Category: Entertainment

  • Tambuwal condoles with Esiri’s family

    Tambuwal condoles with Esiri’s family

     …Late actor may be buried in April

    Speaker of the House of Representatives, Alhaji Aminu Waziri Tambuwal, has said the National Assembly will look into the laws guiding intellectual property in Nigeria, noting that the present laws are weak and do not protect the rights of filmmakers to profitable earnings.

    Tambuwal made this assertion during a condolence visit to the widow of late veteran actor, Justus Esiri, in Lagos on Sunday.

    He recalled that the actor had appealed to him personally as someone who had the interest of the entertainment industry at heart over the issue.

    He noted with regret, that Eziri had sent an SMS to him, six hours before he (the actor) died, but that he did not get to read it, until actor Kanayo O. Kanayo called to tell him that the actor had passed on.

    The Speaker arrived the Mafoluku residence of the Esiris at about 12:00 pm. He was in the company of some of his colleagues. He was led on the visit, by Kanayo and filmmaker, Zeb Ejiro.

    Introducing the guests officially to the family, Kanayo described the Speaker as a friend of the late Esiri and a man who has the interest of the entertainment industry at heart.

    He reminded the Speaker of the last visit of some actors to Asokoro, recalling how Esiri, who was seated to the left of the Speaker during the visit, was full of life and cracking jokes to the amusement of all.

    Zeb Ejiro, who spoke next, pleaded with the Speaker to ensure that the privileges usually given to National Honours’ holders are extended to the late actor. Esiri was in 2012 given the award of Officer of the Order of Niger (OON).

    Condoling with the family, Tambuwal expressed grief at the passing away of the actor, promising to support the family on his funeral rites.

    “The nation cannot forget in a hurry, the contribution of Justus Esiri to the entertainment industry. My consolation is that he has left a good legacy. It is God who gives and takes. And I think his death should bring the industry together more than before. I know that there are challenges of piracy. I know that the laws guiding piracy are weak. We will try at the National Assembly, as much as possible to see that they are strengthened.”

    In the condolence register, Tambuwal wrote: “It is indeed a great loss that we have to live with. Adieu our dear leader and uncle. You have made your mark. May the good Lord grant you His mercies, and the family, the fortitude to bear the loss.”

    The family has also received condolence messages from representatives of the Lagos State government, Delta State Government and the Urobo community, including Urobo College, the late actor’s Alma mater.

    Two hours after the Speaker and his entourage left, the Actors’ Guild of Nigeria (AGN), led by its President, Ibinabor Fiberesima arrived the residence.

    The group had Genevieve Nnaji, Segun Arinze, Stephanie Okereke, Monalisa Chinda and Chidi Mokeme in attendance.

    Others were: Zik Zulu, President, Association of Movie Producers (AMP) and Andy Amenechi, President, Directors Guild of Nigeria (DGN).

    The group presented a bouquet to the widow of the late actor.

    Responding on behalf of the family, musician and second son of the late actor, Sidney, expressed gratitude to the visitors, promising to avail them with information on burial arrangements as soon as the family has concluded on it.

    A family source said the late actor died of Type 2 Diabetes, a genetic disorder which he had managed for a while. He noted that there was no crisis prior to the death of the veteran actor, and that it could be said that he died peacefully. “He was fine; he went to work that day; he did his normal routine and passed on peacefully,” the source said.

     

  • Tears as Singer Goldie is buried

    Tears as Singer Goldie is buried

    …There will be no other Goldie – Hubby

    Emotions heightened on Monday, as Nigerian singer and former Big Brother Africa Stargame Housemate, Susan Harvey, popularly known as Goldie, was committed to mother earth.

    The interment, which held at Ikoyi Vault and Garden, Lagos, had the presence of entertainers, music honchos, friends and family members of the late singer, who came out to pay her their last respect.

    Those present at the burial include: Dele Momodu, Kenny Ogungbe, Jaywon, Julius Agwu, Jimmy Jatt, Essence, Chidi Mokeme, Olisa Adibua, Capital Femi, Tiwa Savage, Tee Billz and Kenny Saint Best.

    The activities which marked the final passage rites of the late singer started from the Chapel of the Vaults Garden.

    The short service and admonition was presided over by Pastor Oluleke Akinola and three others. The man of God took his biblical reference from Mathew 7:12-14.

    He said the occasion was a clarion call for others, still living, to be closer to their creator: “Although she died at a time when her glory was supposed to start to shine, but God knows best,” he said.

    Shortly after, colleagues of the deceased gave her a glowing tribute. The crowd was touched by emotional comments made by Kenny Ogungbe, Denrele, Dele Momodu, Tiwa Savage and the twin brother of the late singer; Gideon and Joshua Filani.

    For close to 10 minutes, the Kennis music chief, Ogungbe could not utter a word; he was merely shivering and crying.

    Goldie’s widower, Andrew Harvey, looking very pale, had some heart touching words to say about his late wife: “Susan, you walked into my life. It was like God sent you as a fresh breath. I still remember your response to my first love message. You said, love killed Romeo, sent Diana to an early grave and killed Jack. Forget about love, just let us have friendship. There will be no other Goldie.”

    In the words of Denrele, Goldie’s acclaimed best friend: “you were a lifeline, a therapist. You inspired my success and worldwide recognition. I could remember that we used the same shoe size and have the same body proportion. Even when you were not around and a tailor wanted to make your dress, they take my measurement. What I still find hard to come to terms with is how I will manage with our reality TV show; True Friendship.

    “I’m dedicating it to your memory and I’m going to do all I can to get it off the ground.”

    Among Goldie’s friends, Denrele seems to be the most hit, as he couldn’t control his tears and anguish.

    Kenny Saint Best was equally emotional, waling at the top of her voice. When she found her voice, she could only advise her colleagues. She pleaded with them to be cautious of stardom, and draw close to God.

    Ovation Magazine boss, Dele Momodu described the late singer as an amiable personality. He noted that she was a person that anyone would love to be attached to. “She is indeed a big loss to the entertainment industry, hence a clarion call that we should take care of our health because we don’t know who is next,” he stressed.

    Goldie, it would be recalled, died on February 14 after returning from the United States where she attended the Grammy Awards.

     

  • Between  Goldie and  Denrele Edun

    Between Goldie and Denrele Edun

    LATE singer Goldie Harvey and Denrele Edun were very close friends before the former gave up the ghost on the 14th of February. They were said to have shared so many things in common and that gave birth to a proposed reality TV show by both entertainers.

    Tagged: Goldie and Denrele- ‘True Friendship’, the show which was supposed to start airing on TV by the end of this month is centred around both friends and how they expressed support for each other on a daily basis.

    Recall that Denrele also featured prominently on Goldie’s recent music video titled ‘Skibobo’ featuring AY from Tanzania which is currently enjoying appreciable air play.

    Reports also have it that Denrele was instrumental to bringing Kenya’s Prezzo to Nigeria after the Big Brother Stargame show, when he (Prezzo) came to reconcile with Goldie after they fell out with each other.

    Goldie was also reported to have died in the arms of Denrele Edun four hours after she returned from Los Angles, California where she went to witness the Grammy Awards. There’s also a picture that has a split facial image of both friends which suggests that there is more to their friendship than meets the eye.

  • How I recovered my stolen car—Joseph Benjamin

    How I recovered my stolen car—Joseph Benjamin

    PROJECT Fame co-host, Joseph Benjamin, has applauded Mansard Insurance Plc for helping to recover his stolen car. Last Sunday evening, armed robbers snatched a 2007 Toyota Camry car belonging to Benjamin in Magodo, Lagos. The news of the robbery went viral on the social media, as tweets, Facebook posts and BBMs battled for prominence in blogosphere. At the time of the robbery, Benjamin was in Aberdeen, Scotland, for the screening of his breakthrough movie, Tango With Me. A friend of the popular host of soar-away music reality television show, MTN Project Fame, was driving the car.

    When contacted, Benjamin said the incident happened around 7pm. “I had just returned to London from Aberdeen for a photo shoot when my friend called and was hysterical on the phone. She said my car had been snatched in Magodo. She was crying her heart out so I had to calm her down and assure her that there was no problem. Immediately, I called my insurance company, Mansard (former Guaranty Trust Assurance Plc), and informed them of the theft. And they told me not to panic that the car would be recovered in no time. Not that I doubted them, but I felt the urge to broadcast the news on Blackberry just in case anybody saw it around. I also put my London phone numbers if anybody had information that could lead to the recovery of the car.”

    Continuing, he said, “I was shocked when about 15minutes later, a staff of Mansard called me to say the car had been found in Ipaja area of Lagos and that they had demobilised it. The caller even said that the police was on their way to pick it. I didn’t believe it until my friend went to confirm that it was indeed true! I never knew insurance was like that o!” Benjamin concluded that he is happy that no life was lost in the incident.

  • Yemi Sax and Akin  Alabi’s mogul moves

    Yemi Sax and Akin Alabi’s mogul moves

    A new partnership was solidified recently when Sax Records Entertainment (owned by Yemi Sax) and Over The Top promotions (owned and managed by Akin Alabi) driven by the need to provide niche services for artistes on the music scene, combined resources, time, ideas and content to provide a befitting environment where Nigerian music could be planned, made and presented to the listening public.

    “The insight and experience I have garnered over the years as a performer and observer have enabled me to coordinate, plan and administer a music studio where lasting solutions to music problem could be made,” Yemi Sax said.

    On the other hand, Akin Alabi said the collaborative effort was hatched about a year ago when we discovered we could join forces to provide some certain needs for artistes and the growing music industry.

    “This collaborative effort was hatched about a year ago when myself and Yemi decided to join forces in order to fill some needs arising form the growing music industry. We intend bridge the gap between Nigeria and the music world. In the future, we also look forward to staging an annual concert involving top artistes from home and abroad,” he said.

  • Is Juliet Ibrahim  hotter than Kim?

    Is Juliet Ibrahim hotter than Kim?

    JULIET Ibrahim has added her voice to the ongoing controversy surrounding Kim Kardashian’s 45 seconds appearance at an event in Lagos last weekend. In a post directly targeted at the organisers of the February 17 Love like a Movie concert, she questions why they had to pay so much for Kim Kardashian’s services, only for her to make a short appearance.

    Ibrahim suggested it’s about time African organisers started appreciating home-grown talent, instead of looking far for options that do little to improve their ratings, as in the case of Miss Kardashian.

    “Ok, Here’s my 2cents! Been reading comments about Darey’s concert and to be honest I don’t see why he will pay so much money and fly Kim K to Naija just for a 45secs intro on his show,” she says.

    Still struggling to believe the organisers had to pay that much for a near no-show, she asks, “Like seriously? Bro you could have flown me from Ghana and I would have represented! lol no hard feelings but it’s about time we started appreciating our very own African talents than paying all these foreigners so much for 45 secs performances. Check me out, way hotter than some of them peeps una dey pay big bucks for nothing better,” a note accompanying a good-looking image of herself on Instagram read.

  • Afrobeat is deeper  than reggae—Femi Kuti

    Afrobeat is deeper than reggae—Femi Kuti

    Femi Kuti, son of the legendary Afrobeat pioneer, Fela Anikulapo-Kuti, has over time developed his father’s polyrythmic legacy by adding the exuberance of contemporary African as well as the sounds of American dance music such as house to his brand of Afrobeat. He is a keen critic of African governments and has continued his family’s history of political activism. He opens up on his thoughts about contemporary Nigerian music, why Afrobeat is less popular among youths in Nigeria and his thoughts thus far as a judge on Nigerian Idol reality TV show, among others issues, in this write-up by AHMED BOULOR.

    THE era when talented youths have to wait endlessly for the opportunity to showcase their God-given aptitude seems to be over as a handful of budding youths have found fame and fortune overnight.

    Reality TV shows have offered scores of aspiring youngsters the needed template to exhibit their talents and some of these youths have gone on to make names for themselves in their young careers.

    Artistes such as Omawunmi, Iyanya, Timi Dakolo, Praiz, Chidinma and a host of others have benefitted immensely from such platforms and Femi says they are lucky because he never had such an opportunity like the Nigerian Idol platform is now offering when he started.

    “I just spoke to some of the contestants. I told them that they are very lucky because whether they like it or not at least they have two million viewers watching them. In our own days, you had to start right from the scratch. Even being Fela’s son didn’t guarantee any followership if you didn’t prove yourself. Jeffrey Daniel, Yinka Davis (the other two judges on the show) and I have been discussing. The problem we have here is that we don’t have a structured industry. The nation building of America was achieved around entertainment, be it Hollywood or the music industry. For instance, if they want to shoot a movie in America, they can shut down the whole of Ikorodu Road to make a plane land. Unfortunately for us in Nigeria, or even Africa, we want to go from A to Z without going through other alphabets. In America, even if you have a band, people want to see you from the smallest town. You’ll move from there to the cities and everything keeps moving from stage to stage.”

    That said, Femi further opined that there is a need for lasting structures to be put in place to optimally harness the talents of scores of youth who seek to carve a niche for themselves in the world of music.

    “We still need to build a very good foundation for the generation to come because what we are seeing in Nigeria is that we are 160 million people and we’re going to have a big problem if infrastructures are not in place. Even if we are teaching music in schools and the industry players are not there to absorb these young people and keep them under labels, we’re still going to have problems with reality TV shows like this. Even if you don’t win and we know you’re a great voice, the industry players should be able to engage you especially if you’re one of the top 12 contestants.

    “Somebody should still pick the guys who lost in the contest but have great potentials because the good thing about Nigerian Idol is that they already have the fame from the show. People already know them, when music entrepreneurs just pick these guys and sign them for album deals, what they just need to do is to get producers, song writers and a team that will work with them. Many singers can’t write songs. Michael Jackson didn’t write all his songs. He was buying from people who were writing. I learnt from the road, probably in my time I wouldn’t even qualify because I was just teaching myself on the way.”

    Femi who has collaborated quite prominently with international artistes such as American hip-hop stars Mos Def and Common, to mention just two, was asked if he has come across any talent as a judge on Nigerian Idol who he may want to be his protégé after the reality TV show and the three-time Grammy nominee had this much to say.

    “For any singer to be my protégé, he must be able to write songs, play instruments and understand the nitty gritty of music-making. I don’t think I’ve seen any like that yet. But I’ll like to produce any of these voices if I have the opportunity. I can write songs for them, I can do a duet with them, if I have the means. Unfortunately now, I don’t have the means. When I was building the shrine (because we were rushing it) we did not put a studio in it. Normally, we wanted to have a studio in the shrine. If I had a studio there, I’d have just agreed to make a song with one of them easily. “There are at least three voices here that I know are very unique and I can incorporate that in the kind of music I play easily. I don’t judge in the American perspective; I make my judgments from my experience as a singer and entertainer. I ask myself, what can I do with this voice? Is it unique? Can it stand the test of time? If we give this voice and fellow an opportunity, will it go to another country and do us proud? I’m particularly looking at the texture of their voices, not which American hits they sing.”

    Femi who was recently appointed a judge of the reality TV show after replacing Charles Oputa, better known as Charley Boy, also gave his assessment on Nigerian Idol reality TV show.

    “Considering all our problems in Nigeria, I will say that the Nigerian Idol show has been quite revealing. I’ve enjoyed my time so far in terms of talents. It will be an understatement to say that we have great singers. The challenge is just how to groom the talents and make them flourish properly. The only problem I have is the fact that it is called the Nigerian Idol.

    I hope in the future, it will be more African in its presentation and we will not be singing great American hits when we are supposed to be focusing on African or Nigerian hits because Nigerian Idol is shown all over the world. If they sing Britney Spears song as a hit, of what good is it to us as a people? If we’re singing our hits irrespective of the artiste in Africa, we are promoting the African culture to the rest of the world. So, Nigerian Idol should be seen as African more than American.”

    And talking about his constituency which is Afrobeat, Femi gave an insight as to why most youths in Nigeria shy away from doing Afrobeat while also sharing reasons behind such a worrying trend.

    “Afrobeat may be less popular here among the youths, but it can never die. In America there are over fifty bands doing Afro beat. In New York alone, there are over twenty bands playing Afrobeat. Same in San Francisco, Australia, Japan and so on. So, when we are thinking that Afrobeat is dying in Nigeria, it’s actually getting bigger around the world. It does not matter where Afrobeat originated from. We are all humans from the same planet and I’m not going to get caught up in the foolishness of being a Nigerian. I’m an African first of all. When you understand the formation of Nigeria, you would understand that it is just a colonial structure given us by Lady Lugard. It is not our name. When you understand the history of Africa, then you would not be foolish to fall into that category of calling yourself a Nigerian. First, you’ll say I am an African because Africa was first divided in 1885. When you look at it from that perspective, you will understand that people appreciate the talents that came out of this part of the world. If Americans are playing Afrobeat and we are not playing Afrobeat here, then you have to ask yourself a question ‘why?’ The simple answer is because it is too difficult to play. What it takes to compose an Afrobeat number; you’re thinking of a melody, conception, lyric and you have to be confrontational to sing a song like ‘Bang Bang Bang’. People are going to expect you to stand on behalf of the people to sing a song. The foundation of Afrobeat was built for the emancipation of Africans. It was fighting against corruption and injustice. The uniqueness is in the truthfulness in the music like what Bob Marley did with Reggae.”

    But Femi also pointed out that Afrobeat is deeper than reggae considering the fact that Fela was able face up to military dictators and corrupt civilians.

    “Afrobeat is deeper than Bob Marley’s reggae because Fela stood up to and confronted the military dictators and corrupt civilians in his era. So, a die-hard Fela fan wants to see the replica of that. For me to break out from my father’s shadow wasn’t easy and for my son to carve his own niche differently, he would have to be extraordinary. In Nigeria today, the biggest dullard can create a hit song; all you need is a catchy slang. That is entertaining, but it is not like classical music, it’s not like jazz. Why has classical music lasted centuries? It is because you’re going note by note, the way you touch the chord, the way you sit on the piano, every detail is so important. My son, Made started playing instruments at age five because I knew what he would need to excel.”

  • I’m not just a ‘mummy’  character—Caroline King

    I’m not just a ‘mummy’ character—Caroline King

    In a few months, delectable TV soap actress Caroline King will clock 50 years. The Edge of Paradise star, among other series, is a strong personality on and off the screen. In this interview with MERCY MICHAEL, the mother of three opened up on why she’s been scarce in movies. She also talked about her love for soaps and stage.  

    WHY is it that you don’t act Nollywood movies? …I don’t? No, I do. I’ve just done one now (laughs).

    I am sure it must be your first?

    It isn’t (laughs). The first movie I did was actually a Yoruba movie titled Pasitor Dehinde. It was produced and directed by Bimbo Manuel. I also did another one called Wrongful Passion. It was an OJ Productions. And then this one titled The Gods Are Still Not To Blame, produced by Funke Fayoyin.

    As a consummate actress, how do you explain your presence on mainly soaps when your fans expect to see you on TV, screen and stage?

    When people ask me this, I always tell them, it wasn’t intentional but as time went on I now discovered that I actually did like soaps more. The reason is because you can grow your character, do you understand? In movies, the production team might say we are going to do this one month and we are done with it and that’s bye bye to the character. But with soap, a soap can span ten years.

    She can start a soap (pointing to her daughter Desola) and watch her grow. All the things that happen to her, you will get to watch. I believe it a beautiful play ground for an actor because you can do anything and everything to yourself, if you have a good writer who helps all the different characters to go through a period of growth. That is why I love soaps but I can function in any of the three media.

    You were talking about being immersed in a character. Can you give us an instance?

    That happens to me more when I do stage. The character you are playing more or less takes over your life. And you know with stage it’s intense rehearsals. It could be for like three months that you are rehearsing just for one stage performance. And for that period of time you live and breathe that character. You are sleeping you are remembering your lines. And then after performances it takes me quite a while to shake it off.

    Can you tell us your last stage experience?

    Yes, it was An Ordinary Legacy. It was a play written by Safiatta. It was last year October, November. And Norbert Young played my husband. It was fantastic. It was quite wordy. And the writer, when she writes her character can talk for like a page and half and you have to put all those words on your head. I played an elderly woman. I played a 60-something-year-old woman.

    How did it feel to be 60-something?

    It felt good. I mean, we are all going to age. It’s how you age that matters. I’ve decided I will age gracefully, no matter what. I will be fifty by July; can you beat that? And funnily, I don’t use anything special but one thing I indulge myself in, I love to workout. I work out a lot and eat anything. I love food. If I don’t work out and I eat as I do, they will join these two chairs for me (laughs).

    You look quite beautiful for a 50-year-old. Tell us your beauty regime.

    And as per beauty regime, I love massage. I have a lady who comes to the house once in a while to give me a massage. Another thing could be my genetics is good. Both of my parents aged well.

    Back to acting, can you share with us the chemistry that exists between you and Norbert Young?

    Ahhh, Norbert is my very good friend. I met Norbert many, many years back when we did radio dramas, voiceovers. So we’ve been friends for long even before he got married to Glory. And Glory too we all worked together on radio and all that. We were just lucky that the producer and director paired us together on a TV soap. And it’s good because I was with my friend and I was relaxed and he was with his friend too and he was relaxed. Till tomorrow everybody who saw Edge of Paradise always say to me “how’s your husband?” And I will be like let “Glory catch you”.

    You two have become an item of some sort. How do you deal with that part of fans harassing you about him?

    Hahahahaha, it’s funny. And even when we did An Ordinary Legacy, it was fun. We will be at rehearsals and we’ll be joking. He’s a big joker. We’ll be teasing each other, laughing, beating each other. Everybody will be like wow! No wonder Edge of Paradise was so fantastic. You guys are great friends.

    Before you two were paired, it was Norbert and Ronnie Diko. Getting to fit in just like those two, was it a challenge for you?

    It wasn’t a challenge. It was two different soaps. They were on Family Circle while we were on Edge of Paradise. They had finished with Family Circle, some years later Edge of Paradise started. Funny enough I never really thought about it at all. You really think people thought about that. People still ask after him from me as in wanting to know if we’re really, really married. And I would be like; no o we are not married o. It’s usually a surprise to many. “You two were so believable”, that’s what I always get at the end of the day. But I’m glad people actually thought we were married. It means we did our job well.

    But did your husband not have a problem with that kind of chemistry you shared with Norbert?

    The thing is people forget that when we are shooting there are so many people around. And me as an actor I’m struggling to make sure I remember all my lines. I’m struggling to be in character. As we are talking now, they can just say that director is ready, come. And probably my role is a sad moment, as I’m working towards the set, I’m already constructing myself, trying to get my face to reflect that of a sad person, so whether somebody is grabbing my breast at that point, I won’t even know. But the beauty of it all is the fact that we can do it and people can look at it and say they are married. That means we did our job well. It was nice. I like working with Norbert because he is great fun. If he’s here now all of us will be laughing. He cracks jokes. He’s a beautiful actor and that was why they paired us up on An Ordinary Legacy as well. It was fantastic.

    Is he also part of the cast of this movie The Gods Are Still Not Yet to Blame? And did they pair you up?

    Oh yes, he is. But he played Glory’s husband. He and his wife played husband and wife.

    Then again talking about movies, could it be that the scripts have not been coming your way?

    They come but I reject them because I want to break the mode. It’s like they’ve built this mummy box and then they carry Caroline King and put her inside, so before they covered it and sealed it with a celotape, I jumped out. I had to because I want viewers to see me in different characters. And that’s why when I went into stage, I took like two years just doing different characters. And as an actor, that’s the joy of the job you are doing. Not when every time you pick up a script, you see nice mother, have three children, have four children. It was now getting boring. So when the scripts come and I want to make my choice and the producers say they already have someone for that role I just let it go.

    Do you understand? It’s not that they are not coming but they are not challenging enough for me to do them. And If I’m not enjoying it when I’m doing it, it’s no point because I’m not doing it just for the money. I have to enjoy the role when I’m doing it. Like I told someone, if I’m reading a script, by the time I read from 1 to 10 and I don’t feel anything I don’t bother reading it to the end. So basically I’ve been trying to break the modes and show producers and directors out there that I’m not just a mummy character. I can play all kinds of characters given the chance.

    Playing a sexy mother, how challenging was it?

    Challenging? I won’t use the word challenging. I would say for me it was more of how do I make this believable enough without compromising myself, without given off these negative vibes to people who are watching, without abusing people’s sensibility? That was more of my worry. It wasn’t the role. But it was God’s gift to me that I was working with a director like Funke because she also was on the same page with me.

    She was of that kind of mind. Like you know, when two lovers newly meet they get up to no good, especially an older woman and a younger guy, but she and the DOP, they were able to work round it. When you see us kissing, we weren’t actually doing the tonguing thing but it looks like we are doing it. It was beautifully and artistically done and the message was sent. You can see that this people are intimate but we are not intimate in soft porn-like way.

    But if it turns out to be perceived that way, what will you do?

    It’s a plus for me and it’s a plus for the director. I always keep giving an example of South Korean movies. I’m into them. They show you intimacy but you don’t see them touching and grabbing or anything. Just the way they look into each other’s eyes you can see that mehn these people are intimate. When they pass, their shoulders rub against each other, you will feel it. That is movie-making; not when you grab my throat, kiss me, knack me gbagagbaga on the wall. That’s rubbish. Like I said, I was joyous I found a director who was on the same page with me, who was happy to shoot a movie that will not abuse people’s sensibility and at the same time not reduce the potency of the story.

    If you do have a dream role, what will it be?

    Ahhh, I have done a very old woman; Ajayi Crowther’s mom and I made the audience cry. In this play they aged me. For grown men to be crying means I did my job. I will love to play a wicked woman role.

    Is she your daughter? Is she a half-caste?

    Quarter actually.

    How do you feel when you are asked the question?

    I’m used to it now. I remember when she was still I baby. I travelled with her abroad, everywhere the question was the same: “Is she your daughter?”

    Is her father white?

    Her father is half but she was a throwback (laughs). Her brother looks proper quarter but she looks more half. Her father is a Lagosian but his mom is British.

    How did acting start for you? Did you study Theatre Arts?

    I didn’t. I studied Christian Religious Study.

    It wasn’t a course most young people like to study…

    My father wanted me to read Law. Upon filling my Jamb form I filled Law but I ended up getting Sociology. During registration, they said I didn’t have one subject. I can’t remember what it was they said I didn’t have, so I was dumped in CRS. I was to do that for one year and by the time I was going to year two they would work something out and I would now enter Law department. But it never happened, so I graduated with CRS.

    Is your husband also in the arts?

    He is not in the arts, he’s a pilot.

    So what was the attraction?

    He’s a fine man (laughs). He’s always been there for me. He’s a very good man in the real sense of the word. He’s a very good person.

    How long have you been married?

    22 years

    How did you handle advances from men, especially when you were starting off?

    Funny enough I’ve been blessed so far that I don’t get such advances and stuffs like that. If you don’t have talent, how many producers do you want to sleep with? won ma fa di e ya last last ni (they will tear you apart in the long run). If you believe in yourself and you have talent, producer will look for you when they can’t find someone to do it right like you can do it. But really I think it’s because we are in the face of everybody. What of our women bankers who are MDs of banks? Who did they sleep with to get there?

    If you believe in yourself, you believe in your dream, you believe in your capability and ability to do anything you do, you can call anybody’s bluff. And like I said, I’ve been lucky nobody has made such advances at me. o ju mi ma nle gan (I always present a hard countenance). And for the young stars, I know some that I have worked with and that are talented and are not compromised. And they are doing well. The ones who go and compromise themselves do so because they don’t believe in themselves.

    You must have experienced it, even if it was just once?

    Let me give you an instance. I went to a studio, I had a reading to do there. There were trying to pair me with somebody for a role, so I went and then at the gate you would fill their attendance register. When I finished, I left. Only last Sunday, my phone rang and I picked the call. The fellow on the other end then said ‘my name is Samuel.’ I saw you at something something studio.

    I like you and I want to know you more. And I was like ‘who gave you my number?’ I then asked him to hold on for my PA. I gave my husband the phone. Immediately my husband said hello he dropped the call. I then went back to the studio. I was very upset and I was asking questions and they then told me it wasn’t from them, that the person must have picked it from the attendance register. So it happens but it’s how you handle it that matters. Emi, mo ti de last busstop temi ko si nkon ti mo wa kiri (I am at my last busstop, so I’m not looking for what is not there).

  • Paul Play engages MTN,  Ultima in legal battle

    Paul Play engages MTN, Ultima in legal battle

    FOR infringing on his intellectual property, Nigerian R and B crooner, Paul Play Dairo, has dragged the management of Ultima Ltd to court. Claiming damages to the tune of 500 million naira in the suit to which communications company, MTN, is joined, the artiste says that he is seeking redress over the unlawful use of his hit song, Angel Of My Life, on the talent hunt programme, MTN Project Fame West Africa.

    In a swift reaction, Ultima Limited, on Thursday, February 21 debunked claims by Play over the unlawful use of his song. In a statement signed by the management of Ultima Limited, the production company claimed that it has been making the annual statutory payments required for the use of musical works for both local and international artistes on the Project Fame show.

    “As is standard practice all over the world, rather than maintain individual agreements with each one of the hundreds of artistes whose songs we use, we have a single agreement with their collection body (COSON) which in turn is responsible for dealing with each individual artiste! COSON is responsible for collecting such payments on behalf of Nigerian artistes,” a statement from the company reads.

    The Copyright Society of Nigeria (COSON) also added its voice to the unfolding saga, stating that Ultima Ltd has consistently taken every step to ensure that it obtains appropriate copyright license for the musical works and sound recordings used in its programming.

    “Ultima Ltd is without question one of the most copyright friendly organisations in Nigeria and in the last few years has paid millions of naira in copyright fees which have been distributed to various Nigerian copyright owners in musical works and sound recordings,” the management of COSON stated.

  • Reason Stella Monye is grateful to Nigeria

    Reason Stella Monye is grateful to Nigeria

    AS she approaches her golden jubilee and the 30th anniversary since music became the mainstay of her income, Stella Monye, Nigeria’s ‘Samba Queen’ as she is known by not a few, has entered a season of reflection on the highpoints of her career. She can still recall the consternation on her parents faces when she told them at 14, she was going to make her first appearance on television. It was on the Art Alade Show!

    More than 30 years on, all roads will lead to the multi-faceted events venue at Lekki-Lagos, The Bespoke Centre (near House on The Rock Church) where Stella plans to unveil an elaborate showcase of dance, music and drama that will capture her artistic essence. Tagged, ‘Stage Players Party’, it promises to be a wonderfully choreographed presentation that will tap into her experience as a trained thespian who studied the arts at the University of Lagos Centre for Cultural Studies before moving to the University of Ife where she got her first degree in Theatre Arts. (She recently returned to school to study Law at the Lagos State University).

    Not many people know her as a trained actress who has a log of distinctive stage credits. One of the landmark experiences was when she acted the part of Oya in the play Sango Olukoso with which the Centre for Cultural Studies, University of Lagos represented Nigeria at the Horizonte World Festival of Arts in Berlin, Germany. The play later toured many European countries, including Switzerland and The Netherlands.

    The Administrator of the National Theatre, the then Col. Tunde Akogun, gave Stella one of the rarest opportunities of her career, for which she is so grateful to the Nigerian authorities. The event was the 150th Anniversary of the Abolition of Slave Trade. It was a turning point for Stella, as she was given the privilege to put together an all-stars band to back her. The young Stella was in the fore-front as the lead vocalist. The band consisted of the likes of the late Remi Kabaka on drums, the late Zeal Onyia on trumpet, Bisade Ologunde, better known as Lagbaja, on bass and Peter King on saxophone.

    The non-performing members of the entourage were no less eminent, including the team leader, Gen Yakubu Gowon and his wife Victoria. Others were Chris Anyanwu (now a Senator) and Prince Tony Momoh. In a stellar celebration that brought together legendary figures like the late Miriam Makeba and superstars from all over the world, one Caribbean newspaper described Stella as the bombshell from Nigeria.

    She was also at the All African Universities Sports Festival in Yamoussoukro, Cote d’Ivoire to sing the Nigerian national anthem. In 1999 Stella was part of the team that produced and presented the theme song for the Coca-cola World Junior Football Championship in Nigeria.

    At the formation year of the Economic and Financial Crimes Commission (EFCC), she helped to produce jingles, wrote and recorded several songs that promoted the objectives of the commission. Again, she was invited to play at the Corporate Night marking ‘Abuja at 30’.

    Stella Monye is not known to have recorded many albums in her career, but she has been active, participating in many musical activities. She started her career proper in the 80’s when she recorded and released her monster hit album ‘Mr. Wright’ with the hit single “Oko Mi Yee’. This stood her out in her time. Although, it brought her a lot of wealth and fame at the time, she remained in school.

    ‘Arigosamba’ her next album was also a hit but not as big as ‘Oko Mi Ye’. One good thing about Arigosamba was that it gave the public the platform to celebrate her as Samba Queen. She recorded a follow up titled ‘Change of Heart’ which included another hit single titled ‘Ife’ that also was well celebrated.

    Stella was on song at the Benson & Hedges ‘Loud in Kano’ concert and Benson & Hedges multi-million naira Road Show Equipment Launch held at the Sheraton Hotel and Towers.

    In 2004, she joined a faith based NGO in Apapa as a social worker. Naturally, this brought her into the mainstream of civil society and human right activities. She was an active participant at many road shows and street protests alongside Bolaji Rosiji, late Dr. Beko Ransome Kuti, late Chief Anthony Enahoro, ‘Charly Boy’ Oputa, Yemisi Ransome-Kuti, late Chief Gani Fawehinmi, Wole Soyinka, Adams Oshiomole and Ayo Adewale (Chairman, Amuwo Odofin local government), lending her band and music as a tool to propagate human rights.