Category: Entertainment

  • GUS jungle  bound 12 emerge tonight

    GUS jungle bound 12 emerge tonight

    THE final 12 contestants that will compete in this year’s edition of Gulder Ultimate Search (GUS) will be unveiled tonight, in a ceremony scheduled to hold at the New Expo Hall of Eko Hotel, Lagos.

    The unveiling of the jungle bound contestants, follows a series of physical and mental screening exercises in Owerri, Benin, Makurdi and Lagos for the over 30,000 individuals who registered to participate for the contest which enters its ninth edition this year.

    Nigerian Breweries Plc, organisers of the show, say only 12 will proceed to the Usaka Forest in Obot Akara Local Government area of Akwa Ibom State, location of this year’s showdown, where a winner is expected to walk away with N9 million, N500,000 swagger allowance and a brand new SUV worth N10 million.

    It is also expected that the host of Gulder Ultimate Search 9 will be revealed at the event. Last year, two anchor persons hosted the programme for the first time in the show’s nine year history. It remains to be seen whether the show will retain the Gulder Ultimate Search 8 two-anchor format, or whether it will revert to the single anchor format as in the show’s preceding years.

    For this year, three past winners of Gulder Ultimate Search will be playing the role of Gatekeepers. They are Dominic Mudabai (Gulder Ultimate Search 4 winner), Michael Nwachukwu (Gulder Ultimate Search 5 winner) and Christopher Okagbue (Gulder Ultimate Search 8 winner).

  • The NCC, MCSN, COSON triangle (part 2)

    The NCC, MCSN, COSON triangle (part 2)

    D: @A, the matter open. Me no accuse anybody o. Na dia biznes dem dey o, so happy bizness.

    A: I no talk say you accuse. This is a fight between NCC and MCSN over the humiliation done on NCC by MCSN. This much I know because I am very close to MCSN and to some extent, NCC.

    H: Any where there is monopoly in any business concern, the people suffer more than the Job. NITEL on my mind.

    E: @G, you are on point.

    A: @G, you are right, by saying the more the merrier, but can you affiliate with a body in America which American government says is illegal?

    G: Let more collecting society pay!

    A: You have not answered my question @G.

    D: What has affiliation got to do with it sef? Dem don fit collet the royalties for Nigeria finish, then na the ones for abroad remain?

    A: ‘G’ is the one stoking the fire of international affiliation as the reason why MCSN should be allowed to operate as a CMO without approval by the regulatory body.

    D: Is affiliation not for collaboration purposes? How many outfits are paying royalties in Nigeria? If you like collaborate with Obama, if you never fit put your house in order, forget it. The dummy MCSN sold for years about a collabo with CISAC, sebi COSON don get the same collabo with CISAC? Nigeria should be the focus here first.

    G: A, this is not even about affiliations. That’s far from the matter. The point is that the creative industry is such a large landscape to have just one right administrator. Those who made that law that conferred the ‘sole’ right on COSON, to my mind were very selfish and didn’t think about the possibility that the industry will expand as it has done in the last few years.

    Let’s face the fact; COSON cannot go this journey alone. Even that Adewopo’s proposal of a merger was a move that will forever remain impossible. You can’t have a merger between two organisations that are in business for motives that are best to known to them. Interestingly I am hoping on making this my dissertation topic. I have just gotten sponsorship to study other societies and from my preliminary findings, it’s the more the merrier.

    I like the COSON energy and their drive and their desire to rewrite collective rights environment, but the point to be made is that there should be no monopoly in the creative industry. People should go where they want and get paid according to the power of the collecting society! That’s my take.

    G: If I were MCSN, I will get the artistes under my fold out on the streets for a sustained lobby and protest. I should be able to entrust my ‘future’ into the hands of an organisation of my choice. Why did they not appoint just one pension fund administrator in Nigeria? They made it open because in matters like this, the market forces have to decide.

    H: Monopoly has never and will never be a better option. Do we still remember NITEL? Even before Globacom emerged, we bought SIM cards with our blood.

    G: That’s the point; it’s my right and I should entrust it to who I like! But I know we will get there. It’s just a matter of time. That sector will be liberalized as they did to the broadcast and telecommunication industries.

    B: My ogas, please let’s get our fact straight. As much as we might all have divided opinions, COSON has no hand in this. The case is strictly between NCC and MCSN. @’G’, If you say that ‘the more, the merrier’, are you suggesting that MCSN should continue its operations, even after the official regulatory body has told them not to do so? @’F’, nobody forced anyone to be a member of COSON. Not even the government. COSON is not controlled by Okoroji, but rather by the same musicians whose rights are being collected on their behalf

    I: @’B’, bros, I didn’t know this hidden side of yours, but while you are here, spare us the hocus pocus of “COSON is not concerned; its NCC/MCSN”. You are doing your job well, but we know the undertone. In summary, we hia u sir.

    B: @’I’. Job or not, I am sure of what am saying. Are you saying that MCSN is not subject to NCC as a CMO?

    I: It’s the case of the accused turning to the complainant. Like ‘A’ said, NCC is miffed at the judgment MCSN got against them, especially preventing access to their account. But seriously, NCC is hand in gloves with your office. MCSN got a judgment, are you saying the judgment is thrash? And because it’s NCC, they can flout it and raid MCSN at will? Mind you sir, the judgment was also given because NCC raided MCSN unduly years ago.

    G: ‘B’, they didn’t need to ‘outlaw’ MCSN in the first place. They would have allowed the two to operate and forge partnership themselves, not force them to merge into a body.

    B: COSON is well regulated, and NCC can verify the account whenever it chooses to. It is not a one-man show. While it might seem a better option to have more CMOs operating in the country, the interested organization should operate under the ambit of the law. If it were that easy to set up a CMO without regulation, then every Tom, Dick and Harry can just set it up; they would claim to have members and then embark on illegal collection of copyrights. But there is a law and it is only normal that such laws should be obeyed

    H: @’B’, you are right on point. I think the issue here is not even about COSON, NCC is the issue. The laws must be obeyed, but NCC should not close the doors and encourage monopoly.

    B: As much as most of us might disagree with the new Lagos traffic laws, we must obey before we complain. It is the law of the land, however unfavourable it might appear.

    C: Let me take this matter from the roots. How old is MCSN? How old is COSON? Who started this collection thing first? Was NCC aware of that body then? Has any artiste complained about any fraudulent act by the said body? Ok. If there’s a need to have one body (which I totally disagree with), is it not more sensible to use the body already on ground, with international recognition? Assuming there were lapses in their operation, why not talk about righting the wrongs and allow the company be? Why toe the difficult path of registering a new body and forcing the old one to shut its operations? Why is COSON afraid of open market? We are Nigerians; let’s stop fooling ourselves with stupid ‘laws’.

    H: Again entertainment journalists have not helped matters. I suggest we begin to ask more probing questions by taking NCC to task.

    G: Mr. ‘B’, it’s convenient for you to talk about operating within the ambit of the law because COSON is ‘recognised’! Have you stopped to ask yourself why the NCC is taking on the arduous task of registering CMO’s? They really don’t have any business with that. It’s like our fight with NFVCB (National Film and Video Censors Board) when they got too involved in distribution. Elsewhere, these bodies are set up as limited liability companies by guarantees and operate within the ambit of a duly registered corporate entity. Why is our own different. And @’A’, it’s not about international affiliation alone. MCSN has been there long ago. The NCC didn’t need to call for fresh registration of new bodies. All it should have done was to register the two and allow a level playing field. Besides NCC has so much they have not done than to bother with approving CMOs. It’s a pity for Mayo and co, but joy will come in the morning for them. The more will be the merrier in no distant future.

    B: @’C’, it is not by quarrel. The question here is what parameters did NCC look at to register COSON. COSON was set up, not by Okoroji, but by a coalition of professionals involved in making music with the backing of the musicians themselves; both the old and the new. Nobody forced anybody. You choose where you want to belong. And since COSON was set up and controlled by them, the credibility of the body has not been in doubt. For all I know, the two associations were asked to find a common ground and if you know Chief Okoroji well, he is a man of documentation. I have read a lot since I resumed, and I can boldly tell you that all hands of fellowship were rebuffed with insult and subsequent campaign of calumny.

    C: @’B’, the first law of nature is equal right and justice; I hate injustice and I condemn it in totality. Law or not law, justice prevails. I wish COSON (Okoroji) well, but what goes around comes around.

    F: @’B’, I doubt that you would agree that under Adewopo, NCC was favorably disposed to the Okoroji faction that has become COSON today. What level playing ground are we talking about? The NCC was anti MCSN and all of us know.

    A: Make una leave COSON out of this now. Let’s face NCC that raided MCSN. When for many years under Adewopo, COSON was not recognized, how many of us blamed MCSN for that? This is strictly between NCC and MCSN.

    D: How many of us here were present at the meeting called by Adewopo to find a final resolution to the issue at Abuja? Like ‘A’ said, Adewopo bowed to superior argument that there should be one society because as at that time, he was still friends to MCSN. This MCSN fought and reinstated Adewopo when Okoroji caused him to be suspended. So, naturally, one thought he would give MCSN license to practice, but it came to MCSN as a rude shock that he did not. If both parties; MCSN, and then PMRS had allowed their egos and interest to be put aside, we won’t be having this issues today.

    G: MCSN is a registered business interest, limited by guarantee. Artistes are free to go there and ask them to represent their rights. They are like housing agents who you go to meet for housing services. Why did government not only license Diya Fatimilehin?

    A: If I read you well Mr. ‘G’, what you are saying is that just anybody can wake up and set up a CMO? I do not think so. Then we do not need NBC too. Anybody who can afford a transmitter should be allowed to go into broadcasting then. And can you please tell me the country where CMO which is usually GTE is not regulated; whether by way of duopoly or monopoly? And again, the fact that Alhaji Giwa of blessed memory set up MCSN in the 70s with its office in a room at TBS does not mean that the company should get automatic approval; after all, the first building in the town does not mean the best. @ ‘F’, that is not true. Adewopo was MCSN and MCSN was Adewopo before what joined them together separated them. This much I know and ‘D’ can testify to it. Adewopo was MCSN’s lawyer before he was appointed D.G of NCC. Ask Mayo and he will tell you. Adewopo was so pro MCSN that he wrote several opinion articles in The Guardian, calling for the scrapping of NCC. He even appeared before the House Committee on Copyright Matters to ask them to scrap NCC, but months later, Obasanjo (former president) made him NCC’s DG and he quickly approved MCSN as a CMO. When he was suspended, Ambassador Frank Ogbuewu, it was, with MCSN and Charly Boy that formed FIPO that campaigned for his reinstatement. He was never for COSON and its promoters.

    I: @ ‘H’, a court of competent jurisdiction has asked NCC to stop harassing MCSN and even awarded damages. I am surprised you accept NCC’s Gestapo style which is influenced by the malice they have against MCSN.

    B: If only we can stop to see COSON as an Okoroji thing, we will really appreciate the effort of the organization. @ ‘C’, COSON is still in its teething stage. It’s achievements so far are due to the sheer resilience and doggedness of its founding staff members, headed by its hardworking Chairman, Chief Okoroji. But the organisation is still evolving, and it’s still very much at a critical stage where it needs every hand on deck.

    H: I do not accept their impunity against court ruling. Now is the time to take them to task, because they owe tax payers some explanations.

    B: Every popular musician you know today save for a few are card carrying members of COSON, if they don’t believe in it, I am sure they won’t identify with it.

    G: @ ‘A’, please get me right. I didn’t say you can just wake up and float a business, because your company is limited by guarantee. No. What I meant is that you can still seek registration with NCC which should approve that you operate as one, but not close the doors to people who will legitimately do this business well. The word ‘sole’ is alien even in entertainment business, that’s why you have so many recording companies, music labels etc. Whatever superior argument Adewopo bowed too, including (bowing to the perceived blackmail to make NCC ungovernable for him) was for that moment. But the point now is that Nigeria is too ripe for liberalization of the right administration segment of the entertainment industry. Why do you think MCSN got the 40 million judgment in it favour? It’s because the word monopoly is alien to a free market like the creative industry. Like I said, it’s just a matter of time. The MCSN just needs to do a lot more lobbying and get other people interested in this to join in the lobby. It took former Justice Minister, Bayo Ojo; Adewopo’s supposed teacher, friend and in-law nothing to move NCC to Justice Ministry? It will take someone else nothing to liberalize that sector. It’s just a matter of time. ‘Sole’ is an alien word in the entertainment industry. If you engage Adewopo today (and I have engaged him even last week), I am sure he will tell you why he had to take the decision he took at that time. The man is even calling for a total overhaul of the NCC laws which he has found out (now out of office and teaching at the legal institute in Abuja) cannot effectively administer copyright issues in Nigeria. PLEASE LET MORE SOCIETIES PAY!

  • Afro  Hollywood Awards  unveils nominees

    Afro Hollywood Awards unveils nominees

    AN unusual gathering will seep into the ongoing political campaigns in Akure, the Ondo state capital, as actors and filmmakers who have made the nominees list of the annual Africa Film Awards, otherwise called Afro Hollywood award will storm the ancient South West city next Wednesday.

    The African Voice Newspaper UK, organisers of the event have released the shortlist of nominees. They said that winners in each award category, who will be attending the 17th edition of the awards in London, will be announced at a special ceremony on Wednesday 10th October in Akure.

    The African Actor of the Year will be contested by one of South Africa’s leading actors, Jafta Mamabolo (famed for his role in Otelo Burning), who will slug it out with Joseph Benjamin of Nigeria (Tango With Me) and Van Vicker of Ghana.

    According to Prince Mike Abiola, publisher of African Voice Newspaper UK and Chairman of the awards scheme: “the awards ceremony will attract British African stars from film & television, British producers seeking collaboration with Nollywood practitioners and high net worth British Africans seeking to invest in Africa’s leading film industry”.

    On the choice of Akure for the nomination party, Abiola said: “Akure has been chosen to announce the finalist from Nollywood this year to promote peaceful electioneering in the forth coming Governorship elections in the state. It is hoped that the popularity of Nollywood and wide acceptance of the award brand will drive international media attention to the variety of tourist attractions in the state such as the historic Idanre Hills”.

    He added that a distinguished and independent panel of film critics, respected for their expertise in the film industry, will decide the eventual winners of each award category.

    The awards ceremony in London, he noted, will serve to elebrate excellence in African film and tourism, and offer an opportunity to highlight the tourism development plans of African states, as the event coincides with the World Tourism Market, the leading global event for the tourism industry.

    The Afro Hollywood Awards ceremony has been scheduled for Saturday, November 3rd, at the historic Stratford Town Hall, 29 Broadway, Stratford, London.

    African Film category

    African Actor of the Year

    Joseph Benjamin (Nigeria)

    Van Vicker (Ghana)

    Jafta Mamabolo (South Africa)

    Nollywood Film category

    Best Actor (English language film)

    Nonso Diobi

    Femi Branch

    Yemi Blaq

    Best Actress (English language film)

    Chika Ike

    Tonto Dike

    Omoni Oboli

    Best Actress (Supporting Role in an English language film)

    Kiki Omeili

    Nse Ikpe Etim

    Oge Okoye

    Best Actress (Yoruba language film)

    Funke Adesiyan

    Ayo Adesanya

    Laide Bakare

    Best Actress (Supporting Role in a Yoruba language film)

    Mosun Filani

    Toyin Aimaku

    Toyosi Adesanya

    Best Actor (Yoruba language film)

    Odunlade Adekola

    Adefemi Salami

    Gabriel Afolayan

    Best Actor (Supporting Role in a Yoruba language film)

    Muka Ray

    Femi Fadeyi

    Don Richards

    Best Actor (Hausa language film)

    Aminu Sherif Momoh

    Ibrahim Maishunku

    Babelle Hayatu

    Best Actress (Hausa language film)

    Sadiya Mohammed

    Mayam Booth

    Jamila Umar Nagudu

    Veteran Actor

    Tafa Oloyede

    Kayode Olasehinde

    Gbolagade Akinpelu

    Veteran Actress

    Abeni Balogun

    Lanre Hassan (Iya Awero)

    Iyabo Ogunsola

    Best Director (English film)

    Mahmud Ali Balogun

    Bond Emeruwa

    Chidi Nwakobia

    Best Director (Yoruba film)

    Ayinde Sansaliu

    Yemi Amodu

    Bayo Tijani

    Best Marketer (Yoruba film)

    Alhaji Toyin Uthman (Toymax Film Holdings)

    Biodun Ibitola (Remdel Ultimal)

    Ishola Saheed (Isolak Films)

    Best Marketer (English film)

    Andy Best

    Cosmos Ndulue

    Bayo Tijani

    Best Comedy Talent

    Bolaji Amusan (Mr. Latin)

    Hafiz Oyetoro (Saka)

    Helen Paul (Tatafo)

  • Ahead of Nigerian Idol 3

    Ahead of Nigerian Idol 3

    AS organisers of popular music reality show, Nigerian Idol are get ready for the third edition slated for November, a series of pre event activities are in top gear, including a Press Idol, a fun competition at the Shaba Events Centre Ikeja which engaged media men, as a way of discovering the hidden talent among journalists.

    Auditions for season three of Nigerian Idol has been billed to kick off across the country on Wednesday, October 13, 2012.

    The one-off ‘Press Idol’ was anchored by Optima Media Group, owners of the Idol’s franchise in West Africa, with sponsorship from Etisalat.

    “We thought to ourselves: we are very grateful to the media, which has made this Nigeria’s number one reality TV show,” said Tiwa Medubi, the project manager. “So why not reward them… by putting them on the spot.

    On a weekly basis, they are shining the spotlight on the victories and mistakes, challenges and a highlight of these contestants, and these were a fun way to enable them lives the dream!”

    Putting up thrilling freestyle music performances of popular classics and contemporary hits, the media men contested for the grand prize of $1000, which was clinched by Daniel Oramai of Hitz on TV. The second prize of $500 was won by Efe Tommy of Excite on TV, while the third position of $200 went to Yes! Magazine’s Gbenga Saba.

    The event had performances from season 2 winner Mercy Chinwo, runners up Joe Blue and Stephen Onochie and Naomi Mac of season 1.

  • Viewers’ Choice Awards berths

    Viewers’ Choice Awards berths

    AFRICAMAGIC and MultiChoice Africa presented their latest joint initiative The Africamagic Viewers’ Choice Awards at two gala events held recently in Lagos and Nairobi.

    The exciting announcement was made during a special episode of the popular AfricaMagic magazine show Jara, which is screened to DStv audiences in 47 countries across the continent. Created to celebrate African film and television talent, both in front of and behind the cameras, the Awards will feature several special categories in which viewers will decide the winners directly, alongside several professionally judged categories.

    In total, 28 awards in 26 categories will be awarded ranging from acting and directing to script-writing and cinematography. Other fields which will be honored include editing, make-up, sound, lighting and costuming among others. In addition the awards will feature two categories destined to become annual talking points the Industry Merit Award and the Trail Blazer of the Year Award.

    Awards will be handed out at two separate events to be held in March 2013 in Lagos the first event will be dedicated to standout technical accomplishments while the main event will be a glittering, glamorous gala night. Both events will be screened to DStv audiences across the continent with the gala being screened live.

    In order to ensure that the awards are transparent, fair and credible, AfricaMagic has recruited leading and respected industry veteran Femi Odugbemi to take on the role of executive judge and has confirmed that all the awards will be verified by an independent auditing company to be appointed shortly.

    Commenting on the Awards, M-Net Africa Managing Director Biola Alabi is confident that this is an opportunity to build a pan-African event that is both relevant to industry professionals and vastly entertaining to fans.

    “It has been part of our plan to create a specific event that honors, celebrates and recognizes those people who are giving so much of their talent and creativity to ensuring the popularity and evolution of African film and TV. And to do this in partnership with MultiChoice illustrates the level to which both companies value this industry and are willing to invest in its future.” She said.

  • Fadeyi Oloro headlines ACN rally

    Fadeyi Oloro headlines ACN rally

    FANS of frontline Yoruba actor, Ojo Arowosafe, popularly known as Fadeyi Oloro, may have been wondering what their one-time veteran actor has been up to in recent times. We can authoritatively tell you that the man, who earned a name for himself for his valiant acts in movies, is at the moment in the forefront of the ACN governorship campaign in Ondo State.

    Among other entertainers within the Yoruba genre, Fadeyi’s face has become a regular feature in all the rallies by the ACN in the sunshine state.

    For example, the rally at Ore, Ondo State witnessed a large turnout of party faithful and supporters who clutched bundles of brooms, with which they hoped to sweep the state clean of the memories of the Labour Party government.

    Fadeyi stole the show at the rally as he became the cynosure of all eyes when he took the microphone to plead with the multitude to make way for the stakeholders to come on stage. In his words: “Ejo esu se yin ki awon Oludari wa ki won le bawa so ro.”

    Looking at the faces of the people at the campaign ground, it was evident that the actor and his colleagues not only added colour to the campaign, they also brought truck loads of excitement that enveloped the atmosphere at the campaign ground.

  • Why I shy away  from public   —J-Martins

    Why I shy away from public —J-Martins

    From being a music producer to a singer, highlife crooner, J Martins has risen through the ranks. With seven years as a performing artiste to his credit, he says that the journey has not been all rosy. In this interview with Entertainment Editor, VICTOR AKANDE, he talks music business, his love for charity, current projects and a host of other issues. 

    IS your new single entitled Pomo out?

    No, the song is not out yet. It was released on my birthday. It is the first time I will be releasing a song on my birthday. This year makes it seven years for me as a performing artiste so I thought I don’t have to wait till it is 10 or 25 years. Being an odd number, I said from here, let me start something especially as seven years is perfection. Basically what I do is to go to the orphanages.

    You seem to shy away from the public. Why is that?

    You rarely see me in the media because basically I am a quiet person. Most of all what I do, you don’t get to hear about it because it is not mouth praise. For me, if I do something for you, I don’t need to tell another person. If you choose to tell another person, it is fine by me. That is the way my life is. On my birthdays, what I do is to take up issues that involve kids with deformities. Last year, I was in Abuja to see kids with deformities with their teeth on the upper layer of the lips. So we ask question about the cause and then, though we are not be able to pay for all the expenses of the operation, we pay a token in support. This year, I will be working in Lagos; the people I work with are trying to get information for me. On the other hand, I have been producing music for about 12 years now so I said let me release a song to appreciate all my fans. It has not been easy, it has been rough and hectic sometimes and some challenges like when we travel.

    Why did you title the song Pomo?

    If you have been following my career as an artiste, you will notice that I base my songs on life’s experience. I look out for words that are relevant in our day to day activities and you will laugh it and use it. The reason I choose Pomo is because it is catchy. I get all these titles when I am writing my songs and from day-to-day experience because I am not in the school of those who get high before they write songs. For me Pomo is a known word. We eat it and in some other African countries, it means different things. Knowing that my music has gone beyond Nigeria to other African countries, I look out for something that will be catchy. Some people might describe it as something adult or being erotica, everyone has their own description in mind. If you want to give it any meaning you want, it is left to you.

    What do you particularly find catchy about the word?

    It is interesting to me because of the different meanings it gives to the song. In the song, I used the word to refer to a young woman who likes the way she dances and smile. I try to reaffirm to her that my commitment stays with her forever. The part where you wan chop my Pomo came from is the time when we were kids and we were given food in a tray to eat with meat in it. You know the elderly ones will go for the meat first. Sometimes when the younger ones take first, the elderly ones give us knocks on the head. The phrase you wan chop my Pomo comes from a scenario where you have two kids fighting over meat.

    Is it right to say that you did not work to take away some controversies properly because you think it is business

    I don’t know. I just feel it is food for the soul. As you know I love different genres of music. Sometimes, with music, you want to sit down and relax. At other times, it could be that you need to dance. In this case, it is a dance track. For me controversies will always come up. But with the stress and chaos going on, one should have something to cool off.

    How would you describe seven years in the industry?

    Seven years down the line, I cannot say I have come of age, though I can say I have passed the introductory stage. When you buy a buy a book, will see table of content before going to the introductory page and then to chapter one. I will say we are at the part where we are about to start the book. The journey has been rough. We almost died, but we did not die. I remember one horrible experience when I was to go to Bayelsa and I was told that we will be taken by a Helicopter. When we got there, we were told that the chopper had gone, so we were given a speed boat. If you see the small small boys. We were to go for six hours and back for six hours too. It got to a stage the rain started and we could not see anything. That was the first time I will really be seeing the world void and we were on water. All in the name of going to a place where young people were waiting for you, just to see you. That is a lot of sacrifice. Sometimes when I place the worth of the money against my life, I cannot justify it, but I just have to do it for my fans. We do these for the fans because they are the ones putting the demand on us.

    At some point, you were perceived as a failed artiste. Was it a deliberate move from you?

    I don’t know if I should say it is a deliberate act. Let me tell you a little bit about my upbringing. My mom was a choir mistress, my dad is not a musician, but he loves music, and he was a well travelled man. One thing I remember very well was that, when he comes back from his journeys, he is always with his portfolio and my mother would prepare his meal for him. There was this chair in the room that nobody sits on when he is around, because everybody fears the seat. When he comes back while waiting for his meal, we had a turntable, so he will be listening to different kinds of music. As he is playing his music, I will sit down beside him while he rubs my head. At that tender age I was already exposed to different kinds of music. When I started growing up, I already knew my domain is Africa. The songs were widely criticized, but these are songs that have been able to withstand the test of time. These are songs that are evergreen. The song, good or bad, gave birth to Do Me and some other songs. One of the things that I would like to be remembered for when I am old is the fact that this guy made music for Africa. I cannot remember the shows that I have done in Nigeria this year. You will find me more in other African countries. I worked on it. My mentor in term of beat is Timberland. I have only met just once. Even if I work with an American citizen, I will never sing like an oyibo. You will still see me speaking my pidgin and will still hear Highlife in it.

    Are you saying that your music is more appreciated outside Nigeria?

    It starts from home. Like they say, every duty starts from home. If my music is not appreciated from home, how will it get appreciated outside? So it is both ways.

    Will J Martins be seen playing pure highlife in the future?

    I am doing that. There is a project I am working on called Music with the Masters. It is not going to be a ten track album but about four or five tracks. The album is about different legends like Bright Chimeze. I have already recorded with him. I took one of his old songs and presented it in my own way. In that project you will find people like Victor Uwaifo, King Sunny Ade, who is well respected and Femi Kuti. I need one more person to work with to make it complete. Highlife has a way it works. I need someone like Dr. Ebenezer Obey. I respect him so much.

    What stops you, from doing you music in the analog way?

    For me if you are a truly musician, you should be able to play at least one instrument. I don’t think playing with a band only is what defines a musician. I am not saying this because I play about six instruments. The best way to do analog music is for one to be able to play all these live. Getting a live band is very expensive but then, one’s integrity and brand matters. I cannot sell my brand or sacrifice that which I have built over the years just because I want to play instruments. Whether it is a P-Square that you want to play, you can play it but let’s hear something different from the studio.

    Can you recall the days when you played live?

    Yes, I have been playing live for three years now. I started 2009, and there is nothing as good as playing live. If you do that and you do a play back after the show and you did something wrong, you will feel bad with yourself.

    Are you thinking of doing more collaboration?

    I have been doing collaborations. I can recall or say boldly that they are some that have done collaboration before me, but have no video to show for it. I think I was one of the first people that came and I said I wanted to do collaboration and had a video to support it. The song I did with Fally Ipupa was huge in 2010. It is not all about collaboration but having something to back it up.

    How much have you done with Ghanaian artistes?

    There are recordings on the way. Saturday has reach out to us to do a song and the reason it has not been recorded is because I have been busy. There is D black, Becca and Kwa Bessy. There are collaborations that I am suppose to do whit them too. Basically my Record Label has a principle. We don’t just do collaborations but there are things to be considered too. Before I can do collaboration with, we have to know the other party’s reason, capacity and other things like fan base.

    What about other African countries?

    We have done in Zimbabwe and South Africa. I have some songs I am working on. Once I have time, I can record, send and they will do theirs and release. We also have Angola, Tanzania, and Senegal and some others. When I started, it was not like this.

    Are you married to your work?

    Every successful man should be married to his work, but with caution. Other things will come too but you have to give it 100% of your time.

  • How  Ibinabo  emerged  actors’  first female  president

    How Ibinabo emerged actors’ first female president

    MANY look forward to the day when the Actors Guild of Nigeria (AGN), the unifying body for all actors, will hold a rancor-free election, but as events have proven over time, it doesn’t appear to be anytime soon. In a move that shocked industry watchers, sometime in May, the incumbent President, Segun Arinze, bowed out as the leader of the Guild after a botched attempt to hold the elections in Benin City

    Partisan in its very nature, AGN elections come with their dramas and schemings and it wasn’t a different scenario on September 27, 2012 when the members of the actors’ association came together to choose another leader. In a keenly contested election held at the body’s Secretariat, actress cum model, Ibinabo Fiberesima emerged winner, beating her opponents; Steve Eboh and Emeka Rollas.

    Announcing the results on Saturday, September 29 at the Guild’s premises, Secretary of the AGN Electoral Commission and veteran actress, Rachel Oniga said that after the elections, Steve Eboh received 10 votes; Emeka Rollas got 86 while Ibinabo pooled a total of 97 votes, making her the new leader of the AGN. She has since been sworn in as the first female President.

    Holding elective positions goes beyond the desire to conquer. According to reports, Ibinabo, who has seen her own share of challenges as an actress in the industry, floored her opponents with her manifesto which promised better welfare package not only for active members of the Guild but for aging veterans.

    As the elections got underway, when it was clear in whose favour the result would swing, fellow contender, Emeka Rolas was said to have pushed out everyone out of the building. He was also said to have stalled the release of the result, but Secretary of the electoral committee, Rachel Oniga, on Saturday, September 29, went ahead to announce the result, a move which she said is to protect her image.

    Though Ibinabo explains that the owner of the property locked the premises because the Guild is in arrears of its rent, she confirmed that it was her fellow contestant who initiated the locking of the premises.

    “Actually, while the result was being announced, we were pushed out of the office by Emeka Rolas. He practically pushed us out of the office. He said he is in charge of the building, but you can’t be in charge of somebody’s building when you have not paid rent,” she said.

    If anyone knows how the Guild works, it will be Ejike Asiegbu who served two tenures as President. From the result, he said, it is quite clear who won and that is Ibinabo. “I think we need to support. From what I have seen, Ibinabo won the election quite clearly. Others should learn to be good losers. It is only in this part of the world that people come to do anything they like. By virtue of my experience, this is 32 years in the industry, my doors are always open to accommodate, to be tolerant and to give my best, all aimed at ensuring that we move the entertainment industry forward.”

    The challenges of holding an office are numerous and it gets even more daunting when the office holder is female. As is given with this clime, sometimes, chauvinism comes into play but this veteran filmmaker admonishes total support.

    “The men should not be chauvinistic about having a woman run the affairs of the Guild. It is good for us to be gender sensitive and give her a chance and an opportunity to prove herself. There is no doubt in her credentials. Apart from being an actress, she was a Beauty Queen and a mother. She will be able to move the Guild forward,” he opined.

    For the immediate past President, Segun Arinze, there is nothing like a female. In Arinze’s opinion, “a job is a job, a president is a president. A lot of challenges await her but they will unfold as time progresses. When I got in, the challenges were there and they started coming up. When they come, she will take them up as they come. The most important thing is for all actors and office holders to rally round her and see that she succeeds. It is not just an Ibinabo presidency. It is our presidency. Let’s move on with it.”

    Receiving the constitution of the Guild, the actress and model said that the time for change has come. “We need to revamp the Guild, we need to build our offices so that people can see us and know us. We need to solve the problem of our veterans. We need to reach out to them; we need to set up health and insurance plans. There is a lot to be done but first I have to sit and discuss with my team. Very soon, we will come out with a blueprint of our activities but you can be sure that this guild will be very busy,” she said.

    How does she hope to forestall further bickering in the Guild especially where elections are concerned? “Once we are reconciled, bickering will no longer be the case when elections are held. It is time for us to build our guild. I wasn’t here when they chose this mode for the elections. I was called while on set and I was told over the phone. It was Emeka Rolas’ idea for each state to hold their elections while the results are collated in Lagos. I said I would do anything to move the guild forward so I accepted. I don’t see any reason why it had to turn out this way. Like I said, I am not a hate person so it is impossible for there to be rancor when the time comes for elections. Not while I am there.

    Though she makes history as the first female President of the Guild, she admits that challenges await her. However, she believes, as female, it will be easier to tackle. “Like you know, women have slightly ‘longer legs’ than the men. There are doors we can go through but the men, it would take them a while to enter. I will use that to my benefit. I will try to reach as many people as I can to build the Guild,” she enthused.

    The Board of Trustees has since accepted the outcome of the elections, stating that bye elections will take place for the positions of Vice President South East/North Central, National Public Relations Officer and Director of Guild Services.

  • Refusing to act  nude has cost me  some roles—Aisha Abimbola

    Refusing to act nude has cost me some roles—Aisha Abimbola

    Yoruba actress Aisha Abimbola has come a long way in her bid to become successful in her chosen endeavour. At barely 11, her mum died suddenly and she was forced to live with a dozen families. That experience, she says, has transformed her into what she is today as she reveals more about her life and her career in this interview with AHMED BOULOR.

    WHAT’S your view about sexual harassment in Nollywood?

    I will not run down my industry. Sexual harassment happens in every industry. From banking to oil and gas, from Public Relations to the medical field and whatever, the story is the same. I will not call it harassment because it is not a do or die affair. A man will definitely ask you out because you’re attractive.

    Do men ask you out a lot?

    Men ask me out a lot. The bottom line is you either to say yes or no. It is not by force so I won’t call it sexual harassment. I’ve been asked out a million times over. Yes, I am a woman and I am beautiful. The opposite sex finds me attractive so what do you expect? It now depends on the girl and what she wants. Man get mouth to ask you, you sef get mouth to say yes or no; so it depends on one’s home training and where one is coming from. If I have starred in 50 films and I had to sleep with 50 men, e go better make I kuku get room for hotel na.

    Have you had to date a director or movie producer to get a role?

    Hey, Dear Lord God! Find out about me. My relationship shouldn’t be something that I want to take to the press anyway but I say it boldly, I don’t date actors and directors for roles.

    But there are a lot of young girls out there who are ready to do anything to get on screen?

    Most desperate actresses do anything for acting but that will only get them into trouble. Doing anything carries a lot of implication; that is desperation. Young girls come to me and say ‘Aunty we want to act.’ The first thing I ask them is ‘do you want to be an actress or a star? Which do you want?’ I never wanted to be a star, I just wanted to act; the passion in me for acting, the love I had made me what I am to God be the glory. I am not even there yet.

    Has your will not to act nude ever cost you any movie role?

    Yes! There are jobs I have missed because I could not wear some things and I could not do some things. I have lost jobs because I refused to go nude. I can’t do certain stuff because I am still going to have children. What would I tell my kids? Even when I was looking for a break, I chose the scripts I wanted to feature in. I just prayed for God to take charge.

    Do you have fond memories of your late mum?

    (A look of nostalgia floods her eyes as she recollects) There was a day my mum was packing some tins of SMA so I said, ‘mum, why is it that when any of our neighbours have a baby you buy stuff and give to them’ and she said, ‘close your eyes.’ And when I did she said, ‘what do you see? I said ‘nothing.’ Then she said, ‘I am doing it for you.’ And she warned me to be careful. At the time I did not understand what she was saying, after all they were not our babies. Now I understand that she was sowing into other people’s lives so that when she was no longer around, God would remember her and take care of her children.

    Do you recollect any rebellious time as a young girl?

    There was a particular night I would never forget even though I was that young. She dealt with me because I went out and I did not come back home on time. I went with my brother and it was raining so hard we had to seek shelter in the next house. Meanwhile she had warned me never to stay in any body’s house till 7pm so when we got home she gave me the beating of my life. To this day wherever I go, once it is 7pm I leave that place for my home.

    How did you cope when you lost your mum at the tender age of 11?

    It was really challenging but I thank God I had a very strict father. He took care of that though I was made to live with different aunties. I moved to Ikoyi with my aunty then we moved to VI and then I moved to the North. I am good with languages. Give me a month I will understand and speak any language I desire.

    Were you ever maltreated by those who were supposed to take care of you in your mother’s absence?

    Yes I was but I have forgiven them though. I guess it’s just a part of the journey I was destined to take in life. No matter how close anybody is to you, never leave your child with them. Even if it is garri with no sugar, milk or peanuts you have, enjoy it with your children. No matter how close that person is to you, don’t let them take your child away from you. People came to my father and said ‘her mother is dead. Baba, you cannot take care of this girl o; she is just a young girl growing up. She needs motherly care and attention.’ And so they took me away from my father only for me to be maltreated. I had to run back from the North.

    How old were you then?

    I was in my late teens then and the abuse was so much I had to run away. The beatings were frequent. The climax was when I was betrayed by an old man, one of my ‘mothers’ sent her to look after. I was there taking care of this old blind man. I was treating him like my own father only for him to turn around and say nasty things about me. It was really painful. I cried and I wished my mum was there for me. But I give God the glory for everything that happened to me because today, I have benefited because I can speak Hausa language. If I had not travelled to the North, I wouldn’t be able to speak the language. Imagine someone dashing me as much as N10, 000 in 1998 with no strings attached. I am talking about 14 years back because I could speak Hausa.

    Have you learnt any lessons those experiences?

    I have learnt to accept that it was the journey, I was destined to take. It was divinely ordained. Nothing happens to me by chance. My life has been one of testimony. All the steps I have taken in life are for a reason. I may not know when it is happening but God knows and he is taking me to my destiny. I have always come out a champion each time.

    Do you blame your father for letting you stay with your relatives?

    No! He wanted me to be a responsible mother. I thank God because I learnt from these different ‘mothers.’ It was challenging. He was growing old and he could not handle a young girl my age. It was people who advised him to send me to aunties who rather than take care of me maltreated me. I don’t really like recalling some of the experiences because I am a very emotional person. Like the Bible says, ‘All things work for good for those who love God’ so I just believe it was an experience I had to pass through in life.

    Were you ever mentored before you became a professional actress?

    Yes I was and I am very grateful to Antar Laniyan. I walked up to him one day and said I wanted to act, I guess they were waiting for a particular cast who hadn’t shown up. He was just sitting down all by himself when I walked up to him. Normally I am a shy person and wouldn’t do that but on that day I don’t know where the effrontery came from. I liked his movies but I didn’t like him. I felt he must be a wicked person so I didn’t know where the courage came from. When I told him I wanted to act he gave me that hostile look and asked, ‘have you been acting before.’ I was not discouraged. I said ‘yes, I was acting in church and in school as a child. They auditioned me and I was introduced to Wale Adenuga. That is where it all started from. I acted the role of a philanthropist; that was a big role for me. I had a number of dialogues so it was not a waka pass. It was divine intervention.

    Were there any initial challenges when you started acting?

    I kept learning from these icons. I never told myself or felt that I knew it all. I was always asking questions and they put me through. Antar Laniyan is my mentor, my coach and my boss.

    Despite your early break in 2001, it took years for you to be reckoned with. Why is that?

    I am humble to a fault. I see myself beyond this level so really I feel it’s not a big deal. I still go to the market myself; I am still me. I have not won Oscar or Grammy so why should I believe that I am on top of the world now? Omoge Campus was the movie that gave me my break. So one could still rate it as one of my best and biggest but definitely I won’t stop here. Before then, I had featured with Jide Kosoko in a flick titled Eje Ada Gbinru and both movies served as a springboard for my career. I was not paid for both movies but when directors and producers saw what I could do, there was a deluge; I have been overwhelmed with scripts ever since.

    How much would it cost to get you onset?

    Normally I don’t place a price a tag on myself. I say pay what you feel I am worth and usually they say they can’t pay me what I’m worth but can afford this and that then I say ‘add my transport fare.’ In this job you have to buy clothes and look good. However, there are those I can’t charge in the industry. They just compensate and appreciate me.

    Despite your success in the Yoruba sector of Nollywood you seem not to be in a hurry to crossover to the English genre…

    I am more comfortable with my Yoruba people. Maybe we understand each other better but I started with Super Story and it is English. I have done a couple of other soaps as well. I was on Kamson and Neighbours with Tunji Bamishigbi. I am in the recent So Wrong So Wright. I have done quite a lot of stuff but it is just that I am not in Igbo home videos, maybe because I don’t speak Igbo. I have had invitations from Amaka Igwe but the terms and conditions were not favourable for both of us so we couldn’t work together.

    What long term dreams do you have in the pipeline?

    I aim to get higher, get bigger, get closer to God and live my life completely for God. I want to seek God more and I believe that when I do that every other thing will be added unto me.

    There a story making the rounds that your marriage got crumble a while ago. Is that true?

    I also read it and I was surprised but I have no comments on that.

  • All for God

    The Goshen Model Sanctuary of The Redeemed Christian Church of God (RCCG) was planted April 1998 and became an Area headquarter of the RCCG in 2001 under the leadership of Pastor Remi Tella.

    Fifteen years on, the church is still growing from strength to strength. It has been able to win more souls for God.

    The hope of worshippers to upgrade it came to fruition last Saturday as members of the church gathered for the dedication of the church building.

    Despite being behind schedule, guests and church members waited patiently for the commencement of the programme which commenced at 4.30pm.

    The arrival of the Pastor-in-charge of Lagos Province 17, Pastor David Omunagbe with his wife, Christianah, leading other senior pastors signalled the commencement of the programme.

    The building was dedicated to the glory of God by the Pastor-in-charge of Region 2 Pastor Obayemi stood in for the church’s General Overseer, Pastor Enoch Adeboye. Pastor Joseph Obayemi amidst praise songs.

    The church auditorium was in joyous mood.The cleric thanked God for the success achieved by the church and prayed that the church should be the habitation of God’s glory.

    Obayemi urged Nigerians to be God fearing. The fear of God, he said, is the beginning of wisdom.

    After the dedication of the building, the people also moved to the Land of Favour, Zone 7 under the same Lagos Province 17 for another dedication.

    This was also anchored by Obayemi.

    He sought God’s blessing on the church and its members.

    The Zone 6, Pastor, Rotimi Fagbemi gave thanks to God for seeing the church through to the successful completion of the building.

    Pastor Fagbemi said:“I’m so excited and glad that at last Goshen is being dedicated to the glory of God because the place has been abandoned for long and within a year there was a turn around, It is the grace of God that brought the church to this level.”

    Pastor Bosun Akintobi, a Zonal Pastor, Land of Favour, Zone 7, also recounted the story of how the church started some years ago. He glorified God for the success of the project during his time as the Pastor of the zone. He said the completion took 13 months.

    “By my experience as a quantity surveyor, the cost of the building is worth N75 million if quantified and most of the money was raised by members of the church and we have a congregation close to 700 and that is in one service because we run two services on Sundays. The road is one thing we have planned to do for the society. I feel great because no one can do anything except the grace is given by God,” he said.

    After the building dedication as Land of Favour, awards were given to all the past Pastors-in-charge of the parish, area and zone. Pastor Omunagbe co-ordinated the event.

    Among the Assistant Pastor-in-charge of Province present were Pastor Adekunle Olanrewaju (Lagos Province 8), Pastor Peter Ayoola Ishola (Lagos Province 17) and Pastor Seun Sogunro (Ogun Province 4). Other personalities include Pastors Ezekiel Owoyemi; Pastor Nireti Oladapo and John Obarinu.