle Afolayan has expressed reluctance to return to cinema releases unless filmmakers are relieved of exhausting promotional demands, such as dancing on social media. 

    Speaking at the Lagos Business of Film Summit, Afolayan cited the toll of aggressive promotion, referencing his early days in the industry when he engaged in strenuous publicity efforts.

    According to him, he is proposing alternative strategies to sell films without burnout, stating he has projects ready but is waiting for more sustainable promotional models. 

    “For cinema, I’m one of the people who started the cinema gig, and dancing before anybody. I danced in London too, not just locally,” he said.

    “In 2006, I did all the runs, and it was exhausting. I want to make a film if you can guarantee I don’t have to dance to sell that film. We need to come up with other strategies. How do we sell without exhausting ourselves?” he asked.

    “I don’t know how the likes of Funke Akindele and others are doing it — creating skits every day, changing costumes all the time. I can’t do it,” he added.

    He previously highlighted the disconnect between cinema success and filmmakers’ earnings, questioning the value of massive box office numbers if profits don’t reach creators.

    “I don’t want two billion streams at the cinemas and end up receiving ten million naira,” he said.

  • Home Alone actress Catherine O’Hara dies at 71

    Home Alone actress Catherine O’Hara dies at 71

    Canadian-born Hollywood star, Catherine O’Hara has died at 71.  

    O’Hara, best known for her iconic roles in Home Alone and Schitt’s Creek, passed away at her Brentwood home in Los Angeles on Friday, her agency, Creative Artists Agency, confirmed.

    “A true comic genius, a true artist, and a wonderful human being.” —Martin Scorsese “The funniest person I’d ever had the pleasure of watching on screen.” —Seth Rogen. “One of the comic giants of our age.” —Christopher Guest.

    “Catherine O’Hara was all of those things. She was also a dear friend and client. In the words of her agent Toni Howard, “it was pure joy to represent Catherine for 35 years!”

    “From her start on SCTV to her performances in films such as Home Alone and Beetlejuice, to her Emmy-winning role on Schitt’s Creek and her recent appearances on The Studio, she brought her trademark wit, energy and exceptional comedic talent to everything she did. She will be deeply missed,” the statement reads.

    O’Hara’s impressive career spanned over five decades, with notable performances in films like Beetlejuice, Best in Show, and A Mighty Wind. 

    Her portrayal of Moira Rose in the Emmy-winning comedy series Schitt’s Creek earned her widespread critical acclaim and a new generation of fans.

    The cause of death was not disclosed as tributes have poured in from colleagues and friends, including Martin Scorsese, Seth Rogen, and Christopher Guest, praising her exceptional comedic talent and wit.

    O’Hara is survived by her husband, Bo Welch, and their two sons, Matthew and Luke, leaving behind a lasting legacy in comedy and popular culture.

  • I’m not in competition with Ibrahim Chatta – Kunle Afolayan

    I’m not in competition with Ibrahim Chatta – Kunle Afolayan

    Filmmaker Kunle Afolayan has dismissed rumours of a rivalry with Ibrahim Chatta, emphasising their shared goal of promoting Nigerian culture.

    Speaking at the watch party of “Anikulapo: ‘The Ghoul Awakens’”, Afolayan stressed that he and Chatta are working together to preserve their heritage, rather than competing.

    He said: “There is no competition between us. We are both doing everything possible to uplift the glory of all, not just our ancestors, but the lineage and where we are from, from the root. There’s Afri Chatta in Oyo. If you haven’t been there, you should go.

    “Many of the films you’ve seen, like Ageshinkole, were shot at Afri Chatta Resorts and Film Studio. There is no competition! We are not even doing the same thing. And this is the first time he is going to come here. Even though I’ve invited him several times, I’m guilty too.”

    Afolayan also addressed his selective approach to cinema projects, stating that he prioritises quality over financial gain. “I don’t want 2 billion or 1 billion in cinema, if I wouldn’t be able to take N10 million,” he said.

    The event, held at Igbojaye, Oyo state, was attended by several Nollywood stars, including Kiekie, Broda Shaggi, and Gabriel Afolayan.