Category: Entertainment

  • I’m not the Gangster  I portray  in movies— Bimbo Thomas

    I’m not the Gangster I portray in movies— Bimbo Thomas

    Big, bold and sexy actress Bimbo Thomas needs no introduction as far as Yoruba Nollywood industry is concerned. The Nikky Character in the blockbuster, Omo Ghetto, is one person that is fun to talk to. In this interview with Mercy Michael, the actress opened up on her background, future plans, relationship, among other things:

     

    QUITE playful, I guess comedy comes naturally to you… No, it can’t be because I’m full of comedy myself.

    Do you ever get angry?

    Well, let’s just say I’m used to transferring aggression in anyway. I know several colleagues that whenever they are having any issue with anybody or they are passing through some problems they then transfer it. Even when I’m pissed off, if I get to a gathering or a public place I tend to pretend and make you feel that I’m the happiest babe in the world that moment. It’s just me. I take delight in doing that. I just want to feel free. It’s easy for me to play and have fun.

    So, what’s your low moment?

    You don’t want to see my low moment, you won’t like me. Not that when I’m angry, but when I’m troubled, maybe I need to fix something, I’m unsettled, unorganised, you won’t like me. So I try as much as possible to get my time right. I have a time manager. I do my things when they need to be done, so I won’t get cranky and you won’t like me.

    It’s not possible to talk about Bimbo Thomas and not talk about your character in Omo Ghetto, Nikky. You need to convince me you were not brought up in Ita Faji in Lagos Island?

    Well, the area I was brought up is very close to Ita Faji. So, whether you like it or not, Ita Faji na ni, Obadina, Ita Faji things. But I tell you something, my background is not what I portrayed in Omo Ghetto. I came from a staunch Christian home, disciplined father. My house, there is no gate; you know those foreign English houses, that’s how our family house is on the Island. And everybody that comes to play, there is a serious scrutiny when you’re coming into that compound. You have to belong to one family; they know you. That’s how my house is.

    How do you explain the street character you portrayed in Omo Ghetto?

    I’m one person that listens to her environment. I study the environment and people a lot. Let me shock you: the very first time I broke bottle was in Fathia Balogun’s movie Omo Iyajo. I didn’t break it. I just dipped it into a side glass of a bus, but that very stunt I did, I was blown away myself. I didn’t realise it until I was in it. After that very scene, the director, Abbey Lanre, had to cut, because he thought I had a cut. I will tell you that, that’s about the most challenging thing I have done.

    Months after, I was still in character. I would fight in my dream. I’d stand up and want to break bottle; you know it took us time. It was I and Funke, actually. Before we acted the movie Omo Ghetto, we wrote the script. We talked about it. What we wanted in it. We were a part of it already. Actually, I didn’t know I was going to play that role. Every character in the movie I gave name. It was only Funke that had her own name. You know she’s a left-handed person so she wanted to do the lefty but I thought Nikky Scoda won’t be bad.

    The idea behind some of the stunts, we talked about it together. Myself and Funke, when we play, I bully her a lot so that was how we came about it. You know as a creative actress that Funke is, she now thought of the bigger idea of bringing Eniola Badmus and Ireti Bakare, and that was how we came about Omo Ghetto. We didn’t expect it would be a blockbuster. All glory to God. We didn’t expect it. Till tomorrow I still get calls, accolades on that movie.

    No doubt, that movie must have opened doors for you. Tell us about it?

    I know I’ve come to stay in this industry whether you believe or not. The willingness for me to showcase what I’ve got within me is there. I want to do things Bimbo Thomas can’t do. Talking about Omo Ghetto, people were like we’ve seen thugs, we’ve seen tough actors, we’ve seen people depict that role even better but I don’t know, somehow, people just feel it’s the best of it all.

    How do you feel when people look at you with that eye of a street girl or thug?

    Surprisingly, people can see beyond that gangsterism. People saw that beyond that gangster that I portrayed, there is a posh, calm Bimbo Thomas. On a good day, you won’t see me use those slangs because I want people to see me differently from Nikky. Bimbo Thomas is gentle. I only do the street thing behind the camera; when the director says, action.

    After Omo Ghetto, you’ve done a lot of gangster roles. How do you intend to check stereotype?

    Talking about stereotype, I saw it coming. If I have to do anything gangsterism, it has to be something serious. There has to be a story. I won’t do any script that is shallow, that the producer is just interested in selling gangsterism. I’m a consummate actress and I can play any role, so I won’t be stereotyped.

    When I say I can play any role, it does not include going naked. I can’t go naked in a movie. So when I notice that people want to give me that role because they feel that is all I can do, I convince them to give me some other role. So far so good, I’ve been able to convince them to give me other roles.

    Most of your colleagues have embraced film production. Any plans for film production?

    I’ve not done anyone. But I have a story. Sometime this year I will come out with it. But basically, I say this to some of my colleagues. I am even established as an actress first and foremost. When I get to Enugu, will people recognise me and say that’s Bimbo Thomas! Fine! I’m a total actress. I did Creative Arts, a Theatre Arts major from the University of Lagos. There is no aspect of production I don’t know about, but I don’t have to do it because other people are doing it.

    But now I’m ready for it. As I said, I have my story and I will hit location this year to get it done. I’m going to put in all my best because I don’t want to be tagged a flash in pan.

    What role are you playing in this movie when it comes out? Are we seeing another Nikky?

    You could see Nikky but Nikky that’s posh, classy, and local. I can bring it all in one. Like what Funke tried to do in Omo Ghetto. Funke is a bundle of talent. She’s my friend, I adore her. I have the trait but it’s just that I don’t give myself to time, seriously I don’t. I put my hands into so many things. But when I put my mind to it, I know I can bring it all in one.

    Is it right to say you are restless?

    Yes.

    It then means you can’t keep relationship for long?

    I can keep relationship for long but I get tired.

    How long is the longest relationship you’ve kept?

    Five years and that’s because he adores me. He understands me a lot. I am lovable, any man would like me.

    What pisses you off about a man?

    I can get so mad when you stand me up.

    When you wake up in the morning, what do you do?

    I will get on my instagram first, I would look at calls. Then I would start calling people I like to talk to. I have a friend that I call that makes me laugh, and who is that person? Eniola Badmus. I call her in the morning when I wake up and she goes like Omo Oya Kilonsele. Iyalaya Bimbo; that is how we get started. That’s about it. Maybe around eleven, I havea light breakfast. When I’m working, I don’t get tired easily. I’m very strong. When my colleagues are getting tired on location, me, that’s when my strength doubles. If I’m sick is when I’m tired. Right now I’m sick, but I’ve seen people; I’m happy now I could go on and on.

    Your size; is it genetic?

    Yes it is. My mum and dad are big.

    Have you been turned down for a role as a plus sized actress?

    Yes, that was when I was starting off initially, in those days of training in Odunfa. Then, I had not come to really convince them that I could do it because I’m a very shy person. I can be very shy, that’s one thing people don’t know about me. And when I started, I spoke a lot of English, so they didn’t want to give me roles.

    They would tell me that I couldn’t be Fathia Balogun’s daughters, or I couldn’t be those mothers then. They would tell me I’m too big, but I think it’s my Yoruba that messed me up those days. So I started learning, I started watching more of Yoruba films. I started reading Yoruba books. Veterans on Yoruba, I started listening to them. Then in no time they got convinced that ‘she has it’.

    So, why didn’t you pitch your tent with the English movie then?

    You know what happens; I was loving my comfort zone. And I felt like you people don’t have a choice you just have to take me.

    How do you unwind?

    I drive to Raddison Blu. I take some drink. I listen to music a lot. I sit by the pool side and after like two days I go back home.

  • Omawumi takes a stand against malaria

    Omawumi takes a stand against malaria

    SOULFUL Nigerian singer, Omawumi Megbele recently stormed Ogun State to raise awareness as part of activities to mark this year’s World Malaria Day by Reckitt Benckiser in partnership with Ogun State Ministry of Health.

    The award-winning songstress, who is also Mortein Anti-Malaria campaign spokesperson, led the mothers to take the Mortein pledge which reads: I am a Nigerian mother and I promise to wait no longer to take up the malaria fight. Protecting my child from mosquito bites, I stand firm to protect my own. No stagnant water or dirt in my home. Let’s embrace our countries plight standing as one, One enemy, One fight.

    Fighting malaria, Omawumi told mothers, is everybody’s duty, not just the role of the government. “We want to get a message out. Malaria is a serious problem. It kills more people in Nigeria than many other diseases, but with relatively simple practices like using a quality insecticide, using bed nets and keeping the environment clean, the impact can be reduced. The good news is that malaria is preventable. All that is required is our hard work and contribution to prevent it. We all need to defend Africa and make it malaria-free,” she stressed.

    As part of the campaign, the artiste visited expectant mothers at Ijaiye State Hospital where she presented gifts items to the first baby delivered at the State Hospital in Abeokuta. Mother of the baby, Mrs. Bola Adebayo, was full of thanks to the company for the gesture.

  • Nse Ikpe- Etim, Bimbo  Akintola,  Kalu  Ikeagwu for  ‘Heaven’s Hell’

    Nse Ikpe- Etim, Bimbo Akintola, Kalu Ikeagwu for ‘Heaven’s Hell’

    MONTHS after announcing plans to shoot a cross-border flick titled Heaven’s Hell, One-O-Eight Media recently unveiled the cast for the movie. Shot in Lagos and Wales, and based on actual events, CEO of the outfit, Katung Aduwak (Big Brother Nigeria winner), says that Heaven’s Hell is about two housewives and best friends whose lives are held together by rock-solid friendship and unwavering love, yet laced by betrayal and a lurking darkness.

    Artiste starring in the movie, he says, include Fabian Olojede of Mnet’s Jacob’s cross fame, Nse Ikpe-Etim, Bimbo Akintola, Chet Anekwe, Damilola Adegbite, Kalu Ikeagwu, OC Ukeje, Gideon Okeke, Linda Ejiofor and Waje.

    Concerned with more than just entertainment, Katung says, the flick sheds light on the social issues around us, things we come in contact with every day while asking the fundamental questions that plague us.

    “From the intense storyline and script, to the best cast, crew and equipment, the Heaven’s Hell movie project is an international co-production mission with a message to fight violence against women and children. Heaven’s Hell is staged to bring about real change in the African movie industry and will hit global cinemas soon. The movie will be premiered in Lagos, Port-Harcourt, Abuja, London and New York, South Africa,” says Katung.

    Powered by One-O-Eight Media, the film was shot in partnership with BGL Asset Management Limited, Hashtag Media House, Del-York International and Aberystwyth University.

  • …As Efere  Ozako  begins final  journey  tomorrow

    …As Efere Ozako begins final journey tomorrow

    ON Monday, May 6, the once full of life entertainment lawyer, Efere Ozako, will begin his journey to the great beyond with a candle light procession ceremony being organised by his group of friends at the Muson Centre by 5pm.

    The Delta-born lawyer was snatched by the cold hands of death on April 18, an incident that sent shock waves through the nation’s entertainment circles as Zakilo (as he was fondly called by close friends) was not ill before his untimely demise that morning.

    I knew Zakilo in early 2000 when I was still a practicing journalist and after our first meeting, our paths always crossed as I covered the Arts and Entertainment beat while he was heavy in Entertainment and Copyright Law. His Wetin Lawyers Dey Do Sef; for Entertainment Industry? periodic seminar and workshop and his quarterly Takai journal were enough for any journalist or entertainment practitioner worth his onions to know and work with Efere.

    Zakilo was a man who would hold a gathering of friends down for hours with different stories from across the world. His energy was unequalled. A real professional, when I was head of Public Relations and Communications of a Pay TV Company, Zakilo was legal consultant to a rival Pay TV outfit and when we met at a popular hangout for entertainment practitioners, he would be the first to joke about our rivalry and we laughed and drank over it even with law suits hanging on each other’s necks as a corporate entities.

    When I started my own media-lobbying outfit, Zakilo was one of the few people I reached out to and, as usual, he did not disappoint. He directed a client of his who needed some media services and that was how I got my first set of clients. He was the unpaid legal adviser to my company and God help you if Efere was on the opposing side against you in a legal battle. Ask comedy merchant Opa Williams when Zakilo went after him. It was the zeal and professional competence he displayed in the matter against Williams that made him to retain him as both his personal and company lawyer for many years till his demise. He was both lawyer and family friend of Opa Williams.

    Last year May, I and Efere were on a Kenyan Airways plane to Nairobi for Opa Williams’ Nite of A Thousand Laughs Xtra comedy show. Williams and others were already in Nairobi some two days ahead of us, so as representative of Williams Media Company, I had to have first-hand knowledge of the show while Efere was attending to signing some new deals that will open up East Africa to Opa Williams whose plan was to take over Africa with his premier comedy show.

    I am a terrible traveller, I always must pack the wrong things in the bag. Even if my wife assists in the packing, I must always have one reason to check the bag for something last minute and in the process drop either the tooth brush or paste or on one occasion, my laptop! On that fateful day, I realised when we were in Cotonou for a brief stop for the plane to refuel, that I had left my wallet containing American dollars in the car! So how would I pay for the visa on arrival? I had never asked for financial favour from Efere before, so all through the six-hour flight, I was racking my brain how I would get around this issue.

    Efere took my mind off my problems momentarily when he offered me a supposed real life account of one of the main actors in the 1966 coup in Nigeria (there are so many accounts so one does not know which to believe anymore). I, however, read the book voraciously as I had not read a book in a long while before then. We spoke at regular intervals on other issues and Efere even did some commentary on the book as I read (that was Efere for you).

    Now, my nightmare was about to start when I heard the pilot announce we were commencing our descent into Kenyatta International Airport. I held my breath. Anyway, we were now at the immigration and realised my problem was not just the visa fee only but I also forgot my ‘Yellow Card’. That was intentional as most countries have abolished that dumb card that Nigerians buy for N300 naira at the MMI A. I never knew Kenyans still attach importance to that worthless piece of paper.

    So we were in front of the smiling but firm heavyset lady who was insisting I must be given vaccination injection at a cost of 100 dollars. It was then I saw Efere’s lawyer’s skill at work. In three minutes, he had everybody gathered around us reeling with laughter and I was slapped on the wrist and let off the hook. How do I now tell someone who just rescued me out of paying 100 dollars that I had no money on me to pay my visa fee?

    But I finally did and Efere just looked at me and smiled and paid the money. Later in the evening after I had got some money, I called on him, “bros, see dat money.” He replied, “which money be dat?” I answered. “Dat money for airport now.” Hear him: “Ehen?” and smiled that his famous smile which always started from his nose region before it spreads through the whole face area. A minute after, with the money still held loosely in my hand, I knew Efere was not interested in a refund. That was Zakilo for you, he gave without expecting anything in return. Even when I thanked him in our Urhobo language, he mumbled a response which told me he wanted the money issue forgotten in a hurry.

    If I decide to narrate all the favours Zakilo had done for me for over a decade, it would make a very long and emotional read. He begins his final journey on Monday, and what can I say? Just last year May, we were all over Nairobi rocking the hell out of that beautiful and cold city. Now, this May, I will be attending your candle light procession. Life is truly an irony.

     

    —Akpovi-Esade is a media lobbyist

  • Saka, others read to inspire

    Saka, others read to inspire

    HUMOUR merchant, Hafiz Oyetoro, popularly known as Saka, has been pencilled down as guest reader for the launch and formal presentation of the Parresia Foundation for Arts and Literature billed to hold on the 11th of May at the Freedom Park Lagos.

    A statement released by the foundation, an initiative of the duo of Azafi Omoluabi-Ogosi and Richard Alli, states that it is a registered non-governmental, non-profit organisation set up, among other things, to foster the appreciation of Nigerian Arts and Literature in the African and global audience.

    In its bid to deliver on its vision, the foundation partnered with celebrities like IK, Saka, Toolz and others who are regarded as role models, to read portions of some of the books published by the Parresia Press.

    Highlights of the event include spoken words, poetry and dance performance by the Young Ambassadors. Other guest readers for the event include on-air-personalities, IK Osakioduwa, Toolz Oniru (Beat FM), Omalicha (Rhythm FM), Toni Payne and top award-winning actors, Victor Olaotan and OC Ukeje.

  • I won’t marry until I make  N100m Ajebo

    I won’t marry until I make N100m Ajebo

    In addition to being an OAP on NaijaFM Lagos, Emeka Erem is a standup comedian who has been credited to be very creative with his jokes. A protège of AY comedian, he also writes for the AY Magazine. This is in addition to being a singer. Simply known as Ajebo, the all-round artiste speaks with DUPE AYINLA-OLASUKANMI on his many parts, especially his latest project, the House of Ajebo.

    TELL us about this new project you are working on? The new project is called House of Ajebo. I am bringing humour and broadcasting together which is what I do on radio. This is a personal work and I am trying to give a new face to comedy. Before you bring even, you have to bring something new to the table, so we are taking comedy to another level. I just dropped a new single, it is a song but it is comedy. It is trendy and everybody wants to listen to the song. We will release the video soon.

    What is the House of Ajebo all about?

    You know everybody is doing audio comedy CD where they just crack jokes from the beginning to the end. I am doing a comedy album. It is a comedy album in that it has about 15 tracks. What we are doing is the first track may be a set of jokes, the second and third track skit; it is about different scenarios that are still making you to laugh. It is not like the stereotype where you just crack jokes.

    I want mine to be something that you can say you want to play me a joke and just skip to that particular one. So I am doing a comedy album, after which we will shoot the video of the all album.

    How is this different from what others are doing?

    Yes. But this is different because it is coming out in animation form. This will come out about two months after the audio is out. I am doing animation because comedy deals with metaphor s and imagery. Basically we create a world pictures in your head. There are some funny twists that we use in comedy. Humanly it is not possible, but animation can make it possible.

    What we are trying to do, is you that we are cracking the jokes to, we are trying to take the stress of you trying to think, before laughing. So we are trying to break it down for you. If you are supposed to think for three seconds and laugh for one minute, then it means that you will laugh for one minute, three seconds, because everything is broken down.

    Why the use of animation?

    The reason I am using animation is because I am packaging it for the international scene. If you listen to a lot of comedians, they would rather crack their jokes in pidgin. If you listen to the CD, I crack my jokes in English because I am packaging for the international community. I want people in the UK and all around the world to hear my jokes and be able to understand and like it.

    It is just a project for the Nigerian market; it is a project that would put the Ajebo brand on the international map. And it is not like the Nigerian jokes that are told straight. Mine is broken into different tracks and audio skits. AY is my mentor and if you study it, you will discover that he brought video skit to the Nigerian comedy. It was there, but he is the one, that put a face to it. I am bringing audio skit, my papa don do video skit, make I do audio. So I am bringing audio and animated skits.

    As one who tells his jokes in English, do you think you audience will find it funny?

    Like I said earlier comedy, strives on the play on words, metaphors, and imagery. So if you have your diction right, you can make people laugh without using pidgin. However it is very difficult to take away pidgin from Nigerian comedy. So even if I am using English, you might find out that towards the end, the first line might come in pidgin. When I say I am using English, it means 90% of what you are hearing.

    Being an OAP, a comedian, MC, and a musician, how do manage your time?

    Basically it is what I love to do so I do it effortlessly. If there was a course like comedy, I would have studied it. There wasn’t, so I had to study Mass Communication. For instance, the House of Ajebo project has been on my mind for two years. Wherever you see any product of Ajebo, it is two years of continuous planning. Animation is not easy to do in Nigeria, it is not cheap. The fact that we are doing it right now is the grace of God. I am on air weekdays 11am to 4pm. When I close I go home and start to think. At night, when I have events, I go. Weekends when I have to MC, I go too. Basically God has been faithful.

    Is Ajebo involved with a lady?

    When you say involve with a lady, it is very complicated. Actually I am not going to get married until I make N100m. That is my target. What I am saying in essence is, there is a lady but I would like to achieve what I set out to achieve before I get married.

    Do you think the lady in question will be ready to wait until you meet that target?

    By God’s grace I should get married in another two or three years which means I have to make the cash within the years I have mentioned.

    Is it possible for a comedy to make such amount within such short period?

    Big thanks to Ali Baba the king of comedy. He gave comedy a new face, for people to be willing to pay good money for it. I want to be able to go to the UK and anywhere in the world and put up a good show that will be very big. When I say I have a target, I am working towards it. When I think of comedy, I think of the business aspect.

    How easy was it for you to get into this profession with other competitors?

    Well for a lot of comedians, you hear them say na hunger make me discover my talent. For me, it was different, hunger did not beat me. I wasn’t born into a rich family but we were okay. My mum is very funny, so I know where the comedy came from. I discovered it early in Secondary School and started working towards it from a very early stage by studying books. I am a seasoned comedian and can get my inspiration from anywhere; reading papers, watching movies and other comedians perform. I have being on radio for like five years now from Enugu but I have just done a year in Lagos.

    Is the House of Ajebo collaborating with other companies?

    No it’s not, but I have a team that I am working with on the project. I have Eclipse with me, who is a rapper, singer and producer. He is the one working on everything that has to do with the audio.

    How are you faring as regards finances?

    It has not been easy. It is like helpin

    TELL us about this new project you are working on? The new project is called House of Ajebo. I am bringing humour and broadcasting together which is what I do on radio. This is a personal work and I am trying to give a new face to comedy. Before you bring even, you have to bring something new to the table, so we are taking comedy to another level. I just dropped a new single, it is a song but it is comedy. It is trendy and everybody wants to listen to the song. We will release the video soon.

    What is the House of Ajebo all about?

    You know everybody is doing audio comedy CD where they just crack jokes from the beginning to the end. I am doing a comedy album. It is a comedy album in that it has about 15 tracks. What we are doing is the first track may be a set of jokes, the second and third track skit; it is about different scenarios that are still making you to laugh. It is not like the stereotype where you just crack jokes.

    I want mine to be something that you can say you want to play me a joke and just skip to that particular one. So I am doing a comedy album, after which we will shoot the video of the all album.

    How is this different from what others are doing?

    Yes. But this is different because it is coming out in animation form. This will come out about two months after the audio is out. I am doing animation because comedy deals with metaphor s and imagery. Basically we create a world pictures in your head. There are some funny twists that we use in comedy. Humanly it is not possible, but animation can make it possible.

    What we are trying to do, is you that we are cracking the jokes to, we are trying to take the stress of you trying to think, before laughing. So we are trying to break it down for you. If you are supposed to think for three seconds and laugh for one minute, then it means that you will laugh for one minute, three seconds, because everything is broken down.

    Why the use of animation?

    The reason I am using animation is because I am packaging it for the international scene. If you listen to a lot of comedians, they would rather crack their jokes in pidgin. If you listen to the CD, I crack my jokes in English because I am packaging for the international community. I want people in the UK and all around the world to hear my jokes and be able to understand and like it.

    It is just a project for the Nigerian market; it is a project that would put the Ajebo brand on the international map. And it is not like the Nigerian jokes that are told straight. Mine is broken into different tracks and audio skits. AY is my mentor and if you study it, you will discover that he brought video skit to the Nigerian comedy. It was there, but he is the one, that put a face to it. I am bringing audio skit, my papa don do video skit, make I do audio. So I am bringing audio and animated skits.

    As one who tells his jokes in English, do you think you audience will find it funny?

    Like I said earlier comedy, strives on the play on words, metaphors, and imagery. So if you have your diction right, you can make people laugh without using pidgin. However it is very difficult to take away pidgin from Nigerian comedy. So even if I am using English, you might find out that towards the end, the first line might come in pidgin. When I say I am using English, it means 90% of what you are hearing.

    Being an OAP, a comedian, MC, and a musician, how do manage your time?

    Basically it is what I love to do so I do it effortlessly. If there was a course like comedy, I would have studied it. There wasn’t, so I had to study Mass Communication. For instance, the House of Ajebo project has been on my mind for two years. Wherever you see any product of Ajebo, it is two years of continuous planning. Animation is not easy to do in Nigeria, it is not cheap. The fact that we are doing it right now is the grace of God. I am on air weekdays 11am to 4pm. When I close I go home and start to think. At night, when I have events, I go. Weekends when I have to MC, I go too. Basically God has been faithful.

    Is Ajebo involved with a lady?

    When you say involve with a lady, it is very complicated. Actually I am not going to get married until I make N100m. That is my target. What I am saying in essence is, there is a lady but I would like to achieve what I set out to achieve before I get married.

    Do you think the lady in question will be ready to wait until you meet that target?

    By God’s grace I should get married in another two or three years which means I have to make the cash within the years I have mentioned.

    Is it possible for a comedy to make such amount within such short period?

    Big thanks to Ali Baba the king of comedy. He gave comedy a new face, for people to be willing to pay good money for it. I want to be able to go to the UK and anywhere in the world and put up a good show that will be very big. When I say I have a target, I am working towards it. When I think of comedy, I think of the business aspect.

    How easy was it for you to get into this profession with other competitors?

    Well for a lot of comedians, you hear them say na hunger make me discover my talent. For me, it was different, hunger did not beat me. I wasn’t born into a rich family but we were okay. My mum is very funny, so I know where the comedy came from. I discovered it early in Secondary School and started working towards it from a very early stage by studying books. I am a seasoned comedian and can get my inspiration from anywhere; reading papers, watching movies and other comedians perform. I have being on radio for like five years now from Enugu but I have just done a year in Lagos.

    Is the House of Ajebo collaborating with other companies?

    No it’s not, but I have a team that I am working with on the project. I have Eclipse with me, who is a rapper, singer and producer. He is the one working on everything that has to do with the audio.

    How are you faring as regards finances?

    It has not been easy. It is like helping Peter to pay Paul. I collect my salary and event money and put it into the project. It has been really tasking financially and I have to do a lot of budgeting. Very soon we will be going on TV stations and YouTube. Before it goes on CD, we will go on TV to give it a face. If we can get a TV station to buy all the series out rightly, beautiful; if we can get a telecom company to buy our skits, beautiful.

    Is going on YouTube not a disadvantage?

    It will not. We will just give it three or four different skits for people to download and share. The House of Ajebo is very big. We have a clothing line that we will be floating very soon. It was running but I had to stop it to concentrate on this one. We will re-launch later.

    g Peter to pay Paul. I collect my salary and event money and put it into the project. It has been really tasking financially and I have to do a lot of budgeting. Very soon we will be going on TV stations and YouTube. Before it goes on CD, we will go on TV to give it a face. If we can get a TV station to buy all the series out rightly, beautiful; if we can get a telecom company to buy our skits, beautiful.

    Is going on YouTube not a disadvantage?

    It will not. We will just give it three or four different skits for people to download and share. The House of Ajebo is very big. We have a clothing line that we will be floating very soon. It was running but I had to stop it to concentrate on this one. We will re-launch later.

  • Ibinabo steps up Health  Insurance Scheme  for colleagues

    Ibinabo steps up Health Insurance Scheme for colleagues

    EX-BEAUTY queen and President of the Actors Guild of Nigeria (AGN), Ibinabo Fiberesima, is about to deliver on the promise she made when she assumed office in 2012.

    Ibinabo is set to make the poor health of members a thing of the past as she has intensified efforts in making members of the Guild to embrace the health insurance scheme she promised during her inauguration.

    Before assuming office as the boss of AGN, many veterans had problems with their health which caused them to solicit for help from the government and kind-hearted Nigerians.

    As a way of changing the situation, Ibinabo initiated a health insurance scheme to handle actors’ health challenges. She has also embarked on a tour of some South-South states in a bid to enlighten members on why they should embrace the idea.

    Already, she has visited Bayelsa, Cross River, Rivers and Akwa-Ibom States for the programme.

  • ‘I’ll never do  anything to  jeopardise  my marriage’—Nollywood actress Mercy Aigbe

    ‘I’ll never do anything to jeopardise my marriage’—Nollywood actress Mercy Aigbe

    In recent times, happenstances with Mercy Aigbe have generated a buzz in the Yoruba language wing of Nollywood. The actress who has just cleared the air on allegation of infidelity by a popular blogger says she has not been so alarmed in her entire life like the rumour did t her. In this interview with MERCY MICHAEL, the amiable actress opened up on her marriage life, passion for acting and her personal style. WHAT is style to you? Style to me is a personal thing. It’s a way of expressing myself especially in the way I dress. I always say one thing; look the way you want to be addressed. Style is a way of expressing yourself. And to me, it comes naturally. I have this thing about me, when I put this and that together, it turns out good and people will always compliment me for it. Style is about comfort; you have to be comfortable with what you are wearing. When you’ve passed a certain age, there are certain kind of clothes you shouldn’t be wearing.

    For a celebrity, it’s strange to know that you can talk freely about aging?

    Why not? But I think everyone should age gracefully, slide into it, age beautifully. For me, I’m not scared of aging, but with age, you should know what is appropriate for you. There are some clothes you should wear when you get to a certain age, and there are some you shouldn’t wear at a certain age.

    What is the secret of your good looks?

    (Laughs) I hear this all the time; ‘Mercy, you don’t look your age. You look way younger than your age.’ And a lot of people, when they get to meet my daughter, they are surprised, and they say ‘are you sure she’s your daughter? But then, I just smile. And my head ‘grows big’ for getting those compliments. However, for my beauty regime, I believe I’ve been blessed.

    Is it a genetic thing?

    I would say yes, because my mother doesn’t look her age. I even have a grandmother who is 99-year-old and who still doesn’t look so aged. Aside the fact that my look is genetic, I believe it’s also a blessing. God has blessed me and I also take care of myself. I do facial treatments – I exfoliate – I just pamper myself. I love myself and I feel since I work very hard, I should also take care of myself.

    Talking about work, a colleague of yours said to me that you are one actress who is hard-working; she said this happens even when you were pregnant…

    Fact is, I love my job with a passion. My job makes me very happy. When I am in front of the camera, I come alive. I’m happy when I’m working. Sometimes when I’m home for like two weeks and I’m not back on location, I don’t feel comfortable. It’s just something that I derive so much joy from. Besides, I like to make my own money. There is this pride that comes with making your own money. Fine, my husband is okay financially, but when I spend money that I earn, I feel different. I like it when I buy things for my kids with my money, and not having their daddy doing it all the time. Some people may want to call it pride, it’s not pride. But there is this satisfaction that comes with you making your own money.

    Does that includes working even when you are eight months pregnant?

    I think I stopped working in the seventh month of my pregnancy. I was seven months and I was forced to stop working, I must tell you. My husband had to call my mother, saying:” I don’t know what your daughter is looking for? If anything should happen to my child, I will hold her responsible.” So I had to stop. But truth is I enjoyed working while I was pregnant because my tummy wasn’t all that big. I was really fine when I was pregnant, I must tell you. I actually played several moovie roles, hiding my baby bum under some clothing so I went on and on and on, until my husband stopped me.

    You recently had a faceoff with a popular blogger who alleged that you were seeing another man. How did you feel about this and what have you done to redeem your image?

    I have done a lot. I even did a video and people were surprised, asking why I had to go as far as doing a video just to clear the air. But I tell you something, we are in such a society that you need to take the truth and put on a plate for people to see and believe. And I’m a married woman; I have in-laws to answer to. I’ve got kids. I’ve got a grown-up daughter who has friends in school, who are going to ask her questions regarding the issue. So I’m always very careful. I’m a mother and I wouldn’t want anything to affect my kids. A lot of people write shit about me, sorry to use that word. A lot of people write things about you and you just let it go, but the way she painted her story, you’d think it was real and that she was there and that it happened for real. When I first read it, I was like I’m going to let it pass. It’s one of those things; it comes with the job and all that. But when I saw that the story went viral, and everybody started calling me; I was getting tweeted by most of my fans, who were asking me questions, I had to react. I actually wanted to sue her but people said I should leave her because that’s the nature of the reporter. It was then that I got to know that she’s not even in Nigeria. And I thought that even if someone had sold the story to her, she should have, at least called me to hear my own side of the story.

    Be honest, did you have any issues with your husband after the incidence?

    I never had any issues with my husband. There is no way I could have any issues with my husband. I never had any issues with my husband before the incidence and after then, I never had any issues with my husband. Although, my husband was shocked at the way the person cooked up the story and he was really touched. But again, he saw it has the price to pay for marrying an actress.

    You said a lot of your fans wanted to know what happened. How did that make you feel?

    The incident actually made me know that I was loved. A lot of people called me and they were like, don’t mind her, just go ahead with your work and your family. I was touched. I got a particular call that moved me to tears because the woman was so emotional and passionate with the way she was talking. She said: “Mercy, you shouldn’t have done the video. You don’t have to explain to anybody. What is her business? I’m a married woman, so I understand. Why would you do that when you are not mad? She went ahead to say, “When I read the story, I knew it just didn’t add up. You are a celeb, even if you have mental problem, there was no way you could have done that”. I can actually say now that the story came as a blessing in disguise. A lot of people out of compassion encouraged me.

    Is that the worst thing that has been written about you?

    Yes, it is. And I don’t know where that story came from.

    You said recently that you wished your second marriage was actually your first. Can you shed more light on this?

    Yes because I am married to a very wonderful person and I’ve always been this kind of girl that believes that it’s how you want your life to be that your life will be. I didn’t know that there is something called fate. I didn’t know that fate can actually twist…. at the end of the day, it twisted it for good, but it’s always a regret because that is not how you actually wanted it. I would have just loved to marry my present husband and have my kids but it’s okay.

    As an actress, you have continued to be relevant. What’s your staying power?

    Like I’ve been saying, I love my job with a passion. When you love what you’re doing, you will always want to get better and better at it. You will always want to do research to make you improve in what you are doing. I love my job and I also have a very understanding man. It takes you to have a very understanding man for you to do this job as a married woman. I have a wonderful man who supports me under any circumstances because he knows I love my job. I think my passion and my love for the job has been my staying power.

    There is the notion actresses don’t keep homes. What’s your take and how have you managed to keep yours?

    The thing is that, marital problems are not peculiar to entertainment Industry. It’s everywhere. Marriages these days are not like those days. A lot of things that our mothers and our fathers took; we women and men of these days will not take. So, it’s not synonymous to we entertainers but what I have done, this is my second shot at it and I’ve taken it to God. I believe that marriage is a union ordained by God and I’ve decided to take my marriage to God so that He can actually help me. I think He’s the only one who can give me the wisdom to manage my home because the Bible says a wise woman builds her home. And that wisdom actually comes from God. It’s not easy. It’s not easy. It takes a lot of patient and prayer. I’ve made prayer the foundation of my marriage. So I’ve just taken everything to God and in my own little way, I’m trying to be the best woman my husband can ever wish for.

    We live in a society where money speaks volume. How do you cope with the money bags coming your way?

    Fine, I have a lot of male admirers. I love the fact that they love and admire what I do as an actress, but I always know where to draw the line, because I would never do anything to jeopardize my marriage, my home, and happiness of my children. No amount of money can buy my children’s happiness. I don’t know how much you want to give me that would buy my children’s happiness. My children’s happiness comes first. And they are happy when they are with us; their parents. And I’m a very contented person. I’m very contented with whatever I have. I’m not greedy. When you are contented, no matter what anybody dangles at you, it’s not gonna sway you, because you are contented with what you have.

    We’ve seen you on English Soaps, when are you going to do an English movie?

    (Laughs) everybody is always like, Mercy why are you not doing English movies, and I have always said, I don’t know. Maybe it’s not yet time. It’s not that I don’t get called up by English producers, but most of the time, I was always on location shooting. Maybe when they give me a date, I’m already occupied and all that. I just believe that probably it’s not yet time because I actually started with the English genre before I moved into the Yoruba. I really don’t see myself as a Yoruba actress, I see myself as a Nollywood actress. It’s just the medium that is different. I can easily go in and out. I’m a professional. I actually studied Theatre Arts at the University.

    You are an entrepreneur, you run your husband’s business, you produce and you act. How do you joggle all that?

    It’s not easy to marry these very important roles together. It’s a lot of hard work, sometimes I ask myself if I can go on because I have to spend time with my husband; I have to spend time with my children. I have a lounge; I run my husband’s hotel but somehow I’m just able to do these things. But it still boils down to the fact that I have a very loving and understanding man. You see when you have an understanding man it makes the job easier.

    What about the times you spend weeks on end on location, is it your husband that takes care of the children?

    Weeks on end? (Laughs). I have my domestic staff who take care of my kids. My son is a big boy now. He’s going to be three years. I have my mother. I’m always taking them to my grandmother. In fact, she loves to have them around her. So I have my family members around, and they help.

    After you had your last child, how long did it take you to go back on set?

    I think when my son was two or three months. I was so bored at home. But I got myself busy by going to the gym but I couldn’t wait to get back on location.

    What’s the craziest thing a fan has done to you?

    I remember an occasion a guy came up to me and I was with my husband, and he asked me to sign autograph on his chest. I was so embarrassed.

    But did you do it?

    No, I didn’t. I just kept laughing and laughing, I just couldn’t do it.

    How do you unwind?

    I love watching movies and taking my kids out.

    What was the last movie you watched?

    What’s that movie called? I can’t remember. When I’m home I just watch movies with my kids.

    Among several roles that youhave played which would you say is so dear to your heart?

    I think it’s my movie Osas. You ask me why? That movie allowed me to actually speak my Benin Language and speak pidgin language. I love to speak pidgin language. It also allowed me to speak Yoruba language. So, it allowed me to speak the three languages I love so much. And Osas was the major comedy character I played. I never knew I could be funny. Yes, I did Papa Ajasco’s wife before then, and that was where I actually got inspired to do my movie.

    When it comes to acting, do you have any limitations?

    Yes I do, I can never act nude. And it doesn’t even come with the job. You chose to.

    How would you describe Mercy Aigbe?

    I’m a very nice person; at the risk of blowing my trumpet. I’m very humble. I’m very playful. A lot of people know that about me. And I’m very hard-working. And, let’s just say I don’t take nonsense.

  • A common ground  on N3bn film grant

    A common ground on N3bn film grant

    ONE of the criticisms that have aroused on the N3 billion grant which President Goodluck Jonathan promised the Nigerian motion picture industry on March 2, 2013, was that the Ministries of Finance and Culture, that have been assigned to manage the process of disbursement did not consult wide enough before choosing some filmmakers into a committee.

    But a Nollywood town hall meeting convened by Minister of Finance, Dr. Ngozi Okonjo-Iweala and her counterpart in Culture and Tourism, Chief Edem Duke, last weekend in Lagos, may have put this denigration to rest. About 200 filmmakers, representing various guilds and associations gathered at the Eko Hotel and Suites, Saturday, to jaw-jaw on the issue. The meeting also had the presence of officials of the National Film and Video Censors Board (NFVCB) and members of the corporate sector.

    Speaking to journalists after the meeting with the filmmakers, the Minister said she was happy that the filmmakers felt satisfied that they were consulted for the process.

    The Minister, who noted that the essence of the N3 billion grant was to encourage the filmmakers to up their game in the industry, disclosed that Film Distribution was identified as a major bottleneck of the industry. She promised that a large chunk of the fund will be targeted at achieving effective distribution and exhibition framework.

    “We have been brain-storming on this amount that the president has put forward, and how best to use it. We have a town hall meeting of about 200 people in the industry to try and get some idea about which direction to go in terms of disbursement. Distribution was identified as the biggest bottleneck and if we can figure out how to get distribution right, we can then unleash the creative energy of the film industry.”

    She stated that apart from tackling distribution problems, the fund will also be used to build capacity, encourage creativity and support production of films.

    Asked if the N3 billion will be enough to take care of the four areas of problems being identified, the Minister said that discussions are still ongoing and that the filmmakers still have one week to forward their suggestions. She said their views will be collated and used as blueprint for the disbursement of the fund.

    “We are still discussing; should we use the money in all the four arms or should we just use one? Some people have the view that we should focus on production, others are of the view that we should spread it a little more. We have given them one week for additional comments, on the ideas that were put forward. We are sending all the ideas to all the guilds, they will return to us in one week and then we will see through. But no matter what happened, solving distribution will take a large chunk of the fund.” She stated.

    Okonjo-Iweala assured that the process of accessing the fund will be transparent. She said beneficiaries will have to apply through the web, and there will be an independent panel of judges who will decide who gets the fund. “We want a level playing field in accessing it. So we are coming out with the criteria, including inputs from the industry about what requirements they must meet in other to access the fund. If you are doing script writing, for which we had originally proposed N200 million, you will have people who will judge whether your script meets certain requirements, including having good content for the viewers. If it is for capacity building, we are looking at what aspect of capacity you want to build. If it is for distribution, we will look at the bottlenecks being encountered. So there will be criteria; all we want is fairness and merit worthiness at accessing the money.”

    She added that the fund will be used to support all aspects of Nollywood, including regional and local language areas.

    In the words of Edem Duke, support plans by the Federal Government for the film industry will not end with the N3 million grant. He said government is determined to touch all aspects of the film industry because of its viability. He noted that the sector has become a major pillar in government’s cultural diplomacy. “Nigerians and Africans in the Diaspora have started to reconnect with their root. Nollywood has become a major factor for these people in redefining their origin and self esteem. It is therefore critical that the home industry must be strengthened and must be provided with support that is critical.”

    The filmmakers in their various remarks at the meeting expressed belief that there was clear intent on the side of the government to help the film industry. A member of the committee on Distribution, Mrs. Amaka Igwe praised the idea of involving the Finance Minister in the project. She described her as a woman whom she believes meant every word that she said.

    President Jonathan made the promise of N3 billion at a presidential dinner with filmmakers in Lagos. The largesse is a consolation for the effort of the filmmakers whom he said, have developed the industry in 20 years; starting from the release of Living in Bondage, the acclaimed first direct-to-VHS film phenomenon in the country.

    The first step by the Minister has doused the flames of side talks and pessimisms expressed by the filmmakers. Let’s see how this common ground continues to play out.

  • I won’t marry  until I make  N100m—Comedian Ajebo

    I won’t marry until I make N100m—Comedian Ajebo

    In addition to being an OAP on NaijaFM Lagos, Emeka Erem is a standup comedian who has been credited to be very creative with his jokes. A protège of AY comedian, he also writes for the AY Magazine. This is in addition to being a singer. Simply known as Ajebo, the all-round artiste speaks with DUPE AYINLA-OLASUKANMI on his many parts, especially his latest project, the House of Ajebo.

    TELL us about this new project you are working on? The new project is called House of Ajebo. I am bringing humour and broadcasting together which is what I do on radio. This is a personal work and I am trying to give a new face to comedy. Before you bring even, you have to bring something new to the table, so we are taking comedy to another level. I just dropped a new single, it is a song but it is comedy. It is trendy and everybody wants to listen to the song. We will release the video soon.

    What is the House of Ajebo all about?

    You know everybody is doing audio comedy CD where they just crack jokes from the beginning to the end. I am doing a comedy album. It is a comedy album in that it has about 15 tracks. What we are doing is the first track may be a set of jokes, the second and third track skit; it is about different scenarios that are still making you to laugh. It is not like the stereotype where you just crack jokes.

    I want mine to be something that you can say you want to play me a joke and just skip to that particular one. So I am doing a comedy album, after which we will shoot the video of the all album.

    How is this different from what others are doing?

    Yes. But this is different because it is coming out in animation form. This will come out about two months after the audio is out. I am doing animation because comedy deals with metaphor s and imagery. Basically we create a world pictures in your head. There are some funny twists that we use in comedy. Humanly it is not possible, but animation can make it possible.

    What we are trying to do, is you that we are cracking the jokes to, we are trying to take the stress of you trying to think, before laughing. So we are trying to break it down for you. If you are supposed to think for three seconds and laugh for one minute, then it means that you will laugh for one minute, three seconds, because everything is broken down.

    Why the use of animation?

    The reason I am using animation is because I am packaging it for the international scene. If you listen to a lot of comedians, they would rather crack their jokes in pidgin. If you listen to the CD, I crack my jokes in English because I am packaging for the international community. I want people in the UK and all around the world to hear my jokes and be able to understand and like it.

    It is just a project for the Nigerian market; it is a project that would put the Ajebo brand on the international map. And it is not like the Nigerian jokes that are told straight. Mine is broken into different tracks and audio skits. AY is my mentor and if you study it, you will discover that he brought video skit to the Nigerian comedy. It was there, but he is the one, that put a face to it. I am bringing audio skit, my papa don do video skit, make I do audio. So I am bringing audio and animated skits.

    As one who tells his jokes in English, do you think you audience will find it funny?

    Like I said earlier comedy, strives on the play on words, metaphors, and imagery. So if you have your diction right, you can make people laugh without using pidgin. However it is very difficult to take away pidgin from Nigerian comedy. So even if I am using English, you might find out that towards the end, the first line might come in pidgin. When I say I am using English, it means 90% of what you are hearing.

    Being an OAP, a comedian, MC, and a musician, how do manage your time?

    Basically it is what I love to do so I do it effortlessly. If there was a course like comedy, I would have studied it. There wasn’t, so I had to study Mass Communication. For instance, the House of Ajebo project has been on my mind for two years. Wherever you see any product of Ajebo, it is two years of continuous planning. Animation is not easy to do in Nigeria, it is not cheap. The fact that we are doing it right now is the grace of God. I am on air weekdays 11am to 4pm. When I close I go home and start to think. At night, when I have events, I go. Weekends when I have to MC, I go too. Basically God has been faithful.

    Is Ajebo involved with a lady?

    When you say involve with a lady, it is very complicated. Actually I am not going to get married until I make N100m. That is my target. What I am saying in essence is, there is a lady but I would like to achieve what I set out to achieve before I get married.

    Do you think the lady in question will be ready to wait until you meet that target?

    By God’s grace I should get married in another two or three years which means I have to make the cash within the years I have mentioned.

    Is it possible for a comedy to make such amount within such short period?

    Big thanks to Ali Baba the king of comedy. He gave comedy a new face, for people to be willing to pay good money for it. I want to be able to go to the UK and anywhere in the world and put up a good show that will be very big. When I say I have a target, I am working towards it. When I think of comedy, I think of the business aspect.

    How easy was it for you to get into this profession with other competitors?

    Well for a lot of comedians, you hear them say na hunger make me discover my talent. For me, it was different, hunger did not beat me. I wasn’t born into a rich family but we were okay. My mum is very funny, so I know where the comedy came from. I discovered it early in Secondary School and started working towards it from a very early stage by studying books. I am a seasoned comedian and can get my inspiration from anywhere; reading papers, watching movies and other comedians perform. I have being on radio for like five years now from Enugu but I have just done a year in Lagos.

    Is the House of Ajebo collaborating with other companies?

    No it’s not, but I have a team that I am working with on the project. I have Eclipse with me, who is a rapper, singer and producer. He is the one working on everything that has to do with the audio.

    How are you faring as regards finances?

    It has not been easy. It is like helping Peter to pay Paul. I collect my salary and event money and put it into the project. It has been really tasking financially and I have to do a lot of budgeting. Very soon we will be going on TV stations and YouTube. Before it goes on CD, we will go on TV to give it a face. If we can get a TV station to buy all the series out rightly, beautiful; if we can get a telecom company to buy our skits, beautiful.

    Is going on YouTube not a disadvantage?

    It will not. We will just give it three or four different skits for people to download and share. The House of Ajebo is very big. We have a clothing line that we will be floating very soon. It was running but I had to stop it to concentrate on this one. We will re-launch later.