Category: Entertainment

  • Four Nollywood acts  survive Glo shake-up

    Four Nollywood acts survive Glo shake-up

    FOUR Nollywood acts; Chioma Chukwuka, Ini Edo, Funke Akindele and Desmond Elliot are said to have survived the recent shake up of their ambassadors list by telecom outfit, Globacom

    The likes of Ramsey Noah, Rita Dominic, Mike Ezuruonye, Monalisa Chinda, Nonso Diobi, Uche Jombo and Odunlade Adekola did not survive as they have been dropped.

    Globacom recently unveiled fresh ambassadors including Burna Boy, M.I, Waje, Bez, Lynxxx, Omawumi and Flavour which ended speculations as to who was to be signed on at the time.

    Sources say that the celebrities who were dropped from the deal have been told to go to the legal department of Globacom to pick up letters terminating their contract with the telecoms company.

  • Monalisa Chinda named Centenary Ambassador

    Monalisa Chinda named Centenary Ambassador

    FAIR skinned actress, Monalisa Chinda who has just been dropped as one of the Globacom brand icons appears to have found a replacement in the federal government’s 100th year project of the existence of Nigeria. The thespian was officially unveiled last week as an ambassador for the Nigeria100 Centenary Project, a road show set to hold across the world.

    In addition to the unveiling of Monalisa Chinda, other celebrity ambassadors on the bill of government for the project were also announced during an exclusive event which took place at Federal Palace Hotel, Victoria Island, Lagos recently.

    Speaking on the choice of Monalisa Chinda, Ikemefuna Mordi, project director of the Nigeria100 Centenary Project said the decision “is driven by the essence of this revolutionary project and its proposition to its target audience. As a multi-talented superstar who keeps contributing her quota to the emergence of a new Nigeria by supporting and spearheading diverse noteworthy and noble causes, Monalisa Chinda easily represents the true Nigerian picture we seek to project.”

    Joined by Made Men Music Group’s top dog, Iyanya who is also a road show ambassador for the project, Monalisa Chinda stated that there is a lot of synergy between the Centenary Project and her persona, while promising to be a good ambassador of the brand.

    According to Tope Esan, the Centenary media manager, “other confirmed ambassadors who would simultaneously appear as the project progresses include Stephanie Okereke, Segun Arinze, Desmond Elliot, Jay Jay Okocha, Kanu Nwankwo, RMD and Ali Nuhu.”

  • Wande Coal beats  Iyanya to Naija Top 10

    Wande Coal beats Iyanya to Naija Top 10

    IN this week’s MTV Base Official Naija Top 10, “The Kick” by Wande Coal stunned many, fighting back to the top. Powered by Star Music, the song proved it is a delight to music lovers by pushing Iyanya back into number two position after a week.

    Running through the charts with VJ Ehis, Wande features with the presenter this week as special guest to tell the story of his sojourn in the music industry and his climb to reckoning.

    Meanwhile, highest climbers for this week are D’Banj, and Chidinma who each jump two places: D’Banj had jumped to number five, for “Don’t Tell Me Nonsense”; while Chidinma’s “E Mi Ni Baller” got her the sixth place. PSquare, it must be noted has moved from fourth to third position with “Personally”.

    However, the only new entry on this week’s Top 10; DJ Xclusive took the number 10 slot with “No”, while D’Prince with “Goody Bag” dropped out of the chart altogether this week from its number 3 position last week.

    The Official Naija Top 10 powered by Star Music is put together weekly by a panel of judges comprising Nigerian broadcasters, music specialists and tastemakers, working with MTV Base to pick the winners and losers in the week’s chart. They include: Onos Ovueraye(Bella Naija.com), DJ Humility (Rhythm FM), DJ Jimmy Jatt, DJ Xclusive (Cool FM), Big Time (Rhythm FM), DJ Caise (The Beat FM), Toolz (The Beat FM) and Osagie Alonge (Nigerian Entertainment Today).

  • Celebrities storm Bowler Hats Bash

    Celebrities storm Bowler Hats Bash

    AMID glitz, glamour and a dose of panache, the maiden edition of Bowler Hats Bash (BHB) held August 3, at the upscale Niteshift Coliseum, Ikeja, Lagos. The fun filled evening of comedy and music saw several leading entertainers thrilled and dazzled revelers as both guests and performers.

    Powered by Contacts Communications, the quartet of African China, Nigga Raw, Klint D’ Drunk and Elenu led the array of star performers at the evening of relaxation as they separately thrilled and rocked guests with hit songs and rich repertoire of exhilarating jokes.

    The event reached a climax when the duo of Klint D’Drunk and his former music mate, Nigga Raw jointly performed their monster hit-Obodo, to the delight of the cheering and dancing crowd.

    The trio alongside some of their colleagues including Funny Bone, Acapella, MC Senator, Danni B, Lanusoro and Baba D’ Baba raised the tempo of the bash. Other entertainers that also wowed the guests were: TJ Sax, the cerebral 10-year-old saxophonist and OzzyBosco, the energetic six-year-old precocious music star cum multiple award-winner.

    Interestingly, the African Heritage Band, led by Chijioke was also on ground dishing out live music as well as assisting music stars wishing to perform live on the Coliseum’s expansive and revered stage.

    Commenting on Bowler Hats Bash, its founder and boss of Contacts Communication, Azuh Amatus, disclosed that his love and passion for hats brought about the highly commendable initiative.

    “We thank God that this debut edition was a huge success and we thank all those that made it possible. It was borne out of my passion for bowler hats and fedora, which I wear a lot. It was designed to be an annual event for stars, celebs and the upwardly mobile coming together to relax, enjoy, network and unwind in a conducive and fun filled atmosphere where there will be music, comedy and more,” Amatus said.

  • Waka musician, Batile Alake is dead

    Waka musician, Batile Alake is dead

    Precursor of Waka, an Islamic-inspired Yoruba music genre, Alhaja Batile Alake is dead.

    Aged 78, Batile died in her home town; Ijebu-Igbo, Ogun State in the early hours of Saturday, while preparing for the Subh (daybreak) Muslim prayer.
    Confirming the demise of the musician to The Nation on telephone, Alhaji Kunle Halidu, manager to Salawa Abeni, the deceased’s younger colleague, said Batile was buried at about 4pm in her home town according to Islamic rites.

    He said Salawa is not in town and so could not attend the burial, but that she had sent her condolences to the family of the late singer.

    Batile popularised the waka, during her active days in the 50s and 60s, by playing at concerts and parties throughout Yorubaland. She is touted as the first waka singer to wax an album.
    Although Waka queen, Alhaja Salawa Abeni became very popular for adding style to the genre and earning the title of ‘Queen of Waka Music’ by the Alaafin of Oyo, Oba Lamidi Adeyemi in 1992.

  • TATTOOS  don’t make me wild—Nollywood actress  Tayo Sobola

    TATTOOS don’t make me wild—Nollywood actress Tayo Sobola

    Popularly called Sotayo, Tayo Sobola got two nominations this year for Most Promising Actress, 2013 Yoruba Movie Academy Awards and Best New Actress (Yoruba) City People Entertainment Awards 2013. The graduate of Public Administration from Olabisi Onabanjo University has just finished works on her second movie entitled Corper Jide. With an acting career spanning about 10 years, in this interview with DUPE AYINLA-OLASUKANMI, the actress speaks on why she quit acting English movies and men’s view on  actresses, among other issues.

    IS the movie Corper Jide, like every normal movie that the title tells the story?

    I just sat down and thought I needed to try if I could do something different, so I got a pen and paper, wrote the story and the name came along the line. I guess people would expect to see corps members in the movie, but you won’t get to see any trace of them; unlike my other movie, Arewa Onijogbo, that portrays a lady who is troublesome.

    This is different because people would expect to see a story that has to do with NYSC. They won’t get to see that until the end of the movie. I shouldn’t even be saying this but you cannot get to understand until you see the movie. This new project is to try and see what I am capable of and to try and stress myself, by doing two things at a time because I played double roles in the flick.

    Why did you choose to be a Yoruba actress?

    It is not like I stood up one day and said I want to be a Yoruba actress. I am still an active member of AGN. I did a couple of English in the past but I didn’t get to play lead roles because I had a lot I was doing at the same time. I was shooting music videos, playing roles in one or two movies, dancing and singing at the same time. I was into modeling, writing for some magazine and organising events.

    The stress was becoming much in the sense that today you get a role for some job and the next day, you are called to bring back the script for some flimsy reasons. There was a time I left Lagos for Ogun State, when I changed my school. So I just made up my mind that I wasn’t going to do the movie thing again. One day, somebody walked up to me and said there was a movie casting and that they wanted a new face for the lead role.

    Though I wasn’t interested, I went and I was given the script to read. After that, I was told that we will be starting the next day. I was like, how can you call me today and ask me to start tomorrow? So I went all the way to see the Producer, Mr. Yinka Sam Aina. I did the movie and that was it. Before then, I had done some minor roles too in Yoruba movies but I was not taking any seriously. After the Oloko Longe, which I played alongside Yemi Blaq and Aunty Ayo Adesanya, I left and said I wasn’t doing it again. But someone said to me that I could do it, that I was capable. That was how I started.

    How easy was it for you to start producing movies?

    The thing is, despite the fact that I was not constant in the movie world, I still watch and study how it is being done. Several times, I can remember meeting some marketers and actors. I told them I wanted to act but nobody took me serious then. In 2005, I walked up to a marketer and he said I should go and learn, that there is a way they do it. Anytime I talked to somebody about it, it was the same thing, so I just forgot about the whole thing.

    But here I am today; this same marketer came to me to complain that I didn’t give him my film to sell and that if I had come to him with the movie too, it would have been the same thing. Now he can see other marketers trying to sell my movie. Everybody has a story to tell. I might look new to some people, but this is my tenth year in the entertainment industry.

    How do combine being an actress, writer, dancer, singer, and the others?

    (Laughs) I just think if you have a flair for something, it will remain in you. Everybody has got talent. I was in a musical group and Tee A was the one pushing it. I did other performances on stage and all that; The Nescafe Vibes Waves and the Lagbaje. All of a sudden my mom was not cool with it so I had to stop. She said she couldn’t walk on the street without somebody stopping her to say they saw her daughter on TV.

    So I started doing modeling, going for casting and photo shoot. I am not a runway model but the photographer model. As for entertainment, if you are a dancer, they will use you for video shoot. I didn’t learn that from anywhere. I just found myself doing it. It has not been easy. Writing is also just flair and I went for a Diploma in Law at Lagos State University before changing to University of Ibadan.

    Once you are in that kind of line, the next thing is writing or sketching something. That is why the ability to balance five or six things at the same time has not been easy for me. But there are times in life when you have to sit down and draw your board to pick out the one working out for you. But now I will say it is the consistency that I have put in the Yoruba movie that has made me a new face. With a little push, I know I am there.

    Now that you have changed profession, what is your mom’s view?

    She is cool with what I am doing now. She calls every day to pray for me, since this is what I have decided to do.

    What other things are you into aside entertainment?

    I have a shop where I sell goods. I don’t go there though, only once in a while. But I know I have things that I do day in, day out.

    What is your relationship with Bovi the comedian?

    The truth about it; he is more like a brother to me. We didn’t come out from the same womb but he is somebody I have known for some time. He gives me advice on where I can do well. There is nothing that one cannot achieve if you have someone that can look straight into you and feel that you have something that needs to be pushed out. That is what I appreciate about Bovi.

    He looked at me and believed in me and said we could actually work together and that is what came out of all the things you have seen. I have not disappointed him in any way and he wasn’t disappointed in using me to do anything he did. It is nothing more than a working relationship. He is just a very good friend and I see him as a brother. I have met some people before him that are actually doing what he is doing but they never said anything about working together.

    How did you get an A-list actor like Ayo Adesanya to star in your movie?

    This is not the first time we are acting together. Like the Oloko Ologe movie, I played the lead roles with her. Since then, she has been more like an aunty. We talk on regular basis. I ask her advice concerning some things I want to do. But for my own movie, probably she just felt there is more to this Tayo girl that is different.

    She asked for the script, checked it and it was okay with her. I feel she was okay with the role she is playing and knows I won’t disappoint. Sometimes people look at us and say we look alike. It took me time, to decide who I really wanted to use for the role and it worked out fine.

    How did you source for funds for the movie?

    I just feel that if you want to do a movie, you should have an idea and a budget. That is the money you are working with. I exceeded my budget, but I did not regret it in any form. That is all I can say. And I was able to pay all my cast. I do not owe anybody.

    Unlike it is done with Yoruba movies, why did you decide to screen yours before the actual release?

    The truth about it is, for you to be able to achieve things; you can’t work with yourself alone. I believe nobody achieved destiny with too much friends. When you follow the crowd, you miss the crown. It is not something I decided to do on my own. With the help of a very good friend, brother, I have been able to push far. Like I said earlier everybody has got a story to tell, we all started from somewhere.

    Most people just do movies and hit the shelves and people start complaining. The ability to see your movie from a different perspective is what one should aim for. If I am seeing my movie, I don’t know if some other person likes it or not. I am not doing it for myself or my family to watch, but for the audience. In a situation you have hundreds of people watching, you can actually listen to what they have to say. The last movie I produced was more like a teaser for me. I believe I have been able to learn from that with the help from my brother Caston Dada. He was able to tell me how to do things, how to listen to people, ask questions and all that.

    How many tattoos do you have?

    I have got three, one on my right leg, one behind my right shoulder and the other on my arm. I just like it and there is nothing more to it. I am happy that the spots I have them can be covered because not everybody is cool with it. Some people can’t even stand the sight of it. There are some environments you have to step into; they don’t want to see them.

    Some people see them and have a different opinion about you. But the fact that you have them does not mean that you are wild. So if I am wearing a shirt on a jean, nobody knows I have it on. When you do things at times, you have to think twice.

    It is a general belief that the more established acts try to frustrate the growth of rising actors and actresses. How do you plan to scale that hurdle?

    In that perspective, I would say it is normal when you are doing something right for anybody to envy you no matter the job you are doing. Envy is a normal thing, and to me I see it as a sign of witchcraft. So many people are possessed; they have that witch thing in them. It is not when you kill someone that you are a witch.

    If you envy your colleague, then you have something in you. If you are happy for someone else’ success today, definitely something good will come to you. The ability to talk freely and mingle with people opens doors for you. That is what most people do not know. I am just myself. I am not looking at other people’s time to run my race. I go on my own, laugh with people I am suppose to laugh with and play with those I am suppose to play with.

    I am not too close to anybody and I am not against anybody. I don’t belong to any caucus. Inasmuch as they don’t come to my face, I am cool with it. That envy thing, should just stay wherever it is. For you to confront someone to her face, then you must have something in you. For me if you are envious of me, it should be within you. If I start smelling it, then you have your own problem to deal with.

    How comfortable is your guy with your numerous engagements?

    Well, I would say so many guys look at girls and say ladies in entertainment have actually slept with their colleagues because they believe we don’t have confidence to hold ourselves and not let loose. Everybody has got focus. As for me I am just myself and I am actually single for now.

  • A worthy defiance of the rules

    A worthy defiance of the rules

    NOLLYWOOD and home-video are two words that could be used interchangeably. Reason is; the latter is a direct to home production which, owing to its nippy form, gave birth to the name Nollywood. If any country is laying claims to home video culture, let it be put to vote and it will be obvious to them, how Nigeria has come to enjoy the ‘copyright’. Despite criticisms, the beauty of the Nollywood model is that it has become phenomenal; attracting researchers to Nigeria and putting the country at the forefront of Africa emerging cinema culture.

    You would recall that the name Nollywood is a coinage of a foreign journalist and researcher who came to Nigeria and was stunned by the act of producing a movie within one week, brandishing just one camera and using so much improvisation.

    With the current stance in Nollywood, it is safe for me to say that the prediction (or was it an agitation) by filmmaker Francis Ford Coppola in 1990, about a digital video revolution was a vision for Nigeria. The man had induced a global thirst for a flexible creative license. Coppola had dreamt of a situation whereby cheap camcorders will be put in the hands of the masses, hoping that one day, some little fat girl in Ohio is going to be the new Mozart and make a beautiful film with her father’s little camera saying that when that happens, the so-called professionalism about movies will be destroyed forever.

    If there is anything that Nollywood has been criticized for, it is this professionalism that Coppola mentioned above. But I think that professionalism is relative to the extent of the audience that a particular filmmaker is targeting. You may be socked to know that some audiences are unmindful of a bad picture as long as to them; the story is gripping. If there is an audience that does not pretend, it is the Nigerian movie buffs-they’d walk out of the cinema hall if they find a film distasteful. But visit some film festival abroad and watch how, at the end of a sleep-inducing story, probably shot on the highest camera format, the audience would clap hysterically while the end credits roll- you are stunned, especially as a Nigerian who has grown through the ranks of the Yoruba moving theatre, the Nollywood phenomenon and the emerging ‘new Nollywood’. Should you want to know more about who a proud ‘Nollywoodian’ is, walk up to Amaka Igwe and dare raise some of those criticisms about Nollywood. I wish you luck!

    The above is just one of the Nollywood’s exceptions to what is regarded as the rule of filmmaking. And talking about the movie marketing or distribution chain, the Direct to Home (DTH) distribution in Nigeria is in total defiance of the rule. The model is usually a gradual passage through the cinemas, a sting at DVD and then a final roost at the home video stage through CD sales. But it appears that until the monopoly of the cinemas in Nigeria is broken, the woes of an average filmmaker would continue. With about 20 percent of a cinema-exposed film going to government and about 50 percent going to the cinema houses, we must ask the filmmaker if 30 percent that is accrued to him from the few cinema houses in Nigeria is enough justification for the model we so publicize.

    On the situation with movie business in Nigeria at the moment, the DTH would have been the best if only the Nigerian Copyright Commission (NCC) is not failing in its duty of intellectual right protection, whereby pirated films litter our streets and their sellers operate in seeming daylight anarchy. Perhaps the New Distribution and Exhibition Framework (NDEF) of the National Film and Video Censors Board will, in addition to establishing legal distributors at every level of the society, also do part of the job the NCC is being paid for when the time is ripe. Perhaps the NCC needs the much touted broadcast industry quartet more than others, with the Nigerian Film Corporation, the Nigerian Broadcasting Commission (NBC) and the NFVCB playing the triangular cover-up for their weak surrogate sister; the NCC.

    Yinka Ogundaisi had argued that for the Nigerian film industry to move forward, the shortest and the most viable route is through the cleansing and strengthening of the DTH (direct to home) distribution, which of course means getting the NFVCB to complete the implementation of the NDEF. He emphasized that the film industry in Nigeria has perhaps, the last opportunity to get its act together, using the bulk, if not the entire N300 Billion FGN’s grant to focus on the development of DTH distribution infrastructure.

    I seriously think that if that formula is gotten right, NCC may just be confined to its passion and frantic agitation to sustain its one Collecting Management Authority (CMO) fight for the music industry, because filmmakers may have found succor in the NDEF which could battle the pirates’ ubiquity with simultaneous national, regional and community levels distribution of movies.

    If that happens, cinema may remain at the elitist level that monopolists have subjected it, unless the intervention fund is made to also cater for screens at all levels. Unless again, Nigeria decides to toe the line of the Indian cinematic consciousness, we should know that the current inadequate theatrical infrastructure that puts us at less than 60 screens per 160 million people is a shame, whereby India has over 13,000 screens, the equivalent of 12 screens per million people, and is still counting.

  • Lola Alao remarries

    Lola Alao remarries

    KOGI State-born actress, Lola Alao is set to take another shot at marriage. Report has it that the actress who has a 10-year-old daughter from her previous marriage ties the knot today, with her long time lover and IT expert, Wale Ajibola in a minimalist ceremony in Atlanta, USA.

    A small reception, it was gathered will follow immediately at the groom’s house.

    The actress who is already missing in action in Nollywood came under attacks recently, when a fellow actress who happens to be her close friend fell out with her for being instrumental to her breakup with her (the friend) erstwhile lover and baby father. Lola has since moved on, and the evidence of her absence from the screen has eventually surfaced. We wish the delectable actress a happy married life as she joins the league of entertainers who have taken a plunge into marriage in 2013.

  • $2m-budget movie: Afolayan hits location

    $2m-budget movie: Afolayan hits location

    WITH the involvement of Lagos State, Toyota Nigeria Ltd and Deola Sageo in the much publicized historical movie by young filmmaker Kunle Afolayan, the journey towards attaining the $2m mark, being budget for the historic flick appears far. But the actor has already attained four days of shoot with less than fifty percent funds, hoping that more help will come as the camera rolls.

    Entitled October 1, the movie which was initially scheduled to start last month could not be delayed further especially since the cast members from Hollywood have arrived Nigeria. The actor, who is also known for his thoroughness, has secured the time of the Nigerian actors who on Monday took their first reading with the visiting thespians.

    Unveiling the cast and crew of the movie at the Toyota office on Tuesday, Afolayan who sat between Mr. Kunle Adeojo, Executive Director of Toyota Nigeria and Dr. Aderemi Desalu, Permanent Secretary, Special Duties, Lagos State expressed delight for the support given to his project by Lagos State government and Toyota Nigeria. He also announced the third partnership as coming from notable fashion designer, Deola Sagoe, who will be providing the primordial costumes of the 60s, especially ones depicting the colonial era in Nigeria. He described Sagoe as a woman wearing two crowns on the movie project, as she will also be playing the character of Funmilayo Kuti, mother of legendry king of afrobeats, Fela Anikulapo-Kuti.

    The four cast members from Hollywood who will be de depicting the roles played by the colonial masters during Nigeria’s pre independence era include Nick Rhys, playing Rupert Winterbottom, the District Colonial Officer; David Bailie, for the role of Fred Ackerman, the Chief Superintendent; Lawrence Stubbings, playing Lord Sebastian Tomkins and David Reese, playing Dowling Colin.

    A psychological-thriller, October 1, pictures September 1960, with Nigeria on the verge of independence from British colonial rule. It tells the story of a northern Nigerian Police Detective, DAN WAZIRI, who is urgently dispatched by the colonial government to the trading post town of Akote in the Western Region of Nigeria, to solve a series of female murders that have struck horror in the hearts and minds of the local community. On getting to Akote, more murders are committed, and with local tension high and volatile, Waziri has a race on his hands to solve the case before even more local women are killed. Matters take a turn for the worse, however, when Waziri discovers that his prime suspect is none other than the highly influential, university-educated son of the King of Akote, Prince Aderopo. Intelligent, good-looking, charismatic, witty and daring, the prince proves to be a most complicated adversary for Waziri. Set against the backdrop of the national celebratory mood of the impending independence, Waziri and Prince Aderopo indulge in a game of cat and mouse as they try to outwit each other… leading to the climatic end in which the life of a popular local female teacher and village belle, TAWA, is held in the balance. Waziri has to race against the clock to capture the prince, save Tawa and solve the crime before the British flag is lowered and the Nigerian flag is raised on October 1, Nigeria’s Independence Day.

    Written by Tunde Babalola, whom Afolayan described as the foundation of the project, October 1 also parades notable Nigerian actors like Demola Adedoyin (Prince Aderopo), Kunle Afolayan (Koya), Kehinde Bankole (Tawa), Kayode ‘Aderupoko’ Olaiya (Sergeant Afonja), Biodun Aleja (Olaitan), Femi Adebayo (Banji), Fabian Olojede (Omoladun), Bimbo Manuel (Canon Kuforiji), Kanayo O. Kanayo (Okafor), Ibrahim Chatta (Seun), Saeed Funky Mallam (Usman), Laide Alabi (Secretary to Winterbottom) and Collins Talker (Emeka).

    Produced and directed by Kunle Afolayan, the movie has Bose Oshin as production manager, Pat Nebo as production designer, Yinka Edward as director of photography, ObijieOru (Costume), Lola Maja (Make Up), while Oge Ugwu is production coordinator.

    Adeojo emphasized during the press conference, of the social responsibility objective of his company. He described his boss, Chief Michael Adeojo, Chairman of Toyota Nigeria as a supporter of the creative art. He said unfortunately, there were no Toyota vehicles in Nigeria in the 60s, making it impossible for them to provide props for the movie. He said his company would however; provide vehicles for use during the making of the movie, including hospitality for the cast and crew who will be shooting in Ilaramokin, home town of Toyota Nigeria’s boss.

    Desalu who appraised Lagos State’s effort at providing support for the film industry under the Nollywood Upgrade Project, noted that there is need to partner filmmakers to portray Lagos and the country at large in positive light. He said the state, apart from promoting local cinemas will also fund the making of certain films and take them through a whole gamut from script to exhibition.

    Young Afolayan is one of the few Nollywood filmmakers who have enjoyed corporate sponsorships for movie projects, because he has come to be identified with award-winning flicks, and his current project, entitled October 1, may just be another blockbuster.

    The producer of Irapada, Figurine and most recently, Phone Swap, is excited about the project that he said is far from anything that as been seen by any filmmaker in Nigeria.

    The audition for the movie which took place at his Golden Effects Productions outfit on Ladipo Kuku, Ikeja, Lagos on June 6, 2013 had over 1000 hopefuls reading for different characters in the movie.

    A visionary filmmaker, Afolayan was recently at the centre of a hit documentary series on the Yoruba heritage entitled Isedale. The work which provoked thoughts about Yoruba Kingdom and culture among AfricaMagic audiences, proved a success when the channel moved the series to prime-time.

  • I don’t have much time  for women —Vector

    I don’t have much time for women —Vector

    Prolific rapper, Vector, is one of the foremost male Emcee’s on the Nigerian music scene. With over Eleven Awards last year, from the Headies, NMVA, NEA among others reputable awards, Olanrewaju Ogunmefun, is no doubt on top of his game. In this interview with DANIEL POPOOLA, the artiste speaks on success, inspiration, collaborations and relationship with the opposite sex. 

    LAST year was successful for you how would you describe it?

    I guess I can describe 2012 as the year of awards both the ones you know and the ones you don’t know. It’s about 11 awards both in Nigeria and out of Nigeria, major and particular awards. I have awards from university communities, UNILAG and OAU because I have a lot of followership there. They were Awards for Excellence and also for Mentorship. One of the awards was termed as Lyrical Titan of the year and another Best mix-tape of the year by a body that monitors the music industry. My major awards were at the Nigeria Entertainment Awards NEA in New York where I received the Best Rap Act and not forgetting the two I received from HEADIES another from NMVA. It all measured to eleven awards. Of course I feel appreciated. Life is a journey and you can never say you have arrived. It’s a continuous thing and I’m on a continuous work.

    How did you manage to record 125 tracks initially for your 2nd coming album?

    Whatever that spirit of inspiration is, it never fails me. Coming from the type of rap that I do, I’m not allowed to do anything average or below quality music. On how I managed to do 125 tracks for the album project, I know I do work and we just had to put the appropriate 22 on my ‘Second Coming album’. That was to show how versatile I was. My first ever award was in the University and I was given the best all-rounded guy. I excelled in socials, academics and other activities. The 2nd coming album was formally the introduction of my second album into the market even though it feels like the first one.

    Do you get carried away by huge success?

    I pray to God first of all to help me stay humble with myself and not forget where I am coming from. And for anybody who has followed my growth so far, you will know that that which has made me who I am today is the fact that I am able to repeatedly prove myself in a lot of tracks. So that has been mainly hard work on my own, with other people whoever, whichever way, I have been a known artiste on my own without teaming up with any clique outside God and my record label and of course immediate family and friends. But with no team or any affiliation whatsoever with any clique, I just felt it is something I must do and I have done tracks over and over again. And music no dey finish now (smiles). The Angeli is in the 2nd coming album and ‘Na you’ as well.

    The Angeli track has brought more recognition, what inspired it?

    Apparently when Sagzy (one of my music producers) produced the beats of Angeli and Mr Vector, almost everybody that heard the beat said Nice! Nice! Unknown to me, there was this guy, Femi Alapomeji who I used to visit his shop back in my days in school. Femi was close to 9ice and used to run stuffs for 9ice.

    So I exchanged pleasantries with him and told I was trying to hook up with his chairman, 9ice who was also trying to get me to hook up with a track with Seriki, his artiste. So, we connected and he heard the beat and you could tell that right from the start, he was down with it that he was given a beat that suited his style. 9ice asked to give him some time wanting to travel and what I heard was that throughout the time, he traveled, he was hooked up to the instrumentals alone. And when he came back, he had done ‘Angeli to n pire’ and I was trying to get the hook. At his house, he offered champagne and I was to be at the studio.

    I ate Amala at his house and I suggested that I do the hook here because I had to tap into the anointing of such a great person. I did two verses right there within the hour. While I was driving I did the others, the drab verse, went into the studio and dropped the singe. And it’s been playing heavily for two years and some months since then. On my new video, Follow me dey go that is rave right now, I was chatting with Shalom who featured in my mix tape, Bar racks told him this was a fine music that that fans will love over the dance hall beats that has always been overused. We just talked about it though he didn’t say too much. I went into the studio, spoke to Da piano (music producer) assuring him that this song will fly.

    I told him it was a sweet reggae right there and then, Gbam! I was quite impressed at the video production though for one funny reason wanted a different video but it was just that of a regular guy and a regular hair girl hanging out and drinking coconut juice. Outside that there was no bling bling and all that razzmatazz. ‘Follow me dey go’ was a sweet music all through cool and calm.

    You also did a BAR RACK single on your birthday last year. Why the name?

    I grew up in McCarthy Barrack on Lagos Island. I have lived around the barrack and I guess this is a part when you guys have to know. A lot of people have seen the intelligent, cool Vector with a lovely smile (that is what they say). There is also the barrack-bred Vector where you wake up with sirens blowing everywhere; you hear that your friend’s father was shot. It is the same barrack when I was in Ikeja cantonment and the bomb blew up.

    I don’t want to forget that side of me. My dad was a mobile police chief and my mum was a professional caterer and coordinator officers’ wives of Mobile Police, Lagos State. We had people coming to my yard and boys had a lot of fun. In the barracks, where I grew up there is not much privacy and a police cannot be beating his wife and not have neighbours intervene because we all new ourselves. Barracks is the only place where there is togetherness. Life in the barracks toughened me and made me know from my teen days that you have to labour for anything you want in life. So I did my song Bar Rack based on my experience in the barracks and released it on my birthday. I hope to go back to the barracks sometime in the future and talk to the youths to work hard and dream of a glorious future.

    You also did a song with Tu-face, Get Down…?

    Yeah that was a good one too. Tu-baba being a versatile artiste is who every musician would like to walk with. Apart from 9ice, I have also done stuffs with KWAM 1, Adewale Ayuba and so many other artistes and ready to do more. They are all in my 2ndcoming album. Having studied philosophy in UNILAG, I am constantly re-inventing myself. I have learned from those ahead of me in the industry and I don’t take this for granted.

    So how rich is vector now?

    Rich enough to eat what I like and go to where ever I want to go. I thank God for this as I have been in the music industry for more than five years actively doing collabos and now doing my own thing and being appreciated for it. I see the brand, Vector D Viper going higher and remain dominant in rap music. I did a song with a Jamaican artiste.

    It is reported that you are dating a model and you may get married to her soon, how true is this?

    Well, it is not true o. Vector is married to his music for now. I am not dating any model and no blog has caught me hanging out with one. I’m a lovable person and I relate with people easily.

    So you don’t have a soft place in your heart for a woman?

    Funny enough, my upbringing in the barracks may have also affected me because I am as hard s steel. Ask my friends, they will tell you Vector does not have much time for women. I may play around and just hang out once in a while but I am not cut out for a relationship now cause I am to serious and focused to have time now for a woman to break my heart.