The Nation Newspaper

Category: Fashion

  • Chris Aire’s latest collection sells out in a single day

    Chris Aire’s latest collection sells out in a single day

    …as celebrated jeweler takes on the next challenge

    The King of Bling has done it again. Chris Aire, the legendary jewelry and timepiece designer whose creations have adorned royalty, presidents, music icons, and sports legends, has once again proven why his name is synonymous with collectible luxury. His most recent release, featuring the Aire Parlay full diamond watches and the People’s Princess-Inspired Collection, sold out within 24 hours of launch last month. Collectors around the world are now joining a growing waitlist for the next drop.

    The Aire Parlay timepieces, renowned for their intricate pavé-set diamonds and signature Red Gold® craftsmanship, were unveiled in extremely limited quantities and immediately snapped up by connoisseurs. These rare editions are more than watches. They are legacy pieces, fusing precision engineering with bold, unapologetic design.

    Meanwhile, the People’s Princess-Inspired Collection, an homage to the timeless grace and quiet strength of Princess Diana, offered a curated suite of high jewelry pieces from the ethereal Noire Mystique black diamond necklace to the breathtaking Celestial Grace South Sea pearl sets and the emotionally resonant Forevermore Necklace, designed to commemorate enduring love. Each design spoke to elegance, meaning, and the power of storytelling through jewels.

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    “We don’t just make jewelry. We craft heirlooms,” said Chris Aire. “Every piece is a conversation between legacy and imagination, rooted in craftsmanship and elevated by purpose.”

    This collection, much like those who inspired it, has made an unforgettable impression.

    Already, collectors, tastemakers, and loyal clients across the globe including his home country, Nigeria, have begun registering early interest for Chris Aire’s forthcoming release. While details remain under wraps, insiders hint at another extraordinary fusion of rare gemstones, heritage symbolism, and Aire’s signature Red Gold® aesthetic with pieces that promise to blend royalty, individuality, and refinement.

    Chris Aire is a Nigerian-American designer globally revered for redefining luxury with his signature amber hue alloy in his exquisite Red Gold® brand, and for popularising bold, opulent watches and fine jewelry that defy convention. With an unmatched eye for detail and a deep appreciation for legacy, Aire is the go-to creator for legends, presidents, A-list entertainers, and elite collectors. Each piece is handcrafted with integrity. His works are designed not just to be worn, but to be remembered.

    His motto, “Customers Are Family (CAF),” speaks to his brand’s rare blend of prestige and personal connection. His creative works are on display at the prestigious Transcorps Hilton Hotel at the Federal Capital City of Abuja.

  • IDAN promises new dawn for industry

    IDAN promises new dawn for industry

    The Interior Designers Association of Nigeria (IDAN) has said that it is planning to revolutionise the interior design industry.

    This was disclosed during the inauguration of the sixth executive of the association.

     At the  handover ceremony held in Lagos, the group announced a new era for interior design in Nigeria.

    According to the president of the association Jacqueline Aki, “Being a member of IDAN is an affiliation and a professional anchor.” She disclosed that members can expect access to mentorship, career development and global exposure through curated partner events.

    Meanwhile the Chairman Board of Trustees, Mrs. Ekua Abudu while extolling the new direction of leadership said:

     “Jacqueline Aki’s presidency is a catalyst for change, poised to bring IDAN’s vision to life by fostering an ecosystem where design thrives on innovation, diversity, and sustainability.”

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    These initiatives are foundational to IDAN’s mission to establish Nigeria as a pivotal player in the global design community, driving economic growth and cultural exchange while setting a benchmark for sustainable practices.

    Moving further, the interior design expert reiterated that though the newly elected National Executive Council is currently composed of women, “inclusivity remains a guiding principle,” assuring the audience that committee selections and volunteer roles will reflect a diverse and balanced representation of the profession.

    “We are building something intentional. This is a legacy move that is rooted in collaboration, culture, and clarity,” she stressed

    While thriving on continuous learning through webinars, CPD programs and masterclasses, members can be well represented in policy conversations and industry-shaping forums consequently developing a peer network that supports and collaborates across levels, specialties and regions.

    Delivering a dynamic agenda for the Nigerian design space, the Managing Partner, James Cubitt Interiors Aki, stresses elevating the Nigerian interior design sector onto a global platform, alongside fostering local growth through three foundational pillars of structure, visibility and advocacy.

    Through structural reforms  the association will strengthen its internal systems with clearer membership pathways, robust capacity-building programs, and improved member support across regions. Following it’s visibility strategy, IDAN will amplify the profession’s voice through purposeful storytelling, strategic engagements, and enhanced media presence. While it’s advocacy efforts will include collaborating with educators, regulators, and allied professionals to shape standards, expand design education, and influence national development agenda.

    Building from these pillars, Aki’s administration will immediately focus on clarifying Membership Pathways through introducing revised categories and progression routes for decorators, designers and firms at all stages.

    In a related statement the Founder of IDAN, Titi Ogufere while highlighting the stride of the association towards governance highlights:

    “We are trying to push for a bill for interiors. We have set up an institute which will be launched called Institute for Professional Designers and Product Inventors.

    “This Institute is meant to regulate the industry so that the general public can be informed to see who are certified designers and who are the quacks.

    “Education is the first stage and even helps the institution to know the right kind of curriculum.”

    Allaying the fears of the erroneous belief that interior design is for the elite class Ogufere admits a lot of the designers are focused more on high end product delivery. “We had an exhibition not too long, we had a lot of talented people but the things were expensive . So one of the things we have encouraged the designers is we have an incubator program.”

    The incubator program will put a ceiling on interior designers’ products.

  • My vision to empower Nigeria’s fashion landscape, by Jennifer Onwuka

    My vision to empower Nigeria’s fashion landscape, by Jennifer Onwuka

    A rising fashion entrepreneur and founder of Jenny Iconic Lounge, Jennifer Onwuka has articulated her mission to transform the Nigerian fashion landscape by empowering women and promoting local talent.

    Speaking with newsmen, Onwuka, while discussing her journey from Okija hometown to establishing her boutique in Lagos stated her commitment to elegance, cultural expression, and female empowerment.

    Onwuka’s long-term vision includes the creation of a fully Nigerian-owned design and production hub, saying, the initiative is aimed to reduce dependency on imported materials and provide job opportunities for young tailors and designers throughout Nigeria.

    “I want to give back to the industry that has shaped me,’ she emphasised.

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    Onwuka sought to resonate with young Nigerians looking for authentic, homegrown styles.

    “We are at a point where culture and modern fashion can intersect.

    She highlighted her belief that fashion can drive economic growth and empowerment for women by blending tradition with modern innovation.
    She said, “Jenny Iconic Lounge is not just a fashion brand, it’s a lifestyle centered on confidence and pride in our heritage.”

    According to Onwuka, her experiences in Lagos exposed her to a variety of fashion trends, shaping her understanding of urban creativity.

    “My time in Lagos has been instrumental in my growth as a designer and my education in Benin helped solidifying my entrepreneurial mindset.”

  • Business man, classic baggie’s journey of impact and Innovation in Nigeria 

    Business man, classic baggie’s journey of impact and Innovation in Nigeria 

    In a country where many dream big but few dare to build empires, Ehonre Oluwaseun popularly known as Classic Baggie has emerged as a shining example of youthful success, entrepreneurial excellence, and purposeful philanthropy. As the Chief Executive Officer of Baggie Group, Oluwaseun has carved a niche for himself in Nigeria’s competitive business landscape while earning widespread recognition for his humanitarian contributions.

    With interests that span real estate, luxury automobiles, logistics, and entertainment, Classic Baggie is the face of a growing conglomerate committed not only to wealth creation but also to societal impact. His business empire is a testament to grit, vision, and an ability to spot opportunity where others see limitations.

    But beyond the boardroom and business deals, what sets Classic Baggie apart is his enduring passion for giving back to the community. In recent years, he has quietly supported numerous causes, often targeting grassroots needs that are typically overlooked. From funding school fees for children in underprivileged communities to donating food items, clothing, and relief materials during economic downturns and festive seasons, his generosity continues to leave lasting impressions on countless lives.

    “Philanthropy is not about being rich. It’s about caring enough to make a difference,” he once said in an interview. That statement reflects his belief that success carries a responsibility to uplift others, especially those without a voice or platform.

    Through the Baggie Foundation, a non-profit wing of his business empire, Oluwaseun has rolled out several outreach programs focused on education, women empowerment, and skill acquisition for Nigerian youth. These efforts are designed to bridge the inequality gap and inspire the next generation to pursue their dreams, no matter the odds.

    A socialite with a distinct fashion flair, Classic Baggie is also an influencer in lifestyle and luxury culture. Yet, his charisma is grounded in humility, and those close to him often describe him as a man deeply rooted in his values and family-oriented principles.

    As Nigeria continues to grapple with economic uncertainties, voices like Classic Baggie’s offer hope, not just through motivational words but through real action. His ability to blend ambition with compassion has earned him the admiration of young entrepreneurs, industry watchers, and community leaders alike.

    In an era where public figures are often criticized for doing too little, Classic Baggie stands out as a beacon of what it means to be successful and socially responsible. For him, the journey is far from over, it is only just beginning.

  • Wear It All Luxury opens new Abuja boutique with star-studded ceremony

    Wear It All Luxury opens new Abuja boutique with star-studded ceremony

    Four years after successfully reopening its flagship store in Lekki Phase 1, Lagos, following a major renovation, Wear It All Luxury, the upscale fashion brand owned by renowned entrepreneur, Sodiq Babatunde Rufai, has expanded its presence with the launch of a new boutique in Abuja.

    The grand opening, held on Thursday, 22nd May 2025, at Libreville Crescent, Wuse 2, Abuja  was a star-studded affair that brought together influential personalities from the fashion, entertainment, and business worlds. Among the high-profile guests in attendance was Afrobeats superstar Davido,  whose presence added further glamour to the launch event.

    Located in the heart of the capital, the new Abuja boutique is poised to offer the same top-tier fashion experience the brand is known for, curated luxury pieces, exclusive designer wear, and impeccable customer service tailored for Nigeria’s elite fashion lovers.

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    Speaking at the event, Sodiq Babatunde Rufai expressed his excitement about the brand’s expansion, stating, “This is more than just a store opening, it’s a statement that Nigerian fashion continues to grow and thrive. We’re proud to bring the Wear It All experience to Abuja, and we remain committed to setting the pace in luxury fashion across the country.”

    The Abuja outlet joins the Lagos boutique in offering high-end fashion collections from globally recognized brands, as well as unique pieces under the Wear It All Luxury private label.

    Guests were treated to a private showcase of the brand’s latest collections, light entertainment, and a luxurious atmosphere that perfectly reflected the Wear It All Luxury ethos.

    As the fashion house continues to expand, industry watchers say the brand’s entry into the Abuja market marks another major milestone in Nigeria’s growing luxury fashion landscape.

  • Zainny Glams shares creative vision behind ‘artistry’ brand

    Zainny Glams shares creative vision behind ‘artistry’ brand

    Artistic fashion designer Zainab O. Lasisi, founder of Artistry by Zainny Glams, has revealed that the inspiration behind the Handmade African Print Duvet Sets.

    Lasisi noted that her inspiration came from a deep desire to bring African culture into everyday living spaces.

    “I wanted to create more than just fashion—I wanted to create comfort rooted in culture.

    “The patterns, colors, and energy of African textiles tell stories. Bringing those stories into bedrooms makes a home feel vibrant, personal, and proud,” Zainab shares.

    With a love for Ankara and wax prints, Zainab envisioned a home décor line that carries the same bold expression as her fashion designs—resulting in this eye-catching and cozy duvet collection.

    Speaking on her hurdles so far, she said, “Working with African fabrics on an international scale can be challenging—from sourcing quality materials to meeting the expectations of a global audience. It takes creativity, consistency, and a lot of patience,”

    Balancing production, creative direction, and entrepreneurship has tested her, but each obstacle has made her stronger.

    On how long has she been in the industry, and why fashion, Zainab revealed she has been designing for over 8 years, building a brand that fuses traditional African heritage with modern elegance. Her love for fashion started at a young age, influenced by colorful Nigerian styles and her passion for handmade craftsmanship.

    “Fashion is my voice—it allows me to express culture, identity, and confidence without saying a word.”

    Zainab noted that the secret to her success lies in authenticity, faith, and resilience.

    “I stay true to who I am and where I come from. I create from the heart, and I’m not afraid to evolve. I also keep God at the center of everything I do.”

    Her commitment to excellence, storytelling through design, and staying connected to her roots has set Artistry by Zainny Glams apart as a rising force in Afrocentric fashion and home décor.

    From runway to home, Zainab O. Lasisi continues to shape how we wear—and now live—African beauty.

  • How Juliet Okoh is globalising African streetwear with FINEX

    How Juliet Okoh is globalising African streetwear with FINEX

    Juliet Okoh, founder of FINEX, has shared insights into the designs and philosophy behind the streetwear brand that is redefining African fashion with global appeal.

    Since launching FINEX in 2018, Okoh has built a brand that merges cultural identity with contemporary aesthetics, creating clothing that speaks to a new generation of Africans at home and abroad.

    “The inspiration to start FINEX in 2018 came from a deep desire to represent African identity through fashion in a way that felt authentic, contemporary, and unapologetically bold,” she said.

    Okoh identified a market gap for African streetwear that goes beyond traditional motifs, choosing instead to tell African stories through a modern, dynamic lens.

    “The core message behind FINEX is one of cultural pride, creative freedom, and global relevance. I want the brand to empower people to embrace their roots while embracing the future,” she said.

    Her design process starts with storytelling. Each collection draws inspiration from African street culture, language, and symbolism, which are then reimagined through modern silhouettes and tailoring.

    “I listen to what young people are saying, wearing, and needing,” she explained. “In Nigeria, I stay connected to youth culture. Internationally, I watch evolving trends and subcultures. This ensures FINEX speaks a visual language that is both uniquely African and globally relevant.”

    Beyond aesthetics, Okoh said FINEX stands on a foundation of ethical production and local collaboration.

    “The local creative ecosystem is absolutely vital to FINEX — it’s not just a backdrop, it’s part of our DNA,” Okoh said. “I’ve worked with tailors, artisans, designers, and photographers not only to maintain authenticity but to invest in the talent around me.”

    She added, “Ethical production is a non-negotiable. We strive for sustainable sourcing, fair labour, and transparency. The future of fashion in Africa must be built on integrity, community, and innovation.”

    As African fashion gains increased global visibility, Okoh noted the opportunities and challenges that come with expansion.

    “Access to infrastructure — production, logistics, and funding — remains a major hurdle for many Nigerian designers,” she said. “And there’s the challenge of being seen beyond just ‘African fashion.’ We want to be recognised for our creativity and quality, not simply our geography.”

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    Still, she believes the moment is ripe for African designers to rise. “The global market is more receptive to diverse voices than ever. Digital platforms, fashion weeks, and international collaborations are creating new avenues for exposure.”

    Looking to the future, Okoh revealed plans for FINEX’s continued growth.

    “Expect bold expansion — international pop-ups, deeper collaborations across Africa and the diaspora, and new collections that continue to push the boundaries of African streetwear. Our goal is to evolve into a lifestyle brand that speaks to a global audience while remaining anchored in cultural authenticity.”

    To emerging creatives, she offers a message of encouragement: “Your creativity is your voice — own it. Start where you are, embrace your story, stay consistent, and trust your vision. Be patient with yourself. Your work matters, your vision matters, and the world needs to see your creativity.”

  • Egbaliganza: Lai Labode rewriting Egba, African history through fashion

    Egbaliganza: Lai Labode rewriting Egba, African history through fashion

    When history meets innovation, something powerful happens. That’s precisely what Lai Labode is orchestrating with the launch of Egbaliganza—an audacious cultural renaissance that repositions the Egba people within national consciousness and on the global stage.

    Born from a deep love for heritage and a futuristic vision for Africa, Egbaliganza debuted during the 2025 Lisabi Festival and has since captured national attention. But as Lai Labode clarifies, this is not just a fashion show—it’s a blueprint. “We’re not just wearing fabric; we’re wearing memory, leadership, and future aspirations,” he declared in an in-depth conversation.

    Egbaliganza, derived from the phrase “Egba the Great,” is more than fashion—it’s a fusion of architecture, economy, storytelling, and cultural development. “We’ve always been a people of legacy,” Lai Labode said. “Now we’re bringing that legacy into today’s language: through fashion, art, and economic power.”

    The initiative stands on five central pillars: symbolic fashion, economic empowerment, youth inclusion, heritage monument development, and Pan-African collaboration. And these pillars aren’t just theoretical—they’re already in motion.

    “We made 840 pieces for the festival,” Lai Labode said proudly. “Each one tells a story—from Kurunmi, the warrior of Ijaye, to the royal cap Abetieye. Every item connects our past to our present and prepares us for a bold future.”

    What makes Egbaliganza unique is its multidimensional structure. It isn’t just stitched in thread—it’s embedded in blueprints. “We’re rolling out a 50-year development plan for Egbaland,” Lai Labode explained. “This includes converting existing housing estates in Abeokuta into cultural destinations, erecting modern art domes, and developing heritage zones. Think Banana Island—but rooted in the African soul.”

    Lai Labode believes deeply in the power of fashion as both an expression and a transformative tool. “In one of our designs, Ologun Asiko, the cap tilts to one side—historically used to hold charms. Today, that same cap is tied with symbolic knots to represent legacy. That’s our philosophy: honor the past, beautify the present.”

    The economic ambition is no less bold. With a vision to build a $1 billion fashion and heritage economy from Abeokuta, Egbaliganza is integrating cotton farming, textile design, and export pipelines. “This isn’t just for show,” he emphasised. “We’re building a value chain—from farmers to fashion shows in Paris. Everyone must eat from this table.”

    One of the most emotional moments in our conversation came when Chief Lai Labode recounted a personal experience that affirmed his mission. “We were at the palace for a chieftaincy ceremony when Kabiyesi shared the story of a woman who once escaped a forced marriage by seeking refuge at the palace,” he recalled. “That woman turned out to be my grandmother. I didn’t know until that moment. That was the divine call. I knew then that I couldn’t let this heritage fade.”

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    The youth engagement strategy behind Egbaliganza is as intentional as it is inclusive. Young people weren’t just invited—they were empowered. They led TikTok campaigns, styled the runway, and shaped the narrative. “My son, Olasunbomi, walked the runway. His friends saw that heritage could also be swag. That’s how we win them back,” Lai Labode said.

    The team behind Egbaliganza is an intergenerational alliance of chiefs, creatives, historians, and entrepreneurs. It exemplifies unity and diversity—from Princess Enitan Adegbite, who flew in from the UK, to Chief Yemi Lawal, the Abese of Egbaland. “This is not a one-man show. It’s a people’s project,” Lai Labode emphasised.

    Another major milestone is the upcoming African Fashion Conference, set to be hosted in Egbaland in 2026. “We’re calling on every African leader, every creative, every brand. If we speak African, we must also wear African,” he said.

    In one notable anecdote, Lai Labode recalled meeting Kenyan President William Ruto. “I told him, ‘You speak African, but you dress European. Let us make you something that reflects your heritage.” That same passion drives Egbaliganza’s outreach: “From Egbaliganza to Afroliganza, we invite every ethnicity to build their brand. We’re even offering our blueprint to support them.”

    When asked about the legacy he hopes to leave, Chief Lai Labode became introspective. “That we listened to our forefathers, that we stood up — not just for Egba, but for Africa,” he said. “We didn’t wait for change; we became the change.”

    As the 2026 edition of Egbaliganza approaches, plans are already underway to host the Commonwealth, showcase native stones and gold, and present fashion made entirely in Africa. “No imports. We’re exporting pride from here,” Lai Labode concluded.

  • ‘Our uniqueness makes us stand out in the fashion industry’

    ‘Our uniqueness makes us stand out in the fashion industry’

    In April 2023, Aremu Blessing Omowumi embarked on a transformative journey to establish her brand, The Bagistrate. This venture was fueled by her deep fascination with timeless fashion pieces, which have a unique ability to transcend trends and speak to the essence of personal style. Blessing’s passion for fashion is not just a hobby; it is a calling that has led her to create a business that caters to the needs of fashion lovers and enthusiasts alike. By focusing on quality, craftsmanship, and aesthetic appeal, The Bagistrate has carved a niche in the competitive world of fashion, making a significant impact on her community, society, and the nation at large.

    Since its inception, The Bagistrate has successfully satisfied over 1,000 clients, providing them with premium bags and shoes that resonate with their tastes and preferences. This commitment to quality and style has established The Bagistrate as a go-to destination for luxury fashion accessories. The brand’s offerings are designed not just to meet the functional needs of customers but also to enhance their overall style and confidence. Each piece is thoughtfully curated, ensuring that it aligns with the latest fashion trends while maintaining a classic appeal that allows for versatility in styling. The brand has also organized and participated in five impactful events, showcasing its dedication to the fashion industry and fostering connections within the community. These events have served as platforms for collaboration, creativity, and networking, further solidifying The Bagistrate’s presence in the fashion landscape.

    Blessing Omowumi Aremu, a 28-year-old fashion enthusiast, brings a wealth of experience to her brand. Her diverse background includes stints as a fashion designer and realtor, giving her a unique perspective on both the creative and business aspects of the fashion industry. This multifaceted experience has equipped her with the skills necessary to navigate the challenges of entrepreneurship. Her journey as an entrepreneur culminated in her recognition as the Entrepreneur of the Year at the Lagos Entrepreneur Awards 2025, a testament to her hard work, dedication, and innovative approach to fashion. This accolade not only highlights her achievements but also serves as an inspiration to aspiring entrepreneurs, particularly women in the fashion industry.

    Looking ahead, The Bagistrate has exciting plans for the future, including an Easter celebration slash sale for luxury bag customers in Lagos and Osun State. This initiative aims to further engage with the community, providing exceptional value to loyal customers while celebrating the spirit of the season. The planned sale reflects Blessing’s understanding of the importance of customer relationships and community engagement in building a successful brand. By offering exclusive deals and promotions, The Bagistrate seeks to strengthen its bond with customers and create memorable shopping experiences.

    Through her brand, Blessing continues to inspire others while contributing to the vibrant fashion landscape in Nigeria. The Bagistrate stands as a symbol of quality, style, and community impact. It is not just a business; it is a movement that champions individuality and self-expression through fashion. As the journey of The Bagistrate unfolds, it becomes increasingly clear that this brand is poised for growth and success, with Blessing at the helm, leading the charge towards a future filled with endless possibilities. The story of The Bagistrate is just beginning, and its impact on the fashion industry and the community will undoubtedly continue to evolve in the years to come.

  • Moriam’s TOP TEN

    Moriam’s TOP TEN

    Moriam Musa is head publicist at  Osi Morsi Concepts and founder of Tribe and Elan. She tells Olaitan Ganiu her favourite things.

    Favourite wrist watch: Cartier

    Favorite designer: Ituen Basi

    Favourite perfume: Fleur de Oud

    Favourite travel destination: Monaco

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    Favourite song: Table for two by Joe

    Favourite book: Round the world in 80 days

    Favourite accessories: Shoes

    Favourite hairdo: Straight hair

    Favorite food: Pounded yam and bitter leaf soup

    Favourite car: Sport cars (any brand)