Tag: Ajai-Lycett

  • TAF inducts Ajai-Lycett, Africa Umoja, Akin Lewis into hall of fame

    TAF inducts Ajai-Lycett, Africa Umoja, Akin Lewis into hall of fame

    The curtains have officially fallen on the 2025 TheatreMania Africa Festival (TAF), concluding a two-day whirlwind of cultural brilliance that culminated in a glitzy Awards Nite at the Radisson Blu Hotel, Ikeja.

    The festival, which kicked off at Shodex Gardens, Ilupeju on the 9th of December, 2025, solidified its status as the continent’s premier theatrical gathering, blending veteran honors with contemporary competitive excellence.

    Read Also: Peller apologises to Nigerians after failed suicide attempt

    The highlight of the evening was the induction of three titans into the TAF Hall of Fame with Lifetime Achievement Awards. The legendary Dame Taiwo Ajai-Lycett (OON) who was ably represented by another veteran actor Dr. Akin Lewis, and the world-renowned South African dance troupe Africa Umoja were honored for their decades of contribution to the global arts landscape.

    In the corporate and leadership categories, TAF recognized those fueling the creative economy includig First @ Arts By First Bank, MTN Foundation: 2025 THEATREMANIAC of the Year, Hon. James Abiodun Faleke, Hon. Ogundipe Stephen Olukayode.

    The cynosure of the night was undoubtedly the command performance of ‘Grain In the Wind 4.0’featuring powerhouse performances by Dr. Sam Uche Anyamele fta.,Titilola Aboyade-Cole (UK), Dr. Ochuko Odesa, Faloni Moyosore and Paul Uwagbai, the play left the audience in awe. The production’s technical depth and emotional resonance served as a fitting tribute to the festival’s theme of African unity and resilience.

  • Ajai-Lycett @ 75 ‘Be always ready to dance’

    Ajai-Lycett @ 75 ‘Be always ready to dance’

     As a young actress, she acted and danced on the world stage. Her art carved a niche for her among living legends. At 75, internationally-acclaimed thespian Taiwo Ajai-Lycett is still dancing to the stars. When she turned 75 on February 3, the “birthday girl” marked the feat with star-spangled celebration and book launch in Lagos. EVELYN OSAGIE writes.

    Ageless beauty at 75

    She was born for the spotlight. For decades, she dazzled the world with her talents. At 75, the elegant widely-acclaimed thespian Taiwo Ajai-Lycett exudes a show-stopping mien that typifies the ageless beauty and warmth of the woman.

    It was little wonder that her 75th anniversary stirred up emotions when dignitaries, consisting family, friends and fans flocked to the prestigious MUSON Centre, Lagos, to celebrate the “birthday girl”.  The event was marked with the formal unveiling of her book entitled: Just Sharing.

    “It is not every day that you’d see a beautiful woman at 75,” began former top executive of Mobil, Mr Pat Okpuzor, who chaired the event. “So Sister TAL, congratulations. And you are combining it with a book launch. The way you know a good writer is the spontaneity with which the writer writes.  I have read a thousand words from the book and I say TAL is a great and superlative writer. People don’t write book at 75, congratulations. That tells us that in you God have implanted something very unique. We pray that years from now you would still be writing books and remain beautiful.”

    At the event were her son, Mr Debo Adefolaju, and her elder brother, Mr Akintola Ajai, who turned 80 last month. Also in attendance were  Oba Gbenga Sonuga, represented by his wife, Olori Peju; former Ogun State Governor Aremo Segun Osoba; Chief Vincent Maduka; political leader, Prof Pat Utomi;  Helen Ovbiagele; Executive Editor/Director, The NEWS/PM NEWS, Kunle Ajibade; Princess Folake Marcus-Bello; Francesca Emanuel; veteran actor, Dejumo Lewis and ace filmmaker, Tunde Kelani. Desanya Sax and TK Okobia entertained guests, individually, with musical performances.

    Given her impeccable beauty at 75, guests dubbed her a variety of exotic names. Aremo Osoba described her as “elegant”. Prof Utomi called her, “a gift to the nation of such a time like this”. Olori Sonuga called an “inspiration”.

    Others called her “Idi ileke”, the “famed beauty of Idi-Odo” to ageless beauty”, “elegant queen” and “face of African beauty”, the list was inexhaustive. The secret to her beauty, she said, lies in making oneself happy and dance against the odds. While emphasising the virtue of positive thinking, she urged them to dare to play their music.

    “I am dancing through life. I am dancing to mine and the music is sweeter and sweeter with age. Life is a university. I am going from one class to another. And somebody asked me, “How I feel at being 75?”How does a child feel? I am only just beginning. The best is yet to come,” expressed the gaily dressed thespian as she turned 75.

    Indeed if life is music, given her achievements, Ajai-Lycett could be said to be dancing beautifully to its tune. Her contributions to the arts, music and development of theatre in Nigeria, in Africa and in the world, guests said were worthy of note. They also exchanged notes on the virtues that have earned her a place with the stars, spotting determination, consistence and integrity as the bedrocks of her lifelong achievements.

     

    Meet Ajai-Lycett

    Born in 1941, she clocked 75 on February 3. The renowned actress, whose creativity and contributions to the creative art has earned her several awards, has performed in many leading theatres in the UK and stage appearances in Nigeria and on Nigerian National Television including, J.P Clark’s Song of a Goat and Wole Soyinka’s Death and the King’s Horseman and The Lion and the Jewel; Fred Agbeyegbe’s The King Must Dance Naked; Arnold Weskers’ Shylock and Laolu Ogunniyi’s television series, Winds Against My Soul.

    Her TV appearances include popular British sitcoms of the 1970s and comedy, such as For Better For Worse and Some Mothers Do Have ‘Em by Michael Crawford who played Frank Spencer which is currently on YouTube. Also, in the Hollywood film, A Warm December, she appeared alongside the iconic African American actor, Sidney Poitier. She bagged the Order of the Niger (OON) in 2006 and is member of several professional bodies in Nigeria and abroad.

    And her list of her achievements goes on. But Ajai-Lycett admitted to guests, with an admirable humility that her feats are inspired by the support of family, friends and fans.

    She said: “You affirm me. Your presence here tells me that, perchance, I’m walking the right path. I’m not there yet, of course. You are helping me navigate this world, gloriously, tenderly, courageously, sometimes arrogantly. But that is because you gave me power to feel that I can be what I want to be. You me the focus you give me the joy. You make me dance. And I am dancing through life. And to me, this world is all about music. May your life be more musical; be more stable; happier full of joy. Thank you for coming here today and making my 75th a dream.

    “Mahatma Ghandi said that “The change begins with you”. We tend here to blame everything on the government or somebody else but we make our world. And it is our responsibility to make this country remain great because it is a blessed country. We can do better. It has got all the resources anybody needs to live a successful national life. I am 75.  I am looking at what I am going to be doing and being when I am 80. I am beginning to work.”

     

    Ajai-Lycett’s book on life

    Her book, Just Sharing, which the reviewer, Ms Samantha Iwowo, called “a nourishing food for the soul”, is a compendium of 57 essays, containing her thoughts and ideas. Published by CGN Books, Ajai-Lycett’s book focuses on diverse issues, ranging from love, music, health, aging, fitness, beauty tips and dance, among others. In it, the thespian urges her reader to rise up to the challenges of life with a positive outlook to things.

    Some dignitaries read excerpts from the book. The first was Mr Akin Fatunke, who read excerpts from the book’s first essay, entitled: Controlling your Body. In it, Ajai-Lycett advices folks to play, have fun, laugh and enjoy, urging them to “Find the playful inner child and allow it to come to the surface…”

    Mrs Iretiola Doyle read from the piece that asserts that “gratitude is the best attitude”, while Mr Dele Atiba read on the piece on positive thinking.

    The Publishing Consultant of CGN Books, Dr Omolola Omoteso said her company is out to celebrate Ajai-Lycett in diverse ways, saying she is a project that goes beyond the book’s unveiling. She said: “At a time when the country is going through a lot, her person spells wisdom, ethics, good process, beauty, national development. She is a bundle of beauty. I call her “Elegant Mama TAL”.  At 75, a lot of people retired and long forgotten; to still be going at 75, is amazing. What inspires me to want to go all the way for mama is she is my mentor. She came into my life at a mentorship programme Aspiring Entrepreneurs programme by Fate Foundation. We cliqued and this was the genesis of the marriage of minds and a lifelong friendship. At the end of that programme, she threw a party for me. I have been touched greatly by her, so this is me giving back.

    “Mrs Ajai-Lycett is beyond description, so much so that her son refers to her as deity. The TAL vision is not about rebranding her. She stands tall as a brand, worthy household name. to fully tap into this bundle of talent, we intend to celebrate this icon of inestimable value and her journey into the septuagenarian fame through the publishing of her works in book form, launching of the work and exhibition of photos and stories about her, Touch (a planned cruise where people who have been touched by her would have a an opportunity to step on stage with her), publishing of her biography, establishing of an office and museum to house her works and photos to serve as tourist spot, among others.”

     

    All hail Ajai-Lycett at 75

    Like Dr Omoteso, guests and family had kind words for the birthday girl. They also included Executive Director of iREP, Femi Odugbemi; founder of Omenka Gallery, Oliver Enwonwu; Founder, Terra Kulture, Mrs Bolanle Austen-Peters; Taiwo Odugbesan and Uche Obaseki of Radio One. Excerpts.

     

    Aremo Osoba:

    The celebrant of today, our own respected, beautiful and ever elegant, is very dear to my wife. She says is one lady who is not only the most beautiful but one living a good example that “black is beautiful”. She is a lady who has contributed so much to art, music and development of theatre, not only in Nigeria, in Africa and in the world. We are very proud of Ajai-Lycett. And as her senior brother, because I was 77 this year, I welcome her to the club of 75.

    At 75, she is still looking so radiant and so young. We belong to a chat group and all the men there are struggling to be the boyfriends of Taiwo. At 75, you are still being chased; even abroad, people are still falling over each other. At the chat room we give ourselves all kinds of nicknames, such as Agrikpa I, Agrikpa II and Igrikpa I. and the day we met Ajai-Lycett, they couldn’t “gripkpa” her. I greet you warmly; I pray for longer life for her, in good health.

     

    Olori Sonuga:

    Aunty Taiwo is my paddy sister. She has been since 1979. She is an inspiration and I love her. The young ones should meet with her and discuss on what it means to be a better artiste. She is also so close to the Kabiyesi, my husband. We pray for her to live long.

     

    Emanuel:

    I admire her a lot. She is a trouper: when I want to congratulate you on your 75th birthday. I want to thank God for you and the contributions you are making to our society. From the excerpts, we have read today, that book is a must read book. I wish long life. She ever so graceful, caring and elegant. So I wasn’t surprise when Governor Osoba said she is still being chased.

     

    Culture Specialist, United States Consulate, Bene Uche

    May you continue too nr an inspiration towards all.

     

    Adefolaju (Ajai-Lycett’s son):

    My secret is people not knowing I am mama’s son. I? can be who I want to be without the spotlight. Ajai-Lycett telling us that there is a greatness to us, so we should appreciate ourselves more.

     

    Ajai (Ajai-Lycett’s brother):

    I have been privileged of having seen her from day Number One. From birth, everything about her had been dramatic. And I am delighted that all the rascalities she had in her earlier years have evolved to something worthwhile. Taiwo has always been very outspoken, very bold and very adventurous. She got into a number of troubles, especially during the days when Lagos was serviced, “waterwise”, by what they called “Idi Odo”, public taps. A number of children exercised their physical expertise at such junctures.

    I am not saying she is one of them, but at the end of the day, I am particularly delighted, what she has evolved into has given pleasure to many people. On behalf of the Ajai family, we thank everybody for having giving her all the support. She is 75, I congratulate her.

     

     

     

  • Encomiums for  Ajai-Lycett at 75

    Encomiums for Ajai-Lycett at 75

    WHEN veteran actress, Taiwo Ajai-Lycett clocked 75 last Wednesday, the world stood still for the theatre icon, who celebrated the occasion with Just Sharing, a compendium of the celebrant’s thoughts, launched at the MUSON Centre, Onikan, Lagos.

    Notable art journalist and Editor-in-Chief of Qed.ng, Olumide Iyanda, who said he inspired the celebrant to write the collection of articles published in the book while he was editor of Saturday Independent, recalled at the event that he first met Ajai-Lycett as a cub reporter in 2000.

    He said: “We spoke about her journey into the art, her late husband, returning to fulltime acting, mentoring and faith in the years ahead.

    “The result of that meeting was a story titled Coming in from the Cold.

    “The last 16 years have shown me she is more than an actress, journalist, broadcaster, social commentator, teacher, businesswoman and culture activist.

    “TAL is gem that never stopped shinning.

    “She never lost her youth. And never stopped being human.”

    The event was attended by dignitaries from political, theatre and social circles.

    Pouring encomiums on the celebrant, former Governor of Ogun State, Chief Olusegun Osoba, praised the actress for her exceptional life, career and beauty.

     “It is not every day you see a beautiful woman of 75 years old,” said Osoba, who joked that he knew men who, on a chat group they both belong, still try to woo Ajai-Lycett despite her age.

    He noted that Ajai-Lycett had brought honour to the black race. “We are proud of her talent. We are proud of her exemplary life. She is an example of a good black woman,” he said.

    The celebrant, who thanked all present for showing her love, admonished them to hang on, despite the political and economic tension in the country.

    She said: “We must not despair about our country, but we must be conscious of what Mahatma Ghandi said that the change begins with you.

    “We tend to blame everything on the government or somebody else, but we make our world and it is our responsibility to make this country to remain great.

    “Nigeria is a blessed country with all the resources that anybody needs to live a successful life and we are fortunate, but we can do better.”

    Born in Lagos, on February 3, 1941, Ajai-Lycett has featured in international works like  Conor Cruise O’Brien’s Murderous Angels,  Sidney Poitier’s A warm December, as well as notable TV and stage production like M-Net’s TV series Tinsel; stage drama Hear Word’ Tunde Kelani’s Dazzling Mirage, RUNS and Olobiri among others since she returned to Nigeria in 1976.

    The actress who graduated with the Higher National Diploma in Business Studies in 1969 at the Hendon College of Technology, was honoured with an Officer of the Order of the Niger (OON) in 2006 by President Olusegun Obasanjo.

  • Potential suitors are scared of me–Ex-BBC presenter Ajai-Lycett

    Describing Taiwo Ajai-Lycett, 74-year-old star of popular soap opera, Tinsel, could be an enormous task because she is a woman of many parts. She is a cosmetologist, businesswoman, broadcaster and teacher, among other vocations. With just a production done in the UK in the 1960s, she became famous even when she was not prepared for fame. The popular actress also found love at a time she was not really ready for it, but like her acting career, marriage only helped her to glow! Lycett’s acting career is still blooming even as a grandmother, with busy schedules in Nigeria as well as the UK. No wonder she insists that life has just begun at 74! The recipient on Nigeria and UK national awards spoke with PAUL UKPABIO about her joy as a grandmother, her trials as a widow and the fond memories that keep her strong.

     

    ‘Secrets of my staying power’

     

    So, when will you retire from acting?

    Retirement does not come into the picture. To retire from what I am doing now is to retire from life. One should never retire from what one loves to do. And that is the secret. You should do what you love to do and enjoy it so that you will not need to retire. That is because at that point, you cannot retire from it because it is your life. If you are doing something that you do not like, you will always be thinking of running away from it. Then it is a chore, in which case you will retire from it. But even those who do that, when they retire, you notice that within a few years, they are dead, because whatever you are working on and working at means you have committed your life to it. And when you say you are retiring, it is like shutting the door on your own life.

    How do you perceive your kind of work?

    It is not work, it is living, and it is breathing. See I am nearly 75 and I am still sprite, I’m still moving around and working like anybody else. From there, you can see what is meant by the saying that age is a number.

    What is the secret of your staying power?

    I believe that it is being committed to what one is doing. Loving what you do and being committed to it means that you give it everything that it needs for you to function. For instance, I am in a job where I am very visible. I am constantly talking to people on stage. So how do I keep it going? I have to continuously work on my skills. After acquiring the skills, I have to keep nurturing them. If it is my voice, then I have to keep working on it constantly, because if it is in deepening the voice or doing all sorts of things with the voice, then one has to learn those things, learn breathing, which I do, by also learning aerobics and yoga. More or less, you are constantly learning and polishing up yourself. For the physical, I do breathing lessons, I do yoga and I dance too. I love dancing.

    What kind of music do you love?

    I am crazy about jazz. I went to bed last night with the sound of jazz in the background coming to me from my iPod.

    If you have to really dance, which music appeals to you?

    Oh, if I have to dance, I dance to any music, especially the common ones around, like Shoki and others, though I do not think that the lyrics make sense at all (laughs). The lyrics are empty. But that is what people are dancing to these days. So if I have to dance, I dance to it because I am a professional dancer. I find a way to express that music.

    They are all singing the same song, but different lyrics. The beat is the same. Nobody is taking them up on it; everybody is dancing to it, and they say somebody has dropped an album, as if it is a ton of bricks! I am being delicate about my choice of words here; otherwise there are words that I can use that would not be flattering.

    How have you been able to keep your beauty over the years?

    Why won’t I look agile and beautiful, when I have beautiful people taking care of me? When you are loved, you radiate in beauty.

    As an actress, which part of your body do you value most?

    The part of me I value most is my voice, because with my voice, I can express absolutely everything. If you have a good voice, you can express affection. People can fall in love with your voice. You do not have to do anything else like having Cossy’s chest or Omotola’s behind! But really, it is not about that, it is about the intellect. There is nothing wrong with beauty; it is lovely.

    What actors do is not just about beauty; it is the expression of ideas. Ideas make money. Ideas are more important than material. In fact, ideas create abundant material prosperity. The signal I give to people always is that black is beautiful. Our natural hair is fantastic. Over five decades now, I have continued to send out that message; that as black people, we are absolutely fantastic.

    How do you handle your numerous prospective suitors?

    I have been lucky. I have not had people just ‘toasting’ me for the sake of ‘toasting’ me. People have followed me because they see brilliance in me. It’s a different thing. And I think that that is a better way of looking at it, because those people listen to me and then they feel like coming close. They wanted to know more about the person that I am.

    So, with my African beauty, I have sent the message out to other women out there that you can actually be old but still be hot. You can be old and still be attractive. You can be old and still be sophisticated. You can be African and still be natural and elegant. As far as I am concerned, those are wonderful messages to be sent without beating drums.

    At almost 75, do you still have suitors?

    (Laughs) At 74 going on to 75, I don’t think I can get suitors.

    Okay, when was the last time a suitor called?

    (She thought for a while) People come, but they just talk. I think I look too formidable for someone to just walk up to me and say he wants to marry me! Although some people who are close could be naughty, and say this and that but without hitting the main issue. You know, you could see when a man comes around and he is admiring you up and down, doing his eyes this way and that, you know, but they wouldn’t dare say anything up the hill like marriage. And that could be because people think that I am too hard, that I have an intimidating look. I look too formidable, too intimidating even for the older people.

    What do you think is responsible for your hard-stance outlook?

    African men like their women to be submissive or to appear submissive! I am too opinionated and men do not like a woman who likes to match up to them (laughs). Men do not like that. So although people are friendly with me, they still feel like ‘better not go too far with that one because, we do not know what she will tell you next’. So they just feel intimidated. I have been a widow for 22 years, so where are the men?

    Do you still get people your age to hang around with?

    I guess the answer to that would be a reflection of a lifestyle. I work all the time. It is not likely that you see me in an eatery with anybody. I hardly go out. I live here in Lagos, Nigeria, and I also live abroad. Whether here or abroad, I am usually working all the time.

    My work is my life. That is because the work I do is so beautiful that everything that I want from this life is in my work. I meet beautiful people; all kinds of people. How many people in other jobs do so?

    Could one say then that your work filled the vacuum your husband’s death created?

    No, I was working like this even when he was alive.

    Did he love your work?

    He was my number one fan. His name is Thomas Aldridge Lycett. He was formerly working with Shell. He left England to settle here with me. That was when I had become a success in England and he told me that my people do not know what I have in me that I must return to my country. He said that I must come home to let them know who I am. So, after 22 years that he has gone, and all these are still happening, I really wish he was here to see it. I wish he could be here. I think he did all these for me. He made me do it.

    Was it easy for you to re-integrate into the Nigerian society, having stayed abroad for so long?

    When I returned, I was in business as well. I was an executive member of the Advertisers’ Association. I was running an advertising agency, Partnership Advertising. I had a marketing communications consultancy called Taiwo Ajai Public Relations Company.

    Why did you stop?

    My husband and I were doing it. As time went on, the business was getting somehow. We had to share budget and so on. That is not how we do business. I am an ‘Oyinbo’ when it comes to such things. I get a budget and I was not looking at sharing it with the General Manager or any other. So, when my husband died, I still operated our businesses for a couple of years. But after that, it was getting worse and worse, especially hearing all sorts of things. He died in 1993, but I was still running it even till 1997. So, on the anniversary of his death, 31st of December 1993, which is an awkward day to die, I wanted to do something that would remind me of him always. Not just the mourning and the sadness, but also to remember all the wonderful moments that we had spent together and all that he meant to me and still means to me now.

    And when did you stop?

    He had always wanted to start a school. He was always worried about our educational system. Not only that, he saw how expatriates come here with hardly anything in their own land but once here, they get a gardener, a cook, a driver, and they get to the airport, people are waiting with placards. But when they go to the other side, nobody welcomes them. They flag down taxi by themselves and carry their luggage themselves. He thought it was lack of confidence on our part, which education would correct.

    I remember when we were running business, he used to hate it when people thought that he was the one running the show because he is ‘white.’ I was the MD while he was the GM. He used to feel insulted that people felt he was doing it while I was just an appendage. So, since he was always talking about a school, I started Tal-House Private School, Egbe. It turned out very successful. I have students who passed out from the school all over the world. Some of them are married now. I ran a primary school, a theatre school and a computer school.

    How about the school itself?

    About eight years ago, a member of staff organised with armed robbers to come and rob me in the big house at about 2 am. They nearly killed me. So I thought I had been running the school for about 12 years, all alone, and I decided to rest it. People said that I was attacked because I was alone. I was still going to continue being alone, so I decided to stop it.

    So you travelled abroad?

    Yes, I did. I needed time to sort out myself and think out what I wanted to do next.

    Did that make you angry with the Nigerian society?

    No, I knew that these things happen to people around the world. It was not something different or special.

    Is it because you loved your husband that you didn’t think of re-marrying?

    (Thought briefly) Yes, partly. Yeah, it has to be. I think that my husband spoilt me in many ways. Where was I going to find a man like that? Where am I going to find a man who didn’t feel diminished by devoting his life to me? And he did that because he was a special man who believed that I was doing something special. He did not see himself taking second place; he saw us as one.

    Was it love at first sight?

    Yes, for him, it was, because of the circumstances that we met. I was successful abroad and wanted a new apartment. I went to one of the top estate agents who found a flat in some condominium for me and asked me to go and view the site. And on the other side were terrace houses. Later, he told me that he saw me that day I came to visit. He saw me arrive in my car, a sports car. I then dressed like I used to dress from head to toe. I used to cover my head. It was elegant and I always wore a hat. It had nothing to do with religion. I also did not believe in showing legs. Yoruba say oju ni oro wa (it is the eyes that matter).

    Are you saying age has changed your lifestyle? I mean has your style changed over the years?

    No, I still wear my hat. I do not go out without my hat. I do not think that my fashion and style have changed. That is because I still wear things that I had over 20 years ago. Some of them I owned since over 40 years ago. Fashion is coming to meet me. Most things that I wear are not new.

    What do you miss about being young?

    Nothing! I do not miss a thing. When you are older, you have confidence. I did not have to go and quickly change so that you can see me in charming clothing or something. I do not have to titivate myself and be false. Younger ladies do that because they are insecure.

    There must be some certain things you were doing then that you cannot do now.

    I cannot imagine. I was an old young person (laughs). When I was young and people thought it was fashionable to wear one’s hair this way and that, I never did! Ideologically, I was and still firmly and convincingly African.

    How did you choose to be so African even when you lived abroad?

    When we were growing up, that is when Africa was getting independence, it was like if you were not proud of yourself, then why did you want to be independent? Like what women are still doing now, they think that they are sophisticated by using Brazilian hair and the like. If we are truly proud of Africa, then why are we wearing long hair that God did not make us with? Maybe it’s too far for them to know, but we were growing up then in the time of Patrice Lumumba, Kwame Nkrumah, Leopold Senghor and so on.

    Didn’t you suffer some form of segregation at that time?

    I didn’t. There was only one time somebody stood up from where I sat, and that person was black, possibly a Nigerian. And that was because I was wearing my hair tied the African way. He probably didn’t want to associate with me because he thought I must be bush to wear such a style!

    Where did that happen?

    It was in the London underground tube. That was in the sixties. When I got to England to study, I had no qualification. I applied to work to clear tables as a waitress in the city of London, where people in the financial district used to come and drink tea. They were called the city gents! They wore bowler hats, carried rolled up umbrellas and worked in banks around where the Bank of England was. They used to stop by to talk to me. They thought I was special and would be great because then, not many people were used to travelling abroad and not many had seen a black woman before. A lot of them used to come to the cafe, just to see me. I made friends like that. I started learning to type. I applied to the General Post Office, got an interview and was employed. I was also sent on training.

    But why did you leave Nigeria to be a waiter over there. There must have been better opportunities here then?

    There weren’t that kind of opportunities if you weren’t educated. You had to get education. And about that time, we did not have the universities like it is now. In those days, there was only one university and everybody wanted to get in. I went to England to study Law. I went by myself and I needed money. I worked there to get money to go to night school. That was how we did it in those days.

    What did your Nigerian friends say when you decided to marry a ‘white’ man|?

    My friends didn’t say anything. When you are there and working at par with them, going to the same school and probably you are on top of the class, how do you think that anyone will discriminate against you? And you are probably going about your life the way I was doing it, behaving like I am the Queen of Sheba (laughs), not accepting that I had to change. We were brought up to be proud of ourselves, so who was going to come and discriminate against me?

    Europe is about merit. So also is America. I was moved up the ladder. Even my boss was recommending books to me that I should read. That was the kind of relationship that I kept before I got into showbiz. After a while, I was given a paid sabbatical to go to college. I knew I needed certificate to return to Nigeria in future.

    Do you feel fulfilled?

    If I die this minute, I would have lived a wonderful life. I am very grateful for this journey. I have however just begun. There are people who are over 80. Life is a bit different now. I am still learning. One can go to school online. Not going to college does not stop anyone in a digital age from going to school.

    When did you go into showbiz?

    I think that must have been 1965, I was a full grown adult.

    Why did you start late? Most people in showbiz start at an early age.

    Well, I never thought I was an actress. I didn’t start by thinking that I wanted to be famous. I wanted to be a lawyer. I liked the theatre, went to the cinema and went to concerts. I’m an arts aficionado. I love music and so on. That is what I thought it was. I never thought I was a performer until one day I went to see a friend who was rehearsing. The director asked if I would like to join the production. I joined. And when we opened, everybody was after me. The next weekend, I was at the BBC working! That is how I was catapulted up! For years, I was a presenter on BBC. Nothing prepared me for this.

    You used to be slimmer…

    I am 74 going on 75 (laughs). You want me to stay 17 forever? You are perpetually seeing me as that age. It’s fascinating.

    How did you cope with advances from men when you were younger?

    A woman has to remain focused. If you are not focused on your life, then it’s going to go into your head that somebody fancies you. I have always been focused on my work, profession and so on. The reason women fall for their prettiness is because the girl-child is conditioned to think that she is going to get a husband. So they play to that, to be dependent. I think I was independent. I didn’t need a husband to live. I am Adufe, somebody that you beg to marry; somebody people rush to pamper.

    Are you spiritual or religious in nature?

    Both are two separate things. I am not at all religious, but I am intensely spiritual. That is why I am the way I am. Things like ‘being pretty’ does not affect me. My son, a handsome young man, once said to me that he was at a supermarket and women all over were staring at him. I simply told him to get over himself, because women will always stare at men and vice versa. So what’s the big deal? You think that you are the cat’s whiskers?

    So women use this and end up using themselves. They feel because a man looks at them, then he ought to buy this or that for them. I feel insulted at that. When we were growing up, you grew up with your man. You went to college or work together. Nowadays, our girls are looking for someone who already has a car or comfort. That wasn’t my ambition. But I got married anyway.

    As an actress, which has been the most challenging role you have played?

    That role hasn’t come yet! That’s because every role I play is very challenging. There is no way you get on stage feeling that everything will be too easy for you to do. I think that my work is very demanding, very challenging and therefore keeps me on my toes all the time. All of them have been challenging because I had to find my way through them. I don’t know what part I will be given next, or how I will play it.

    What makes you still relevant in the industry?

    I think what makes me relevant there is what makes me relevant in the world. I have enthusiasm. I have not foreclosed on anything. I do not have any closed ideas about me. I am open to give service. Above all else, I am not hustling. I have something to give that people think and know that I have to give. It is not about money. If you do what you know how to do, money will be chasing you.

    How are you coping with life as a grandmother?

    Very well, I love it. If you come to where I live, you will hear them calling me grandma. It’s so wonderful. I like life better now than when I was younger. I am surrounded by love. As you grow older, you get wiser and more confident. You do not worry about what you shouldn’t worry about. Your head has more clarity. I have a prayer of clarity with me always. We are a bit cool about life and less fearful about what is coming. That is a wonderful place to be.

    How would you describe your relationship with Tinsel?

    This is the third year. It’s been wonderful. I was working in England and my producer asked me to come here to do Tinsel.

     

     

     

    My anti-corruption battles in Osun College of Education —Provost

     

    How has it been working as a lecturer in Osun State College of Education and now as the acting provost?

    There is nothing difficult for somebody who is determined and hard working. At the time I joined the institution, I did any assignment that was given to me to the best of my knowledge, knowing full well that if you are a good follower, there would be a day you would turn out to be a good leader. That has been my maxim since I joined.

    So, when I attained this status, I did not see it as a challenge, because there is hardly an assignment I cannot handle as far as academics is concerned. For instance, even as a Lecturer III, I was made the exams officer. That is the most tedious assignment in any school because as the exams officer of a school, apart from your normal teaching schedule, you have to coordinate all other departments in terms of collection of questions. By the time the results are out, you have to collate them. You have to do the computation of the results and all sorts of things.

    By the time I attained this status, I saw it as child’s play because I had acquired all the experience I would need to function as the chief executive. That is why all my people believe that there is no hiding place for me, knowing full well that I had passed through the various stages. If anybody wants to say anything I would tell you that this one, this is how to do it or this is how to go about it.

    Looking at the state of education in the country, what future do you see for colleges of education compared to polytechnics and universities?

    On a very serious note, colleges of education have better future than even the universities and polytechnics. This is because if we are talking about the polytechnics, they should be practical-oriented, but where is that practicality? But in the college of education, you are a professional teacher, a nation builder. You will continue to be relevant as far as people continue to bear children. In those days, out of three or four children, only one would go to school. Today, if you have 40 children, your interest would be that all of them should be educated.

    For your information, presently, the computer has taken the place of all other professions, but it has not taken the place of teaching till now. That is to say that college of education is a very good foundation for the training of teachers. All the rudiments you need here, you acquire it, and when you now go to the university, it becomes very easy for you, particularly if you are well grounded in your area of specialization.

    But the employers of labour usually prefer university graduates to those of colleges of education?

    Presently, when you talk of acquiring the first degree for teaching, there is a level at which first degree can operate, because at the degree level, the higher you go, the narrower your specialization becomes. Can you now employ degree holder to go and teach in the lower level of primary school where the knowledge is limited? It is the NCE holders that are specially trained to handle education at that level, particularly the lower level, the middle basic and the upper basic. It is at the senior secondary that the degree becomes relevant.

    What change agenda or reforms would you like to set for the new administration in the country in terms of education?

    Reforming education is like erecting a structure. If the foundation is not properly laid, the entire super structure would have a problem. Primary education is the foundation upon which all other super structures of education are laid. In fact, it is the gate way. In those days, we had people who passed through primary education and did not go to secondary school. But because of the knowledge they had acquired at the primary level, they developed themselves, wrote GCE and from there went to universities. But we have never seen a single person who never attended primary school going to the university. So, emphasis should be on the development of primary education, just like the Governor of Osun State is doing.

    When you look at his programme, it is meant to build primary education and put primary schools on very sound footing. If the foundation is properly laid, the super structure on it would be superb. That is why I highly commend him in the areas of feeding, infrastructural facilities and employment of quality teachers. If you get to primary schools in Osun State, the least qualification you will get there is NCE, which is a very good foundation. When that is done, the whole of the country would become a project. With that, everybody will now build on a very solid foundation.

    So, the emphasis should be that the federal government should think of emulating what is happening in the State of Osun, with particular emphasis on primary education. Findings from and psychologists of note revealed that in the early part of a child’s life, he is very productive, very relevant. And the type of food given to the child determines what happens to him in the nearest future. That is the relevance of the home grown programme embarked upon by Ogbeni (Aregbesola) in Osun State.

    What are you doing to equip your students in order to be self dependent instead of being certificate driven?

    I have just conceived an idea of entrepreneurship and skill acquisition programme whereby all the students that pass through this college would have to acquire one skill or the other before they graduate, in addition to their NCE certificates. The way to it is that I want to identify some departments with vocations, like the Technical Education Department, Home Economics, Agric Education, Fine and Applied Arts and Computer Education. So, we would now identify various vocations. For example, in Home Economics, we have bakery and other things. In Fine and Applied Arts, we have tie and dye and some other things. In Agric, there is fadama and some other things.

    Each child would be encouraged to consider his nature and interest, vis-à-vis the environment where he comes from. We have committees on ground working on various vocations identified for these practical areas, so that each of the students would now go and register in the identified vocations.

    The committee is yet to give me the list of the various vocations. All the students would be made to go and register for one vocation and we want to link that vocation to JSE Department and extramural studies. We would make that course to be practical so that each child would study a particular vocation and at the end of the day, they would showcase what they have done. We would link them with entrepreneurs in form of apprenticeship training. For instance, if the technical education is for repairing handsets, we have some people who are repairing handsets. We would attach them to such people and they would have that knowledge. The same goes for computer, typing and others. That is the plan I have.

    Presently, I am still functioning in acting capacity. But it is my thinking that if I become the substantive provost, I would have the priviledge of introducing them. Already, I have set up a committee to work on that. By the time the report is out, we would sell the idea to the Governing Council and from there to the Academic Board. The moment it is approved, we will make it compulsory for all students. By the time they leave, some may decide not to look for white collar jobs. They would become self dependent and gainfully employed rather than relying on government. Even if they are gainfully employed, during their leisure time, they can go back to this vocation and have something.

    Nobody envisages that there could be problem in life. The usual impression is that life is a bed of roses. Nobody is conscious of the fact that it could be a combination of thorns and roses. Just as we are experiencing the economic recession now, if we have some people with different vocation like in agric or some other areas, they can go and make use of may be their fathers’ lands and would not even know that salary is not paid. Even if the salary is paid, they can use it for other things. So, that is my plan for the institution in the area of entrepreneurship skills acquisition.

    The problem with most educational institutions has been paucity of funds. In your own case, how have you been coping?

    It is true that there is paucity of funds, particularly with the present situation where tertiary institutions are given more to cope with, like payment of peculiar allowance, hazard allowance, medical allowance, and so on. There, we spend so much at the end of every month and, in fact, that is hampering physical development. But the first thing is to block all leakages. The moment all leakages are blocked, the little you have, you would know that it is consolidated.

    I equally make sure that we don’t spend spuriously. It is only the cogent and important areas that we emphasise. We avoid any frivolous or wasteful spending. If you bring anything, you have to defend what you want to do with it. It is not just a matter of we want to buy this biro; you should be able to explain what you want to do with the biro and what happened to the previous one you bought? So, it all depends on the financial engineering. It is not that we don’t have economic crunch. Whatever is affecting the head, all other parts of the body will equally be affected.

    With your stance on accountability, you must have earned many enemies…

    If you want to succeed, you must be prepared to step on toes. And even if care is not taken, you don’t only step on toes, you cut some off. If you want to please everybody, you can never achieve anything. It is the legacy you leave behind that would speak for you. If it is business as usual and you follow the mad crowd, at the end of the day, they would be the one to turn round and condemn you, that you lived a life without a legacy.

    Talking about blocking leakages, I am aware that your bursar is serving a suspension. I would like to know from the horses’ mouth what actually happened.

    That matter is before the higher authorities. I am not in the best position to comment on it.

    What other steps have you taken to block these leakages?

    Presently, no bursary staff is allowed to handle cash. All payments, even if it is N100, has to be made in the bank. If you want to win a fight, it is not always easy. There would be noise making and condemnation.

    But are the members of staff cooperating with you in this fight?

    Well, if his is what you want to do and it is for the betterment of the system, if an individual is complaining, that is his own headache. It is for corporate existence. I see it as being callous when an individual is feeding fat at the expense of the generality. I don’t do that. I don’t like it.

    Your students went on protest sometime last year, during which three students reportedly died. Can you tell us what happened and what was responsible for the protest?

    Since I assumed office, there has been no student crisis and no student has died.

    And there has been no school closure?

    No, except the staff are on strike. But crisis from students, no. God has been taking preeminence.

    There are other colleges of education in Ire and Ilesha and Esa Oke. What makes your own to teak better than others?

    The first thing is that the tone of the school is discipline. I made the students to know that this is a teacher’s training institution where you produce nation builders. Therefore, the language and watchword of the college is discipline and moral sanctity. This is not only extended to students alone but the staff too. You have to imbibe and internalise the tenets of discipline. And that is done through regular attendance at meetings. I am happy that since I assumed office, once the calendar is out, they know that I would be married to that calendar.

    If exam is to take place at so and so time, I would know. My students are conscious of the fact that if lecture would start at a particular period, I would move around the school. Where I don’t meet lectures, I call the lecturer concerned. So the moment they realise that I am moving around, who is that person that would stay behind?

    I told them that the idea that you would not teach when students are not many, I don’t like that. It means that you are punishing the regular and serious students. Out of 100, if you meet only two students in class, start lecturing them. Those ones would inform others that lectures have started and the others would join them. But the moment you wait for them, they would think that it is business as usual; they would not start lecture until so and so time. So, we have imbibed those principles and they are complying willingly because we let them realise that it is not a matter of coercion. We let them realize the importance of decency and discipline; that it is not just a pride but a necessity not only for here but for their own lives as well.

    You said you assumed duty in August 2013 and you are still in acting capacity as provost of the school for two years, what is delaying your confirmation?

    In life, you must sharpen yourself. You cannot make yourself a king. It is the kingmakers that would do that. I am not in a position to put them on the run or it would amount to overzealousness. To guard against that, I will wait till they deem it fit.

  • Ajai-Lycett, Joke Jacobs, others advocate for women

    Ajai-Lycett, Joke Jacobs, others advocate for women

    Gender inequality has been one of the most difficult challenges women have been battling with for a long time. Not just in Nigeria alone but across the globe. And women who have been able to find their feet in the society and have been able to succeed in male dominated fields are tagged with all sorts of names.

     This was one of the topics of discussion among prominent female actors during a press session recently held at Goethe Institute in Lagos. It is against this backdrop that these women chosen to participate in a play titled ‘Hear Word! – Naija Woman Talk True,” a play based on a collection of true life stories which aims at dressing and highlighting the challenges of Nigerian women through theatrical performance.

    The play directed by Ifeoma Fafunwa premiers on Saturday, May 2, at MUSON Centre, Onikan, Lagos, by 2: pm. It is produced by iOpenEye productions.

    This theatre productionkicks off with a special performance at the University of Lagos on April 29. The production will subsequently run at the MUSON Centre, Onikan, every Friday and Saturday in May, alongside satellite performances in public spaces around Lagos.

    Jacobs said she will play the role of a mother who pressurised her daughter to marry because her mates were all getting married. She said: “One of my pieces in the play is about the pressure parents, especially mothers put on their children. We think it is our tradition as mothers and we are pressurising our children into this mindset of incompleteness unless we (women) are married and have children.

    “This is not right because we don’t do the same to a man. The pressure we put on the man is slightly different. We put the wrong kind of pressure on our men. We allow our men to get away with things they shouldn’t get away with it. We allow them as the British will call it ‘sole their wild oath’ and bring their wild oath into what union they are in and we also pressurise the men in a wrong way. These are some of the things we examine in Hear Word!’ she said.

    According to Ifeoma Fafunwa, the woman behind the production and directing of the play, “the play is build after taking monolog and voices of women from different social economic. What is it that will make a woman say I am nobody unless I’m married; I am not a person because I have no child? A woman should leave her God given potential and talent and send the next fifteen years of her life searching how to get pregnant or how to get someone from the village to help her give birth to children for her husband. The idea of this play; we are asking women to leave the baggage behind to bring what is it they were brought on this earth to do.

    “The stories featured in Hear Word are based on the everyday realities in Nigerian women. It is our hope that by lending our voice to theirs, that we can amplify their reach and begin to transform realities. I am truly grateful to be part of this process,” she said.

    Also speaking at the briefing was Kate Henshaw who did say about the role she will but spoke violence against women and children.”Women are not seen as human being but thing that can be done away with it.”  She urged women to fight for their rights. She also commended the Lagos State Government for passing the bill on act of violence against women.

    Bimbo Akintola described Hear Word as the best platform to address the issues of violence against women such as rape and murder “Things I hate about our people is that they sweep some issues under the carpet, we don’t want o talk about it and if you are that person that wants to talk about it, they tag you with names. And if you are not married they call you a prostitute,” she stressed angrily.

    Omonor, Deborah Ohiri, Lala Akindoju, Zara Udofia, Rita Edward, Ufuoma McDermott, Joke Jacobs, Taiwo Ajai-­Lycett , Kate Henshaw , Bimbo Akintola and Elvina Ibru and Odenike are some of the cast in this play. Hear Word is supported by Etisalat, Vlisco, African Magic, Fayrouz, Cool FM and MUSON.