Category: Entertainment

  • Shan George  does it  again

    Shan George does it again

    SHE is better known for delivering her roles on screen so when few years ago, Shan George released her debut single which announced her arrival into the music industry from the movie world, she didn’t receive the critical acclaim she probably expected.

    Undaunted by the bleak success her song made in the market, the controversial actress has, once again, gone back to the studio to try her hands on something different. This time around, that Shan employed the services of a co-controversial producer, K-Solo to make a beat for her new single, Ababa.

    That is not all for the divorcee actress as she also featured ace musician, Sunny Nneji in the song. The single was released last week almost at the same time Tonto Dikeh and Stella Damasus released theirs but the buzz Tonto’s singles generated has overshadowed her own release.

  • Re: NCC, MCSN, COSON triangle

    Re: NCC, MCSN, COSON triangle

    I have followed your two-part dialogue on the above subject, which was very interesting and confirms once again that most ordinary Nigerians are very discerning, intelligent and know the rudiments of a just society, contrary to Tony Okoroji’s allegory and apparent insult on you and your colleagues’ literary profundity.

    No reasonable person can say that the operations of copyright and CMOs are not businesses. Any activity that involves consideration and offer, paying and receiving money under whatever guise, contractual obligations and rights, is a business. CMO or copyright is therefore a business; the way it is done may be different from the way the business of buying and selling or banking is done. The business of copyright, (which is classified as property under the Copyright Act and the Constitution) and CMO is just like the business of a property owner, his agent and those interested in the buying or use of the property, for example between a landlord, estate agent and tenant.

    We do not know from where Okoroji got his authority that CMO’s should operate as a monopoly, especially in a constitutional democracy under which Nigeria is governed. Britain which he cited in his comment does not operate a compulsory monopoly; not minding that he wanted to confuse his readers by saying that Performing Rights Society, PRS, is a de facto monopoly. The fact remains that PRS is not a de jure monopoly for performing rights. It is not even a monopoly going by the very recent example when creators (artistes) from Wales formed a new society to look after their performing rights in concerts. Okoroji also fails to let his readers know that there still exists Mechanical-Copyright Protection Society (MCPS) which administers mechanical rights in musical and other related works. There is equally a Performers’ Right Society which broke out from Phonograph Performance Limited (PPL), aside from other societies such as Video Performance Limited operating in the United Kingdom within the music sphere. It should be underscored that “monopoly” in collective administration of copyright evolves voluntarily and is never forced. PRS, ASCAP, BMI and other big societies across the world have variously been investigated by their various authorities to find out if they operate as monopoly or abuse their strong status.

    It is not true that Musical Copyright Society Nigeria, MCSN, prevented other societies from emerging when it was the only one operating. Thank God, Moses Ekpo, the first Director General of Nigerian Copyright Commission, NCC, is still alive and can confirm or deny the fact that MCSN wrote a proposal asking the then Director General to allow as many societies as possible to emerge, concluding that not more than one or at most two would survive at the end of the day, and it would be along specific interests. That was in 1991 or thereabout. MCSN cautioned then of the consequences of trying to legislate into existence a monopoly organisation as those which are already in existence, like MCSN, will definitely refuse to be legislated out of existence for any new organisation which the NCC may want to midwife. That advice was thrown overboard and we all know what happened when Performing Mechanical Rights Society, PMRS, was midwifed by Okoroji and the cabal in the NCC, when he (Okoroji) was a member of the Governing Board of NCC. That recommendation and prediction of MCSN is still valid till today and would be till tomorrow as COSON is certainly living on borrowed time just like its predecessor, PMRS.

    Coming to the Copyright Act and judgments of the courts; any neophyte in the Nigerian Law School in a democracy knows that any Act of Parliament and judgment obtained in relation to it are subject to the Constitution of the Federal Republic of Nigeria. Likewise, a law becomes ultimate only when it passes judicial test or interpretation. In September 2004, MCSN secured a Court of Appeal judgment in the case of Musical Copyright Society Nigeria Limited vs Adeokin Records Co. & Another, Appeal No. CA/L/498/97, which affirms its locus standi to sue for the infringement and enforcement of its copyright against the defendants. Considering all aspects of the copyright law including the amendments to it, the Court of Appeal then declared that MCSN for all times has the full rights as an owner, assignee and exclusive licensee of copyright to protect its vested rights. It went on to dismiss the preliminary objection brought against MCSN’s case by the Defendants. In March 2010, the same Court of Appeal considered only Sections 17 and 39 of the Copyright Act 2004 and concluded that MCSN should secure the approval or exemption of the NCC as a collecting society before it can sue and went on to uphold the preliminary objection of Compact Discs Technologies & Ors. On July 1, 2011, the same Court of Appeal considered yet another preliminary objection brought by Visafone Limited in Appeal No. CA/L/494/09 between Visafone Limited vs. Musical Copyright Society Nig. Ltd., relying heavily and solely on the judgment of the Court of Appeal in the Compact Discs’ case, but the Court of Appeal dismissed the preliminary objection and returned Visafone to face trial for the infringement of MCSN’s copyright and determine the constitutional issues raised therein.

    From the above sequence, it is clear that MCSN’s rights and locus stand intact but not to the jaundiced understanding and interpretation of Okoroji. Just on Monday, October 8, 2012, the Federal High Court dismissed a preliminary objection brought by Multichoice Nigeria Limited against a N5.2 Billion counterclaim instituted by MCSN after considering the same Compact Discs’ judgment which Okoroji is still celebrating. I hope he would have by now woken up from his pipe dream and faced reality that MCSN is talking law and facts, not fantasies.

    It’s so funny that Okoroji is comparing the charade happening in NCC with what is happening in NAFDAC, NBC, CBN and other regulatory agencies. First thing to note is that no serious and reasonable regulatory agency would make it its target to eliminate organisations which were already existing and on ground in order to bring in new ones into existence; rather they would work with the existing ones to strengthen their regulatory powers. When the National Broadcasting Corporation (NBC) came, it met NTA, FRCN and states’ broadcasting organisations on ground; what it did was to harmonise its regulations to make these existing organisations continue under its regulatory influence. The same applied to NAFDAC and other agencies.

    The moment the NCC chose to toe the path of eliminating MCSN for a yet-to-be-formed collecting society, which later became PMRS and now COSON, it started to toe the path of its own elimination. No wonder the NCC has been listed as one of the parastatals to be rationalised by the Oransanye’s Commission. Incidentally the judgment of the Federal High Court in the case MCSN & 5 Ors vs. NCC & 5 Ors, Suit No. FHC/L/CS/35/08, described NCC as an obstacle to the enjoyment of copyright, a fundamental human right, by copyright owners.

    Okoroji stated that MCSN went alone to apply for approval from NCC instead of joining COSON. If the NCC knew that it would not follow the law and its own regulations, why did it publish the regulations calling for applications from interested organisations willing to be approved as collecting societies? Why did it collect whopping application fee of N250,000 in the first instance from MCSN? Why did it send a verification team to verify MCSN’s claim? Why did it not just tell the world that it was forming an all embracing organisation and direct everyone having interest to dissolve into or join hands in forming the organisation, which would be clearly understood to be state-owned or a government parastatal? Is Okoroji now saying that COSON is created and owned by the Federal Government or NCC?

    It is also false to say that the Honourable Attorney General of the Federation asked MCSN and its members to integrate or dissolve into COSON. The AGF clearly directed all parties to seek judicial resolution to the problem and advised all parties to respect judicial decisions and obey the rule of law. The letter from the NCC containing the AGF’s directive dated 10th August 2011 is herewith attached.

    What qualifies Okoroji to pontificate on copyright laws and practice, particularly on collective administration? Was he trained in any institution on the subject? Has he ever successfully managed any collective administration institution? Did he go to any academic institution to study copyright? If yes, to any of the questions, where and when? I challenge him to truthfully answer these questions.

    Soon, very soon, the chicken would come home to roost. We ponder the fate of Okoroji on that day of reckoning…

    -Orits Williki is Chairman, MCSN

  • Love is a beautiful  thing, everybody  should experience it  —Kefee

    Love is a beautiful thing, everybody should experience it —Kefee

    Sensational gospel singer has no doubt carved a niche for herself in the Nigerian entertainment hall of fame. She came out eight years ago and till date, she ranks among the best gospel artistes Nigeria has to offer. In this interview with MERCY MICHAEL, the diva speaks on her soon-to-come album, Best of Both Worlds. She also talks about her inspiration and collaboration with circular artistes among other things: 

    WHAT the secret of your good look?

    Ehn, I nova pass 21 now (laughs). Well, I don’t really do much I just eat right. I take my bath and make sure my face is always moisturize. I dance a lot that’s basically how I work out.

    Musically what have you been up to?

    My album is coming out soon. It’s going to be titled Best of Both Worlds. I’m actually releasing two CD’s. You know how it is, I’m a Christian, and I have a connection with my spiritual life, like a soul thing. That’s like the gospel part of the CD. The other part is going to be the physical part where I can talk about my love, talk about people, talk about life generally. If I feel like talking about you I can talk about that on the other CD. That’s basically what I’m doing. And the first part that is coming out now it’s called Chorus Leading. The other part will be called Beautiful. Both of the albums will be called Best of Both Worlds. Well, I’m releasing the first part now and I will release the other one later.

    You’ve managed to stay out of controversy? How have you being able to achieve this?

    Well I just leave my life. I think controversy is actually part of the business so whatever comes you just look at it and move on. Because we are out there something will always come up. It’s happens. It’s part of the business.

    You’ve been in the industry about eight years now. What has been your staying power?

    I think being myself has brought me this far. I just continue to write my songs, perform and get better in what I’m doing. And the good thing is people get to appreciate what I’m doing. That’s basically why I am here. The last time I released an album was in December 2009 and since then my fans have been asking, when am I going to drop another album? I love music and I enjoy doing what I’m doing. I just opened a restaurant in Mary Island some months ago. This are basically the things I like to do and nothing is stopping me from doing them. You should visit us one of these days. We have food from the Niger Delta. We have the normal Yoruba food. We have rice, very, very well spiced rice. I actually decided to go into restaurant business because my house before now was like a mini restaurant. People just call me and say are you around, if I’m around they will come to my house. They know what they enjoy. They are always like you have this way of mixing things and coming up with really nice food why not open a restaurant. And I’ve had it in my mind for a very long time. So I just decided to open one. And it’s like a dream come true for me because it’s beautiful. When I get there I see people eating healthy meals, good food at very affordable prices, I’m happy. It’s like I’m helping to take away hunger because you can eat as low as four hundred naira at Bhranama Kitchen.

    Your collabo with Timaya Kokoroko was really fantastic. What inspires you? How do you manage put it all these together?

    Like I said earlier, I just follow my heart. I want to make things as natural as possible. If you know me, you should know the kind of things I like. You should know I get bored doing a particular genre of music and I want to change it. That’s why you get stuff like traditional music, Dance Hall in my album. When you listen to me you get to know me for who I am. I just want to sell me because in some years to come I may not be doing music so my fans or my friends would have something to remember me for. I try to sell myself, my culture everything about me.

    In this soon to come album who and who are we seeing?

    For the first part of the album, I worked with Duncan Mighty, DCM voice, very, very popular in the Niger Delta Region some years back. You know Gordons the comedian; he was part of the group. I worked with YQ and LKT on this one.

    You are known for working with circular act, does it affect people’s perception of you?

    I cannot please everybody that’s one thing you should know. If I like somebody and I believe the person loves God and I want to do a gospel song with the person I will go ahead. I have a lot of friends who do not believe in what I believe and I cannot force them. Once I know I cannot force people to do what I do or believe what I believe, all I need to do is to advertise God as much as I can and let God do the drawing. Because He says, Kefee lift me up and I will draw men onto myself. If I want to try and draw people by myself, I don’t have the power. I don’t have what it takes. God has all the power. He knows what to do and He is not forcing people so what right do I have to do that. And as a human being, I have feelings; I don’t restrict myself when I’m writing my songs. For instance I just wrote a song, my latest single, Beautiful was inspired by my sweetheart, my husband. I don’t think I should as a Christian restrict myself from writing those kinds of songs. I wrong a song for my parents as well. I can write a song for you. I can write a song for anybody. I work out; I dance a lot so I wrote a song about working out. How good it is for your body and how healthy it will make you. And those are not Christian songs. I don’t think I should box my creativity into one corner. That’s basically it for me. A lot of people like Beautiful. You can go online and download it. It’s there.

    Recently there was the issue of flood in Delta State. What is your foundation doing to help?

    Presently, Sammy Okposo’s Hope Initiative of is planning on doing a fund-raising for the flood victims and that I am part of. Kefee Peace Foundation I’ve been doing things like this for a long time. We’ve been to Jos to donate relief materials; we donated the little we could at that time. I brought artiste together to do a peace song, Idris Abdulkareem, Omotola Jalade, everybody to lend their voices to say, let peace reign in our Land. We did that and it was beautiful. We had a lot of artistes on it. Kefee Peace Foundation started in 2007 so we’ve been on this route. And now it’s so unfortunate that it is happening in my own State. It’s just like going back home to show love and definitely I want to cook for them. Take my time; get some women and myself. Take a lot of food to them, feed them and tell them this is from me, coming from Bhranama Kitchen again. We’ll give clothes; give them whatever we can to make the suffering lighter for them.

    How do you relax?

    When I’m not working I like to watch movies. I like to read books. Sidney Seldom books, I love them. I love the way he thinks, the way he writes.

    What was the last movie you watched?

    The latest one was this African movie that had Mercy Johnson, on it, Kezayah.

    And who are your favourite Nollywood actress?

    I love Mercy Johnson. I love Genevieve, Tonto Dikeh, a lot of them. They are all my friends. I love all of them. They are all beautiful actresses.

    Some people say your dressing does not conform with your image as a gospel artiste. What’s your take on it?

    Abeg leave them o. That is good for the talk. They need to have something to talk about. I dress beautifully. I dress the way I like. There are types I just want to look wield, I want to have some colour on my hair. I just feel like that sometime. And just because someone has issues with it doesn’t mean I shouldn’t express myself fashion wise the way I feel. Everybody cannot like everything you’re doing and I understand that. Like not everybody wants the air that we are breath in, some people want to die.

    What is your thought about love?

    I think love is a beautiful thing. Everybody should experience it, real love.

    Are you experiencing it?

    Hahaha headline…

  • St. Lauren  Nollywood  Buzz gathers  momentum

    St. Lauren Nollywood Buzz gathers momentum

    A new radio show, St. Lauren Nollywood Buzz, which presents top-notch Nollywood actors and actresses in exciting and revealing interviews, has hit the airwaves.

    The 30-minute programme anchored by Bukky Babalola showcases successful Nollywood artistes, like never before and it is sponsored by Grand Oak Limited. Airing weekly on several radio stations across the country, the show features interactive sessions with the cream of Nollywood, including wave making actor, Joseph Benjamin; award-winning actress, Bimbo Akintola and acclaimed movie director, Teco Benson.

    According to Mr. Jide Akinsomiro, the Group Head, First Marketing Services Limited, Lagos, (the marketing consultants to Grand Oak Limited), the programme was developed to inform, educate and entertain the audience, by engaging Nollywood thespians in very interesting topical discussions, while celebrating their life experiences, with a view to giving listeners quality time on radio.

    Babalola, who has carved a niche for herself in the broadcast industry with her unique style of presentation, brings her vast experience to bear as she engages her guests in highly revealing interview sessions. The enthralling moment has movie stars talking passionately about what makes them tick; giving in-depth analysis on social issues and letting the audience and fans alike into their future plans.

    The programme also includes a segment where all the latest news about Nollywood stars, are served fresh to the audience.

  • WAP Talent Hunt 2012 beckons

    WAP Talent Hunt 2012 beckons

    ACCORDING the management of Wale Adenuga Productions (WAP), the outfit has come up with the WAP Talent Hunt 2012, set to be of benefit to all Nigerians and the Entertainment Industry as a whole.

    The WAP Talent Hunt, according to the organisers, is mainly targeted at discovering and projecting new talents into the Entertainment Industry hence the decision to make entry into the competition free of charge.

    Further buttressing WAP’s aim of using this Talent Hunt as a means to give back to society, the company has also announced that apart from being free to enter, the top 6 contestants will win fabulous cash prizes while 20 StarTimes Decoders are also up for grabs for all contestants as well as instant fame from the Nationwide Exposure on several platforms.

    The WAP Talent Hunt would accept entries from all age groups and takes place at De Next Centre, Ajao Estate, Lagos on two days- Saturday, 3rd November for Ages 4 -17 and Saturday, 10th November for Ages 18 – 60.

    Wale Adenuga Productions is known for the top-rated TV programmes Superstory, This Life, Papa Ajasco & Co., Nnena and Friends and its recently launched TV station, wapTV.

  • Why we brought comedians from across Africa to Lagos —Opa Williams

    IT was unforgettable fun and excitement for the many that thronged the venue for the recently held Opa Williams’ Nite of a Thousand Laughs Xtra as they got more than what they bargained for when comedians from across the African continent joined forces with their Nigerian counterparts to hold them hostage for over eight hours with rib cracking jokes.

    Leading the African onslaught was Patrick Salvador, a renowned figure in the stand-up comedy industry in Uganda. He came with the Cotilda, Ugandan version of Nigeria’s female comic Princess and Lepacious Bose all rolled into one. Eric Omondi, the vibrant comedian and Kenya’s biggest export to the world of comedy.

    Although, Omondi had in May this year tore Abuja crowd apart at the Workers’ Day edition of Opa Williams’ Nite of A Thousand Laughs Xtra. The show was sponsored by mobile telecommunications giant, MTN, Loya Milk and Bacchus Lite among others.

    Salvador in a statement signed by Opa Williams media Company, described Lagos crowd as one of the best he had performed before in his career so far. “The crowd was receptive, very warm and welcoming…it got to a point I thought I was performing before my people in Kampala. I love Lagos,” he said. Salvador’s joker that sent the packed Shell Hall of the MUSON Centre into a state of frenzy was his joke about his native Mgbokolo village. The laughter was so long and sustained, the comedian had to break it up. “I am grateful to Opa Williams for giving me the opportunity to come to Lagos, Nigeria for the first time in my life. It was a major break for me as a comedian. I believe I had Lagos that night because any comedian that wants to make it must have the ability to make Nigerians laugh, I did it and I thank Opa Williams for that.”

    Eric Omondi said he was no stranger to the Nigerian crowd. “I did it in Abuja and I have done it again in Lagos. Lagos show was it for me and thank God we made the Nite of A Thousand Laughs to have the ‘xtra’ package that makes it stand out from any other comedy shows in Africa.”

    Tall, Elegant Cotilda could not hide her excitement. “I did a little research about Lagos before I flew in and I discovered there a top female comedians like Princess, Lepa Bose and Mandy, who I have met in Uganda…now, Lagos would add Cotilda to their list of good female comedians they know and have seen deliver. I love Lagos.”

    Comedy merchant Opa Williams on his part revealed why he made the revolutionary move of bringing comedians from across Africa to rock Lagos at the October 1 edition of his premier comedy show, Nite Of A Thousand Laughs Xtra. “Its fresh comedy, it’s revolutionary and it can only happen on Opa Williams’ Nite of a Thousand Laughs Xtra show,” Williams said.

    The show also featured wave making comic acts from Nigeria such as Bovi, Funnybone, Pencil, Ajebutter, Akpororo and veteran Okey Bakassi.

  • Hip hop acts rewarded at the Headies

    Hip hop acts rewarded at the Headies

    THE Eko Hotel & Suites played host to scores of Nigerian artistes for the tremendous and continuous re-invention of the music industry that has placed Nigeria firmly among the best.

    The event was the annual Hip Hop World Awards now known as the Headies which was staged on 20th of October 2012. Sponsored by MTN, the award witnessed a large attendance among who are the crème-de-la-crème of Africa music industries and top corporate heads.

    The Headies awards are annually given to artistes and music producers whose songs make wider appeal and contribute to the finesse that the Nigerian Hip Hop community is known for. In different categories, the award brings the young, the established and the aspiring into focus as they are fittingly rewarded and recognized. This year, however, the likes of Davido, Inyaya, Wizkid, Vector, D’Banj, P Square, Sound Sultan, Tiwa Savage, Wande Coal, TY-Mix and Jude Okoye, among others, were duly recognized and rewarded.

    The award witnessed varieties of performances from Chidinma, Project Fame Season 5 winner; Brymo, Chuddy K, Timi Dakolo besides hilarious moments from MI and Omawunmi who anchored the event.

    A day earlier, at the same venue, the organizer of the award and MTN, hosted the veterans of the music industry such as Onyeka Onwenu, Orlando Julius, Salawa Abeni, Stella Monye, Fatai Rolling Dollars, Shina Peters, Mike Okri, Daddy Showkey and others to a night of applause and celebration of the past.

    The winners of this year’s edition are:

    •Best Pop Single – Iyayan (Kukere)

    •Best R n B Singer – May D

    •Best Rap Single – Vector ft 9ice (Angeli)

    •Best R n B/ Pop Album – P Square

    •Best Street Hop- Chuddy K

    •Best R n B Pop Album-Ice Prince

    •Best Vocal Performance (Male) – Wande Coal (Private Trips)

    •Best Vocal Performance (Female)- Tiwa Savage (Love Me)

    •Best Collaboration – Sound Sultan ft Excel and Flavour (Orobo)

    •Revelation of the Year -WizKid

    •Recording of the Year – Brymo (Ara)

    •Best Label Head – Banky W

    •Producer of the Year – Ty-Mix (Super C, Naeto C)

    •Lyricist on the Roll -Vector (Angeli)

    •Next Rated – Davido

    •African Artist of the year – Sakordie, Ghana (Azonto)

    •Album of the Year – P Square (Invasion)

    •Best Music Video Director- Jude Okoye (Chop My Money)

    •Song of the Year- D’Banj (Oliver Twist)

    Headies Hall of Fame – Femi Kuti

  • The  right  guy  should  make  himself  known —Nollywood actress Belinda Effah

    The right guy should make himself known —Nollywood actress Belinda Effah

    Rising through the ranks, Cross River State born Belinda Effah came into the movie scene after her enchanting performances in several television series. In this chat with DUPE AYINLA-OLASUKANMI, the graduate of Genetics and Bio-Technology from the University of Calabar talks about her journey into the make-believe world, work experience with A-list actors and other issues.

    AS a graduate of Genetics and Bio-Technology, how did you end up in the arts?

    What I studied has nothing to do with acting though for me it is passion. I have always had the passion for acting from time immemorial. In Calabar, there aren’t enough platforms for actors because Lagos is more the place. They only do bits of shootings in some parts of Asaba, Onitsha and the other towns. Calabar was not part of it. I had the passion, but then how to showcase it was the issue. When the opportunity came forth, I decided to use it. Before the opportunity came, I had to do something with my life; I had to get an education to please my parents because they wanted me educated. I am happy that I went to school and got out with good grades. But what I studied has nothing to do with acting

    How did the opportunity come?

    While still in school, I decide to come visit my sister in Lagos. I went to the salon to make my hair on that particular day and met an agent who came to the same salon to make hair for some ladies who were suppose to model for a particular product. He saw me and introduced himself and his job to me and asked me if I want to be a part of it. That was how the opportunity came. I didn’t even think about it. They fixed my hair immediately and took me for a photo session. I was at Ikeja and the studio was somewhere in Surulere. We worked deep into the night and my sister got worried. Eventually we finished and the man took me home to explain to my sister. She refused because I was supposed to go back the next day for another photo session. I had to plead and talk to her, before she allowed me and said I had to come back at a certain time. For me that was an opening.

    How did you handle that with school?

    Each time we are on break I come to Lagos, to do that and try to indulge in one or two things. While in Lagos I saw this advert on air for a TV series and they wanted a fresh cast, so I got the form, went for the audition and got picked. That was how the opportunities kept coming. Though it was not easy, I did not just fold my hands for the opportunity to fall on my laps. While on break, I would come to Lagos, walking the streets to look for opportunities. At school a friend of mine, told me about The Next Movie Star reality show. I was in my final year then. I called and I was told that I had to come to pick up the form. I did and I was told the audition was taking place in Port-Harcourt. I went for it and scaled through. This is the little girl from Calabar, but I made it into the house and made it to the end, that was in 2006.

    Did that open doors for you?

    I thought the doors were just going to open just like that. I had just finished the Next Movie Star, but the industry told me “shut up”. It is not easy like that; you have to come pay your dues. I had to continue my struggle and search; the doors were just not opening. I was just doing more of soaps and for me I wanted to be an accomplished actor. I needed money, I had bills to pay and the money wasn’t coming, so I decided to take up a job, and was just passive in the industry for two years. I left in 2008-2009 and came back 2011. Along the line, one producer sent me a message on Facebook, because I post pictures of the works that I have done, to say that they were casting for a particular Soap asking if I would like to be a part of it. He left a number so I thought to myself that he cannot kill me through my phone. So I called him and he asked if I could come to Egbeda for audition. I then called up a friend and ask him to accompany me so that he can save me if they wanted to kill me. We found out it was legitimate. I did the audition and eventually got the role. That was how I ended up playing the lead of that soap Tales of Eve, which has given me a lot of rave reviews and exposure too.

    Is it that you didn’t find your job fulfilling?

    I was good at what I was doing. When I put in my resignation letter, my boss refused to sign it but I was just tired of going to work in the morning and coming back in the evening. It was the same routine over and over again. My boss said I could work part-time but I had to make him understand that acting is either you are fully into it or you are not.

    What are the names of the moves you have featured in?

    In 2011, I featured in Avina and Encore. I have also featured in Ude me mi and Kokoma, both Royal Art Academy productions. Kokoma has been nominated for several awards. I went to Houston to receive an award for Best New Actress. There are others movies which I have featured in but do not know what they are titled. I also played the lead role in Brother’s Keeper, Casket and Mama Africa. Presently I just finished Wide Awak. It is also a Royal Art Academy Production. I have done about 20 productions out of which I played the lead role in 15. I really had the vision and I stayed tuned to my vision and made sure that I pursued it.

    Was there a time you felt tempted to give up the struggle?

    I hate to be in an industry where I have nothing to offer and just be struggling, knowing that I cannot cope and nothing is forthcoming. Eventually, people would know that you are no good. I notice I was good at acting and I was ready to do everything to position myself as one of the best actresses. I kept pursuing my dream, even when the opportunity was not given to me. When the door started opening, people could see that this girl had something to offer. I didn’t have to go for the open audition for most of the jobs I did. I just got calls to go for the closed auditions because they had seen what I had done. So for people who go begging, their time would come when people would be begging them with scripts. My story cannot be complete if I don’t mention the Royal Art Academy; they have given me a huge platform. If I am recognised today, it is because of them. The very first movie I did with them was Ude me mi, an Emem Isong movie, and she just gave me a lead. And people were like are you serious? She didn’t know me from nowhere. Someone just refer me to her and she said I should just come and she gave me her lead role. And subsequently she has been given me substantial roles and I had to register with her school. There I got some training. And they give preference to their students. So for me I would like to give credit to aunty Emem Isong and aunty Uduak Isong Ogunanam Those two women have given a good platform, that thank you is not enough.

    Do you work for Royal Art Academy alone?

    I have only done three movies with them. I work with other production outfits. I work with just about anybody. If you have a job for me and I like the script, I will come work with you. What I am saying is the Royal Art Academy encourages their own. They give preference to their own. In the movie we just finished, Wide Awake, they used me with a couple of students.

    What was it like working with A-List actors?

    It gives me goose pimples. I have work with Majid Michel in Java’s House. He played the male lead while I played the female lead. It was a huge experience for me because he is one of the intense actors I know. I had to bring my ace game; I had to bring in all my training that I had gotten in this life to make sure that I was not subdued. And Majid is an actor that gives, so he was able to help me. Working with him was a revelation.

    What steps are you taking to ensure that your career stays scandal free?

    To me, scandal is relative. What you see as scandal might not be to me. I am a very free thinker and believe in live-and-let-live. I live my life to please myself. I put other people into consideration too, because I love helping people. I am in this world to serve people. I want to please myself as well as try to please others in the little way I can. If I do something to upset you, I expect you to come to me and tell me. People are always looking for something to talk about so if they want to talk, they can go ahead.

    Do you still model?

    I do modeling when I have the time. I did one recently, with a new hair braid Lolia. I am representing them.

    Do you still live with your sister?

    (Laughs) That is private. I will be giving out too much. I live in Lagos that is all.

    What is your favourite wear?

    I love short skirts, because I have got good legs.

    Are there plans on the way to settle down?

    It is every ladies dream to get married someday. So if you are the right guy and you are out there, make yourself known (laughs).

  • Nollywood  welcomes  Linda  Ejiofor

    Nollywood welcomes Linda Ejiofor

    FROM serenading her fans in popular TV series, Tinsel, Linda Ihuoma Ejiofor has gradually painted a big picture in her career as she finds her way into the Nigerian movie industry via the flick, The Meeting.

    Better known for her role as Bimpe on MNET Africa’s weekly soap Opera, the actress who also doubles as a model says that she is not one to leave her options closed

    Armed with a Sociology degree from the University of Port Harcourt and a determination to work in the advertising sector, fate handed Linda a chance at acting via the Mnet series. In 2008, Ejiofor went on to launch as “Bimpe” on Tinsel, and gradually became a darling amongst TV fans.

    Since launching on our TV screens, Linda has made it her business to improve her art, gradually rising from an insignificant role to a major role on Tinsel. It is no wonder she was contacted to play the role of Ejura in Rita Dominic’s debut production, The Meeting.

  • Review: of The Narrow Path

    Review: of The Narrow Path

    THE movie Narrow Path is a culturally enriching movie set in two geographically located agrarian communities, Orita and Agbede. The period points to either the time of pre-independence when many villages and small towns lack basic infrastructures that are taken for granted today, even though dilapidated.

    The entire story revolves around a beautiful village damsel, Awero, who is admired by Lapade, desired by Odejimi and raped by Dauda. Eventually betrothed to Odejimi, hell is almost let loose when it is discovered that Awero is not a virgin on her wedding night. Two communities are set against each other but for the intervention of the woman at the centre of the storm, the men wouldn’t have allowed reason to prevail.

    Narrow Path is a film with so many messages therein; first, it is a judgment on the moral issues of premarital sex and its consequence. Second, it is a look at the age long tradition of virginity test in local communities. Third, it frowns at unnecessary rivalry that may arise as a result of competition between men. The movie also brings the issue of rape to front burner, looking at it from the view point of the victim and what such victim goes through psychologically and physically.

    The film leads the viewers down memory lane to showing corruption on the part of government officers in the course of discharging their duties among the largely illiterate people and how ignorance can give room for exploitation.

    Shot on high quality film technology and with a beautifully crafted script, Narrow Path shows the role of understanding rather than rage in settling issues. It accents that jaw-jaw is better than war-war. The film emphasizes the important roles of women, though marginalized, in bringing about communal peace. Perhaps, this is why the makers dedicated the film to all African women, who often marginalized, play peace keeping roles in traditional communities.