Category: Entertainment

  • Oladips opens up on encounter with EFCC

    Oladips opens up on encounter with EFCC

    Nigerian rapper Oladips has opened up about his unpleasant encounter with the operatives of the Economic and Financial Crimes Commission (EFCC), alleging that he was unlawfully arrested and extorted millions of naira in 2024.

    The “Lalakukulala” singer made the revelation during a recent interview, where he recounted how the  EFCC officials broke into his Lagos residence in the middle of the night.

    “It was around 3 AM when they broke my kitchen door and gained access to my apartment,” Oladips said. “I already knew they were in the estate operating in other people’s apartments, but I wasn’t worried because I don’t do fraud.”

    According to him, the operatives demanded his laptop, but he explained that he only owned two mobile phones.

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     He claimed he was taken to the EFCC office, where officials, upon finding no evidence of fraud, began questioning him about tax payments.

    “I was locked up for five days in a very smelly cell but was later granted bail after paying millions,” the rapper recounted.

    Oladips also revealed that fellow artiste Zlatan Ibile ensured he had food throughout his detention by sending him meals daily.

    He described the experience as both humiliating and traumatizing, adding that although he contemplated taking legal action against the anti-graft agency, he decided against it due to the complexities of Nigeria’s justice system.

    “I would have sued the EFCC, but you know how the system is — I would just keep spending money,” he said.

  • How I got into debt after marketer’s death, by Otolo

    How I got into debt after marketer’s death, by Otolo

    Veteran Nollywood actor Mustapha Bakare, aka Otolo, has opened up about one of the most difficult moments in his career.        In a recent expose, the 68-year-old Baba Otolo revealed how he was plunged into heavy debt following the sudden death of his movie marketer.

    Speaking in a recent interview, the actor recounted that he had taken a ₦4 million loan from Oceanic Bank to finance a personal film project. He said the movie had just been released when tragedy struck.

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    “I’ve worked with a lot of marketers, but there’s one who I really love and respect — her name is Lady Prince,” he said. “When I wanted to produce my movie titled ‘Ise Oru,’ I went to Oceanic Bank to collect a loan of ₦4 million. After shooting the movie and releasing it, within two months, the marketer slumped and died.”

    Otolo explained that he made several attempts to reach a financial agreement with the late marketer’s husband, but all efforts failed, leaving him with the full burden of repayment.

    “The bank started asking for their money, which I didn’t have,” he said. “When the pressure became too much, I relocated to Oshogbo, Osun State.”

    The actor noted that it was during this period of distress that he met popular clergyman Agbala Gabriel, who came to his rescue and helped him offset a major part of the debt.

    “He helped me refund a huge part of the money to the bank,” Otolo added with gratitude.

  • Don Jazzy picks top five all-time afrobeats songs, albums

    Don Jazzy picks top five all-time afrobeats songs, albums

    Mavin Records boss Don Jazzy has unveiled his list of favorite Afrobeats songs and albums, spotlighting the classics that propelled the genre from local streets to international acclaim.

    In a RollingStone Africa interview, the producer paid homage to the Mo’ Hits era he co-built with D’Banj, while crediting pioneers who shaped the sound.

    His top songs include 2Baba’s African Queen, which he said opened global doors for Afrobeats and Wizkid’s Ojuelegba for its authentic storytelling.

    Read Also: What inspires artist signing under Mavin label – Don Jazzy

    D’Banj’s Fall in Love earned praise as a continental anthem from Mo’ Hits, while 9ice’s Gongo Aso was lauded for blending Yoruba tradition with pop.

    Davido’s Aye rounded out the list for its Highlife-infused energy.

    For albums, Don Jazzy singled out Wande Coal’s Mushin 2 Mo’Hits, which he produced as a timeless masterpiece.

    He also named 2Baba’s Grass 2 Grace, Wizkid’s Superstar, D’Banj’s The Entertainer, and Aṣa’s self-titled debut as foundational works that influenced today’s stars.

  • Juma Jux store looted, not burnt in Tanzanian protest – Priscilla Ojo

    Juma Jux store looted, not burnt in Tanzanian protest – Priscilla Ojo

    Tanzanian singer Juma Jux’s luxury fashion store has been looted by protesters amid violent demonstrations following the country’s disputed general elections.

    The unrest erupted over allegations of electoral irregularities and the disqualification of key opposition figures.

    Contrary to initial reports, Juma Jux’s wife Priscilla Ojo clarified on Snapchat that the store was looted, not burnt.

    Read Also: Priscilla Ojo slams trolls over reworn wedding shoes

    She wrote; “Looted not Burnt”.

    The looting occurred as protests spread across Dar es Salaam and other cities, with demonstrators demanding the cancellation of the election results.

    The Tanzanian government has faced criticism for alleged repression and the exclusion of major opposition candidates from the presidential race.

  • Adekunle Gold reveals struggle with sickle cell disease

    Adekunle Gold reveals struggle with sickle cell disease

    Afrobeats singer Adekunle Gold has opened up about his ongoing battle with sickle cell disease, revealing that he still experiences painful crises..

    The ‘Coco Money’ crooner, in an interview on RealTalk podcast, said that he was diagnosed with the condition around 5 or 7 after his mother rushed him to the hospital following a severe episode of pain.

    “The first time I noticed that I had it was the night I fell sick and my dad wasn’t home and my mum put me on her back and we walked miles to the hospital. I don’t remember how old I was, maybe like 5 or 7,” he said.

    According to him, his parents, both carriers of the sickle cell trait, unknowingly passed it on to him.

    “Unfortunately for me, my parents are sickle cell and they brought me to the world. The first time I ever heard of sickle cell was I would fall sick every time with my joints paining me. So when we talk about crisis, it is pains on your joints, my legs and sometimes stomach. It’s really crazy,” he continued.

    Adekunle added that he has been managing the condition with lifelong medication, specifically folic acid and B complex, since his diagnosis.

    He said: “That was when the doctor told me about it, and they told me that I will be taking folic acid and B complex for the rest of my life. And that’s my life for a very long time even till now”.

    Although he still experiences occasional crises, he noted that they are less severe than in his childhood due to better self-care and access to quality healthcare.

    “I still have crises once in a while but not as bad as I had it when I was a child, you know maybe because I have found a way to take care of myself more properly. And I’m grateful to God for the resources to be able to do that,” he stated.

    The musician stressed on the importance of genotype testing, particularly for couples planning to have children, to prevent the transmission of the condition.

    “Where sickle cell is more popular or where people know it most is my country Nigeria. And it happens when an SS matches an SS. And that’s why knowing your genotype is very important because the point is you should not bring many more kids that have sickle cell”, he said.

    He expressed concerns that many Nigerians remain uninformed about sickle cell disease and urges health organisations to intensify awareness campaigns and education.

    “My vision is to make more noise about it because a lot of people don’t know about it, and the important organisations are not making so much moves regarding it,” he concluded.

  • What inspires artist signing under Mavin label – Don Jazzy

    What inspires artist signing under Mavin label – Don Jazzy

    Mavin Records founder Don Jazzy has revealed that his talent scouting prioritises the artist’s character and vision over raw musical skill, describing the process as investing in the “vessel” behind the sound.

    In an interview with RollingStone Africa, the producer emphasised evaluating personality, hunger, and cultural fit before signing anyone to the label.

    He explained that while predicting breakout success is impossible, instinct often signals genuine drive.

    Artists, he added, frequently underestimate their own potential until growth unfolds over time.

    Read Also: Why I almost quit music after Mo’Hits ended -Don Jazzy

    “Beyond the music, I focus on the vessel, the person. I look at their personality, their hunger, their vision. At Mavin, we also pay attention to how well they’ll fit into our culture. You can’t always predict who will blow up, but sometimes you can feel when someone truly wants it. Many don’t realize how big their dreams can get until time unfolds,” he said.

    Don Jazzy stressed alignment with Mavin’s collaborative ethos, noting that every addition to the roster is vetted for long-term compatibility.

    The strategy has fueled the label’s track record, launching global acts like Tiwa Savage, Reekado Banks, Korede Bello, Rema, and Ayra Starr.

  • Why I almost quit music after Mo’Hits ended -Don Jazzy

    Why I almost quit music after Mo’Hits ended -Don Jazzy

    Producer and music executive Michael Collins Ajereh popularly known as Don Jazzy has revealed why he nearly abandoned the music industry and relocated abroad following the 2012 collapse of Mo’Hits Records, the label he co-founded with singer D’banj.

    In an interview with ‘Rolling Stone’, Don Jazzy disclosed that the abrupt dissolution of Mo’Hits, triggered by irreconcilable differences between him and D’banj, left him convinced his career was over.

    “When Mo’Hits ended, I thought that was it. I almost packed up to move abroad. But friends encouraged me to stay and start again, and Mavin Records was born. Since then, I’ve learned not to let anything break me”, he said.

    The split marked the end of one of Afrobeats’ most successful partnerships, which had produced hits like “Tongolo,” “Why Me,” and “Fall in Love.”

    Read Also: How I discovered, signed Ayra Starr – Don Jazzy

    Following the breakup, Don Jazzy founded Mavin Records in May 2012, quickly signing former Mo’Hits artists including Wande Coal, Dr SID, and D’Prince, alongside new talents such as Tiwa Savage, Reekado Banks, Korede Bello, and Di’Ja.

    Under Don Jazzy’s leadership, Mavin evolved into a powerhouse, launching global stars like Rema whose 2022 hit “Calm Down” became the most-streamed African song on Spotify and Ayra Starr, whose 2023 single “Rush” earned a Grammy nomination.

    The label’s current roster includes Rema, Ayra Starr, Ladipoe, Crayon, Magixx, Boy Spyce, Bayanni, Johnny Drille, and DJ Big N.

    In 2024, Universal Music Group (UMG) announced a majority investment in Mavin Global, a deal widely seen as validation of the label’s influence in the global rise of Afrobeats.

  • Only Fela greater than me – Burna Boy

    Only Fela greater than me – Burna Boy

    Grammy-winning artist, Burna Boy has declared self the second-greatest African musician in history, naming only Fela Kuti as superior.

    The assertion came during a casual livestream with Australian influencer Playboymax.

    “He [Fala Kuti] is the king. He is the only one [African artist] who is greater than me. He is the only one,” Burna Boy boasted.

    The remark drew reactions across social media platforms.

    While some praised the singer’s self-assurance, others labeled it an overreach that disregards decades of African musical legacy.

    Read Also: Burna Boy, Osas Ighodaro shine as ‘3 Cold Dishes’ Premieres in London

    Burna Boy, born Damini Ogulu has built a formidable case for his stature.

    His 2020 album ‘Twice as Tall’ won the Grammy for Best Global Music Album, a first for a Nigerian artist in that category.

    He has headlined Madison Square Garden, sold out London’s O2 Arena, and amassed over four billion streams worldwide.

    Hits like “Ye,” “On the Low,” and “Last Last” have become global anthems, cementing his role in Afrobeat’s modern resurgence.

  • Why I won’t monetise YouTube page for Hallelujah Challenge – Nathaniel Bassey

    Why I won’t monetise YouTube page for Hallelujah Challenge – Nathaniel Bassey

    Gospel singer Nathaniel Bassey has reiterated his refusal to monetise the official YouTube channel for the Hallelujah Challenge, an online prayer movement he launched in 2017.

    Speaking during a live session, Bassey warned participants that fraudulent channels are illegally cloning the official stream from NathanielBasseymain, the only verified page to siphon viewers and generate ad revenue.

    “There are people who join Hallelujah Challenge from fake pages on YouTube. Let me tell you why. Because of my personal concentration of not monetising ‘Hallelujah Challenge’, some criminals, crooks, and scams clone and pick the feed from our page to air it just to make money,” he said.

    The Hallelujah Challenge convenes twice annually, featuring prominent gospel artists and clergy in extended worship and prayer sessions that attract global participation.

    Bassey acknowledged the criticism he faces on both sides on accusations of profiteering if he enables monetisation, and charges of pride when he does not.

    “They have dragged me all you can. When you monetise, they would say you are doing ministry for money. When you do not they would say you are trying to be proud. We will not monetise it. I am not led to do it. God will bless us some other ways,” he added.

    He urged viewers to verify the channel name and avoid unofficial links, emphasising that the initiative remains a free spiritual offering, not a commercial enterprise.

    “So, if you find out as you are watching this now and you are not on NathanielBasseymain. That is the official YouTube page. Any other page is a scam. Just trying to merchandise the grace of God”, he said.

    Organisers have urged participants to report suspicious pages and stick strictly to the official handle.

  • Countdown begins to 3rd Wale Olomu Memorial awards and roundtable

    Countdown begins to 3rd Wale Olomu Memorial awards and roundtable

    Preparations are in full swing for the third edition of the Wale Olomu Memorial Awards and Roundtable (WOMA-R) – the annual celebration honouring the life and legacy of the late Wale Olomu, veteran journalist and pioneering entertainment editor.

    At a recent meeting of the WOMA-R Steering Committee chaired by Tokunbo Ojekunle, members reaffirmed their dedication to sustaining the Awards’ founding mission of recognising 

    excellence in entertainment journalism and celebrating creative trailblazers whose works have defined Nigeria’s modern entertainment industry.

    The Committee announced the 2025 Awards theme: “Unsung Legends Who Shaped Today’s Glory.” 

    Complementing the awards, this year’s Roundtable will focus on the theme: “The Impact of Entertainment Reporting on Musical Careers: Our Views.” Both events will hold on Saturdays, 13 and 20 December, 2025, as a live two-hour broadcast on TopRadio 90.9 FM.

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    As in previous editions, the Roundtable will bring together respected voices bridging generations of entertainers and journalists. Those being considered for the discussion include Sunny Neji, Paul Play Dairo, Wunmi Obe, Olumide Iyanda, and The Jide Taiwo.

    The Chairman also confirmed the appointment of two new advisers to the Steering Committee – Akinwale Oluwaleimu as Technical Adviser and Yinka Agboola as Public Affairs Adviser.

     Past recipients of WOMA honours include Salawa Abeni, Bayo Adepetun, and Gloria Rhodes (Lifetime Achievement Awards); and Collins Enebeli, Femi Ojetunde, Nelson Brown, Oluwaleimu, Amos McRoy, Edi Lawani, Tunde Kolawole, Olisa Adibua, Femi “Kwame” Aderibigbe, among others (Special Recognition Awards).