Category: Entertainment

  • Face of Peace pageant 2013 begins

    AFTER the huge success that heralded the maiden edition of the beauty pageant, Face of Peace (FOPA), the organisers, Blumoon Imaginationz has announced the commencement of the 2013 edition of the event.

    The grand finale of the maiden edition of the pageant took place at Oriental Hotel, Lagos last year with Uti Uwachukwu and Matse of Nigerian Info as hosts.

    Zimuzo Benson, a Pschycology graduate from University of Nigeria, Nsukka emerged the winner; pocketing $10,000 and a car.

    Chioma Precious, an undergraduate from Nnamidi Azikwe University emerged the first runner-up. She got $5,000, a trip to Ghana, and 42 inches plasma TV while Amuche Arjuh from Nnamdi Azikwe University emerged the second runner up.

    Prizes have also been varied. The winner will now win $15,000 as against $10,000. She will also get a movie contract, trip abroad and wardrobe overhaul. First runner up will walk away with $5,000, 42 inches Plasma TV, A movie contract, a year beauty routine and trip to Ghana. The second runner up will get 27 inches Plasma TV, movie contract, a year beauty routine, and trip to Obudu cattle.

  • Nigeria, Ghana parley on film business

    A three-day meeting between the National Film and Video Censors Board (NFVCB) of Nigeria and the Ghana Cinematograph Exhibition Board of Control (GCEBC) on film regulation alliance ended yesterday, with both countries signing a communique that is expected to guide their bilateral relationship in future business dispensation.

    After a preliminary meeting with the Ghanaian Deputy Minister of Information, Hon. Murtala Mohammed on Wednesday where the mission of the Nigerian delegate was defined, there appeared to be a common understanding on the need to strengthen the enabling laws, as a way of preventing dumping of films by one country on the other.

    The meeting arose from incidences of pornographic movies, voodoo contents and other perceived illicit themes considered detrimental to the image of the country of production. With the objectives clearly spelt out, the door was opened for the Censors Board’s Acting Director General, Madam Patricia Bala, Deputy Director, Corporate Affairs, Yunusa Abdullahi Tanko, Zonal Director, South West, Edward and senior actor, Segun Arinze, to meet with the filmmakers and marketers on the second day.

    The Press Hall of the Ministry of Information, located at Adabraka, Accra was full to capacity. The huge media presence gave credence to the import of the event that had the Nigerian Television Authority (NTA), AIT, Voice of Nigeria (VON) and a life broadcast by the Ghana Television (GTV) among other local media.

    The event provided a platform for the stakeholders and other publics to air their views on the films being produced by both countries, adding up to the agenda for the agencies to deal with. And in view of the different government policies, the strengths and limitations of both regulatory agencies were considered and agreed should be complimentary as partners in progress.

    Some of the officers from the Ghanaian authorities included Mr. Ben Imoro, Assistant Director, Ministry of Information and Mr. Ken Addy, member of Ghana Cinematograph Exhibition Board of Control .

    The gathering averred that film is a powerful medium of communication and behavioral change, and that practitioners must look beyond commercial gains alone by helping also to transmit some of the African cultures that may appeal to the outside world.

    Participants decry the proliferation of contents on voodoo and sex, agreeing that issues of morality is a universal problem and both countries appeared embarrassed by the development. They are worried that, through some film messages, wrong signals and perceptions are impacted on the public. They reasoned that a situation whereby every old woman is portrayed as a witch, and every rich man is thought to have engaged in some money ritual is not only telling the young ones that they may not make riches through hard-work, but also makes everyone suspicious of the other person. Thus, filmmakers were charged on the need to to try and strike a balance in the areas of perception when producing their movies.

    Madam Bala expressed worries on how some films get to the market without going through the proper channels. the said in Nigeria, it is expected for anyone intending to distribute movies to get a license which the Board provides.

    “If a Ghanaian wants to be a distributor, they are allowed to float a company, get a license and distribute.” She said although marketers who mostly fund movie productions, may require that they inject indecent scenes in their films as a catch for the market, it is important for them not to compromise professionalism and civic responsibility. She condemn the use of indecent languages, drawing inferences from the old culture of story telling whereby parents chose their words right, and yet communicate their messages effectively. “What signals are we sending to the future generation by using vulgar languages. We should look at what is positive and emulate it and not what is negative. When you are doing your movies to send to Nigeria, be conscious of such Indecencies. You may also need to moderate the use of some of the shots,” the NFVCB boss stated.

    Mallam Tanko, emphasized the need also strike a balance Between creativity, finnancial lure and sense of responsibility. He argued that it is needless to shy away from voodoo which is a part of the reality of our existence as Africans, but that it must be presented in a creative and responsible manner. Using the Hollywood Harry Porter series as an example, Tanko said no subject is bad on its own, but much is expected from the mode of presentation.

    “Every subject is good, even juju, it is the treatment that matters. Harry Porter is juju, well packaged. Whatever is African must be seen as African. There are hunted homes in Europe, and we are afraid of expressing ourselves. Let’s not condemn our films, let’s just look at better ways of telling them. If however we are tired of juju, the market will determine how it fizzles out. It’s a passing phase.” He noted.

    But Mr. Samuel Odoi Mensah, President of Ghana Actors’ Guild is worried that voodoo films appear to be easily accepted as against films with hard liquor. He said due to the dearth of cinemas, CDs and DVDs go straight to the market and kids can just pick them up and watch. He noted that the churches have taken over the cinemas, such that censorship becomes almost impossible. He suggested that films that carry indecent contents should be banned outrightly instead of asking the producers to to expunge some scenes. He said until the board starts to bite, the people will keep doing the wrong thing.

    As expected of a town hall meeting, opinions vary from one person to another, and so some filmmakers insist that they are inspired to produce romantic movies because sex subjects sells and as producers, they desire to recoup their investment. They believe that censorship is killing creativity, and that rather than ban films, It is the duty of censorship board to advise producers to do sex films in a way that sends positive messages.

    Actor Segun Arinze appeared concerned about local children’s content. “We have lost values for our children.” He said, recalling the old television days as a child. He told the gathering that there is a conscious in South Africa in recent times whereby children are taught in the local languages.

    The issues also dwelled on the post modern world, and a contributor thought that the gathering may just be pretending to be solving the problem by hiding certain contents from children. He said it would be more dangerous if the kids get to see the contents elsewhere.

    Another participant is of the opinion that Africa is losing its identity through imported telenovelas.

    Adding his thought on the issue, Edion expressed that the municipal laws of every country must be respected. He advised that any Nigerian film that is found in Ghana without due censorship must be taken off, while the promoters are arrested. He said that the roles of the Censors Board in Nigeria is complimented by the Nigerian Broadcasting Commission which is responsible for the regulation of television contents, in terms of the percentage of local contents, the belt hour for foreign films among other mandates.

  • African Global DJ Awards set for debut

    TALENTS in the entertainment industry have been appreciated overtime by the emergence of award ceremonies to cater for the different facets of the industry with no credit to the Disc Jockeys (DJs). Organizers of the African Global DJ Awards (AGDA), describe themselves as individuals poised with the believe in what DJs do for the entertainment industry, therefore partnering to create a forum through which they would be honoured and appreciated by setting up a non-governmental organization aimed at giving due credit to DJs worldwide. The debut edition of the awards is billed for 13 July, at the Oriental Hotel, Lagos.

    “We want to recognize and celebrate the talent of the greatest DJ’s, the individuals that play at various gatherings, allowing the music to be heard in Africa and Diaspora. The fundamental philosophy of the DJ awards is not that of a competition, as we are dealing with an art form whose merits are purely subjective and therefore, there is no best, rather, referencing the creative elements, focusing on the celebration of all genre of African music, seeking to let the world know that the art of DJ’ing is a respected craft with world-wide impact.” Mr. Mohammed stated.

    Talking about the idea behind the whole event and what they hope to achieve, Tope Esan, an executive member of the AGDA team commented; “Coming from the entertainment end, awards precisely, and one of the things that we had been hearing from most people was to create a DJ Awards Ceremony because of the impact they have in entertainment. So we came together after crafting the idea for two years and finally activated it January 2013. It’s a combination of us having experience in award production and listening to what the fans will like to see as a new concept and project. As time goes on we hope to rotate it around different countries, we kick off in Nigeria 13 July and then it will be in other continents for future editions. Sponsors almost always determine where you have an event. It’s the first edition and we hope that people buy into the idea.”

    African Global DJ Awards is a maiden African concept, born in Nigeria to make certain that the good works of Nigerian, African and DJs worldwide are duly appreciated and celebrated. Amongst the DJs nominated are Nigerian DJ Xclusive, DJ Caise, DJ Kaywise and a few others.

  • How QBand stole show at Achebe’s burial

    WHEN the world converged on the quiet town of Ogidi in Anambra State recently for the final burial rites of literary icon, late Prof. Chinua Achebe, one of the highlights of the occasion was the spectacular performance by a 12-man Lagos-based live band known as QBand.

    Led by versatile musician, Innocent Aniedi-Jackson, the vibrant band dished out popular Nigerian tunes of various genres to the delight of the special guests and personalities at the occasion including President Goodluck Ebele Jonathan and President John Dramani Mahama of Ghana among other eminent personalities.

    Guests watched with admiration as an impressed Senator Chris Ngige could not resist the temptation of the juicy tunes coming from the band as he hit the dance floor. “It was a big honour to be chosen to perform at such an epoch-making occasion. This is one will be kept in our archives and will be remember for a long time,” said an elated Innocent Aniedi-Jackson, Band Leader.

    What stands the band out, according to Aniedi-Jackson, is that it parades a blend of local percussions and contemporary music. Some of the recent high-profile events where the Band has performed include Vice President, Sambo’s daughters’ Abuja Pre-Wedding Dinner held on December 1 at the International Conference Centre, the Annual NNPC/SHELL Cup Finals and Fidelity Bank’s bi-annual thanksgiving dinner among others.

  • Uche Jombo, hubby rock Puerto Rican Day parade

    Uche Jombo, hubby rock Puerto Rican Day parade

    ACTRESS and producer, Uche Jombo whose profile has been on a steady rise was recently spotted at the Puerto Rican Day Parade in New York with her hubby Kenny. The actress who admitted she took time off to rest is back to Nigeria. A tweet to her colleague Nonso Diobi, revealed the purpose of the trip and when she returned into the country. “@nonsodiobiworld: @uchejombo hello madam, where art thou?” out of the hiding 4sure luv hehehe…heading 2 9ja.”

    There is no doubt that our Nollywood sweetheart is enjoying her marriage to her Puerto Rican husband Kenny Rodriguez. Only a couple of weeks back, the couples celebrated one year anniversary of their marriage by taking a road trip to Atlantic City, US before attending another landmark event.

    The Puerto Rican Day Parade (also known as the National Puerto Rican Day Parade) takes place annually along Fifth Avenue in New York City, on the second Sunday in June, in honor of the nearly 4 million inhabitants of Puerto Rico and all people of Puerto Rican birth or heritage residing in the mainland U.S. The parade attracts a host of celebrities, both Puerto Rican or of its heritage, and many politicians from the Tri-State area.

  • Kcee shocks fan with  N450,000 wristwatch

    Kcee shocks fan with N450,000 wristwatch

    AS the 1st leg of the Star Music Trek regional concerts kicked off, Jite Open Field in FESTAC came alive as music lovers from the nooks and crannies of Lagos came in droves to watch their favourite superstars; Psquare, M.I, Sound Sultan and a few others perform live.

    One after the other, the music acts dished out popular songs from their collection of hits, reaching out to the crowd who swelled the ranks in appreciation of the stage craft and mastery of the entertainers.

    Expressing gusto, award winning artiste, Ice Prince, who has enjoyed a very successful musical year so far affirmed his appreciation of being part of this year’s tour. Self-acclaimed, ‘Africa number one rapper’ M.I, did not disappoint his fans as he rocked the stage in a stellar performance that lasted 42 minutes.

    Limpopo crooner, Kcee, also showcased not only talent but extreme generosity after an extremely energetic performance. “I love my wrist-watch, but FESTAC, I love you more.” the singer said as he threw the wristwatch into the crowd with one astonished fan instantly becoming the new owner of a $3,000 (approximately N450, 000) Hublot wristwatch.

    The Star Music Trek, according to organisers, ends with a major finale on August 10th at National Stadium, Surulere, Lagos.

     

  • Julius Agwu  Crack Ya Ribs to Indigo 02

    Julius Agwu Crack Ya Ribs to Indigo 02

    ONE of Nigeria’s most resourceful entertainers, Julius Agwu has announced that he is taking the 2013 London edition of Crack Ya Ribs to 02 Arena. He said the move was fuelled by his decision to stage the best Crack Ya Ribs concert ever as he turned 40 this year.

    Speaking concerning the August 23, 2013 event, Julius said; “As I turned 40 this year, things ought to be done differently. As such, I decided to move Crack Ya Ribs to Indigo 02, rebranded, repackaged, reinvented, reenergized and renewed to bring back that flavor that made it a first class comedy show in the UK for the past seven years. We want to bring back that glory and only God can do that with His renewed grace in my life”

    Regarding the entertainers that will be performing alongside with him, he said they have been talking to top African comedians and musicians to add more colour to the event. “We have a whole lot going on right now regarding our plans for the concert. We have made our selections and the likes of Bovi, Senator, Funny Bone, Eddie Kadi, Dan D Humorous and Akpororo have been confirmed. As a matter of fact, you can’t expect anything less as we stage London’s biggest comedy show of 2013,” Agwu stated.

    Last year, the performances were a constellation of Nigerian and Ghanaian stars with the Ghana meets Naija edition in order to inject some fresh ideas into the brand.

    The red carpet event will start by 6pm and will be hosted by Remel London and blogger and TV/Radio host, SheiFunmi.

    The Crack Ya Ribs by Julius Agwu started in1994 and has gained popularity in Nigeria and London.

  • A tale of two Nollywood sisters

    A tale of two Nollywood sisters

    IF there is any rumour that’s hot on the lips of everyone right now, it is the tale of two beautiful Nollywood ‘sister’ Liz da Silva and Laide Bakare who are presently caught in the same web.

    While it is not’s news that both ladies would need a DNA to prove the paternity of their new born, for Laide and Liz when she’s eventually delivered of her baby. What is however confounding is that both are keeping mute over the issue.

    For those who have followed the career of the former, it may not really come as a surprise that she’s the one to be trailed by paternity issues. She once said in an interview she granted sometime last year; “If God says I should get married, I will. I am not keen on marriage. What I actually want is to have a child. If marriage comes, I will grab it. But if it doesn’t come, it is okay by me. It is not as if I want to be a single mother. I can live with a man without necessarily being married to him. It is not a big deal. What I want most is to have a child. It supersedes everything and it is my ultimate goal, with or without getting married. I don’t care if I get married to the person I am dating”.

    So, while her fans and critics are crying blue murder, Liz as she is fondly called, obviously cares less about what they think or feel.

    Laide on her part however has a different disposition on the matter as she was quoted to have said through her publicist that she will open up on the matter in four weeks following actress, Laide Bakare’s official press statement. This was a few weeks back where she referred to her husband as a bigamist, accusing him of being married before they met. The man in question, Olumide, however is not relenting in his effort to get a DNA test to affirm the true paternity of both his first and the actresses new born.

  • Why I can’t fight  Chocolate City—Jesse Jagz

    Why I can’t fight Chocolate City—Jesse Jagz

    With hits like Wetin Dey, Jargo and a few others to his credit Jesse Garba Galle Abaga, popularly known as Jesse Jagz, says`he is done with his old self, the Jag of All Trades album, moving on to bigger things with the launch of his ‘Jesse Jagz Nation’. In an interview with ADEOYE KEME ARUBAYI, he revealed the reasons behind the split with his former label, Chocolate City and his undying love for his nine-year-old daughter.

    WHAT is music to you? It is everything to me. I feel that fans and people who really love artistes should be more interested, there’s no doctor that doesn’t read, when they finish surgery, before they sleep they open their books and read. When I’m done performing and I’m back home, before I sleep I put on my system, whether there’s inspiration or not, I work.

    It’s like riding a bicycle, if you stop doing it tomorrow it will die, same if you stop writing, everybody will notice that your rap has changed, we had rappers who were rapping in pure English who are now rapping in pidgin, it’s not that there is an excuse or they want to reach the commercial market, they just got lazy, you shouldn’t have people listening to your music and saying it’s too western, you don’t want to thread that route again.

    What was the move to Lagos like at that time?

    It was slow at first. A lot of people don’t know this and that’s how they get the wrong image, it was very tedious trying to move to Lagos, being from a different part, having moved from Abuja, it was slow but the move was steady with time. Whenever people say it like MI came first it makes it sound like an Elijah and Jesus story but Ice Prince had come to Lagos to do stuff, to record, to perform on stage, even with Modenine. So I guess it’s because MI’s move was more permanent and he got signed first, he could stay with Djinee and all that. It’s not like we were alien to Lagos.

    What was growing up with your brother MI like?

    I don’t know what to say, at that time he was my only brother, my little brother hadn’t been born so it was a lot of ‘cat and dog’, survival of the fittest. I am the second child but at the same time it was all love, a lot of respect, loyalty all combined together.

    Was there or is there any physical or mental competition between you and MI?

    I don’t think there is a mental or physical competition, I think there’s a natural competition, it’s just natural. We don’t even know how it happens. If a lion cub is born before another, the older one has greater chances of survival than the younger one and for the younger one to survive he has to become tougher. It’s natural competition because somebody has to be ahead.

    Talking about your music, your first album didn’t get much hype, what happened?

    On the level of an MI album I guess you’re very right. Notwithstanding, MI was on his game that time and I didn’t start listening to rap at an early age, I really started when MI came back from the states, before then it was other forms of music; rock or reggae. My first album was a learning process, it was not about the sound or anything so it makes me happy when people say; “we don’t really get your first album”. For me it was still a process of knowing that there is a Lagos market, Abuja market and a Jos market, how do I do all these and still make the sort of music that I make, so I knew that album was going to be received with hesitation and criticism.

    People say you don’t really make club anthems, is that correct?

    I would say NO to that, because there was Wetin Dey, Jargo and a few others. But on the other hand, are you confining my whole career to the club? Are you saying that if I want to put out an album that I want people to listen to and it’s not made for the club then I’ve made an error? No, I don’t think so. I think with maturity comes responsibility. If I was 25 and there was room for me to be in the club every weekend performing songs like Wetin Dey, now that I’m 29, I might also consider performing elsewhere because there are fifty younger artistes who want to perform in the club.

    Naturally, even if I wasn’t in the music industry and I was working in a bank, the older I get the more I want to hang out with people of my age. So for me it has to do with maturity, I guess the expectation from Nigerian fans has been ‘for the club’ which comes with the whole Blackberry and internet thing. How many Nigerians go clubbing really?

    Recently, there has been a lot of reggae fusion in your music, are you re-branding?

    For me it’s not re-branding, it just me going deeper into my music, it’s like saying Jag of all trades was separate, people who still like that stuff can remain on that level but for people who want to understand why I make the kind of music I make, why I like the kind of music I like, who want to start understanding Jesse as an individual as opposed to just an artiste that wants to put out songs they can tag along with me.

    What is the true story about the Chocolate City break up?

    I’m really grateful to you because I think this is the first time anyone is asking. I’ve seen a lot of blogs, online and newspapers talking about why I left. I put out a statement myself; I didn’t inform anyone that I was going to leave because I felt that we have had several meetings up until then. People want to act like when an artiste signs a contract he should be afraid.

    I’m just an artiste, so if a record label is going to make claims that I owe them or mismanaged their business; I could only earn what I could earn. So, if I’m owing them, then who mismanaged the business? Nobody has asked. People want to treat this like another African story, making it look like the youths are about to rebel again. Let’s just look at what it is, I’m not a lawyer, I dropped out of school, I had nothing, I got signed because I needed money to push my music, so how can I be owing when I had nothing? It’s simple logic, no need to read in between the lines.

    Are you saying the split came as a result of mismanagement issues?

    Again there are so many details and semantics, but that’s not really it because management-wise I have always managed myself. I’ve paid my manager myself from the day I entered Chocolate City. I was going to keep quiet about this but I’m just not going to let this slide. If they are going to sue me to court then I’m ready.

    Being occasionally accused of riding under the auspices of MI, was leaving Chocolate city a statement to that effect?

    I would like to state this clearly, I respect MI, he’s my brother, I respect him as an artist because you can’t talk about Nigerian music and not talk about MI. But at the same time, ‘Jag of all trades’ is not an album you should judge me on, you can’t judge a book if it hasn’t been written, for it to have been written means that it has been finished.

    This is 2013, my second album is just about to come out, I just started learning to rap. I don’t want to get into discussions of MI, I just want people to sit back and watch some amazing football that’s about to take place; if you love me then you’re going to love what is coming out.

    What is your present relationship with other members of Chocolate City like?

    MI is my brother and he is vice-president of Chocolate City, I think that’s the funniest contradiction nobody has pointed out. I cannot be fighting Chocolate City when my brother is Vice-president. Ice Prince stays around, I live five minutes away from MI so there cannot be a problem unless the public wants there to be one or somebody is trying to create one.

    I decided to walk away because a lot has been done in the name of family, a lot has been done in the name of Nigeria or being together as a country and more evil will be done in the name of good. So that’s fundamentally the reason I left, before family or Chocolate City I was doing music, I wasn’t dead, I wasn’t begging anybody for money, nobody had housed me so life goes on. If this a matter that after saying this we’ll still end up in court then I’m ready to go to court, the public and fans can get ready to see Jesse Jagz in a suit and tie.

    Was there a preparation process before leaving Chocolate City and then launching your label?

    For those that have been following me online, Jagz Nation is something that I’ve been talking about since last year. It’s just to let people know that Jagz Nation is not a record label, I’m not signing anybody. It’s just me making my music.

    Music without a record label means a lot of personal effort and funding. How has that been so far?

    It’s been great; I just did my first video myself, Redemption. This next album coming out is the first album for me, because I’ve come together as a person with music, no outside opinion, it’s just pure, raw Jesse Jagz saying what I want to say how I want to say. That’s why everything is slow. The tortoise lives for five hundred years as the slowest animal. He defies the laws of time. Time is his weapon, the days will just keep changing but we will be here. If we are not then we are dead, it doesn’t matter, but as long as we are here then there’s time.

    Rumour has it that you have a love child; do you have any regrets having that child?

    I don’t think so, which is why I even had her. Life is life, a child is a child, when she was born, I was at the hospital myself with her mother’s family. None of my parents, nobody else showed up that day. That was how I wanted it because the day I was born I came alone and that’s how I do my things. I’m in my own zone.

    I come, do my thing and I go. People want to get in the argument of me not being married yet but I have a child, she’s been born. She’s alive and she carries my genes in her, my intellect, musically also but on an exponential level. She raps and she is on my album and I want to say it categorically that my daughter raps better than 80% of the Nigerian rappers and she’s just nine-years-old. At the same time, nine years later she is the love of everybody that sees her but back then she was a taboo and I’m going to say it so that she can read it anytime she wakes up because back then nobody wanted her to come in to this world.

    Do you have any plans of tying the knots with her mum or anyone else soon?

    This is the reason why I’m not married; every girl in Nigeria wants to get married. There’s a difference between marriage and ‘claiming’, what happens culturally is ‘claiming’, a man claims a woman and a man can claim several women. I don’t want to get into the schematic argument about marriage; I prefer to get into the commitment argument. I can be with a woman for 30-years, she could die in my arms but it shouldn’t matter to anybody whether we are married because we would have lived our lives. We would have eaten like every human being.

    Being a father comes with its responsibilities. What’s the relationship between you are daughter like?

    My daughter doesn’t school in Lagos so I don’t even get to spend much time with her as I would like but I train her as an adult. She understands that I and her mum are not together, that her mum could meet a man tomorrow and get married; she needs to understand that, no lies involved. It is her life, she’s on earth and I’m not going to mess it up with lies.

    Mistakes that I’ve made I let her know, not covering anything up. I tell her the truth, she has even met a couple of my girlfriends but at the same time I respect her more than anybody else which is why I’m not rushing into anything. I and her mum are still friends but adults need to differentiate between marriage and friendship. It’s wrong to bring up a child knowing that you’re just married because of him or her. I know that there’s also that responsibility, growing up in a society that believes in tradition and culture and wanting to make sure that I’m not stepping out of line and making sure that I’m not passing across the wrong message to

  • Monalisa  Chinda  bereaved

    Monalisa Chinda bereaved

    NOLLYWOOD actress Monalisa Chinda is bereaved. The fair skinned single mother recently lost her elder brother. The talented thespian is said to be in a devastated mood as she is said to be very close to her late brother.

    Though the reason behind Monalisa’s brother’s death is still sketchy plans are underway to give him a befitting burial.