The Nation Newspaper

Tag: artists

  • Artists’ legacy holds on Saturday

    Artists’ legacy holds on Saturday

    Thought Pyramid Art Centre’s second Vision of The Last Quarter will open on Saturday in Abuja. Curated by art patron, Jeff Ajueshi, the exhibition—Vision of The Last Quarter II: From Myth to Memory – The Osogbo Legacy—pays homage to the influence of Osogbo Art Movement and artists who brought it to life. The group show will last till October 31.

    Following success of the 2018 Lagos edition, which celebrated 50 years of Osogbo Art, the baton passes to Abuja. The 2025 exhibition invites audiences to rediscover the mystical, symbolic, and revolutionary art movement that shaped Nigerian modernism.

    Read Also: First Lady advocates stronger partnerships for health, education

    The organisers said the theme reflects transformation of Osogbo Art—from its spiritual and Yoruba cosmological roots to its recognition as a global cultural treasure. The exhibition showcases seminal works from Twins Seven Seven, Jimoh Buraimoh, Adebisi Fabunmi, Muraina Oyelami, Rufus Ogundele, others.

    Through storytelling, intricate symbolism, and deeply rooted tradition, Vision of the Last Quarter II offers an opportunity to experience legacy of Osogbo—one that was born in myth, matured into a movement, and now lives on in memory.

  • When artists chart new paths, possibilities

    When artists chart new paths, possibilities

    The atmosphere was colourful and alluring. Different artistic works on the walls and available spaces in the hall turned every head. The solemn tunes from the band stand at the center of the hall set the tone for the evening of ‘marriage between visual art and musical performances.’

    Welcome to the recent opening ceremony of a group exhibition tagged Infinite Visions at the Quintessence Gallery, Parkview Ikoyi, Lagos, which was a blend of musical and visual tones and colours. The compelling exhibition featuring twenty visionary artists whose diverse practices, reflects the dynamic spirit of contemporary African art. The well attended show organised by Quintessence Gallery in conjunction with Integral Visuals Limited, was spiced with musical performances by Emeka Kaizor’s Afro-Funk Collective led by Fola Michael, who thrilled guests to entertaining evergreen numbers. The group show will end on July 5.

    The 20 participants drawn from different Arts Schools are a blend of emerging and established talents whose works explore the infinite possibilities of form, identity, culture and imagination. The exhibition is featuring works by Adeola Balogun, Odogwu Fidelis, Aina Felix, Babatunde B. B, Ato Arinze, Djakou Kassi, Busayo Lawal, Damola Adepoju, Joshua Nmesirionye, Idowu Sonaya and Sylvester Aigbogun. Others are Olumide Oladiran, Luke Osaro, Dotun Alabi, Ariama Okeoghene, Kafaru Abiodun, Olusegun Mokayi, Taiwo George-Taylor, Sola Muyiwa and Sam Ebohon.

    Managing Director, Quintessence Gallery, Mr. Jude Oni-Okpaku said at a time marked by both uncertainty and creative resurgence, the exhibition invites viewers to witness the power of artistic multiplicity; where each artist’s unique perspective contributes to a collective narrative of innovation, resilience, and hope. “This show celebrates the role of art as a vessel of infinite expression and interpretation, traversing mediums and meanings across sculpture, painting, mixed media, and ceramics.

    “Together, these artists chart new paths and possibilities, weaving together threads of heritage, innovation, personal memory, and societal commentary. Infinite Visions is not just an exhibition, but a celebration of the boundless capacity of the African artistic imagination,” he added.

    With works from four sculptors, two ceramists and 14 painters, each exhibiting two or three pieces, the collection represents a vista through which works of various masters within the Nigerian art space can be savoured under one roof.

    No doubt, the exhibition is a bumper harvest of quality pieces ranging from paintings (acrylics, oil, pastel, water colour, textured), to sculptures (metal, graphite or stone works, glazed clay works) drawings and mixed media that interrogate the many aspects of human life.

    To the curatorial team, Infinite Visions is very unique and made up of various styles and fusions from every artist featuring. It represents a vista through, which viewers can appreciate the works of various masters within the Nigerian art space. “Infinite Visions stands for endless creativity, boundless expressions, inhibited movements and styles, which are evident in the artworks of many contemporary Nigerian artists. It also represents the ever evolving use of various mediums that range from oil colours on canvas to bronze or metal sculptures that are rendered in delectable mannerisms,” according to the team’s statement.

    Read Also: Most Nigerian artists are struggling financially –Ayo Animashaun

    But for Idowu Sonaya, the group exhibition was just an opportunity to bring the strong creative hands to exhibit together. “It is our belief at Integral Visuals and Quintessence that artists can achieve more when they collaborate. It has nothing much to do with Yabatech old students as it cuts across various artists that are thriving within the Lagos landscapes,” he said. 

    In his sculpture I no go gree II (Fela) is a wall hanging metal work that expresses his fumes against the injustices going on in various parts of Nigeria today, such as insecurity, deliberate undervaluation of the Naira by the CBN and our banking institutions. The piece measuring 48×34, which captures the late Afrobeat legend’s signature pose, is a reminder of the maverick musician’s protest against injustices of any kind while alive.

    These are the likes of issues Fela strongly sang about, but unfortunately the issues are still much with us today. The work represents the voice of the voiceless Nigerians that are going through hard times.

    But for his charcoal on paper drawing measuring 20×22 titled Facing the wind depicts that courageous Nigerian who is actually standing firm to confront his or her life challenges, and believing in themselves that they will overcome the storm of their lives. It is a metaphor for the resilience, and perseverance of most Nigerians in the face of increasing challenges.

    Balogun’s Flaunting It, a metal sculpture (bronze, steel, plate etc) speaks to the trendy dresses among societal ladies in the cities, showing an elegantly dressed woman with a giant head gear akin to that of Mama Nike Okundaye. The patches of some bright colours on the dress make the image more painterly and enticing.

    But, Sylvester Aigbogun did not fail to assert his characteristic rich and vibrant colour palette on his Silent conversation, a painting that shows a group of well-dressed ladies in deep and close conversation.

    Ato Arinze’s Baobab tree in dry season (Big and small), are glazed pottery pieces that symbolize the resilience of Nigerians who continually survive the tough economic seasons.

    .

  • Next of Kin: 20 artists make long list

    Next of Kin: 20 artists make long list

    Thought Pyramid Art Centre has unveiled a long list of 20 artists out of the 192 entries received for this year’s Next of Kin competition themed Who Will Give Us A Masterpiece? The artists include Nothando Chiwanga (Zimbabwe), Cletus Oche, Aba Linus, Oyelusi Olasunkanmi,  Zainab Ajala, Yakubu Oluwaseun Kareem, Anyaheto Chinenye, Solomon Oguvre, Olatunde Emmanuel and Uhule Nguemo Martha, Others are Mitchelle James, Chinedu Christopher, Okeke Maduabuchi, Macaulay Barnabas, Okeuhie Solomon Chukwuemeka, Festus Biodun, Abiodun Emmanuel, Adetokun Opeyemi, Ibrahim Falilat and David Obebiate Azibodi.

    The overall winner that will emerge in March will get financial incentives that include a 5million naira solo exhibition prize.

    Next of Kin Series, which entered its seventh edition was established in 2018 by Thought Pyramid Art Centre and has become a prominent platform for discovering and celebrating emerging visual artists in Nigeria. Past winners like Anthonia Nnneji, Christian Allison, Ikechukwu Ezeigwe, Olalekan Adeyemi, and Yakno Jessica have used this competition as a springboard, gaining recognition in the art community and becoming favourites among collectors. The jurors for this year’s edition are Kelani Abass, Nathalie Kassi, and Arinze Stanley.

    Speaking at the event, Exhibition Director, Thought Pyramid Art Centre, Ovie Omatsola disclosed that a new section, tagged Legacies in making will be introduced to the events and it will feature the works of one of the previous finalists of the Next of Kin. This year, the launch of the sub-part of the initiative be done with works of Omofemi Oluwole.

    Read Also: Why some gospel artists left Christ Embassy – Chris Oyakhilome

    But prior to the grand finale in March, the 20 artists that have emerged will be updated on when they need to present their works, come for photo shooting and creating content for the public to see.

    Omatsola stated that there are plans for outreach programme at the Nigerian Prison in Ikoyi in the month of February, but added that there is a security challenge. 

    “But we are having a small challenge. The challenge is the security aspect of going to the prison yard. The prison authority said we can’t come in with cameras and all that. And for the events we are doing, we need to document them.  However, they’ve given us approval, but we are now trying to get another approval so that we can go in with cameras.  It is to set them up for a better future after prison time because there is always life after prison time.

    “But after the workshop, which has Hope as theme, there will be painting of the walls of the prison from inside. They will join in the mural painting. Some of the people who joined us in the workshop will also join in painting their own walls. And it’s hope. It’s just letting them know that there is life after your time in prison. Then the exhibition will hold 30thof March when the eventual winner will be announced,” he said.  

    One of the jurors, Nathalie Kassi urged the participants to touch every medium but master one. “So by the moment you find your domain, where you feel comfortable, where you easily imagine and create, master it,” she said, adding that they must know their target audience. “You target your audience as you cannot ignore the audience. You cannot ignore what they’re saying. Even if an artist is free to do whatever he wants, but he cannot ignore the consumers,” she noted. On how to remain relevant in the art market she advised artists to go slowly in their career development. According to her, some artists can be lucky to produce a mater piece shortly after leaving school while others may take up to 20 or 30 years to achieve such feat. “But nowadays, we have to use everything around us to grow. And it will make you stronger, because when you go slowly, you will last in the market,” Kassi said.

    Recalling her experiences on arriving Nigeria from Cameroon, she said: “When I came to Lagos, people barely pronounced my name. I invested a lot in going out, going to exhibitions, going to talk, seminars, so that way, people, I have some exhibitions that were planned through such outing. But, when you stay in your house, not everybody, not everything will come and meet you in your house,” she said of the need for artist to market himself. Sponsors of the event include Nigeria Machine Tools, who was represented by the General Manager, Business Development and Corporate Affairs for Quinn McGrath Limited, the parent company of Nigeria Machine Tools Limited, Mrs Obehi Ojeaga, the Trustbanc and Planet Bottling Company.

  • With ‘AREWA?’, artists push against stereotypes

    With ‘AREWA?’, artists push against stereotypes

    As part of its move to showcase the artistic and cultural diversity of Northern Nigeria, the Yemisi Shyllon Museum of Art of Pan-Atlantic University (YSMA) has determined to use art to drive the movement. To do this, it has pulled together over 40 artists in a group art exhibition tagged “AREWA?”, which explores the arts of Nigeria’s northern region. The exhibition is curated by Aisha Aliyu-Bima.

    Northern Nigeria, commonly regarded as a homogenous entity, is in fact a multi-layered region with rich arts and cultures that attest to the creativity and innovation of its peoples, according to the curator. “Hence, “AREWA?” is not only offering a nuanced tour of the North, but also explores the region’s modern history, evolving physical and socio-cultural landscape, identities and its significance within the broader Nigerian and African discourse; while celebrating and highlighting the invaluable contributions of its artists to the wider Nigerian arts scene,” said Aliyu-Bima at a press briefing in Lagos.

    The exhibition opens to the public on Tuesday, July 8, 2024, at the Yemisi Shyllon Museum of Art of Pan-Atlantic University. It consists of works, by about 40 artists including Jerry Buhari, Jimoh Akolo, Fati Abubakar, Williams Chechet, Aisha Augie, Blaise Gundu Gbaden, Imran Tilde, Dhlimi Munza, Tonie Okpe and Kaltume Gana, among others.

    Commenting further on the exhibition, the curator, Aliyu-Bima, said: “It is a privilege to put together this exhibition that explores the stories and practice of contemporary artistic practitioners from the North. It invites viewers to look deeply into the works, and I think they will find many points of commonality and wonderful stories. While this exhibit focuses on Northern Nigeria, it also seeks to create more pipelines between the art practitioners in the North and the mainstream art space in Nigeria, Africa and beyond; and to bring important issues like cultural preservation in an ever-evolving world to the fore.”

    On his part, the Manager of the Shyllon Museum, Michael Oseghale, hinted at the briefing, which was held at the Goethe Institute in Lagos, that the AREWA? exhibition is made possible by the grant awarded to the museum by Africa No Filter, an organisation that supports the development of nuanced and contemporary stories that shift stereotypical and harmful narratives within and about Africa.

    “With the support of Africa No Filter, we are glad to show AREWA? to our audiences, especially in our nation’s current socio-cultural climate. The YSMA seeks to advance knowledge about a diverse range of topics through art, and with AREWA?, we are not only able to contribute to learning, but also to nation-building. These opportunities to positively impact the society we are situated in are what justify our mission as a museum,” he stated.

    Read Also: Why artists should not release songs this week, by Do2dtun

    With about 80 artworks in the exhibition lineup, this showcase will bring together generations of artists, as well as a variety of subjects and identities, with the goal of engaging viewers beyond perpetuated stereotypes and cliched narratives about Northern Nigeria, it was stated.

    “To extend its impact, the exhibition will be complemented with workshops for curators, journalists and teachers, featuring panel discussions on the role of art in challenging stereotypes, and the future of arts in Northern Nigeria, as well as advocacy training sessions on better representation. A comprehensive exhibition catalogue including essays on key issues surrounding the arts and culture in Northern Nigeria will also be published,” the Director of YSMA, Jess Castellote.

  • New artists should learn art of sacrifice – Maysol

    New artists should learn art of sacrifice – Maysol

    Businessman and show promoter, OluwaMayowa Solarin, the founder of Maysol Entertainment, recently celebrated his 10th anniversary in the music business. 

    Having worked with top talents like Olamide’s Younger Brother & Ybnl Nation’s Official DJ EniMoney, Sean Tizzle, Dremo, Mayorkun, Small Doctor, Pepenazzi, and others, he emphasised the importance of artists and their labels maintaining strong and respectful relationships.

    Solarin highlighted the need for artists to carefully consider the contracts they sign and to honor their commitments to their labels. He stressed the significant financial investment required for promoting music and urged artists to show appreciation and make necessary sacrifices.

     Solarin also voiced concern about a growing trend of artists publicly criticizing their labels after their contracts expire, warning that this could deter potential investors from supporting new talent.

     “Music business requires  a lot of funds and promoting music now is not small money. The recording, distribution, media rounds, and video, all cost lots of money. 

    Read Also: Ayra Starr reminds me of myself, says Tems

    “So for someone to invest his resources and time in all that it takes grace. So artists should remain grateful and they should also make sacrifices,” he said. 

    The graduate of History & International Relations from Olabisi Onabanjo University also noted that the issue of Artiste calling out their labels after their contract expires is gradually becoming a trend that will make other intending investors run away.

     He emphasised the need for artists to understand that every penny a label invests in promoting their work is aimed at making a profit. 

    He suggested that artists seek legal advice to fully understand their contracts and ensure they fulfill their obligations to prevent unnecessary disputes.

    “Artists calling their promoters and label bosses out is becoming a dangerous trend that will make talents wallow and waste away. This trend, if not curtailed, will chance away investors in the music business because most artists pay their labels back with evil and also pay them back with unkind words. I have examples but I won’t call names here. They should desist from it. This will make our industry lack sponsors and investors if they keep towing the path of paying back kind gestures with evil.

    “We must understand that every penny a label spends in promoting your work is an investment and nobody does a business without the aim of making a profit. 

    “So artists coming out to say their label shortchanged them is alarming. They should get lawyers to interpret their contracts and also not fail to deliver on their side. This will save lots of issues and also make the industry more structured,” he added. 

    Looking forward, Maysol expressed his commitment to working with more talent and creating a more structured industry that protects both artists and investors, ultimately reducing conflicts and fostering a healthier music ecosystem.

  • Seven Nigerian artists who have performed on football’s biggest stages

    Seven Nigerian artists who have performed on football’s biggest stages

    Over the years, Nigerian artists have brought pride to the country through various means, with one notable avenue being their performances on some of football’s grandest platforms.

    From the colourful African Cup of Nations (AFCON) to the electrifying stage of European Club football, and the FIFA World Cup which is the biggest sporting event in the world, Nigerian artists have graced football’s biggest stages.

    The Nation recently reported that Yemi Alade became the latest Nigerian to perform at an international football tournament with her appearance at the 2023 AFCON on January 13, in Abidjan.

    The following are 7 Nigerian artists who have performed on football’s biggest platforms.

    1. Yemi Alade 2023 AFCON:

    Yemi Alade dazzled listeners at the 2024 AFCON opening ceremony in Ivory Coast with a performance of the official anthem ‘Akwaba’ alongside Magic System and Mohamad Ramadan.

    2. Burna Boy 2023 Champions League Final:

    Grammy award-winner Burna Boy has recorded another giant feat after he became the first African artist to perform in a UEFA Champions League Final at the 2023 European Club football final in Istanbul

    3. Rema 2023 Ballon d’Or ceremony:

    While not a tournament, the Ballon d’Or ceremony is a globally anticipated annual football award night. In 2023, Rema thrilled the guests with his hit single ‘Calm Down’ as he became the first African to perform at the Ballon d’Or ceremony.

    4. Davido 2022 World Cup Final:

    Afrobeats megastar Davido became the first Nigerian artist to perform at the FIFA World Cup closing ceremony at the 2022 World Cup in Qatar. He performed the official anthem ‘Hayya Hayya’ alongside AISHA and Trinidad Cardona.

    Read Also: I am ready to pay price other artists paid to be successful in music industry, says BNXN

    5. Kizz Daniel FIFA 2022 Concert:

    Kizz Daniel was one of the stars who graced the FIFA 2022 Concert in Qatar which was one of the side attractions at the tournament. The hitmaker performed his 2022 smash hit single ‘Buga’ featuring Tekno.

    6. Patoranking FIFA 2022 Concert:

    Patoranking was also one of the artists that headlined the FIFA 2022 Concert in Qatar where he entertained fans with a collection of his hit songs.

    7. D’banj 2013 AFCON:

    The Koko Master brought his superstar profile to the closing ceremony of the 2013 African Cup of Nations in South Africa. In what is a historic night for Nigerians, the superstar performed his hit single ‘Top Of The World’ before the Super Eagles lifted the continental trophy after beating Burkina Faso 1 nill.

  • 18 professional artists for induction tomorrow

    18 professional artists for induction tomorrow

    The Guild of Professional Fine Artists of Nigeria (GFA), will tomorrow  induct 18 professional artists  at the Ebonylife Place, Victoria Island.

     An induction/exhibition   had been held in honour of the inductees with each of their artworks displayed at the National Museum gallery, Onikan, Lagos.

     The art works exhibited include sculptures, paintings and bronze  castings among others.

     GFA is an association of Artists positioned to protect and promote the interests of full-time professional fine artists in Nigeria.

     According to the President of the Guild, Mr George Edozie, the 18 inductees were carefully selected based on the standing criteria of the Guild’s membership selection saying, “We are pleased and honoured to induct these exceptionally talented individuals into our fold while we charge them to be dedicated and upright in their career and endeavours. 

     He added that only full-time practitioners of artists are accepted into the guild, “You must be a full-time studio artist without having any other paid job to be qualified to join the GFA,” Edozie said.

     Edozie called on other professional bodies, embassies, government agencies, ministries and stakeholders in the art industry to work hand in hand with the Guild to bring out the best of Nigerian art.

     “We are open and willing to collaborate with any institution for the common good of all creatives.”

     Inside the gallery display of inductees’ artworks, acrylic on canvas work belonging to Mr Sabitu Adu titled “National Discuss” depicts his political background.

    Read Also: Sanwo-Olu swears in two new exco members

     According to Adu, who was a one-time All Progressives Congress (APC) local government party chairman, the painting with an abstract image of gathering northern men in turban regalia is about the north inference in the last election, “The last election we had was almost into serious chaos, if not for the Hausas, we Yoruba’s appreciate them because they stood their ground and said that the election must go back to the South,” he said.

     Another artist, Wande George described his art titled “The Staying Power” which is under the Naked Truth series as issues that have to do with the challenges of life. He added that such issues are naked and factual.

    ” So what I do is that whatever happens to me, I try to put it on canvas for inspiration to challenge and inspire people to do better,” he said.

     Those to be inducted into GFA include Abiodun Agbelusi, Wande George, Akin Aluko, Owoyemi Taiwo, Akporode Abinoro Collins, Sabitu Hassan Abu, Ato Arinze, Olukotun Opeyemi Matthew, Ekpenisi Steve Ucheka, Olajide Peters Salako.

     Others are Elizabeth Ekpetorson, Nwadiogbu George Olisa, Emeka Nwagbara, Nathalie Djakou-Kassi, Emmanuel Dudu, Millicent Ogochukwu Osumuo, Funke Oladimeji and Hassan Aliyu.

  • Transit Artists Foundation to the rescue

    Transit Artists Foundation to the rescue

    It is all full of hopes as Bobnosa Uwagboe along with his Polish partner Malgorzata Paszylka begin an art foundation to prosper the Art. The foundation is named Transit Artists Foundation orchestrated to help artists grow, refocus attention on the salient issues that make fine arts stick. The idea is to reach out to such artists in Africa and Europe, with Nigeria and Poland being the central focus. Edozie Udeze encountered the two partners in an interview.

    It is good that some young Nigerian artists have begun to think home. In terms of establishing art foundations to grow the art and help fellow artists to prosper and discover their rhythms in the fine arts profession, these artists have done marvelously well. One of those generous and brave artists is Bobnosa Uwagboe. Uwagboe is first class artist whose motto in life is to present and propagate what he has come to term protest art.

    In fact his studio is so named Protest Art Studio, located at Egbeda area of Lagos. But beyond the tall dream of having that studio, he has established an art foundation. It is known as Transit Artists Foundation. Incidentally, he did not do this alone. In his wisdom as a great thinker, Uwagboe extended his hand of professional acumen to other foreign partners. With some set of people in far-away Poland, this foundation is thus made possible. It is not just made possible the concept of it all is universal. It is meant to benefit young artists who dream big. It is equally for artists who aspire to the highest height. Thus Transit Artists Foundation is born.

    Both Uwagboe and his foreign partner, a Polish lady known as Malgorzata Paszylka were on hand to proffer answers for the reasons this collaboration and partnership became imperative. In an interview with The Nation, Malgorzata said “The Transit Artists Foundation is primarily a platform for exchanging experiences between an artist who has subordinated his life to the art and a young artist who is just gaining experience”. In other words, the idea is to harness some certain level of serious and hardworking artistic work into one. “Yes the main goal of this is to achieve authenticity and truth while creating art”, she explained. Based on this therefore, it is clear that truly the role of Uwagboe all his career life is in tune with these ideals and prospects.

    The extension of hands of fellowship to his European partners is to further establish the seriousness of this project. Already some artists in residence at Protest Art Studio are gaining from this artistic largesse and model. To this end, Malgorzata said “The originator and founder of the foundation is Bobnosa Uwagboe who created protest art. The foundation’s activities are not focused only on such art. However, the strength, authenticity and courage of protest art will certainly be the leitmotif of the foundation’s activities”. It is not just that. It is also for artists to live up to expectation, seek and receive assistance in record time.

    As a lady of the art who equally believes that art is all about life itself, Malgorzata presented the situation clearer. Thus she said, “The foundation is open to various forms of co-operation. It wants to obtain funds for its activities through international grants, donations and co-operation with other foundations”. This, in a nutshell, is the nexus of the Transit Artists Foundation and what the world is expected to do to make it work.

    In his response, Uwagboe the brain behind this audacious concept said, “Well the Transit Artists Foundation will run like every other foundation. We need to source for funding to support our projects. But at the moment we have not started sourcing for those funds. This is so because we have just kicked off operations. For now, we are funding it with our personal resources which are, to say the least, overwhelming. But I am sure things will get better as we make progress in this new occupation. This is because some individuals who are our friends, no doubt will not let us down. Some will certainly come in to help us by supporting the foundation”.

    Read Also: Why Nigerian artists are more successful than us – Ghanaian rapper D-Black

    An optimistic professional artist who believes in human development and who also loves giving back to the society; Uwagboe is ever keen on those salient projects that outlive their originators.  He has this to say, “The foundation is built on my fundamental principles of staying true to one’s conviction against all odds. This foundation therefore will have a life of its own. This is the vision of myself and Malgorzata Paszylka who also doubles as my manager. This is our honest way to give support and re-educate the emerging artists sidelined and also confused creatives from both continent”.

    In all, it is hoped that this project will gather all the needed encouragement and accolade that will make it not only work but becomes a legacy for posterity. Not only that Uwagboe has set up an artists’ residency programme in his studio here in Nigeria it is also for the fact that he has chosen to help artists refocus their attention after the usual bogus training in art schools. Thus, he brings this to the notice of all concerned that there is a yawning gap between theoretical and practical art practice. Studios such as what Uwagboe has are geared towards ensuring that artists are made to settle down to real studio art demonstrations, arts that produce results and enrich the pockets of practitioners   

  • Ruth Amanyi: I am committed to nurturing budding artists

    Ruth Amanyi: I am committed to nurturing budding artists

     Ojone Ruth Amanyi, an Abuja-based fashion designer, is  Creative Director of Ojaysmiles Palace. In this interview with Chinyere Okoroafor, she recounts her challenges,  now making deliveries to clients in Rwanda, the United Kingdom, Canada, and other countries. In this interview, Ojone recounts her journey into the industry and what her fashion house is all about.

    Can you tell us about the inspiration behind the brand?

    Ojaysmiles Palace was born out of my passion for design and the desire to create a fashion haven where dreams can come true. I wanted to redefine the world of clothing and design in Nigeria, and that’s how the idea came to life.

    What sets Ojaysmiles Palace apart from others?

    We are not just about clothing; we’re about crafting dreams. Our dedication to individuality is our hallmark. I collaborate closely with clients to ensure that each creation reflects their unique personality and style. Our garments radiate confidence, elegance, and sophistication.

    How have you been able to overcome challenges to become a top-notch fashion house?

    My journey into the fashion industry has been filled with challenges, but my passion for design has driven me to overcome them. Through dedication and consistency, we have been able to carve a significant space for ourselves in the industry. It’s been an uphill journey, but we’re proud of what we’ve achieved.

    You are also known for your commitment to education. Can you tell us more about this?

    Education is important to us. I’m committed to nurturing budding talents, and that’s why I also serve as a fashion tutor. Aspiring designers can learn from my real-world experiences and insights. It’s not just about theory; it’s about learning from success stories.

    Could you tell us more about the types of clothing and designs that are your specialty?

    Certainly. At Ojaysmiles Palace, we specialize in both male and female wear. Our offerings range from Bespoke and ready-to-wear garments to stunning Bridals and Aso-ebi ensembles. We work with an array of fabrics including Ankara and Lace, transforming them into tales of grace and charm.

    Read Also: Tinubu’s signs new deal with US based FuelCell Energy

    How do you celebrate Nigerian culture through your collection?

    We capture the essence of Nigerian culture through our Aso-ebi ensembles, which are designed for celebratory occasions. Our skilled artisans craft Bridals that turn weddings into fairy tale moments. Our creations embrace and showcase the beauty of Nigerian traditions.

    Could you discuss Ojaysmiles Palace’s reach beyond its physical location?

    Our impact goes far beyond our physical space. We offer worldwide delivery, allowing fashion enthusiasts across Nigeria and beyond to embrace our creations. We have delivered to clients in Rwanda, the United Kingdom, Canada, and other countries. We started locally but now we have gone global. Ojaysmiles Palace is not just a fashion destination; it’s a legacy of elegance. My unwavering dedication to the craft, commitment to fostering talent, and ability to create pieces that resonate with the soul have solidified Ojaysmiles Palace.

    Could you offer a final message to your audience?

    I invite everyone to embark on a journey of style, sophistication, and creativity with Ojaysmiles Palace today. Our creations reflect individuality and celebrate the beauty of Nigerian culture. Join us in crafting dreams and making fashion statements that last a lifetime.

  • ‘Why artists should grow as collective’

    ‘Why artists should grow as collective’

    Ex-banker and CEO, Tim & Carol Gallery of Art, Ikeja Lagos, Mr. Olawale Fasuyi, grew up in a family synonymous with art. His father, Pa Timothy Adebanjo Fasuyi is one of the founding fathers of the Society of Nigerian Artists. Wale speaks with Assistant Editor (Arts) OZOLUA UHAKHEME on the value of art in a depressed economy, why artists should grow the visual art sub-sector as a collective and the implications of a regulated art practice among other issues.

    Despite the seeming downturn in the nation’s economy, no thanks to the recent removal of fuel subsidy, Nigeria’s creative sector is abuzz with various artistic events in the city of Lagos. Since the beginning of the last quarter of the year, visual artists and thespians put the galleries and theatres in active mode, almost every weekend. This trend is not peculiar to the Island area of Lagos alone, as the Mainland is having a fair share.

    Notwithstanding this development, the Society of Nigerian Artists (SNA) has been charged to show more commitment as stakeholders and elites to the Nigerian project. The society, like other professional bodies, must carry itself more as a collective than it is doing now so that they will earn the recognition and appreciation of the public, according to the Chief Executive Officer, Tim & Carol Gallery of Art, Mr. Olawale Fasuyi. He urged the artists to be proud of their profession and be ready to associate with one another through their professional body.

    Fasuyi, a banker-turned gallery owner and collector, who spoke during a preview of Society of Nigerian Artists’ (Lagos Chapter) annual group exhibition, tagged October Rain, opening on October 15, at Tim & Carol Gallery of Art, Ikeja, Lagos said: “Let as many artists as possible come on board and create some bonds around SNA so that people will take them seriously. The way the Nigerian art is going, one day you will find out that they will be begging SNA for recognition and endorsement.”

    Considering the way the society was allegedly ignored in the selection of artists for the execution of public artworks by Lagos State government during the Lagos at 50 celebrations, Fasuyi said the society must promote professionalism and unity in order to be taken serious.   

    According to him, Lagos state government didn’t liaise with the Society of Nigerian Artists in the selection of artists who were commissioned to mount sculptures in public spaces across the city.

    “I think the society can do better in bringing themselves together. I’ve always known about SNA as it is part of my family. I know the founding fathers very well. They are people I grew up knowing but after some time, they really never took major steps that would have put them on the pedestal with professional associations and bodies.

    “If you take for instance the Nigerian Institute of Architects or the Nigerian Bar Association and other professional bodies, you will see that there is a lot of growth in their trade, which you do not see among the artists. Most artists do not subscribe to the society because it is not a regulatory body. But by convention, all artists who are practising should be members. They’re members by convention but they’re not participatory,” Fasuyi noted.

    He observed that because the society doesn’t regulate, it is handicapped in a way, adding that if it was a strong regulator, the artists won’t afford to be individualistic because there is hardly anything they will do without endorsement from their regulator. 

    “For instance, if an artist is working on an exhibition and he is required to fill a form that the president of his society has to sign, you will see that everybody will fall in line. But, because there is no such, it is free entry and free exit,” he said. 

    Reacting on how the gallery is coping with down turn in economy, Fasuyi said the time we are is no respecter of persons, but assured that the art business will bounce back. He stated that the pains around devaluation of currency and removal of subsidy leave many without disposable income. “No matter how rich you are and except you are super rich, no matter how comfortable you are you will first think of the necessary investments before thinking of art. The basic investments now are in children’s education, feeding the family, providing health care and paying of rent. It is after you have met all these that you can now say you want art. So, we keep the art as we also know that we are sitting on value,” he said with air of optimism. 

    Read Also: ‘How to unlock values in arts industry’

    Continuing, he added: “I look at art from two perspectives; investment and decorative.  If you buy a work of art today, it’s one of the investments that do not lose worth. You cannot hear that if Bruce Onobrakpeya’s work is sold for 3 million naira today and in two years’ time, it will later sell at 1 million naira. But if you buy a car today, it can depreciate. If you buy a piece of land today at 20 million naira, if the news break that govt is going to demolish some properties around there or a major project is going to run through that estate, it begins to lose the value. If you had bought it at 20 million, negative news around that area will bring the price down.

    “Except the family of a departed collector wants to fling his collection and return to cash, then he can come to the market or auction.  It’s not regular. So, aside from the investment perspective, I also see it as embellishment and decorative, which is beautifying perspective. If people can spend a billion or more to put up a property, then such person has no business going to roadside to take art and put it in his house. It’s a misnomer.

    “So, I expect that if you can put that kind of money to put a property you are showing class, you must also continue to show that class by hanging the works of prominent Nigerian artists that the house really befits,” the gallerist said of the value of art. 

    The theme of this year’s exhibition entitled Cross Currents, which will feature about 50 works, is a collaborative between Lagos and Ogun States chapters of the society. The works will include sculptures, ceramics, paintings, drawings among others.

    He disclosed that the exhibition will also accommodate some works that were donated to SNA as part of the fundraising for the secretariat that they are trying to set up. “So, apart from the exhibition pieces, we will also grant them the opportunity to have one or two works donated by low and middle cadre artists so that if they go for sale, they will get it,” he added. 

    On the uniqueness of this year’s October Rain, Fasuyi stated that it is the first time a major gallery on the Mainland will be hosting the exhibition, adding that it is also being held in honour of Pa Timothy Adebanjo Fasuyi, 88, who is one of the founding fathers of SNA. 

    Participating artists include Sylvester Aigbogun, Ojo Olaniyi, Femi Onagoruwa, Oshinowo Kolade, Ayoola Omovo, Adepoju Damola, Bolaji Ogunwo, Kosoko Olojo, Dotun Popoola, Mufu Onifade, Nike Okundaye, Bruce Onobrakpeya. The exhibition will run for two weeks.