Silky Touch Emporium, a leading name in luxury goods and men’s fashion consulting since 1984, will mark its 40th anniversary with an exclusive wine-tasting event on October 1, coinciding with Nigeria’s Independence Day.
The event, aimed at classy dressers and wine connoisseurs, promises to be a sophisticated affair, blending fashion, fine wine, and a touch of elegance.
Starting from its modest roots on Olowu Street, Ikeja, Silky Touch has grown into a symbol of luxury in Lagos, offering world-class premium Italian menswear and accessories.
Over the decades, the store has become synonymous with high-end fashion, catering to men who appreciate the art of dressing well.
“We’ve nurtured long-term partnerships with top Italian brands like Stefano Ricci, Artioli, Nipmar, Pal Zileri, and Moschino, our latest partner,” says Ogbuefi Victor Okolie, the MD/CEO of Silky Touch.
In celebration of its milestone anniversary, Silky Touch is unveiling a line of sustainable designs that appeal to both the youthful and the mature fashion enthusiast.
“Our collection features timeless classics alongside bold, high-fashion pieces.
“Luxury comes at a price, but we ensure it’s worth the investment, offering pieces like fine jewelry, watches, and leather goods that carry lasting value. Items like gold and diamond jewelry, for instance, retain their worth over time and can be passed down through generations,” he said.
The anniversary event will also showcase an exclusive selection of Stefano Ricci wines and champagnes, creating a one-of-a-kind wine-tasting experience for guests.
In addition, the event will introduce the Royal Suites homeware collection, featuring exquisite silverware, cutlery, glassware, and luxury home furnishings.
As a special offer, early shoppers can enjoy discounts across all Silky Touch locations, including their stores in Victoria Island, Ikeja, and Abuja.
Okolie assured: “This celebration is our way of thanking our loyal customers for their support over the years, and we look forward to sharing this elegant experience with them.”
Temi Otedola, known for her bold fashion choices and distinctive presence, added a touch of glamour to the Versace Spring-Summer 2025 fashion show during Milan Fashion Week.
The actress, entrepreneur, and global influencer captivated onlookers with her effortless elegance and chic style.
Versace’s official posts on Instagram and X highlighted Temi Otedola among an exclusive guest list, which included international stars like Rosy Zhao, Channing Tatum, Wang Anyu, Victoria Montanari, and fashion influencer, Leonie Hanne.
The show brought together some influential figures from the world of fashion, music, and entertainment.
Temi Otedola is attending Paris Fashion Week and will be taking over L’Oreal Paris’ IG for the “Walk Your Worth” event 7:45pm (WAT) on Tuesday.
Trends are always changing in Nigeria, especially when it comes to fashion. The latest fashion trends in Nigeria combine traditional and modern styles, creating a unique and exciting look. Influences from music, global trends, and rich cultural traditions bring a lot of energy and personality to Nigerian fashion.
The current fashion trends in Nigeria are incredibly dynamic and colorful, reflecting the country’s diverse culture.
Here are some of the top trends:
1. Afrocentric fashion:
This style celebrates Nigeria’s cultural heritage with bold colors, intricate patterns, and traditional fabrics like Ankara.
Ordinarily, Afrocentric clothing does not feature fine linen dresses, kilts, collars, or the wearing of kohl on one’s eyes; yet Afrocentric dressing does feature selected apparel motifs and long-established textiles, production, and cutting methods from the rest of Africa. Afrocentric fashion references the apparel traditions of multicultural Africa, including the traditions of both the colonizers and the colonized. The story of batik (which is Indonesian in origin) is an example of the former.
For Afrocentrists, Afrocentric dress is the norm; consequently Western dress is “ethnic” and therefore “exotic.” For that reason, Afrocentric dress has become a virtuoso expression of African diaspora culture. Political and cultural activities like black cultural nationalism have adopted Afrocentric fashion for its visual symbolism. African and black identity and black nationalism are expressed by the wearing of African and African-inspired dress such as the dashiki, Abacos (Mao-styled suit), Kanga, caftan, wraps, and Buba. All of these items are cultural products of the black diaspora and are worn exclusively or integrated into Western dress .
2. Urban fashion:
This trend combines Western influences with local flair, featuring streetwear, athleisure, and contemporary designs.
Urban fashion in Nigeria takes inspiration from global trends but adds a unique Nigerian twist. This trend offers a modern and edgy take on style, often blending Western influences with local flair. Streetwear, athleisure, and contemporary designs are central to urban fashion trends in Nigeria. Items like denim, oversized t-shirts, and sneakers are popular, making this trend accessible and trendy for the younger generation.
3. Traditional fashion:
Timeless and elegant, this style incorporates traditional attire like aso oke, gele, and agbada, often worn on special occasions .The fashion industry in Nigeria plays an important cultural role and contributes significantly to the country’s economy.
Clothing incorporates a variety of colours, fabrics, and embellishments (often beads). Many of the component cultures of Nigeria wear styles that are characteristic of their tribal society and customs. Nigeria produces fashionable textiles and finished garments and has designers who have achieved international recognition.
4. Sustainable fashion:
There’s a growing emphasis on eco-friendly materials and supporting local artisans . Sustainable fashion refers to the adoption of environmentally and socially responsible practices in the production, distribution, and consumption of clothing. This includes using eco-friendly materials, reducing waste, and ensuring fair labour practices. In Nigeria, the concept of sustainable fashion is gaining traction as designers and consumers become more aware of the environmental impact of their choices.
A key aspect of sustainable fashion is the use of eco-friendly materials. Nigerian designers are increasingly turning to organic cotton, bamboo, hemp, and other sustainable fibres. These materials are not only biodegradable but also require less water and chemicals during cultivation.
Traditional techniques such as hand-weaving and natural dyeing are also making a comeback. For instance, Aso-Oke, a hand-woven fabric traditionally made by the Yoruba people, is being reintroduced in modern designs. This technique not only reduces environmental impact but also supports local artisans and preserves cultural heritage
5. Celebrity Influence:
Nigerian celebrities play a crucial role in shaping fashion trends in Nigeria. Stars like Tiwa Savage, Wizkid, and Funke Akindele are not just entertainers but also style icons. Their fashion choices have a significant impact on what Nigerians wear, from casual outings to glamorous red carpet events. When these celebrities adopt a particular style, it often becomes an instant trend, influencing the broader fashion trends in Nigeria.
In conclusion, the fashion trends in Nigeria are a vibrant mix of Afrocentric, urban, and traditional styles. Each trend offers something unique, reflecting the rich cultural tapestry of Nigeria. Whether it’s the bold and colorful Afrocentric fashion, the modern and edgy urban style, or the timeless elegance of traditional attire, fashion trends in Nigeria continue to evolve and inspire.
These trends showcase the rich cultural tapestry of Nigeria and continue to evolve and inspire .
In June 2024, inside a serene private gallery space tucked away in Accra’s vibrant cultural quarter, Azaniah revealed a collection that felt like a quiet revolution. There were no flashing lights, no dramatic runways, no unnecessary theatrics. Instead, designer Richard Johnson, the Ghanaian creative mind behind the brand, chose to present his work in the purest way possible: close-up, unfiltered, and with an intimacy that allowed every detail to breathe.
This decision was not accidental. It reflected the maturity of a designer who understands that true craftsmanship speaks loudest in silence. As the audience settled into the warm glow of the room, it became clear that this was not a traditional showcase but a study in refined identity and contemporary African expression.
A Mosaic of Strength
The first look emerged with the calm confidence of a man who knows the weight of simplicity. The model appeared in a deep oxblood and slate patterned shirt that resembled the layered textures of a modern metropolis. The print was complex yet controlled, almost like a collage of cityscapes captured in motion.
Paired with fitted dark denim and relaxed trainers, the ensemble delivered an elegant contradiction: polished but approachable, artistic yet undeniably wearable. In the quiet room, the design drew attention not through flamboyance but through the precision of its construction and the intensity of its palette. It was a powerful reminder that sophistication often thrives in understatement.
A Symphony of Colour
The second look immediately shifted the atmosphere. Suddenly the room felt brighter, more alive, as the model stepped forward wearing one of the collection’s most daring shirts. This piece was a celebration of bold chromatic energy, a vibrant arrangement of greens, golds, purples, turquoise, and strokes of black that gave the impression of a painter working freely across a canvas.
Yet for all its exuberance, the shirt remained balanced. Richard Johnson demonstrated an impressive control of colour theory, creating harmony where others might create chaos. Paired with light denim and dark sunglasses, the look radiated a sense of urban swagger. It was youthful without being juvenile, expressive without feeling excessive. Many attendees subtly reached for their phones, capturing an image they instinctively knew would become one of the signature visuals of the evening.
A Dialogue with Nature
The third look offered a complete change in tempo. Here the palette softened into botanical greens, warm citrus notes, and expressive strokes reminiscent of sunlit leaves and tropical landscapes. The shirt carried an emotional quality, playful yet grounded, with a fluidity that felt almost poetic.
Styled with washed denim, the ensemble embodied effortless modernity. It communicated the kind of luxury that doesn’t need to announce itself. In the atmosphere of the Accra showcase, the look felt like a gentle exhale, inviting the audience to slow down and appreciate the harmony between colour, movement, and texture.
A Return to Earth
The final look of the presentation brought the collection full circle. Warm earth tones in orange, deep green, and neutral accents formed a dynamic print that echoed the organic beauty of African landscapes. Paired with tailored black denim and polished boots, the silhouette conveyed a refined yet rugged masculinity.
This was the kind of garment that transitions seamlessly through different settings, equally at home in a boardroom, a gallery, or a weekend retreat. It was a piece defined by resilience and elevated craftsmanship, a testament to Johnson’s ability to design clothing that embraces both function and artistic integrity.
A Designer with a Clear Voice
What stood out most in this June showcase was the coherence of Richard Johnson’s vision. His work is not shaped by fleeting trends but by an understanding of how colour, form, and cultural memory can come together to create something timeless. He designs for the man who is unafraid of expression, who appreciates beauty but insists on practicality, and who wears his identity with quiet confidence.
Azaniah’s Accra presentation offered more than garments. It delivered a perspective — one rooted in African artistry yet universally relevant. It revealed a designer entering a new phase of mastery, and a brand poised to take its place on the international stage.
By the end of the evening, it was unmistakably clear that this collection was not just a showcase of shirts. It was a statement of intent, a declaration that African menswear has its own language, its own rhythm, its own authority. And through Richard Johnson’s thoughtful craftsmanship, Azaniah is speaking it fluently.
Emayo Trendwears, a talent in innovative male fashion, is proud to announce the launch of its highly anticipated Jalabia collection. This new collection marks a bold step in redefining traditional men’s wear, offering a range of Jalabias that seamlessly blend timeless elegance with modern flair.
Crafted by the visionary designer Emmanuel Aaron, CEO of Emayo Trendwears, the new Jalabia collection features a variety of styles that celebrate both cultural heritage and contemporary fashion. Known for his innovative approach, Aaron has reimagined the classic Jalabia by incorporating modern silhouettes, intricate patterns, and a rich palette of colors that range from deep, earthy tones to vibrant, eye-catching shades. Each piece in this collection is made with meticulous attention to detail, using only the finest fabrics to ensure a perfect balance of comfort, durability, and sophistication.
“Our new Jalabia collection is a tribute to the rich cultural tapestry of traditional attire, but with a twist that appeals to today’s fashion-forward man,” says Emmanuel Aaron. “We wanted to create a line that honors our heritage while also offering something fresh, stylish, and versatile. The Jalabias are designed to be worn with pride on any occasion, whether it’s a festive celebration, a relaxed evening out, or even a formal event. The goal is to make every wearer feel special, confident, and effortlessly stylish.”
The new collection showcases a range of designs that reflect a deep appreciation for craftsmanship and creativity. From flowing, lightweight Jalabias perfect for the warm Nigerian climate to structured pieces that provide a more formal look, the collection caters to diverse tastes and preferences. The use of high-quality fabrics ensures that each Jalabia is breathable and comfortable, making it ideal for both everyday wear and special occasions. The unique details—such as hand-embroidered accents, carefully selected buttons, and tailored cuts—add a layer of refinement that sets these pieces apart.
Emayo Trendwears has been at the forefront of male fashion in Nigeria, known for its innovative designs and a commitment to quality. With this new Jalabia collection, the brand continues to build on its reputation for pushing the boundaries of fashion while staying rooted in tradition. This collection is not just about clothing; it’s about storytelling through fabric, design, and creativity.
Aaron adds, “Our Jalabia collection is more than just a fashion statement; it’s a celebration of identity, culture, and style. At Emayo Trendwears, we believe in the power of fashion to inspire, transform, and connect people. This collection represents our dedication to creating garments that speak to the modern man—pieces that are versatile, stylish, and deeply rooted in cultural expression.”
Emayo Trendwears invites everyone to experience the new Jalabia collection and explore the unique fusion of tradition and contemporary style. The collection is now available for purchase on the Emayo Trendwears website and at select retail partners across the country. Fashion enthusiasts, style icons, and the public are encouraged to discover the elegant designs that have made Emayo Trendwears a household name in Nigerian fashion.
To find out more about the collection or to make a purchase, please visit www.emayotrendwears.com or follow us on Instagram @emayo_trendwears for the latest updates and style inspiration.
*Emayo Trendwears – Redefining Traditional Wear for the Modern Man.
There is always a moment in a designer’s timeline where denim stops being “weekend fabric” and starts being language. With Ranto Clothings’ Denim Vogue Collection 2024, Creative Director Bright Urhobo takes that step. He doesn’t treat denim as nostalgia or utility. He treats it as attitude, body politics, and modern femininity.
This look, a strapless, fitted, mini-length denim dress is deceptively simple but actually quite strategic.
At first glance, you think: classic bustier top, flirty skirt, but the engineering is smarter than that.
The bodice is cleanly sculpted around the bust and upper torso, with visible seaming that hints at corsetry without the aggression of full corsetry. The neckline curves in a soft wave rather than a hard straight cut. That curve matters. It stops the piece from feeling like a denim tube and instead gives it a romantic line across the chest, that a touch of softness on a famously rigid fabric.
The waist is defined firmly, but not brutally. We’re not looking at a “snatched” Instagram shape; we’re looking at tailored containment. The seaming through the waist and the presence of belt loops introduce the visual language of denim jeans, almost like the ghost of a waistband, but then it dissolves into dress form. That detail is subtle and smart: Urhobo is playing with familiar codes (belt loops, jean seams, topstitch structure) but he’s not letting the garment collapse into casualwear. This is not DIY cut-up denim.
Below that, the skirt opens into a short A-line with structured pleats. The flare is measured. It’s not ruffled or tiered; it has volume controlled by construction, not by excess fabric. The skirt length is unapologetically short, which gives leg, yes, but also gives stride. You can actually walk in this dress. You can dance in this dress. You can sit on a barstool without feeling like the garment is fighting you.
And that practicality is worth noting. Womenswear today is obsessed with performance vocabulary like “workwear,” “active tailoring,” “multi-wear.” But here the performance is quiet. The dress is wearable because the shape respects movement. That is design maturity.
Let’s talk about the denim itself. This isn’t heavy, armored, menswear denim. This is a softened, mid-wash, likely cotton-spandex blend denim with enough give to follow the body without gaping and enough structure to hold the princess seams and pleats. The wash sits in that very flattering in-between space, not stark, not acid, not distressed. It feels like the sun touched it. Lived in, but not destroyed.
That choice is deliberate. A harsher wash would have pushed the dress toward clubwear. A darker indigo would have made it feel more winter, more night, more “serious.” This light, balanced wash keeps it youthful and most importantly: approachable. It looks like something you could throw on instinctively and still look like you meant it.
There is something quietly political about this dress that should not be ignored. This is not cut only for a single, narrow fantasy body. The model’s figure is allowed fullness in the bust, the upper arm, the thigh. The dress doesn’t punish her for that. It accommodates.
Too often, denim mini dresses are built like denial: squeezed bust, hard top seam cutting into the skin, skirt riding up, hem threatening to split. Here, we see ease. We see confidence. We see a designer who understands that curves are not a design challenge.
And that matters for the brand. It announces who Ranto Clothings thinks “fashion” is for.
Urhobo treats denim not as a symbol of grit or anti-luxury, but as a legitimate fabric for femininity. There is no apology in it. There is no “I’m dressing down, but with heels.” No. The dress is the outfit.
That’s the confidence of the Denim Vogue Collection as a whole: it argues that denim belongs in main-character dressing, not supporting role.
From a commercial perspective, this is an extremely smart piece. It lives in that sweet zone between day and night, between casual and sexy, between “wear it out” and “wear it again next weekend.” A teenager could wear it. A 30-something could wear it. It can sit with sneakers at 2 pm or with a tiny bag and a heeled mule at 9 pm
And importantly, it feels like Ranto Clothings. This is how brands are built: not by one dramatic runway gown that nobody can buy, but by a piece women will actually live in, be photographed in, tag publicly, and allow to circulate culturally.
Bright Urhobo, through this look, makes a simple but important promise: he will not treat women’s bodies as trends. He will cut for them. He will build around them. He will let denim, that most democratic of fabrics, act like a custom language.
The Denim Vogue Collection 2024 is not just selling denim. It’s selling freedom of wear.
The founder of one of Nigeria’s leading clothing brands, Olamide Latifat Mohammed of Bolamsasooke, has declared Aso-Oke has the potential to become an international fabric of choice, given its acceptability, adaptability and beauty.
Mohammed, who is a top Aso-Oke vendor, said the world’s attention is beginning to shift in the direction of African fashion and textiles, adding that Aso-Oke may just be at the crest of the pecking order in view of its potential as a durable fabric and history.
“As global interest in African fashion and textiles grows, Asooke stands out not only for its vibrant colors and intricate patterns but also for its cultural depth. The fabric embodies centuries of Yoruba heritage, making each piece a wearable story that resonates with those who appreciate fashion with a cultural connection,” she stated.
“In recent years, we’ve seen an increase in clients abroad who seek out Asooke for its unique appeal and versatility. Beyond its use in traditional attire, Asooke is being adapted into contemporary styles—like jackets, accessories, and home decor—broadening its reach and relevance in the global fashion scene. This adaptability makes it well-suited for both everyday wear and special occasions, allowing it to appeal to a wider audience.
“Moreover, with the world turning its attention to African craftsmanship and sustainable, artisanal textiles, Aso oke is perfectly positioned to capture international interest. The global market is embracing fabrics with a story, craftsmanship, and authenticity, and Aso oke offers all of this and more, bridging cultural heritage with modern fashion demands,” she added.
For Olamide Mohammed, her dealing in Aso-Oke is personal. According to her, it is rooted in her upbringing. She said she was born into a traditionally rooted culture that values the preservation and celebration of Yoruba heritage
“Growing up, I was surrounded by family members and elders who instilled in me a respect for our culture and a sense of pride in our traditional practices.
“Asooke, being one of the most significant aspects of Yoruba ceremonial attire, naturally became a symbol of identity and pride for me.
“In founding Bolamsasooke, I wanted to honour this heritage by making Asooke accessible and relevant to modern brides while staying true to its cultural essence. This focus has shaped my brand’s identity; we’re not just creating bridal wear, but also weaving the rich history, values, and artistry of the Yoruba people into every piece. Each Bolamsasooke design reflects a deep commitment to upholding tradition while embracing the elegance and style that resonates with today’s brides. My mission is to offer a meaningful connection to Yoruba heritage, allowing clients to celebrate and carry forward these beautiful traditions in a contemporary way.”
Olamide Latifat Mohammed said some of the top celebrities she has serviced, naming some of the top names in the entertainment and high society enclaves are actress Mo Bimpe, Ooni of Ife, Onikoyi, Senator Yayi, Mariam Longe, Tope Mark Odigie, Lolo, Omo Alausa and many more.
Zlatan Ibile, the dynamic Nigerian music sensation, has taken a bold step into the fashion world with the launch of his new brand, ‘ZTTW.’
Known for his energetic presence in the music industry, Zlatan is now channeling that same creativity into a fashion line that promises to shake up the industry.
‘ZTTW’ features a collection of innovative jerseys and ready-to-wear T-shirts, each piece reflecting Zlatan’s commitment to pushing the boundaries of conventional fashion.
At the launch event, Zlatan spoke passionately about his vision for the brand, expressing his desire to create clothing that is not only unique but also a true representation of his personal style.
The event was more than just a fashion show; it was a gathering of creative minds who discussed the growing trend of artists diversifying their portfolios.
Guests highlighted the importance of branching out into different industries, noting that financial versatility is becoming increasingly crucial for sustained success in the entertainment world.
Zlatan’s entry into fashion with ‘ZTTW’ is seen as a strategic move, blending his musical influence with his fashion-forward thinking.
As he continues to explore new avenues, ‘ZTTW’ is expected to set new trends and redefine the fashion landscape with its bold and innovative designs.
IN a bid to further discover new stars of tomorrow, Future Face Global has announced the 15th edition of the world’s premier modeling competition dedicated to discovering the brightest talents from Africa and beyond.
The competition has been instrumental in launching the careers of top models like Mayowa Nicholas, Davidson Obennebo,Rayan El-Mahmoud, Victor Ndigwe, Tobi Momoh, Nneoma Anosike, Fatou Kebbeh, among others.
Elizabeth Isiorho’s BETH Model Management, Africa’s largest modeling agency with a 20-year legacy, organises the yearly competition.
She explained they have a proven track record of nurturing exceptional talent who have worked with renowned fashion houses like Victoria’s Secret, Tom Ford, Chanel, Fendi, Burberry, Dolce & Gabbana, Calvin Klein, Ralph Lauren, Moschino, GQ Magazine, Alexander McQueen, Vogue, Dior, Gucci, Balmain, Prada, YSL, Rick Owens, Hermes, and many more.
She added that this year, the search for the next Future Face is going to be more dynamic than ever. “The competition provides a platform where talent meets opportunity, offering thousands of young aspiring models the chance to achieve their dreams and follow in the footsteps of international superstars.”
She went on to say that online applications and live castings have commenced from August 1 and will run through till September 30.
“The Future Face scouting team will tour several countries, including Kenya, Uganda, Rwanda, Togo, South Africa, Gambia, Nigeria, Senegal, Ghana, Ivory Coast and more, in search of fresh talent,” she said.
She said from thousands of applicants worldwide, 20 finalists will be selected to showcase their skills in front of industry insiders and an esteemed panel of judges.
These finalists she said, will compete at the grand finale in November 2024, vying not only for the prestigious title but also for a two-year international modeling contract with a top agency, a cash prize, a magazine spread and photoshoot with a renowned fashion photographer.
“Girls aged 16-23 years with a height of 5’9 to 6′ (175 – 183cm), and boys aged 16-25 years with a height of 6’1 to 6’3″ (184 – 192cm) are encouraged to apply.
” Over the past two decades, we have partnered with top international agencies such as Elite, IMG, Storm, Ford, Select, Women, 16Men, Marilyn, Next, Milk, The Society and are set to do even more,” she concluded.
Zimma Vogue, a renowned fashion house, has unveiled its latest collection, crafted by the brand’s CEO and Creative Director, Zimbiat Adepoju. The new range showcases a seamless blend of UK and Nigerian fashion, reflecting Adepoju’s unique vision and expertise.
Drawing inspiration from her rich UK/Nigerian heritage, Adepoju has created a collection marked by bold prints, vibrant colors, and impeccable tailoring. “I’m incredibly proud to unveil this new collection, which represents the fusion of my two worlds – UK and Nigeria,” said Adepoju. “Each piece has been carefully designed to showcase the beauty of our shared fashion heritage, with a modern twist.”
The collection features a variety of statement pieces, ranging from elegant evening wear to stylish ready-to-wear outfits, all embodying Zimma Vogue’s signature blend of sophistication and glamour. This stunning new range is poised to make a significant impact on the fashion industry.
