Category: Entertainment

  • Nemsia Studios ‘Thicker Than Water’ set to captivate audiences

    Nemsia Studios ‘Thicker Than Water’ set to captivate audiences

    Nigerian film of the year, “Thicker Than Water,” a psychological drama that will keep you on the edge of your seat is set for release. 

    Directed by Yomi E. Adejumo and produced by Joshua Enakarhire, this film promises to deliver a thrilling narrative that explores the complexities of human relationships and the depths of sisterhood.

    The film follows Ese, a photojournalist who embarks on a journey to find her long-estranged sister, only to discover that her sister’s disappearance is linked to a dark and sinister plot. As Ese delves deeper into the mystery, she finds herself entangled in a web of secrets and lies that threaten to destroy everything she holds dear.

    READ ALSO; Prof. Amupitan: 10 quick facts about new INEC chairman

    “Thicker Than Water” is a psychological drama, romance, mystery, and thriller set to premiere on Amazon Prime Video on October 10, 2025. 

    The film features Adaobi L. Dibor as Ese, a determined photojournalist, alongside Bimbo Ademoye as Onome, Taye Arimoro as Kazeem, and Damilola Ogunsi as Ola. The supporting cast includes Toyosi Benjamin, Mawuyon Ogun, Pamilerin Ayodeji, Diana Egwuatu, Jemima Adelekan, and Chikere Bright in various roles.

  • Okele proposes ‘signing’ foreign presidents to fix Nigeria

    Okele proposes ‘signing’ foreign presidents to fix Nigeria

    Yoruba actor and comedian Okele has sparked discussion after sharing a provocative idea to address Nigeria’s challenges.

    In a recent video translated to English, Okele likened governance to football, suggesting Nigeria could “sign” ex-presidents from other nations if local leaders fail to deliver.

    “You know in football, coaches move from one club to another. So why can’t Nigeria adopt that method? If we have a president who isn’t performing, we can sack him and bring in another one who has proven himself elsewhere.”

    He argued that constant disappointment with elected leaders might be solved by importing successful governance models.

  • Adekunle Gold brings out Fuji legends Saheed Osupa, Obesere, Taye Currency at carnival 

    Adekunle Gold brings out Fuji legends Saheed Osupa, Obesere, Taye Currency at carnival 

    In true Lagos fashion, the Fuji Carnival was a celebration of heritage, rhythm, and the enduring power of Nigerian street music.

    In partnership with Mainland BlockParty, Legend Extra Stout, Nigeria’s original full-brewed stout, powered the unforgettable experience as Adekunle Gold transformed Broad Street into a pulsating hub of nostalgia and new-school energy, paying homage to the Fuji greats who inspired his latest album, Fuji.

    One of the most unforgettable highlights of the night came when AG, known for his unconventional fusion of pop, highlife, and Fuji, welcomed Fuji music legends Saheed Osupa, Taye Currency, and Obesere to the stage at different moments throughout the night. Each icon brought their signature energy and timeless hits, sending waves of excitement and emotion through the crowd.

    From Osupa’s commanding presence to Obesere’s larger-than-life showmanship and Taye Currency’s magnetic rhythm, the night was a living tribute to the sound and spirit that shaped generations of Lagosians.

    The performances struck a deep chord with fans, many of whom grew up on Fuji, uniting old and new audiences in a moment of shared cultural pride.

    As Adekunle Gold moved between his own hits, from “Pick Up” and “High” to new releases off his sixth studio album like “Bobo,” “Don Corleone,” “Attack,” and “Only God Can Save Me”, it became clear that the night was not only a concert but a bridge between eras.

    At the heart of it all was Legend Extra Stout, fuelling the carnival with its rich, bold flavour. Guests toasted with chilled cups as they soaked in the sounds of Lagos, the city that birthed Fuji and continues to define Nigerian music culture. For a brand that celebrates originality and boldness, the moment couldn’t have been more fitting: Legends honouring Legends.

    By the time the lights dimmed and the last notes echoed through Broad Street, it was clear that something iconic had happened. The Legend x Adekunle Gold Fuji was a love letter to Lagos, to culture, and to every legend whose sound continues to inspire the next generation.

  • Ajimovoix Drums unveils evolution in ‘Self Diary’

    Ajimovoix Drums unveils evolution in ‘Self Diary’

    The global music scene is turning its gaze toward Nigeria once again, as the enigmatic multi-talented artist Ajimovoix Drums—born Oguntade Adewale Damola—delivers his most profound and personal statement yet: the EP Self Diary.

    Far more than a collection of songs, Self Diary stands as a declaration of purpose—a four-track revelation of ambition, struggle, faith, and ultimate triumph. 

    Clocking in at just over seven minutes, the project compresses a lifetime of lessons and emotions into a seamless, soul-stirring experience that blurs the lines between rhythm and reflection.

    Known around the world for his revolutionary drum patterns and genre-shifting productions, Ajimovoix Drums has spent years redefining the sound of contemporary Afrobeat. 

    From underground Lagos studios to global playlists, his beats have inspired movements and created moments.

    But with Self Diary, Ajimovoix steps into a new light—not just as a hit-maker, but as a visionary storyteller.

    “This project is my truth, my testimony,” Ajimovoix explains. “It’s not just about sound; it’s about soul. Every note carries a piece of my story—my doubts, my prayers, my perseverance, my fire. I wanted the world to feel the heartbeat behind the name.”

    The EP features Ajesings, whose vocal brilliance adds depth to Ajimovoix’s raw, emotive storytelling. Together, they create what feels like a conversation between passion and persistence—two voices merging to tell one story.

    From the opening chords of “OmoOlogo”, listeners are drawn into a journey of faith and self-belief. The record, already resonating across streaming platforms, serves as both anthem and affirmation—a reminder that resilience always finds its rhythm.

    Each subsequent track builds on that energy, blending introspection with inspiration. The percussion breathes, the vocals soar, and the message becomes clear: success is not given; it’s earned, beat by beat, belief by belief.

    From Ikorodu to Infinity

    To understand Ajimovoix Drums is to understand Ikorodu Itunmoja—his origin, his training ground, and his muse. In his words:

    “Ikorodu is where I learned to survive. It’s where I learned that creativity isn’t a luxury—it’s a necessity. The streets taught me rhythm. The struggle taught me melody. Everything I am, I owe to where I come from.”

    Read Also: I’m not competing with other producers – AJIMOVOIX

    That grounding gives Self Diary its heartbeat. It’s Afrobeat from the soil, shaped by hustle but designed for the world. Ajimovoix doesn’t simply represent Ikorodu; he extends it—transforming local rhythm into global resonance, carrying a community’s sound into universal consciousness.

    In an age where authenticity drives connection, Self Diary stands as a masterclass in vulnerability and vision. Its production fuses Afro-percussion, street soul, and contemporary fusion, echoing the same fearless experimentation that defined icons like Kanye West’s 808s & Heartbreak, Jay-Z’s 4:44, and Burna Boy’s Twice As Tall.

    Yet, Ajimovoix’s sound remains distinctly his own—bold, unfiltered, and deeply rooted in African pulse. It’s not just music; it’s a movement of self-expression.

    As he continues to evolve, Ajimovoix Drums joins a new generation of African creators shaping the global narrative—artists who blur culture, faith, and emotion into art that transcends borders.

    A Legacy in Motion

    Ajimovoix’s journey mirrors the essence of modern greatness: self-made, spiritually grounded, and eternally evolving. With Self Diary, he doesn’t just release music—he opens a window into his soul, offering fans worldwide a chance to walk beside him through the highs, the lows, and the in-betweens.

    “This is only the beginning,” he reflects. “My story is far from over, but this is where I show the world who I really am.”

    From producer to performer, from local visionary to global storyteller, Ajimovoix Drums proves that true greatness begins with authenticity—and ends with legacy.

    EP DETAILS

    • Title: Self Diary – EP

    • Artist: Ajimovoix Drums (Oguntade Adewale Damola) & Ajesings

    • Release Date: September 24, 2025

    • Tracks: 4

    • Runtime: ~7 minutes

    • Lead Single: “OmoOlogo”

    • Available On: Apple Music, Spotify, Audiomack, Boomplay & all major streaming platforms

  • I didn’t play ‘pity card’ strategy on BBNaija – Imisi

    I didn’t play ‘pity card’ strategy on BBNaija – Imisi

    Imisi, the winner of Big Brother Naija Season 10, has denied claims that she used a pity strategy to gain sympathy and votes.

    She revealed on Arise TV that she had only a few days to pack for the show after receiving her acceptance email, and didn’t have time to plan her approach.

    Imisi stated that she brought whatever clothes she had on hand and didn’t expect to be picked for the show.

    She emphasised that her authenticity was genuine, and she didn’t manipulate emotions to win over the audience.

    With conviction, Imisi asserted that her journey in the Big Brother house was unscripted, and her connection with the audience was real.

    “I didn’t come in with a pity strategy. I didn’t even believe I was going to be picked for the show. When I got the mail, I had only a few days to pack. I was in Ijebu at the time, and I brought all the costumes I took to that location to my sister, then we started planning,” Imisi said.

    Imisi was announced winner of BBNaija season 10 on October 5, 2025 by the show host, Ebuka Obi-Uchendu.

  • Strategies, tactics that helped Imisi win BBNAIJA’10/10′ Season

    Strategies, tactics that helped Imisi win BBNAIJA’10/10′ Season

    Opeyemi “Imisi” Ayanwale, a 23-year-old actress and entrepreneur from Oyo State, clinched the Big Brother Naija Season 10 crown on October 5, 2025, with an impressive 42.8% of the final vote.

    Her victory wasn’t just a reality TV triumph, it was a cultural moment, shattering class barriers and proving that relatability, resilience, and raw authenticity can outshine calculated gameplay.

    Here’s a deep dive into the six key factors that propelled Imisi to the top, cementing her as Nigeria’s beloved “Ijoba 606.”

    1. A relatable rise to fame: Imisi’s story as a young, striving actress and fashion designer resonated deeply with Nigeria’s working-class audience. Hailing from Oyo State, she embodied the hustle of countless young Nigerians chasing dreams against the odds. Her journey from crafting affordable yet elegant designs to stepping into Biggie’s house mirrored the aspirations of viewers who saw their own struggles in her ambition.

      This “grass-to-grace” arc wasn’t just compelling, it was a rallying cry for fans who voted to uplift one of their own.

      2 Bared her soul: During a pivotal house task in Week 8, Imisi bared her soul, sharing the harrowing experience of having an abortion at 13. This raw vulnerability struck a chord, transforming her from a contestant to a symbol of resilience. Her story sparked a wave of empathy across social media, with fans praising her courage to confront such a personal trauma on a public stage. Far from garnering “pity votes,” this moment humanised her, forging a deep emotional connection with viewers who admired her strength.

      3. Embraced Authenticity: In a house often filled with strategic alliances and polished personas, Imisi’s unfiltered authenticity was a breath of fresh air. Her witty one-liners, playful demeanor, and “timed nonchalance” endeared her to fans tired of overly curated images. Whether diffusing tension with humor or standing firm in confrontations, Imisi remained unapologetically herself. This genuine approach contrasted with housemates seen as overly calculated, making her a standout in a season themed “10 over 10.”

      4. The “Ijoba 606” and ‘Imistars’ fanbase: Imisi’s nickname, “Ijoba 606,” bestowed by housemate Kuture after a Head of House challenge, became a cultural phenomenon. “Ijoba,” meaning “government” or “reign” in Yoruba, paired with “606,” transformed her into a larger-than-life figure.

        Her fanbase, dubbed the “Ijoba 606” army, mobilised with fierce dedication, flooding platforms like X with hashtags like #ImisiTheQueen and #Ijoba606. This coordinated voting bloc turned Imisi into the “people’s champion,” proving the power of community support.

        5. Owning the “Underdog” Label: Imisi epitomised the underdog archetype that often defines BBNaija winners. Entering without the perceived social clout or wealth of some competitors, she leaned into her outsider status. Her raw talent, infectious energy, and compelling story trumped class distinctions, resonating with a voting public eager to reward authenticity over privilege. Her victory over strong contenders like Dede and Koyin was celebrated as a democratic triumph, proving that resilience and relatability could level the playing field.

        6. Walking in Laycon’s shoes: Imisi’s journey drew striking parallels to Season 5 winner Laycon, another underdog who won by staying true to himself. Like Laycon, Imisi lacked the “social polish” of some housemates but captivated viewers with her character and hustle. Both tapped into Nigeria’s desire to elevate the “common person,” using their platforms to challenge class barriers.

          When Ebuka Obi-Uchendu announced Imisi’s win at 8:57 p.m. on October 5, the studio erupted, and so did social media. Her 42.8% vote share secured her N80 million in cash, an Innoson SUV, and additional sponsor perks, presented at a lavish Lagos ceremony on October 7. But Imisi’s triumph was more than financial, it was a statement.

          As the fourth female winner in BBNaija history, she joined the ranks of Mercy Eke, Phyna, and Ilebaye, proving that authenticity and a powerful story can rewrite the script.

          Her win wasn’t fueled by pity but by a nation rooting for a young woman who dared to be herself.

        1. BBNAIJA: He crossed the line, Sultana speaks on Faith’s disqualification

          BBNAIJA: He crossed the line, Sultana speaks on Faith’s disqualification

          Big Brother Naija season 10 finalist Sultana has voiced mixed emotions over the disqualification of fellow housemate Faith Adewale. 

          In a post-show interview with Arise TV, she acknowledged the consequences of his actions during a heated altercation while expressing regret over the outcome.

          She stated that while Faith’s behaviour crossed a line, she felt saddened by his exit from the competition.

          “I did not feel good about Faith’s disqualification although he paid the price for what he did but, regardless, I wasn’t happy about it,” she said.

          Read Also: JUST IN: Sultana evicted, becomes third runner-up

          The incident unfolded on October 2, 2025, during a group task rehearsal for a skincare challenge, where tensions boiled over between Sultana and Faith.

          Sultana accused Faith of being overly controlling and attempting to dominate the group despite lacking direct expertise in the task.

          The argument escalated when Faith dragged a basket containing group materials, causing Sultana to stumble and sustain injuries and what she later described as potential internal bleeding.

           Big Brother Naija organisers swiftly disqualified Faith for violating house rules against physical violence.

        2. Comedian Julius Agwu loses mother

          Comedian Julius Agwu loses mother

          Stand-up comedian and actor Julius Agwu has announced the passing of his mother. 

          In an emotional video, Agwu reflected on the irreplaceable void left by his mother fondly called “Mama Gee”, stating that she had gone to be with the Lord and would be dearly missed.

          He wrote: “My dearest mother has gone to be with the Lord Mama Gee, you will be dearly missed. Rest in peace”

          The 52-year-old entertainer, known for his infectious humor and resilience after battling a brain tumor in 2015, captured a tender moment with his mother in the clip.

          Fans flooded the post with condolences, praising Agwu’s strength and offering prayers for his family.

          This loss comes amid a challenging period for Agwu, who has often credited his mother’s unwavering support during his health struggles.

        3. ‘Eziokwu’ outshines all Nigerian hip-hop albums in hit records – Odumodublvck

          ‘Eziokwu’ outshines all Nigerian hip-hop albums in hit records – Odumodublvck

          Rapper Odumodublvck, born Tochukwu Ojogwu has addressed critics and celebrated his contributions to hip-hop.

           In a recent interview, he hammered the impact of his work and dismissed doubts about his lyrical ability.

          Odumodublvck pointed to his 2023 mixtape Eziokwu as a benchmark, highlighting its string of successful tracks like “Woto-woto Seasoning,” “Blood on the Dance Floor,” and “Dog Eat Dog.”

          He argued that no other hip-hop project in Nigeria’s music history has produced as many chart-topping singles, positioning Eziokwu as a defining work in the genre.

          Odumodublvck also discussed his newly released sophomore album, Industry Machine, which dropped on October 6.

          The 23-track project features collaborations with major artists like Davido, Wizkid, Stormzy, Pa Salieu, Falz, Boj, Victony, Vector, and Ajebo Hustlers.

          He noted that tracks such as “Juju” and “Pity This Boy” have already reached number one.

          Responding to skepticism about his rapping skills, Odumodublvck strongly challenged the narrative that he lacks lyrical depth.

          Read Also: Odumodublvck’s ‘Industry Machine’ stars Wizkid, Davido, Seun Kuti

          He emphasised his consistent output, from Eziokwu to Industry Machine, as evidence of his growth and dedication to hip-hop.

          The rapper also addressed broader discussions about the state of the genre in Nigeria, asserting his commitment to pushing its boundaries.

          He said: “They were talking about hip-hop legacy, talking about discography. Make we rise that discography talk now.

          “We came up with Eziokwu, ‘The Machine Is Coming’. Eziokwu wey be mixtape, we know what will happen for Eziokwu. Woto-woto seasoning, hit record, Blood on the dance floor, hit record, ‘Dog eat Dog’, hit record.

          “There is no hip-hop album in the history of Nigerian music that has as many hit records as Eziokwu. I put my money on the line. Now, we are carry and go, the machine is coming.

          “Album wey be say we surprise people. Juju were number one. Pity This Boy were number one. What are you telling me? Now, we are here at the industry machine.

          “Back to back to back. Who is talking about discography? Try to keep your mind in talking about real rap. Nigga, who the f3ck is really rapping, nigga? Who the f3ck is really rapping? Who’s here, niggas? Who the f3ck is really rapping? I’m a man, I know verse. All those fallacy. We knocked all the fallacy down. We buried it.

          “We waged war on them. We buried every fucking fallacy. Every lie that they spoke against my name. We buried everything. We put everything to the gutter. To the fucking damn dengue.

          “Every day. Odumodu cannot rap. What the fuck are these guys saying? What the fuck are they saying? Keep on playing that same bitch. Baby. Baby. Who is really rapping? Baby. We’re there here. We run up. They can’t take it away.

          “All those cho-cho-cho. Now, all of them, when they see me, they’ll be looking at their shoes. I disgraced them”.

        4. Breakup with IVD publicity stunt, Blessing CEO makes U-turn

          Breakup with IVD publicity stunt, Blessing CEO makes U-turn

          Controversial relationship therapist Blessing Okoro popularly known as Blessing CEO, sent social media into a frenzy yesterday by announcing the end of engagement to auto-dealer Ikechukwu Ogbonna, known as IVD. 

          Hours later, she came it was a deliberate ploy to stir controversy and reclaim the spotlight.

          Okoro, via an Instagram post, Blessing shared a video with IVD shaking hands, signaling an amicable split.

          She declared the engagement over and mentioned plans to sell or give away the ring while covering a tattoo on her neck.

          The news shocked followers, given the couple’s high-profile romance, which began gaining attention in 2023 when Blessing hinted at a mystery man and later confirmed as IVD, who had her face tattooed on his arm.

          But in a follow-up Instagram post, she admitted the breakup was a calculated move to test her ability to generate controversy, claiming she had regained her knack for attention.

          She confirmed reconciliation with IVD and teased upcoming wedding plans, mentioning that traditional wedding attire for guests was ready.

          “I was losing my touch of controversy. Decided to test it again. I still got the magic. No be Blessingceo again. Boom. Boo boo for life. They love bad news ooooooo. Wedding loading,” she wrote.

          In another post, she expressed how sorry she was for distracting people as she announced that she has reconciled with her man.

          “Apologising to bloggers, she thanked them for always making her trend as she announced that her asoebi is ready.

          “Sorry for distracting you people, No vex we don reconcile. Bloggers no vex . Thanks for always trending me ok. Asoebi is ready ooo. If we break up again I will still come and tell you people”.

          Their engagement, announced in April 2025 fuelled months of wedding speculation, despite IVD’s controversial history, including his 2022 connection to the death of his ex-wife, Bimbo Ogbonna, and an August 2025 arrest linked to domestic violence allegations.