Category: Saturday Interview

  • Burna Boy: Why I won’t have a child with Stefflon Don soon

    Burna Boy: Why I won’t have a child with Stefflon Don soon

    Burna Boy has explained why he won’t be settling down or having a child with UK-born Jamaican artist, Stefflon Don soon. In a recent chat with fans on Twitter, Burna Boy revealed some untold details on his career as well as his girlfriend of 15 months.

    By Sampson Unamka

    Reward for hard work?

    I feel like working 1000000000000 times harder

    First performance

    Calabar carnival 2010

    Growing up

    It was beautiful and it was hell at the same time but it showed me all the lessons I needed to learn to face the world.

    Maintaining focus

    I stay militant. They turned me into this rebel militant I am today. And I’m glad they did.

    Music, Fela, and motivation

    I started in 2010; I was motivated by my talent, passion, family, Africa, and Fela. Twitter does not have enough space for me to talk about the challenges. Just know that the challenges don’t stop when you are on top, they get worse.

    Made money off social media

    Lol. No. I’ve never gotten a dime from social media o. If there was money in social media for me, I’ll live and die on social media. But no money for here.

    Talent doubt

    Yes. A few times actually but my mindset has always been “I’d Rather Die than ever bend or Fold”

    Fame and freebies

    I believe that free things always come back to bite you in the ass. So I don’t like free stuff

    Stylist

    My Sister Ronami Ogulu she’s the best stylist in the world.

    Mum as manager

    My mum is my manager because she is the only person qualified to talk to me and she is the only living human being that I truly 100% trust.

    Most challenging collaboration so far?

    Most challenging was Angelique Kidjo because I looked for her since 2011 and only got to work with her in 2019.

    On Sampling other musicians songs

    All the greatest in the world have sampled things they love. And realistically I do it the least compared to them. I challenge you or anyone to prove I’m not who I say I am.

    Losing Grammys

    Sick. Totally Sick. But my musical mother, Angelique Kidjo told me everything I needed to understand about the Grammys. So now I’m “Twice as Tall” (that’s the name of my next album by the way dropping in July by the grace of the Most High)

    Grammy loss reaction

    If you do not speak your truth, the lies will become your truth

    On marrying Stefflon Don, who was described as being beautiful inside out

    She really and truly is. People have no idea what a queen I got.

    Favourite thing about being Burna Boy

    My Family, my girlfriend, and Gang.

    On raising a family

    I just want to be as good a parent to my children as my parents were and still are to me and my sisters. Until I’m confident that I can be stable and settle with the mother of my kids I can’t have no kids

    Have you gotten the Artist for #Odogwu remix

    I want Phyno, Zoro, Illbliss and Nigga RAW.

  • How my encounter with Nigerian clergymen changed my life story — Israeli tourism expert

    How my encounter with Nigerian clergymen changed my life story — Israeli tourism expert

    Josephine Zidane, is the President of Tailor Made Tours, one of the biggest ground handling tour firms for Christian pilgrims in Israel. In a recent encounter with KUNLE AKINRINADE in Jerusalem, the 48-year-old lady talks about her growing up days, how her company handle Nigerian pilgrims and how she became a mother of a set of twins, following prayers and predictions by Nigerian clergymen, after battling childlessness for 20 years.

    What were your growing-up days like?

    My parents are Israelis who were initially based in Russia but now living in the United States of America (USA). I was born in Russia and my parents brought me to Israel when I was two weeks old. My parents later left for the United States of America (USA) but I decided to stay back here. I actually broke the protocols that children must obey their parents. I chose to disobey my parents to stay back here and serve as a soldier when I was 18 years old. I never knew that God had a huge plan for me in life to serve all the nations of the world and become the bridge between Israel and other nations.

    Did you start your tour firm with Nigerian Christian pilgrims?

    No. We started with all the Christian nations of the world with huge projects. But in Africa, I started with Ethiopian Christian pilgrims and churches many years ago. But by coincidence I came to Nigeria in 2007 and brought excellence in taking care of Christian pilgrims. I am serving my clients well. I have been in business since 1992. I established the tour company in 2000 and my Nigerian office in Abuja was established in 2007.

    Does your company still manage Ethiopian pilgrims as ground handler?

    Of course, yes. We are the main gate today for African Christian believers to the Holy Land of Jerusalem. We have Congo, Cameroon, Nigeria, Ethiopia, and others, but Nigeria is my favourite.

    Why is Nigeria your favourite?

    I love Nigerians. That is actually the most precious friendship I have with people all over the world. It is a kind of unbreakable bond that makes us so committed to Nigeria.

    What’s your assessment of Nigerian Christian pilgrims and the arrangement for the pilgrimage so far?

    Definitely we are progressing, and Tailor Made is a major stakeholder in bringing greater performances and excellence in realising unity with our people in Nigeria. And you see the result is that Christian pilgrimage has not been the same with Nigerian pilgrims since we started handling pilgrimage and managing Nigerian pilgrims since 2007.

    Nigerian pilgrims are more than ever before well welcomed and embraced in Israel, just like the Americans. It’s a different protocol all together. The era of buses conveying pilgrims breaking down and making them to eat anyhow at 2-star hotels is no more. What we have now is excellent services all through. People are undertaking their spiritual journey and they are happy with their wellbeing, and that is what is most important.

    How do you rate Nigerian pilgrims?

    Organisation of pilgrimage from your country is very strange because of the fact that this exercise is sponsored by Nigerian government. Nigeria is the only country in the world that still sponsors Christian believers to the Holy Land and Nigerian pilgrims are really much into prayers. They love Israel. They love Jerusalem and we can see that once they are here (Israel), they are becoming truly angels, and it’s really an amazing atmosphere to see Nigerian pilgrims in Israel.

    In what ways have you benefited from prayers of Nigerians?

    Actually, my unbreakable bond with Nigerians is really about prayers. When they pray, something amazing happens. And it is no joke that we witnessed showers of blessings or heavy rain whenever Nigerian pilgrims are here. It’s an amazing thing every year.

    What is more amazing is that God has used Nigerian clergymen to change my story. When I visited Nigeria a few years ago, Nigerian pastors prayed for me after about 20 years of being childless and looking for the fruit of the womb, and I became Iya Ibeji (twins’ mother). I became Mama Double Double because of prayers by Nigerian clergymen for me.

    For me and my household we hold Nigerians in high esteem because of the prayers, and this is a lifetime thing. I am not only here for business but to do everything to hold Nigerian flag very high. This is where I come to the delicate issue of some Christian pilgrims from Nigeria absconding during pilgrimage. Pilgrimage is a spiritual exercise and people should not insult this exercise for all kinds of rubbish. Some of the pilgrims are doing all kinds of rubbish by absconding, and they are damaging the name of Nigeria as well as frustrating other Nigerians who want to come and pray in Israel.

    Where and when did the prayers by the clergymen take place in Nigeria?

    Oh, the prayers took place in so many places in Nigeria. I remember the very first person who prophesied to me was Prelate Sunday Makinde, who used to be the head of the Methodist Church in Nigeria. Prelate Makinde prayed for me for several days in 2008, and at the end of the prayers, he prophesied that I would become Mama Double Double (mother of twins).

    Also, in 2011 in Osun State, one of the big prophets in the state, Prophet Isaac Adebunmi, prayed for me for so many hours and prophesied that I would become Mama Double Double (mother of twins) and the prophesies came to pass. And there are many other Nigerian clergy men who also prophesied that God would take me out of bareness and bless me with a set of twins, and it happened exactly as they predicted when I was eventually delivered of a set of twins after 20 years of being childless.

    What names did you give your twins?

    We named them Sarah and Isaac. But in Nigeria, they are called Israel and Nigeria (laughter). And it’s such an unbreakable bond that that has been created between us and Nigerians. We as a family feel that we owe Nigeria a lot because of the blessings that we have derived from your country, and that has changed the protocols between the two countries.

    Now in Israel, when you say Tailor Made, they say Nigeria and vice versa. Now the Ministry of Foreign Affairs and the Ministry of Interior consult us when issues arise about Nigeria.

    I have made presentations about Christian pilgrimage to other parts of Nigeria like Bauchi and Port Harcourt and several other parts of your country.

    Apart from the spiritual benefits of pilgrimage, what else do you think that Nigerians can gain from visiting Israel?

    Basically, Lagos State in particular has brought excellence to pilgrimage here. But Lagos State has improved on preparations and wellbeing for pilgrims. We have come to pray but we also need action, and I am glad that the Chief of Staff to the Lagos State governor, Mr Tayo Ayinde, has talked about giving actions to our prayers for Nigeria, and this what Christian pilgrims from your country must do for the greater development of the country. Up till now, the National Christian Pilgrims Commission (NCPC) is still talking about spiritual aspect, but we are saying that there is need to set aside one day out of the period for the pilgrimage to share of the secrets of national development that Israel has to offer on water resources, agriculture, security and education to give Nigerian people knowledge on what to do about it when they go back to Nigeria and further develop their country.

    When was the last time you visited Nigeria?

    I came to Nigeria for the first time in 2007 and I have since been coming to the country every year.

    What are the lessons you have learnt from your interactions with Nigerians?

    Let me tell you, I have learnt so much from Nigerians. And the lesson is that I have become more humble in life than ever before. The Yoruba people have taught me great wisdom. They said to me, ‘Josephine, if you are a monkey that climbs trees too high, you will fall down.’ The lesson in this wise saying is that I should take things slowly and learn not to think too highly of myself, hence, I have become more humble as well as become a servant in real life too. This is because I know where I am coming from and where I am heading to, and I don’t want to fall.

    Also, when crucial things are happening to me in life, I have learnt to take them easy because of the wisdom Nigerians have shared with me. Like when I visited one of my staffs who lost her right hand in a car accident in Gombe State, I was very devastated. But Nigerians told me that I should thank God for her life because she’s still alive. They asked me to shun despondency and look at life as a half full glass. So you (Nigerians) have an interesting approach to life and we Israelites like you for that. It is for this that I want to urge you people not to change your positive spirit.

    What are your favourite Nigerian foods?

    I am in love with Amala, Fufu, pounded yam and pepper soup. My husband also loves eating fried plantain, pepper soup and catfish from Plateau State. We love Nigerian cuisine a lot.

  • The big lesson from COVID-19 — Consultant surgeon, Lagos General Hospital

    The big lesson from COVID-19 — Consultant surgeon, Lagos General Hospital

    Dr Olaseinde Martins, a consultant surgeon with the Ifako-Ijaiye General Hospital, Lagos, in this interview with PAUL AKPABIO and BIODUN ADEYEWA, x-rays the Coronavirus  pandemic that is currently ravaging the world. He also shares with us some of his high and low moments in the course of his medical career over the years.  Excerpts:

    Doctors always seem to be on a collision course with the government, why is this so?

    The principles of life are applicable to all, notwithstanding the professions. You need to be alive to keep other people alive. We do not encourage friction but you have to be alive to save people’s lives as a doctor. So, anytime the means of survival is challenged, particularly when people are working, it shouldn’t be condoned. But good enough, we don’t have such a situation in Lagos State. As a matter of fact, I must commend the Lagos State government, which I believe has the best welfare system for doctors in Nigeria. Even God says that the labourers are worth their wages. One of the major challenges is that when people are working and are not paid, moreso when you are working with obsolete equipment; when we as doctors complain, it is to prepare ourselves ahead of any challenge, just as we have a global challenge now in the name of Covid 19.

    What prompted you into opting for the medical profession?

    As a child, I dreamt of how to help and serve people.  I liked taking care of people as a child. Also as a child, I watched care givers repeatedly come to our town in Kwara State for medical retreat. And I used to watch in admiration as they treated people of different ailments. People who had not been able to eat or walk properly, recovered after three days or so. That indeed impressed me. I was touched and that prompted me to later study medicine. So, I had always been hopeful and I had a potential. Afterwards, I deliberately worked towards achieving that purpose.

    How did your background contribute to who you are today?

    Truly and sincerely, I must thank God for His grace and appreciate the role of my teachers, who made great impact in my life. One of them, Mr Fasusi, encouraged me to study to become the best. I must also commend my parents. My mother actually did more than my father. At a point, it was difficult to go to school; she had to leave the town to go into the forest to engage in commercial farming, the planting of kolanut and all that, because she was desperate to send me to school. And she was almost 60 years in age at that time. I thank God for her; she did a great job but she is late now.

    Do you have any fear about Coronavirus that has been ravaging the world?

    I have no fear to be candid and what we shouldn’t allow is fear; instead, we should be courageous and have faith that we shall overcome. However, my concern is that it is the blessing that God gave that the Coronavirus has come to destroy, which is good health and wealth. This virus has come to destroy our health and to waste our wealth. We need to be healthy to create wealth and you need to be wealthy to sustain health. The challenge we have now is that it is affecting both. So, we have to prioritise. We know that as we close down, wealth is dwindling gradually but we must face the health issue right now.

    Are you satisfied with the steps the Lagos State government has taken so far to tackle the pandemic?

    Looking back at what other countries of the world have done and with the knowledge of this disease, I think I must commend the efforts of the Lagos State governor Babatunde Sanwo-Olu, his deputy, Obafemi Hamzat and their team; they are doing their best. The Nigeria Medical Association, the Commissioner for Health, Prof. Akin Abayomi and the entire team; they are doing a good job. We need to do this now. Let the efforts be on our health now. We must look away from the wealth that we are losing now. If we gain the health, we will regain the wealth. But if we lose the health, no matter the wealth, we won’t be able to enjoy the wealth.

    What advice will you give to other states?

    Lagos State has always been known for setting the pace. We did it during the time of Ebola virus and the whole world commended us. I think Lagos is a state to watch out for and to emulate in doing great things. Even on the arrival of the virus in Lagos, the state has been very proactive with a centre and also at a point calling for a stay at home.

    There is an outbreak of another disease in China apart from COVID-19. ‘What is it with China and diseases?

    Well, we are not going to stigmatise China because of any disease because it could actually come from anywhere. It is a global one; the air we breathe here is the same that they breathe in China. It is not about China but again, we must also look at our practices; our lifestyles in terms of how we live; our hygiene, what we feed on; then our cultural and social practices that may as well promote or bring some of these diseases. So what I will advise is that we should emulate good hygiene and practise preventive health care system whereby if anything bad is noticed in our bodies, we report immediately to our primary health care officials for timely management.

    Everyone expected that America would be able to contain the virus as soon as it reaches the US, but that didn’t happen. What’s your opinion about that?

    Everyone believes that America is the world champion, in terms of knowledge and capacity. I must say that as a doctor and pastor, this is a humbling moment for the entire world. To the scientists, we have been humbled. To those who claim all the knowledge of the world, we have been humbled. Even the religious bodies have been humbled. A single, invisible virus has rumbled our entire world and closed down our system; it is indeed a humbling moment for us. It is a time to have a sober reflection and run back to God. At this point, America and the entire world should know that with all our knowledge and skills, the greatest factor remains God.

    Can you comment on the controversy about Chloroquine as regards the treatment of Coronavirus?

    We have to tread with caution. For now, Chloroquine is not a drug approved to be used in the management of this disease. As a matter of fact, clinical trial is ongoing about Chloroquine. As of now, there is no drug identified for the cure of this virus. The danger of using chloroquine is enormous, especially when not authorised by a doctor.  Chloroquine was used in the past for the treatment of malaria but right now, many other better drugs have been used to treat malaria. So, we are not encouraging anyone to make use of Chloroquine. Even when Chloroquine was used for malaria treatment, it was done on prescription and was never an over-the-counter drug. The danger of Chloroquine to the body (in using it to prevent Coronavirus) will include damage to the eyes and ears. It can even cause death. What we know now is supportive care and following the guidelines as given by the National Centre for Disease Control.

    When do you consider to have been the turning point in your life?

    I think that great turning point in my life was when I met Christ Jesus. I am the last born of my parents. That singular act changed my entire life. In my days in my place, nobody wanted to go to school. But coming in contact with Christ changed my thinking, my attitude and enabled me to further my education. I told God that I wanted to be a surgeon and He helped me to do so. I’m grateful to God.

    Who influenced you most?

    My maternal grandfather did. He was one who I looked forward to. He was a man of integrity, bold and courageous. My mother took after him too. He suffered the consequences for being bold and always speaking the truth, but at the end of the day, people came from far and near to learn from him. He was hard working and never encouraged laziness. At the age of 135, this man was still going to the farm.

    Do you recall any prank that you did as a child?

    One day, I did something very wrong that I learnt from. We didn’t have a pit latrine, no toilet facility; we only had a container where we used to urinate and then go to discharge it. That particular night, I woke and I didn’t know that the man was awake. I urinated there and left. In the morning, the man called me and said: ‘You woke up, you urinated, did you pour it away?’ I think for fear, I denied that I urinated there. The man said: ‘You will not do it again!’ And truly, I did not do it again because he beat me silly. He described how I woke up and what I did in sequence, which confirmed that he was awake and saw me commit the offence.

    Being a doctor is living life with a challenging career, how do you cope with work and the home?

    It is challenging anywhere in the world; it is most challenging. The work of medical practice is tasking, even when you close from work; you still come to work at home. As a surgeon even at home, you are thinking about your patients, how they are recovering, the expenses and how they can continue to get good health.  All that affects us emotionally and even when you have done your best and you are thinking that the patient will survive, peradventure things go awry and the person dies, hen you start worrying over the death of somebody that you did your best for and sometimes, it leads to depression. How do you manage that and not bring it back home? There are days I come home sad. There also days when a patient who ought to have come five years ago, suddenly appears and it is too late.

    What is the most challenging case that you have handled as a doctor? 

    So many challenging cases I have encountered as a trainee and as a consultant. I remember a patient now who was brought to the hospital, a child diagnosed to have cancer of the kidney. The stage we received this patient was advanced. Every part of the body was already involved; the only child of the parents, a girl and they have spent so much money before the child was brought to us. We received the prognosis and did our best. Even getting drugs for her was a challenge. At some point, we had to contribute money to manage the patient. It was palliative care.  At that point, we were not looking at curative because the disease had spread to all parts of the body. Chemotherapy was given and so many things, support and prayers but the patient still died. Breaking the news to the parents was challenging.

    Can you share with us your most embarrassing moment in the course of duty that you would never forget?

    If I call it an embarrassing moment, I may be right or I may be wrong. It started like an embarrassing moment but ended as a rewarding moment. That day, I was leaving the hospital, I saw a woman at the gate crying. I had closed, I wasn’t on call. I had called my wife that I was on the way home. I heard a voice within me saying: ‘Go back and help that woman’. I turned back immediately. I discovered that the woman brought a sick child of six months. God told me that I should do everything possible to make the child okay. The child needed to be operated on. I went everywhere. The mother was the only one around; the husband wasn’t around, didn’t come with money. We needed blood, I went to the blood bank and some people even thought that I had collected money from the woman because my own was too much. I told them that they should put the charge for the blood on my name to be removed from my salary. They all stared at me in disbelief. My colleagues wondered because I was not on duty, so why was I so concerned? I took it up as a challenge. That very night at 1am, I took that patient into surgery. The child needed emergency surgery and I operated that child with my team and the child did well. What touched me was, as I came out of the theatre, lo and behold, I was looking at my uncle straight in the face at 2.30 am. I was still putting on gloves and wearing my theatre gown. He was looking at me and I was looking at him. He mentioned my name, that one that only people at home know and call me. He asked me what I was doing there, and I asked him the same question. Some of the nurses were looking at us and watching the drama. So I told him I am a doctor and worked at that hospital. He told me that his wife brought a sick child to the hospital. He confirmed that the child just operated was his child. I was almost crying. As at that point, they had been married for almost 20 years. And that was their first child who was going to die. I thank God because the child survived and now grown up. I wondered how God works because that man is my blood brother. I never knew I was attending to my brother’s son that very night.

    What role do you think we as individuals have to play in ensuring the safety of our lives with regards to Covid-19?

    It is a pandemic and everyone is involved. We need to keep our hands clean. I must again commend the efforts of the government. It may not be too palatable or comfortable, but the populace must bear with government and cooperate. The government has said stay at home; please stay at home if you are not on essential duty. Then keep good hygiene. Avoid crowds. It will soon be over. If you travelled, self-isolate. And then people should review their cultural and social practices that do not enhance good health and embrace God.

    What should we learn as a nation that loves medical tourism?  

    It’s, indeed, a humbling moment and a time that we have had to learn our lesson the hard way. For years, as medical practitioners, we have been shouting that the country should reduce medical tourism knowing the huge funds that we have been expending on such to access healthcare facilities in other parts of the world. Those people sat down, reviewed and improved their health system. I think it is time that we too did that. Now, there is a lock down around the world. Even if you want to go there for treatment now, I it is not possible. That is why we have to look inward and put in place our own healthcare system and facilities, so that what we have here will be adequate and good for our citizens. And we won’t need to be going outside the country to access healthcare.  The World Health Organisation has recommended that 15% should be set aside for the development of health care, but I doubt if we are spending close to five percent for the health sector. We must train and re-train our doctors, develop medical facilities, we must research. Some of us keep travelling out of the country and even those of us here are tempted to do so too. So, the condition of service for the healthcare providers should be reviewed to encourage our care givers.

  • Why Onyeka Onwenu declined succeeding  Sunny Ade as MCSN chair —CEO Ayilara

    Why Onyeka Onwenu declined succeeding Sunny Ade as MCSN chair —CEO Ayilara

    There is no disputing the fact that a lot of Nigerian musicians are living in luxury and affluence, flaunting their wealth in a way that makes music look like the easiest way to wealth. But there are many others who are so poor that one would wonder what the problem is. Mayowa Ayilara, the CEO of Musical Copyright Society of Nigeria (MCSN) offers an insight in this interview with PAUL UKPABIO.  He also speaks about the efforts being made by MCSN to secure the sums due to some musicians through litigations against some corporate organisations.

     

    DO you have any background in music?   No. I am not a musician. I am just an administrator. I specialise in copyright administration. I work with Musical Copyright Society of Nigeria.

    You have been associating with musicians and copyright society for a long time. When exactly did the relationship begin?

    Nearly 28 years ago, I have been on the issue of protecting creator’s right. Sometimes, it is difficult to define and people didn’t appreciate it. But when we started to identify the rights and to harness the rights for the purpose of administering the rights vis a vis defending them, then it took shape.

    In the past, people would go to the recording studio, they would perform music, they would record and release it to the public, everybody picks and uses it in their different businesses without remembering the persons who wrote or composed the music or performed it.

    The only person who initially got something for the work was the person holding the microphone, whose picture is seen on the cover of the album. Those are the people sometimes compensated.

    But are they always really compensated? The answer is no! I will cite the case of King Sunny Ade, who recently won about N500m case against his former recording companies, which shows that these people are never adequately compensated.

    We created this platform, the Musical Copyright Society of Nigeria, and gave meaning to these issues. I can tell you today that many of the hit songs that you have heard were written by people who you have never heard about, and who are never compensated for those intellectual properties.

    For example, most of late Michael Jackson’s hit songs were not written by him. He only performed them and got all the accolades. The same thing happens in Nigeria.

    What experience caused you to get involved with artistes?

    I can say it was a divine call. I was just like other people who play music, dance to it and enjoy it, and life goes on. But by divine intervention, I met some other people who had been abroad and knew about this kind of business.

    Alhaji Fatai Oladale Giwa, a renowned lawyer who was an agent, then the late Chief Alabi, an accountant; these were the guys who got the experience from the UK, who through interaction with the Performing Rights Society and the Mechanica l Copyright Protection Society of the United Kingdom, collaborated and brought the idea to Nigeria and invariably incorporated the Musical Copyright Society of Nigeria.

    It is through these individuals, particularly Alabi, that I got drafted into this business and the journey started. Today, we are a household name.

     

    ‘How we secured N6bn damages against Multichoice’

     

    You couldn’t have done it without the musicians…

    Yes, at that initial stage, those people were representing the foreigners, and many of the musicians then like I.K Dairo, Ojege Daniel, King Sunny Ade, Ebenezer Obey, Sonny Okosun and Victor Olaiya, among others, were led into the PRS organization. Many of them are dead now.

    They were all members of the PRS United Kingdom. So when MCSN was incorporated and the news got around that now we have a Nigerian society, PRS advised its members to come home to join it. Some agreed but others did not. Some of them are still with PRS till tomorrow while many others came to MCSN.

    A good example of those who came are King Sunny Ade who later became the chairman of MCSN; Chief I.K Dairo, and the list continued to grow and the younger generation of musicians continued to join; people like Orits Wiliki, Ras Kimono, Victor Essiet, Charly Boy, Onyeka Onwenu, Mike Okri and Stella Monye. We created awareness for the musicians to get royalty for their intellectual properties.

    Have you been getting money for the musicians?

    Yes, wherever music is used or played. The money for the musicians actually starts from where the music is made; that is the recording companies. But unfortunately, the record companies were seen as being exploitative. They get huge benefits from the musicians and give stipends.

    Actually, many of the musicians were claimed to even owe the recording companies. That is because in those days, performance were the key factors for the upcoming musicians. At that point, all they wanted were their music to be heard and played at necessary public places.

    The recording companies were giving them the instruments, buses and so on but were recouping it from royalties.

    Now the real practice is the recording companies to pay them upfront. The second step is wherever the music is played in public places, the law expects you to pay the person for the copyright, and these are the places we collect money for the musician. The third place is broadcasting stations.

    There is hardly any broadcasting station that will survive without playing music. So we go to the broadcasting stations to collect royalties to pay the musician.

    How successful has it been?

    If you go abroad, you can say that it has been very successful. But in the Nigerian situation, it has not been so successful. We are still growing and we have huge revenue out there to collect, and that is because the natural attitude of Nigerians is that when it comes to issues of law, they play ignorance or play too know.

    They don’t want to obey the law easily, especially for something that they have been enjoying free like we were experiencing in those days.

    They will tell us why should we pay you; I bought the cassette with my money? So until we communicated and ended up in court and then the court now started giving judgment with huge damages, people began to sit up. So it is taking us a long time to explain all these to people.

    What is the volume of the litigation that MCSN is involved in right now?

    We have quite a lot of litigations going on presently and I think there are no fewer than 50 going on in different courts. As we are getting out of one court, we are going into another one. The good thing is that we are the only organisation that are ready to pursue the issue of copyright to the Supreme Court and won. Those cases are serving as precedents, which are now making our activities easier. It is not totally easy though.

    The organizations owing, are they paying?

    Oh yes, they are paying.

    So the musicians are smiling?

    They can’t be totally smiling yet. It is like someone expecting N100 from you and you are giving him 15 Kobo. In a country of 120 million people with hotels and clubs everywhere, the question is, how many of those hotels are paying?

    Do you love music?

    Of course, I do. I am attracted to musicians by their performances and the message they communicate to people in their music.

    PMAN seems to be in disarray. How does that affect the average musician and copyright generally?

    PMAN is a separate organization an it’s the members who will best say what is wrong with PMAN. But I know that many PMAN members are also members of MCSN.

    So I would advise that PMAN gets on its feet and work well to ensure that its members get their rights, and it should also be the focus of PMAN to ensure that an organization like ours, where its members are, works well so that we can collaborate to ensure good welfare for the members.

    But we have not even started the collaboration or even started discussing how to reach an understanding on how we can work together.

    We have seen musicians who were like a flash in the pan. They had a hit which was out there for a few years and then we hear nothing about them again. Do such people still collect royalties from MSCN?

    Oh yes, they do. Once your music is still being listened to or exploited, you still get royalties, especially if it is protected under the law. Several of our members who are registered with us, even if they are dead, money still come in for them.

    Has a woman ever emerged chairman of MCSN?  If no, why?

    No, because no woman has offered herself for election as a chairman. Even at a point when it was muted to appoint Onyeka Onwenu to succeed King Sunny Ade, she declined because of her many other heavy commitments then.

    Your job at MCSN is more or less about debt recovery. Is your wife and family not worried about your life and safety?

    My job is being misinterpreted as a debt recovery work as against being a service provider to users of music and creators of music. I am a kind of go-between two different parties. People are getting to fully understand the import of our job, which is to remove the legal challenges or obligations placed on users of musical works and the rights of creators.

    Yes, my wife and family would naturally be worried about my life and safety, but being Christians who follow in my leadership at the home front, the fear and worries about my life and safety are really not there.

    Are you impressed with the number of female musicians in the country?

    Yes, I am very impressed but have some reservations about many of them being performers only, as against being creative.  What I am trying to say is that not all of them are composing and writing original music and lyrics of their own.

    A good number of them cannot play any musical instrument apart from singing. Once they are able to cross that bar and are writing and composing their original lyrics and music, and also playing musical instruments, my reservation would no longer have any basis.

    Can you give us an example of your success?

    We spoke to Multichoice about this a couple of times in the past but they refused to bulge. We took them to court and at the end of the day the court fined them N6 billion. So if we talk to your organisation, we could say just pay a token. But if you refuse, we will then take you to court where the court will charge you appropriately for damages.

    But how do you expect Multichoice to pay that huge sum? Are they negotiating with you now?

    I don’t know how they are going to pay it. They have not started the negotiation. They have gone on appeal. But while they are on appeal, the Supreme Court gave a decision on a similar case to theirs. But then the multichoice matter is still in court and not yet concluded, so we can’t say what will come out of their appeal until judgment is given.

    Are there other cases involving such huge amounts?

    Yes, we do we have the one against Globe Broadcasting, the owners of Wazobia station, which is going for between 2 and 3 billion naira. We have other cases against Airtel and MTN.

    With the fact that corporate organizations are owing musicians these much, what would you say about the welfare of the average musician?

    Musicians have a right to live the good life and whatever lifestyle they want or desire. Some may want to live flamboyantly to make them unique or to make them look different. It is up to them. And because of the nature of their work, they will always want to look fine and presentable to the public. But the truth is that, what musicians are earning from their works is far below what they should be earning.

    Are you saying that they are not rich to the standard you expect?

    I am saying that most of them are poor. No matter what they think they have now, it is a far cry from what they ought to be having now because of the huge market we have here. Especially now that their music is taken across the globe.

    Indirectly you are saying that it is these people that owe them that are preventing musicians from being as rich as they ought to be?

    That is it. Like I said earlier, if you are expecting money from a hundred places and only five of those places pay you, it can’t make you feel good. And if all of them pay you, of course, you will be in great affluence.

    In climes where things work well, a musician can project how much he is likely to earn in a year from his music sales, from PR, royalties and so on. He could even use his erstwhile payments as evidence for collecting loans or advances from banks.

    But here I can’t see musicians getting such loans except perhaps the real big ones that can walk into a bank and say I want a N100m loan from you, go to my society, they can give you my earning capacity. So these are the scenarios.

    Over there, musicians are treated like kings. Imagine, it is a Nigerian lawyer who will be telling a client not to pay for copyright. In developed countries, if a musician takes a case of copyright to a lawyer, he will be advised to go and pay or the lawyer could help to negotiate and reduce the payment.

  • Nigeria can deal with Coronavirus the way it dealt with Ebola

    Nigeria can deal with Coronavirus the way it dealt with Ebola

    Dr Eleanor Nwadinobi, is the President of Medical Women International Association (MWIA), United States of America; the founding co-chair of Steering Committee, Every Woman Treaty and the co-country representative for the Working Group on Women Youth Peace and Security for the UN Office for West Africa and the Sahel (UNOWAS). In this interview with PAUL UKPABIO, the partly Jamaican woman speaks about the dreaded Coronavirus outbreak, her love life, particularly how she found love with a Nigerian prince, and her job as a woman who is continually trotting the globe for national and international assignments, among others.

     

    YOU were the first Nigerian to emerge as the President of the 100-year-old Medical Women International Association (MWIA) in the United States of America. What does that mean to you?

    Indeed, I am the first Nigerian to emerge as the President of the Medical Women’s International Association. I am immensely grateful to God for this honour to serve the global association and to make an impact on my generation, especially with regards to the health and well-being of women and girls globally.

    What are the challenges that come with the office?

    There are global challenges that are peculiar to the different regions in the world. For example, in the global south, we are still grappling with issues of high maternal mortality and harmful traditional practices.

    What are your fears about Coronavirus now that it is in Nigeria?

    As with any global health emergency or pandemic, I have concerns regarding how our already overstretched and under-funded health system will cope. However, I am confident that in the same way that Nigeria dealt with Ebola, we can also deal with the Coronavirus. The responses I have seen so far are encouraging in the sense that the leaders in the health sector have been responsive, very open with information sensitization and dispelling rumours.

    We had Ebola virus in Nigeria and a woman professional was at the forefront of the battle to get rid of it. Are you looking at a repeat?

    Indeed, we had a health champion in the person of the late Doctor Adadevor, who paid the ultimate price when we had the Ebola virus. I must say that we have male and female health care professionals who are dedicated to saving lives daily and should be applauded. We must understand that doctors, nurses and other healthcare professionals put their lives at risk on a daily basis while in the line of duty in the process of saving lives.

    Not too long ago, one of our colleagues was physically violated by a patient’s relatives and we held a protest march in the FCT in solidarity with our colleague.

    The reaction in Europe, especially Italy, seems to be slow as compared to the response in China and South Korea. Why is Europe slow in containing the spread of Coronavirus and finding a cure?

    Finding a vaccine should now be a global assignment. This is the time for researchers to get to work to find a suitable vaccine and to find out the disease pattern so that we are better prepared.

    You have been the President of the Enugu branch as well as the National President of the Association in Nigeria. What has it been like managing professional women and what lessons have you learnt from it?

    Over the years, I have learned that managing professional women is like conducting an orchestra. It is important to realise that everybody brings something important to that collective that ends up as a symphony. Once I discover a particular skill in a member, it is important to make her realise how crucial her role is and to call on her to play that role in order for that harmony to be evident. It is also important to inject an element of fun in all that we do.

    What prompted you into the medical profession?

    My parents told me that as a very young child, I came across a road traffic accident and began at that young age to talk about wanting to be in the medical profession to help people in need.

    In what ways did your background contribute to you becoming who you are today?

    I was brought up in a Christian family, which gave me a firm grounding regarding the faith, belief system discipline and love for my neighbour. My parents were educated and therefore education was an important launch pad. In addition, our lifestyle was modest.

    It is important for me to recognize the important role that my faith has played in bringing me to where I am today. As a woman of faith, I believe strongly in the guidance that comes from God. I am grateful to my parents—my father who is one of Nigeria’s pioneer veterinary surgeons and my mother who is a nurse. My mother instilled in me courage and belief in myself. Whenever there seemed to be an obstacle, she would say, ‘Nothing is impossible with God; there is always a way out.” And she would find a way around the obstacle.

    Why do people in the medical profession often get married to one another, and was that the case with you?

    In some cases, you will find colleagues in the medical profession getting married probably because they had the opportunity to meet and date in the course of their study and work. This was the case, for example, with my father. My father was a veterinary doctor and my mother a nurse. I am happily married to a businessman.

    What was your attraction to your husband? Was it love at first sight?

    I met my husband in the university and I was attracted by his kindness to people and the fact that he was very sociable and God-fearing.

    Did you know that your husband is a prince when you met him? What was your parent’s reaction?

    I did not know that my husband is a prince when I met him. Because I grew up in a different culture; I had not been exposed to the traditional rulership system. It was when I got to our home town that I fully understood that my husband is a prince by virtue of his father being the traditional leader of his community. Because my uncle, my father’s elder brother, was the traditional leader of his community, I was considered to be a princess. So in essence, it was a royal wedding.

    What endears you most to the Igbo culture?

    I enjoy the Igbo culture, music, food and traditional weddings, and I do hope and pray that these colourful aspects of the Igbo culture are sustained.

    As a married woman with a challenging career, how do you cope with work and the home front?

    It is quite challenging as a professional and a married woman to ensure good life balance. One has to juggle career, family life, interests, socializing and hobbies, but that is what makes life fun. I am happiest when I have put a smile on somebody else’s face. I do this through encouraging people, especially young people mentoring and fighting for the rights of human beings, especially women and girls.

    What is the most challenging task you have had to perform in the course of duty?

    My most challenging time as a professional woman was having to work as an emergency doctor on call in the United Kingdom. This involved covering theatre, obstetrics, intensive care and the emergency air ambulance at a time when my children were very young. It was such a blessing to have my mother around to help me with the children at that time.

    Your husband is a businessman and you are a core professional. How do you balance that at home?

    With my husband being in business, it has worked quite well because we have been able to complement one another in our professions and in our relationship where we bring our different personalities and skills and experience together to spice up our relationship. It creates a beautiful blend.

    In your spare time what do you do?

    I read, go to the gym, socialize, watch movies and travel.

    Do you follow fashion trends?

    I have my own very unique fashion. My style has to be first comfortable, modest and unique, and I love some bling.

    What fashion accessories would you not do without?

    My must-have fashion accessory would be my earrings.

    You must have travelled to different countries. Which one has left a longest lasting impression on you?

    I have done a fair amount of traveling but the country that has left a lasting impression on me is Israel. Israel was a spiritual and a romantic visit for my husband and I.

     

     

  • From Africa to Berlinale

    From Africa to Berlinale

    By Victor Akande

    The 70th edition of one of my favorite film festivals, Berlin International Film Festival (Berlinale) is ongoing, and I am excited to know that Nigeria is making its mark on the world stage. We may not have captured the grounds enough as a leading film destination in Africa, but being represented annually and playing a role at the Africa hub is what sustainability is all about. I look forward to a day Nigeria will maximize the unique opportunities given to Africa by the likes of Berlinale and TIFF.

    Most notable is the much-touted Nigerian documentary film, Eyimofe which premieres at the festival. Revisiting the beauty of 16mm, Eyimofe which tells the story of migrants and their pursuit for better lives in Europe is written by Chuko Esiri and produced by Melissa Adeyemo.

    Berlinale’s record of the synopsis says: “The two parts of Eyimofe are entitled “Spain” and “Italy”. The European countries remain invisible as we follow the stories of Mofe, a factory technician, and Rosa, a hairdresser, in Lagos. A passport, photos and a visa form recurring, yet still marginal elements in each part of the film, which only touch briefly, while the daily lives of the protagonists are described in detail. Their misfortunes are not narrated in overly dramatic fashion and seem normal as such, sketching out the need to leave Nigeria and accompanying problems. At the bottom of the socio-economic ladder, status, money, gender, skin colour and family structures are inextricably connected.

    The film which in 2018 was one of the winners of New York University’s Purple List, an annual selection of the best production-ready screenplays from its Tisch School of the Arts stars local talent including Jude Akuwudike, Tomiwa Edun, Temi Ami-Williams, Cynthia Ebijie, and Jacob Alexander and international act, Goodness Emmanuel among others.

    Interestingly, Eyimofe is said to have landed an international deal with the New York-based Aspect Ratio Sales which has taken sales rights of the film (minus Africa and Asia where GDN Studios will continue to retain the rights).

    On the other hand, the notable Berlinale Talents has Nigerian film personalities, Tope Tedela and Akinola Ogunmade-Davies. The extensive summit programme of master classes and panel discussions with top-notch experts offers a range of Project Labs in which filmmakers can further develop and present their own project. The two Nigerians (Ogunmade-Davies, a British-Nigerian director and visual artist and Tedela, an award-winning actor) join 253 others from 86 countries. The intensive six-day programme features 100 events with internationally renowned experts and acclaimed Berlinale guests holding workshops and talks.

    The Nigerian Film Corporation (NFC) is also following through with its plans by hosting a film business forum at the Africa hub. The interactive session is designed to meet, interact, network and explore partnerships and collaborations with global Film Commissions, Institutional Organisations/Bodies, Investors, Development Partners, Financiers, Content Producers, Marketers, Distributors, Exhibitors as well as Participants who are interested in keying into the activities and programmes of the Nigerian NFC and investing in the Nigerian film industry generally.

    Tagged Film Business to Business Forum (FB2BF), the agency explains that the outing will include training and development, content development/broadcasting, film festivals, co-production, cineplexes/community theatres, investment/multimedia centres, film broadcast, exchange programme and talent hunt.

    One can always trust South African film industry to well represented in the business of film. From ‘Knuckle City’s premiere at the last Toronto International Film Festival (TIFF), South Africa’s ‘Days of Cannibalism’ is contesting the Best Documentary Award at this year’s Berlinale.

    Directed by Teboho Edkins, the cross-genre documentary film is set in the rugged terrain of a remote rural region in the mountain kingdom of Lesotho.

    The film which has its world premiere at the festival focuses on how modern-day pioneers are met with unease by local communities, and how self-made Chinese merchants negotiate their place alongside traditional Basotho cattle breeders.

  • Voodoo: in our movies tend to give a wrong impression about us as a people — Nollywood actress Tolulope Oke

    Voodoo: in our movies tend to give a wrong impression about us as a people — Nollywood actress Tolulope Oke

    Tolulope Oke, a prominent Nollywood actress, is a graduate of Sociology from the University of Lagos. She also read Dramatic Arts at the Obafemi Awolowo University,(OAU), Ile-Ife. She has starred in several film productions that featured some notable Nollywood faces. She has just produced a new film titled ‘Cookie Spot’. In this interview with YETUNDE OLADEINDE, she speaks about her new movie, its focus and importance to the audience. She also has words of encouragement for women. She enjoins them to remain steadfast amidst the challenges of life.

    My growing up

    I was born in Lagos and attended Mercy Day Primary School and St.Mary Primary School, both in Okota, Lagos. I later attended Remo Divisional High School in Sagamu, Ogun State, and Ibadan Grammar School, Oyo State.

    I grew up in a large family and we had extended relations living with our family. I have been independent-minded as a young person. Acting has been in me since my primary school days. My parents didn’t see the skills in me; so, they wanted me to study Law. All they wanted to see their only girl become was a lawyer. I am the only girl and I had formed my opinion early in life about who I should be and what I should do to put my potentials into good use.

    I joined the industry in 2005/2006 but started fully in 2011/2012 when I featured in ‘Awure eni’, produced by Muhideen Oladapo. Ibrahim Chatta and Moji Olaiya were also part of the movie. I featured in over 20 movies, including ‘Dazling Mirage’ by Tunde Kelani, ‘Jennifer diary’, owned by Funke Akindele.

    My first personal production work was ‘Bi ala'(Like a dream), which featured Peju Ogunmola, Akin Lewis, Dele Odule and others in 2012.I also did ‘Alebu mi’ (My weakeness) in 2015. I  produced ‘Omiran’ in 2016(Giant ), which featured Femi Adebayo, Rose Odita, Funso Adeolu,Dupe Jiayesinmi and others. I later produced ‘Homesick’ in London in 2016.The movie focused on Nigerians living in Dispora and coming back home for them remained the best option.

    Views about the industry

    I believe the industry is improving as it is on the world map. That is very encouraging. Nigerians in diaspora can watch movies without getting the CDs across to them. I’m delighted that now, there are several platforms where people can showcase their talents.

    I want tradition and culture to be showcased more in a positive way in the movies. There are some perspectives that should be changed in the storylines. The voodoo aspects give people some wrong impression that anything can happen. In the real sense of it, selling our culture makes us unique but it should be done appropriately. Our culture should be projected positively not only about diaspora can watch movies without getting the CDs across to them. I’m delighted that now, there are several platforms where people can showcase their talents.

    I want tradition and culture to be showcased more in a positive way in the movies. There are some perspectives that should be changed in the storylines. The voodoo aspects give people some wrong impression that anything can happen. In the real sense of it, selling our culture makes us unique but it should be done appropriately. Our culture should be projected positively not only about voodoo.

    The industry should always seek societal upliftment and project positive values. There are several innovative values that can impact the society.

    The new movie

    ‘Cookie Spot’ is a story and it is a reflection about life.  I believe in hope and I tried to project life and its possibilities. ‘Cookie Spot’ is a story of survival wherever you find yourself. There is always a means of survival. The inspiration of ‘Cookie Spot’ is from a carwash that can turn to a big business. The lady got help from a woman where she was working to establish her own business. She wanted a good life for her mother and herself, which the mother rejected due to the untold story she didn’t reveal to her daughter about her father. Some notable Nollywood starts, who featured in ‘Cookie Spot’ are Adejumo Lewis, Funso Adeolu, Sola Sobowale, Ayo Adesanya, Bolanle Ninalowo, Omowunmi Dada and a host of others.

    The message, among others, is that women should not be overwhelmed with challenges. They should believe they can make it despite all odds. I believe every woman has a staying power that should confront every challenge and overcome. I want every woman out there to have a positive spirit, which will definitely make them overcome in life.

    There is the need for women to support one another. The young women should see the bigger picture of whatever they are doing. Possibilities are endless in life. Whatever you are doing, you should not give up. You can always be a better person wherever you are. You should learn to survive in a way that will add value to others.

    I believe ‘Cookie Spot’ will challenge every young lady out there to have the women and women generally should have the strong will to succeed against all the odds in life.

  • My tough experience performing surgeries for war-battered Rwandans — Lagos Health Commission ex- Consultant Surgeon Akeredolu

    My tough experience performing surgeries for war-battered Rwandans — Lagos Health Commission ex- Consultant Surgeon Akeredolu

    Dr. Jide Akeredolu, a consultant surgeon, as the District Governor of Rotary Club 9110, has a huge task on his desk to meet humanitarian. It’s a busy year with little or no time for parties. But Dr. Akeredolu, a member of Island Club, has a way out. In this interview with PAUL UKPABIO and BIODUN ADEYEWA, he shares with us many interesting things about his life and career, including how he found himself in Rwanda immediately after the war, among other issues.

    Would you say that your early life influenced the person you are today?

    I had a father who was an Anglican Bishop. So, more or less, we garew up inside the church. He was a strict disciplinarian. We were taught early the value of giving service to the community and society. We were taught the value of giving, which has helped me a lot to key into the service that Rotary offers and gives a much larger platform. What took your parents to the North?

    At that time, Christianity was not well established in the North. So, the church needed someone who could go there to spread the gospel as it were. That was in the 50s; that was how my dad was chosen. My dad was the priest at St. John’s Church in Araloya, Lagos Island. He was transferred to Kaduna where we were for seven years. He built the Anglican Church in the North before he returned to the South. So, we were there mainly because of his pastoral duties.

    Briefly, you were in Lagos?

    Yes, but we were small then; so it will be difficult to remember in totality all that took place then. It’s a different experience after I had gone round the world and returned to settle down here again. Lagos of those days was a completely different thing. The compounds were decorated with flowers, not walls. The water in the gutters flowed. I remember that we used to make paper boats and put them in the gutter, and watched them float from where we lived on the Island down to the Lagoon. It was as easy as that. But now the gutters don’t flow to anywhere; they are just there clogged. They are static. Walls are now built around houses with more blocks increasing the heights of the walls. After that, they add barb wires, slowly building prisons for ourselves and locking ourselves inside. Well, some people call it progress.

    Who would you say influenced your personality most?

    That definitely is my dad. He was principled and non-compromising. As a priest in those days, you didn’t have a lot of money, but you were highly respected in the community. I remember that I was in primary school when I was queried: ‘Who did this?’ And all I did was to reply that ‘can you imagine me doing that? I am a son of a pastor!’ And that was it, because that was how I grew up. Being the son of a pastor in those days was an elitist thing. Looking back to those days, I recall that I was going to school without shoes but I was still proud and I usually recalled the saying: ‘Remember the son of whom you are’, which was commonly said to us in those days. Principles took me through life and completely made me self-reliant. Even though he was a pastor in the North, he was not a superstitious person.

    Why do you say that?

    I remember when I was in secondary school, I was very bright then; I am not as bright now as I used to be (laughs). People even used to think then that I was using ‘juju'(charm)to pass my exams because I was usually busy playing football, table tennis and other sports and when examinations came around, I was always the first in class. And there was a time I was sleeping on my bed and something was touching my body, I jumped up and saw a charm what Yorubas call ‘tira’ right there on my bed. Everybody was running and screaming. I took it home and when I showed it to my dad, he told me to throw it away, that I should not believe in such things. I was taken aback but he instilled that belief in me that nothing can touch or harm me as a son of God. That, it is the people that put it there on my bed that have the problem. Since then, I have never nurtured any fear whatsoever. I am always focused believing in whatever I am doing.

    You just gave us a picture of Lagos back then; can you also give us a picture of Kaduna in those days?

    Kaduna was a different ball game because we were in a place which could be likened to Ikoyi there. It was an elitist place; we didn’t mix that much because we were surrounded by Muslims and we were just a small Christian community. I don’t speak Hausa and that should go a long way to show you that we didn’t interact much, but I understand the language when it is spoken. The school was next to the church and we lived in the church environment. It was rough with us at that time; I was selling newspapers on the road as a school boy then because we didn’t have money. Priests in those days were very pious. When I look back at how humble my background was, I used to shake my head because we used to remove the table in our home and put it outside so that we could have space to sleep at night in the sitting room. But I thank God that I was able to make something out of my life with such a humble beginning.

    But what decided it for to study medicine?

    The sincere truth is that I had a senior brother who came in from England and had done medicine. I wanted to be an engineer but when he came in 1971, I found out that new graduates were earning 60 pounds and doctors were earning 120 pounds. That was when I changed my mind because I didn’t see any reason in going to study something that will make me earn less when I could as well study medicine that will make me earn higher. He was in the University College Hospital (UCH), Ibadan, and he bought a car. I said to myself that it was the way to go. That was what twisted my choice from engineering to medicine. But even then, when it was time for me to enter the university, I filled engineering for some of the universities and medicine for others. I was able to get admission for both courses but I settled for medicine.

    In those days, there was no JAMB; you applied to each of the universities directly. I decided to opt for medicine in the University of Ibadan, which had a federal scholarship attached to it, unlike the others. I don’t know if I would have been able to go to school if I had not got that scholarship because, like I said, my parents were poor. My senior brother lost one year because he got admission into the university, but my father could not pay. So, he was told to stay at home for a year before my father could afford it. So, when I was coming behind him, I already knew what to expect. But when a federal scholarship was attached to my admission, it became a God-sent opportunity. The rest is history.

    Was that when you stopped selling newspapers on the street?

    Oh yes. In Kaduna, my mom was into distributing the newspapers. She was selling anything. She put the newspapers on our heads to sell in the morning before we went to school and when we were back from school in the afternoon, we would be selling fruits. It was a tough upbringing.

    At what point did marriage come in?

    That was after housemanship. I did the youth service in the eastern part of Nigeria; came back, worked in the military for two years, started my post-graduate training at the Lagos University Teaching Hospital(LUTH), finished as a surgeon, then travelled abroad, where I stayed for four years before returning to Nigeria. That was when I met my wife. She was a dentist, working at a dental centre. That was how we got hooked up. She is from Ondo too.

    You were abroad, free and single; did it occur to you then that you could marry a white lady as it was the vogue then among young Nigerians who travelled abroad?

    As a young man, yes, I thought of that. I remember when I was a registrar and earning a salary, I was quite buoyant and there was that temptation to marry a white lady. But I knew that my mother would put her feet down and say never, never! More so as we would have to come back home at some point. Presently I can say that I thank God that I didn’t do that because such marriages also have their own challenges. But then again, maybe I should have married a white lady, which also meant that I probably would have just stayed back there and not returned to Nigeria. This country is so rough now that sometimes that idea crosses the mind and you start wondering whether you should have done it all differently. But we also thank God for how it has turned out presently.

    Were there opportunities for you out there? If there were, what made you return to Nigeria?

    What happened was that I went there to specialise in plastic surgery, which is a sub-specialty of surgery. In the English society, you get to know once in a while that you don’t belong. And when that message gets across to you, no matter how good you are, you really don’t belong. And I can remember that I didn’t like that. They knew that I was good, but people were supposedly above me that I was teaching how to do some operations but yet they were my bosses! They let you know that you can’t go beyond a particular point. So, I thought I didn’t need to be a second class citizen. I felt I needed to be in control of my world. I saw the opportunity to join the University of Lagos as a lecturer. That was why I came back home. Unfortunately when I returned, because of the politics there, I couldn’t get the job. Instead, I got a job as a consultant surgeon in the Lagos State Health Service.   I worked there for a few years. The system in Lagos state then allowed that I got transferred from the General Hospital on Lagos Island to the General Hospital at Gbagada after a year and half, where I stayed for a few months and got transferred to the General Hospital at Epe. I spent two years there before being moved to Gbagada again. It was when I was transferred again to Isolo that I said no, that it was time to start a private practice.

    So, you went into full-time business as a plastic surgeon. Can you explain what plastic surgery is?

    Plastic surgery is that aspect of surgery where you deal with visible abnormalities in people; either they are born with those abnormalities or people who along the line of their lives become disfigured. You probably would have seen people with cleft lips, various abnormalities with their skin, or people who are damaged due to involvement in a road accident, where they probably sustained terrible injuries that dis figured them. That’s our specialty as we make them return to looking fine. Also, there are people who just feel like improving what they look like: People who want face lift or ladies who want their tummies to be as flat as possible. But these areas are just a small part of plastic surgery itself. Again, there are people who are suffering from skin cancer and other kinds of cancer.

    Which of your surgeries would you say was your best or your worse?

    I have had all sorts of experiences. However, I have never found surgery difficult in any way, I just flow into it. And the best experience I have ever had was when I was selected as part of a Rotary Plastic Surgery mission to Rwanda in 2013 to go and perform surgery to those who have been deformed during the Rwandan genocide. A lot of people were maimed and disfigured and stuck in their house. They couldn’t come out because they looked terrible and scary. Some actually looked like monsters. They gathered all of them together and plastic surgeons all over the world were selected to attend to them. I was the only one from Africa that was selected on the team. We were there for a month, operating on them from morning till night. It was a rewarding experience to see people who were hiding and couldn’t face the world but suddenly were healed and they came out looking lovely with smiles to face the world.

    Were there other challenges?

    We always have challenges like that when you do surgeries, especially when I was in Britain. There was that expectation that I needed to do better than my colleagues to even be recognised. I was under that pressure that you must not fail. I was under such pressure. There were times that I had to do 12 to 16 hours of surgery and one had to be as meticulous as possible. Those were challenging times. Nonetheless, I have never had any case that I had to regret. The circumstance for plastic surgery in Nigeria is a lot more different from that which obtains abroad. Over there, the facilities are there; the back-up systems are there; but here, you are almost literally working with nothing but you still need to produce good results.

    With your task of being a District Governor of Rotary Club, do you have time to unwind?

    For this year, I don’t think there is time to unwind like that because being a Rotary Club District Governor is a 24 -hour work. But I am also a member of Island Club, which allows me to unwind a bit from time to time. In addition, whenever I find time, I still play lawn tennis and I do a lot reading because many people do not know that we keep exercising the body but the brain is also an organ which needs exercise. And if you don’t exercise it, the brain can wither away.

  • ‘Victor Olaiya’s empire shouldn’t die with him’

    ‘Victor Olaiya’s empire shouldn’t die with him’

    Bimbo Osho, who is currently the Managing Director of Evergreen Music Company Limited, took over from her dad, the founder, out of passion for music and creativity. In this interview with DUPE AYINLA-OLASUNKANMI, she speaks on what made her take up the challenging work of collecting old songs, meeting with veteran musicians, protecting their works and managing their careers, among other issues. Excerpts:

    Tell us how you came about Evergreen Music Company?

    What I can say is that the chairman who is my dad, at the age of 12, started making collections. He is now 72. You can imagine the kinds of collections he has because he is equally as old as those records. If I start collecting now, I will be collecting records of younger generations. Looking at that, the collections started many years ago, and these make up Evergreen Music Company which has the works of artistes as far as 1914.

    Can you tell us some of the works you have in your collections?

    We have the works of Adeolu Akinsanya, Victor Olaiya who just passed on some weeks ago, Tunde Nightingale and others. Most of these artistes have gone to the world beyond, but we still have strong relationships with their families. We pay royalties to them. And we still put their works together, not just for business sake, but for posterity, so that people can have access to these works.

    Do you pay royalties to these late artistes’ families till date?

    We run a company that deals with contracts. You collect people’s works; it is right to pay for the hard work they have done in the past. The arrangement we have made with families is for royalties to be paid. We call them estate; just like we did with Fela. We are the only one in Nigeria to produce the works of Fela Kuti, and we pay royalties to the estate. Beyond the fact that we are trying to produce their works and still make them available, there is also an arrangement to pay royalties for using those works.

    That is because the works are used for so many things; that is why we sign agreements with them. We could use their works for publicity to make people aware of their existence, promotions and for students to understand some historical facts about Nigeria.

    We are close to these families; it is not just about business.

    How did you become the CEO after your father retired?

    As a little girl, I am very creative. I have other siblings. We all have different passions.

    Beyond music, I love things that have to do with creativity. I do music, printing and branding; anything that has to do with creativity, you can always find me there. So music came to me when I was growing, listening to music. I love different kinds of music; I am not fixed into any particular type of music.

    I learnt a lot of things from music which have to do with life. I didn’t have to go to school to learn all those things and the reality of life. If you really want to know how people are in this life, you need to listen to all these songs. If you have five to six musicians talking about a particular thing, they cannot all be wrong. So, this music is like teaching.

    Also when I was in my final year in UI (University of Ibadan) doing my project, I was able to do research on highlife music in Nigeria. That really got me into the business and I started understanding the strong passion my dad exhibited when he plays these records and keeps them.

    Tell us what has kept you going?

    One thing about this job is if you do not have passion for music, you cannot do it. It has to come naturally, including talking to the artistes, the way they feel; you cannot pretend about it. I am just fortunate to pick up from where he stopped.

    How would you describe your time with the late Victor Olaiya?

    I met him when I was quite young. I used to go to the stadium to watch him play, but my main relationship with him was when I was doing my research in school like I mentioned earlier in 2004. I interviewed a whole lot of them; I had to travel to meet Victor Uwaifo; I interviewed the band members of most of the highlife musicians and a few of them that were living then.

    My contact with Victor Olaiya was when I had a live coverage interview with him. I should be in my 20s then. I was so passionate about music. Their songs were not for someone of my age, but I learnt a lot. Someone like Victor Olaiya sang about realities and other issues. And if you get to ask them, it is about experiences they have learnt from the fans.

    There was something about him when you talk about highlife in Nigeria. If I was doing a project and I did not interview him, it could not have been complete. Someone like Bobby Benson, I would have loved to interview him, but he was late. But I still went to do a coverage on his works, hotel and others.

    I saw him as someone that was very simple, accessible and very accommodating. And that is why I keep saying that if any musician wants to go far, just make yourself accessible. It can be difficult, but just try to.

    He was an organised person, his band is extremely organised and he was also a giver. He has left Stadium Hotel for people to continue. That is where the like of Shina Peters, Obesere and so on got their fame.

    So what happens to his works?

    We have seen a lot of musicians pass on and their legacies gone with them. When you look at Felabration and someone like Yeni Kuti, you can see that Fela did not just die, but left behind children that are able to fit into his line. That is a fantastic legacy; the children have carried on.

    Well for Victor Olaiya, Baba just left us. The children and the family should be able to learn from others how they manage the empires left behind by their people. What Olaiya left behind is an empire. He is one of the few people that took highlife to the peak in Nigeria and Ghana because he had several collaborations.

    His son, Bayode, plays at Stadium too, so if the children can come together and solidify, I am sure they will be able to take the man’s business to another level. More so, he was a very decent and disciplined man. So when you look at that and he does not have any scandal over the years before his demise, then they will understand that he needs to be protected and his heritage needs to be taken from where he stopped, Stadium,  his songs, empire and business.

    Stadium Hotel, by now as far as I am concerned, should be like a tourist centre where his works, pictures and instruments should be displayed for people to come and be seen.

    Let’s get a little personal now. Do you have a social life?

    I call myself an introvert/extrovert person. It means someone that can be introvert and extrovert. What social life means to me is to give fun and happiness to others. I do not need to be involved in it, but to see people have fun and enjoy it. That is why I have a company called ‘Amo ilu du’. It is to give fun to people and that even makes me happy. I, myself, as an individual might not really crave for fun. And that to me is what I call a social life. To put event together, see people come together and enjoy themselves.

    Tell us about growing up?

    It was fun; we had everything going on well for us. We had a father and mother that were the best. We were also directed in the right way, and had people who cautioned us when we did things that were wrong. And over the years, it is one of the things that keep us going today and all these also apply to my siblings.

    We also grew up in a very sound Christian background; my dad was one of the founders of CAC. So that help shaped our lives. And the fact that you are in entertainment does not take out that part of your religious activities and growth away from you.

    Growing up was fun and we have also seen life at the growing up of our life.

    Do you feel intimidated being a lady in this line?

    I’m a very private person, not the yao yao type. I am always organised in my thought and approach. To some extent, I am very humble, and the course I did in school also has helped me to understand human nature. When you see people that want to be domineering, there are ways you can deal with them and ask questions. But in this field, I have not seen any intimidation, and I don’t think I am going to see.

    Why do you say so?

    Everybody is in their line. And the kind of thing I do, it is not everyone that does it. I am into a kind of preservation. Most men you will see are either promoters or marketers. But I am into something that is deeper; it involves everything. And I am not a musician; they are the ones that always have problems with themselves.

    I am into something that is very serious and that will affect everyone whether you are a student or lecturer; it is like an institution, an empire by itself. Looking at that, rather that happening, they respect me more for what I do and encourage me to do better.

    Do you have plans lined up for the late Victor Olaiya’s funeral?

    Yes, the last time we had a meeting with the family, they made it known that everything would take place after the lent period. So, we’re already in talks with them.

    But as the company managing his works before he passed on, what do you want to do?

    We had what we called the last supper for Baba Olaiya. That was when he celebrated 50 years on stage. We didn’t even envisage that soon he would be leaving us.

    It is mandatory that the family does what is right before we come in and say as a society we have our last respects for him. We are definitely going to have something big for him. We are just waiting for the family to do theirs first, which is the norm in the Yoruba setting or belief.

  • Deola’s Top Ten

    Deola Kamson is a designer and CEO of Delabique Fashion House. In this interview with ZAINAB BADRU, she shares her favourite things.

    Favourite wristwatch

    Lady-Datejust by Rolex

    Favourite shoe designer

    Mona Matthews

    Favourite holiday spot

    Anywhere by the beach

    Favourite food

    Sea food and salads

    Favourite book

    The Power of Now by Eckhart Tolle. I love reading, just finished reading 4-Hour Work

    Week by Timothy Ferriss

    Favourite TV series

    I hardly watch TV but nowadays I find myself hooked on Steve Harvey On Facebook

    Favourite things to do

    I love journaling, putting my thoughts down

    Favourite dress designer

    All things batik and Tie-dye made by Delabique

    Favourite perfume

    Coco Madmoiselle by Chanel

    Favourite car

    Mercedes Benz