Category: Sunday Interview

Nollywood producer and actress, Happy Uchendu, is breaking new grounds in the industry. Though a graduate of Microbiology, her hard work has paved the way for her to be a producer as she has produced over 10 movies in the highly competitive industry. She is currently working on an exciting new project titled ‘Blind Spot’ and has recently wrapped up production of her latest movie which will be released in the cinemas early next year.  She tells Adetutu Audu that ‘blowing out others’ candles won’t make yours shine any brighter.’

Tell us about what you’re working on now?

My team and I are currently in the pre-production stage for a movie titled ‘Blind Spot’. It’s a romantic thriller that will be shot in Abuja starting next month. I tell you, you don’t want to miss this one. It’s going to be awesome.

You are an actress and a producer. What inspires your movies?

I am inspired by things that go on in our everyday lives; love, relationships, marriage and damage control in human relationships. Little wonder why I love Tyler Perry’s works. They’re all about everyday living.

What kind of roles do you prefer?

Mmmm, let’s see… Since I’m a bit of a tomboy, I love action roles. I haven’t done any yet but would love to play an action role.

What character was the toughest for you to change into?

The character of Valerie in the movie ‘Valerie’. It wasn’t easy playing a mean, unpleasant person. It’s a sharp contrast to my persona. I had to cry all the time. I don’t shed tears easily but in that role, I had to push myself hard to get into character.

What is the most extreme change to your personality, hair, body weight that you have done to prepare for a role?

I had to shave my hair in the same movie, ‘Valerie’. At first, we ordered a bald wig, but when it came, I didn’t like the look of it. I wanted to give my viewers something real to connect with, so I shaved my hair off. I don’t regret it.

Tell us about a time when you had a really bad day but had to perform. How did you get through it?

I can’t really think of a particular incident so bad that stuck in my memory, but in the course of doing my job, challenges arise a lot. However, experience has schooled me to take a time out, cool off and then get back on set like it never happened.

Tell us about a time when you had difficulty with a character. What was the character and why was it challenging?

My very first acting role in the industry was a bit challenging. The name of my character in that movie was also Valerie. Which is why when I started producing my own movies, I named one of it ‘Valerie’. Both characters were similar. Also, it was my first time with little or no experience in acting. I was just a talented green horn.

Describe your style and personality

I always like to think of myself as the ‘girl next door ‘ kind of person. I am easy-going and friendly. My style is simple, but ‘classy’ has a place in my heart too.

When was your first role as an actress and how much was involved?

First and foremost, God bless Kenneth Nyang who gave me that golden opportunity and still paid me well. Imagine a first timer in Nollywood earning about N40,000 back then.  Now I understand what a blessing he was but that’s how it happened.

Of all the roles you have played in the past, which is your favourite?

I’m sure you can guess by now. It’s ‘Valerie’.

Life as a microbiologist, actress and entrepreneur. Which is fulfilling for you?

Microbiology has helped me become knowledgeable about my health and that of my family and loved ones. But life as an actress is it for me. I work while having fun and I’m also living my dream.

What are your weaknesses and strengths?

(Laughs) You don’t really expect me to spill all that, do you? But let me try… I could get pissed off easily and throw temper tantrums occasionally, but I must say it’s well controlled while it’s on. I’m resilient and a go-getter. I don’t take no for an answer and I tend to see the positive side of every situation.

What have you learned from the directors that you have worked with throughout your career?

Most of them have been nice, calm and down to earth. Our disagreements from time to time over technicalities and the arts while working on different projects have helped me tremendously in human relations and team work.

As a celebrity, how do you handle fame?

As I said earlier, I’m simple and down to earth. I play a lot and do not wear airs, so it’s easy, I must say. It’s not as bad as it is for some others. I’m favoured, I believe.

What is the hardest part of being a celebrity?

Arghhhhh…gossip! Negative gossip and loss of privacy. You find some people just want to stick their nose in your business and it can be annoying. It’s a down side to this whole thing, I must say.

Growing up, who are those that influenced your life: the good, the bad and the ugly?

I can’t think of anyone who influenced me in a bad way because I always did have a mind of my own from the onset. So I decided what was good or bad for me. I simply refused to yield to anything that looked wrong to me knowing I had my eyes on my future. My good influences are definitely my parents. They are God-loving, so I think they got it right from the start. My dad is an entrepreneur, so I learned the value of hard work very early in life. While growing up, I would go to his shop and the office to help out. There, I learned to pursue and achieve my goals early in life. I was really inspired by my parents.

As for the ugly, the industry taught me a few things too but I chose from day one to block it all out. Why? I have a train to catch. The train of greatness, fuelled by excellence. I know very well that you can never attain excellence with a mind clogged up with unforgiveness and bitterness. Rather than influence me to do others bad, these experiences have strongly imbibed in me the knowledge that blowing out a person’s candle will not make yours shine any brighter. If anything, the room will get dimmer. Again, it’s all about choices.

Adedayo Liadi, is an internationally-acclaimed dancer, dance instructor, choreographer and director.  He is the creator of the famous Olorioko dance pattern which made waves a few years ago.  Through his Ijodee Dance Company, he has been involved in series of workshops, seminars and trainings to help younger dancers and contemporary dance groups.  In this interview with EDOZIE UDEZE, he talks about his dreams for teenage dancers, why he relocated his family abroad, dance as a money spinning venture and lots more.

YOU are into children’s programme these days.  What is it all about? The programme we have for children is mainly a training programme/workshop where we teach them the rudiments of theatre.  We concentrate more on dance which is my primary forte as an artiste.  We have just finished one of the programmes where we invited a Nigeria artiste based in the United States of America.  Her name is Titi.  We just invited her to Nigeria and she was here in Nigeria for one month teaching children different aspects of modern dance.

After that, we began another series of workshops which will finish next week.  This workshop also lasted for one month and it was held at the Corporate Dance Hall Studios, Eric More, Surulere, Lagos.  We have also programmed to award certificates to young dancers who participated in the one month programme.  Most of them were teenagers though.  Each person was made to pay N10,000 which was even bellow what we would have taken from them.  We made the amount so low so that more people would be able to come and learn new ways of dance.  In this era of recession we needed to consider the people.  It is indeed my own contribution to the development of dance in the land.  It is time to do so, though, and someone has to champion the cause, which is what I am doing.

Why did you pick on teenagers and children?

Ah, I picked on teenagers because I started very young as well.  I started very early and I got lots of opportunities to express myself through dance.  Therefore we have to pick them out very early to show them the way to go.  I was not even encouraged by my family, yet I left them to face dance entirely at a very early age.  And I got encouraged by lots of people outside my home.  So, I am feeling that if I did not get such encouragement from outsiders where would I be today?  So, that’s why it is good for us to do it for them; for these young ones now.  People who believed in me, did it for me.  So why wouldn’t I sow the same seed in others today?  I don’t know most of them, but I picked them from different dance groups to train them to be better dancers.  Some of them are from the streets, while others are my friends on Facebook.  I have tried to help them by training them because I cannot employ all of them in my company.  It is not possible.  It is good for them to have this knowledge at a very tender age.

What then is the level of enthusiasm shown by the children?

It is really high.  The level of enthusiasm is very high.  They are ready and eager to learn to dance, to showcase their talents.  The only thing most of them do not have is education.  I keep telling them that if you do not have education, you cannot go far.  You need to acquire education to be able to make it as a dancer.  Education is the key to success.  So, they are eager to know everything not knowing it is a gradual process.  That’s the problem we have with them now; they want to get rich immediately.  They want to be stars now.  They want to be professionals with immediate effect.  In fact some of the dancers who are just learning under me often say, ah, sir, I am coming to learn under you so that you’ll give me a job immediately.  And I’d say to them, it is not that possible now.  Do not be in a hurry.  You have to go to school first, after all at this age you are supposed to be under your parents.  But they do not seem to care or listen.

Take your time, I’d say to them.  It is an advice I give to all of them so that they do not lose sight of the fact that with education they will get to their destination.  It is time too to teach them both dance and the value of education.

What has Olorioko done to you as a professional dancer?

Olorioko has indeed given me a leverage that is worth more than cash.  Indeed so, and I must say it.  This is so because 90% of the works and projects I am doing in Nigeria today came via Olorioko.  Whether it is from the corporate bodies or from individuals, it is mainly due to Olorioko.  Everywhere I go people still recognize my face even though I have cut my hair now.  Oh, people would say, so you are the Olorioko?  Often, I do not want to show off, yet people recognize me and want to show gratitude.  Now, I want my look to be more matured to show them I am an older dancer now.  And till now, honestly, I am getting my projects because of the Olorioko fame.  I am very happy I took that project (Olorioko).  I made the proposal to Infinity then and it sold.  I wouldn’t want to be a dancer who dances behind the musician or the singer.  I told him so and he bought the idea.  And here we are today.  If you dance before the camera, they will remember you.  This has indeed worked for me.  It was a big experiment that has worked in my favour.  It is really great in my professional life and I am enjoying it at the moment.  At the moment too, it has fetched me a very mega job.  There’s a job I got that’s as big as big Brother Africa.  It will soon take place in Nigeria.  It is called My Africa Reality Show.  So, basically because of Olorioko, they invited me.  They saw me at another place where I was performing and they said, oh, we have been looking for you.  We’d like you to perform in our upcoming show.  Would you like to be a part of our new show?  And I said yes, if the pay is cool.  They have therefore invited me as a dance consultant and as a judge in the show.

The choreography in Olorioko is unique.  Who created it?

Oh, yes, I created it.  I created Olorioko, the dance direction, the pattern, indeed everything in it, was my creation.  Even the stage setting, the drums, I did with my own hands.  It was amazing.   I am a live performer and so it was easy for me to do it.  Apart from Olorioko, however, I have done some other great works.  Olorioko, however, gave me the fame in Nigeria.  But the work that really sky-rocketed my fame world-wide is Ori.  Ori gave me my fame beyond compare.  It has toured may be 60 countries now.  It is still touring more countries as at now.  And Olorioko has taken me out of Nigeria only twice.  So the one I’d say is bigger, better than Olorioko, is Ori.  Ori has to do with destiny, you know.  In English it is called the head; but it is the destiny.  There’s another work which I did about 7 years ago called vanity.  Vanity has also taken me outside Nigeria a couple of times.  I have travelled to 5 countries with it just this year.  It is equally a wonderful work.  I keep telling young dancers, please, do not create a dance that will fizzle out after one or two years.  Create works that will last long and fetch you both fame and money.  It is better to take time to create it, – it might take you months to do so, but when it is ready, you will love it.  When one organization sees it, another organization will invite you to come and perform it.  And that is how it goes.  That’s how I work.  And that’s why you do not see me in all performances, in all shows.  I take my time.  I pick what I do to maintain that quality.  I select what I do because I am not a young dancer.  I am also aging and so I need to be careful what shows I am involved in.  But for me I always encourage young dancers to do what they can now to make money and fame before it becomes late for them.

What of your family?

Oh, they are fine.  About three years ago, I relocated my wife and children to France, where my children are having their education.

Why France?

It is a known fact that education in France for the children is very good and sound.  And I feel the best I can do for my children is to send them over to France to have good and sound education.  So far, the decision has been paying off, for they speak both French and English now.  Indeed, education in France is very encouraging.  I go there from time to time to see them.  Yes, they are fine.

You are the president of Guild of Nigerian Dancers (GOND).  What does it entail to occupy that position?

I’d say I never thought I’d become the president of GOND.  As at six months ago, I never thought about it.  When the election was approaching, I was advised to be part of the election.  And then suddenly I discovered people voted me in (laughs).  So, it was like I never thought it would be me.  I thought it’d be some other person.  But here we are now; I am the National President of Guild of Nigerian Dancers.  It was senior dancers in the industry who encouraged me.  They gave me 95% of the support that I needed to win and I won.  So, I was surprised and it gives me that positive posture that dancers really love me; they want me to come and serve.  They have shown that they believe in my capability to serve and for this I am grateful to God.  I am very happy that God has taken me this far.  I never knew it would be this good and God is really on the throne.

Abisola Dejonwo -Tokan is the brain behind Taste off Lagos food festival which she birthed four years ago. The mother of two and eldest child of Wosilat Okoya, also runs a pastry company, The Bakery.  A graduate of Business Administration, University of Kent, Canterbury. She shares with ADETUTU AUDU how her love for food stirred her into making the country a culinary haven.

You are in love with food. What inspired this love? As a child, my mother loved to cook and could cook all local Yoruba dishes. She experiments a lot with food. I have equally travelled to a lot of places around the world. So, for me, it is natural.

You have done four editions of the Taste off Lagos Food Festival, what keeps you going?

If I look at where we started from, when we tried to introduce the food festival and where we are, there is a big gap. We kept on bridging the gap and getting better. We are trying to develop a food culture among Nigerians and Lagosians. Nigeria has 36 states and diverse tribes and there are foods all over these places which are yet to be explored and brought to the festival. The last festival, we had dishes from the three major ethnic groups being represented. As Lagos is developing and evolving, so is the food festival.

At the initial stage, I saw opportunity. Nigeria being the most populous black nation, we have a lot of food. Very soon, the food festival is going to be a tourist destination, where people from all over the world will book holiday around the festival. If they come, they will explore different culture and foods. It is a money-spinner to the country and other participants. Basically, it is for small business enterprise development in Nigeria. Most of the businesses that will accept the initiative are SMEs. They have a way of showcasing their food and new companies that want to test their products. Since it is a gathering of people that love food, they get instant responses not like a blind test.

Upwardly mobile entrepreneurs starting food business get opportunity of instant tasters. For instance, if you are starting a business, you gather your family and friends who may not tell you the truth if it is nice or not. But with the festival, you will know by what is popular in your setting. You are able to ask people question and know what to improve on.

Would say it is your exposure to the western culture that has gingered this?

My exposure and passion for food; if I am not passionate about food, I would not know where to start from. It is more of a passion and opportunity to make the country as a culinary haven.

 Are you thinking of taking it outside Lagos?

We have planned to go to Abuja, Calabar, Port Harcourt and every bubbling major city in Nigeria. The whole idea is just like the National Youth Service Corps, NYSC, where people are posted to different parts of the country to integrate and serve the country. Taste off Nigeria Food Festival is the brand; we can take it up north, and we introduce other tribes’ dishes they are not familiar with to them. It is a blend and mixture.  Initially, we were doing one day. But the last edition we had two days, over 60 vendors from different tribes. We hope to introduce international foods in the nest edition.

What were your challenges, despite its success?

I will say acceptance. There are some people who still don’t understand what the festival is all about. Even the sponsors, I found myself constantly explaining to people. But I think that it is gradually being accepted.  It is getting bigger and better.

You have been an entrepreneur for the past 10 years. How did your journey into entrepreneurship start?

Earlier, I had worked at Zenon Petroleum and Gas. I moved to Chartered Bank and later Transcorp Plc which was my last paid job. I came from the household of entrepreneurs – my mother, my uncle. I think it is inborn. I see entrepreneurs around me, and grew up with them. I think it is easy for me to step into these shoes.

How easy was it for you starting the bakery since it is your first business?

Before the bakery, I have been doing different things. I have done logistics and procurement. But the bakery is my first structure business. It is what I do and I am employed by the bakery 9-5 every day. I have three bakeries now and obviously it is my passion for food that is keeping me going.

What about your initial funding?

I started small and I am still not big. I started with loans from family and friends combined together to start something. Being persistent and consistent have helped me to get bigger.

When would you say is your major breakthrough?

I don’t think I have landed my breakthrough. I am still a growing entrepreneur; I have not yet reached that height, maybe when I have like 10 chains and two big factories.

Growing up, who and what influenced you and prepared you for this?

Good upbringing and good education. Growing up was quite memorable. I grew up in a large extended family. Family dinners and outings were always exciting. Since it is a large family, there were always some activities or birthdays to celebrate.  I thank my parents for that.  I remember I used to go to Dosunmu in Lagos Island as a child to sell things on the street. This is just to show me that hard work pays and I need to work hard for every penny I earn.

Share with us lessons life has taught you

I have learnt to be self-reliant, stay focused on my dreams and don’t limit myself.

Describe your style

It is quite basic and being comfortable in anything I wear is always my priority.

Princess Dolapo Oni-Sijuwade started out as the anchor on the Mnet show, ’53 Extra’, and soon became a force to reckon with. The Nigerian-born actress and television personality who studied Chemistry in the University of Bristol later pursued and received a postgraduate degree from the Academy of Live and Recorded Arts in London.  Dolapo has also played host at many high class events of which the ground breaking Ebony Life TV launch remains clearly memorable. The brain behind the Marcy Project shares her success story and marriage with ADETUTU AUDU.

AS one of the most admired television personalities, what do you think sets you apart?

I think the fact that I have been trained really helps. Even though I went to drama school, I use those skills in front of the cameras, whether it is for acting or presenting.

 You studied Chemistry, what was your initial childhood’s dream job?

Growing up, I always said I wanted to be a doctor as it sounded amazing, but of course as time went on I realised I didn’t want to do that.

You started your career as the anchor on Mnet show 53 Extra, and then went on to be the co-anchor on M O Abudu’s EbonyLife TV. How would you describe the journey so far?

My journey so far has been full of challenges, but I have been fully blessed. When I first moved to Nigeria, within my first week I got my job at 53 Extra. It was a great learning experience, and after three years I decided it was time for me to embark on a new challenge, which was to work on Moment with Mo talk show. It was a great learning experience and a completely different sort of show where one gets to interview politicians, to the biggest celebrities and to the everyday man. It was very exciting, dynamic.

You are a lady of many parts, where do you draw your inspiration? You also act, when did you discover the acting part of you?

I would say I draw inspiration from the things I see around me; when I go out I tend to be quite reserved and watch. And I think part of that is due to the fact that I am an actress and I like to draw from experiences. And watching sort of gives me insight into human behaviour. Yes, I act as well. I studied at the Academy of Live and Recorded Arts in the UK. When I was 10, we went to the Oxford Play house on a school trip to see a musical that was called “Aspects of Love”, by Andrew Lloyd Webber. That was when I first fell in love with theatre and acting. And I remember thinking ‘I want to do that.’ I was acting in school plays and at university and when I was done, I decided I wanted to turn it into a career; and that was when I went to a drama school in London.

Share your experience on Jacob’s Cross with us.

Jacob’s Cross was one of my best experiences. Getting the job was challenging. I was working with Mnet at the time, so anytime I was in South Africa I would take any chance I could to audition. I had the audition in Jo’burg, and after a year, I did a Skype audition, then put myself on tape then sent it out. Then after I had a meeting via skype, I was offered the part I played. I was really excited as I have always been a fan of Jacob’s Cross. I remember when I first moved back to Nigeria that I said that is the show I would love to work on and I was very happy I did.

Which do you like the most, soap or stage performance?

 They are two completely different sorts of productions. You cannot get the type of adrenaline rush you get on stage on TV. It is just completely different. But on the other hand, TV is for life and by that, I mean it is recorded, because in 20 years I would be able to show my children, and that is something that is really, really exciting. So I am not sure if I am able to choose.

While growing up, who influenced you – the good, the bad and the ugly – to shape you into who you are today?

My biggest influence and inspiration is my mother. My mother taught me to work with an independent mind and be thankful I had a great education; and to use that to make something of myself. And that is basically what I have done. I come from a family of lawyers and accountants, and everyone has pretty regular jobs. It may have been difficult if I came back with the mindset of maybe my parents or siblings could help me with this or that. What I needed mostly was their support and I am very lucky they gave that to me. And I just basically went out there to hustle so that I would get jobs, and luckily I did.

What would you say is the highest point of your career?

 Highest points of my career are: Jacob’s Cross, Saro the Musical and starting my own production company by being able to create work and offer work to people.

Away from the glitz, who is MDO?

 MDO is a chilled out, fun loving person and a home buddy. I love to go to the movies. I love shopping. I love eating out. But most of the time, I love hanging out with my family and friends. What you see is what you get.

Fashion item you can’t do without?

Jeans. I have quite a number of jeans and I love the fact that you can dress them up and dress them down.

Describe your personality and style

I am chilled and I can be blunt. If I am annoyed about something you will see it. It is quite obvious because it will be written all over my face. My style is casual-chic and quite understated. I don’t like things that are over the top.

Being in the limelight has its own challenges, kindly share yours with us.

 I would say all jobs have good sides and bad sides. I work on TV, so people know who I am. I can’t complain because I put myself up there. People say things because they feel they know you. So when people say things I don’t like, I just brush it off. I don’t complain about that, because the job comes with lots of perks.

You effortlessly change your hair dos and looks, what are your beauty secrets?

Sleep and drinking lots of water to hydrate myself; this I would recommend to anybody.

T.V presenting revolves a lot around appearances. What does style mean to you?

For me, style is an expression of oneself. What you feel comfortable wearing at a particular time and place and it doesn’t necessarily follow trends.

When you are not on screen, what else do you enjoy doing?

I enjoy hanging out with my friends, travelling, shopping and catching up on sleep.

You are multi-talented, but how do you juggle it all?

I have not really sat down and thought about it till someone asked me the question. There are times when I am quite overwhelmed, then there are times when I do have a lot of time to just sit down and relax. Anyone who works in entertainment will tell you, you have great months, you have slow months, and so for me that is the balance. If every single month was crazy I wouldn’t really be able to cope. I cherish my downtimes then I can spend more time with my husband. When I am busy he remembers the down time when I was there and at his beck and call.

One year into your marriage, how would you describe the journey?

I thank God for bringing us together. He picked the perfect partner for me. My husband is very funny, charismatic, practical, playful and supportive.  I thank him for his love, warmth, charm, small craze, but most importantly for filling our home with laughter.

Wole Oguntokun is a lawyer, theatre practitioner, playwright and stage director.  He is one of the foremost theatre arts practitioners in the land at the moment.  A few weeks ago, he opened his new theatre outfit called The Theatre Republic in Lagos where he stages plays, dances and all sorts.  He tells EDOZIE UDEZE in this chat how his avowed love and commitment to theatre has become a norm for him and more.

WHAT does the new theatre outfit called The Theatre Republic stand for? The idea of the Theatre Republic is to have a place for stage plays.  It is a place where our own company, the Renegade Theatre and other companies in Lagos who are looking for a platform to have their shows without the exorbitant cost we usually encounter to have their shows.  This is because it is impossible for an average artiste to pay 600,000 or 400,000 to have only one show.  That’s too exorbitant.  Every weekend we pay such amount and if you continue like that, there is no way you can pay your cast and still be in business.  This is excluding production cost and the rest.  This is the reason we are doing this so that we’ll have a total renaissance in the theatre industry.

How lucrative is the theatre business in Nigeria now that you are investing so much?

Yes, we can make it work.  This is new here now and we can make it work.  Don’t forget that this is show business and like most businesses it has its own ups and downs.  But we can make it grow.  We have to have business plan first and foremost.  It is hard to be faced with it by the look of it.  But we don’t have to be constrained by it as artistes.  In a society where there is no infrastructure; where there is no single art grant, not one art grant by the government, it becomes too difficult to operate.  Yet, I have seen in other societies where all their spaces not even fit for performances were given up to three hundred and fifty dollars to produce shows.  This was to enable them think, incubate and produce the show.

What motivated you to actualise such a huge dream?

I am an artiste.  Yes even though I studied law,  I am an artiste.  That’s what I am.  That’s what I practice.  And really it was like sitting down and thinking what other ways can one do it – ways that are quite different?  That was what I did.  One must create his own venues, have his own shows.  Then if others could do it, why wouldn’t we do it?  This is why we came this far where we have to accommodate other artistes.  We grew theatre at Terra, so why wouldn’t we grow it here?  So that is the drive; that is the motivation.

How does the name Renegade sound in relation to theatre?

Oh, (laughs).  We call ourselves Renegade Theatre.  Oh, yes, we do.  What we’ve done is not to follow the regular path.  So that was how the idea of the name Renegade came.  We have to be innovative.  We did not have to wait for others to teach us.  We chose to have this place; the theatre of our own style.  And that’s it; that’s the idea of the Renegade Theatre.  So Renegade Theatre is the resident company here.  We also have other theatre groups that will be operating from here.  Companies like Segun Adefila’s Crown Troupe of Africa, and others.  Now we have three months in each quarter of the year.  Now in each quarter, we are going to have more companies here to join us for performances.  It ‘snow possible because we have created the atmosphere.

So, how do you attract your own clientele?

We will do so the way we used to get them while out there at different locations and venues.  Renegade Theatre has done more shows at Terra Kulture and MUSON Centre that our people know who we are and where to find us.  We have done enough to establish a name for ourselves in the industry.  Therefore we hope to grow this place.

So, what sorts of people do you expect to come here?

People who live here; who love theatre, people who want to relax after work or want to take their families out at the weekend.  It is  be easier for such people to come here to see plays.  But again we had people who drove in from Ikeja to this place at Lekki yesterday to see our play.  It is the love one has for theatre that drives one to do so.  Even in those days, people used to come from Ibadan, Oyo State to watch our plays.  I think it is a matter of interest.  People who have no other place to turn to, of course, theatre becomes their next port of call.

What sorts of dramas do you intend to stage here?

The idea, first and foremost, is to have innovative works; innovative plays.  New and innovative works; indeed new ideas and then we represent the old ones in such a way as to appeal to the audience.  Now, you can’t tell us you’ve seen the Jero plays before and therefore you wouldn’t see it again.  Now, we will present it in a way to appeal to you the more.  That is one of the new ideas, the innovative concepts we are talking about.  When you come to see such works, they will be different.  They are legendary works that do not cease to amaze you.  After all, people have continued to see Shakespeare’s plays 400 years after, yet they are not bored.  So how old is The Death and King’s Horseman that people are saying it has been over-staged?  But if it is presented in innovative ways, in new ways, the appeal will still be there.

Are you in liaison with playwrights before using their works?

Oh yes.  Professor Wole Soyinka was even here for the opening ceremony a few days ago.  Any artiste or director who brings any work here has to have permission from the playwright.  That one is for sure.

How do you combine law and theatre now?

Oh, I don’t practice law any more.  My whole life is given to theatre.

Do you combine dance and drama to make it more encompassing?

Oh, yes.  That is what I have put in place here at the Republic.  It will be in the neighbourhood of what Segun Adefila does with the Crown Troupe of Africa.  Theatre has to be spiced with drama and dance to make it more effective and appealing.  We are having the Divorce of Lawino here.  It has that sort platform.  Adefila will also bring in a lot of dance-drama shows.  There will be a play on sexual violence.  Then my own play The Waiting Room will be showing as well.

How do you choose your cast and crew?

We will be doing it the same way we have been doing it.  We have to have a standing troupe, the artistes we have and the artistes we know.  Yes this dream will work, it is going to work.  Arts have to grow, we have to make it grow to accommodate more people, more artistes and more practitioners.  We had to redraw this place, to rework the extension to make it an Arts place – a village theatre like we call it.  We had to rebuild this place from the scratch.  We had to repaint to make it a better place for theatre.  So, when you come you see it is a serious place.  We want to get away from the notion that artistes are hungry people.  That notion is not good.

Deborah Fasoyin is the lead singer of the Good Women’s Choir. In this Interview with YETUNDE OLADEINDE, she goes down memory lane to talk about the secret of the group’s success, how to survive tough times, getting young people properly engaged and more, 

HOW would you describe the state of the nation at the moment? I would say that the country is in the hand of God. There is nothing we can do without God. We are in His hands. As long as we hand over the country to Him, he takes over. He knows the end from the beginning. As far as the recession is concerned, I would say that we do not need to worry at all. Nigerians should relax because things will certainly get better soon. He that intervened in the lives of the Israelites in Egypt would surely intervene in the situation in Nigeria. We must have that faith, so there is no problem.

The Good Women’s Choir continues to be relevant many years after the group came together. What is the secret of the success?

The glory belongs to God. It is not our doing; it is only that God has been faithful to us. It is not every chorister or musician that has what God has done for us. Looking back now, you would see that within the 37 years, we had a break of ten years and God made it possible for us to come back and still be relevant. It is God, not our making. We are grateful Him and thankful to Him. For without Him, we can do nothing.

How would you assess the new song by Omotope Sobowale patterned after your famous song Odun yi atura, which the group sang many years back? What does this mean to you?

That is the vision God gave her. We call our own song Odun yi atura, while hers is Ilu yi atura, which is quite relevant to the current happenings in the country. It points to the fact that with the current situation in Nigeria, we all have to invite God and we must say positive things with our tongues. When we say it, God stamps it. So, the message in Ilu yi atura is what we want. That is what we are prophesying into the nation and the lives of the people. It is going to happen like that, since we want it that way, God will back it up. It will work, it will surely work because it is from God. The vision is from God. We want peace, we want prosperity and we want everything to work the normal way, in the way of the Lord. That is our vision, that is our mission and it is going to be like that. The Lord is going to take it up Himself.

The song is a new dimension of the new things that God has in stock for the nation. It is the vision God gave her and I know it would go round the world. At the moment in Nigeria, we have to invite God to take total control. There is power in our tongue, and so when we say it, God stamps it. Prosperity, favour, mercy, divine healing and all the good things required to make the country great again are the things that we have prophesied and it will surely happen like that.

To survive in Nigeria, a lot of people, especially young people, try to do two or more jobs to survive. What advice do you have for them?

To survive, from my perspective, is not about running helter skelter or waking up at 4 o’clock in the morning and coming back home at 10 pm. That is not what would give you the required breakthrough;  it isn’t that at all. The truth of the matter is that anything that is of God is easy. When you are struggling, it is not of God. God wouldn’t want us to struggle before we get whatever He has provided for us. On the other hand, things would be so easy as ABC as long as we rely on Him and have faith in Him. He is also ready to do it for us without struggle. Where there is struggle, then it is not of God.

These days a lot of young couples are having problems and you have cases of spouses killing one another. What advice do you have for them?

This trend is very sad and unfortunate. Personally, I would say this is happening because a lot of young families do not have Christ in them. The truth of the matter is that the Holy Spirit is not working in them. When the Holy Spirit is absent, then the devil takes over and when the devil has taken over, he would then manipulate their lives to his own side. But when God is in charge, things would run in the right direction and bring other opportunities your way. The cases of wives killing their husbands and vice versa were rare occurrences in our days. This is because we relied on God. That way, He takes over, does everything and so we didn’t have any complaint because we were satisfied with whatever God gives us.

But these days, the young ones are not satisfied or contented with the things that God has blessed them with. They are always in a hurry. They want something that is like Indomie, everything is quick. They want to get rich quick, have this quick and have that quick. That is why they run into trouble barely after they take off. However, the best philosophy in life is the slow and steady wins the race thing. So, with God on your side, you would be relaxed and contented with what you have, whether big or small. When something is of God, you are relaxed.

Could it also be because a lot of women are empowered and they have abandoned the home, which is their primary responsibility?

It is part of it. As a married woman, your primary responsibility is to take care of the home; that is your children, your husband and your work. That was what we did as Good Women Choir members. We took care of our husbands, children and our personal work before the work of the Good Women Choir starts. And we had to take care of everything without leaving any out. So we had to carry everyone along. This was because we went out ministering to people and it was our husbands that took care of the children when we went out. If we did not carry them along, things would scatter and everyone would suffer in the process,

Apart from the family, young people across the country have become restless and you find them joining all kinds of groups as cultists, ethnic militia and even kidnappers. What advice do you have for government with regards to young people?

What I can say here is that government cannot do everything. Young people should be patient and the government should provide jobs for them because an idle mind is the devil’s workshop. The devil takes over once they are not gainfully employed. So, what government should look into is providing jobs for our youths. The truth of the matter is that they are the ones that are involved in things like Boko haram, kidnapping and other vices. Individuals and other corporate organisation should take interests in what happens to our youths and provide jobs for them.

Is the Good Women’s Choir coming out with something new soon?

As far as the Good Women’s Choir is concerned, we do not just go into the studio without God instructing us to do so. We have 25 releases to our credit by the grace of God. I have two personal releases and God told us that we should start to record the VCD of those that we have recorded. We have not been told to go to the studio for a new release at the moment.

What advice do you have for upcoming gospel singers?

My advice is that they should not base their release on money. This is because when the Good Women Choir started, we were not looking at the money at all. All we just wanted to do at that point was to propagate the gospel. That was the reason why we came together. So, I would advise the present crop of gospel singers not to focus their attention on material gains. They should wait on the Lord, so that the Lord would direct them on what to do. They should always read the Bible, pray and look at their environment before they go to the studio.

Princess Chineke is an actress who has featured in so many movies and soaps over the years. In this interview with YETUNDE OLADEINDE, she recounts how the journey into the limelight began as a campus queen, life as a model, moving into broadcasting and grooming younger models.

WHAT are the things that occupy your time at the moment? At the moment, I am always very busy. I work, work, work and make the best use of much of my time. I am either at one location or the other or I am at the office managing my models, clients which is usually very interesting and engaging. Now, that it is getting to the end of the year there are lots of activities and you find that lots of clients are working on their calendar for 2017. Apart from this, I am busy working on other things that include billboards, events. End of the year parties are being planned, promo for new products, amongst others. We also offer skincare training for young entreprenuers who want to start off their own business in the beauty world. The truth of the matter is that the end of the year is always hectic especially when the ember month sets in.

Who or what do you consider as the greatest influence in your life?

God has always been my greatest influence in life. It is great appreciating and understanding the personal relationship that I have with HIM. In addition, I have come to realise I have greatness embedded in me; “greater is he that is in me’ irrespective of what the present tends to portray. Usually, I am not worried for my strength is in my creator not in the present things I see around me, circumstances or government. I have come to realise that when things turn ugly, at a time when all hope is being lost, you find loved ones taking a walk, friends deserting, but HE is always present at the time of need and always holding my hands, walking me through the storm, reminding me not to bear grudges against those that abandoned me for they are only human and will act like one. We need the influence of the supernatural originator of our fate that supersedes the natural. So when the arm of flesh fails us, God is always there for us.

Let’s talk about some memorable moments in your life.

Looking back now, I would say there have been lots of memorable moments in my life. One of such moments was in my 100level at the University of Benin. Then I was asked to represent my faculty for the face of the UNIBEN pageant. This I did and won, interestingly about a week later Miss UNIBEN form was out by the Skomit Club. Somehow, I turned deaf ears and blind eyes to it. This is actually the biggest event and pageant at the University of Benin and anybody who passed through UNIBEN can attest to that. It usually has several sponsors from corporate organisations like Coca Cola or Peak etc. My roommates said I had to enrol. I refused and gave them my reasons for opting out. They declined my reasons for refusal and immediately they began to make plans for me. The first girl said she would take care of my make up while another took care of styling and another took over every detail concerning my hair.

It was really amazing, one went to buy the bikini and other materials I needed. At this point, I was confused and I went to town to complain to my aunt who said why not, you have to give it a shot, and she gave me traditional outfit. The critical thing here was that they all believed in me because of my modelling experience, stage management as a runway model over the other contestants. Added to all these, there was confidence, and with God as my present helper at my time of need on my side. The event went well and the very moment when Julius Agwu the host announced that the new Miss UNIBEN is no other contestant than contestant 14, I felt so happy. It was amazing and I wondered at that moment if it was for me.

That was the turning point for me and it changed my whole life and paved way for my entrance into the entertainment industry where I truly belong. I also learnt a great lesson from that experience and discovered that a few good heads coming together, with a sense of purpose and dedication, can achieve a goal. Nothing can stop them once they make up their mind about what they want. As the saying goes, ‘everything you need is out there waiting for you to grab it.’ There are so many potentialities and opportunities out there, all you need is to believe and make a move. If you do not take the first step and the other necessary steps, it remains inactive.

What are the highpoint of life as an actress?

The high point of my career as an actress is when I get fulfilled from achieving my goal of interpreting a character well and the viewer gets the message, learns from it without seeing an iota of Princess Chineke in it. The viewers key into it especially if they have had similar experiences and know of a character that exhibits such character traits. Interestingly, some people stop me on the way and say “you just spoke my mind” and so it’s just like communication in a relaxed way. When you speak to someone or people and they don’t understand, then message and efforts that you have put into it is futile no matter how eloquent you are. Success is achieved when you speak and the other person understands and works on it, so is acting for me.

For instance, in the movie AMA Onye Bonye, I exhibited fear even when they said cut. I still was terribly scared. I had a runny stomach and it was really funny. The other experience that comes to mind was when I was asked to cry in a movie, even after they said cut I was still in tears, overwhelmed with emotions. Some of the movies that I have acted in include AMA Onye Bonye, Ada Mbano, Side Chics, Last flight to Abuja, Caught in the Middle, Tomorrow is Now, Everyday People, Royal Maid.

What is your definition of style?

My definition of style include calm exhibition of oneself, confidence, making a statement without uttering a word based on what the dress code demands. In addition, style should be about feeling good in what you wear.

How would you assess the average Nigerian designer today?

My assessment of our designers? Something good, they have really improved and I would score them as far, far above average. They have done so well that we can wear made in Nigeria prints designs anywhere and everywhere comfortably, because they are beautifully designed.

I remember in my modelling days, most times after doing the runway, many got impressed with the designs but there were more whites appreciating and buying the outfits because of the creativity and versatility of the designers. The result of their passion and dedication has paid off.

 Most of our designs are now being worn by the Hollywood stars; musicians also use them in their productions. The truth of the matter is that if our designers have not beautifully and proudly brought our fabrics to the limelight, it won’t be recognised. There used to be a time when you go to any event with our African print here in Nigeria, you would be perceived as one who is poor or outdated. But right now with a well-designed outfit from a designer who is endowed in her craft, you sure will steal the attention.

What won’t you do in the name of fashion?

I won’t go nude all in the name of fashion show or because it’s in vogue.

Where do you hope to be in the next ten years?

In 10yerrs from now, I would have built a successful business empire with my immediate family, husband and kids.

Who are your mentors and role models?

For my mentors, the list includes Oprah Winfrey, Meril Streep, Mo Abudu, Genevieve Nnaji, Mercy Johnson and Linda Ikeji.

What is your educational background; did you train in acting?

I have BSc in Computer Science from the University of Benin. Having a flair for the arts, I decided to go for broadcasting at FRCN, which gave me more experience and exposure. I also did acting for film at the New York Film Academy and Business Management at DLA.

Interestingly, I have worked in other places asides entertainment. I did a bit if white collar job as a sales executive at Made magazine, Lekki Gardens.

If you had to advice young people, what would you tell them?

For the young ones, my advice is be focused, work smart and enjoy every step or stage that you take up the ladder. This is important because every stage has its huge gifts, lessons, knowledge, experience, benefits. There is a reason for every step that you take in life, even though it might not give you the kind of money that you desire, it will fetch you something more valuable than money. Usually, the experience builds you, makes you strong. In case a strong wind comes against you when at the top, you won’t fall. The experience also helps character formation. Don’t be in a hurry to succeed, if you hurriedly get there, you will hurriedly fall. I must also add that smart work takes you up the ladder but character helps you remain there. Also, don’t envy colleagues at work because we have different faces, so are our destinies different. This has helped me to identify the three major keys of success in entertainment from a school of thought. The first is God’s grace while the second has to do with competence. The third key has to do with timing. Looking at these critically, you find that grace blesses your input and output to work. Then the competence that you have would make you stand out and excel. You have to be very, very good at what you do; you must know your craft well. As for timing, when the time is right for you to shine, nothing can stop you. Others will nag ‘wetin she do self, na only her?’ The smart ones who can see beyond the present will say “na her time jaree, make she shine, our turn too go come?”

 

Peter Adeshile is a Nigerian gospel artist based in the United Kingdom. His dexterity on the trumpet and saxophone is endearing and enduring. In this interview with FREDRICK ADEGBOYE, he takes us into his world where he feels Amazing grace is the best song ever recorded.

THERE is so much to a name. What’s behind your name, ‘Kaakaki Jesu’? I started my music career playing the trumpet. I was the best in my community, I was therefore popularly known as Kaakaki, which means trumpet.

How did you start playing the trumpet?

I was a member of the Boys Brigade. In this club, we were expected to learn how to play as many instruments as possible. I started with the drums and then moved to the trumpet due to the influence of my mentor, a senior officer of Boys Brigade, Mr. Debo Norma-Williams. I had seen him play exceptionally well, I approached him to teach me and he gladly did that.

What attracted and influenced you to picking the saxophone?

When I arrived in the UK, I continued playing the trumpet, but as I began to go round playing at church engagements, I was always asked if I could play the saxophone as well. Then one day we were in choir practice in church and I picked up a saxophone that was in a box that the church had bought. Then one of the ladies in choir practice, Susan Odushola, said “Brother Peter, it would be really nice for you and the church if you can learn to play the saxophone.” Then I came to Lagos on holidays and asked a friend of mine, Biodun Adeoye, who was the baritone and saxophone player for Femi Kuti, to teach me how to play and here we are today.

Who were the saxophonists that you were listening to at that time?

Fela Kuti, Kirk Whalum, Ron Brown, Rick Braun and Charlie Parker

What was the first song that you played on the saxophone?

Amazing Grace.

The life of a musician is filled with women. How do you manage them?

I am very disciplined because I love my wife. The only woman I need to manage is my Yetunde.

With a busy schedule, attending gigs and tours globally, how do you manage the home front?

I kind of leave the home front management and organisation to Yetunde. She does a fantastic job managing the home, even with her busy schedule. All I do is tell her where and when my engagements are and she manages the rest around my schedule.

When you are not travelling, what do you do?

I rehearse a lot and listen to other productions by other musicians. That’s also family time. We tend to go to Southend beach (when the weather is good) or to have a meal out.

Are you encouraged by the current music scene?

Yes. The industry seems to be picking up even in the recession, people always need good music.

What do you practice? What kinds of things are you working on?

I’m working on my second album at the moment which is titled “Afro according to the Gospel”, I practice my music with the saxophone, trumpet and keyboard.

Do you work on sound as well?

I do not do sound engineering but I have a little knowledge of it.

How would you define your musical voice?

Contemporary gospel.

Describe your kind of music?

Unique and original.

Are you signed to any record label?

Not yet, but my marketing company is currently CD Babies.

Why your choice of producers?

Sheun Oke is my producer because he is well advanced in contemporary music.

Why gospel and not R’N’B or soul music?

I love the Lord. Maybe because I grew up in the Christian environment.

The gospel music scene is a bit overcrowded. How have you set yourself apart?

My niche is using afro and African high life style to my music.

What’s the biggest crowd you have performed in front of and where?

The Redeemed Christian Church of God Festival of Life in London and Freedom Arena in London as well.

Take us through your new album.

There’s going to be about eight tracks, and the first one is “Accept Christ” in full Afro format.

What inspired the songs?

As a Christian, I look at what is going on in the diaspora. It seems like the end times and time to accept Christ.

If you were to be 18 again, what would you do differently?

I would have focused more on music than academics. It seems I have gone round in a full circle and ended up a musician.

What are you most afraid of?

The fear of God is the beginning of wisdom. I fear God.

Which artiste would you most like to meet – dead or alive?

Kirk Whalum.

In your opinion, what’s the best song ever recorded?

Amazing Grace by Kirk Whalum.

Can you describe yourself in three words?

Disciplined, focussed and respectful.

What would you not travel without?

My saxophone.

If an artist were to perform at your party, who would get the call?

I guess that would have to be Kirk Whalum

If you had the power to ban one thing in the world, what would that be?

Drugs and alcohol, because it’s what has landed a lot of musicians in trouble.

Who is the most famous person you have met?

Seal

What does the future hold for Kaakaki?

Greatness. The journey has just begun.

What projects are you involved with now?

The production of my second album

The best lesson you have learned from your life in music?

You need to have a vision of where you are going and remain focused. A lot of people miss it without a combination of these two things.

Is there anything that you haven’t done in your years in music that you would like to do?

My own concert.

Any final thoughts?

I would like to use this platform to encourage more African musicians to focus more on African style of music. We all seem to be forgetting our rich African culture.