Category: Entertainment

  • The flip side of home advantage

    The flip side of home advantage

    FROM midnight to dawn; the plane moved on an elastic latitude. Doing 12 hours from Lagos to Houston, Texas in United States was a betrayal of the natural coordination of hourly progression. Bumping occasionally under the pressure of a restless cloud notwithstanding, it was a jolly flight; still, I thought that covering 12 hours from dusk to dawn was like having a goat swallow up a cow – that also is not impossible.

    There are so many things to ruminate over when leaving a familiar terrain. Your brain opens up to new realities and you are able to see the scene clearer, by standing away from the crowd. It is like proofreading a copy written by someone other than you.

    The seeming exodus of summer freaks who filled the vessel of space movement to its brim, provided that mental picture of the human search for some comfort zones. But perhaps the summer attraction is for the white immigrants on that journey; it is disheartening that despite the various campaigns by the Nigerian government, discouraging ‘Andrew’ from ‘checking out’, several Nigerians are still on that rough ride to greener pastures. I thought this was no longer fashionable, but perhaps the model that had since faded away is the excruciating desert experience to Europe through Libya.

    A friend who has been crying for a job in Nigeria just moved with her husband and two kids to Dallas. Another one did a hurried traditional marriage in May and has since joined her man in Maryland. Both say they have been able to secure a job and are quite busy. And I begin to wonder how much of our human resources are being traded to develop communities that are already ahead of us. Why must the scapegoat of the biblical mantra of ‘taking from the man who has got nothing to enhance the man who has got plenty’ work on us?I did not stop thinking, even as the United Airlines jet connected passengers to Toronto, buzzing for three hours. That peaceful city in the Ontario province of Canada, a North American country was playing host to the 38th edition of Toronto International Film Festival (TIFF), and I tried to look beyond the film screening, panel discussions and celebrity razzmatazz and continue my journey of the mind.

    My classmate in High School; Shola Solomon, a medical doctor now lives in Toronto with his wife and two kids. After writing a professional examination for which he was invited by the organization he now works for, he is marvelled by a society where merit is the order of the day. His wife, who for several years could not get a job in Nigeria with her MBA, has been on the promotion ladder, changing jobs within three years that they have stayed in that country. Shola, who is yet to come to terms with how suddenly a foreign country is carrying his burden, told me how his wife, after winning a staff merit award in her first place of employment, had been invited by other companies. “Every human being is dignified here; irrespective of your colour,” he said glowingly about Canada. He noted that even animals are being treated specially let alone humans. “A child here could cry if you kill an insect” he said, looking at me in the face. And that reminded me of a quiet protest, the previous day, by some vegetarians who hoisted banners along Yonge street, urging people to refrain from the consumption of meat; “you can’t be a meat-eating environmentalist,” one of the inscriptions read.

    Driving through the East end of Toronto, an accident scene was spotted, prompting another testimonial talk. The police were there in no time. They’d picked the accident vehicles, irrespective of who the owner is. If the vehicles become difficult to move, they get an aircraft to lift it away. He kept emphasizing on the fact that the police do not need to know who you are to evacuate your troubled vessel. Apart from the legal culture of tips for service boys in hotels and restaurants which, like in the US, is now gaining ground in Canada, you dare not solicit for favour directly or indirectly from anyone in your bid to serve them; a mere joke with it could cause you litigation.

    Minimum wage in public sector is at par with the private sector. It’s a community that finds a pride of place in the public sector and where fewer students attend public schools, not because it is more expensive, but because the public schools are more realistic and competitive. I hear that young people are recruited directly from schools and put in the civil service, thinking for the government on the way to go and earning impressive pay packages that leaves no option for corrupt practices. The Canadian government, despite the country’s oil and other natural resources, is known to place high premium on human capacity building. Their belief is that what a man has upstairs is more important than what he has below in the name of natural endowment.

    But Shola was not done with his story of awe yet. He is stunned that apart from earning an impressive package, his children are being educated for free; very free in the real sense of the word, with a teacher each for every subject even at primary school level. If there is anything he spends his money on, it is for his house rent and car insurance policy which cost about N50, 000 monthly. And perhaps, on Nigerian food, because food to a Canadian is almost at no cost at all.

    Hinting about the medical policy of Canada, Shola got a call one day saying his wife has been hospitalized, but that is nothing to worry about. It turned out that she was rushed to the hospital from her place of work, for suffering the effect of a surgery conducted on her several years back in Nigeria during child delivery. All that was required of him was to come see his wife after the corrective surgery has been done, without having to pay a dime.

    I can’t recall how many times my friend repeated to me that Canada is a peaceful country, free for all without incidences of racism. He said unlike America, people are not licensed to carry fire arms. And just then, I thought of these words by Bill Clinton, saying: “In a world darkened by ethnic conflicts that tear nations apart, Canada stands as a model of how people of different cultures can live and work together in peace, prosperity, and mutual respect,” and I remember that the last time two motorists were yelling at one another on King street, it was a Lebanese and an African. And if any analogy is to explain the sociability of the country, we may well consider this: “What is a Canadian? A Canadian is a fellow wearing English tweeds, a Hong Kong shirt and Spanish shoes, who sips Brazilian coffee sweetened with Philippine sugar from a Bavarian cup while nibbling Swiss cheese, sitting at a Danish desk over a Persian rug, after coming home in a German car from an Italian movie… and then writes his Member of Parliament with a Japanese ballpoint pen on French paper, demanding that he do something about foreigners taking away our Canadian jobs.” – Anonymous.

    And if I may add; a Canadian is the man who enjoys the endless sequel of an African home movie entitled ‘How To Steal 10 Million Naira’, a film set in Nigeria, but sees it as a mere fiction because it defies all logic.

  • Toronto: Nigerians  disagree over  new Nollywood

    Toronto: Nigerians disagree over new Nollywood

    OVER the years, the paradigm shift from the hasty film production practice which popularized the Nigerian motion picture industry has been described by many as the new Nollywood era. The development is associated with films that have defied the first option of direct-to-home-video and settled first, for cinema exhibitions. Beginning with ‘Through the Glass’, a school project directed by actress Stephanie Okereke in 2006, the list has since swollen to include flicks like Kunle Afolayan’s ‘The Figurine’ and ‘Phone Swap’; Mahmood Ali-Balogun’s ‘Tango with Me’; Chineze Anyaene’s ‘Ije: The Journey’ and Funke Akindele’s ‘Return of Jenifa’ amongst others.

    But with a new window for higher budget movies, occasioned by the Federal Government’s $200 million intervention fund which is being managed by the Nigerian Export-Import (NEXIM) Bank and the Bank of Industry (BoI), and the most recent N3 billion proposed grant in custody of the Ministry of Finance, industry watchers believe that, soon, Nigeria may no longer be about low budget, obsolete format movies, that cannot rank in the class of some Oscar-famed Hollywood and Bollywood films.

    Emotions heightened Sunday afternoon during a panel discussion on the Nigeria’s emerging film industry which held at the makeshift filmmaker’s lounge in Hyatt Regency, in the ongoing Toronto International Film Festival (TIFF), Canada.

    Filmmakers from Nigeria feel that there is a market for every film and the plight of most Nollywood filmmakers is to satisfy the home market first and foremost. They are of the opinion that it is important to dwell on the business success of Nigerian movies first, before considering the prestige that Oscar hopeful flicks could give to the country.

    They are concerned that as laudable as the federal government loans for the film industry is, obtaining a loan to shoot a movie without first tackling the problem of distribution cannot guarantee adequate return on investment. The gathering decried the dearth of cinema houses in Nigeria and the near total absence of community cinemas.

    The festival witnessed one of the largest gathering of filmmakers, government officials and Nigerians in the Diaspora in recent times, who seized the opportunity of the official premiere selection of ‘Half of a Yellow Sun’, a screen adaptation of Chimamanda Ngozi Adichie’s Orange Prize-winning novel of the same title, to be a part of a focus discussion set by the festival organizers.

    Tagged ‘Nigeria beyond Nollywood’, the one-hour panel was anchored by a professor of Film Studies at the Canada’s Capital Varsity, the Carleton University’s Mr. Aboubakar Sanogo who was joined by filmmaker, Mahmood Ali- Balogun and the team of ‘Half of a Yellow Sun’, who shared their experiences on the movie project.

    The discussion, which was meant to explore the possibility of institutional support, high technology and new business approach to enhance Nollywood’s better global acceptability soon turned to an argument on whether or not the model employed by the producers of ‘Half of a Yellow Sun’ was the only solution necessary for the success of Nollywood.

    The topic appeared inappropriate to the filmmakers, who thought that the moderator could have redirected the discussion in the areas of possible co-production and the lessons to be learnt from the ‘Half of a Yellow Sun’ project which is financed by Nigeria and UK on 70 percent and 30 percent ratio respectively.

    Ali-Balogun differed with the subject of discussion when he noted that Nollywood remains the generic name for the Nigerian film industry, and that government’s orientation concerning support for the industry has changed; citing examples of the $200 million loan and N3 billion grant by the Federal Government for the entertainment industry in Nigeria.

    But Yewande Sadiku, an investment banker with 17 years experience who raised the funds for ‘Half of a Yellow Sun’ maintained that there are greater opportunities to be enjoyed by filmmakers if they are willing to get out of their comfort zones of producing mainly for the local market.

    She argued that the business of filmmaking will be respected if Nollywood filmmakers learn to leave the aspect of financing to experts. “‘Half of a Yellow Sun’ project chose me because I have the skills that are relevant to get it going,” she said, noting however, that it was tough getting investors to fund the movie, but for her goodwill, popularity of the author and success of the book, which she said has sold more than a million copies and has been translated into 30 languages. “If a book has to be written about the sourcing of finance for this movie, it would be titled ‘How not to fund a film’, she joked.

    Sadiku’s position was supported by co-panelists; Biyi Bandele, the movie director; Andrea Calderwood, the producer and Kisha Cameron-Dingle, a producer at Completion Films, a body known for funding of short films in Africa.

    Ali-Balogun insisted that the ‘Half of a Yellow Sun’ model is not the best for Nollywood: “Going by what Yewande said, I think it’s not the model that we can work with in Nigeria. Nollywood is what it is today because of the share volume and share tenacity of the filmmakers. How many movies can we make in the model of ‘Half of a Yellow Sun? ‘. I produce first and foremost for Nigerians. This kind of budget is difficult to recoup.” He noted.

    Differing, Sadiku argued that the problem of whether or not money spent on movies can be recouped should not be the business of the filmmaker: “I actually believe that it is possible to raise equity funding for Nigerian films, but such monies should not be raised by filmmakers, because filmmakers do not understand finance. If a filmmaker needs to raise decent money, I would suggest they talk to financiers who understand financial structures,” She averred.

    While some filmmakers praised the effort of Bank of Industry for supporting the movie and other projects brought to them by filmmakers, they felt that other government agencies need to do more to support the intervention policy of the federal government through realistic collateral.

    Veteran filmmaker, Gabriel Okoye (Igwe Gabosky), did not mince words in attacking some agencies of government that he thought do not have business participating at the festival. He said BoI has done well, by approving his loan of N300 million to set up distribution facilities for Nollywood. He noted that without a proper distribution and exhibition structure, it would be foolhardy for any agency to invest in movies which have Nigeria as the major distribution window.

    Gabosky is in Toronto as member of a new organisation called Nigerian Entertainment Business Group (NEBG). Other members of that group at the festival include retired banker and Nollywood enthusiast, Charles Igwe and the Association of Nollywood Core Producers’ President, Alex Enyengho.

    Other attendees include the Bank of Industry with Uche Nwuka and Promise George as the two delegates, National Film and Video Censors Board (NFVCB) with about 10 delegates, led by the the Acting Director General, Ms Patricia Bala and the team from Africa International Film Festival (AFRIFF), comprising four delegates, led by founder of the Festival, Chioma Ude.

    One individual who has sponsored a large delegation of journalists, filmmakers and actors to the festival is the Chief Executive Officer of Africa Movie Academy Awards (AMAA), Peace Anyiam-Osigwe. The AMAA boss, who enjoys a long-standing relationship with the festival programmers is at the event to promote the continental film reward system, while also networking and sourcing films for the 10th edition of the AMAA which may take place in South Africa next year.

    The AMAA sponsored Africa Cinema Business Roundtable (ACBR) at the prestigious Fairmont Royal York Hotel, turned out to be the only session at the festival that bought African filmmakers together. With keynote address given by Dayo Ogunyemi, CEO of 234 Media, the session left no one in doubt of the pragmatic approach available for Africa in the areas of policy, funding, distribution and sustainability.

    Osigwe noted that her drive, apart from running the AMAAs, is to provide answers to structural challenges of distribution in Africa for which she has partnered with Ogunyemi in the last 10 years.

    Some members of the AMAA group include Secretary General, Tony Anih; Director of Production, Sunny McDon, Media Consultant, Tope Ajayi, actor Frank Dallas, E24/7 Publisher, Biodun Kupoluyi, Chairman of College of Screeners, Shaibu Husseini and Chairman Jury for AMAA 2014, Steve Ayorinde.

  • Olu Maintain’s support  wasn’t enough for me—Oprah Alade

    Olu Maintain’s support wasn’t enough for me—Oprah Alade

    Oprah Alade who many might not aware is younger sister to Olu Maintain is set to carve a niche for herself in the highlife music terrain. The graduate of English from Adekunle Ajasin University is one of the few female highlife singers on the Nigerian music scene. In this interview with Mercy MICHAEL, Oprah who dropped her sophomore album, Happy Faaji penultimate week ago speaks on her passion, relationship with her brother Olu Maintain, marriage among other things. 

    WHAT is your genre of music? I do Highlife, although if you listen to my album you will hear a bit of Juju but I will categorise my music as Highlife.

    Tell us about your foray into music?

    My foray into music dates as far back as 2006 when I finished my youth service. I served in Oyo State. I started music back in the University but after I finished my youth service I decided to face it squarely. I formed my band and I started fully. I play at weddings, any occasion whatsoever.

    Was music what you studied in school?

    No, I studied English.

    And after four years of studying English you stuck your guns to music, why?

    A lot of things discouraged me from pursing a white color job really. When I finished my Youth Service, I worked for few months, I worked as a secretary in a Clearing and Forwarding Company, the salary was meager and I was discouraged. I decided to look for another job but the salary wasn’t any better and I saw that it wasn’t meeting up to my need so I decided to do something else, something that will make my future brighter. If I had stuck with the job, I won’t be where I am today. So I have no regrets at all.

    So music was more of a survival instinct than passion?

    Music is my passion. Right from when I was in primary school, I was always in the choir. There is no church I go to that I not join the choir. So music has always being a passion but you know obviously our parents will not allow it if we say, oh mummy I don’t want to go school, I want to do music. They will always want you to acquire that formal education and after school you can go with your passion. Yes, the frustration of earning a meager salary added to why I had to pursue my passion but music is really want I had loved to do.

    You said you won’t have been where you are not if you haven’t pursued music which means music has paid off? Tell us about it?

    Not really (laughs). Don’t misunderstand me. It’s not as if I’m a million right now, I’m still struggling. What I mean is that it made me to be independent. I’m not answering to anybody. I’m my own boss. That time when I was working I had a very wicked boss but right now, all that is off my neck. It’s not as if I’m a millionaire but at least I’m getting shows and definitely the money will come.

    What was the journey like initially?

    When I started it was very rough. It was so difficult for me to form a band in the first place. But along the line I met my husband who has been into entertainment for a long time. At the time when we were courting, I told him I wanted to form a band. He was the one that helped me to form the band. After we got married, I started doing Friday gigs. But getting a venue to perform was another challenge I needed to surmount.

    Before you can get a venue, they will ask you to bring your CD, they want to be convinced that you can sing, they want to be convinced that you can pull crowd. They give you conditions. They will tell you to provide your instrument and you will also be the one to invite guests. Too many conditions are attached to it. You will hire equipment with your money and at the end of the day you don’t see anybody. That happened for a couple of years but later they started paying me money for the equipments I hire. So it’s getting better now but the road as not been smooth.

    Marriage came before your music took a shape. Would you say it has help to reduce harassment that comes with the territory?

    Yes and no. No, because some men are so stubborn. I will use the word stubborn because some don’t care. They will be like so what? But there are some once they see that ring; they will just let you be. So, I would say it has helped. There could still be some naughty men but marriage does shield you.

    In a case when someone wants to hire you and at the same time wants to be intimate with you, you just need to be diplomatic. Sometime you even have to lie, hire me first and the other will come later and after the show then you make your stance known. But most times, when you are good at what you are doing most times they won’t have a choice than to hire you.

    Why do you think we have few female artistes doing Highlife?

    A lot of the female acts that comes into music I feel they feel Juju music is the quickest way to make money and that’s why they we have more female artistes doing Juju than Highlife. With Juju music you sing and praise people who in turn spray you with money. Although I fit into the two but I’m a Highlife musician.

    How do you combine being a mother with music?

    Week days are always free. Most week days are free. I’m busy from Friday to Sunday. I spend all the week days with my son. Weekend is the only time he doesn’t see me much but I tend to make up for that time during the week.

    You recently dropped your album, right?

    I dropped my album just 2 weeks ago.

    Is this album your debut?

    No, it’s my sophomore. The first one was a long time ago.

    Do you have any video out?

    Not yet, I have an agreement with the marketer, the marketer is IK Dancent is in Alaba. I have an agreement with him. He wants the audio to push itself first then we will start shooting the video.

    I noticed that you have few tracks in this album, any reason?

    The shortest of those tracks you see is about 12, 13 minutes. They are so long. I didn’t want to bore my fans that why I did only four tracks. That was just what I felt. There are still so many songs that I’m yet to release but I didn’t want to overcrowd the album with too many songs.

    Most people don’t know you are Olu Maintain’s younger sister. Music definitely runs in the family right?

    Yes, music runs in the family. My father is a guitarist while mom used to be in the choir.

    Did you get their support at the initial stage?

    Yes. They felt my brother had done it and succeeded so they gave me the go ahead but they wanted me to study first. The support came right after I finished my schooling.

    Did you also get your brothers support?

    Not really what I expected. And I think it’s because his own career is taking so much from him, so he has little time for me at this time. I’m not pained and I don’t want to complain because he tried in the past. He has tried but I would have wanted him to do more. I wouldn’t blame him though maybe he feels I should have a taste of what he went through.

    If I really had a shoulder to lean on I won’t appreciate it when the success comes. He doesn’t want to spoon feed me. Maybe that is what he’s doing. He doesn’t want to spoon feed because nobody spoon fed him. He had it rough. That is what he wants me to experience too. I’m glad about it. Initially, I didn’t understand what he was trying to do but right now I do. Initially I got his financial support but I wanted more.

    Even though you don’t sing the same kind of song, has he been an influence to your music in anyway?

    He’s tenacity and he’s doggedness has inspired me over the years because I knew how he started. He started from absolutely nothing. He ran away from home when he was in his first year in the University. We didn’t see him a whole year, he didn’t call, he didn’t contact us because he wanted to survive on his own. So that tenacity, that drive, that doggedness he has really inspired me and it’s one of the things that made me say, okay if he can do it, then I can do it too.

    Have you two ever talked about collaborating?

    Yes, but there has not been time. But with my genre of music I still don’t know where he fits in but when he’s ready I’m sure will do something.

    When was the last time you spent time together?

    It’s been a while because he’s been in and out of the country.

    How do you unwind?

    I relax by listening to Highlife music. I listen to a whole lot. And I do watch movies a lot.

    What is the good thing about being married?

    Your mind is at rest. You are not anxious about anything. I’m not anxious about who I am going to get married to. Will he be rich, tall, or dark? I have passed that stage so my mind is at rest. All I’m thinking about now is how my family is going to be comfortable. How my music career is not going to affect my home.

    So I will say been married is the happiest thing to happen to me. Marriage is good. It can be happily ever after but you need a lot of patient and understanding. If you don’t have those two things in your life you are dead. We are human beings and we are bond to make mistakes and we have to learn to forgive each other. And if we are content with what we have, we can leave happily ever after.

  • Kanayo plays  Okafor in October 1

    Kanayo plays Okafor in October 1

    NOLLYWOOD producer, Kunle Afolayan, has revealed more characters in October 1, his much anticipated flick slated for release soon. As the release date draws near, the actor and producer announced that ace actor, Kanayo O Kanayo will play the role of Okafor in the movie.

    October 1 is a psychological thriller detailing the activities of a Northern police detective, Dan Waziri, who was posted to the Western Region to unravel the mystery behind a series of female murders in the community.

    Dan soon discovers that the prime suspect is Aderopo, the Prince of the community. Waziri however does not have plenty of time on his hands, as he is expected to bring the Prince to book before the Nigerian flag is raised on October 1.

    Kunle Afolayan is the son of the famous producer, theater and film director, Ade Love. Kunle who is a trained economist opted for a career in film-making which he ventured into in 2005.

  • AMAA rallies African  filmmakers in Toronto

    AMAA rallies African filmmakers in Toronto

    FURTHERING its motherly role for the African cinema, the Africa Film Academy (AFA), umbrella body for the annual Africa Movie Academy Award (AMAA), used the opportunity provided by the ongoing Toronto International Film Festival (TIFF) to conduct a focus session, where filmmakers from Africa raised some thoughts on how best to advance the continent’s business approach to filmmaking.

    The forum fingered African leaders as the major challenge to the breakthrough needed, because they do not see film as the biggest medium by which the cultures and rich history of the continent could be exported to the rest of the world.

    Tagged the African Cinema Business Roundtable (ACBR), participants at the meeting charged the leadership of each country to come up with by policies that will support the industry in all areas of needs.

    The ACBR, is also an arm of AFA, founded 10 years ago. The event at the 38th edition of TIFF had Mr. Dayo Ogunyemi, CEO of 234Media, a Kenya-based company as Keynote Speaker, leading the discussion on Policy, Funding, Distribution and Sustainability.

    The forum witnessed filmmakers and allied professionals and journalists from South Africa, Zimbabwe, Canada, Senegal, United States, Congo DRC and Nigeria interacting for more than three hours.

    In his presentation, Ogunyemi noted that governments in Africa should support the industry through enabling laws and regulations that give tax incentives and lower the cost of making films, adding that cinema is vital to the growth and development of film in terms of profitability and sustainability for filmmakers.

    He stressed that for film to have wider distribution and gross more revenues, Africa needs more than 10,000 screens and the number of available screens in theatre across the continent is a far cry.

    “We weed combination of big screens that will appeal to the middle-class and the rich, while we must focus on community viewing centres that will take film to inner-cities and rural areas where our experiences have shown that people in these places do come out to watch films.”

    Jamel Quebak, a filmmaker from South Africa whose film ‘Of a Good Report’ is on the official listing of the Toronto International Film Festival noted that governments at all levels in Africa must see films as cultural products like the rest of the world, most especially in Europe and America by investing in infrastructures that will make the industry buoyant and vibrant.

    In his contribution, Nigerian filmmaker, Lancelot Imasuen charged participants which also included film exhibitors and distributors to develop more robust distribution channels that will enable filmmakers earn good returns from their investments. He added that nobody has given the industry any distribution model that becomes money spinners and that is different from the existing models that are not yielding much.

    In her closing remarks, AMAA CEO, Peace Anyiam-Osigwe, who announced that entries for film submission into the 10th anniversary edition of AMAA is opened, enjoined participants to collaborate as filmmakers from Africa, while also engaging political leaders and policy makers to develop policy options that will make the business of filmmaking profitable and sustainable.

  • Miss Olokun pageant to hold in Lagos

    THE 2013 edition of Miss Olokun beauty pageant is on. And the organizer, Olokun Festival Foundation, has said it would match words with action to ensure that the pageant attains the global standard in the business of pageantry.

    According to the coordinator of the pageant, Sunday Ogunsola, efforts are on to select the best girls for the final stage of the completion, which would hold on Saturday, October 19, at a yet-to-be-decided venue in Lagos.

    “We are determined to make this edition the best ever in the history of the pageant. Towards this end, the Chief Promoter of Olokun Festival Foundation, the brain behind the pageant, Otunba Gani Adams, has promised that this year’s edition will remain in the memories of pageant lovers for a long time to come.”

    Among the prizes lined up this year is a brand new car for the winner. The last edition was won by Princess Anietiok Akan, an undergraduate of Lead City University, Ibadan, Oyo State. The 18-year-old Akan, who represented Cross River State at the event in Lagos, beat 16 other contestants to smile home with a brand new car.

    This year’s edition also promises to be mind-blowing. Camping and screening, according to the organizer, will hold in five centers across the country.

    The Miss Olokun pageant, according to Otunba Gani Adams, is designed to promote and engender unity among the different tribes in Nigeria. “We designed the pageant to foster unity among Nigerian tribes. And you can see that past winners of the pageant come from different parts of the country, despite the fact that we are a Yoruba organization.”

  • Kcee, Ice Prince,  others to perform at  Abuja Crack Ya Ribs

    Kcee, Ice Prince, others to perform at Abuja Crack Ya Ribs

    ONE of Nigeria’s most talented comedians, Julius Agwu will be storming Abuja in grand style come September 29th for the 2013 edition of the annual Crack Ya Ribs show in Abuja. The A-list act recently staged a spectacular Crack Ya Ribs concerts in London and Manchester on August 23rd and August 25th respectively.

    Billed to take place at Trancorp Hilton, the event will parade some of Nigeria’s finest entertainers. Two music stars, Kcee and Ice Prince will headline the concert while comic acts like Akpororo, I Go Dye, I Go Save, Triple White, Mc Longs and Mc Jay will thrill the crowd endlessly with their rib cracking jokes.

    Speaking concerning the event, Julius said Abuja event will be top notch because he is bringing lots of surprises. “We are taking the heat from London and Manchester to Abuja. We had a great show over there and we can’t wait to replicate it in Abuja. Aside the announced names of performers, there will be lots of surprises and gifts to be worn. We are packaging a top notch event”.

    For over a decade, Crack Ya Ribs has always been an exhilarating night of sophisticated music, dance and comedy that has featured some of the best entertainers in the music industry like D’Banj, Timaya, 9ice and others. Having earned his stripes as far entertainment business is concerned; Julius Agwu remains one of the most sought after comedians in Africa. His comedy concerts are always hilarious and fun filled.

  • Funke Akindele becomes Polio Ambassador

    Funke Akindele becomes Polio Ambassador

    Renowned actress and movie producer, Funke Akindele  (Jenifa) has been appointed a Polio Ambassador by the Rotary Club International.

    Jenifa will help Rotary achieve its goal of a polio-free world in a new public awareness campaign called “this close” by raising her thumb and forefinger in the “this close”gesture in the ad tagline “we’re this close to ending polio”.

    “I feel so honored to be part of a charitable cause like this. I accepted this appointment because polio kills or paralyzes children and Rotary is committed to ending this terrible disease worldwide.
     “I also learned that the world has never been so close to eradication of polio since the mid 80’s thanks to the vigorous efforts of Rotary International and its partners,” she said.
    The actress will be unveiled to the media next month as part of the activities lined up to mark the World Polio Day.
    With her recent appointment as polio ambassador, Funke Akindele joins the likes of Bill Gates, Nobel Peace Laureate Archbishop Emeritus Desmond Tutu, action movie star Jackie Chan, Pop star PSY , Dan Maraya Jos and Sanni Danjer.
    Congratulations to Ms Jenifa!
  • ‘This is beyond my thought’

    It was a night of fun on July 29 for Pastor Samson Jedafe, the senior pastor of The Breath of Life Ministry at Wheat Bakers Hotel, Ikoyi, Lagos.

    He was treated to a surprise birthday party by some of his church members. The old, youths and children gathered to rejoice with Pastor Jedafe who clocked 40.

    Jedafe, a graduate of Holding Forth Bible Institute, in the United Kingdom served under Pastor Taiwo Odukoya and the late Pastor Bimbo Odukoya of the Fountain of Life Church, Illupeju, Lagos for several years.

    He is the president of Mega Praise Summit, a worship conference.

    Guests looked gorgeous in their dinner attires. They waited patiently in the restaurantfor the celebrator’s arrival of the celebrator.

    He came into the venue in company of his lovely wife, Opeoluwa and their two children, Ufuomaefe and Onome.

    Jedafe was moved to tears on entry. Clad in a trouser suit with white shirt, he was shocked when he saw the crowd. He said he never expected such an amazing treat.

    “My wife only told me that we are going for a family dinner. I am surprised to see my church members here”, he said with excitement.

    Guests dined on choice food, pastry, fruits and drinks. It was a buffet supplied. The hall was nicely decorated. White chairs were stylishly set around white tables. CY, the MC, cracked interesting jokes and ensured no dull moment throughout the event.

    At the cutting of the cake, Jedafe held the knife to cut his green with gold decorated cake at the resounding name of J-E-S-U-S.

    A session of photographs followed.

    Guests joined him to take pictures.

    The event continued with a toast. It was led by Temitope Odebiyi.

    Opening the floodgate of good will messages, chieftain of the Peoples Democratic Party (PDP), Mrs Agnes Fagbemi, said her pastor is a man who is interested in everything about everybody.

    She described him as a man who is ever ready to listen and give needed attention to all. Mrs Fagbemi said Jedafe is a prayer warrior and a good servant of God.

    “I like him and I respect him a lot,”she said. Mrs Titilayo Olawoyin, a lawyer, described the celebrator as caring, loving, encouraging and compassionate. She said he is a man that ispires others to work hard and make it in life.

    “I wish you well and pray for fresh anointing upon your life,” she said.

    Mr Blessing Bassey, a civil servant, described the celebrator as a man who has so much love for others.

    He said: “Jedafe is a man you need to study for you to understand him.

    “He is simple and a complex man.”

    The cheerful celebrator’s wife, Opeoluwa clad in a flowery suit with black skirt thanked all the guests for turning up to share in the joy of her beloved.

    She said; “It’s been 18 years since I met my husband and it looks like yesterday. Despite the quarrels, fights and misunderstanding, we are still one. I am happy and I thank God that I am married to him, because, without him, I won’t be where I am today”.

    She encouraged husbands to support their wives to the highest level saying that men must never be intimidated by their wives capacity.

    She sealed her goodwill message with a deep kiss to her soul mate.

    Responding, Jedafe thanked the gathering for the reception.

    Thrilled by the surprise dinner, turn out of guests and the out pouring of encomiums, Jedafe described the reception as amazing.

    “I appreciate you all and I say a big thank you. I was cleverly treated today and this was beyond my thought, I am shocked and excited,” he said.

     

  • I was tempted to abandon school for music – Slim T

    I was tempted to abandon school for music – Slim T

    Nigerian fast rising Afro Hip-Hop rapper, Adetayo Temilade Okeowo popularly known as Slim T in this interview with Fakoyejo Olalekan, spoke on his life, music, his latest single and how he almost abandoned his university education for music.

    When did you begin your music career?

    I started doing music at the age of 14 and haven’t stopped since then. I would get tapes and dub rap music from radio stations, recite them, rewrite them in my own way, till I became confident enough to rap in front of a large crowd. Professionally I went into music in 2007.

    Who are those that inspired you?

    My genre of music is called Afro Hip-Hop which is a fusion of afro beat and hip-hop, so my major influences come from Trybesmen, M.I, Lupe fiasco and lately J. Cole.

    How did you get your stage name Slim T?

    It was a nickname people gave to me because I was really skinny, it just sort of stuck.

    Who was Slim T before music?

    Slim T was a very quiet individual before entering into music and I am still very reserved.

    What was your parents’ reaction when you started music?

    They have been very supportive of my music only on the condition that I get a proper education, which I am grateful to them for. They are awesome.

    What’s your educational background like?

    I went to King’s College Lagos and got my university education from Babcock University with a B.Sc in Computer Information Systems.

    Were you at any point tempted to leave school for music?

    Yes! So many times, because it was very stressful juggling my university education and coming to Lagos almost every weekend to record but I come from a family that values education so out of respect, I made sure I made my education my number one priority. I came out with a very good grade.

    What inspired your singles, die representing and Lagosians?

     Die Representing was a song I wrote for my university hostels which was turned down from performing. So I changed the hostel names to names of states in Nigeria, the song was produced by Ex-O of Cash in Entertainment and was co written with my good friend Delali. In fact, I wrote the 1st verse of Die Representing in 10minutes before my 7am accounting class. I always wanted to do a remix with M.I but the Remix was also epic. I featured Eva, Brymo, Pope tha Hitman, Skales, Justin Mawuli (from Ghana) and 5mics. The song was produced by HakymTheDream (LambaKing).

    The energy that day was crazy; everybody I featured was hungry to make the best hiphop remix with me. Die Representing remix remains and I Quote “The hardest Hiphop Remix in Nigeria” as far as I am concerned.

    As for Lagosians, I decided to make a song that focused solely on the city of Lagos. I worked with TinTin to produce the song; it was at this point I decided to add my afrobeat signature to my songs. When we finally decided to release the song Lagosians, It went viral, it was practically everywhere. So we followed up with the Video which was shot and directed by Unlimited LA. It propelled me to stamp my footprint in the Nigeria music industry.

    Your recent song o bad gan has been receiving good reviews, what inspired the song and who produced it?

    The video seems to be everywhere and climbing up in views. As you all know O bad gan is a party song. I realized I hadn’t done one before but I wanted to make it different from the regular cliché party songs you hear every day. I wanted a song with a lot of energy. It was produced by Mobaz and features Dammy Krane of Hypertek. The video was shot by Unlimited LA who also shot the video for Lagosians. We took it to the next level with this video.

    When will your next album be released?

    Hopefully 2014 and it will feature unique artistes that match the accurate representation of what a good song to be, with the right feature, to sound like. I’m very picky; I don’t just feature anyone unless it’s absolutely necessary that I should. It won’t be an album full of party songs. I am all about songs with a message. That’s what I stand for.

    Ever had a bad performance on stage?

    Practically all my performances have been great but it is up to the listeners to have a great time.

    Do you still see yourself as an upcoming artist?

    No I am not an Upcoming artiste. Life is in stages that stage for me has passed. People need to get that clear.

    Do you see Trip City Entertainment making your dreams reality?

    Yes I do. I know this because I run my record label with my partners. One of the dreams we wanted to realize at Trip City Entertainment was to be hip, young, colorful and think youth. So far I have dropped 3 videos, Lagosians, Ojo and O bad gan respectively. One of my dreams was to get my hands into photography, so we created Trip City Visuals which offers Fashion and Portrait photography services. I love to dream big because I know I can achieve these dreams. Trip City’s always in the building, we taking over.

    What’s your opinion on Nigerian hip-hop scene, compared to South Africa?

    Too many rappers not enough poets, too many rappers spitting only metaphors, no storytellers; we need to define what we do. We need to create an avenue for rappers to perform in. e.g. Hip-hop gigs, mic sessions, rap competitions etc. It can only get better when we decide to make it get better. I believe we have better rappers in Nigeria but lack the required system to sustain hip-hop in Nigeria compared to South Africa. At the end of the day we are all one.

    How will you rate Nigeria music in terms of content?

    Music is the soundtrack to life. The music of today in Nigeria almost has no message just hard beats. If we continue this way, people will not be able to get informed through music. Music will lose its value. ‘Music with a message’ this is the change I am working with. Always have a message in all your songs. Nigerians are not dullards, if the music is good and it has a message people will listen to it. A song is as good as how well you promote it. We can do better, we will do better.

     List five things most people don’t know about you?

    I play a lot of Video games, I watch a lot of animated cartoons, I love food, I study/research a lot and I am not a fan of clubbing.

     What’s your message to your fans?

    Support good music, tweet about it, talk about it, when we go wrong, correct us. We are all work in progress.