Tag: advert

  • Largest LED advert screen unveiled

    Maryland Mall has inaugurated a light-emitting diode (LED) advertisement screen described as the the largest in sub-Saharan Africa and the 50th in the world.

    Accordingly, it took Purple Capital Partners Limited about 18 months to finish the mall, which sits on a land size of 7,700sqm and funded by Stanbic IBTC and Axa Mansard.

    Also, it was learnt that the firm mounted the largest LED billboard measuring 60 metres long and nine  metres high within three months, believing that the board would offer brands great value.

    The LED screen is a major attraction and has features such as a Twitter fountain scroller, video playback capability and a Feedticker.

    Media said these would make the LED a socially-interactive board and one advertisers could utilise for full engagement of the public.

    The managing partner at Purple Capital Partners Limited, Olaide Agboola, said the platform would be a major advertisement point for biggest brands in the country.

    He said Stanbic IBTC, which funded  the mall, has taken a slot on the screen. “We have other strong brands and we are having discussion with others to come on board,” he said.

    Agboola said research revealed that over 5500 vehicles passed through the axis in all directions every hour, adding that this would attract as many eyeballs as possible, which is the traffic that most brands are yearning to have.

    He said: “In every sense of it, the exposure every brand will get is quite significant. This is clearly a major hub for any advertising activity.”

    Explaining whether Purple Capital, which is not an advertisement agency, would contract the board to an  agency for  management, Agboola said the company hoped to continue to get technical support from Rotter Panel in Holland, the suppliers of the board while there would be local training and self-marketing of the board by the company.

    “We want to make sure that every business can negotiate directly to get on the board,” he said.

    Also speaking, Tosin Oshinowo, the architect of the building said the big screen was part of the plan from the beginning. She said the whole planning was for horizontal and vertical revenue opportunity.

    The Chief Executive Officer,  Stanbic IBTC, Sola David-Borha, commended Purple Capital for its discipline and focus. “This successful delivery of the Maryland Mall project showcases the fact that domestic investment fuelled by the indefatigable spirit of Nigerian entrepreneurs is key to driving social harmony and national economic growth,”

    In the same vein, the Chairman, Purple Capital Partners Limited and Capital Bancorp Ltd, Omotola Mobolurin, expressed delight on the completion of the building on time.

  • Rotary unveils ‘kick out polio’ advert

    The Rotary Club of Gbagada has unveiled a new advert on kicking out polio from the country. The event held at the Majidun, Ikorodu, Lagos office of the Bus Rapid Transport (BRT), operated by Primero and the Lagos Metropolitan Area Transport Authority (LAMATA).

    The advert, which is on one of the BRT buses, has the face of an artiste Funke Akindele as the campaign’s Ambassador. It will be on the bus, which plies the Ikorodu-CMS route, for a month.

    The club’s President Lanre Akintilo said the advert was aimed at creating awareness among the public on the need to kick out polio through constant immunisation. He said Nigeria has one year to go to be declared free of the disease, adding that we should not rest on our oars.

    He solicited understanding and cooperation for the eradication of the disease and advised parents to always bring their children for vaccination.

    Rotary International District 2110 Governor Pat Ikheloa said polio is one disease that Rotary has decided to wipe out. He said the three years given to Nigeria by world health body World Health Organisation (WHO) before it can be declared polio-free ends next year.

    He lamented the effect of the diseases on children, saying every boy is supposed to play football, but that he can’t if he is down with polio.

  • Korede Bello advert draws ire of Fans

    Korede Bello advert draws ire of Fans

    Korede Bello recently drew the ire of his fans for an advert he did. The Godwin crooner, on Monday January 19 shared a picture of himself wearing a police uniform and beret as part of the new police campaign titled Everyone is a Police, following his appointment as the first youth ambassador for the Nigeria Police last year.

    The campaign seeks to inform the populaces of the fact that security is a general concern of all Nigerians, hence the need for collective interest in the safety of the country.

    Unfortunately, this action drew the ire of his fans, many of whom have derogatory things to say about the force. They took to his page to criticize the campaign, and lambasted him for being ignorant, going on to say that the police will always be corrupt, and never any ones friend.

    In one of the tweets, Bonus_dgreat said: “I reported a case of child abuse and being cruel to a child as a concerned citizen, police still collect my Rabah.. tell me why I shouldn’t look the other way next time.. go sleep with your advert jor.”

    Another, Radiobae said: “Trust the police indeed, those are very cheap lies.”

  • New advert platform to reach 5.5m viewers monthly

    • For airport restrooms, lounges

    A new Out-Of-Home (OOH) advertising medium, Magic Mirror advertising channel, has been introduced into the outdoor advertising industry to reach over five million viewers monthly.

    Introduced by Soundz & Meknitz Limited, the magic mirror is said to be one of the world’s latest OOH advertising technologies.

    Described as an innovation in the  Sub-Saharan Africa, the new platform is classified under the emerging media and below the line/indoor advertising category.

    The new media works is interfaced by a specially designed mirror with an inbuilt LCD video and audio programme that also doubles as a viewing mirror. A Television Commercial (TVC) is seen playing on the mirror, with an inbuilt sensor that squeezes the advert message to a corner on approach of a user to present a full mirror and returns after use.

    Managing Director, Soundz & Meknitz Limited, Mr Felix Ugbechie said his company has been granted exclusive permit to install the next generation advertising technology in all the rest rooms on all the airport lounges in Nigeria, a factor he is sure will give maximum value to advertisers.

    He said the advertising medium is unique because it offers the advertiser the opportunity to have something close to personal conversations with individuals who come in contact with it.

    “The mirror, as simple as it is, is a very important tool for managing personal relationships. We must always go to the mirror to appreciate ourselves and determine if we are looking good enough for that all important meeting. It is a personal tool that enables us to have a conversation with ourselves before we go out to meet other people. What we are doing is take this conversation even further by enabling brands to talk to their targets in their most intimate periods. This is a period when conversations are best appreciated and ensure long lasting retention,” he said.

    Ugbechie explained that the Magic Mirror advertising has the distinguishing capability to pass the message to the personality and without interruptions and also overcomes the challenges of no tune out, trashing or flipping pages that have been the disadvantages of electronic  and print media advertising in recent time.

    “The Magic Mirror is like a welcome companion to the often disconcerting privacy of the rest rooms. That is why we say it holds personal conversations because advertisers have the privilege of talking to individuals in this secluded privacy and be able to arrest their attention throughout their stay. This is an advantage no other form and medium of advertising can offer. And it can offer access to a specific gender pin downs of messaging with 100 per cent accuracy. For instance, female toilets can be loaded with messages speaking to the female market and vice versa thereby giving accurate traffic and exposure measurement.”

    He added that the new medium is capable of also offers high brand visibility, with an estimated average 5,000,000 to 5,500,000 views per month, a coverage no other medium can match at same cost.

    “The Magic Mirror is the best channel to help you reach your marketing priority areas or audience.  It offers a high definition video and audio resonance in a casual and relaxed atmosphere. It offers a welcome alternative to looking at a blank wall. Advertisers are also afforded the opportunity to put their advert in desired marketing priority areas at high traffic time at any of the locations, especially in public-private places.

    On whether his company has plans to extend the values beyond airports, Ugbechie said the company was working to have the Magic Mirrors installed in major hotels, shopping malls, high end clubs, eatries and even venues across the country.

    “We want to offer advertisers the best platform to reach their targets and achieve maximum exposure, interaction and retention rate thereby giving them the best value in ad spend,’ he added.

  • TV advert underscores new spirit of Lagos

    TV advert underscores new spirit of Lagos

    To inculcate a new behavourial change, the Lagos State government has adopted a new communication approach, tagged Spirit of Lagos, to enhance discipline among residents.

    The advert comes under various names to tackle the defacement of public properties, undermining of environmental sanitation and neglect of pedestrian bridges.

    Titled: Do The Right Thing – and a-call-to-action body copy: Change Your Thinking, the advert, according to experts, conforms with creative principles as it raises serious issues which the the government is bent on tackling.

    Adapted for various media – TV, radio and press as well as social media – and described by communication professionals as a social- cause advert, the Spirit of Lagos explores various lifestyles of Lagosians and their attitudes towards their environment.

    One of the adverts is targeted at passengers onboard a public bus. The 30-second TV version, which frowns at scribbling in public buses, three teenagers sketch an image of an old man sitting on the last roll of a BRT bus. The old man becomes an artistic object to the teenagers as a result of his white mustache, spectacle, white trilby-style hat, brown French suit clad on a white shirt and black tie. With a green marker pen, the teenager sketches the old man using the bus seat as the drawing board.

    As the bus stops over, a young woman of the same age group with the teenagers boards the bus, walks majestically with a charming smile towards the boys and cleans the sketches. Warning the male characters to desist from such an act with gesture, a background music fades in with a male voice over warns: “Do not deface public property, Do the Right Thing, Let’s change the way we think.”

    As a pay off, the logo of the TV advert campaign Spirit of Lagos, Restore, Share and Protect signs off the commercial.

    One of the striking features of the  advert is the way it communicates how the residents filled the gutters with dirt and risks their lives in crossing highways instead of using pedestrian bridges. This version of the Spirit of Lagos advert theme personifies conscience using an image of an errant resident. The copy shows a young man trying to cross the highway but his conscience which comes to him as his own image taps him from the back and asks him to use the pedestrian bridge just as a woman who dumps refuse on the ground is asked by her image to make use of the government street refuse bin.

    The TV version of the market setting theme shows a woman sweeping the dirt from her shops into the gutter, but her image which symbolises her conscience warns her to desist and offer her a refuse bin.

    Beyond the creative brilliance of the advert, the campaign is premised on four cardinal points. It addresses civic responsibility to make residents understand that they have a part to play in developing and sustaining the communities and public services.

    It also x-rays citizens wanting to contribute to the society while displaying the right actions and attitudes associated with environmental sanitation or quality of life issues.

    A creative expert, Mr. Yemi Kushimo, said the public service advert is a departure from the old ways which do not apply creativity in grabbing the attention of citizens to civic responsibility. He said personification of conscience as a creative strategy to enhance behavourial change underscore the creative spark in the Spirit of Lagos advert.

    According to Kushimo, the use of public service advert is very effective in making citizens responsible. “The advertising techniques used to promote commercial goods and services can be used to inform, educate and motivate the public about non-commercial issues, such as HIV/AIDS, political ideology, energy conservation and deforestation, environmental issue among others.

    He noted that public service advertising, non-commercial advertising, public interest advertising, cause marketing, and social marketing are different terms for sophisticated advertising and marketing communications techniques (generally associated with commercial enterprise) for non-commercial, public interest issues and initiatives.

  • Their advert style, their strength

    Their advert style, their strength

    Lagos State All Progressives Congress (APC) governorship candidate Akinwumi Ambode and his Peoples Democratic Party (PDP) counterpart Mr. Jimi Agbaje have been trying to outdo each other in their ongoing campaign for the exalted seat. They are exploring different creative tools in their campaigns, reports ADEDEJI ADEMIGBUJI.

    A campaign advert contains what a candidate wants to share with voters. It is to get those who share his ideas to support him. The message often consists of several talking points about policy issues.

    The points summarise the main ideas of the campaign and are repeated frequently to create a lasting impression on the voters.

    In many elections, the opposition party tries to get the candidate “off message” by raising issues not related to the talking points. Most campaigns prefer to keep the message broad in order to attract potential voters.

    A message that is too narrow can alienate voters or slow the candidate down by trying to explain details.

    In the 2008 American presidential election, John McCain originally used a message that focused on patriotism and political experience. The short and crisp message was Country First. It was later changed to shift attention to his role as: “The Original Maverick” within the political establishment.

    President Barack Obama ran on a consistent, simple message of “change” throughout his campaign. However, even if the message was crafted carefully, it does not assure the candidate victory at the polls. For a winning candidate, the message is refined and then becomes his or her’s in office.

    In the ongoing electioneering in Lagos State, the All Progressives Congress (APC) governorship candidate Mr Akinwunmi Ambode has shown is keeping the discussions cerebral and issues-based.  This is evident in his radio and television commercials.

    In the commercial with a simple theme message, “Believe”, Ambode rallies people to believe in Lagos as the place where they can play their part and fulfil their potential. Boasting an intimidating array of leading Nollywood actors including Desmond Elliot, Funke Akindele, MI, Banky W, Yemi Alade, Uti, youths, professionals, traders and artisans, the commercial takes the word “Believe” to a whole new level.

    The campaign presents people of different social strata: youths, professionals, artisans, parents, leading artistes, traders, key opinion formers from diverse ethnic backgrounds expressing their aspirations, belief in Lagos. The main character, Ambode, however, did not differ: “I believe together we can build the Lagos of our dreams.”

    Pictured as a core democrat, Ambode rallies the people, singing, “I believe in the power of you and I. I believe together, we’ll fly. I believe in the power that comes from a world brought together as one.”

    To connect with the youth demography, Ambode’s campaign song explores ‘emotion’ to win the youth, particularly the students into his vision. The television commercial opens with an undergraduate who focuses on achieving her potentials through academic success. The female cast voices her belief: “there comes a moment when my heart must choose on this great path I’ve chosen. Like a house that is a home. Sometimes I feel like it’s not enough and I know that we can’t give up. You’ve willed me to be all I can be. Now nothing can stop me.”

    The commercial also enlightens electorate on the need to vote wisely and present people of different social classes in Lagos, their aspiration and belief in Lagos.

    “This is the moment we have dreamed of all our lives.” She swiftly focuses on fellow youths with the lyrics: “We’ll be the change we wish from others; we’ll stand tall for what is right. And in my heart, there’ll be no doubt. The arms of the world will come reaching out; and embrace me to be all I can be! Now nothing can stop me!,” the Female voice sings.

    However, to re-connect audience to Ambode’s agenda for the state, she thumbprints her belief: “I believe Lagos is the place, where I can achieve my full potential” and some professionals join her to sing the theme song with her: ‘I believe Lagos gives me the best opportunities.’ These groups were later joined by an upcoming guitar-clutching musician who jumps-off a tricycle, popularly called, “Keke Maruwa” and also declares ‘I believe Lagos gives me a stage to conquer the world.’ The campaign also delivers key promises in the areas of youth development.

    Traders and artisans take turns to express. With the fact that Ambode is contesting under the platform of the ruling party in the state, the campaign ads raises issue of continuity considering the number of big projects such as Eko Mega City among others, which will enhance the profile of Lagos state across the globe.

    With the cosmopolitan nature of Lagos, the commercial shows an Igbo man saying “Nna men! I believe Lagos is a place where you can come from your village and make it big!” Also, an Hausa brother choruses “Walai, I believe Lagos is a place where you can do your business and practise your religion with peace of mind.”

    The campaign also explores celebrity endorsement model to deepen Ambode’s campaign messages as celebrities express belief in their special areas ranging from arts, entertainment, youth empowerment, guarantee for children’s future, qualitative education, peaceful coexistence and individual aspirations. One of the celebs, Banky W says: “I believe ain’t no party like the Lagos party. Turn up!”

    For Jimi Agbaje, the campaign commercials explore various musical genres such as Hip Hop, Fuji and Juju to drive his campaign promise using English language, Pidgin English and Yoruba as a means of communication. The campaign songs come in various headings as sub-theme of the central campaign direction: “Bold Ideas and New Opportunities.”

    In one of his campaign adverts, Agbaje’s creative team shows their candidates vision for the education sector and his deep concern for moral decadence.  Little wonder, it explores a child cast who admonishes other children to listen to their parents in order for them to become worthy leaders of tomorrow. In the introductory part of the English version, the child cast urged the parents to vote Agbaje on the promise of good education. The campaign ads also reveal Agbaje’s intention to transform Lagos under another sub-theme.

  • That Fayose’s poisonous advert

    SIR: Ayodele Fayose is a character that appears to defy social norms. Defying social norms is not a problem because it encourages debate and promotes engagement with issues as they develop. There is no rule that says somebody is right because you align with public opinion or with the views of the majority. When people defy social norms, they go against what the ‘majority’ sees as right or wrong. This is perception which may be jaundiced. Hence, a deviant is one who does something or engages in a habit condemned by the majority as unwholesome. It is against this background that the likes of Governor Fayose can facilitate social change (violent or peaceful) through their utterances and symbolic representations such as what has been called ‘death-wish advert’ published on the front page of national newspapers against the All Progressive Congress Presidential candidate, General Muhammad Buhari.

    Fayose did not do anything unusual from what most of us do. The advert is only a reflection of what we all do in our religious spaces. The subtle difference in Fayose’s advert is that whereas we pray for the death of our enemies in churches, the enemies are anonymous and mostly unmentioned. That Fayose chose to go to the press with overt pictorial evidence of the perceived political enemy that ‘should die’ is callous, wicked and totally insensitive.

    Now if Governor Fayose is not sufficiently knowledgeable to appreciate the sensitivity of his message at this time in the history of Nigeria when issues of religion, ethnicity, sectionalism and power become hotly debated, what about his advisers? He who walks with the wise grows wise but a companion of fools suffers harm (Proverbs 13:20).

    What is the essence of having special advisers on media and public communications who cannot advise their principal rightly? It may not be their fault. The Governor may not be listening to them or they are just yes-men advisers. Whichever way, negligence is condemnable. And if the special advisers were just interested in keeping their jobs, what is the role of the media in ensuring social order? Social responsibility dictates that the press should censor items likely to cause disaffection. I expected the advert clearing house of the newspapers to consider the unintended consequences of using the advert on the peace and unity of the country. Front page colour advert is huge money and tempting but everything should not be about money.

    The foolishness of the advertorial is that it has given the ‘enemy’ of Fayose more popularity and sympathy like the type President Goodluck Jonathan enjoyed during the last elections. At that time, the cabal tossed him around, silenced him until the people rose up and fought for him. It was his persecution that shot him to electoral victory not because people thought he could deliver anything called ‘dividends of democracy’. Again why is age 72 a problem to Fayose? In the same Bible which he quoted in his advert, Moses led the Israelites until he was 120 years!

    Indeed if former President Umar Yar’ Adua did not die, would Fayose have had the opportunity of supporting Jonathan today? The likes of Murtala Mohammed, Sani Abacha, and Musa Yardua came to intervene in the affairs of Nigeria. No man should undermine their contributions. They served us to usher in social change.

    Let Fayose know that death is no history. It is a reality. It is a social fact.  It is a debt which we all owe.. The serial death advert is poisonous, destroying the very fabric that binds us together as a country. People like Fayose have their own children secured somewhere and expose others to death due to their unguarded utterances. Let all those placing hate adverts and making hate comments be warned! Nigerians will not allow the selfishness of ‘polithiefcians’ and their cronies bring death upon them. That is why a change that will end the reign of deaths and hopelessness in Nigeria is desired. The death-wish advert may be a propeller towards that change.

     

    • Oludayo Tade, PhD

    Department of Sociology,

    University of Ibadan.

  • Sobanjo is Africa’s Most Influential Personality in Advert

    Advertising czar, Mr. Biodun Sobanjo, has been presented with the Most Influential Personality in Advertising in Africa Award.

    The event held at the Third African Development (ADM) Award of Excellence in Development (Ghana 2014) at Novotel Hotel, Accra, Ghana.

    According to Ayo Ilesanmi, Chief Executive Officer, Playhorse Communications Limited, publishers of the ADM Magazine, the awards’ organisers highlighted that Sobanjo was counted worthy of the award ‘in appreciation of his contributions to the advertising industry in Africa.’

    According to Ilesanmi, it has become necessary for African leaders to refocus on the continent so as not to reinforce the stronghold of neocolonialists that emphasise on minor divisive tendencies to milk Africa. “There is no better time for business leaders of African origin to position to harness the economic strengths of domestic economies of the nation states of Africa. No one else is going to develop Africa but Africans,’’ he said.

    He explained that acknowledging giant strides of illustrious sons and daughters of Africa was ADM’s small way of thanking those who have demonstrated faith in developing Africa by investing their God-given resources in the hope that it gingers both present and coming generations to walk in the steps of worthy leaders.

    “We hope to grow the awards to motivate Africans so that people can aspire to earning it through diligence and honesty in the coming years. That way, worthy leaders become role models and inspiration for African development,”said Ilesanmi.

    The award was chaired by Ing Robert Wood, chairman of Fateco Limited, Ghana.

    The next edition of the awards is billed for Nairobi, Kenya.

  • Where does advert revenue go?

    Where does advert revenue go?

    Advertisers invest heavily on brands promotion but hardly get returns on their investments. How can they reap from their investments? Experts show the way out, reports ADEDEJI ADEMIGBUJI.

    For advertisers and creative agencies,the maxim “I know that half of my advertising dollars are wasted….I just don’t know which half,” is real. This maxim was popularised by John Wanamaker, regarded as the father of both modern departmental stores and advertising.

    Developing advert copies is difficult. It becomes more difficult when such adverts fail to sell the product. When that happens, the creative agency gets fired by the client, then Wanamaker’s maxim becomes apt.

    The reality of the advertising business is that many marketing programmes are usually not easily justified if weighed on the balance of return-on-investment. Such advertisement ends up being a leap of faith because it’s particularly expensive and its direct benefits particularly difficult to quantify.

    A good advert should sell a product and not just create good impression, humour or recall, especially in the current economic realities which is putting pressure on advertisers to cut down on their marketing budgets. This, perhaps, remains a major reason Cannes Lion Festival, the world’s most coveted advertising and marketing awards, decided to introduce a new award category to reward any outstandingly creative advertising piece or an innovative marketing strategy that truly drives sales.

    For Nigerian advertising agencies, the industry has witnessed great creatives that have all the element of good concept, notwithstanding that they are yet to win the Cannes Lion Festival. However, the recognition of their works by some other global rating agencies, is a testimony to the fact that they are not doing badly, except for the fact that most of the ads hardly enhance sales or influence consumers to buy the product.

    The abysmal performance of the Mobile Number Portability (MNP) campaign adverts is a case of advert investment gone awry.  The telecom sector is among the highest advert spenders in the country.

    According to figures from a recent Mediafact, a publication of MediaReach OMD, last year, the sector spent N14.7 billion on advertising to emerge as the biggest spender. During the period under review, all the telecoms operators reportedly invested a larger part of their media investment on MNP a scheme introduced by Nigerian Communication Commission (NCC), to increase quality of service and deepen competition among the players. Surprisingly, the NCC reported few months ago that only a dismal 80, 424 subscribers ported out over 129 million subscribers within 10 months (July 2013 to February 2014).

    Further statistics from the telecom industry regulator revealed that between May last year and February this year, MTN, the biggest telecoms company in the country, recorded 36,819 cases of subscribers porting out of the network. This was followed by Airtel, Globacom and Etisalat with 22,595; 12,357; and 8,653 respectively. The figure also showed that within the period under review, MTN recorded monthly out-porting figures of 3,409; 2,719; 3,142; 3,925; 4,266; 4,453; 4,491; 3,052; 3,667; and 3,695. Also, Airtel recorded monthly out-porting figures of 1,190; 1,315; 1,327; 5,826; 6,520; 1,447; 1,004; 1,199; 1,429; and 1,338. Globacom also recorded monthly out-porting figures of 1,646; 1,122; 1,367; 1,354; 1,267; 1,204; 1,206; 973; 978; and 1,240 for the period. Etisalat had the lowest number of subscribers who left its network with a monthly figure of 768; 646; 917; 934; 1,019; 1,001; 1,129; 626; 806 and 807 for the period. In the report, MTN reportedly accounted for about 45.78 per cent of out-porters; Airtel, 28.09 per cent; Globacom, 15.36 per cent; and Etisalat, 10.75 per cent.

    While the CEO of TPT, Mr. Charles Igbinidu, is of the opinion that the MNP campaign created a high level of awareness, but to the telcos, such advertising investment has remained a waste, at least, going by the number of people that the portability ads called to action.

    In Igbinidu’s assessment, the campaign is not totally a flop as being suggested in some quarters. This is because the portability campaigns have, at least, achieved one goal, which is awareness. “I am sure many Nigerians are now aware that they can change their operator and still retain their numbers. So in the area of awareness creation, it has been a success. I also believe that MTN’s ‘I don port’ campaign is a classic. It is a very creative campaign and the media relations leveraging has also been superb,” said Igbinidu.

    The Managing Director of Milward Brown Nigeria, a global marketing research firm, Mrs. Geri Roberts, recalled that one of the campaigns (MTN’s Saka I Don Port) generated high level of appeal with great humour but she wondered that the ad failed to influence people to switch from their network despite the comic model explored to sell the MTN MNP product. She explained that the advert failed as reflected in NCC report because the advertisers and their agencies failed to audit the creative before going to town. She explained that an effort should have been made to understand how the consumers feel about the telecom services and take critical steps to address them before flagging off such campaign which she described as appealing and humorous. “These are four people. All of them same of same. Even when we are talking about MNP, it is not enough to bring Saka dancing. There are issues. Call drops. It’s raining season now, you can hardly have smooth network and so switch from what to what? When these adverts were being aired, if anyone of them had checked the consumer’s opinion, they will know the true picture. In Saka advert, we laughed and enjoyed it but we refused to follow Saka. The advert was just about following Saka (a model who dumped Etisalat for MTN) and no benefit offered,” she said.

    Why advert fail to sell the product

    The Managing Director, Millward Brown Sub Saharan Africa, Mr. Soumya Saklani, told The Nation that sometimes, an advert can be creative but may not impact on sales of the product being advertised. While most of these ads are memorable, he regrets that they are often classified during gain analysis as waste of investment. “Creative, but can it sell? There are ads that are very engaging, very appealing, people remember them, they enjoy them but there are two things that are equally important beyond just remembering advert,” he said.

    Saklani explained further: “One of it is do remembering what brand it was for. After time, we found out that people remember what was shown last night. Very good ad. We asked them what brand was it for and they answer it well. So, one of the challengers advertising agency face is not only about coming out with a creative ad that is very strong, they have to make sure that the branding is very good. The brand must be integrated in the advert so that people will not forget which brand it was for. For instance, if you see an MTN ad, you will see Yellow everywhere and they have every other ways to make the advertising more branded. Another is Call to Action. So, yes, I like it, I enjoyed it but what am I supposed to do?  Am I supposed to buy it, recommend it was for or am I supposed to find out more? So, there are the issues that must be considered to make an ad succeed.”

    In addition, Roberts noted that most advert fail to sell because they make consumers look as if they are silly. “What moves me when I watch an advert is that it must be grounded in reality and have a bit of humour. An advert shouldn’t talk to me as if I am silly. Some advert come with someone with a dark complexion and after using a product he becomes white the following day. Many of these advert talk to you as if you are silly. They talk to consumers as if they are silly but the consumers are not silly at all,” said Robert.

    Who should be blamed: Client or Agency?

    Over the years, Nigerian advertising agencies have complained that clients obstruct their creative concept. In the same vein, advertisers too believe that after developing a good brand, getting a good agency to communicate the value proposition is always a critical task for brand managers.

    The former Managing Director of Rosabel Advertising Limited, Mr. Kayode Oluwalana lamented agency experience: “Sometimes you wonder if the client is a copy writer or art director. If he is one, then why does he need an agency? Some clients get in the way so much that by the time the communication material is ready for exposure, it has become completely bastardised and useless, but all the same the client is happy! It’s his work after all. A particular client is known to have shot down an otherwise great concept with ‘my daughter doesn’t like it’. And here, the daughter is way far off from the audience targeted with the campaign.”

    Contrary to this position, the General Manager, Marketing for MTN and President, Advertisers Association of Nigeria (ADVAN), Mr. Kola Oyeyemi, in his recent book, “Kill or Get Killed: The Killer Marketing Instinct” wrote: “Once the brand management team has successfully developed a compelling and relevant value proposition base on sound insight, communicating this proposition to the trade and the consumers is the next critical job. The best of propositions can fail if wrongly communicated. Thus, the choice of the right advertising agency as a partner is very important. If you get the hiring decision wrong, you can compromise the fortune of the brand.”

    To Robert, neither advertisers nor their agencies should be shielded from the blame of creating a communication that fails to enhance return on investment. She said most communication managers at both end fail to carry the consumers along from the first stage of their brand messaging before it get to the public. “I will blame it on no one but the most important link missing in most adverts is the consumers. I won’t say it is either the client or the agency is to be blamed. It is good for the creative agency to package for the client to approve but remember that the kind of people we are packaging advert for are quite different from clients and the agency. So, for me, I will say that right from the beginning, we should bring in the consumers so that they can give us objective feedback from the creative idea. Though I know that consumers tend to kill the creative ideas because they don’t understand the rationale but we can use them as critique and we don’t have to take everything hook, line and sinker and throw away the ads. The reality still is that they know what make them take purchasing decision, what makes them happy. So, we take the creative from there,” she said.

    Making the advert money count

    Globally, advertisers are demanding result-oriented advertising copies. One of the recent innovations that are helping them gauge the effectiveness is through software or a method called “Link-Testing” and help stop the waste of investment on advertisement. The proprietor of the software, Milward Brown, said before advertisement is produced and exposed it must go through Link-Testing which accordingly helps predicts the sales response to advertising. “With volumetric predictions included as part of Link, Millward Brown can help you prove the value of strong creative by predicting the sales response, and can also provide insights to help you adjust the broader marketing mix in order to increase ROI from your advertising,” Roberts explained.

    According to her, the Link volumetric is a new analytical service that marries Link results with sales (or results from sales response modeling) and other relevant client data to create a more direct measure of the contribution that advertising quality will make to sales.

    Link has been extensively validated and evidence shows that ads which perform well in Link are more likely to generate a significant sales uplift than poor performers. This means that marketers can focus on the issues and opportunities identified in Link, safe in the knowledge that addressing those issues will make the advertising more effective.

    “In Link, we measure an ad in all these parameters or measure its ability to succeed, it can measure that the branding is good but the call to action is weak. Link started in the 80s and it helps advertising agencies understands how best to make an advert sell a product. Link measure where the problems and correct to make the advert attracts the consumers. It focuses on the quality of the advertising creative,” she explained.

    Narrating his experience about the Nigerian advertising creative landscape, Saklani complained that most advert in Nigeria fail because they are not grounded on good research and production values. “The audio and video don’t follow some quality measures. Link offers an opportunity for advertisers and marketers who are spending millions of millions on the advertising budget to maximise the impact of their investment and stop the wastages,” he said.

    When agencies can use link to test an advert

    “If a building foundation is going on and you wait till it gets to 16 storeys before calling an architect, and he tells you this is bad and you begin to correct it floor to floor. That will spell doom at the end of the completion. But in Link-testing an advert, you start from the beginning of the creative concept. It is a software and methodology designed by Milward Brown to create solution. For instance, it will determine if you will have to reduce a 45 seconds advert to 10 seconds and safe money yet impact on the sales. It will guide advertising agencies and advertisers on quality control of the advert,” Roberts explained.

    MNP failed pre-campaign gain loss test?

    “In the case of waste in MNP advert, if the advertisers had linked-test the copies, using animation, we would have told you that yes I am laughing and as a consumer I will have been able to tell you that there is nothing to gain in the advert but Link will tell you about the gain losses analysis. Link will tell you that this advert is very funny, very engaging but call to action is very weak. “ she said.

    With the Link-Testing software, expert believes consumers will trust most advertisement while advertisers too will experience increase patronage through their promises on their advertisement.

     

  • New advert campaign for President Brut

    TO reposition President Brut, a premium Italian sparkling white wine from the stable of Brian Munro in the Nigerian market, a new advertising campaign dubbed ‘Only One President” has been unveiled to admiration of consumers and non-consumers.

    According to the brand promoters, the campaign theme, which is “Only One President” expresses the brand’s top ‘Presidential’ positioning in the sparkling wine category.

    Speaking on the new advertising campaign, Managing Director of Brian Munro Limited Mr Paul Wilson, said this campaign is set to promote President Brut as a premium Italian sparkling wine of distinction, which pops and is good for every occasion.

    President Brut is made from a selection of the finest grapes and has a rich and well-balanced taste being a less expensive alternative to champagne.

    He said the campaign was based on the excellent taste and its value for money.

    President Brut comes in a 75cl bottle, each boxed in an elegant individual gift pack, with six in a carton. The brand has a strong heritage and it is in the top category of sparkling wines, which explains its great popularity with wine lovers in Nigeria and across the world.

    The new ad campaign according to Wilson will take a 360 degree format of electronics, outdoor, print and activation.