Category: Entertainment

  • Calabar Festival: Faze holds revellers spellbound

    Calabar Festival: Faze holds revellers spellbound

    Faze, one of Nigeria’s hip-hop musical icons and a member of the defunct Plantashun Boiz, thrilled fans at the Calabar Festival over the weekend.

    While he went down memory lane with his hit tunes after becoming a solo artiste, the teeming crowd danced and sang along with indescribable excitement. He also used the moment to literally pour effusive praises on the Cross River State government for giving both the established and budding artistes the opportunity to showcase their genres of music.

    Besides, he also introduced his new songs, Ifeoma and Lambo, to the excited crowd.

    In the Disc Jockey (DJ) competition, involving nine persons, DJ Spin came tops and carted away the star prize of N100,000, while the second and third persons went home with N70,000 and N50,000, respectively.

    By this feat, DJ Spin became the first Calabar Festival International DJ champion. Consequently, he will be defending the title next year.

    According to the chairman of the panel of judges, Maurice Inok, a.k.a. Doctor Grove, the criteria used for judgment included ability to use the musical equipment, continuity, avoidance of foul languages, confidence and appearance, amongst others.

    In Calabar’s Got Talent IV, three dancers emerged champions, winning free meal tickets for lunch at Beverly Heels Hotel, Calabar. Also, Sir James, a budding star, emerged the winner of the comedy competition for unknown stars.

    Artistes, who participated included Smash(R & B); Pat Reel who did a remix of “Mammy Water” by Sir Victor Nwaifo and “Emum Isong Eni Nnyin”, an Efik tune by the late Peter Efiom; Okomokom, who played old school tunes; Shaka Jagger, a UK-based Nigerian hip hop star; Julie Hay, a female R & B star and Rugged man.

    The memorable occasion also afforded some young boys and girls to exhibit their talents in singing and those who put up excellent performances were recorded with prizes and promises of recording contracts.

  • BoI funds film distribution with N3.5b

    The Bank of Industry (BoI) has moved to stem the issue of distribution, which is one of the major challenges crippling the Nigeria’s movie industry by funding the first credible and verifiable controlled channel of distribution known as G-Media.

    According to BoI, tackling the issue of distribution, apart from having a multiplier effect on the industry, also guarantees that the whole production process is not jeopardized by market uncertainty.

    The project, which is in partnership with Nollywood distribution giant, Gabosky Films Inc, is being funded out of the $200m earmarked by BoI from an expected $500million grant from the African Development Bank, AfDB, to revamp and enhance the nation’s industrial and entertainment sectors.

    Speaking at the pre-launch press briefing of G-media, Ibrahim Ahmed, senior manager, BoI, disclosed that over N2.5 billion had been approved and earmarked for the entertainment sector, adding that about N1 billion had so far been distributed.

    According to him, the sector enjoys the full support of the bank’s managing director, Evelyn Oputu, who had set up a specialized division manned by dedicated professionals to attend to the needs of stakeholders.

    “The BoI decided to partner with Gabosky because we see the entertainment industry as a business and we are ready to deal with those who are ready to approach us in that light. Our mission is to transform the Nigerian industrial sector and integrate it into the global economy, in order to attain modern capabilities,” he said.

  • Lancelot Imasuen wins Africa’s slot in 26-segment movie

    Lancelot Imasuen wins Africa’s slot in 26-segment movie

    While many Nollywood filmmakers are seeking government appointments, with many more struggling with the association’s politics and hinging their excuses on the piracy-ridden film industry, one man who has remained consistent in the art is Benin, Edo State-born filmmaker, Lancelot Oduwa Imasuen.

    Known for historical flicks, Imasuen, the director of Adesuwa, is breaking new grounds, not just with his much- publicized epic movie, Invasion 1897, but he is also currently basking in the euphoria of being the only African director among the 26 selected directors making the short horror thrillers of The ABCs of Death series.

    Only last September, the prolific filmmaker was at the Toronto International Film Festival, where he announced, alongside his associates, the birth of a new project, Feva TV, a 24-hour broadcasting meant to serve North America with African contents and rid that clime of the dearth that had led to huge pirating of Nigerian films.

    Imasuen’s inclusion in the second part of The ABCs of Death has shot him to global limelight as millions of movie lovers await the next 26 segments of the horror series.

    The first part of The ABCs of Death 2012 American anthology horror comedy film was produced by Ant Timpson and Tim League, a thriller of 26 different shorts, each by different directors spanning 15 countries.

    The 26 chapters assigned a letter of the alphabet and the directors were free to choose a word to create a story involving death. The varieties of death range from accidents to murders. The film premiered at the 2012 Toronto International Film Festival and was released on VOD on January, 31 and in theatres on March 8, 2013, with end credits featuring the music of Australian band Skyhooks’ 1974 song, Horror Movie.

    Known for movies that focus on the unexplored aspects of the African experience, including tribalism, witchcraft, crime, poverty, religion and folk beliefs, Imasuen has just concluded his own segment for the Alphabet P, a three-minute piece entitled Prince Venom, which explores the horrors of death anthology in Benin.

    For The ABCs of Death 2, a contest was held for the role of the 26th director. The winner was UK-based director, Lee Hardcastle, who submitted the claymation short for T. The horror anthology runs with the tagline: 26 directors, 26 ways to die. For the first 25 segments, a group of 25 directors were engaged and each was given a letter of the alphabet and then tasked with creating a short film about death inspired by that letter. The result was a string of shorts, including “D is for Dogfight”; “F is for Fart”; “M is for Miscarriage” and more twisted titles to get the viewers’ heads spinning.

    The filmmaker is expected to be in London later for the British locations of Invasion 1897, featuring Nigerian- born Charles ‘Chucky’ Venn, who is famous for his roles as Curtis Alexander in Sky’s One’s Dream Team; Tremaine Gidigbi in Footballers’ Wives and as Ray Dixon in EastEnders. It also stars the St. Lucian-born English actor, Joseph Marcell, who has acted in over 34 films and three TV shows, including The Santa Trap, Brothers And Sisters and The Bill- he is also popularly known for his role as Geoffrey, the English butler on the NBC sitcom, The Fresh Prince of Bel-Air.

    The top Nigerian stars in the epic include Segun Arinze; Paul Obazele; Mike Omoregbe who played the lead role as Oba Ovoramwen; Charles Inojie and the late Justus Esiri.

    Invasion 1897 has been endorsed by the Benin monarch, Oba Omo N’Oba N’Edo Uku Akpolopolo and the Edo State government.

    The film production is co-financed by Senator Daisy Danjuma and South Atlantic Petroleum Limited and is supported by Capt. (Dr.) Hosa Okunbor, the chairman of FEVA TV in Toronto, Canada.

    Meanwhile, UK-based J2konsult, which is marketing the movie, is also planning the London unit of the movie.

    Invasion 1897 (Nogbaisi Ovonramwen), according to the filmmaker, is based on the invasion of the Benin Kingdom by the British Empire in 1897 and the looting of the priceless ancient artifacts of the Benin kingdom, including the famous commemorative head and pendant of ivory mask representing Queen Idia (from court of Benin, 16th century) who was the mother of Esigie, the Oba of Benin who ruled from 1504 to 1550.

  • For Mandela, Bayelsa Jazz Festival rebrands

    For Mandela, Bayelsa Jazz Festival rebrands

    For a global music culture that is gradually being imbibed by the Bayelsa State people, last Saturday night could be described as a first outing with a bomb.

    Bayelsa was enmeshed in a sleepless night roaring with thrilling cymbals, trumpets, percussions, pianos, flutes, guitars and sonorous voices. It was the maiden edition of the much-publicised Bayelsa International Jazz Festival. The show featured an impressive line-up of world-class acts, including the revered South African jazz maestro Hugh Masekela and Nigeria’s Afrobeat King Femi Kuti, whose elevated performance could have been inspired by his nomination for yet another Grammy award, a feat he is enjoying for the fourth time in 10 years.

    The show, planned two months ago, was adjusted for ex-South African president, Nelson Mandela, who passed on last Thursday.

    South African High Commissioner in Nigeria Mr. Lulu Mnguni, who recalled Nigeria’s support for Mandela’s struggle for freedom, said the life of the former leader was a life well spent; “a life to be celebrated, hence it appears we are not mourning, but celebrating with Nigeria, who didn’t leave the trenches during Mandela’s struggle for the liberation of the South African people from colonialism and apartheid.”

    Prior to the performances by these two giants, Kuti and Masekela, support acts like Ego Ogbaro (Nigeria) Somi (USA), Bright Gain (Nigeria), Gangbe Brass Band (Cotonou), Lekan Babalola and the Afro Jazz Messengers (UK), created a steady rise of the show, with a tempo that took fun seekers to the much-anticipated climax. The carnival-like concert, which increased business activities around the Gloryland Cultural Centre in Yenagoa, got music enthusiasts frolicking till the early hours of Sunday.

    A conscious tourism commitment by the state government, through its Tourism Development Agency, is joining states, such as Lagos and Cross River to give Nigeria a plausible music identity of global colouration.A show, such as the Cape Town International Jazz Festival in South Africa, is a major tourism earner that brings about 34,000 visitors annually, same goes for the Joy of Jazz Festival in Johannesburg every year.

    Babalola’s folktale-like signature tune set the mood for an evening of home ‘delicacy.’ He jammed with the Eko Brass Band, leading the way for high pitch trumpeting and a skilful dexterity as a traditional percussionist, singing familiar tunes, suh as Iya Ni Wura, a popular Lagos Island song.

    Following Babalola’s act were performances by Daniel Isele, a multi-instrumentalist from Benin, who paved the way for another great treat from the seven-man Naijazz All Stars. The group, whose members came from the UK, US, Nigeria and South Africa, was another set to behold.

    But just before Masekela lifted his trumpet, Governor Henry Seriake Dickson, who apparently had foreknowledge of the old man’s art, conferred on him, an honorary citizen of Bayelsa State. The governor, who said he was also adding ‘Ezokene’ to the names of the South African musician, said he was honouring him for his ‘historic visit to Bayelsa and his long-time commitment and dedication to African music.’ The honour came with a certificate and symbolic plaque, containing ‘the crest and colours of Ijaw nation.’ Masekela expressed his gratitude for the honour, saying he was adding the prefix, Iringbemi (a Yoruba word for sojourn’s fortune) to his new name.

    Sporting a Niger Delta attire, the musician sprang into action, dazzling the crowd with his multiple vocals, varying pitch, trumpeting prowess and hilarious dance steps, unusual of a man his age.

    His performance continued with Fela Anikulapo-Kuti’s classic Lady and Orlando Julius hit Asiko, confirming his place as a versatile African musician. Perhaps there couldn’t have been a better way to wrap the show than the ‘Bring Back Nelson Mandela’s hit, which got the crowd dancing and cheering excitedly.

    When Kuti climbed the stage, it was a mixture of great music and jibes. The newly-nominated Grammy hopeful reeled out songs from his repertoire, including Bang Bang Bang for which he was nominated for the Grammy in 2003 and No Place for My Dream, his latest pick by the American award initiative. He paused once in a while, just to throw a little banter, decrying bad leadership. The crowd cheered, asking for more.

    Part of the revelation of the night was the governor’s announcement of an initial take-off grant of N200 million for the state’s Music Foundation. The fund, to be managed by the state’s Tourism Development Agency, was presented in cheque to notable Bayelsan singers; Timaya, Timi Dakolo and newly-crowned Most Beautiful Girl in Nigeria, who is also an official tourism ambassador of the state.

  • Africa’s tallest Christmas tree as Cross River’s metaphor for growth

    Africa’s tallest Christmas tree as Cross River’s metaphor for growth

    THE lighting of the Christmas tree has been a ceremony that usually ushers in the world-famous Calabar Festival, a 32-day long activities of fun and festivities over the years, often performed by the governor of the state midnight of November 30 every year at the Millennium Park.

    Besides boosting the economy of the state, the festival is hoped to be the platform for youths with budding creative talents to achieve their full potentials. Hence realising the importance of this, Nollywood superstars, as people who had excelled due to their talents and creative abilities, were brought in to participate in the lighting of the tree as representative of the intentions of the festival.

    Governor Liyel Imoke speaking at the lighting ceremony assured better quality from the festival this year. He said part of the aim of the festival was to expose talents.

    He said: “Cross River State has got talent and what we have done today is the beginning of the festival, the acts. We have showcased some talents we have never seen before. Some years ago Inyanya performed here but now he is a superstar and that is what we want to see happening in Cross River with our young men and women that have talent, who are creative and create beautiful things. This year’s festival represents an expression of our people and ourselves that as a people nothing can overcome us. We start the festival with the theme for the carnival simply, Aint No Stopping Us. That means there ain’t nothing that can stop us.”

    Minister of Culture, Tourism and National Orientation, Edem Duke, said it was in recognition of the need to boost creative talents for the betterment of all that a N2 billion project for a creative academy was on-going in IkotNakanda in Akpabuyo local government area of the state.

  • IJK London celebrates second anniversary

    PRIOR to activities heralding the celebration of a two-year successful business run in Nigeria, IJK London, in partnership with newly launched entertainment outfit, Gazelle Enta10ment (G.E.), recently played host to friends, business associates, Nigeria’s fashion and entertainment icons to a classy evening of music, comedy and fashion show.

    Held at its imposing IJK London Fashion Suite in Surulere, Lagos, the event attracted top celebrities in the society, music and movie stars as well as other leading stakeholders of Nigeria’s entertainment industry. The occasion, hosted by co-partner of G.E, Nollywood actress Jennifer Eliogu and popular radio presenter Yaw, witnessed a showcase of fashion runway exhibition from IJK London, musical performances and comedy displays.

    Jennifer who opened the event stated that the event was a two-part ceremony. The event is aimed at appreciating and celebrating clients of IJK London for their persistent patronage and consistent loyalty as well as to officially activate the public launch and presentation of G.E in Nigeria.

    The occasion saw the unveiling of G.E models parading bikini, short gown, casuals, evening dress, among others, from the IJK London wear archive. Also at the event, popular presenter, Yaw, thrilled the audience with some bone-breaking jokes. Foreign-based Nigerian musician, Tunde Ednut, also gave a stellar performance.

     

  • Actress Ayo Adey delves into production

    Actress Ayo Adey delves into production

    BUDDING Nollywood actress, Ayo Adey has said that she has her eyes firmly on the top prize in the Nigerian entertainment industry, especially when it comes to movies. The middle aged actress who studied Psychology at the University of Lagos, Akoka has recently delved into the world of moviemaking, coming out with works like Alarede and Ohun Ton Dan featuring the likes of Femi Adebayo, Shola Kosoko, Remmy Shitta, Tope Oshoba, to mention a few.

    Real name Busayo Esther Adeyeye, she says that after two years of work as an actress, she has opted out to focus fully on moviemaking, which is quite turning out to be a success.

    She revealed that she is currently working on a mega chart buster movie which will be released in early 2014.

    So far, Ayo Adey has co-produced two movies and featured in more than 10 movies some of which are Ojiji Oja, Olofin Tooto , Oko Longe, Ruth Abokoku, Ife ati Etan, Ija ojo kan, among others.

  • Poetic Ken releases  Nchoko Nchoko video

    Poetic Ken releases Nchoko Nchoko video

    POET, songwriter, singer and music producer, Kenneth Ndubuisi, has released the video of his club banger, Nchoko Nchoko, produced by Young D. Directed by Mr. Frames, the artiste described the song which is already enjoying massive airplay as a banging love tune of a lonely man (Ona emem nchoko nchoko).

    “The song is a single off my forthcoming album titled Icamethru. The video will hit the airwaves as soon as possible. I have done a collaboration with OJB, I have a collaboration with AY.com, I just did one with Jaywon. I am working on one of my single now and I am trying to get somebody that can fit into that kind of music, so I am seriously thinking of featuring Flavour,” he said.

    An afro pop singer, Poetic Ken brings a feel of RnB to bear in the track. To his credit, the artiste has also released other singles off the album including One n Only ft OJB Jezreel, Original Baby ft Jaywon, Ekwerikwe, Nwata Missi and Ikuku Enigwe. An embodiment of different genres of music including gospel, reggae, afrobeat and Highlife, the artiste, who goes by the stage name Poetic Ken, reveals that the anticipated album has about twelve tracks in it

    The Icamethru album is his second effort, his first being Set Time. “Most of the songs there were RnB. After that, a lot of people started talking to me that as an entertainer, it is not right to produce songs to suit my taste. If Nigeria wants to dance, give them that kind of music. It doesn’t take you away from your style. That is what I am bringing with my second album,” the budding artiste states.

  • My project  can’t make  me take  other jobs – —YINKA OLUKUNGA,  A.K.A NNENNA

    My project can’t make me take other jobs – —YINKA OLUKUNGA, A.K.A NNENNA

    IS there any new project you are working on for your fans?

    There is something new cooking at the moment. But it is going to be unveiled next year January. Nnenna is working on something, it’s been long I did that. Trust me, it is going to be bump, amazing, and very educating too. And we are also working on the end-of-the-year show, coming up December 15, 2013.

    Talking about your love for children and putting up shows for them. What has kept the passion going?

    First of all, I will say God. And secondary is my love for children, which I also got from Him too. I love children to a fault, I love them. For me sometimes, I sit down and ask myself, why do you love children? And I just can’t place it. My love for children and patience has been what has kept us going. And the company, Wale Adenuga Productions, has been wonderful and supportive because they believe in it.

    Knowing some children can be stubborn, how do you handle them?

    How much patience can you have? One thing you must know when working with kids is you need to be very patient with them. They can be very sweet when they want to be sweet, and they can be very naughty and stubborn, and that can be very frustrating for you. But as guardian, you need to be able to put in that patience, because you can’t treat them harshly.

    You can’t, because you won’t drive your point across to them. You have to come down and talk to them, make them your friend. That’s how I do. Thelma, she is the brand manager. And rehearsal has started. Somewhere along the line, they did something, and I had to talk to them, and make them understand that I am hardly with them, and if she didn’t love them, she would have called their bluff. And that is what we do, we guide them. You will be amazed when you see them walk in and hear them greet Aunty Thelma how far? Aunty Nnenna I look older than you. You build that relationship with them.

    Have you been in a situation where the kids confide in you?

    Yes. We have that several times. Some parents would call and say their kids won’t get up from bed because I have not called to wish them happy birthday. Some parents would call to say, please talk to her, I know she will listen to you. Some would call to say today is my birthday, I want to give you a gift. That means, they want you to call them or give them something. And that is why I try my best to be there for them.

    Tell us about the trip to Disneyland

    It was wonderful, amazing, fantastic, and beautiful. We had fun. And response from parents have been encouraging, they have been supportive too. When it comes to Nnenna and Friends, we actually have support from parents. And that is because they know we are here to teach morals to the children. In our own little way, they know we will not lead the children astray and we are trying to help them build a future.

    Was it Superstory that gave birth to Nnenna and Friends?

    I would say it was an opportunity, because I have always been a lover of the children. I have always known I was going to do something for children, but I didn’t know the platform it was going to take. And the last form I felt it was going to take was Superstory. Because that was acting, I never saw it as a means to making that dream come through. Because Superstory is acting, it was different from my love for children. But somehow, God brought everything together and it was an opportunity for me to express myself.

    How have you been coping with looks when you are in the public?

    I am used to it. Before, it was strange, but now it is different. So I do that freely now. Many times, most time for me is children and teenagers. A child sees you and next she just runs up to you to cuddle you. You can’t toss the child away, you need to give it back. There was a day on location, a woman just ran up to me and just hugged me. It took me aback and I was like wow, you are a mother, why would you just hug me like that?

    Do people know you are a Nigerian?

    I guess. (Laughs) Maybe because of the way I look. But I do a lot of explanation even to children. A woman still told me recently, your hair is like my baby’s hair, your nose and eyes lashes are like my baby’s own. So I said, in other words, I am a baby. She is just six years old. So I have that a lot from children.

    Would you say your stature is an advantage or disadvantage for you?

    It is an advantage for me (laughs). I don’t mind really. It is still serving the purpose. My friends, the children, still see me and feel we are the same. One said to me recently, what class are you? And I was like I am done with school. And she looked at me and said, really? And some parents see me and say ‘Nnenna ojo ye ko lo ti da gba baye’. I was never young like that. I was young when I started Nnenna, but not the picture people have. They thought I was probably 16. But I am comfortable.

    You are always carrying you natural hair. Is it that you don’t like extensions?

    What else will I add to this one now? (Laughs) Just the easiest I can do with it is to pack it into a pony tail. And sometimes I just let it breathe. I can’t plait my hair because it is very soft, if I do it starts to hurt and I start having bumps. It is not as if I have not tried it, but it just didn’t work. I was not comfortable with it, it was itching, I just wanted to get it off. The heat, God, I can’t stand it.

    Why are you so attached to the MFM sticker on your car?

    (Laughs) Nothing personal, really. I attend Mountain of Fire. It is nothing, seriously. They wanted to remove it and I said no. it is like every normal person that has a sticker on their car.

    How religious are you?

    I don’t know o. I try my best possible to serve God and do that which He has commanded us to do. But like everyone else, I am a sinner, I sin every day, but then I go down on my knees to say, Father forgive me. I just try my best to be good.

    What did your parent say to you when you chose acting as a career?

    My father has always been somebody that will give you a free hand. He will definitely guide you, but he will let you do what you want to do. But when he sees you are going forward, and sees it is not the way, he will bring you back. My dad does not force things on you. In fact, I would say that my dad really saw it coming. Because when I was in school, I wanted to do science, but I remember him telling me, he didn’t see me doing sciences. That I should go for the art, so that I can study Mass Communication. But I said I wanted science and then he left me. And then I am back. But I relate with both of them. But it gets to a stage where you start relating with your mother, that’s when you start seeing yourself becoming one too. You start getting close to your mother and that’s when you start getting advice.

    Why the preference for floral materials?

    Floral materials, I don’t know. But there is this thing I get, the feeling. I just love it. It is babyish, it’s colourful. You hardly see any flowered materials coming in one colour. I love colours, I’m a colour freak. And it has this innocent look.

    As a bundle of talent, when did you discover you could also sing?

    It is a long story. But we were writing the proposal for Nnenna and Friends, the chairman said, Nnenna, Yinka Olukoya, an actress, a model, a singer, and I screamed and said I was not a singer. My boss, I really can’t describe that man. But as an elderly man, he saw what I didn’t see. And it is actually working. I sing for children only.

    Any plans to become a professional singer in the future?

    If I do, it will definitely be for the children, songs that will inspire them. And I can also inspire adults too.

    Why did you say you can’t expose your body?

    I can’t do it. I don’t think I should expose any part of my body for me to be known. I should be known for what I do best. How talented I am, how many lives are touched. Not by showing off what I have. There is even nothing to show off.

    Apart from the WAP cast, do you communicate with other actors?

    No.

    But how do you get them to be part of your shows?

    That is the work of the Brand Manager. But when I see them, I acknowledge them for being part of the show. And that is it.

    How strict are you with these?

    We try as much as possible to let them know what they can do now and what should be done later. You can see one of the teenagers that came in now. She was asked to go and report herself for using make-up. That is what we do. But we don’t do it in such a way that they will feel embarrassed. You communicate with them in such a way that the message can get to them. She was told to go and report herself playfully, but I’m sure the message has been passed. I tell them all these things you are eager to try out now, you will get tired. So, just wait till the right time before you start exploring, even my siblings at home.

    It is believed that complexion like yours is not easy to maintain

    Yes. But I try my best to take care of myself. Some use toning creams. But I won’t do that. Toning creams, I feel no matter how, I don’t know. Maybe if I was using it, I would have been fairer. I just use baby oil and body cream.

    Are you all like this in your family?

    No, just me.

    Did your parent ever tell you their reaction when you came out looking different?

    It was not strange to them, because my grandma was like this when she was alive. So, when I came out looking like this, they were like Oyinbo la bi. They were excited that she came back again.

    Looking different from your siblings, what was growing up like?

    There is a resemblance when you see them. We all grew up like normal kids.

    As an actor, are you restricted to Wale Adenuga Produtions?

    No, I can do for other production. But it’s all about timing. My project does not give me time to do other things. We were supposed to be in the studio, my manager had to reschedule because of timing. We are also planning for the end of the year show, so when I feel I’m through, something else comes up again. I don’t think I have that time. It is not as if I don’t do anything outside WAP, but we have to work with a time schedule.

    Have you been getting scripts from other producers?

    Yes. Currently, it is the timing. And the story has to have morals. I don’t want to be in a movie that people would watch and at the end of the day ask which moral lesson they have learnt. Even if it is comedy, you should be able to get out something from it in a joking way. So, the story goes a long way too.

  • Crack Ya Ribs set to hold  in Port-Harcourt

    Crack Ya Ribs set to hold in Port-Harcourt

    ACE comedian Julius Agwu will be staging the final Crack Ya Ribs show of the year 2013 in Port-Harcourt on December 25. He had initially held the show in Abuja and London.

    The headlining music performers for the event are Kcee, Burna Boy and the Ijaw Boys. Comedians earmarked to unleash laughter are I Go Dye, Seyi Law, Osama, Acapella, MC Longs, MC Jay, Funky 4, Romeo and Rugged Pastor.

    Speaking concerning the event, Julius said the December edition of Crack Ya Ribs has always been a home-coming event for him and to entertain his people on Christmas day but this one will be used to preach peace in Port Harcourt. ‘This year’s theme is Peace in Rivers State. We want to use entertainment to preach the gospel of unity. Port-Harcourt has always been a peaceful city and we do not want anything to ruin that unity and peace.’

    Crack Ya Ribs is a mix of comedy and music. The comedian has taken it to every part of the world including Texas, Glasgow, Paris, New York, Atlanta and other cities.