The Nation Newspaper

Category: Entertainment

  • Ithac Production set to release ‘Girls Zone,’ ‘My Hood’ tv series

    Ithac Production set to release ‘Girls Zone,’ ‘My Hood’ tv series

    Coming from the stable of Ithac Productions, two television series, ‘Girls Zone’ and ‘My Hood,’ are set to hit the screen soon.

    ‘Girls Zone’ captures five girls, who share the same apartment and their day to day activities, how they deal with life occurrences, while ‘My Hood’ is about teenagers who use their intelligence to solve problems in their hood.

    The TV show will be aired on some selected stations in Nigeria, South Africa, East Africa, and some European countries, in the first quarter of 2026.

    It features stars like Obadafe Blessing, Rukie Iloyi, Blessing Jinadu, Reiann Andrews, Alexa Anyogu and a host of others.

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    In a statement released by the Chairman, Managing Director, Executive Producer, ITHAC/ITHACCP, Usman Temitope Famuditimi (RPA), the firm provides both technical facilities and creative ideas in Science and technology, educational and entertainment and with the two shows, series lovers will have a reason to stay glued to their TVs.

    The series is produced and directed by experienced  TV host, Emmanuel Enero Sunday.

    Ithac creative production was established to create educational and entertainment contents to a large number of viewers across Africa and beyond.

  • MCSN phases out general distribution of royalties

    MCSN phases out general distribution of royalties

    The Musical Copyright Society Nigeria Lt/Gte (MCSN) is set to phase out general distribution of royalties to members starting from 2026.

    In a communication to the members of the Society, MCSN announced that from 2026, the Society will phase out general distribution schemes in which most members receive the same amount of money during distribution exercises.

    In a circular dated November 27, and signed by the Chief Executive Officer of the Society, Mayo Ayilaran, announcing royalty distribution for the year ended December 31, 2023, the Society explained that the desire to move from analog and general distributions to a more equitable and technologically powered distribution is in the best interest of the members.

    “Though the sum is far short of our projection from collectable royalties from users of musical works and sound recordings, many of which are still not responding to our invoices, it is clear evidence of massive growth of the membership of the Society within the last circle of distribution and the current one. This is a move from analogue and general distributions schemes to a more equitable, scientifically and technologically powered distribution exercises in the very near future,” the statement said in part.

    MCSN also informed the members that it is working towards moving away from what is popularly known as “general distribution” to work and use based “specific distribution” informed by logs and reports from licensees.

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    In a brief chat, Ayilaran explained what general distribution and specific distribution mean. “Over the years, MCSN due to lack of necessary technology and program or broadcast logs from users of music, distribution of royalties have generally been based on the best of judgment and perception of the management but with the acquisition of the required technology for gathering, keeping and analyzing data of used musical works and sound recordings, general distribution will have to give way to a technologically powered scheme that will be equitable, transparent and beyond dispute.”

    The Society strongly advised that members should make it a top priority to notify and register their works on its appropriate platforms by logging into its website or reaching out to the Membership department.

  • I’m vibrant, hardworking, and culturally rooted, says Enkay Ogboruche

    I’m vibrant, hardworking, and culturally rooted, says Enkay Ogboruche

    Nigerian gospel singer Enkay Ogboruche has described herself as a vibrant, hardworking and culturally rooted personality, who loves God.

    In a recent chat with The Nation, Ogboruche said, “I am vibrant, hardworking, culturally rooted, and forward-thinking. I am a woman who loves God, excellence, family, and people. I enjoy creating experiences that uplift, inspire, and deliver hope. Mentorship is also a big part of who I am.”

    Working with several gospel acts across the world, Ogboruche explains the impact of the collaborations on her career.

    “Working with American Grammy winner Kierra Sheard challenged me to raise my standards. Collaborating with Pastor Nathaniel Bassey, Caton Jones, Evelyn Wanjiru, and MOG amongst others helped me merge cultures and sounds. These collaborations expanded my reach and strengthened my versatility,” she said.

    Ogboruche was quick to reveal that one of her best moments in the music industry is creating the Pneuma experience, Alabanza and Praise Flame, which has grown to become a household name in the gospel community.

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    She said, “Pneuma Worship Experience has grown from an idea into a beautiful worship community. Alabanza and Praise Flame are platforms that unite people in worship and have recorded significant impact. Serving as a judge on Spotlight gave me the chance to discover and mentor young Nigerian gospel talents, which is something I am passionate about.”

    On how she began her career in music as well as the journey leading to the preparation ahead of her fourth album, she said, “My journey started from church and a love for music that grew into purpose. Over a decade later, I’ve released three albums, numerous singles, and I am working on my fourth album. The journey has taken me from local platforms to international stages and collaborations that continue to shape my sound and influence. It has been a mix of discipline, growth, and grace. It has also been very intentional. Highlights include singing on a stage anchored by Jackie Patillo, the Executive Director of the Dove Awards, and joining Michael W. Smith at Liberty University for the global Night of Worship. Every year has stretched me and expanded my reach. My fourth album will explore deeper themes and fresh expressions of worship and praise. The journey is still unfolding and I am excited for what is ahead.”

  • KieKie: From skitmaking to high grossing screen star

    KieKie: From skitmaking to high grossing screen star

    Bukunmi Adeaga-Ilori might not ring a bell when heard but at the mention of KieKie, everyone keeps a smile for the gap-toothed entertainer, who has successfully navigated the cultural, digital, and cinematic landscapes with speed, grace, and impact.

    It’s no news that the foundation of KieKie’s empire was built on sheer undeniable talent that conquered the fast-paced, competitive world of online comedy with wit and energy. However, KieKie’s ability to fish for talents and infuse them into contents that relate with social commentary and the audience remains one of her greatest skills.

    Some would readily say that her relatable humor, and impeccable timing cemented her reign as an undisputed queen of skits. This dominance was cemented with Dataleum crowning her No. 1 female skitmaker.

    Her love for creating content and her innate talent further spurred her into creating a unique reality show that has impacted and transformed lives of many of her audiences and fans across the country. Her ‘KieKie Unscripted’ remains a peculiar reality show with various levels and potpourri of activities that continues to garner viewers and reward audiences.

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    With multiple awards across different genres of the entertainment sector in her kitty, KieKie’s strategic metamorphosis from a skitmaker has culminated in a shift from being just another humour cum content queen to one of Nollywood’s newest high grossing screen stars.

    While many are still struggling to make a success of the digital platforms, KieKie quickly created her niche and further heightened it with success at the box office.

    Having featured in a long list of films, KieKie’s collaborative effort at producing and co-starring in ‘Gingerrr’ became a historic blockbuster for her film career. The production hit a staggering benchmark of N500million in the box office, propelling the movie into the pantheon of Nigerian cinema. The film has gone ahead to secure its place as the fifth highest grossing movie of all time, unequivocally establishing KieKie as a critical commercial powerhouse and proof that the digital star power she cultivated translates directly into cinematic gold.

    KieKie, an adorable mother and exceptional wife, has also been able to prove her worth in the world of fashion and event hosting. Unknowingly or intentionally, she built a quality presence with her fashion game that stayed top notch every time she steps out. From her corner to the admiration of fans and the industry, she has revolutionised her public image by emerging as a fashion icon, redefining Nigerian style with bold, and often avant-garde looks that dominate every red carpet and trend report.

    Married to an ever-supportive businessman, Adetunji Ilori, KieKie has continued to fly on the wings of her ever-ready-to-support family. The multi-faceted KieKie has       also established herself as a top event host, effortlessly commanding stages and interviewing A-list celebrities. Her style of event hosting and compere readily endears her to many corporate organisations, who are always wowed at her imbued talent.

    The 34-year-old mother of beautiful Shonaola is also one, who is passionate about humanity. Now referred to as a leading Nigerian television personality, content creator, fashion entrepreneur, actress, and comedienne, KieKie commands social good through her charity organisation dedicated to giving back to the community that uplifted her. She’s also known to have championed several charitable causes.AMVCA: Don Julio knocks Amstel out to emerge headline sponsor of 12th edition

  • AMVCA: Don Julio knocks Amstel out to emerge headline sponsor of 12th edition

    AMVCA: Don Julio knocks Amstel out to emerge headline sponsor of 12th edition

    After multiple consecutive years of enjoying the spotlight as the headline sponsor for the Africa Magic Viewers’ Choice Awards, AMVCA, Amstel Malta has bowed out of the spot for a new brand.

    In a recent development, MultiChoice, a Canal Plus company, in partnership with Diageo, announced Don Julio as the headline sponsor of the 12th Africa Magic Viewers’ Choice Awards (AMVCAs) scheduled for 2026.

    According to the brands, the partnership marks the beginning of a strategic upgrade of the continent’s most prestigious celebration of film and television excellence.

    The partnership between MultiChoice and Don Julio is ushering in a bold new chapter in celebrating Africa’s brightest talents. It was further highlighted that the collaboration sets the stage for a reimagined awards experience. The 12th AMVCAs will mark the debut of the Don Julio AMVCAs – a fresh era defined by premium storytelling and unforgettable cultural moments.

    Speaking on the partnership, Atinuke Babatunde, Executive Head Content and Channels MultiChoice, said: “The AMVCAs has always celebrated the best of African film and television. As we step into this new era, Don Julio brings a spirit of global excellence that perfectly mirrors the artistry of our filmmakers, actors, and storytellers. Together, we are reimagining what it means to honour African talent.”

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    Commenting on the partnership, Anne Joy Michira-Muhoro; Marketing Director Diageo South, West and Central Africa; said: “Don Julio is proud to partner with Africa Magic to celebrate our home-grown talent who continue to inspire Africa and the world as whole with unforgettable stories, exceptional performances and masterful filmmaking. Globally, Don Julio prides itself on authenticity, craftsmanship, and a creative fire that elevates. It is that same trailblazing spirit and ‘por amor’ (for love) ethos that inspires Don Julio’s toast to an enduring partnership with the AMVCAs, honoring the passion and love that African creatives put into film and television. There’s no doubt that The 12th AMVCAs will be a landmark moment and the start of a memorable journey with Don Julio.”

    With the upgrade from Nigeria Breweries Amstel Malta to Diageo’s Don Julio as headline sponsor, the 2026 edition of AMVCA, according to the organisers, promises to be the most premium and culturally resonant yet.

  • Bet9ja partners Mainland BlockParty

    Bet9ja partners Mainland BlockParty

    Bet9ja and Mainland BlockParty have announced a strategic partnership to cement their hold on youth culture.

    Bet9ja is deepening its presence in Nigeria’s cultural landscape through a new strategic partnership with Mainland BlockParty.

    “Bet9ja is proud to partner with Mainland BlockParty this Detty December, a cultural movement that has become a vibrant expression of youth energy, creativity, and community. As a brand deeply rooted in the passion points of young Nigerians, we recognise the powerful role the youth play in shaping culture, driving innovation, and sustaining communities,” said Jennifer Olatunji, Senior Marketing Manager at Bet9ja.

    The collaboration with Mainland BlockParty signals an evolution in how Bet9ja engages with music and nightlife communities. Mainland BlockParty’s unmatched reach among young Nigerians, drawing thousands across Lagos and beyond, creates the ideal platform for the brand to deepen its relationship with fans through shared experiences, high-impact visuals, and cultural moments that transcend traditional entertainment boundaries.

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    “Our partnership with Mainland BlockParty aligns with our commitment to meeting young people where they are in music, lifestyle, entertainment, and shared experiences that authentically reflect who they are. This collaboration gives us a unique opportunity to engage directly with the youth, celebrate their individuality, and create meaningful touchpoints that reinforce Bet9ja as a brand built for them,” Olatunji added.

    Earlier this year, Bet9ja delivered two major cultural moments with the Bet9ja Champions Party in May and the Bet9ja Football Carnival in July. Both events combined sport and music with community energy, reinforcing the brand’s growing influence in the cultural space and its commitment to meeting young people where culture is being created.

  • Sunny Messiah’s Paternity Leave takes comedy show to a new height

    Sunny Messiah’s Paternity Leave takes comedy show to a new height

    Nigerian comedian and Master of Ceremonies Sunday Onyenachiya aka Sunny Messiah took comedy to a new height after delivering a masterful, emotionally grounded, and irresistibly witty performance recently before a sold-out audience at the Alliance Française de Lagos/ Mike Adenuga Centre, Okoyi, Lagos.

    Sunny Messiah recorded an enviable feat with his debut stand-up special, ‘Sunny Messiah Paternity Leave,’ which was also filmed for historic intent.

    Brimming with sharp, intelligent humour and delivered in Sunny’s trademark articulate

    English, ‘Paternity Leave’ took audiences on an unforgettable journey through fatherhood,

    marriage, family chaos, and modern Nigerian adulthood. His performance elicited continuous laughter, knowing nods, and roaring applause from an audience filled with fans, cultural influencers, media partners, and industry insiders.

    In his words, “Paternity Leave is my story. Story of love, stress, the joy, and the tiny madness that comes with raising a family. I wanted to bring those moments to life in a way people could relate to, no matter their background. And if someone laughed hard enough to find healing, hope, or even the courage to step into marriage or parenthood, then I’m grateful. That’s the power of laughter.”

    The night also featured electric performances from rising comedic talents including

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    ChimeFrancis, Iykomo, Dexmond, Funny Urch, Saint Envi, AkanLaff, with a standout bass solo from HenryFretz and musical performance by P’Madox.

    Ebuka Mic anchored the evening with seamless energy while a surprise appearance by Senator thrilled the audience and added yet another highlight to an already memorable night.

    The special was made possible with support from Atorj Technology Limited, Sew Smooth

    Clothing Limited, Martinz Nnaji Jr’s Film Kitchen, Tetrarch Nigeria Limited, Ivon Melda, PixxelColors Agency, Eventual Entertainment, and Reel Fruits, reflecting the growing synergy between Nigerian comedy and the broader creative economy.

    Post-production for ‘Sunny Messiah Paternity Leave’ is underway, and details regarding the release platform and premiere date will be announced soon, with plans already underway for Sunny Messiah to host another comedy special next year.

  • Ofada Rice Festival sets Lagos agog

    Ofada Rice Festival sets Lagos agog

    All is set for the seventh edition of the popular Ofada Rice Day Festival.

    Slated for Lagos the event themed, ‘Ofada Rising: Celebrating Innovation, Identity and Nigeria’s Culinary Future,’ will feature cultural and artistic showcases, innovation hubs, farmer and producer conversations, food exhibitions and tastings, culinary competitions, panel discussions with industry experts and the global unveiling of Ofadabration Canada 2025.

    Intimating the public about the occasion, slated for Sunday 7 at Muri Okunola park, Lagos, convener – Ofada Rice Day Festival and Creative Director – OfadaBoy, Tobi Fletcher said: “My connection to Ofada rice runs deeper than business. I come from a lineage of first-generation rice farmers, and my great-grandfather was the first Ofada rice farmer. It is a legacy built on sacrifice, innovation, and tradition. This work today is a continuation of that story, a responsibility I carry with pride.

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    “With close to 20 years in the hospitality and food service sector, I have seen the evolution of Nigerian cuisine, the challenges, the breakthroughs, and the incredible potential of our local foods. That experience guides the work we do with OfadaBoy and the Ofada Rice Day Festival.

    “Ofada has risen from a small village staple to a national treasure and an emerging global culinary identity. Its rise represents the rise of Nigerian farmers, the rise of homegrown food businesses, the rise of cultural pride, the rise of innovation in our food system. Ofada is no longer just rice. It is a movement.”

    Fletcher, who is also the President of the Association of Professional Food Service Providers (APFSPN) added that the event which is in partnership with Oyinda Fletcher (Co-Partner) will in the long run will immensely benefit the country. And it will be shaped by supporting local farmers and processors, building culinary tourism, promoting Nigerian food globally, standardizing food service practices, empowering chefs and food entrepreneurs and creating stronger platforms for innovation.

    At the core of the Ofada Rice Day Festival is a commitment to empowering local food sellers, market women, small-scale vendors, cooks, and rising food entrepreneurs.

  • Fabian Lojede: Parenthood opened my eyes to a gap in children’s entertainment

    Fabian Lojede: Parenthood opened my eyes to a gap in children’s entertainment

    Accomplished actor, writer and filmmaker, Fabia Adeoye Lojede has opened up on his new project, Afrotods, saying the need to talk to children in the way and manner they are used to without preaching necessitated the decision to create Afrotods.

    In a recent chat, Lojede expressed that it took a while observing his kids and their friends to develop and come up with Afrotods.

    He also expressed the need to teach Africans in diaspora the values and culture of the African people.

    “The minute I had kids, I realised that I don’t have anything online or any of my works that my children can watch. I’m either playing a killer. They were not obliged to watch anything I had created. One of the key things that I see is that our children, black kids generally, there’s no content out there for them that talks to them, there’s almost a caricature-ness in some of the content targeting black kids,” he began.

    Speaking elaborately, he said, “We never had to learn our culture, we imbibed it but now we have to teach our children our culture. With Afrotods, we aren’t forcing the culture but we are reaching the kids in a very subtle way and making them imbibe some of the values in us, which include respect everyone, respect yourself, respect the elders. In Afrotods, we have created Afrohood, which is fictional. Afrotods is about everyone with African origin, so whether you are Jamaica, African America, as far as your descent can be traced to Africa, in the sense of value and culture. We have it as animation, we have it on YouTube channel, we have been able to get it across to more people and will be available for people to download. We have done the English, we would be doing the French and later the indigenous languages. I wish more people spoke in their mother tongues,” Lojede said.

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    Lojede further explained that he hopes to fill a long-standing gap in children’s entertainment by creating Afro-modern stories kids can see themselves in using books, animation, and future digital platforms.

    ‘The Afrotods,’ Olojede’s recent project is a new children’s book and multimedia project designed to give African and diaspora kids fresh, modern content rooted in identity, values, and culture.

    He went further to explain the creative challenges, the audience he intends to reach, and why ‘The Afrotods’ will eventually expand into animation, apps, and other digital platforms.

    Diving into the project, he explained that the Afrotods explores the lifestyle of inhabitants of Afroville, a beautiful world filled with Afro-modern motifs, history, culture, music, and fun, and it’s sold for 10 pounds per unit.

  • Teniola Aladese speaks on payment disparity in Nollywood

    Teniola Aladese speaks on payment disparity in Nollywood

    Actress Teniola Aladese has spoken out about the secrecy surrounding Nollywood pay and the significant disparity in earnings.

    In a recent interview, she noted that many actors accept low fees because they believe the budget is fixed, when in reality, some films allocate more funds for certain roles.

    Aladese emphasised the importance of open discussions about pay, citing conversations with colleagues like Timini Egbuson, who shared his dissatisfaction with a project’s offered amount.

    According to her, this experience opened her eyes to the industry’s financial realities.

    The actress, known for her roles in “Jemeji,” “Love in a Pandemic,” and “Gone,” stressed that this culture of secrecy leaves performers unaware of their true value, leading to unequal pay for similar work.

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    She said, “In my industry, people rarely talk about pay disparity, and I’m grateful to individuals like Timini Egbusin and Kunle Remi, who openly discuss their earnings with colleagues.

    “I remember a conversation with Timini on the set of Love in a Pandemic, he might not even recall it, but he was talking about a project he’d been approached for and mentioned the amount offered. At that time, he wasn’t happy with it. He said something like, ‘You’re calling me to spend weeks on set for what I could make in two to three days elsewhere.

    “Hearing that made me realise how much money is actually circulating in the industry. The issue is, because we don’t talk openly about pay, many people aren’t aware of the earning potential. They assume, ‘Ah, they offered me 100,000, I’ll just take it,’ without realizing that budgets are often flexible. For instance, a character might only be needed for a couple of days, but the budget might allocate 700,000.”